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CHEERING AND APPLAUSE | 0:00:27 | 0:00:30 | |
Greetings, listeners, wherever you are! Welcome to this show. | 0:00:30 | 0:00:33 | |
And welcome to Stereophonics! | 0:00:33 | 0:00:37 | |
CHEERING AND APPLAUSE | 0:00:37 | 0:00:40 | |
# Wolves in their words Don't play by their rules | 0:01:05 | 0:01:10 | |
# From mouth to ear Anything's possible | 0:01:10 | 0:01:15 | |
# Set the needle down Take it back to the start | 0:01:15 | 0:01:21 | |
# When do we lose Just how free we are? | 0:01:21 | 0:01:26 | |
# Help yourself to what you want Yeah, caught by the wind | 0:01:27 | 0:01:32 | |
# Believing you can fly Celebrate everything | 0:01:32 | 0:01:37 | |
# Sunbathing on the roof Watching aeroplanes | 0:01:38 | 0:01:43 | |
# Believing you can live Yeah, forever in a day | 0:01:43 | 0:01:49 | |
# Hey, whoa, oh, oh, oh | 0:01:49 | 0:01:53 | |
# Whoa, oh, oh, oh | 0:01:54 | 0:01:59 | |
# Every chain got a broken link | 0:02:00 | 0:02:05 | |
# Jump off the boat You can swim or sink | 0:02:05 | 0:02:10 | |
# The swallows dive through the summer nights | 0:02:11 | 0:02:16 | |
# Something beautiful Money just don't buy | 0:02:16 | 0:02:21 | |
# Help yourself to what you want Yeah, caught by the wind | 0:02:22 | 0:02:26 | |
# Believing you can fly Celebrate everything | 0:02:28 | 0:02:33 | |
# Sunbathing on the roof Watching aeroplanes | 0:02:33 | 0:02:38 | |
# Believing you can live Yeah, forever in a day | 0:02:39 | 0:02:43 | |
# Don't say it's over It's never over | 0:02:43 | 0:02:49 | |
# There's always time to change And start again today | 0:02:49 | 0:02:54 | |
# Right now | 0:02:54 | 0:02:56 | |
# Wolves in their words Don't play by their rules | 0:02:58 | 0:03:03 | |
# From mouth to ear Anything's possible | 0:03:03 | 0:03:08 | |
# Help yourself to what you want Yeah, caught by the wind | 0:03:08 | 0:03:13 | |
# Believing you can fly Celebrate everything | 0:03:14 | 0:03:18 | |
# Sunbathing on the roof Watching aeroplanes | 0:03:20 | 0:03:24 | |
# Believing you can live Yeah, forever in a day | 0:03:26 | 0:03:29 | |
# Oh, yeah Oh, yeah | 0:03:32 | 0:03:35 | |
# Oh, yeah Celebrate everything | 0:03:36 | 0:03:41 | |
# Oh, yeah | 0:03:42 | 0:03:46 | |
Oh, caught by the wind Oh, yeah | 0:03:50 | 0:03:53 | |
# Oh, yeah Oh, yeah | 0:03:55 | 0:04:00 | |
# Caught by the wind. # | 0:04:03 | 0:04:07 | |
CHEERING AND APPLAUSE | 0:04:18 | 0:04:21 | |
So wonderful to have them back in this room, Stereophonics! | 0:04:21 | 0:04:25 | |
Caught By The Wind! More from them later on. | 0:04:25 | 0:04:29 | |
Who? Who have we gathered in this lovely selection | 0:04:29 | 0:04:31 | |
of people this evening? | 0:04:31 | 0:04:33 | |
We have, in this corner, from London, | 0:04:33 | 0:04:35 | |
the wonderful Richard Thompson! CHEERING AND APPLAUSE | 0:04:35 | 0:04:38 | |
Returning from Dagenham, the sensational Zara McFarlane! | 0:04:38 | 0:04:43 | |
CHEERING AND APPLAUSE | 0:04:43 | 0:04:46 | |
From Los Angeles, it is The White Buffalo! | 0:04:46 | 0:04:49 | |
CHEERING AND APPLAUSE | 0:04:49 | 0:04:51 | |
We're delighted to also welcome from Los Angeles, | 0:04:51 | 0:04:53 | |
Moses Sumney! CHEERING AND APPLAUSE | 0:04:53 | 0:04:57 | |
The extraordinary dextrous skills of the great piano player, | 0:04:58 | 0:05:01 | |
from Japan, it is Hiromi! | 0:05:01 | 0:05:04 | |
CHEERING AND APPLAUSE | 0:05:04 | 0:05:06 | |
And now, from the Bronx, we welcome Hurray For The Riff Raff! | 0:05:06 | 0:05:10 | |
CHEERING AND APPLAUSE | 0:05:10 | 0:05:13 | |
# I been a lonely girl | 0:05:27 | 0:05:28 | |
# I been a lonely girl | 0:05:29 | 0:05:32 | |
# But I'm ready for the world | 0:05:32 | 0:05:34 | |
# Ready for the world | 0:05:35 | 0:05:38 | |
# I been a heart for hire | 0:05:38 | 0:05:40 | |
# I been a heart for hire | 0:05:41 | 0:05:44 | |
# And my love's on the funeral pyre | 0:05:44 | 0:05:46 | |
# Oh, my love's on the funeral pyre | 0:05:46 | 0:05:49 | |
# When will you, when will you help me out? | 0:05:51 | 0:05:56 | |
# You can't even pick me out of the crowd | 0:05:58 | 0:06:02 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:06:02 | 0:06:06 | |
# I been nobody's child | 0:06:17 | 0:06:19 | |
# I been nobody's child | 0:06:20 | 0:06:23 | |
# So my blood's started running wild | 0:06:23 | 0:06:26 | |
# Oh, my blood's started running wild | 0:06:26 | 0:06:29 | |
# I been a hungry ghost | 0:06:30 | 0:06:31 | |
# I been a hungry ghost | 0:06:33 | 0:06:35 | |
# And I travelled from coast-to-coast | 0:06:35 | 0:06:38 | |
# Oh, I travelled from coast-to-coast | 0:06:38 | 0:06:42 | |
# When will you, when will you help me out? | 0:06:43 | 0:06:47 | |
# You can't even pick me out of the crowd | 0:06:49 | 0:06:54 | |
# Oh, and I I don't need you any more | 0:06:54 | 0:07:00 | |
# So then, why am I standing at your door? | 0:07:01 | 0:07:07 | |
# Oh, oh, oh, oh, oh-oh, oh | 0:07:07 | 0:07:10 | |
# I been a lonely girl | 0:07:22 | 0:07:24 | |
# I been a lonely girl | 0:07:25 | 0:07:27 | |
# But I'm ready for the world | 0:07:27 | 0:07:30 | |
# I'm ready for the world | 0:07:30 | 0:07:33 | |
# I'm ready for the world | 0:07:34 | 0:07:35 | |
# I'm ready for the world | 0:07:36 | 0:07:39 | |
# Ready for the world | 0:07:40 | 0:07:42 | |
# Ready for the world | 0:07:43 | 0:07:45 | |
# Ready for the world | 0:07:46 | 0:07:48 | |
# Ready for the world | 0:07:49 | 0:07:52 | |
# Hey! # | 0:07:52 | 0:07:53 | |
Come on! | 0:08:10 | 0:08:11 | |
# Oh, I'm ready for the world | 0:08:17 | 0:08:19 | |
# Well, I'm ready for the world | 0:08:19 | 0:08:22 | |
# Ready for the world | 0:08:23 | 0:08:26 | |
# I'm ready for the world. # | 0:08:26 | 0:08:30 | |
CHEERING AND APPLAUSE | 0:08:32 | 0:08:35 | |
Hurray For The Riff Raff! | 0:08:38 | 0:08:40 | |
Their song, Hungry Ghost. | 0:08:42 | 0:08:44 | |
What a lovely concept, a hungry ghost. | 0:08:44 | 0:08:47 | |
From their album, The Navigator. | 0:08:47 | 0:08:48 | |
The next guest that I'm going to welcome over here | 0:08:48 | 0:08:51 | |
came on the show once before. This is her third album now. | 0:08:51 | 0:08:54 | |
We welcome... The album's called Arise... We welcome Zara McFarlane! | 0:08:54 | 0:08:59 | |
CHEERING AND APPLAUSE | 0:08:59 | 0:09:01 | |
# Things can't go on, you see us tryin' | 0:09:12 | 0:09:16 | |
# Tryin', tryin' | 0:09:18 | 0:09:20 | |
# From the early morn | 0:09:21 | 0:09:23 | |
# Things can't go on, you see us cryin' | 0:09:27 | 0:09:30 | |
# Cryin', cryin' | 0:09:32 | 0:09:34 | |
# Till the dawn | 0:09:35 | 0:09:38 | |
# Still we hold on | 0:09:40 | 0:09:42 | |
# So we don't fall | 0:09:42 | 0:09:44 | |
# But our hope won't save us all | 0:09:47 | 0:09:52 | |
# Still we hold on | 0:09:54 | 0:09:56 | |
# So we don't fall | 0:09:56 | 0:09:59 | |
# But our hope won't save us all | 0:10:01 | 0:10:05 | |
# So we're fussin' and a-fightin' | 0:10:07 | 0:10:11 | |
# We won't take a bow | 0:10:11 | 0:10:14 | |
# Yes, we're fussin' and a-fightin' | 0:10:14 | 0:10:18 | |
# We won't let it go | 0:10:18 | 0:10:21 | |
# Yes, we're fussin' and a-fightin' | 0:10:21 | 0:10:24 | |
# We won't take a bow | 0:10:24 | 0:10:28 | |
# Yes, we're fussin' and a-fightin' | 0:10:28 | 0:10:32 | |
# We won't let it go | 0:10:32 | 0:10:35 | |
# Things can't go on, there's too much lyin' | 0:10:37 | 0:10:41 | |
# Lyin', lyin' | 0:10:43 | 0:10:45 | |
# On the wall | 0:10:47 | 0:10:48 | |
# Things can't go on, the world is sighin' | 0:10:52 | 0:10:56 | |
# Sighin', sighin' | 0:10:58 | 0:11:00 | |
# On the soul | 0:11:01 | 0:11:04 | |
# Grow strong and stand up tall | 0:11:06 | 0:11:10 | |
# Cos time won't wait to save us all | 0:11:12 | 0:11:17 | |
# Grow strong and stand up tall | 0:11:20 | 0:11:24 | |
# Cos time won't wait to save us all | 0:11:27 | 0:11:31 | |
# So we're fussin' and a-fightin' | 0:11:33 | 0:11:37 | |
# We won't take a bow | 0:11:37 | 0:11:40 | |
# Yes, we're fussin' and a-fightin' | 0:11:40 | 0:11:44 | |
# We won't let it go | 0:11:44 | 0:11:47 | |
# Yes, we're fussin' and a-fightin' | 0:11:47 | 0:11:51 | |
# We won't let it go | 0:11:51 | 0:11:55 | |
# Yes, we're fussin' and a-fightin' | 0:11:55 | 0:11:58 | |
# We won't let it go | 0:11:58 | 0:12:03 | |
# Aah, aah, aah | 0:12:03 | 0:12:05 | |
# Let it go | 0:12:06 | 0:12:10 | |
# Aah, aah, aah | 0:12:10 | 0:12:12 | |
# We won't, we won't, we won't let it go | 0:12:12 | 0:12:15 | |
# We won't, we won't | 0:12:15 | 0:12:17 | |
# Aah, aah, aah | 0:12:17 | 0:12:19 | |
# We won't, we won't let it go | 0:12:19 | 0:12:23 | |
# No, no, no, no, no, no No, no, no, no, no, no | 0:12:23 | 0:12:27 | |
# Let it go. # | 0:12:27 | 0:12:32 | |
CHEERING AND APPLAUSE | 0:12:32 | 0:12:36 | |
Zara McFarlane! | 0:12:40 | 0:12:41 | |
Fussin' and Fightin', from her album, Arise. | 0:12:41 | 0:12:43 | |
Nice band! Feeling good? | 0:12:43 | 0:12:45 | |
Nice cymbals! | 0:12:45 | 0:12:47 | |
So, now, our next artist has been on the show before. | 0:12:48 | 0:12:51 | |
He's been recording for years, he's now made acoustic versions | 0:12:51 | 0:12:54 | |
of a lot of his great songs and put them on some new albums. | 0:12:54 | 0:12:59 | |
We welcome Richard Thompson! | 0:12:59 | 0:13:01 | |
CHEERING AND APPLAUSE | 0:13:01 | 0:13:04 | |
# We used to say that come the day | 0:13:09 | 0:13:14 | |
# We'd all be making songs | 0:13:16 | 0:13:19 | |
# Or finding better words | 0:13:21 | 0:13:24 | |
# These ideas never lasted long | 0:13:24 | 0:13:27 | |
# The way is up along the road | 0:13:32 | 0:13:37 | |
# The air is growing thin | 0:13:39 | 0:13:42 | |
# Too many friends who tried | 0:13:44 | 0:13:47 | |
# Swept off this mountain with the wind | 0:13:47 | 0:13:51 | |
# Meet on the ledge | 0:13:54 | 0:13:56 | |
# We're gonna meet on the ledge | 0:13:56 | 0:13:59 | |
# When my time is up, I'm gonna see all of my friends | 0:14:01 | 0:14:07 | |
# Meet on the ledge | 0:14:07 | 0:14:09 | |
# We're gonna meet on the ledge | 0:14:09 | 0:14:12 | |
# If you really mean it | 0:14:14 | 0:14:16 | |
# It all comes round again | 0:14:16 | 0:14:20 | |
# Yet now, I see I'm all alone | 0:14:47 | 0:14:53 | |
# But that's the only way to be | 0:14:54 | 0:14:57 | |
# You'll have your chance again | 0:15:00 | 0:15:02 | |
# Then you can do the work for me | 0:15:03 | 0:15:07 | |
# Meet on the ledge | 0:15:09 | 0:15:12 | |
# We're gonna meet on the ledge | 0:15:12 | 0:15:16 | |
# When my time is up, I'm gonna see all of my friends | 0:15:16 | 0:15:22 | |
# Meet on the ledge | 0:15:22 | 0:15:25 | |
# We're gonna meet on the ledge | 0:15:25 | 0:15:28 | |
# If you really mean it | 0:15:29 | 0:15:32 | |
# It all comes round again. # | 0:15:32 | 0:15:37 | |
CHEERING AND APPLAUSE | 0:15:40 | 0:15:44 | |
Meet On The Ledge, Richard Thompson! | 0:15:45 | 0:15:48 | |
Marvellous. | 0:15:48 | 0:15:49 | |
Very talented family, actually. Extraordinary family. | 0:15:49 | 0:15:53 | |
From his Acoustic Classics II. | 0:15:53 | 0:15:55 | |
Marvellous records of acoustic versions, | 0:15:55 | 0:15:57 | |
getting right to the point of the songs. | 0:15:57 | 0:15:58 | |
Speaking of the point of the songs, | 0:15:58 | 0:16:00 | |
our next guest has some amazing songs on his new record. | 0:16:00 | 0:16:02 | |
He always has amazing songs. | 0:16:02 | 0:16:04 | |
And we welcome him - he is Kelly Jones! | 0:16:04 | 0:16:06 | |
CHEERING AND APPLAUSE Nice to see you, Kelly. | 0:16:06 | 0:16:09 | |
Um... | 0:16:10 | 0:16:11 | |
Congratulations on your new record, | 0:16:12 | 0:16:14 | |
-just about to come out, any minute now. -Yeah. | 0:16:14 | 0:16:16 | |
-Scream Above The Sounds is the title. -Yeah. | 0:16:16 | 0:16:18 | |
Where does that come from? | 0:16:18 | 0:16:20 | |
I guess it's a bit of a comment on... | 0:16:20 | 0:16:23 | |
There's a lot of intrusion | 0:16:23 | 0:16:24 | |
and 24/7 bad news in people's lives these days, and I guess there's | 0:16:24 | 0:16:28 | |
a lot of small, good things that people could be celebrating as well, | 0:16:28 | 0:16:31 | |
in life, and just shout about that, really. | 0:16:31 | 0:16:33 | |
Well, give us an example of the sort of thing you mean. | 0:16:33 | 0:16:36 | |
Well, Caught By The Wind was written in the aftermath of, like, | 0:16:36 | 0:16:40 | |
the Bataclan, we've played the Bataclan in Paris. | 0:16:40 | 0:16:42 | |
So, the verse started talking about "the wolves in the woods | 0:16:42 | 0:16:45 | |
"don't play by the rules", kind of thing, and I thought the song | 0:16:45 | 0:16:48 | |
was kind of going to go down a darker angle, | 0:16:48 | 0:16:50 | |
but then, the chorus started celebrating all the innocent stuff | 0:16:50 | 0:16:54 | |
I did when I was a kid, | 0:16:54 | 0:16:55 | |
like lying on my mother's roof sunbathing, | 0:16:55 | 0:16:57 | |
looking at the aeroplanes and making shapes out of clouds | 0:16:57 | 0:17:00 | |
and all that sort of stuff. | 0:17:00 | 0:17:01 | |
So, it went on to be much more of a celebratory song | 0:17:01 | 0:17:03 | |
than a dark song, you know? | 0:17:03 | 0:17:06 | |
-This is now your tenth record. -Yeah. | 0:17:06 | 0:17:09 | |
-And 20 years since you started, really. -Yeah. | 0:17:09 | 0:17:12 | |
I mean... And you've stayed on, been a huge success, songs get better | 0:17:12 | 0:17:15 | |
and better - what do you think is the key to doing that? | 0:17:15 | 0:17:19 | |
Songs. I think the song's always been | 0:17:19 | 0:17:22 | |
the governor of our band, really. When we started out, | 0:17:22 | 0:17:25 | |
we thought a record deal was the first rung on the ladder. | 0:17:25 | 0:17:29 | |
But I wanted a catalogue of music, like, you know, | 0:17:29 | 0:17:32 | |
Creedence Clearwater Revival or The Kinks, or... | 0:17:32 | 0:17:35 | |
-I wanted songs to, you know, stand the test of time. -Yeah, yeah. | 0:17:35 | 0:17:38 | |
That's all I ever wanted to achieve. | 0:17:38 | 0:17:40 | |
It wasn't about fame and money and all that sort of stuff. | 0:17:40 | 0:17:43 | |
-Well, we've got a little clip... -Have you? | 0:17:43 | 0:17:45 | |
-Yes, a little clip, and we're going to go down memory lane... -Are we? | 0:17:45 | 0:17:49 | |
-..together, yes, in the back of a transit van... -How far? | 0:17:49 | 0:17:52 | |
Here is More Life In A Tramp's Vest, | 0:17:52 | 0:17:54 | |
-this is from 1997. When I was 12. -Yeah! | 0:17:54 | 0:17:57 | |
LAUGHTER | 0:17:57 | 0:17:58 | |
# The flower man sits down in the street | 0:17:58 | 0:18:02 | |
# Surrounded by the stock he bought back last week | 0:18:02 | 0:18:05 | |
# Bring back the ladies wearing lipstick on their teeth | 0:18:05 | 0:18:08 | |
# Make up, we make up a crappy joke | 0:18:08 | 0:18:11 | |
# Sit back, relax and have a smoke | 0:18:11 | 0:18:15 | |
# Mack the Knife swigs a can and sings the day away | 0:18:15 | 0:18:18 | |
# There's more life, more life, more life in a tramp's vest | 0:18:18 | 0:18:22 | |
# There's more life, more life, more life in a tramp's vest | 0:18:24 | 0:18:29 | |
# There's more life, more life, more life in a tramp's vest | 0:18:30 | 0:18:35 | |
# There's more life, more life, more life in a tramp's vest... # | 0:18:36 | 0:18:41 | |
CHEERING AND APPLAUSE | 0:18:41 | 0:18:43 | |
That was good! | 0:18:43 | 0:18:45 | |
Do you have any recollections at all of 1997? | 0:18:47 | 0:18:51 | |
I've got recollections of that. | 0:18:51 | 0:18:53 | |
I was told, we go round in a circle | 0:18:53 | 0:18:56 | |
and the first one to cock it up is when we stop. | 0:18:56 | 0:18:57 | |
And I looked across, and there was Ry Cooder, | 0:18:57 | 0:18:59 | |
the Buena Vista Social Club, Stevie Winwood, | 0:18:59 | 0:19:02 | |
and I walked up to the mic and I hit my nose, my chin, my teeth, | 0:19:02 | 0:19:05 | |
and I had to stop, and I was the first one to make it all stop, yeah. | 0:19:05 | 0:19:08 | |
-Oh, no! -Because they made us | 0:19:08 | 0:19:09 | |
stand on those little podiums that we used in the video. | 0:19:09 | 0:19:12 | |
I tell you what, I noticed there were | 0:19:12 | 0:19:14 | |
little birthday cakes on there. | 0:19:14 | 0:19:15 | |
-Yeah, but it sounded all right, though. -It did sound all right. | 0:19:15 | 0:19:19 | |
It did sound all right. | 0:19:19 | 0:19:20 | |
It's the first time I'd ever seen the back of my head, that was. | 0:19:20 | 0:19:22 | |
That's the great thing about television. | 0:19:22 | 0:19:24 | |
If somebody says, "Why did you start in television?" | 0:19:24 | 0:19:26 | |
-So I can see the back of my head. -Exactly, yeah. | 0:19:26 | 0:19:28 | |
And you're going to be going on tour, I guess. | 0:19:28 | 0:19:30 | |
Do you look forward to touring? | 0:19:30 | 0:19:32 | |
Yeah, because we've got ten albums' worth of material now to pick | 0:19:32 | 0:19:35 | |
and choose from. So, we've got this catalogue... | 0:19:35 | 0:19:37 | |
I always loved people like Tom Petty and stuff like that, | 0:19:37 | 0:19:39 | |
so you'd see these bands where there wasn't, like, | 0:19:39 | 0:19:41 | |
a big frontman prancing about, it was just about a catalogue of songs. | 0:19:41 | 0:19:44 | |
-We can do that now. -And when you go on tour, do you go tourist, | 0:19:44 | 0:19:47 | |
do you go and look at things when you're...? | 0:19:47 | 0:19:48 | |
We get in bed earlier. It tends to just be curry and beer. | 0:19:48 | 0:19:52 | |
Curry and beer? | 0:19:52 | 0:19:53 | |
-We've got Curry Finder on the phone. -Really? -Yeah. | 0:19:53 | 0:19:55 | |
Do you have a curry straight after the show? | 0:19:55 | 0:19:58 | |
We do tend to have a curry after the show, yeah. | 0:19:58 | 0:20:01 | |
Mother India, in Edinburgh and Glasgow... | 0:20:01 | 0:20:03 | |
Yeah, but my thing is, the timing of it, right? | 0:20:03 | 0:20:05 | |
So, you want to come offstage, you walk offstage, the applause is, if | 0:20:05 | 0:20:08 | |
you're lucky, still going, and there is the curry on the table, there. | 0:20:08 | 0:20:11 | |
It's not like we're going to wait around, | 0:20:11 | 0:20:13 | |
we haven't got time for that! | 0:20:13 | 0:20:15 | |
-No, the lamb has to be still hot from the takeaway. -Exactly. | 0:20:15 | 0:20:17 | |
People don't realise, when bands are on tour, everybody, | 0:20:17 | 0:20:20 | |
all the artists in this room, am I right - | 0:20:20 | 0:20:22 | |
the most important thing is what you're going to eat that night! | 0:20:22 | 0:20:25 | |
-Exactly. Because it's not easy, is it? -It's not easy. | 0:20:25 | 0:20:27 | |
Everyone has had their dinner, but we haven't, | 0:20:27 | 0:20:29 | |
-we've got to wait till late. -There's a lot of waiting around! | 0:20:29 | 0:20:32 | |
But we don't want sympathy, we want applause, | 0:20:32 | 0:20:34 | |
for the wonderful Kelly Jones! | 0:20:34 | 0:20:35 | |
CHEERING AND APPLAUSE | 0:20:35 | 0:20:37 | |
What a great voice that man's got. | 0:20:39 | 0:20:42 | |
Super voice. | 0:20:42 | 0:20:43 | |
An extraordinary, | 0:20:43 | 0:20:45 | |
magnificent selection of artists in this room now. | 0:20:45 | 0:20:49 | |
We welcome, from Los Angeles, The White Buffalo! | 0:20:49 | 0:20:52 | |
CHEERING AND APPLAUSE | 0:20:52 | 0:20:55 | |
One, two, three! | 0:20:56 | 0:20:58 | |
# Billy wasn't sober, he got pulled over in Chinatown | 0:20:58 | 0:21:02 | |
# Liquor on his breath, stuffs a pistol in the cushion | 0:21:04 | 0:21:07 | |
# Rolls the window down | 0:21:07 | 0:21:09 | |
# Oh, well, his heart, it races like a hundred yard dash | 0:21:09 | 0:21:13 | |
# Stone-cold on his face | 0:21:13 | 0:21:15 | |
# Policeman sends him reluctantly on his way | 0:21:16 | 0:21:19 | |
# Billy wasn't sober, he was hungover, it was 10am | 0:21:22 | 0:21:26 | |
# Another day of work, clutching the pillow like his only friend | 0:21:28 | 0:21:32 | |
# Oh, well, he's past his prime, he's a dinosaur | 0:21:33 | 0:21:36 | |
# Steadfast in his ways | 0:21:36 | 0:21:39 | |
# No aces left, but he still has cards to play | 0:21:39 | 0:21:43 | |
# And he hopes today he'll swim his way to Avalon | 0:21:45 | 0:21:51 | |
# He's not all the way down | 0:21:52 | 0:21:55 | |
# Billy's getting older, the chip on his shoulder's getting heavier | 0:21:57 | 0:22:01 | |
# The weight of the world spins and obscures into oblivion | 0:22:02 | 0:22:08 | |
# This ain't living, it's waiting around to die | 0:22:08 | 0:22:11 | |
# There must be another way | 0:22:11 | 0:22:13 | |
# Under his breath, he says, things have got to change | 0:22:14 | 0:22:17 | |
# And he hopes today, he'll swim his way to Avalon | 0:22:20 | 0:22:25 | |
# He's not all the way down | 0:22:26 | 0:22:30 | |
# And he hopes today, he'll swim his way to Avalon | 0:22:31 | 0:22:36 | |
# He's not all the way down | 0:22:37 | 0:22:42 | |
# Searching, but he got no soul | 0:22:42 | 0:22:44 | |
# Wishing he could flip a switch | 0:22:45 | 0:22:48 | |
# Turn his life around and face the fact | 0:22:49 | 0:22:53 | |
# That life's a bitch | 0:22:53 | 0:22:55 | |
# And he hopes today, he'll swim his way to Avalon | 0:22:56 | 0:23:01 | |
# He's not all the way down | 0:23:02 | 0:23:06 | |
# And he hopes today, he'll swim his way to Avalon | 0:23:07 | 0:23:12 | |
# He's not all the way down | 0:23:14 | 0:23:19 | |
# And he hopes today, he'll swim his way to Avalon | 0:23:19 | 0:23:23 | |
# He's not all the way down. # | 0:23:25 | 0:23:32 | |
CHEERING AND APPLAUSE | 0:23:34 | 0:23:38 | |
The White Buffalo, with Avalon! | 0:23:42 | 0:23:45 | |
From their album, Darkest Darks, Lightest Lights. | 0:23:45 | 0:23:49 | |
Some rather good titles this week. | 0:23:49 | 0:23:51 | |
So, let's hold it a moment, | 0:23:51 | 0:23:53 | |
and this next artist we've got here this evening is truly extraordinary. | 0:23:53 | 0:23:57 | |
She has brought her ten-piece orchestra with her, | 0:23:57 | 0:24:00 | |
and those ten pieces of the orchestra | 0:24:00 | 0:24:03 | |
are in fact her ten fingers. | 0:24:03 | 0:24:04 | |
She is one of the most remarkable players that I've met recently, | 0:24:04 | 0:24:07 | |
a dear friend, an extraordinary person and a dazzling pianist, | 0:24:07 | 0:24:11 | |
it is Hiromi! | 0:24:11 | 0:24:13 | |
CHEERING AND APPLAUSE | 0:24:13 | 0:24:16 | |
CHEERING AND APPLAUSE | 0:27:41 | 0:27:44 | |
# Suzie Q | 0:28:12 | 0:28:14 | |
# What makes you | 0:28:14 | 0:28:17 | |
# On the inside, outside | 0:28:18 | 0:28:22 | |
# Upside, downside | 0:28:22 | 0:28:24 | |
# It's true | 0:28:24 | 0:28:26 | |
# He never looked at you | 0:28:26 | 0:28:29 | |
# What told me inside, outside | 0:28:29 | 0:28:33 | |
# Upside, downside | 0:28:33 | 0:28:37 | |
# You're a back-seat driver on the side of the road | 0:28:37 | 0:28:39 | |
# Ten cups of coffee and you're gonna explode | 0:28:39 | 0:28:42 | |
# Want to mow me down like a domino | 0:28:42 | 0:28:46 | |
# You're riding around like Geronimo | 0:28:46 | 0:28:49 | |
# Back-seat driver on the side of the road | 0:28:49 | 0:28:52 | |
# Ten cups of coffee and you're gonna explode | 0:28:52 | 0:28:55 | |
# You want to mow me down like a domino | 0:28:55 | 0:28:58 | |
# You're riding around like Geronimo | 0:28:58 | 0:29:04 | |
# Cadillac in blue | 0:29:12 | 0:29:14 | |
# It never suited you | 0:29:14 | 0:29:17 | |
# What told me inside, outside | 0:29:18 | 0:29:22 | |
# Upside, downside | 0:29:22 | 0:29:25 | |
# It's true | 0:29:25 | 0:29:27 | |
# You've got me hooked on you | 0:29:27 | 0:29:30 | |
# But you're with me inside, outside | 0:29:30 | 0:29:35 | |
# Upside, downside | 0:29:35 | 0:29:37 | |
# You're a back-seat driver on the side of the road | 0:29:37 | 0:29:41 | |
# Ten cups of coffee and you're gonna explode | 0:29:41 | 0:29:44 | |
# You want to mow me down like a domino | 0:29:44 | 0:29:47 | |
# You're riding around like Geronimo | 0:29:47 | 0:29:50 | |
# Back-seat driver on the side of the road | 0:29:50 | 0:29:53 | |
# Ten cups of coffee and you're gonna explode | 0:29:53 | 0:29:55 | |
# You want to mow me down like a domino | 0:29:55 | 0:29:59 | |
# You're riding around like Geronimo | 0:29:59 | 0:30:02 | |
# Ooh, yeah | 0:30:02 | 0:30:05 | |
# Ooh-ooh-ooh-ooh | 0:30:32 | 0:30:35 | |
# Ooh-ooh-ooh-ooh | 0:30:35 | 0:30:38 | |
# Ooh-ooh-ooh-ooh | 0:30:38 | 0:30:41 | |
# Ooh-ooh-ooh-ooh | 0:30:41 | 0:30:44 | |
# You're a back-seat driver on the side of the road | 0:30:44 | 0:30:47 | |
# Ten cups of coffee and you're gonna explode | 0:30:47 | 0:30:50 | |
# You want to mow me down like a domino | 0:30:50 | 0:30:53 | |
# You're riding around like Geronimo | 0:30:53 | 0:30:56 | |
# You're a back-seat driver at the side of the road | 0:30:56 | 0:31:00 | |
# Ten cups of coffee and you're going to explode | 0:31:00 | 0:31:02 | |
# Geronimo! | 0:31:02 | 0:31:05 | |
# You're riding around like Geronimo. # | 0:31:05 | 0:31:11 | |
CHEERING AND APPLAUSE | 0:32:05 | 0:32:07 | |
Stereophonics with Geronimo from Scream Above The Sounds | 0:32:12 | 0:32:18 | |
and before that, we enjoyed the extraordinary Hiromi. | 0:32:18 | 0:32:22 | |
CHEERING AND APPLAUSE | 0:32:22 | 0:32:24 | |
We have more extraordinary | 0:32:24 | 0:32:26 | |
and wonderful talent in this room this evening. | 0:32:26 | 0:32:28 | |
We now welcome, please, | 0:32:28 | 0:32:29 | |
from Los Angeles, the wonderful sound of Moses Sumney. | 0:32:29 | 0:32:33 | |
CHEERING AND APPLAUSE | 0:32:33 | 0:32:36 | |
# I'm not a body | 0:32:37 | 0:32:39 | |
# The body is but a shell | 0:32:39 | 0:32:44 | |
# I disembody | 0:32:45 | 0:32:47 | |
# But suffering is sovereign | 0:32:47 | 0:32:49 | |
# Still | 0:32:49 | 0:32:55 | |
# No grasp of reality | 0:32:55 | 0:32:59 | |
# The world is a wonderland scene | 0:33:00 | 0:33:06 | |
# I don't know | 0:33:08 | 0:33:12 | |
# What we are | 0:33:12 | 0:33:15 | |
# But every cell in the corpus | 0:33:15 | 0:33:18 | |
# Resembles stars | 0:33:18 | 0:33:25 | |
# Signal into the sky | 0:33:25 | 0:33:30 | |
# God sings to me in reply | 0:33:30 | 0:33:38 | |
HE VOCALISES IN HARMONY | 0:33:39 | 0:33:41 | |
HE VOCALISES IN HARMONY | 0:33:53 | 0:33:56 | |
# Don't bother calling | 0:34:11 | 0:34:13 | |
# I'll call you | 0:34:13 | 0:34:16 | |
# Don't bother calling | 0:34:18 | 0:34:21 | |
# I'll call you | 0:34:21 | 0:34:26 | |
# I'm not somebody | 0:34:36 | 0:34:38 | |
# Somebody would savour us | 0:34:38 | 0:34:43 | |
# You need a solid, but I'm made of liquid | 0:34:43 | 0:34:47 | |
# Trust in me | 0:34:47 | 0:34:54 | |
# I am the son of the sea | 0:34:54 | 0:34:58 | |
# And I'll call you when I feel finally free | 0:34:58 | 0:35:05 | |
# I don't know | 0:35:06 | 0:35:10 | |
# What we are | 0:35:10 | 0:35:15 | |
# But all I know is I can't go away | 0:35:15 | 0:35:19 | |
# With you with half a heart | 0:35:19 | 0:35:25 | |
# Don't bother calling | 0:35:27 | 0:35:29 | |
# I'll call you | 0:35:29 | 0:35:32 | |
# Don't bother asking | 0:35:35 | 0:35:37 | |
# For the truth | 0:35:37 | 0:35:42 | |
# Don't bother calling | 0:35:42 | 0:35:45 | |
# I'll call you | 0:35:45 | 0:35:48 | |
# Don't bother calling | 0:35:50 | 0:35:53 | |
# I'll call you. # | 0:35:53 | 0:35:57 | |
CHEERING AND APPLAUSE | 0:36:02 | 0:36:05 | |
# Today, I feel weak | 0:36:12 | 0:36:15 | |
# But tomorrow, I'll feel a queen | 0:36:15 | 0:36:19 | |
# I was raised by the street | 0:36:19 | 0:36:23 | |
# Do you know what that really means? | 0:36:23 | 0:36:26 | |
# All this hurt I suffered | 0:36:28 | 0:36:31 | |
# It just begins again | 0:36:31 | 0:36:34 | |
# In a baby girl | 0:36:36 | 0:36:39 | |
# Or a full-grown man | 0:36:39 | 0:36:44 | |
# Tomorrow will come | 0:36:44 | 0:36:47 | |
# Like the turning of the sun | 0:36:47 | 0:36:51 | |
# Over tall buildings | 0:36:51 | 0:36:56 | |
# And the beating of a drum | 0:36:56 | 0:36:59 | |
# It lives in my heart | 0:36:59 | 0:37:02 | |
# But buried in the past | 0:37:03 | 0:37:06 | |
# Here comes the navigator | 0:37:06 | 0:37:10 | |
# She knows you're fading fast | 0:37:10 | 0:37:15 | |
# The prophets warned us | 0:37:48 | 0:37:51 | |
# Well, they swore it was true | 0:37:51 | 0:37:54 | |
# Well, here we go, baby | 0:37:54 | 0:37:58 | |
# It can happen to you | 0:37:58 | 0:38:02 | |
# Beware of men who barter | 0:38:02 | 0:38:07 | |
# With the people's fate | 0:38:07 | 0:38:11 | |
# Here comes the navigator | 0:38:11 | 0:38:14 | |
# Refugee patron saint | 0:38:14 | 0:38:19 | |
# Oh, where will all my people go? | 0:38:19 | 0:38:25 | |
# The navigator wants to know | 0:38:25 | 0:38:31 | |
# Oh-oh-oh-oh | 0:38:31 | 0:38:32 | |
# Oh-oh-whoa-oh | 0:38:32 | 0:38:36 | |
# Oh, where will all my people live? | 0:38:36 | 0:38:42 | |
# The navigator, she won't forgive | 0:38:42 | 0:38:47 | |
# Oh, where, where will all my people go? | 0:39:08 | 0:39:14 | |
# The navigator, she wants to know | 0:39:14 | 0:39:19 | |
# Wants to know! # | 0:39:19 | 0:39:22 | |
CHEERING AND APPLAUSE | 0:39:29 | 0:39:33 | |
Hurray For The Riff Raff! | 0:39:34 | 0:39:37 | |
The title track of their album, The Navigator. | 0:39:37 | 0:39:41 | |
Before that, we heard the lovely voice of Moses Sumney. | 0:39:41 | 0:39:45 | |
CHEERING AND APPLAUSE Lovely falsetto voice. | 0:39:45 | 0:39:48 | |
So, now, our next artist, as I explained... It's great, actually. | 0:39:48 | 0:39:51 | |
If you've got a great catalogue of songs, | 0:39:51 | 0:39:53 | |
to put them all into one place in their original form, | 0:39:53 | 0:39:56 | |
which of course would just be with the instrument, | 0:39:56 | 0:39:58 | |
whatever it is you've written them on, | 0:39:58 | 0:40:00 | |
and that is what our next artist has done with his new album. | 0:40:00 | 0:40:03 | |
We welcome Richard Thompson. CHEERING AND APPLAUSE | 0:40:03 | 0:40:06 | |
# By Devonside | 0:40:08 | 0:40:10 | |
# She was a-marching | 0:40:12 | 0:40:15 | |
# It was a gang | 0:40:17 | 0:40:20 | |
# Of no great size | 0:40:20 | 0:40:24 | |
# And surrender was the banner | 0:40:25 | 0:40:29 | |
# That she carried | 0:40:29 | 0:40:32 | |
# And hungry was the shiver | 0:40:34 | 0:40:37 | |
# In her eyes | 0:40:37 | 0:40:40 | |
# She met a boy | 0:40:44 | 0:40:47 | |
# His health was failing | 0:40:49 | 0:40:51 | |
# She dropped the banner | 0:40:52 | 0:40:55 | |
# And took her prize | 0:40:55 | 0:41:00 | |
# And the only food she had | 0:41:01 | 0:41:04 | |
# Was bread and morphine | 0:41:04 | 0:41:07 | |
# But he fed on the shiver | 0:41:09 | 0:41:13 | |
# In her eyes | 0:41:13 | 0:41:16 | |
# By Devonside | 0:41:47 | 0:41:50 | |
# His love was drifting | 0:41:51 | 0:41:54 | |
# He looked for comfort | 0:41:55 | 0:41:59 | |
# Otherwise | 0:41:59 | 0:42:03 | |
# And there never was a rope or chain about him | 0:42:04 | 0:42:09 | |
# Oh, she held him with the shiver | 0:42:12 | 0:42:15 | |
# In her eyes | 0:42:15 | 0:42:19 | |
# Oh, she said, my John | 0:42:19 | 0:42:22 | |
# I'll be your pillow | 0:42:23 | 0:42:25 | |
# I'll be your lover | 0:42:27 | 0:42:30 | |
# Mother, whore and wife | 0:42:30 | 0:42:33 | |
# And he said he'd loved, but never seen her | 0:42:36 | 0:42:42 | |
# When the light fell from the shiver | 0:42:43 | 0:42:47 | |
# In her eyes. # | 0:42:47 | 0:42:50 | |
CHEERING AND APPLAUSE | 0:43:06 | 0:43:09 | |
Richard Thompson with Devonside - what a lovely song | 0:43:12 | 0:43:16 | |
from Acoustic Classics 2, lovely songs, of course, | 0:43:16 | 0:43:19 | |
for an acoustic form. | 0:43:19 | 0:43:21 | |
Thank you so much, Richard. I'm going down this way now. | 0:43:21 | 0:43:23 | |
Lovely to see you again. | 0:43:23 | 0:43:24 | |
So we've now got a pretty international show | 0:43:24 | 0:43:27 | |
because we have, I just think, an... | 0:43:27 | 0:43:29 | |
If you were tuned in 15 minutes ago, which I hope you were, | 0:43:29 | 0:43:32 | |
you will have seen the amazing talent of our guest here, Hiromi! | 0:43:32 | 0:43:36 | |
CHEERING AND APPLAUSE | 0:43:36 | 0:43:38 | |
It's so nice to have you here, Hiromi. It's so great. | 0:43:38 | 0:43:42 | |
And I suppose the first thing I've got to ask, | 0:43:42 | 0:43:44 | |
when you first learned the piano | 0:43:44 | 0:43:46 | |
cos there's amazing pianists from Japan, aren't there, | 0:43:46 | 0:43:49 | |
but what was the first thing that you learned | 0:43:49 | 0:43:51 | |
that you thought, "This is it, the piano's for me now"? | 0:43:51 | 0:43:53 | |
What was it? | 0:43:53 | 0:43:55 | |
When I played very classic scale Hanon with swing. | 0:43:55 | 0:43:59 | |
And how did you do that? | 0:43:59 | 0:44:00 | |
Play it straight first. How does it go straight? | 0:44:00 | 0:44:02 | |
SHE PLAYS A SCALE | 0:44:02 | 0:44:04 | |
And then how do you swing it? | 0:44:06 | 0:44:07 | |
SHE PLAYS A JAUNTIER VERSION OF THE SAME SCALE | 0:44:07 | 0:44:11 | |
Yeah, nice. Beautiful, lovely! | 0:44:11 | 0:44:14 | |
Now, we were talking earlier about some of the piano players | 0:44:14 | 0:44:18 | |
and pianists we like and one of them, | 0:44:18 | 0:44:20 | |
who's up on the piano there now who was born in 1917, | 0:44:20 | 0:44:23 | |
the end of the First World War, he would have been 100 this month - | 0:44:23 | 0:44:25 | |
there's Thelonious Monk. | 0:44:25 | 0:44:27 | |
Let's have a round of applause for Thelonious Monk. | 0:44:27 | 0:44:30 | |
APPLAUSE | 0:44:30 | 0:44:32 | |
-Shall we have a crack at a bit of a Monk tune? -Yes. -OK, then. | 0:44:32 | 0:44:35 | |
I'll start, then. | 0:44:35 | 0:44:36 | |
CHEERING AND APPLAUSE | 0:47:06 | 0:47:09 | |
The fantastic Hiromi! | 0:47:15 | 0:47:17 | |
CHEERING | 0:47:17 | 0:47:19 | |
With our tribute to Thelonious Sphere Monk on his birthday. | 0:47:19 | 0:47:24 | |
Happy birthday, Thelonious Monk! Thank you, Hiromi. | 0:47:24 | 0:47:27 | |
I love the fact that in every corner of this room, | 0:47:29 | 0:47:32 | |
different grooves come out and every groove I like the sound of. | 0:47:32 | 0:47:35 | |
I love the way that we've got this lovely Jamaican sound | 0:47:35 | 0:47:38 | |
mashed up over here. We welcome Zara McFarlane. | 0:47:38 | 0:47:41 | |
CHEERING AND APPLAUSE | 0:47:41 | 0:47:44 | |
# Oh, me | 0:48:03 | 0:48:05 | |
# Oh, my | 0:48:05 | 0:48:07 | |
# The cost of living | 0:48:07 | 0:48:09 | |
# Gets so high | 0:48:09 | 0:48:12 | |
# My, my | 0:48:12 | 0:48:14 | |
# What now? | 0:48:14 | 0:48:17 | |
# Got to make it | 0:48:17 | 0:48:19 | |
# Don't know how | 0:48:19 | 0:48:21 | |
# We believe | 0:48:21 | 0:48:23 | |
# Peace begins within | 0:48:23 | 0:48:26 | |
# We believe | 0:48:30 | 0:48:33 | |
# Peace begins within | 0:48:33 | 0:48:35 | |
# Don't like war | 0:48:40 | 0:48:43 | |
# Bring us peace | 0:48:43 | 0:48:45 | |
# Won't you excuse me | 0:48:45 | 0:48:47 | |
# While I get over this? | 0:48:47 | 0:48:49 | |
# Oh, me | 0:48:49 | 0:48:52 | |
# Oh, my | 0:48:52 | 0:48:54 | |
# Feeling so bad, I cannot cry | 0:48:54 | 0:48:58 | |
# We believe | 0:48:58 | 0:49:01 | |
# Peace begins within | 0:49:01 | 0:49:04 | |
# We believe | 0:49:08 | 0:49:10 | |
# Peace begins within | 0:49:10 | 0:49:13 | |
SHE SCATS | 0:49:16 | 0:49:20 | |
SHE SCATS | 0:49:26 | 0:49:28 | |
# Oh, me | 0:49:36 | 0:49:38 | |
# Oh, my | 0:49:38 | 0:49:41 | |
# Want to see heaven | 0:49:41 | 0:49:43 | |
# Don't want to die | 0:49:43 | 0:49:45 | |
# We believe | 0:49:45 | 0:49:47 | |
# Peace begins within | 0:49:47 | 0:49:50 | |
# We believe | 0:49:54 | 0:49:57 | |
# Peace begins within | 0:49:57 | 0:49:59 | |
# Oh, me | 0:50:23 | 0:50:25 | |
# Oh, my | 0:50:25 | 0:50:28 | |
# Want to see heaven | 0:50:28 | 0:50:31 | |
# Don't want to die | 0:50:31 | 0:50:33 | |
# We believe | 0:50:33 | 0:50:35 | |
# Peace begins within | 0:50:35 | 0:50:37 | |
# We believe | 0:50:41 | 0:50:43 | |
# Peace begins within | 0:50:43 | 0:50:46 | |
# We believe | 0:50:50 | 0:50:53 | |
# Peace begins within | 0:50:53 | 0:50:56 | |
# We believe | 0:51:00 | 0:51:02 | |
# Peace begins within | 0:51:02 | 0:51:05 | |
# We believe | 0:51:09 | 0:51:12 | |
# Peace begins within | 0:51:12 | 0:51:14 | |
# We do believe, we do believe | 0:51:14 | 0:51:18 | |
# We believe | 0:51:18 | 0:51:20 | |
# Peace begins within | 0:51:20 | 0:51:24 | |
SHE SCATS | 0:51:24 | 0:51:27 | |
# We believe | 0:51:27 | 0:51:30 | |
# Peace begins within | 0:51:30 | 0:51:33 | |
SHE SCATS | 0:51:33 | 0:51:37 | |
# We believe | 0:51:37 | 0:51:39 | |
# Peace begins within. # | 0:51:39 | 0:51:42 | |
CHEERING AND APPLAUSE | 0:51:43 | 0:51:46 | |
Zara McFarlane - Peace Begins Within, | 0:51:49 | 0:51:52 | |
and you would be well advised | 0:51:52 | 0:51:56 | |
cos it's the London Jazz Festival coming up, you can see Zara there. | 0:51:56 | 0:52:00 | |
Yes, Zara McFarlane, thank you so much! | 0:52:00 | 0:52:03 | |
CHEERING AND APPLAUSE Now, immediately behind me, | 0:52:03 | 0:52:05 | |
a beautifully contrasting lovely band. | 0:52:05 | 0:52:07 | |
We welcome The White Buffalo! | 0:52:07 | 0:52:09 | |
CHEERING AND APPLAUSE | 0:52:09 | 0:52:11 | |
# Oh, darlin', darlin' | 0:52:23 | 0:52:25 | |
# What have I done? | 0:52:25 | 0:52:27 | |
# I've been astray from you too long | 0:52:30 | 0:52:34 | |
# All my days have turned to darkness | 0:52:37 | 0:52:41 | |
# I believe my heart has turned to stone | 0:52:43 | 0:52:48 | |
# Oh, darlin', darlin' | 0:52:49 | 0:52:51 | |
# What have I done? | 0:52:51 | 0:52:54 | |
# Now I don't say anything at all | 0:52:56 | 0:53:00 | |
# God don't listen to me, no ways | 0:53:02 | 0:53:07 | |
# Now I'm left here all alone | 0:53:09 | 0:53:14 | |
# Ooh-ooh, I hear what the neighbours say | 0:53:14 | 0:53:20 | |
# That poor boy, he's lost his way | 0:53:22 | 0:53:27 | |
# I let the others pray | 0:53:27 | 0:53:30 | |
# Oh, darlin', darlin' | 0:53:33 | 0:53:36 | |
# What have I done? | 0:53:36 | 0:53:38 | |
# Now I do my talking with a gun | 0:53:40 | 0:53:44 | |
# And blood will spill into the gutters | 0:53:46 | 0:53:52 | |
# It will stain the morning sun | 0:53:54 | 0:53:58 | |
# Ooh-ooh, tell me what the hell I've done | 0:53:59 | 0:54:04 | |
# Can I stop at one? | 0:54:07 | 0:54:10 | |
# Or have I just begun? # | 0:54:11 | 0:54:14 | |
Ha! | 0:54:17 | 0:54:19 | |
# Take out the bodies that live | 0:54:20 | 0:54:22 | |
# Lord, it gets me high | 0:54:22 | 0:54:25 | |
# I think I'm going to get my fill | 0:54:25 | 0:54:29 | |
# Of taking lives | 0:54:29 | 0:54:31 | |
# Lord, I don't want to let my baby down | 0:54:31 | 0:54:37 | |
# I just want to give us something | 0:54:37 | 0:54:40 | |
# One of a kind | 0:54:40 | 0:54:48 | |
# Oh, darlin', darlin' | 0:54:50 | 0:54:52 | |
# What have I done? | 0:54:52 | 0:54:54 | |
# I've been astray from you too long | 0:54:56 | 0:55:00 | |
# All my days have turned to darkness | 0:55:02 | 0:55:07 | |
# Hell is leaving the light on | 0:55:09 | 0:55:13 | |
# Ooh-ooh, they'll hang me way up high | 0:55:13 | 0:55:20 | |
# God himself will drop me from the sky | 0:55:20 | 0:55:25 | |
# And let me swing a while | 0:55:27 | 0:55:30 | |
# Oh, darlin', darlin' | 0:55:33 | 0:55:35 | |
# What have I done? | 0:55:35 | 0:55:38 | |
# Oh, darlin', darlin' | 0:55:40 | 0:55:43 | |
# What have I done? | 0:55:43 | 0:55:46 | |
# Oh, darlin', darlin' | 0:55:46 | 0:55:48 | |
# What have I done? | 0:55:48 | 0:55:51 | |
# Oh, darlin', darlin' | 0:55:51 | 0:55:54 | |
# What have I done? | 0:55:54 | 0:55:57 | |
# Oh, darlin', darlin' | 0:55:57 | 0:56:00 | |
# What have I done? | 0:56:00 | 0:56:03 | |
# Oh, darlin', darlin' | 0:56:03 | 0:56:06 | |
# What have I done? | 0:56:06 | 0:56:09 | |
# Oh, darlin', darlin' | 0:56:09 | 0:56:12 | |
# What have I done? | 0:56:12 | 0:56:15 | |
# Oh, darlin', darlin' | 0:56:15 | 0:56:18 | |
# What have I done? | 0:56:18 | 0:56:24 | |
# What have I done? # | 0:56:24 | 0:56:27 | |
CHEERING AND APPLAUSE | 0:56:27 | 0:56:29 | |
# Chances are you'd like to be untouchable | 0:56:52 | 0:56:57 | |
# Chances are you want to feel irresistible | 0:56:59 | 0:57:05 | |
# Chances are you want to be rock and roll | 0:57:06 | 0:57:13 | |
# For you, for you | 0:57:13 | 0:57:16 | |
# All the others | 0:57:16 | 0:57:18 | |
# They will turn you on | 0:57:18 | 0:57:22 | |
# Chances are you want to feel in control | 0:57:23 | 0:57:28 | |
# Chances are you want to be less alone | 0:57:30 | 0:57:36 | |
# Chances are you'd like to go and get divorced | 0:57:37 | 0:57:42 | |
# For you, for you | 0:57:44 | 0:57:47 | |
# Or your lover that you depend upon | 0:57:47 | 0:57:52 | |
# Chances are you'd like to bend or break the rules | 0:58:05 | 0:58:11 | |
# Chances are you'd like to let it all hang loose | 0:58:12 | 0:58:17 | |
# Chances are you'd like to feel more love at home | 0:58:19 | 0:58:24 | |
# Chances are you'd like to feel less insecure | 0:58:26 | 0:58:31 | |
# Chances are you're really going to mess it up | 0:58:33 | 0:58:37 | |
# Chances are, they're probably going to drink it up | 0:58:39 | 0:58:44 | |
# Chances are you maybe feel the world for me | 0:58:46 | 0:58:52 | |
# Chances are you wind up sleeping up with the enemy | 0:58:53 | 0:58:58 | |
# Don't hold it back | 0:59:00 | 0:59:04 | |
# Don't hold it back | 0:59:04 | 0:59:07 | |
# Don't hold it back | 0:59:07 | 0:59:11 | |
# Don't hold it, yeah | 0:59:11 | 0:59:14 | |
# Don't be disillusioned | 0:59:21 | 0:59:25 | |
# It soon works out | 0:59:25 | 0:59:28 | |
# What seems so uncertain | 0:59:28 | 0:59:30 | |
# It soon works out | 0:59:32 | 0:59:36 | |
# Yeah | 0:59:36 | 0:59:38 | |
# Ohhhh, whoa-oh | 0:59:41 | 0:59:45 | |
# It soon works out | 0:59:45 | 0:59:49 | |
# Ohhh, whoa-oh | 0:59:49 | 0:59:51 | |
# It soon works out | 0:59:51 | 0:59:54 | |
# Ohhh, oh-whoa-ho | 0:59:54 | 0:59:59 | |
# It soon works out | 1:00:00 | 1:00:07 | |
# Yeah, it soon works out | 1:00:07 | 1:00:11 | |
# Chances are | 1:00:16 | 1:00:18 | |
# Chances are | 1:00:18 | 1:00:20 | |
# Chances are | 1:00:20 | 1:00:21 | |
# Chances are | 1:00:21 | 1:00:23 | |
# Chances are | 1:00:23 | 1:00:25 | |
# Chances are. # | 1:00:25 | 1:00:28 | |
-CHEERING AND APPLAUSE -Thank you! | 1:00:40 | 1:00:43 | |
The wonderful Stereophonics with Chances Are. | 1:00:44 | 1:00:49 | |
So, if you have enjoyed this show, do have a look at our website. | 1:00:49 | 1:00:52 | |
There's loads more. | 1:00:52 | 1:00:53 | |
We'll be back on Tuesday at ten o'clock with Noel Gallagher. | 1:00:53 | 1:00:56 | |
Yes, we'll be here with him. | 1:00:56 | 1:00:57 | |
Dua Lipa, Aimee Mann, | 1:00:57 | 1:00:59 | |
Superorganism and me and Jose Feliciano, Rita Wilson - | 1:00:59 | 1:01:03 | |
so much more. Will you come and join us next week? | 1:01:03 | 1:01:06 | |
CHEERING I'll take that as a yes. | 1:01:06 | 1:01:08 | |
Could I invite you to give us a little thing | 1:01:08 | 1:01:10 | |
you've got, I think, in the key of B natural, | 1:01:10 | 1:01:12 | |
my favourite key and my philosophy in life? Here we go. | 1:01:12 | 1:01:14 | |
THEY PLAY SLOW-PACED ROCK Nice! | 1:01:14 | 1:01:18 | |
So I'd like to thank all of the wonderful guests | 1:01:18 | 1:01:20 | |
we've had in the room this evening. | 1:01:20 | 1:01:21 | |
Thank you, Stereophonics! | 1:01:21 | 1:01:23 | |
CHEERING AND APPLAUSE | 1:01:23 | 1:01:25 | |
Thank you, Richard Thompson! | 1:01:25 | 1:01:27 | |
CHEERING | 1:01:27 | 1:01:29 | |
Thank you, Zara McFarlane, at the London Jazz Festival soon, | 1:01:29 | 1:01:33 | |
CHEERING a marvellous band. | 1:01:33 | 1:01:34 | |
Another wonderful band, The White Buffalo! | 1:01:34 | 1:01:37 | |
CHEERING | 1:01:37 | 1:01:39 | |
The amazing voice, the amazing guitar - Moses Sumney! | 1:01:39 | 1:01:42 | |
CHEERING | 1:01:42 | 1:01:44 | |
My new best friend - | 1:01:44 | 1:01:47 | |
the amazing, the one and only | 1:01:47 | 1:01:49 | |
extraordinary hands of Hiromi! | 1:01:49 | 1:01:51 | |
We loved inviting back to the studio Hurray For The Riff Raff! | 1:01:53 | 1:01:58 | |
CHEERING | 1:01:58 | 1:02:00 | |
One, two, three and... MUSIC FADES | 1:02:00 | 1:02:04 |