Episode 5 Later... with Jools Holland


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Episode 5

Music programme. Guests include Stereophonics, Hurray for the Riff Raff, Moses Sumney, Richard Thompson and Japanese pianist extraordinaire Hiromi.


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CHEERING AND APPLAUSE

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Greetings, listeners, wherever you are! Welcome to this show.

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And welcome to Stereophonics!

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CHEERING AND APPLAUSE

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# Wolves in their words Don't play by their rules

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# From mouth to ear Anything's possible

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# Set the needle down Take it back to the start

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# When do we lose Just how free we are?

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# Help yourself to what you want Yeah, caught by the wind

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# Believing you can fly Celebrate everything

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# Sunbathing on the roof Watching aeroplanes

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# Believing you can live Yeah, forever in a day

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# Hey, whoa, oh, oh, oh

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# Whoa, oh, oh, oh

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# Every chain got a broken link

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# Jump off the boat You can swim or sink

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# The swallows dive through the summer nights

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# Something beautiful Money just don't buy

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# Help yourself to what you want Yeah, caught by the wind

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# Believing you can fly Celebrate everything

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# Sunbathing on the roof Watching aeroplanes

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# Believing you can live Yeah, forever in a day

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# Don't say it's over It's never over

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# There's always time to change And start again today

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# Right now

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# Wolves in their words Don't play by their rules

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# From mouth to ear Anything's possible

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# Help yourself to what you want Yeah, caught by the wind

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# Believing you can fly Celebrate everything

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# Sunbathing on the roof Watching aeroplanes

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# Believing you can live Yeah, forever in a day

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# Oh, yeah Oh, yeah

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# Oh, yeah Celebrate everything

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# Oh, yeah

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Oh, caught by the wind Oh, yeah

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# Oh, yeah Oh, yeah

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# Caught by the wind. #

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CHEERING AND APPLAUSE

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So wonderful to have them back in this room, Stereophonics!

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Caught By The Wind! More from them later on.

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Who? Who have we gathered in this lovely selection

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of people this evening?

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We have, in this corner, from London,

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the wonderful Richard Thompson! CHEERING AND APPLAUSE

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Returning from Dagenham, the sensational Zara McFarlane!

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CHEERING AND APPLAUSE

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From Los Angeles, it is The White Buffalo!

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CHEERING AND APPLAUSE

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We're delighted to also welcome from Los Angeles,

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Moses Sumney! CHEERING AND APPLAUSE

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The extraordinary dextrous skills of the great piano player,

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from Japan, it is Hiromi!

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CHEERING AND APPLAUSE

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And now, from the Bronx, we welcome Hurray For The Riff Raff!

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CHEERING AND APPLAUSE

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# I been a lonely girl

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# I been a lonely girl

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# But I'm ready for the world

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# Ready for the world

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# I been a heart for hire

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# I been a heart for hire

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# And my love's on the funeral pyre

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# Oh, my love's on the funeral pyre

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# When will you, when will you help me out?

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# You can't even pick me out of the crowd

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# Oh, oh, oh, oh, oh, oh, oh

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# I been nobody's child

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# I been nobody's child

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# So my blood's started running wild

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# Oh, my blood's started running wild

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# I been a hungry ghost

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# I been a hungry ghost

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# And I travelled from coast-to-coast

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# Oh, I travelled from coast-to-coast

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# When will you, when will you help me out?

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# You can't even pick me out of the crowd

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# Oh, and I I don't need you any more

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# So then, why am I standing at your door?

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# Oh, oh, oh, oh, oh-oh, oh

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# I been a lonely girl

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# I been a lonely girl

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# But I'm ready for the world

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# I'm ready for the world

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# I'm ready for the world

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# I'm ready for the world

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# Ready for the world

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# Ready for the world

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# Ready for the world

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# Ready for the world

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# Hey! #

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Come on!

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# Oh, I'm ready for the world

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# Well, I'm ready for the world

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# Ready for the world

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# I'm ready for the world. #

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CHEERING AND APPLAUSE

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Hurray For The Riff Raff!

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Their song, Hungry Ghost.

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What a lovely concept, a hungry ghost.

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From their album, The Navigator.

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The next guest that I'm going to welcome over here

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came on the show once before. This is her third album now.

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We welcome... The album's called Arise... We welcome Zara McFarlane!

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CHEERING AND APPLAUSE

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# Things can't go on, you see us tryin'

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# Tryin', tryin'

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# From the early morn

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# Things can't go on, you see us cryin'

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# Cryin', cryin'

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# Till the dawn

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# Still we hold on

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# So we don't fall

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# But our hope won't save us all

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# Still we hold on

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# So we don't fall

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# But our hope won't save us all

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# So we're fussin' and a-fightin'

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# We won't take a bow

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Yes, we're fussin' and a-fightin'

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# We won't take a bow

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Things can't go on, there's too much lyin'

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# Lyin', lyin'

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# On the wall

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# Things can't go on, the world is sighin'

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# Sighin', sighin'

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# On the soul

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# Grow strong and stand up tall

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# Cos time won't wait to save us all

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# Grow strong and stand up tall

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# Cos time won't wait to save us all

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# So we're fussin' and a-fightin'

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# We won't take a bow

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Aah, aah, aah

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# Let it go

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# Aah, aah, aah

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# We won't, we won't, we won't let it go

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# We won't, we won't

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# Aah, aah, aah

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# We won't, we won't let it go

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# No, no, no, no, no, no No, no, no, no, no, no

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# Let it go. #

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CHEERING AND APPLAUSE

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Zara McFarlane!

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Fussin' and Fightin', from her album, Arise.

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Nice band! Feeling good?

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Nice cymbals!

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So, now, our next artist has been on the show before.

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He's been recording for years, he's now made acoustic versions

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of a lot of his great songs and put them on some new albums.

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We welcome Richard Thompson!

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CHEERING AND APPLAUSE

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# We used to say that come the day

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# We'd all be making songs

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# Or finding better words

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# These ideas never lasted long

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# The way is up along the road

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# The air is growing thin

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# Too many friends who tried

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# Swept off this mountain with the wind

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# Meet on the ledge

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# We're gonna meet on the ledge

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# When my time is up, I'm gonna see all of my friends

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# Meet on the ledge

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# We're gonna meet on the ledge

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# If you really mean it

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# It all comes round again

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# Yet now, I see I'm all alone

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# But that's the only way to be

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# You'll have your chance again

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# Then you can do the work for me

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# Meet on the ledge

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# We're gonna meet on the ledge

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# When my time is up, I'm gonna see all of my friends

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# Meet on the ledge

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# We're gonna meet on the ledge

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# If you really mean it

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# It all comes round again. #

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CHEERING AND APPLAUSE

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Meet On The Ledge, Richard Thompson!

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Marvellous.

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Very talented family, actually. Extraordinary family.

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From his Acoustic Classics II.

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Marvellous records of acoustic versions,

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getting right to the point of the songs.

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Speaking of the point of the songs,

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our next guest has some amazing songs on his new record.

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He always has amazing songs.

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And we welcome him - he is Kelly Jones!

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CHEERING AND APPLAUSE Nice to see you, Kelly.

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Um...

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Congratulations on your new record,

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-just about to come out, any minute now.

-Yeah.

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-Scream Above The Sounds is the title.

-Yeah.

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Where does that come from?

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I guess it's a bit of a comment on...

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There's a lot of intrusion

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and 24/7 bad news in people's lives these days, and I guess there's

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a lot of small, good things that people could be celebrating as well,

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in life, and just shout about that, really.

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Well, give us an example of the sort of thing you mean.

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Well, Caught By The Wind was written in the aftermath of, like,

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the Bataclan, we've played the Bataclan in Paris.

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So, the verse started talking about "the wolves in the woods

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"don't play by the rules", kind of thing, and I thought the song

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was kind of going to go down a darker angle,

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but then, the chorus started celebrating all the innocent stuff

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I did when I was a kid,

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like lying on my mother's roof sunbathing,

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looking at the aeroplanes and making shapes out of clouds

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and all that sort of stuff.

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So, it went on to be much more of a celebratory song

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than a dark song, you know?

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-This is now your tenth record.

-Yeah.

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-And 20 years since you started, really.

-Yeah.

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I mean... And you've stayed on, been a huge success, songs get better

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and better - what do you think is the key to doing that?

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Songs. I think the song's always been

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the governor of our band, really. When we started out,

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we thought a record deal was the first rung on the ladder.

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But I wanted a catalogue of music, like, you know,

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Creedence Clearwater Revival or The Kinks, or...

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-I wanted songs to, you know, stand the test of time.

-Yeah, yeah.

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That's all I ever wanted to achieve.

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It wasn't about fame and money and all that sort of stuff.

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-Well, we've got a little clip...

-Have you?

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-Yes, a little clip, and we're going to go down memory lane...

-Are we?

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-..together, yes, in the back of a transit van...

-How far?

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Here is More Life In A Tramp's Vest,

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-this is from 1997. When I was 12.

-Yeah!

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LAUGHTER

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# The flower man sits down in the street

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# Surrounded by the stock he bought back last week

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# Bring back the ladies wearing lipstick on their teeth

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# Make up, we make up a crappy joke

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# Sit back, relax and have a smoke

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# Mack the Knife swigs a can and sings the day away

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# There's more life, more life, more life in a tramp's vest

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# There's more life, more life, more life in a tramp's vest

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# There's more life, more life, more life in a tramp's vest

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# There's more life, more life, more life in a tramp's vest... #

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CHEERING AND APPLAUSE

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That was good!

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Do you have any recollections at all of 1997?

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I've got recollections of that.

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I was told, we go round in a circle

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and the first one to cock it up is when we stop.

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And I looked across, and there was Ry Cooder,

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the Buena Vista Social Club, Stevie Winwood,

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and I walked up to the mic and I hit my nose, my chin, my teeth,

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and I had to stop, and I was the first one to make it all stop, yeah.

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-Oh, no!

-Because they made us

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stand on those little podiums that we used in the video.

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I tell you what, I noticed there were

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little birthday cakes on there.

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-Yeah, but it sounded all right, though.

-It did sound all right.

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It did sound all right.

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It's the first time I'd ever seen the back of my head, that was.

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That's the great thing about television.

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If somebody says, "Why did you start in television?"

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-So I can see the back of my head.

-Exactly, yeah.

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And you're going to be going on tour, I guess.

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Do you look forward to touring?

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Yeah, because we've got ten albums' worth of material now to pick

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and choose from. So, we've got this catalogue...

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I always loved people like Tom Petty and stuff like that,

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so you'd see these bands where there wasn't, like,

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a big frontman prancing about, it was just about a catalogue of songs.

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-We can do that now.

-And when you go on tour, do you go tourist,

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do you go and look at things when you're...?

0:19:470:19:48

We get in bed earlier. It tends to just be curry and beer.

0:19:480:19:52

Curry and beer?

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-We've got Curry Finder on the phone.

-Really?

-Yeah.

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Do you have a curry straight after the show?

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We do tend to have a curry after the show, yeah.

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Mother India, in Edinburgh and Glasgow...

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Yeah, but my thing is, the timing of it, right?

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So, you want to come offstage, you walk offstage, the applause is, if

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you're lucky, still going, and there is the curry on the table, there.

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It's not like we're going to wait around,

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we haven't got time for that!

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-No, the lamb has to be still hot from the takeaway.

-Exactly.

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People don't realise, when bands are on tour, everybody,

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all the artists in this room, am I right -

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the most important thing is what you're going to eat that night!

0:20:220:20:25

-Exactly. Because it's not easy, is it?

-It's not easy.

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Everyone has had their dinner, but we haven't,

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-we've got to wait till late.

-There's a lot of waiting around!

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But we don't want sympathy, we want applause,

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for the wonderful Kelly Jones!

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CHEERING AND APPLAUSE

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What a great voice that man's got.

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Super voice.

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An extraordinary,

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magnificent selection of artists in this room now.

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We welcome, from Los Angeles, The White Buffalo!

0:20:490:20:52

CHEERING AND APPLAUSE

0:20:520:20:55

One, two, three!

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# Billy wasn't sober, he got pulled over in Chinatown

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# Liquor on his breath, stuffs a pistol in the cushion

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# Rolls the window down

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# Oh, well, his heart, it races like a hundred yard dash

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# Stone-cold on his face

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# Policeman sends him reluctantly on his way

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# Billy wasn't sober, he was hungover, it was 10am

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# Another day of work, clutching the pillow like his only friend

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# Oh, well, he's past his prime, he's a dinosaur

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# Steadfast in his ways

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# No aces left, but he still has cards to play

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# And he hopes today he'll swim his way to Avalon

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# He's not all the way down

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# Billy's getting older, the chip on his shoulder's getting heavier

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# The weight of the world spins and obscures into oblivion

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# This ain't living, it's waiting around to die

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# There must be another way

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# Under his breath, he says, things have got to change

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# And he hopes today, he'll swim his way to Avalon

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# He's not all the way down

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# And he hopes today, he'll swim his way to Avalon

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# He's not all the way down

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# Searching, but he got no soul

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# Wishing he could flip a switch

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# Turn his life around and face the fact

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# That life's a bitch

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# And he hopes today, he'll swim his way to Avalon

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# He's not all the way down

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# And he hopes today, he'll swim his way to Avalon

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# He's not all the way down

0:23:140:23:19

# And he hopes today, he'll swim his way to Avalon

0:23:190:23:23

# He's not all the way down. #

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CHEERING AND APPLAUSE

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The White Buffalo, with Avalon!

0:23:420:23:45

From their album, Darkest Darks, Lightest Lights.

0:23:450:23:49

Some rather good titles this week.

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So, let's hold it a moment,

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and this next artist we've got here this evening is truly extraordinary.

0:23:530:23:57

She has brought her ten-piece orchestra with her,

0:23:570:24:00

and those ten pieces of the orchestra

0:24:000:24:03

are in fact her ten fingers.

0:24:030:24:04

She is one of the most remarkable players that I've met recently,

0:24:040:24:07

a dear friend, an extraordinary person and a dazzling pianist,

0:24:070:24:11

it is Hiromi!

0:24:110:24:13

CHEERING AND APPLAUSE

0:24:130:24:16

CHEERING AND APPLAUSE

0:27:410:27:44

# Suzie Q

0:28:120:28:14

# What makes you

0:28:140:28:17

# On the inside, outside

0:28:180:28:22

# Upside, downside

0:28:220:28:24

# It's true

0:28:240:28:26

# He never looked at you

0:28:260:28:29

# What told me inside, outside

0:28:290:28:33

# Upside, downside

0:28:330:28:37

# You're a back-seat driver on the side of the road

0:28:370:28:39

# Ten cups of coffee and you're gonna explode

0:28:390:28:42

# Want to mow me down like a domino

0:28:420:28:46

# You're riding around like Geronimo

0:28:460:28:49

# Back-seat driver on the side of the road

0:28:490:28:52

# Ten cups of coffee and you're gonna explode

0:28:520:28:55

# You want to mow me down like a domino

0:28:550:28:58

# You're riding around like Geronimo

0:28:580:29:04

# Cadillac in blue

0:29:120:29:14

# It never suited you

0:29:140:29:17

# What told me inside, outside

0:29:180:29:22

# Upside, downside

0:29:220:29:25

# It's true

0:29:250:29:27

# You've got me hooked on you

0:29:270:29:30

# But you're with me inside, outside

0:29:300:29:35

# Upside, downside

0:29:350:29:37

# You're a back-seat driver on the side of the road

0:29:370:29:41

# Ten cups of coffee and you're gonna explode

0:29:410:29:44

# You want to mow me down like a domino

0:29:440:29:47

# You're riding around like Geronimo

0:29:470:29:50

# Back-seat driver on the side of the road

0:29:500:29:53

# Ten cups of coffee and you're gonna explode

0:29:530:29:55

# You want to mow me down like a domino

0:29:550:29:59

# You're riding around like Geronimo

0:29:590:30:02

# Ooh, yeah

0:30:020:30:05

# Ooh-ooh-ooh-ooh

0:30:320:30:35

# Ooh-ooh-ooh-ooh

0:30:350:30:38

# Ooh-ooh-ooh-ooh

0:30:380:30:41

# Ooh-ooh-ooh-ooh

0:30:410:30:44

# You're a back-seat driver on the side of the road

0:30:440:30:47

# Ten cups of coffee and you're gonna explode

0:30:470:30:50

# You want to mow me down like a domino

0:30:500:30:53

# You're riding around like Geronimo

0:30:530:30:56

# You're a back-seat driver at the side of the road

0:30:560:31:00

# Ten cups of coffee and you're going to explode

0:31:000:31:02

# Geronimo!

0:31:020:31:05

# You're riding around like Geronimo. #

0:31:050:31:11

CHEERING AND APPLAUSE

0:32:050:32:07

Stereophonics with Geronimo from Scream Above The Sounds

0:32:120:32:18

and before that, we enjoyed the extraordinary Hiromi.

0:32:180:32:22

CHEERING AND APPLAUSE

0:32:220:32:24

We have more extraordinary

0:32:240:32:26

and wonderful talent in this room this evening.

0:32:260:32:28

We now welcome, please,

0:32:280:32:29

from Los Angeles, the wonderful sound of Moses Sumney.

0:32:290:32:33

CHEERING AND APPLAUSE

0:32:330:32:36

# I'm not a body

0:32:370:32:39

# The body is but a shell

0:32:390:32:44

# I disembody

0:32:450:32:47

# But suffering is sovereign

0:32:470:32:49

# Still

0:32:490:32:55

# No grasp of reality

0:32:550:32:59

# The world is a wonderland scene

0:33:000:33:06

# I don't know

0:33:080:33:12

# What we are

0:33:120:33:15

# But every cell in the corpus

0:33:150:33:18

# Resembles stars

0:33:180:33:25

# Signal into the sky

0:33:250:33:30

# God sings to me in reply

0:33:300:33:38

HE VOCALISES IN HARMONY

0:33:390:33:41

HE VOCALISES IN HARMONY

0:33:530:33:56

# Don't bother calling

0:34:110:34:13

# I'll call you

0:34:130:34:16

# Don't bother calling

0:34:180:34:21

# I'll call you

0:34:210:34:26

# I'm not somebody

0:34:360:34:38

# Somebody would savour us

0:34:380:34:43

# You need a solid, but I'm made of liquid

0:34:430:34:47

# Trust in me

0:34:470:34:54

# I am the son of the sea

0:34:540:34:58

# And I'll call you when I feel finally free

0:34:580:35:05

# I don't know

0:35:060:35:10

# What we are

0:35:100:35:15

# But all I know is I can't go away

0:35:150:35:19

# With you with half a heart

0:35:190:35:25

# Don't bother calling

0:35:270:35:29

# I'll call you

0:35:290:35:32

# Don't bother asking

0:35:350:35:37

# For the truth

0:35:370:35:42

# Don't bother calling

0:35:420:35:45

# I'll call you

0:35:450:35:48

# Don't bother calling

0:35:500:35:53

# I'll call you. #

0:35:530:35:57

CHEERING AND APPLAUSE

0:36:020:36:05

# Today, I feel weak

0:36:120:36:15

# But tomorrow, I'll feel a queen

0:36:150:36:19

# I was raised by the street

0:36:190:36:23

# Do you know what that really means?

0:36:230:36:26

# All this hurt I suffered

0:36:280:36:31

# It just begins again

0:36:310:36:34

# In a baby girl

0:36:360:36:39

# Or a full-grown man

0:36:390:36:44

# Tomorrow will come

0:36:440:36:47

# Like the turning of the sun

0:36:470:36:51

# Over tall buildings

0:36:510:36:56

# And the beating of a drum

0:36:560:36:59

# It lives in my heart

0:36:590:37:02

# But buried in the past

0:37:030:37:06

# Here comes the navigator

0:37:060:37:10

# She knows you're fading fast

0:37:100:37:15

# The prophets warned us

0:37:480:37:51

# Well, they swore it was true

0:37:510:37:54

# Well, here we go, baby

0:37:540:37:58

# It can happen to you

0:37:580:38:02

# Beware of men who barter

0:38:020:38:07

# With the people's fate

0:38:070:38:11

# Here comes the navigator

0:38:110:38:14

# Refugee patron saint

0:38:140:38:19

# Oh, where will all my people go?

0:38:190:38:25

# The navigator wants to know

0:38:250:38:31

# Oh-oh-oh-oh

0:38:310:38:32

# Oh-oh-whoa-oh

0:38:320:38:36

# Oh, where will all my people live?

0:38:360:38:42

# The navigator, she won't forgive

0:38:420:38:47

# Oh, where, where will all my people go?

0:39:080:39:14

# The navigator, she wants to know

0:39:140:39:19

# Wants to know! #

0:39:190:39:22

CHEERING AND APPLAUSE

0:39:290:39:33

Hurray For The Riff Raff!

0:39:340:39:37

The title track of their album, The Navigator.

0:39:370:39:41

Before that, we heard the lovely voice of Moses Sumney.

0:39:410:39:45

CHEERING AND APPLAUSE Lovely falsetto voice.

0:39:450:39:48

So, now, our next artist, as I explained... It's great, actually.

0:39:480:39:51

If you've got a great catalogue of songs,

0:39:510:39:53

to put them all into one place in their original form,

0:39:530:39:56

which of course would just be with the instrument,

0:39:560:39:58

whatever it is you've written them on,

0:39:580:40:00

and that is what our next artist has done with his new album.

0:40:000:40:03

We welcome Richard Thompson. CHEERING AND APPLAUSE

0:40:030:40:06

# By Devonside

0:40:080:40:10

# She was a-marching

0:40:120:40:15

# It was a gang

0:40:170:40:20

# Of no great size

0:40:200:40:24

# And surrender was the banner

0:40:250:40:29

# That she carried

0:40:290:40:32

# And hungry was the shiver

0:40:340:40:37

# In her eyes

0:40:370:40:40

# She met a boy

0:40:440:40:47

# His health was failing

0:40:490:40:51

# She dropped the banner

0:40:520:40:55

# And took her prize

0:40:550:41:00

# And the only food she had

0:41:010:41:04

# Was bread and morphine

0:41:040:41:07

# But he fed on the shiver

0:41:090:41:13

# In her eyes

0:41:130:41:16

# By Devonside

0:41:470:41:50

# His love was drifting

0:41:510:41:54

# He looked for comfort

0:41:550:41:59

# Otherwise

0:41:590:42:03

# And there never was a rope or chain about him

0:42:040:42:09

# Oh, she held him with the shiver

0:42:120:42:15

# In her eyes

0:42:150:42:19

# Oh, she said, my John

0:42:190:42:22

# I'll be your pillow

0:42:230:42:25

# I'll be your lover

0:42:270:42:30

# Mother, whore and wife

0:42:300:42:33

# And he said he'd loved, but never seen her

0:42:360:42:42

# When the light fell from the shiver

0:42:430:42:47

# In her eyes. #

0:42:470:42:50

CHEERING AND APPLAUSE

0:43:060:43:09

Richard Thompson with Devonside - what a lovely song

0:43:120:43:16

from Acoustic Classics 2, lovely songs, of course,

0:43:160:43:19

for an acoustic form.

0:43:190:43:21

Thank you so much, Richard. I'm going down this way now.

0:43:210:43:23

Lovely to see you again.

0:43:230:43:24

So we've now got a pretty international show

0:43:240:43:27

because we have, I just think, an...

0:43:270:43:29

If you were tuned in 15 minutes ago, which I hope you were,

0:43:290:43:32

you will have seen the amazing talent of our guest here, Hiromi!

0:43:320:43:36

CHEERING AND APPLAUSE

0:43:360:43:38

It's so nice to have you here, Hiromi. It's so great.

0:43:380:43:42

And I suppose the first thing I've got to ask,

0:43:420:43:44

when you first learned the piano

0:43:440:43:46

cos there's amazing pianists from Japan, aren't there,

0:43:460:43:49

but what was the first thing that you learned

0:43:490:43:51

that you thought, "This is it, the piano's for me now"?

0:43:510:43:53

What was it?

0:43:530:43:55

When I played very classic scale Hanon with swing.

0:43:550:43:59

And how did you do that?

0:43:590:44:00

Play it straight first. How does it go straight?

0:44:000:44:02

SHE PLAYS A SCALE

0:44:020:44:04

And then how do you swing it?

0:44:060:44:07

SHE PLAYS A JAUNTIER VERSION OF THE SAME SCALE

0:44:070:44:11

Yeah, nice. Beautiful, lovely!

0:44:110:44:14

Now, we were talking earlier about some of the piano players

0:44:140:44:18

and pianists we like and one of them,

0:44:180:44:20

who's up on the piano there now who was born in 1917,

0:44:200:44:23

the end of the First World War, he would have been 100 this month -

0:44:230:44:25

there's Thelonious Monk.

0:44:250:44:27

Let's have a round of applause for Thelonious Monk.

0:44:270:44:30

APPLAUSE

0:44:300:44:32

-Shall we have a crack at a bit of a Monk tune?

-Yes.

-OK, then.

0:44:320:44:35

I'll start, then.

0:44:350:44:36

CHEERING AND APPLAUSE

0:47:060:47:09

The fantastic Hiromi!

0:47:150:47:17

CHEERING

0:47:170:47:19

With our tribute to Thelonious Sphere Monk on his birthday.

0:47:190:47:24

Happy birthday, Thelonious Monk! Thank you, Hiromi.

0:47:240:47:27

I love the fact that in every corner of this room,

0:47:290:47:32

different grooves come out and every groove I like the sound of.

0:47:320:47:35

I love the way that we've got this lovely Jamaican sound

0:47:350:47:38

mashed up over here. We welcome Zara McFarlane.

0:47:380:47:41

CHEERING AND APPLAUSE

0:47:410:47:44

# Oh, me

0:48:030:48:05

# Oh, my

0:48:050:48:07

# The cost of living

0:48:070:48:09

# Gets so high

0:48:090:48:12

# My, my

0:48:120:48:14

# What now?

0:48:140:48:17

# Got to make it

0:48:170:48:19

# Don't know how

0:48:190:48:21

# We believe

0:48:210:48:23

# Peace begins within

0:48:230:48:26

# We believe

0:48:300:48:33

# Peace begins within

0:48:330:48:35

# Don't like war

0:48:400:48:43

# Bring us peace

0:48:430:48:45

# Won't you excuse me

0:48:450:48:47

# While I get over this?

0:48:470:48:49

# Oh, me

0:48:490:48:52

# Oh, my

0:48:520:48:54

# Feeling so bad, I cannot cry

0:48:540:48:58

# We believe

0:48:580:49:01

# Peace begins within

0:49:010:49:04

# We believe

0:49:080:49:10

# Peace begins within

0:49:100:49:13

SHE SCATS

0:49:160:49:20

SHE SCATS

0:49:260:49:28

# Oh, me

0:49:360:49:38

# Oh, my

0:49:380:49:41

# Want to see heaven

0:49:410:49:43

# Don't want to die

0:49:430:49:45

# We believe

0:49:450:49:47

# Peace begins within

0:49:470:49:50

# We believe

0:49:540:49:57

# Peace begins within

0:49:570:49:59

# Oh, me

0:50:230:50:25

# Oh, my

0:50:250:50:28

# Want to see heaven

0:50:280:50:31

# Don't want to die

0:50:310:50:33

# We believe

0:50:330:50:35

# Peace begins within

0:50:350:50:37

# We believe

0:50:410:50:43

# Peace begins within

0:50:430:50:46

# We believe

0:50:500:50:53

# Peace begins within

0:50:530:50:56

# We believe

0:51:000:51:02

# Peace begins within

0:51:020:51:05

# We believe

0:51:090:51:12

# Peace begins within

0:51:120:51:14

# We do believe, we do believe

0:51:140:51:18

# We believe

0:51:180:51:20

# Peace begins within

0:51:200:51:24

SHE SCATS

0:51:240:51:27

# We believe

0:51:270:51:30

# Peace begins within

0:51:300:51:33

SHE SCATS

0:51:330:51:37

# We believe

0:51:370:51:39

# Peace begins within. #

0:51:390:51:42

CHEERING AND APPLAUSE

0:51:430:51:46

Zara McFarlane - Peace Begins Within,

0:51:490:51:52

and you would be well advised

0:51:520:51:56

cos it's the London Jazz Festival coming up, you can see Zara there.

0:51:560:52:00

Yes, Zara McFarlane, thank you so much!

0:52:000:52:03

CHEERING AND APPLAUSE Now, immediately behind me,

0:52:030:52:05

a beautifully contrasting lovely band.

0:52:050:52:07

We welcome The White Buffalo!

0:52:070:52:09

CHEERING AND APPLAUSE

0:52:090:52:11

# Oh, darlin', darlin'

0:52:230:52:25

# What have I done?

0:52:250:52:27

# I've been astray from you too long

0:52:300:52:34

# All my days have turned to darkness

0:52:370:52:41

# I believe my heart has turned to stone

0:52:430:52:48

# Oh, darlin', darlin'

0:52:490:52:51

# What have I done?

0:52:510:52:54

# Now I don't say anything at all

0:52:560:53:00

# God don't listen to me, no ways

0:53:020:53:07

# Now I'm left here all alone

0:53:090:53:14

# Ooh-ooh, I hear what the neighbours say

0:53:140:53:20

# That poor boy, he's lost his way

0:53:220:53:27

# I let the others pray

0:53:270:53:30

# Oh, darlin', darlin'

0:53:330:53:36

# What have I done?

0:53:360:53:38

# Now I do my talking with a gun

0:53:400:53:44

# And blood will spill into the gutters

0:53:460:53:52

# It will stain the morning sun

0:53:540:53:58

# Ooh-ooh, tell me what the hell I've done

0:53:590:54:04

# Can I stop at one?

0:54:070:54:10

# Or have I just begun? #

0:54:110:54:14

Ha!

0:54:170:54:19

# Take out the bodies that live

0:54:200:54:22

# Lord, it gets me high

0:54:220:54:25

# I think I'm going to get my fill

0:54:250:54:29

# Of taking lives

0:54:290:54:31

# Lord, I don't want to let my baby down

0:54:310:54:37

# I just want to give us something

0:54:370:54:40

# One of a kind

0:54:400:54:48

# Oh, darlin', darlin'

0:54:500:54:52

# What have I done?

0:54:520:54:54

# I've been astray from you too long

0:54:560:55:00

# All my days have turned to darkness

0:55:020:55:07

# Hell is leaving the light on

0:55:090:55:13

# Ooh-ooh, they'll hang me way up high

0:55:130:55:20

# God himself will drop me from the sky

0:55:200:55:25

# And let me swing a while

0:55:270:55:30

# Oh, darlin', darlin'

0:55:330:55:35

# What have I done?

0:55:350:55:38

# Oh, darlin', darlin'

0:55:400:55:43

# What have I done?

0:55:430:55:46

# Oh, darlin', darlin'

0:55:460:55:48

# What have I done?

0:55:480:55:51

# Oh, darlin', darlin'

0:55:510:55:54

# What have I done?

0:55:540:55:57

# Oh, darlin', darlin'

0:55:570:56:00

# What have I done?

0:56:000:56:03

# Oh, darlin', darlin'

0:56:030:56:06

# What have I done?

0:56:060:56:09

# Oh, darlin', darlin'

0:56:090:56:12

# What have I done?

0:56:120:56:15

# Oh, darlin', darlin'

0:56:150:56:18

# What have I done?

0:56:180:56:24

# What have I done? #

0:56:240:56:27

CHEERING AND APPLAUSE

0:56:270:56:29

# Chances are you'd like to be untouchable

0:56:520:56:57

# Chances are you want to feel irresistible

0:56:590:57:05

# Chances are you want to be rock and roll

0:57:060:57:13

# For you, for you

0:57:130:57:16

# All the others

0:57:160:57:18

# They will turn you on

0:57:180:57:22

# Chances are you want to feel in control

0:57:230:57:28

# Chances are you want to be less alone

0:57:300:57:36

# Chances are you'd like to go and get divorced

0:57:370:57:42

# For you, for you

0:57:440:57:47

# Or your lover that you depend upon

0:57:470:57:52

# Chances are you'd like to bend or break the rules

0:58:050:58:11

# Chances are you'd like to let it all hang loose

0:58:120:58:17

# Chances are you'd like to feel more love at home

0:58:190:58:24

# Chances are you'd like to feel less insecure

0:58:260:58:31

# Chances are you're really going to mess it up

0:58:330:58:37

# Chances are, they're probably going to drink it up

0:58:390:58:44

# Chances are you maybe feel the world for me

0:58:460:58:52

# Chances are you wind up sleeping up with the enemy

0:58:530:58:58

# Don't hold it back

0:59:000:59:04

# Don't hold it back

0:59:040:59:07

# Don't hold it back

0:59:070:59:11

# Don't hold it, yeah

0:59:110:59:14

# Don't be disillusioned

0:59:210:59:25

# It soon works out

0:59:250:59:28

# What seems so uncertain

0:59:280:59:30

# It soon works out

0:59:320:59:36

# Yeah

0:59:360:59:38

# Ohhhh, whoa-oh

0:59:410:59:45

# It soon works out

0:59:450:59:49

# Ohhh, whoa-oh

0:59:490:59:51

# It soon works out

0:59:510:59:54

# Ohhh, oh-whoa-ho

0:59:540:59:59

# It soon works out

1:00:001:00:07

# Yeah, it soon works out

1:00:071:00:11

# Chances are

1:00:161:00:18

# Chances are

1:00:181:00:20

# Chances are

1:00:201:00:21

# Chances are

1:00:211:00:23

# Chances are

1:00:231:00:25

# Chances are. #

1:00:251:00:28

-CHEERING AND APPLAUSE

-Thank you!

1:00:401:00:43

The wonderful Stereophonics with Chances Are.

1:00:441:00:49

So, if you have enjoyed this show, do have a look at our website.

1:00:491:00:52

There's loads more.

1:00:521:00:53

We'll be back on Tuesday at ten o'clock with Noel Gallagher.

1:00:531:00:56

Yes, we'll be here with him.

1:00:561:00:57

Dua Lipa, Aimee Mann,

1:00:571:00:59

Superorganism and me and Jose Feliciano, Rita Wilson -

1:00:591:01:03

so much more. Will you come and join us next week?

1:01:031:01:06

CHEERING I'll take that as a yes.

1:01:061:01:08

Could I invite you to give us a little thing

1:01:081:01:10

you've got, I think, in the key of B natural,

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my favourite key and my philosophy in life? Here we go.

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THEY PLAY SLOW-PACED ROCK Nice!

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So I'd like to thank all of the wonderful guests

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we've had in the room this evening.

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Thank you, Stereophonics!

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CHEERING AND APPLAUSE

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Thank you, Richard Thompson!

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CHEERING

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Thank you, Zara McFarlane, at the London Jazz Festival soon,

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CHEERING a marvellous band.

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Another wonderful band, The White Buffalo!

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CHEERING

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The amazing voice, the amazing guitar - Moses Sumney!

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CHEERING

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My new best friend -

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the amazing, the one and only

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extraordinary hands of Hiromi!

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We loved inviting back to the studio Hurray For The Riff Raff!

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CHEERING

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One, two, three and... MUSIC FADES

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On this week's show, Welsh rockers Stereophonics, who are celebrating the 20th anniversary of their 1997 debut album Word Gets Around, return with tracks from their tenth studio album Scream Above the Sounds, which frontman Kelly Jones has described as an anthemic record to mark this milestone.

New Orleans folk-blues band Hurray for the Riff Raff also perform, with tunes from their new, sixth album The Navigator. Led by frontwoman Alynda Lee Segarra, their Americana sound paves the way for political anthems inspired by time living in New York and her Puerto Rican heritage.

Making his TV debut is California-born, Ghana-raised Moses Sumney, whose heavenly falsetto has already won the hearts of the likes of Beck and Solange Knowles. His much-anticipated debut Aromanticism, which has just been released, has been described as genre-defying and was written in a variety of places, from Montreal to a boat in Nicaragua.

Returning to the show is celebrated British guitarist and songwriter Richard Thompson, who performs a track or two from his Acoustic Classics Vol II collection, which sees him revisit many of his songs in a stripped back and solo way.

Making her debut on the show is Japanese pianist extraordinaire Hiromi, who is known for her virtuosic technique and energetic live performances. Although she was classically trained, her introduction to jazz at an early age means her music and shows are a mix of musical styles and genres, and have seen her perform with the likes of Chick Corea.

Californian singer-songwriter Jake Smith, who goes by the moniker of The White Buffalo, plays a song or two from his sixth country-tinged rock LP Darkest Darks, Lightest Lights, and award-winning jazz vocalist Zara McFarlane returns to the show with songs from her third album Arise, which traces her musical heritage of the Caribbean and explores her take on the musical possibilities of British-Jamaican identity.