Episode 5 Later... with Jools Holland


Episode 5

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CHEERING AND APPLAUSE

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Greetings, listeners, wherever you are! Welcome to this show.

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And welcome to Stereophonics!

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CHEERING AND APPLAUSE

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# Wolves in their words Don't play by their rules

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# From mouth to ear Anything's possible

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# Set the needle down Take it back to the start

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# When do we lose Just how free we are?

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# Help yourself to what you want Yeah, caught by the wind

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# Believing you can fly Celebrate everything

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# Sunbathing on the roof Watching aeroplanes

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# Believing you can live Yeah, forever in a day

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# Hey, whoa, oh, oh, oh

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# Whoa, oh, oh, oh

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# Every chain got a broken link

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# Jump off the boat You can swim or sink

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# The swallows dive through the summer nights

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# Something beautiful Money just don't buy

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# Help yourself to what you want Yeah, caught by the wind

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# Believing you can fly Celebrate everything

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# Sunbathing on the roof Watching aeroplanes

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# Believing you can live Yeah, forever in a day

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# Don't say it's over It's never over

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# There's always time to change And start again today

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# Right now

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# Wolves in their words Don't play by their rules

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# From mouth to ear Anything's possible

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# Help yourself to what you want Yeah, caught by the wind

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# Believing you can fly Celebrate everything

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# Sunbathing on the roof Watching aeroplanes

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# Believing you can live Yeah, forever in a day

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# Oh, yeah Oh, yeah

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# Oh, yeah Celebrate everything

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# Oh, yeah

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Oh, caught by the wind Oh, yeah

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# Oh, yeah Oh, yeah

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# Caught by the wind. #

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CHEERING AND APPLAUSE

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So wonderful to have them back in this room, Stereophonics!

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Caught By The Wind! More from them later on.

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Who? Who have we gathered in this lovely selection

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of people this evening?

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We have, in this corner, from London,

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the wonderful Richard Thompson! CHEERING AND APPLAUSE

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Returning from Dagenham, the sensational Zara McFarlane!

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CHEERING AND APPLAUSE

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From Los Angeles, it is The White Buffalo!

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CHEERING AND APPLAUSE

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We're delighted to also welcome from Los Angeles,

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Moses Sumney! CHEERING AND APPLAUSE

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The extraordinary dextrous skills of the great piano player,

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from Japan, it is Hiromi!

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CHEERING AND APPLAUSE

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And now, from the Bronx, we welcome Hurray For The Riff Raff!

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CHEERING AND APPLAUSE

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# I been a lonely girl

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# I been a lonely girl

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# But I'm ready for the world

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# Ready for the world

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# I been a heart for hire

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# I been a heart for hire

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# And my love's on the funeral pyre

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# Oh, my love's on the funeral pyre

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# When will you, when will you help me out?

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# You can't even pick me out of the crowd

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# Oh, oh, oh, oh, oh, oh, oh

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# I been nobody's child

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# I been nobody's child

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# So my blood's started running wild

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# Oh, my blood's started running wild

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# I been a hungry ghost

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# I been a hungry ghost

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# And I travelled from coast-to-coast

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# Oh, I travelled from coast-to-coast

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# When will you, when will you help me out?

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# You can't even pick me out of the crowd

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# Oh, and I I don't need you any more

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# So then, why am I standing at your door?

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# Oh, oh, oh, oh, oh-oh, oh

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# I been a lonely girl

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# I been a lonely girl

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# But I'm ready for the world

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# I'm ready for the world

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# I'm ready for the world

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# I'm ready for the world

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# Ready for the world

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# Ready for the world

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# Ready for the world

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# Ready for the world

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# Hey! #

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Come on!

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# Oh, I'm ready for the world

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# Well, I'm ready for the world

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# Ready for the world

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# I'm ready for the world. #

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CHEERING AND APPLAUSE

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Hurray For The Riff Raff!

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Their song, Hungry Ghost.

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What a lovely concept, a hungry ghost.

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From their album, The Navigator.

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The next guest that I'm going to welcome over here

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came on the show once before. This is her third album now.

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We welcome... The album's called Arise... We welcome Zara McFarlane!

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CHEERING AND APPLAUSE

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# Things can't go on, you see us tryin'

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# Tryin', tryin'

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# From the early morn

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# Things can't go on, you see us cryin'

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# Cryin', cryin'

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# Till the dawn

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# Still we hold on

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# So we don't fall

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# But our hope won't save us all

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# Still we hold on

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# So we don't fall

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# But our hope won't save us all

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# So we're fussin' and a-fightin'

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# We won't take a bow

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Yes, we're fussin' and a-fightin'

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# We won't take a bow

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Things can't go on, there's too much lyin'

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# Lyin', lyin'

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# On the wall

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# Things can't go on, the world is sighin'

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# Sighin', sighin'

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# On the soul

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# Grow strong and stand up tall

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# Cos time won't wait to save us all

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# Grow strong and stand up tall

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# Cos time won't wait to save us all

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# So we're fussin' and a-fightin'

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# We won't take a bow

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Yes, we're fussin' and a-fightin'

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# We won't let it go

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# Aah, aah, aah

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# Let it go

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# Aah, aah, aah

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# We won't, we won't, we won't let it go

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# We won't, we won't

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# Aah, aah, aah

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# We won't, we won't let it go

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# No, no, no, no, no, no No, no, no, no, no, no

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# Let it go. #

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CHEERING AND APPLAUSE

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Zara McFarlane!

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Fussin' and Fightin', from her album, Arise.

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Nice band! Feeling good?

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Nice cymbals!

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So, now, our next artist has been on the show before.

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He's been recording for years, he's now made acoustic versions

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of a lot of his great songs and put them on some new albums.

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We welcome Richard Thompson!

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CHEERING AND APPLAUSE

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# We used to say that come the day

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# We'd all be making songs

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# Or finding better words

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# These ideas never lasted long

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# The way is up along the road

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# The air is growing thin

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# Too many friends who tried

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# Swept off this mountain with the wind

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# Meet on the ledge

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# We're gonna meet on the ledge

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# When my time is up, I'm gonna see all of my friends

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# Meet on the ledge

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# We're gonna meet on the ledge

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# If you really mean it

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# It all comes round again

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# Yet now, I see I'm all alone

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# But that's the only way to be

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# You'll have your chance again

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# Then you can do the work for me

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# Meet on the ledge

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# We're gonna meet on the ledge

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# When my time is up, I'm gonna see all of my friends

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# Meet on the ledge

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# We're gonna meet on the ledge

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# If you really mean it

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# It all comes round again. #

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CHEERING AND APPLAUSE

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Meet On The Ledge, Richard Thompson!

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Marvellous.

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Very talented family, actually. Extraordinary family.

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From his Acoustic Classics II.

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Marvellous records of acoustic versions,

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getting right to the point of the songs.

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Speaking of the point of the songs,

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our next guest has some amazing songs on his new record.

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He always has amazing songs.

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And we welcome him - he is Kelly Jones!

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CHEERING AND APPLAUSE Nice to see you, Kelly.

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Um...

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Congratulations on your new record,

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-just about to come out, any minute now.

-Yeah.

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-Scream Above The Sounds is the title.

-Yeah.

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Where does that come from?

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I guess it's a bit of a comment on...

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There's a lot of intrusion

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and 24/7 bad news in people's lives these days, and I guess there's

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a lot of small, good things that people could be celebrating as well,

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in life, and just shout about that, really.

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Well, give us an example of the sort of thing you mean.

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Well, Caught By The Wind was written in the aftermath of, like,

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the Bataclan, we've played the Bataclan in Paris.

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So, the verse started talking about "the wolves in the woods

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"don't play by the rules", kind of thing, and I thought the song

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was kind of going to go down a darker angle,

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but then, the chorus started celebrating all the innocent stuff

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I did when I was a kid,

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like lying on my mother's roof sunbathing,

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looking at the aeroplanes and making shapes out of clouds

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and all that sort of stuff.

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So, it went on to be much more of a celebratory song

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than a dark song, you know?

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-This is now your tenth record.

-Yeah.

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-And 20 years since you started, really.

-Yeah.

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I mean... And you've stayed on, been a huge success, songs get better

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and better - what do you think is the key to doing that?

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Songs. I think the song's always been

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the governor of our band, really. When we started out,

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we thought a record deal was the first rung on the ladder.

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But I wanted a catalogue of music, like, you know,

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Creedence Clearwater Revival or The Kinks, or...

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-I wanted songs to, you know, stand the test of time.

-Yeah, yeah.

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That's all I ever wanted to achieve.

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It wasn't about fame and money and all that sort of stuff.

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-Well, we've got a little clip...

-Have you?

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-Yes, a little clip, and we're going to go down memory lane...

-Are we?

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-..together, yes, in the back of a transit van...

-How far?

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Here is More Life In A Tramp's Vest,

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-this is from 1997. When I was 12.

-Yeah!

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LAUGHTER

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# The flower man sits down in the street

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# Surrounded by the stock he bought back last week

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# Bring back the ladies wearing lipstick on their teeth

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# Make up, we make up a crappy joke

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# Sit back, relax and have a smoke

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# Mack the Knife swigs a can and sings the day away

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# There's more life, more life, more life in a tramp's vest

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# There's more life, more life, more life in a tramp's vest

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# There's more life, more life, more life in a tramp's vest

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# There's more life, more life, more life in a tramp's vest... #

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CHEERING AND APPLAUSE

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That was good!

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Do you have any recollections at all of 1997?

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I've got recollections of that.

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I was told, we go round in a circle

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and the first one to cock it up is when we stop.

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And I looked across, and there was Ry Cooder,

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the Buena Vista Social Club, Stevie Winwood,

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and I walked up to the mic and I hit my nose, my chin, my teeth,

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and I had to stop, and I was the first one to make it all stop, yeah.

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-Oh, no!

-Because they made us

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stand on those little podiums that we used in the video.

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I tell you what, I noticed there were

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little birthday cakes on there.

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-Yeah, but it sounded all right, though.

-It did sound all right.

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It did sound all right.

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It's the first time I'd ever seen the back of my head, that was.

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That's the great thing about television.

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If somebody says, "Why did you start in television?"

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-So I can see the back of my head.

-Exactly, yeah.

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And you're going to be going on tour, I guess.

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Do you look forward to touring?

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Yeah, because we've got ten albums' worth of material now to pick

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and choose from. So, we've got this catalogue...

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I always loved people like Tom Petty and stuff like that,

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so you'd see these bands where there wasn't, like,

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a big frontman prancing about, it was just about a catalogue of songs.

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-We can do that now.

-And when you go on tour, do you go tourist,

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do you go and look at things when you're...?

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We get in bed earlier. It tends to just be curry and beer.

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Curry and beer?

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-We've got Curry Finder on the phone.

-Really?

-Yeah.

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Do you have a curry straight after the show?

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We do tend to have a curry after the show, yeah.

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Mother India, in Edinburgh and Glasgow...

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Yeah, but my thing is, the timing of it, right?

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So, you want to come offstage, you walk offstage, the applause is, if

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you're lucky, still going, and there is the curry on the table, there.

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It's not like we're going to wait around,

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we haven't got time for that!

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-No, the lamb has to be still hot from the takeaway.

-Exactly.

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People don't realise, when bands are on tour, everybody,

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all the artists in this room, am I right -

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the most important thing is what you're going to eat that night!

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-Exactly. Because it's not easy, is it?

-It's not easy.

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Everyone has had their dinner, but we haven't,

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-we've got to wait till late.

-There's a lot of waiting around!

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But we don't want sympathy, we want applause,

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for the wonderful Kelly Jones!

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CHEERING AND APPLAUSE

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What a great voice that man's got.

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Super voice.

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An extraordinary,

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magnificent selection of artists in this room now.

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We welcome, from Los Angeles, The White Buffalo!

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CHEERING AND APPLAUSE

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One, two, three!

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# Billy wasn't sober, he got pulled over in Chinatown

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# Liquor on his breath, stuffs a pistol in the cushion

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# Rolls the window down

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# Oh, well, his heart, it races like a hundred yard dash

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# Stone-cold on his face

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# Policeman sends him reluctantly on his way

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# Billy wasn't sober, he was hungover, it was 10am

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# Another day of work, clutching the pillow like his only friend

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# Oh, well, he's past his prime, he's a dinosaur

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# Steadfast in his ways

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# No aces left, but he still has cards to play

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# And he hopes today he'll swim his way to Avalon

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# He's not all the way down

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# Billy's getting older, the chip on his shoulder's getting heavier

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# The weight of the world spins and obscures into oblivion

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# This ain't living, it's waiting around to die

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# There must be another way

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# Under his breath, he says, things have got to change

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# And he hopes today, he'll swim his way to Avalon

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# He's not all the way down

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# And he hopes today, he'll swim his way to Avalon

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# He's not all the way down

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# Searching, but he got no soul

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# Wishing he could flip a switch

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# Turn his life around and face the fact

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# That life's a bitch

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# And he hopes today, he'll swim his way to Avalon

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# He's not all the way down

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# And he hopes today, he'll swim his way to Avalon

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# He's not all the way down

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# And he hopes today, he'll swim his way to Avalon

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# He's not all the way down. #

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CHEERING AND APPLAUSE

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The White Buffalo, with Avalon!

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From their album, Darkest Darks, Lightest Lights.

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Some rather good titles this week.

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So, let's hold it a moment,

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and this next artist we've got here this evening is truly extraordinary.

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She has brought her ten-piece orchestra with her,

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and those ten pieces of the orchestra

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are in fact her ten fingers.

0:24:030:24:04

She is one of the most remarkable players that I've met recently,

0:24:040:24:07

a dear friend, an extraordinary person and a dazzling pianist,

0:24:070:24:11

it is Hiromi!

0:24:110:24:13

CHEERING AND APPLAUSE

0:24:130:24:16

CHEERING AND APPLAUSE

0:27:410:27:44

# Suzie Q

0:28:120:28:14

# What makes you

0:28:140:28:17

# On the inside, outside

0:28:180:28:22

# Upside, downside

0:28:220:28:24

# It's true

0:28:240:28:26

# He never looked at you

0:28:260:28:29

# What told me inside, outside

0:28:290:28:33

# Upside, downside

0:28:330:28:37

# You're a back-seat driver on the side of the road

0:28:370:28:39

# Ten cups of coffee and you're gonna explode

0:28:390:28:42

# Want to mow me down like a domino

0:28:420:28:46

# You're riding around like Geronimo

0:28:460:28:49

# Back-seat driver on the side of the road

0:28:490:28:52

# Ten cups of coffee and you're gonna explode

0:28:520:28:55

# You want to mow me down like a domino

0:28:550:28:58

# You're riding around like Geronimo

0:28:580:29:04

# Cadillac in blue

0:29:120:29:14

# It never suited you

0:29:140:29:17

# What told me inside, outside

0:29:180:29:22

# Upside, downside

0:29:220:29:25

# It's true

0:29:250:29:27

# You've got me hooked on you

0:29:270:29:30

# But you're with me inside, outside

0:29:300:29:35

# Upside, downside

0:29:350:29:37

# You're a back-seat driver on the side of the road

0:29:370:29:41

# Ten cups of coffee and you're gonna explode

0:29:410:29:44

# You want to mow me down like a domino

0:29:440:29:47

# You're riding around like Geronimo

0:29:470:29:50

# Back-seat driver on the side of the road

0:29:500:29:53

# Ten cups of coffee and you're gonna explode

0:29:530:29:55

# You want to mow me down like a domino

0:29:550:29:59

# You're riding around like Geronimo

0:29:590:30:02

# Ooh, yeah

0:30:020:30:05

# Ooh-ooh-ooh-ooh

0:30:320:30:35

# Ooh-ooh-ooh-ooh

0:30:350:30:38

# Ooh-ooh-ooh-ooh

0:30:380:30:41

# Ooh-ooh-ooh-ooh

0:30:410:30:44

# You're a back-seat driver on the side of the road

0:30:440:30:47

# Ten cups of coffee and you're gonna explode

0:30:470:30:50

# You want to mow me down like a domino

0:30:500:30:53

# You're riding around like Geronimo

0:30:530:30:56

# You're a back-seat driver at the side of the road

0:30:560:31:00

# Ten cups of coffee and you're going to explode

0:31:000:31:02

# Geronimo!

0:31:020:31:05

# You're riding around like Geronimo. #

0:31:050:31:11

CHEERING AND APPLAUSE

0:32:050:32:07

Stereophonics with Geronimo from Scream Above The Sounds

0:32:120:32:18

and before that, we enjoyed the extraordinary Hiromi.

0:32:180:32:22

CHEERING AND APPLAUSE

0:32:220:32:24

We have more extraordinary

0:32:240:32:26

and wonderful talent in this room this evening.

0:32:260:32:28

We now welcome, please,

0:32:280:32:29

from Los Angeles, the wonderful sound of Moses Sumney.

0:32:290:32:33

CHEERING AND APPLAUSE

0:32:330:32:36

# I'm not a body

0:32:370:32:39

# The body is but a shell

0:32:390:32:44

# I disembody

0:32:450:32:47

# But suffering is sovereign

0:32:470:32:49

# Still

0:32:490:32:55

# No grasp of reality

0:32:550:32:59

# The world is a wonderland scene

0:33:000:33:06

# I don't know

0:33:080:33:12

# What we are

0:33:120:33:15

# But every cell in the corpus

0:33:150:33:18

# Resembles stars

0:33:180:33:25

# Signal into the sky

0:33:250:33:30

# God sings to me in reply

0:33:300:33:38

HE VOCALISES IN HARMONY

0:33:390:33:41

HE VOCALISES IN HARMONY

0:33:530:33:56

# Don't bother calling

0:34:110:34:13

# I'll call you

0:34:130:34:16

# Don't bother calling

0:34:180:34:21

# I'll call you

0:34:210:34:26

# I'm not somebody

0:34:360:34:38

# Somebody would savour us

0:34:380:34:43

# You need a solid, but I'm made of liquid

0:34:430:34:47

# Trust in me

0:34:470:34:54

# I am the son of the sea

0:34:540:34:58

# And I'll call you when I feel finally free

0:34:580:35:05

# I don't know

0:35:060:35:10

# What we are

0:35:100:35:15

# But all I know is I can't go away

0:35:150:35:19

# With you with half a heart

0:35:190:35:25

# Don't bother calling

0:35:270:35:29

# I'll call you

0:35:290:35:32

# Don't bother asking

0:35:350:35:37

# For the truth

0:35:370:35:42

# Don't bother calling

0:35:420:35:45

# I'll call you

0:35:450:35:48

# Don't bother calling

0:35:500:35:53

# I'll call you. #

0:35:530:35:57

CHEERING AND APPLAUSE

0:36:020:36:05

# Today, I feel weak

0:36:120:36:15

# But tomorrow, I'll feel a queen

0:36:150:36:19

# I was raised by the street

0:36:190:36:23

# Do you know what that really means?

0:36:230:36:26

# All this hurt I suffered

0:36:280:36:31

# It just begins again

0:36:310:36:34

# In a baby girl

0:36:360:36:39

# Or a full-grown man

0:36:390:36:44

# Tomorrow will come

0:36:440:36:47

# Like the turning of the sun

0:36:470:36:51

# Over tall buildings

0:36:510:36:56

# And the beating of a drum

0:36:560:36:59

# It lives in my heart

0:36:590:37:02

# But buried in the past

0:37:030:37:06

# Here comes the navigator

0:37:060:37:10

# She knows you're fading fast

0:37:100:37:15

# The prophets warned us

0:37:480:37:51

# Well, they swore it was true

0:37:510:37:54

# Well, here we go, baby

0:37:540:37:58

# It can happen to you

0:37:580:38:02

# Beware of men who barter

0:38:020:38:07

# With the people's fate

0:38:070:38:11

# Here comes the navigator

0:38:110:38:14

# Refugee patron saint

0:38:140:38:19

# Oh, where will all my people go?

0:38:190:38:25

# The navigator wants to know

0:38:250:38:31

# Oh-oh-oh-oh

0:38:310:38:32

# Oh-oh-whoa-oh

0:38:320:38:36

# Oh, where will all my people live?

0:38:360:38:42

# The navigator, she won't forgive

0:38:420:38:47

# Oh, where, where will all my people go?

0:39:080:39:14

# The navigator, she wants to know

0:39:140:39:19

# Wants to know! #

0:39:190:39:22

CHEERING AND APPLAUSE

0:39:290:39:33

Hurray For The Riff Raff!

0:39:340:39:37

The title track of their album, The Navigator.

0:39:370:39:41

Before that, we heard the lovely voice of Moses Sumney.

0:39:410:39:45

CHEERING AND APPLAUSE Lovely falsetto voice.

0:39:450:39:48

So, now, our next artist, as I explained... It's great, actually.

0:39:480:39:51

If you've got a great catalogue of songs,

0:39:510:39:53

to put them all into one place in their original form,

0:39:530:39:56

which of course would just be with the instrument,

0:39:560:39:58

whatever it is you've written them on,

0:39:580:40:00

and that is what our next artist has done with his new album.

0:40:000:40:03

We welcome Richard Thompson. CHEERING AND APPLAUSE

0:40:030:40:06

# By Devonside

0:40:080:40:10

# She was a-marching

0:40:120:40:15

# It was a gang

0:40:170:40:20

# Of no great size

0:40:200:40:24

# And surrender was the banner

0:40:250:40:29

# That she carried

0:40:290:40:32

# And hungry was the shiver

0:40:340:40:37

# In her eyes

0:40:370:40:40

# She met a boy

0:40:440:40:47

# His health was failing

0:40:490:40:51

# She dropped the banner

0:40:520:40:55

# And took her prize

0:40:550:41:00

# And the only food she had

0:41:010:41:04

# Was bread and morphine

0:41:040:41:07

# But he fed on the shiver

0:41:090:41:13

# In her eyes

0:41:130:41:16

# By Devonside

0:41:470:41:50

# His love was drifting

0:41:510:41:54

# He looked for comfort

0:41:550:41:59

# Otherwise

0:41:590:42:03

# And there never was a rope or chain about him

0:42:040:42:09

# Oh, she held him with the shiver

0:42:120:42:15

# In her eyes

0:42:150:42:19

# Oh, she said, my John

0:42:190:42:22

# I'll be your pillow

0:42:230:42:25

# I'll be your lover

0:42:270:42:30

# Mother, whore and wife

0:42:300:42:33

# And he said he'd loved, but never seen her

0:42:360:42:42

# When the light fell from the shiver

0:42:430:42:47

# In her eyes. #

0:42:470:42:50

CHEERING AND APPLAUSE

0:43:060:43:09

Richard Thompson with Devonside - what a lovely song

0:43:120:43:16

from Acoustic Classics 2, lovely songs, of course,

0:43:160:43:19

for an acoustic form.

0:43:190:43:21

Thank you so much, Richard. I'm going down this way now.

0:43:210:43:23

Lovely to see you again.

0:43:230:43:24

So we've now got a pretty international show

0:43:240:43:27

because we have, I just think, an...

0:43:270:43:29

If you were tuned in 15 minutes ago, which I hope you were,

0:43:290:43:32

you will have seen the amazing talent of our guest here, Hiromi!

0:43:320:43:36

CHEERING AND APPLAUSE

0:43:360:43:38

It's so nice to have you here, Hiromi. It's so great.

0:43:380:43:42

And I suppose the first thing I've got to ask,

0:43:420:43:44

when you first learned the piano

0:43:440:43:46

cos there's amazing pianists from Japan, aren't there,

0:43:460:43:49

but what was the first thing that you learned

0:43:490:43:51

that you thought, "This is it, the piano's for me now"?

0:43:510:43:53

What was it?

0:43:530:43:55

When I played very classic scale Hanon with swing.

0:43:550:43:59

And how did you do that?

0:43:590:44:00

Play it straight first. How does it go straight?

0:44:000:44:02

SHE PLAYS A SCALE

0:44:020:44:04

And then how do you swing it?

0:44:060:44:07

SHE PLAYS A JAUNTIER VERSION OF THE SAME SCALE

0:44:070:44:11

Yeah, nice. Beautiful, lovely!

0:44:110:44:14

Now, we were talking earlier about some of the piano players

0:44:140:44:18

and pianists we like and one of them,

0:44:180:44:20

who's up on the piano there now who was born in 1917,

0:44:200:44:23

the end of the First World War, he would have been 100 this month -

0:44:230:44:25

there's Thelonious Monk.

0:44:250:44:27

Let's have a round of applause for Thelonious Monk.

0:44:270:44:30

APPLAUSE

0:44:300:44:32

-Shall we have a crack at a bit of a Monk tune?

-Yes.

-OK, then.

0:44:320:44:35

I'll start, then.

0:44:350:44:36

CHEERING AND APPLAUSE

0:47:060:47:09

The fantastic Hiromi!

0:47:150:47:17

CHEERING

0:47:170:47:19

With our tribute to Thelonious Sphere Monk on his birthday.

0:47:190:47:24

Happy birthday, Thelonious Monk! Thank you, Hiromi.

0:47:240:47:27

I love the fact that in every corner of this room,

0:47:290:47:32

different grooves come out and every groove I like the sound of.

0:47:320:47:35

I love the way that we've got this lovely Jamaican sound

0:47:350:47:38

mashed up over here. We welcome Zara McFarlane.

0:47:380:47:41

CHEERING AND APPLAUSE

0:47:410:47:44

# Oh, me

0:48:030:48:05

# Oh, my

0:48:050:48:07

# The cost of living

0:48:070:48:09

# Gets so high

0:48:090:48:12

# My, my

0:48:120:48:14

# What now?

0:48:140:48:17

# Got to make it

0:48:170:48:19

# Don't know how

0:48:190:48:21

# We believe

0:48:210:48:23

# Peace begins within

0:48:230:48:26

# We believe

0:48:300:48:33

# Peace begins within

0:48:330:48:35

# Don't like war

0:48:400:48:43

# Bring us peace

0:48:430:48:45

# Won't you excuse me

0:48:450:48:47

# While I get over this?

0:48:470:48:49

# Oh, me

0:48:490:48:52

# Oh, my

0:48:520:48:54

# Feeling so bad, I cannot cry

0:48:540:48:58

# We believe

0:48:580:49:01

# Peace begins within

0:49:010:49:04

# We believe

0:49:080:49:10

# Peace begins within

0:49:100:49:13

SHE SCATS

0:49:160:49:20

SHE SCATS

0:49:260:49:28

# Oh, me

0:49:360:49:38

# Oh, my

0:49:380:49:41

# Want to see heaven

0:49:410:49:43

# Don't want to die

0:49:430:49:45

# We believe

0:49:450:49:47

# Peace begins within

0:49:470:49:50

# We believe

0:49:540:49:57

# Peace begins within

0:49:570:49:59

# Oh, me

0:50:230:50:25

# Oh, my

0:50:250:50:28

# Want to see heaven

0:50:280:50:31

# Don't want to die

0:50:310:50:33

# We believe

0:50:330:50:35

# Peace begins within

0:50:350:50:37

# We believe

0:50:410:50:43

# Peace begins within

0:50:430:50:46

# We believe

0:50:500:50:53

# Peace begins within

0:50:530:50:56

# We believe

0:51:000:51:02

# Peace begins within

0:51:020:51:05

# We believe

0:51:090:51:12

# Peace begins within

0:51:120:51:14

# We do believe, we do believe

0:51:140:51:18

# We believe

0:51:180:51:20

# Peace begins within

0:51:200:51:24

SHE SCATS

0:51:240:51:27

# We believe

0:51:270:51:30

# Peace begins within

0:51:300:51:33

SHE SCATS

0:51:330:51:37

# We believe

0:51:370:51:39

# Peace begins within. #

0:51:390:51:42

CHEERING AND APPLAUSE

0:51:430:51:46

Zara McFarlane - Peace Begins Within,

0:51:490:51:52

and you would be well advised

0:51:520:51:56

cos it's the London Jazz Festival coming up, you can see Zara there.

0:51:560:52:00

Yes, Zara McFarlane, thank you so much!

0:52:000:52:03

CHEERING AND APPLAUSE Now, immediately behind me,

0:52:030:52:05

a beautifully contrasting lovely band.

0:52:050:52:07

We welcome The White Buffalo!

0:52:070:52:09

CHEERING AND APPLAUSE

0:52:090:52:11

# Oh, darlin', darlin'

0:52:230:52:25

# What have I done?

0:52:250:52:27

# I've been astray from you too long

0:52:300:52:34

# All my days have turned to darkness

0:52:370:52:41

# I believe my heart has turned to stone

0:52:430:52:48

# Oh, darlin', darlin'

0:52:490:52:51

# What have I done?

0:52:510:52:54

# Now I don't say anything at all

0:52:560:53:00

# God don't listen to me, no ways

0:53:020:53:07

# Now I'm left here all alone

0:53:090:53:14

# Ooh-ooh, I hear what the neighbours say

0:53:140:53:20

# That poor boy, he's lost his way

0:53:220:53:27

# I let the others pray

0:53:270:53:30

# Oh, darlin', darlin'

0:53:330:53:36

# What have I done?

0:53:360:53:38

# Now I do my talking with a gun

0:53:400:53:44

# And blood will spill into the gutters

0:53:460:53:52

# It will stain the morning sun

0:53:540:53:58

# Ooh-ooh, tell me what the hell I've done

0:53:590:54:04

# Can I stop at one?

0:54:070:54:10

# Or have I just begun? #

0:54:110:54:14

Ha!

0:54:170:54:19

# Take out the bodies that live

0:54:200:54:22

# Lord, it gets me high

0:54:220:54:25

# I think I'm going to get my fill

0:54:250:54:29

# Of taking lives

0:54:290:54:31

# Lord, I don't want to let my baby down

0:54:310:54:37

# I just want to give us something

0:54:370:54:40

# One of a kind

0:54:400:54:48

# Oh, darlin', darlin'

0:54:500:54:52

# What have I done?

0:54:520:54:54

# I've been astray from you too long

0:54:560:55:00

# All my days have turned to darkness

0:55:020:55:07

# Hell is leaving the light on

0:55:090:55:13

# Ooh-ooh, they'll hang me way up high

0:55:130:55:20

# God himself will drop me from the sky

0:55:200:55:25

# And let me swing a while

0:55:270:55:30

# Oh, darlin', darlin'

0:55:330:55:35

# What have I done?

0:55:350:55:38

# Oh, darlin', darlin'

0:55:400:55:43

# What have I done?

0:55:430:55:46

# Oh, darlin', darlin'

0:55:460:55:48

# What have I done?

0:55:480:55:51

# Oh, darlin', darlin'

0:55:510:55:54

# What have I done?

0:55:540:55:57

# Oh, darlin', darlin'

0:55:570:56:00

# What have I done?

0:56:000:56:03

# Oh, darlin', darlin'

0:56:030:56:06

# What have I done?

0:56:060:56:09

# Oh, darlin', darlin'

0:56:090:56:12

# What have I done?

0:56:120:56:15

# Oh, darlin', darlin'

0:56:150:56:18

# What have I done?

0:56:180:56:24

# What have I done? #

0:56:240:56:27

CHEERING AND APPLAUSE

0:56:270:56:29

# Chances are you'd like to be untouchable

0:56:520:56:57

# Chances are you want to feel irresistible

0:56:590:57:05

# Chances are you want to be rock and roll

0:57:060:57:13

# For you, for you

0:57:130:57:16

# All the others

0:57:160:57:18

# They will turn you on

0:57:180:57:22

# Chances are you want to feel in control

0:57:230:57:28

# Chances are you want to be less alone

0:57:300:57:36

# Chances are you'd like to go and get divorced

0:57:370:57:42

# For you, for you

0:57:440:57:47

# Or your lover that you depend upon

0:57:470:57:52

# Chances are you'd like to bend or break the rules

0:58:050:58:11

# Chances are you'd like to let it all hang loose

0:58:120:58:17

# Chances are you'd like to feel more love at home

0:58:190:58:24

# Chances are you'd like to feel less insecure

0:58:260:58:31

# Chances are you're really going to mess it up

0:58:330:58:37

# Chances are, they're probably going to drink it up

0:58:390:58:44

# Chances are you maybe feel the world for me

0:58:460:58:52

# Chances are you wind up sleeping up with the enemy

0:58:530:58:58

# Don't hold it back

0:59:000:59:04

# Don't hold it back

0:59:040:59:07

# Don't hold it back

0:59:070:59:11

# Don't hold it, yeah

0:59:110:59:14

# Don't be disillusioned

0:59:210:59:25

# It soon works out

0:59:250:59:28

# What seems so uncertain

0:59:280:59:30

# It soon works out

0:59:320:59:36

# Yeah

0:59:360:59:38

# Ohhhh, whoa-oh

0:59:410:59:45

# It soon works out

0:59:450:59:49

# Ohhh, whoa-oh

0:59:490:59:51

# It soon works out

0:59:510:59:54

# Ohhh, oh-whoa-ho

0:59:540:59:59

# It soon works out

1:00:001:00:07

# Yeah, it soon works out

1:00:071:00:11

# Chances are

1:00:161:00:18

# Chances are

1:00:181:00:20

# Chances are

1:00:201:00:21

# Chances are

1:00:211:00:23

# Chances are

1:00:231:00:25

# Chances are. #

1:00:251:00:28

-CHEERING AND APPLAUSE

-Thank you!

1:00:401:00:43

The wonderful Stereophonics with Chances Are.

1:00:441:00:49

So, if you have enjoyed this show, do have a look at our website.

1:00:491:00:52

There's loads more.

1:00:521:00:53

We'll be back on Tuesday at ten o'clock with Noel Gallagher.

1:00:531:00:56

Yes, we'll be here with him.

1:00:561:00:57

Dua Lipa, Aimee Mann,

1:00:571:00:59

Superorganism and me and Jose Feliciano, Rita Wilson -

1:00:591:01:03

so much more. Will you come and join us next week?

1:01:031:01:06

CHEERING I'll take that as a yes.

1:01:061:01:08

Could I invite you to give us a little thing

1:01:081:01:10

you've got, I think, in the key of B natural,

1:01:101:01:12

my favourite key and my philosophy in life? Here we go.

1:01:121:01:14

THEY PLAY SLOW-PACED ROCK Nice!

1:01:141:01:18

So I'd like to thank all of the wonderful guests

1:01:181:01:20

we've had in the room this evening.

1:01:201:01:21

Thank you, Stereophonics!

1:01:211:01:23

CHEERING AND APPLAUSE

1:01:231:01:25

Thank you, Richard Thompson!

1:01:251:01:27

CHEERING

1:01:271:01:29

Thank you, Zara McFarlane, at the London Jazz Festival soon,

1:01:291:01:33

CHEERING a marvellous band.

1:01:331:01:34

Another wonderful band, The White Buffalo!

1:01:341:01:37

CHEERING

1:01:371:01:39

The amazing voice, the amazing guitar - Moses Sumney!

1:01:391:01:42

CHEERING

1:01:421:01:44

My new best friend -

1:01:441:01:47

the amazing, the one and only

1:01:471:01:49

extraordinary hands of Hiromi!

1:01:491:01:51

We loved inviting back to the studio Hurray For The Riff Raff!

1:01:531:01:58

CHEERING

1:01:581:02:00

One, two, three and... MUSIC FADES

1:02:001:02:04

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