Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:04 | 0:00:07 | |
Greetings, listeners, and welcome
to another wonderful show! | 0:00:08 | 0:00:11 | |
Let's begin, | 0:00:11 | 0:00:12 | |
with Noel Gallagher's
High Flying Birds! | 0:00:12 | 0:00:15 | |
CHEERING AND APPLAUSE | 0:00:15 | 0:00:17 | |
# Dance, dance, if you do that dance | 0:00:24 | 0:00:27 | |
# I'm gonna let you join
my one man band | 0:00:27 | 0:00:30 | |
# So be my doll, be my baby doll | 0:00:31 | 0:00:34 | |
# Come get to know me
like the back of your hand | 0:00:34 | 0:00:37 | |
# You're like the name
and you don't exhale | 0:00:38 | 0:00:41 | |
# I like the way you do
the push and the shove | 0:00:41 | 0:00:44 | |
# You can blow my mind if you're
that way inclined | 0:00:45 | 0:00:48 | |
# All I know is that
you feel from above | 0:00:48 | 0:00:51 | |
# She fell, she fell
Right under my spell | 0:00:51 | 0:00:55 | |
# Hold up, pretty lady, come on | 0:00:55 | 0:00:58 | |
# She danced, she danced
right into my hands | 0:00:58 | 0:01:02 | |
# Hold up, pretty baby, come on | 0:01:02 | 0:01:05 | |
# Whoo | 0:01:05 | 0:01:06 | |
# Be my butterfly
You were almost shaking me | 0:01:06 | 0:01:09 | |
# You rolled me at
the top of them all | 0:01:09 | 0:01:11 | |
# And if you feel the need
I'll send you Godspeed | 0:01:11 | 0:01:15 | |
# To me you're maker of
the break of the dawn | 0:01:15 | 0:01:18 | |
# Whoo | 0:01:18 | 0:01:20 | |
# Get out of the doldrums, baby, now | 0:01:20 | 0:01:23 | |
# You liar, I'll set you on fire | 0:01:23 | 0:01:26 | |
# Get out of the doldrums, baby, now | 0:01:27 | 0:01:32 | |
# Do your thang
on the beat of the bang | 0:01:54 | 0:01:57 | |
# I'll put a melody
inside of your head | 0:01:57 | 0:02:00 | |
# Don't need to shout
What you bitchin' about? | 0:02:01 | 0:02:03 | |
# I think those things are better
left unsaid | 0:02:03 | 0:02:06 | |
# She had a look
you won't find in a book | 0:02:07 | 0:02:10 | |
# She smiled like 1969 | 0:02:10 | 0:02:13 | |
# You can blow my mind
if you're that way inclined | 0:02:15 | 0:02:17 | |
# And I know I'm gonna make you mine | 0:02:17 | 0:02:20 | |
# She fell, she fell
right under my spell | 0:02:21 | 0:02:24 | |
# Hold up, pretty baby, come on | 0:02:24 | 0:02:27 | |
# She danced, she danced
right into my hands | 0:02:28 | 0:02:32 | |
# Hold up, pretty baby, come on | 0:02:32 | 0:02:34 | |
# Whoo | 0:02:34 | 0:02:35 | |
# Be my butterfly
You were almost shaking me | 0:02:35 | 0:02:38 | |
# You rolled me at
the top of them all | 0:02:38 | 0:02:41 | |
# And if you feel the need
I'll send you Godspeed | 0:02:41 | 0:02:45 | |
# To me you're maker of
the break of the dawn | 0:02:45 | 0:02:48 | |
# Get out of the doldrums, baby, now | 0:02:49 | 0:02:53 | |
# You liar, I'll set you on fire | 0:02:53 | 0:02:55 | |
# Get out of the doldrums, baby, now | 0:02:56 | 0:03:02 | |
# She fell, she fell
Right under my spell | 0:03:16 | 0:03:20 | |
# She fell, she fell
Right under my spell | 0:03:20 | 0:03:23 | |
# She fell, she fell
Right under my spell | 0:03:23 | 0:03:27 | |
# She fell, she fell
Right under my spell | 0:03:27 | 0:03:30 | |
# She fell, she fell
Right under my spell | 0:03:30 | 0:03:33 | |
# She fell, she fell
Right under my spell | 0:03:33 | 0:03:37 | |
# She fell, she fell
Right under my spell | 0:03:37 | 0:03:40 | |
# She fell, she fell
Right under my spell | 0:03:40 | 0:03:44 | |
# She fell, she fell
Right under my spell | 0:03:44 | 0:03:47 | |
# She fell, she fell
Right under my spell | 0:03:47 | 0:03:51 | |
# She fell, she fell
Right under my spell | 0:03:51 | 0:03:54 | |
# She fell, she fell
Right under my spell. # | 0:03:54 | 0:03:58 | |
CHEERING AND APPLAUSE | 0:04:12 | 0:04:14 | |
So pleased to have them with us,
Noel Gallagher's High Flying Birds, | 0:04:18 | 0:04:21 | |
with Holy Mountain! | 0:04:21 | 0:04:22 | |
CHERING AND APPLAUSE | 0:04:22 | 0:04:24 | |
More from him. We have a whole
panorama of delights in this room
this evening. | 0:04:24 | 0:04:30 | |
From Los Angeles and Puerto Rico,
a unique duet you can't
hear anywhere else, | 0:04:30 | 0:04:33 | |
it is Rita Wilson
with Jose Feliciano. | 0:04:33 | 0:04:36 | |
CHEERING AND APPLAUSE | 0:04:36 | 0:04:38 | |
From Southern Albania, Saz'iso! | 0:04:38 | 0:04:41 | |
CHEERING AND APPLAUSE | 0:04:41 | 0:04:43 | |
We'd like to welcome back
to the show, Aimee Mann! | 0:04:43 | 0:04:46 | |
CHEERING AND APPLAUSE | 0:04:46 | 0:04:49 | |
All the way down at this end
of the studio, | 0:04:49 | 0:04:51 | |
an international mix, as always. | 0:04:51 | 0:04:53 | |
We have, from Mali,
Amadou and Mariam! | 0:04:53 | 0:04:56 | |
CHEERING AND APPLAUSE | 0:04:56 | 0:04:58 | |
From all over the globe,
Superorganism! | 0:04:58 | 0:05:02 | |
CHEERING AND APPLAUSE | 0:05:02 | 0:05:04 | |
Now, an amazingly talented person
from London, we welcome Dua Lipa! | 0:05:04 | 0:05:11 | |
CHEERING AND APPLAUSE | 0:05:11 | 0:05:13 | |
# I see the moon, I see the moon
I see the moon | 0:05:24 | 0:05:28 | |
# Oh, when you're looking at the sun | 0:05:28 | 0:05:31 | |
# I'm not a fool, I'm not a fool
I'm not a fool | 0:05:35 | 0:05:39 | |
# No, you're not foolin' anyone | 0:05:39 | 0:05:42 | |
# Oh, but when you're gone,
when you're gone, when you're gone | 0:05:46 | 0:05:50 | |
# Oh, baby, all the lights go out | 0:05:50 | 0:05:53 | |
# Thinking, oh, that, baby, I was
wrong, I was wrong, I was wrong | 0:05:56 | 0:06:01 | |
# Come back to me, baby,
we can work this out | 0:06:01 | 0:06:04 | |
# Oh, baby, come on,
let me get to know you | 0:06:09 | 0:06:11 | |
# Just another chance so that | 0:06:11 | 0:06:13 | |
# I can show that
I won't let you down ad run | 0:06:13 | 0:06:16 | |
# No, I won't let you down and run | 0:06:16 | 0:06:19 | |
# Cos I could be the one | 0:06:19 | 0:06:20 | |
# I could be the one | 0:06:24 | 0:06:26 | |
# I could be the one | 0:06:29 | 0:06:31 | |
# I could be the one | 0:06:35 | 0:06:37 | |
# I see in blue, I see in blue,
I see in blue | 0:06:41 | 0:06:45 | |
# Oh, when you see everything in red | 0:06:45 | 0:06:48 | |
# There is nothing that
I wouldn't do for you | 0:06:50 | 0:06:53 | |
# Do for you, do for you | 0:06:53 | 0:06:56 | |
# Oh, cos you got inside my head | 0:06:56 | 0:06:59 | |
# Oh, but when you're gone,
when you're gone, when you're gone | 0:07:03 | 0:07:07 | |
# Oh, baby, all the lights go out | 0:07:07 | 0:07:10 | |
# Thinking now that maybe I was
wrong, I was wrong, I was wrong | 0:07:13 | 0:07:18 | |
# Come back to me, baby,
we can work this out | 0:07:18 | 0:07:21 | |
# Hey | 0:07:21 | 0:07:23 | |
# Oh, baby, come on,
let me get to know you | 0:07:25 | 0:07:28 | |
# Just another chance
so that I can show | 0:07:28 | 0:07:31 | |
# That I won't let you down and run | 0:07:31 | 0:07:32 | |
# No, I won't let you down and run | 0:07:32 | 0:07:35 | |
# Cos I could be the one | 0:07:35 | 0:07:37 | |
# I could be the one | 0:07:41 | 0:07:42 | |
# I could be the one | 0:07:46 | 0:07:48 | |
# Be the one, be the one,
be the one, be the one, | 0:07:48 | 0:07:51 | |
# Be the one, be the one | 0:07:51 | 0:07:52 | |
# Be the one, be the one,
be the one, be the one, be the one | 0:07:52 | 0:07:56 | |
# Be the one | 0:07:56 | 0:07:58 | |
# Be the one, be the one,
be the one, be the one, be the one | 0:07:58 | 0:08:01 | |
# Be the one | 0:08:01 | 0:08:03 | |
# Be the one, be the one,
be the one, be the one | 0:08:03 | 0:08:07 | |
# Will you be mine? | 0:08:07 | 0:08:09 | |
# Oh, baby, come on,
let me get to know you | 0:08:09 | 0:08:12 | |
# Just another chance
so that I can show | 0:08:12 | 0:08:14 | |
# That I won't let you down and run | 0:08:14 | 0:08:16 | |
# No, I won't let you down and run | 0:08:16 | 0:08:19 | |
# Cos I could be the one | 0:08:19 | 0:08:21 | |
# I could be the one | 0:08:25 | 0:08:26 | |
# I could be the one. # | 0:08:30 | 0:08:32 | |
CHEERING AND APPLAUSE | 0:08:32 | 0:08:34 | |
The dazzling Dua Lipa! | 0:08:38 | 0:08:39 | |
Be The One, from the album Dua Lipa. | 0:08:39 | 0:08:41 | |
Now we welcome back to the show,
after some time, | 0:08:45 | 0:08:48 | |
a marvellous husband and wife
duo of people who are
extraordinarily talented. | 0:08:48 | 0:08:53 | |
Please welcome Amadou and Mariam! | 0:08:53 | 0:08:55 | |
CHEERING AND APPLAUSE | 0:08:55 | 0:08:57 | |
Show! Show, show, show! | 0:09:00 | 0:09:02 | |
# Bofou safou
Kanake bofou safouye, dienkono | 0:09:23 | 0:09:27 | |
# Bofou safou Akanake
Bofou safouye, dienkono | 0:09:31 | 0:09:36 | |
# Bofou safou Akanake Bofou safouye
N'teri | 0:09:40 | 0:09:44 | |
# Niwolola Nimanarake
Bofou safou | 0:09:48 | 0:09:51 | |
# Niyalala nitogo mafo
Bofou safou | 0:09:51 | 0:09:53 | |
# Nimafegne i fa ni baye
Bofou safou | 0:09:56 | 0:09:59 | |
# Nimafegne ibalimanouye
Bofou safou | 0:09:59 | 0:10:03 | |
# Nimafegne iwolodeougne
Bofou safou | 0:10:04 | 0:10:07 | |
# Nimafegne sigignogogne
Bofou safou | 0:10:07 | 0:10:11 | |
# Bofou safou nimake bofou safouye | 0:10:12 | 0:10:16 | |
# Bofou safou anake bofou safouye
N'teri | 0:10:20 | 0:10:25 | |
# Nimafegne ifa flanhouye
Bofou safou | 0:10:28 | 0:10:32 | |
# Nimafegne iba flanhouye
Bofou safou | 0:10:32 | 0:10:36 | |
# Nimafegne djamanakono
Bofou safou | 0:10:37 | 0:10:40 | |
# Ika wari mata allah kola
Bofou safou | 0:10:41 | 0:10:44 | |
# Eka wari mata allah kola
Bofou safou | 0:10:44 | 0:10:48 | |
# Bofou safou nemake bofou safouye | 0:10:49 | 0:10:52 | |
# Eh, eh, eh | 0:11:01 | 0:11:04 | |
# Bofou safouya magni de | 0:11:05 | 0:11:08 | |
# Il faut travailler dans la vie | 0:11:09 | 0:11:12 | |
# Il faut pas croiser
les bras dans la vie | 0:11:13 | 0:11:16 | |
# Il faut te rendre
utile dans la vie | 0:11:18 | 0:11:20 | |
# Bofou safou magni de | 0:11:22 | 0:11:24 | |
# Bofou safou nemake bofou safouye | 0:11:25 | 0:11:29 | |
# Bofou safou nemake bofou safouye
Abada | 0:11:34 | 0:11:38 | |
# Bofou safou nemake bofou safouye
Dienkono | 0:11:41 | 0:11:46 | |
# Bofou safou nemake bofou safouye
Dienkono. # | 0:11:50 | 0:11:54 | |
Yeah, thank you. | 0:12:05 | 0:12:06 | |
CHEERING AND APPLAUSE | 0:12:06 | 0:12:08 | |
Thank you, Amadou and Mariam! | 0:12:13 | 0:12:14 | |
Bofou Safou, from their
La Confusion album. | 0:12:14 | 0:12:18 | |
Now, our next artists are literally
from all over the globe. | 0:12:19 | 0:12:23 | |
And when they got together,
it was on the internet forums,
and now, here they are, | 0:12:23 | 0:12:27 | |
they are an extraordinary phenomena, | 0:12:27 | 0:12:30 | |
and they are Superorganism! | 0:12:30 | 0:12:32 | |
CHEERING AND APPLAUSE | 0:12:32 | 0:12:36 | |
# I feel like a boss and
starin' at the stars and | 0:12:47 | 0:12:51 | |
# Doesn't matter the cost cos | 0:12:51 | 0:12:54 | |
# Everybody wants to be famous | 0:12:54 | 0:12:58 | |
# I'm calling the shots so | 0:12:58 | 0:13:00 | |
# See you over at Mars, it | 0:13:00 | 0:13:03 | |
# Doesn't matter the cost
Seems like everybody wants to be | 0:13:03 | 0:13:07 | |
# I think | 0:13:07 | 0:13:09 | |
# It could be me | 0:13:09 | 0:13:13 | |
# The world's too small for me | 0:13:13 | 0:13:18 | |
# My face up in your face | 0:13:18 | 0:13:24 | |
# My face on every screen | 0:13:24 | 0:13:30 | |
# Feeling like a boss and | 0:13:30 | 0:13:33 | |
# Staring at the stars, it | 0:13:33 | 0:13:36 | |
# Doesn't matter the cost cos | 0:13:36 | 0:13:38 | |
# Everybody wants to be famous | 0:13:38 | 0:13:42 | |
# I'm calling the shots, so | 0:13:42 | 0:13:44 | |
# I see you over at Mars, it | 0:13:44 | 0:13:47 | |
# Doesn't matter the cost,
seems like | 0:13:47 | 0:13:50 | |
# Everybody wants to be | 0:13:50 | 0:13:52 | |
# I think | 0:13:52 | 0:13:53 | |
# That you and I | 0:13:53 | 0:13:57 | |
# Could set the world alight | 0:13:57 | 0:14:02 | |
# Cos we're all stars tonight | 0:14:02 | 0:14:08 | |
# Just need to figure out why | 0:14:08 | 0:14:14 | |
# Feeling like a boss and | 0:14:14 | 0:14:17 | |
# Staring at the stars, it | 0:14:17 | 0:14:20 | |
# Does't matter the cost, cos | 0:14:20 | 0:14:22 | |
# Everybody wants to be famous | 0:14:22 | 0:14:26 | |
# I'm calling the shots, so | 0:14:26 | 0:14:28 | |
# See you over at Mars, it | 0:14:28 | 0:14:31 | |
# Doesn't matter the cost
Seems like | 0:14:31 | 0:14:33 | |
# Everybody wants to be famous | 0:14:33 | 0:14:37 | |
# Everybody wants
and nobody's ashamed | 0:14:37 | 0:14:39 | |
# Everybody wants you
to know the name | 0:14:39 | 0:14:42 | |
SLOWED DOWN: # Everybody wants
and nobody's ashamed | 0:14:42 | 0:14:44 | |
# Everybody wants
Wants to be famous | 0:14:44 | 0:14:48 | |
# Everybody wants
and nobody's ashamed | 0:14:48 | 0:14:50 | |
# Everybody wants you
to know the name | 0:14:50 | 0:14:53 | |
PITCH RISES ELECTRONICALLY:
# Everybody wants, nobody's ashamed | 0:14:53 | 0:14:55 | |
# Everybody wants
Wants to be famous | 0:14:55 | 0:14:59 | |
# Everybody wants
and nobody's ashamed | 0:14:59 | 0:15:01 | |
SLOWS DOWN: # Everybody wants
you to know the name | 0:15:01 | 0:15:04 | |
# Everybody wants
and nobody's ashamed | 0:15:04 | 0:15:07 | |
# Everybody wants
Wants to be famous | 0:15:07 | 0:15:09 | |
BEAT REPEATS | 0:15:09 | 0:15:14 | |
# Feeling like a boss and | 0:15:14 | 0:15:18 | |
# Staring at the stars, it | 0:15:18 | 0:15:20 | |
# Doesn't matter the cost, cos | 0:15:20 | 0:15:23 | |
# Everybody wants to be famous | 0:15:23 | 0:15:27 | |
# I'm calling the shots, so
# Everybody wants and nobody's
ashamed | 0:15:27 | 0:15:29 | |
# See you over at Mars, and
# Everybody wants you to know
the name | 0:15:29 | 0:15:32 | |
# Everybody wants and nobody's
ashamed
# Doesn't matter the cost seems like | 0:15:32 | 0:15:34 | |
# Seems like everybody
Wants to be famous. # | 0:15:34 | 0:15:38 | |
CHEERING AND APPLAUSE | 0:15:38 | 0:15:40 | |
Superorganism! | 0:15:45 | 0:15:46 | |
Everybody Wants To Be Famous.
Their album is out next year. | 0:15:46 | 0:15:50 | |
I'm feeling good,
are you feeling good over there? | 0:15:50 | 0:15:53 | |
CHEERING | 0:15:53 | 0:15:56 | |
Did you like that? I did. | 0:15:53 | 0:15:56 | |
A lot of interesting things on
this week's show. | 0:15:56 | 0:15:58 | |
Extraordinary things
on this weeks' show. | 0:15:58 | 0:16:00 | |
But now I come over
in this direction | 0:16:00 | 0:16:02 | |
and meet an extraordinarily
talented fellow. | 0:16:02 | 0:16:03 | |
We're delighted to have back in
the room with us, Noel Gallagher! | 0:16:03 | 0:16:06 | |
CHEERING | 0:16:06 | 0:16:09 | |
Greetings, Noel, and welcome | 0:16:06 | 0:16:09 | |
to our show. | 0:16:06 | 0:16:09 | |
It's, uh... First of all,
congratulations on your new record. | 0:16:11 | 0:16:14 | |
Who Built The Moon is the title.
Yes. | 0:16:14 | 0:16:17 | |
My first question is,
who did build the moon? | 0:16:17 | 0:16:19 | |
I don't know, people say
that it was, that it is
a foreign object, though. | 0:16:19 | 0:16:22 | |
It's a ludicrous hypothesis,
but it was a good title. | 0:16:22 | 0:16:25 | |
It is a good title. Is the moon made
of cheese? Where do you stand
on that? | 0:16:25 | 0:16:28 | |
I don't kn... I hope not. No. | 0:16:28 | 0:16:31 | |
No, I wouldn't like to think so. | 0:16:31 | 0:16:32 | |
Somebody told me, I don't know if
this is true, have you been
influenced by French popular music? | 0:16:32 | 0:16:36 | |
Yes. | 0:16:36 | 0:16:37 | |
French psychedelic pop. | 0:16:37 | 0:16:39 | |
Yeah, me and David Holmes
have a shared love of it, | 0:16:39 | 0:16:42 | |
and we managed to squeeze a bit of
it on to our record in the shape of | 0:16:42 | 0:16:47 | |
Charlotte there,
who's wearing a cape. | 0:16:47 | 0:16:49 | |
Yes. Not many people wear a cape.
But she's there and she
speaks French, | 0:16:49 | 0:16:52 | |
and she's going to sing some French
for us later on, | 0:16:52 | 0:16:54 | |
and she plays the tin whistle.
Excellent. Looking forward to that
very much. | 0:16:54 | 0:16:57 | |
Um, and you've just been on tour
with U2. | 0:16:57 | 0:17:01 | |
Yeah. Around South America. Yeah. | 0:17:01 | 0:17:02 | |
That must have been one frenzy
after another, surely. | 0:17:02 | 0:17:06 | |
It was like being on holiday. | 0:17:06 | 0:17:08 | |
Really? Why? | 0:17:08 | 0:17:09 | |
They don't seem to do a great deal. | 0:17:09 | 0:17:11 | |
They kind of, they do a gig
and then have, like, | 0:17:11 | 0:17:15 | |
about a week off, two weeks off, | 0:17:15 | 0:17:17 | |
and then do another gig.
There was one point where we were
sat in Sao Paulo, | 0:17:17 | 0:17:20 | |
in the sun, | 0:17:20 | 0:17:22 | |
me and my band, and we were like, | 0:17:22 | 0:17:24 | |
"How many gigs have we done in
the last ten days?" And we worked
out we'd done two. | 0:17:24 | 0:17:28 | |
LAUGHTER | 0:17:28 | 0:17:29 | |
And, uh... | 0:17:28 | 0:17:29 | |
You're welcome, by the way. And, uh, | 0:17:29 | 0:17:33 | |
and there was a bit where I was just
waking up in bed fully clothed
every day, uh, | 0:17:33 | 0:17:38 | |
to that I was too lazy to get
undressed, | 0:17:38 | 0:17:40 | |
but just the... The caged beast,
ready to get on the stage! | 0:17:40 | 0:17:44 | |
No, we were caning it every night,
it was amazing. | 0:17:44 | 0:17:46 | |
LAUGHTER | 0:17:46 | 0:17:48 | |
That's great. Now, we've got...
You know what to expect
at this point. | 0:17:48 | 0:17:52 | |
We're going down memory lane here.
Wonderful. | 0:17:52 | 0:17:55 | |
This is from 1995. | 0:17:55 | 0:17:58 | |
Do you have any memories of 1995?
Did the singer bother to turn up? | 0:17:59 | 0:18:02 | |
Well, one of them did! | 0:18:02 | 0:18:04 | |
Was it OK? We'll discuss that
in a moment. Here we are. | 0:18:04 | 0:18:08 | |
# Come on, feel the noise | 0:18:09 | 0:18:12 | |
# Girls, grab your boys | 0:18:12 | 0:18:15 | |
# We'll get wild, wild, wild | 0:18:15 | 0:18:18 | |
# We'll get wild, wild, wild | 0:18:18 | 0:18:22 | |
# So, come on, feel the noise | 0:18:22 | 0:18:25 | |
# Girls, grab your boys | 0:18:26 | 0:18:29 | |
# We'll get wild, wild, wild | 0:18:29 | 0:18:32 | |
# At your door... # | 0:18:32 | 0:18:34 | |
Yeah, that's great! | 0:18:36 | 0:18:39 | |
APPLAUSE | 0:18:36 | 0:18:39 | |
Great images. | 0:18:39 | 0:18:40 | |
So, you're right, there was one
singer there, but not the other one.
Can you remember what happened? | 0:18:40 | 0:18:45 | |
Uh... I think we were sat
and somebody just said, | 0:18:45 | 0:18:49 | |
"He's not coming." | 0:18:49 | 0:18:51 | |
And I remember we were all kind of
lined up | 0:18:52 | 0:18:54 | |
ready to go and, uh, | 0:18:54 | 0:18:55 | |
it was like, "Well... | 0:18:55 | 0:18:57 | |
"this is interesting. | 0:18:57 | 0:19:00 | |
"Let's see how this pans out."
And somebody went, "And in five, | 0:19:00 | 0:19:04 | |
"four, three..." And he didn't
actually turn up. But, um, | 0:19:04 | 0:19:07 | |
we had a good day, though. Yeah, it
was incredible. It was far less
stressful. Exactly. | 0:19:07 | 0:19:11 | |
He was on the first series, on this
series, he was on. Was he? Yes.
I bet that was exciting, wasn't it? | 0:19:11 | 0:19:16 | |
It was, he was very nice, yeah. | 0:19:16 | 0:19:18 | |
I'm sure. I think you're both
milder, gentler people now,
do you think? | 0:19:18 | 0:19:21 | |
Uh, I am, now I'm nearer qualifying
for a bus pass, yeah. | 0:19:21 | 0:19:26 | |
I'm all right. | 0:19:26 | 0:19:28 | |
And, um, can you remember anyone
else who was on that show? | 0:19:28 | 0:19:31 | |
David Bowie. That's right, he was. | 0:19:31 | 0:19:33 | |
It blew my mind. | 0:19:33 | 0:19:34 | |
Yeah. So he was watching that. | 0:19:34 | 0:19:37 | |
I know, it's one of my,
not regrets in life, | 0:19:37 | 0:19:40 | |
but I was too young and stupid
to appreciate | 0:19:40 | 0:19:43 | |
being in the same room as him. | 0:19:43 | 0:19:45 | |
And it's only, like, now he's not, | 0:19:45 | 0:19:48 | |
he's not with us any more, you're
kind of like, oh, all the things
you should have said to him. | 0:19:48 | 0:19:53 | |
What would you have said to him? | 0:19:53 | 0:19:54 | |
Thanks. Yeah. | 0:19:57 | 0:19:58 | |
Nice. You know. Thanks. | 0:19:58 | 0:20:00 | |
Thanks for Mick Ronson. Yeah, yeah. | 0:20:00 | 0:20:02 | |
You know. Thanks for
a lot of good records. | 0:20:02 | 0:20:04 | |
Some of the best music ever.
And, uh... | 0:20:04 | 0:20:06 | |
yeah. | 0:20:06 | 0:20:07 | |
I remember kind of staring
at him and not having
the bottle to go over and say... | 0:20:07 | 0:20:11 | |
I met him subsequently and all that,
and he was a proper dude. | 0:20:11 | 0:20:15 | |
Yeah, proper thing.
Yeah, the real deal, yeah. Amazing. | 0:20:15 | 0:20:18 | |
So, what are you going
to play for us next? | 0:20:18 | 0:20:20 | |
I'm going to do a song called
It's A Beautiful World. | 0:20:20 | 0:20:23 | |
And Charlotte there is going to make
an announcement in French | 0:20:23 | 0:20:27 | |
that is going to blow your minds.
Will what know what she's saying,
though, if it's in French? | 0:20:27 | 0:20:31 | |
Uh... She is very
mysterious and is not... | 0:20:31 | 0:20:35 | |
She's not, kind of, letting
us know what it is she's saying. | 0:20:35 | 0:20:38 | |
But she did utter the words
in the dressing room before | 0:20:38 | 0:20:41 | |
which I've never heard, when someone
said, "It's time to go," | 0:20:41 | 0:20:43 | |
and she said,
"I'll just get my cape." | 0:20:43 | 0:20:45 | |
LAUGHTER | 0:20:45 | 0:20:47 | |
And I never thought
I'd ever hear that. | 0:20:47 | 0:20:49 | |
When I see a cape in a dressing room
I know it's going to be good. | 0:20:49 | 0:20:53 | |
Thank you very much for joining us.
Noel Gallagher! | 0:20:53 | 0:20:55 | |
CHEERING AND APPLAUSE | 0:20:55 | 0:20:59 | |
And we shall be with and hearing | 0:20:55 | 0:20:59 | |
more from Noel | 0:20:55 | 0:20:59 | |
later on in the show. | 0:20:59 | 0:21:01 | |
And now... | 0:21:01 | 0:21:03 | |
one of the true great songwriters
is here in the studio with us. | 0:21:03 | 0:21:07 | |
She was on one of our shows early on
and we are so pleased to have her
back with us now, | 0:21:07 | 0:21:11 | |
we welcome, from Los Angeles,
Aimee Mann! | 0:21:11 | 0:21:13 | |
CHEERING AND APPLAUSE | 0:21:13 | 0:21:15 | |
# Whooo, ooooo
Ooooo, oooo, oooo, ooooo | 0:21:17 | 0:21:24 | |
# They served you champagne
like a hero | 0:21:28 | 0:21:31 | |
# When you landed
someone carried your bag | 0:21:32 | 0:21:36 | |
# From here on out
you're patient zero | 0:21:37 | 0:21:41 | |
# Smelling ether
as they hand you the rag | 0:21:42 | 0:21:45 | |
# Life is good | 0:21:47 | 0:21:49 | |
# You look around and think
I'm in the right neighbourhood | 0:21:49 | 0:21:53 | |
# But, honey, you just moved in | 0:21:53 | 0:21:56 | |
# Life is grand | 0:21:56 | 0:21:58 | |
# And wouldn't you like to have it
go as planned? | 0:21:58 | 0:22:04 | |
# Go as planned | 0:22:05 | 0:22:08 | |
# Hip-hip hooray, hocus pocus | 0:22:12 | 0:22:15 | |
# With some magic
you can fly through the air | 0:22:16 | 0:22:19 | |
# When you're the guy pulling focus | 0:22:21 | 0:22:24 | |
# There are people who will wish
you weren't there | 0:22:25 | 0:22:29 | |
# Life is good | 0:22:31 | 0:22:33 | |
# You look around and think
I'm in the right neighbourhood | 0:22:33 | 0:22:37 | |
# But, honey, you just moved in | 0:22:37 | 0:22:40 | |
# Life is grand | 0:22:40 | 0:22:42 | |
# And wouldn't you like
to have it go as planned? | 0:22:42 | 0:22:48 | |
# Go as planned | 0:22:49 | 0:22:53 | |
# Go west, young man, go west | 0:22:53 | 0:22:57 | |
# Take a real screen test | 0:22:57 | 0:22:59 | |
# Doesn't count as a job well done | 0:22:59 | 0:23:02 | |
# The locusts had their day | 0:23:02 | 0:23:06 | |
# The suckers pay and pay | 0:23:06 | 0:23:08 | |
# Carmen Sternwood probably
pulled that trigger for fun | 0:23:08 | 0:23:13 | |
# And in the hills, where all
the sunshine, constant companion | 0:23:13 | 0:23:19 | |
# Constant companion | 0:23:19 | 0:23:22 | |
# Close enough to almost touch
the lights of the canyon | 0:23:22 | 0:23:29 | |
# Lights of the canyon | 0:23:29 | 0:23:31 | |
# The lights of the canyon | 0:23:31 | 0:23:34 | |
# But news filtered over the transom | 0:23:38 | 0:23:42 | |
# That a villain ended up
with a part | 0:23:42 | 0:23:45 | |
# You paid your respects
like a ransom | 0:23:47 | 0:23:50 | |
# To a moment that was doomed
from the start | 0:23:50 | 0:23:54 | |
# Life is good | 0:23:57 | 0:23:58 | |
# You look around and think
I'm in the right neighbourhood | 0:23:58 | 0:24:03 | |
# But, honey, you don't belong | 0:24:03 | 0:24:06 | |
# Life is grand | 0:24:06 | 0:24:08 | |
# And wouldn't you like to have it
go as planned? | 0:24:08 | 0:24:14 | |
# Go as planned | 0:24:15 | 0:24:18 | |
# And in the hills, where all
the sunshine, constant companion | 0:24:20 | 0:24:26 | |
# Constant companion | 0:24:26 | 0:24:29 | |
# Close enough to almost touch
the lights of the canyon | 0:24:29 | 0:24:35 | |
# Lights of the canyon | 0:24:35 | 0:24:38 | |
# The lights of the canyon | 0:24:38 | 0:24:41 | |
# Lights of the canyon | 0:24:41 | 0:24:43 | |
# The lights of the canyon | 0:24:43 | 0:24:45 | |
# Lights of the canyon | 0:24:45 | 0:24:48 | |
# Lights of the canyon. # | 0:24:48 | 0:24:51 | |
CHEERING AND APPLAUSE | 0:24:54 | 0:24:57 | |
Patient Zero, | 0:25:00 | 0:25:02 | |
from her Mental Illness album.
Aimee Mann! | 0:25:02 | 0:25:05 | |
CHEERING AND APPLAUSE | 0:25:05 | 0:25:07 | |
So, very sadly, people would have
heard that we, a week or so ago, | 0:25:09 | 0:25:14 | |
we lost Fats Domino, | 0:25:14 | 0:25:15 | |
and I was very sad to hear that.
In fact, let's have a big round of
applause for Fats Domino! | 0:25:15 | 0:25:19 | |
APPLAUSE | 0:25:19 | 0:25:21 | |
I love Fats Domino. | 0:25:19 | 0:25:21 | |
And I want to show a little bit of
footage of why I love Fats Domino. | 0:25:22 | 0:25:25 | |
I was fortunate enough, in 1985,
when I was young and thin, | 0:25:25 | 0:25:29 | |
to film with him in his
house in New Orleans. | 0:25:29 | 0:25:32 | |
And he showed me something
on the piano, | 0:25:32 | 0:25:34 | |
and I just wanted to show you this,
cos it just shows how much I... | 0:25:34 | 0:25:38 | |
You can see why I love him and,
I hope, why everybody else would
love him, too. | 0:25:38 | 0:25:41 | |
So here's me and Fats in 1985. | 0:25:41 | 0:25:43 | |
You got it! | 0:25:58 | 0:26:00 | |
You got it!
Thank you very much indeed! | 0:26:03 | 0:26:05 | |
Oh, baby, all right! What a hero! | 0:26:05 | 0:26:07 | |
Don't forget, remember me. OK.
Cos I love you. | 0:26:07 | 0:26:10 | |
How can we forget him?
What a brilliant man! Fats Domino! | 0:26:10 | 0:26:13 | |
How could we forget him?
Fats Domino! | 0:26:13 | 0:26:15 | |
CHEERING AND APPLAUSE | 0:26:15 | 0:26:17 | |
Buy his records, look him up,
he's the greatest thing. | 0:26:17 | 0:26:19 | |
His records sound great,
he is great, | 0:26:19 | 0:26:21 | |
everything about him is great.
He is just the thing. He is it. | 0:26:21 | 0:26:24 | |
He's as good as it gets. | 0:26:24 | 0:26:25 | |
So now, we move on to our show now, | 0:26:25 | 0:26:27 | |
we have amazing some people for you, | 0:26:27 | 0:26:30 | |
because we have some music
from Southern Albania. | 0:26:30 | 0:26:32 | |
We haven't had this music on before. | 0:26:32 | 0:26:34 | |
It's an extraordinary mix
of different things, | 0:26:34 | 0:26:36 | |
different Southern Albanian people. | 0:26:36 | 0:26:38 | |
We welcome Saz'iso! | 0:26:38 | 0:26:40 | |
CHEERING AND APPLAUSE | 0:26:40 | 0:26:42 | |
SHE SINGS IN HER OWN LANGUAGE | 0:27:46 | 0:27:49 | |
CHEERING AND APPLAUSE | 0:29:43 | 0:29:45 | |
Thank you! | 0:29:45 | 0:29:46 | |
Thank you so much! Saz'iso! | 0:29:54 | 0:29:56 | |
CHEERING AND APPLAUSE | 0:29:56 | 0:29:58 | |
Wonderful song. | 0:29:59 | 0:30:01 | |
Tana, from their album, which is
entitled At Least Wave Your
Handkerchief At Me - | 0:30:01 | 0:30:06 | |
The Joys And Sorrows
Of Southern Albanian Song. | 0:30:06 | 0:30:08 | |
CHEERING AND APPLAUSE | 0:30:08 | 0:30:10 | |
What a title. | 0:30:10 | 0:30:11 | |
And now, the wonderful,
award-winning, Dua Lipa! | 0:30:11 | 0:30:15 | |
CHEERING AND APPLAUSE | 0:30:15 | 0:30:17 | |
# Here, where the sky's falling | 0:30:36 | 0:30:39 | |
# I'm covered in blue | 0:30:39 | 0:30:42 | |
# I'm running and I'm crawling | 0:30:43 | 0:30:46 | |
# Fighting for you | 0:30:46 | 0:30:49 | |
# When the rain stops, then, darling
What will I do? | 0:30:50 | 0:30:56 | |
# And I know I go all in | 0:30:58 | 0:31:01 | |
# But why do I? | 0:31:01 | 0:31:08 | |
# You give me a reason
Something to believe in | 0:31:08 | 0:31:13 | |
# I know, I know, I know | 0:31:13 | 0:31:15 | |
# You give me a meaning
Something I can breathe in | 0:31:16 | 0:31:20 | |
# I know, I know, I know | 0:31:20 | 0:31:22 | |
# It's a bittersweet feeling
Longing and I'm leaving | 0:31:23 | 0:31:27 | |
# I go, I go, I go | 0:31:27 | 0:31:30 | |
# But I wish I was there with you | 0:31:30 | 0:31:34 | |
# Oh, I wish I was there with you | 0:31:34 | 0:31:38 | |
# There's a crack in my window | 0:31:47 | 0:31:51 | |
# A bird in my room | 0:31:51 | 0:31:54 | |
# Angels all over | 0:31:55 | 0:31:58 | |
# They watch over you | 0:31:58 | 0:32:01 | |
# When I'm walking on water | 0:32:02 | 0:32:05 | |
# All my dreams have come true | 0:32:05 | 0:32:08 | |
# Still, nothing means nothing | 0:32:09 | 0:32:13 | |
# Without you | 0:32:13 | 0:32:16 | |
# You | 0:32:17 | 0:32:21 | |
# You give me a reason
Something to believe in | 0:32:21 | 0:32:25 | |
# I know, I know, I know | 0:32:25 | 0:32:27 | |
# You give me a meaning
Something I can breathe in | 0:32:28 | 0:32:32 | |
# I know, I know, I know | 0:32:32 | 0:32:34 | |
# It's a bittersweet feeling
Longing and I'm leaving | 0:32:35 | 0:32:39 | |
# I go, I go, I go | 0:32:39 | 0:32:41 | |
# Tell my heart to lie
But I know deep inside | 0:32:43 | 0:32:46 | |
# It's true | 0:32:46 | 0:32:48 | |
# That I wish I was there with you | 0:32:50 | 0:32:54 | |
# Oh, I wish I was there with you | 0:32:54 | 0:32:57 | |
# Oh, I wish I was there with you | 0:32:57 | 0:33:00 | |
# You give me a reason
Something to believe in | 0:33:09 | 0:33:13 | |
# I know, I know, I know | 0:33:13 | 0:33:15 | |
# You give me a meaning
Something I can breathe in | 0:33:16 | 0:33:20 | |
# I know, I know, I know | 0:33:20 | 0:33:22 | |
# It's a bittersweet feeling
Longing and I'm leaving | 0:33:23 | 0:33:27 | |
# I go, I go, I go | 0:33:27 | 0:33:30 | |
# Tell my heart to lie
But I know deep inside | 0:33:31 | 0:33:34 | |
# It's true | 0:33:34 | 0:33:36 | |
# That I wish I was there with you | 0:33:38 | 0:33:42 | |
# Oh, I wish I was there with you | 0:33:42 | 0:33:45 | |
# Oh, I wish I was there with you. # | 0:33:45 | 0:33:48 | |
CHEERING AND APPLAUSE | 0:34:04 | 0:34:07 | |
# just like a song | 0:34:28 | 0:34:31 | |
# Just like a prayer | 0:34:32 | 0:34:34 | |
# Just like a dream
you had one night | 0:34:36 | 0:34:39 | |
# Put it over there | 0:34:39 | 0:34:41 | |
# You wear it like a face | 0:34:42 | 0:34:44 | |
# I've never seen before | 0:34:46 | 0:34:48 | |
# Keep it with a key
you thought you found | 0:34:50 | 0:34:53 | |
# Lying on the floor | 0:34:53 | 0:34:56 | |
# It's a beautiful dream | 0:34:58 | 0:35:00 | |
# Beautiful night | 0:35:00 | 0:35:02 | |
# It's a beautiful world | 0:35:02 | 0:35:03 | |
# When we dance in the light | 0:35:03 | 0:35:05 | |
# Only it is real | 0:35:05 | 0:35:07 | |
# Only in his mind, it's right | 0:35:07 | 0:35:10 | |
# It's a beautiful dream | 0:35:13 | 0:35:15 | |
# A beautiful night | 0:35:15 | 0:35:16 | |
# It's a beautiful world | 0:35:16 | 0:35:18 | |
# Only in his mind, is right | 0:35:18 | 0:35:21 | |
# Wipe away the tear | 0:35:27 | 0:35:29 | |
# It only comes with peace | 0:35:30 | 0:35:32 | |
# Wipe it with a rose of love
you saw | 0:35:34 | 0:35:37 | |
# Falling on the leaves | 0:35:37 | 0:35:40 | |
# Do it like a dance | 0:35:41 | 0:35:43 | |
# You do it for a while | 0:35:45 | 0:35:47 | |
# But when it's gone,
you know it's gone | 0:35:49 | 0:35:52 | |
# Walk another mile | 0:35:52 | 0:35:55 | |
# It's a beautiful dream | 0:35:57 | 0:35:58 | |
# A beautiful night | 0:35:58 | 0:36:00 | |
# Beautiful world
where we dance in the light | 0:36:00 | 0:36:04 | |
# Only it is real | 0:36:04 | 0:36:06 | |
# Only in his mind, is right | 0:36:06 | 0:36:09 | |
# It's a beautiful dream | 0:36:11 | 0:36:13 | |
# Beautiful night | 0:36:13 | 0:36:15 | |
# It's a beautiful world | 0:36:15 | 0:36:17 | |
# Only in his mind, is right | 0:36:17 | 0:36:20 | |
SHE CALLS OUT IN FRENCH | 0:36:21 | 0:36:24 | |
# It's a beautiful dream | 0:36:59 | 0:37:01 | |
# Beautiful night | 0:37:01 | 0:37:02 | |
# A beautiful world | 0:37:02 | 0:37:04 | |
# When we dance in the light | 0:37:04 | 0:37:06 | |
# Only it is real | 0:37:06 | 0:37:08 | |
# Only in his mind, is right | 0:37:08 | 0:37:11 | |
# It's a beautiful dream | 0:37:14 | 0:37:16 | |
# A beautiful night | 0:37:16 | 0:37:17 | |
# It's a beautiful world | 0:37:17 | 0:37:19 | |
# When we dance in the light | 0:37:19 | 0:37:21 | |
# Only it is real | 0:37:21 | 0:37:23 | |
# Only in his mind, is right | 0:37:23 | 0:37:26 | |
# Only in his mind, is right | 0:37:26 | 0:37:29 | |
# Only in his mind, is right | 0:37:31 | 0:37:34 | |
# Only in his mind, is right | 0:37:34 | 0:37:37 | |
# Only in his mind, is right. # | 0:37:37 | 0:37:41 | |
CHEERING AND APPLAUSE | 0:38:01 | 0:38:03 | |
Yes! Noel Gallagher's
High Flying Birds! | 0:38:09 | 0:38:12 | |
It's A Beautiful World, from his
album Who Built The Moon? | 0:38:12 | 0:38:17 | |
Before that, we enjoyed Dua Lipa! | 0:38:17 | 0:38:20 | |
CHEERING AND APPLAUSE | 0:38:20 | 0:38:21 | |
And now, let's go back and enjoy
a little bit more of the sensational
husband and wife duo | 0:38:22 | 0:38:27 | |
from Mali, we welcome
Amadou and Mariam! | 0:38:27 | 0:38:30 | |
CHEERING AND APPLAUSE | 0:38:30 | 0:38:32 | |
THEY SING IN THEIR OWN LANGUAGE | 0:38:42 | 0:38:45 | |
Yeah! Thank you so much! Love you!
CHEERING AND APPLAUSE | 0:42:01 | 0:42:05 | |
Title track from their album,
La Confusion! | 0:42:09 | 0:42:11 | |
Thank you, Amadou and Mariam! | 0:42:11 | 0:42:13 | |
CHEERING AND APPLAUSE | 0:42:13 | 0:42:15 | |
So now, at the piano over here, | 0:42:15 | 0:42:17 | |
I'd like to welcome for
a moment at the piano here, | 0:42:17 | 0:42:20 | |
an extraordinary guest
who just happens to be | 0:42:20 | 0:42:22 | |
passing through England and is going
to be singing a song in a moment | 0:42:22 | 0:42:25 | |
with Jose Feliciano, it is Rita
Wilson! Welcome to the show, Rita! | 0:42:25 | 0:42:28 | |
CHEERING AND APPLAUSE | 0:42:28 | 0:42:30 | |
Thank you! So nice to be here!
We're going to be doing a song in
a moment that you and I wrote. Yes. | 0:42:30 | 0:42:34 | |
But it's so complicated,
this, really. | 0:42:34 | 0:42:37 | |
How would you go about beginning
to describe it? | 0:42:37 | 0:42:39 | |
I would have to say,
it sounds sort of random. | 0:42:39 | 0:42:41 | |
That we were in Antarctica, amongst
icebergs and minke whales. Yes. | 0:42:41 | 0:42:45 | |
And we wrote a song
called You're So Cold. | 0:42:45 | 0:42:48 | |
What else? Thankfully, our friend
brought keyboards. Yes.
Because she said, | 0:42:48 | 0:42:51 | |
"I don't think Jools can be without
keyboards for more than two weeks." | 0:42:51 | 0:42:55 | |
So that's... Stay inside,
in the warm, write the song,
and then... Exactly. | 0:42:55 | 0:42:59 | |
..I've made a record with
Jose Feliciano. It's marvellous.
Jose Feliciano, extraordinary man! | 0:42:59 | 0:43:03 | |
CHEERING AND APPLAUSE | 0:43:03 | 0:43:05 | |
And he liked the song and he's
agreed to sing it with you, | 0:43:05 | 0:43:07 | |
so in a moment... It's crazy!
It's so unbelievable. We're here. | 0:43:07 | 0:43:10 | |
Oh, and I was going to ask you this.
Yes. You notice, Dua Lipa is here, | 0:43:10 | 0:43:13 | |
has an Albanian connection, | 0:43:13 | 0:43:15 | |
we've got Southern Albanians there.
Do you have an Albanian connection? | 0:43:15 | 0:43:18 | |
Yes! My mother was Greek
and my father was Bulgarian, | 0:43:18 | 0:43:21 | |
but my mother's village was called
Sotira, and it was actually
in Albania. | 0:43:21 | 0:43:25 | |
How spooky is that? Southern
Albania. What a strange coincidence,
here we are! | 0:43:25 | 0:43:28 | |
An Albanian set this evening. | 0:43:28 | 0:43:30 | |
We'll be back with Rita Wilson in
a moment. The wonderful Rita Wilson | 0:43:30 | 0:43:33 | |
with Jose Feliciano! | 0:43:33 | 0:43:35 | |
What an international show indeed! | 0:43:37 | 0:43:39 | |
An international show this is. And
over here, a complete conglomeration | 0:43:39 | 0:43:44 | |
of international folk who met
on the internet. | 0:43:44 | 0:43:46 | |
This is Superorganism! | 0:43:46 | 0:43:49 | |
CHEERING AND APPLAUSE | 0:43:49 | 0:43:51 | |
# Incomplete without tearing up
all of the sleeves | 0:44:05 | 0:44:11 | |
# Nobody cares | 0:44:11 | 0:44:15 | |
# You look fine, no, I don't
Let's consult our favourite recipe | 0:44:15 | 0:44:21 | |
# Nobody cares | 0:44:22 | 0:44:26 | |
# Oh, no | 0:44:26 | 0:44:28 | |
# Nobody cares | 0:44:28 | 0:44:33 | |
THEY HOLD LAST NOTE | 0:44:33 | 0:44:36 | |
SOUNDS OF CHILDREN PLAYING | 0:44:42 | 0:44:44 | |
# Out we go into the world
of scary eyes and lies | 0:44:44 | 0:44:49 | |
# Low key, baby
I'm never feeling quite all right | 0:44:55 | 0:45:00 | |
# Nobody cares | 0:45:02 | 0:45:05 | |
# Oh, no | 0:45:05 | 0:45:07 | |
# Nobody cares | 0:45:07 | 0:45:10 | |
# Oh, no | 0:45:10 | 0:45:12 | |
# Nobody cares | 0:45:12 | 0:45:16 | |
# Dude! | 0:45:24 | 0:45:25 | |
# How am I to care
when nobody else does? | 0:45:25 | 0:45:27 | |
# How am I to care?
How am I to care? | 0:45:27 | 0:45:30 | |
# How am I to care
when nobody else does? | 0:45:30 | 0:45:32 | |
# How am I to care?
How am I to care? | 0:45:32 | 0:45:35 | |
# How am I to, how am I to,
how am I to... # | 0:45:35 | 0:45:38 | |
Sszzzzzoooooooom! | 0:45:38 | 0:45:42 | |
# Sweet relief when you grow up
and see for yourself | 0:45:52 | 0:45:58 | |
# Nobody cares | 0:46:00 | 0:46:03 | |
# Have a drink, have a smoke
Do whatever you need to unload | 0:46:03 | 0:46:09 | |
# Nobody cares | 0:46:10 | 0:46:14 | |
# Oh, no | 0:46:14 | 0:46:15 | |
# Nobody cares | 0:46:15 | 0:46:19 | |
THEY HOLD THE LAST NOTE | 0:46:19 | 0:46:22 | |
Ssszzooooooooo... | 0:46:30 | 0:46:32 | |
# Record skip, tripping over
Falling up the stairs | 0:46:32 | 0:46:37 | |
# Awkward kids putting
gel into their greasy hair | 0:46:43 | 0:46:48 | |
# Nobody cares | 0:46:49 | 0:46:53 | |
# Oh, no | 0:46:53 | 0:46:55 | |
# Nobody cares | 0:46:55 | 0:46:58 | |
# Oh, no | 0:46:58 | 0:47:00 | |
# Nobody cares | 0:47:00 | 0:47:03 | |
Jools! | 0:47:11 | 0:47:13 | |
# How am I to care
when nobody else does? | 0:47:13 | 0:47:15 | |
# How am I to care, how am I to... # | 0:47:15 | 0:47:17 | |
Bye! | 0:47:17 | 0:47:18 | |
# How am I to care
when nobody else does? | 0:47:18 | 0:47:21 | |
# How am I to care?
How am I to care? | 0:47:21 | 0:47:23 | |
# How am I to, how am I to,
how am I to | 0:47:23 | 0:47:25 | |
# How am I to, how am I to,
how am I to | 0:47:25 | 0:47:28 | |
# How am I to, how am I to,
how am I to | 0:47:28 | 0:47:30 | |
# How am I to, how am I to,
how am I to | 0:47:30 | 0:47:32 | |
# How am I to, how am I to,
how am I to | 0:47:32 | 0:47:34 | |
# How am I to. # | 0:47:34 | 0:47:35 | |
SOUNDS OF CHILDREN PLAYING | 0:47:35 | 0:47:37 | |
CHEERING AND APPLAUSE | 0:47:39 | 0:47:41 | |
# Love's an oasis | 0:48:04 | 0:48:09 | |
# Take a cool dip in me | 0:48:09 | 0:48:12 | |
# You'll be my castaway, darling | 0:48:14 | 0:48:19 | |
# I'll be your sea | 0:48:19 | 0:48:22 | |
# You have the winning hand | 0:48:24 | 0:48:29 | |
# But I'll never fold | 0:48:29 | 0:48:33 | |
# But when I see you, baby | 0:48:33 | 0:48:38 | |
# You're so cold | 0:48:38 | 0:48:43 | |
# I'm hot as a desert | 0:48:43 | 0:48:46 | |
# You're iced like my tea | 0:48:48 | 0:48:50 | |
# Are you just a mirage, Rita | 0:48:52 | 0:48:57 | |
# Hanging here with me? | 0:48:57 | 0:48:59 | |
# But you're always telling me that | 0:49:01 | 0:49:04 | |
# I've got,
I've got the winning hand | 0:49:04 | 0:49:09 | |
# But each time I see you, baby | 0:49:11 | 0:49:14 | |
# You're so cold | 0:49:16 | 0:49:19 | |
# How much longer | 0:49:21 | 0:49:24 | |
# Must I wait in the shade? | 0:49:24 | 0:49:30 | |
# Why can't you see? | 0:49:30 | 0:49:35 | |
# Oh, you've got it made | 0:49:35 | 0:49:39 | |
# O-o-oh, Jupiter's glowing | 0:49:57 | 0:50:03 | |
# Her starry blue breeze | 0:50:03 | 0:50:08 | |
# It's the galaxy showing
# O-o-oh | 0:50:08 | 0:50:13 | |
# Your way back to me | 0:50:13 | 0:50:16 | |
# Oh, baby,
you've had the winning hand | 0:50:16 | 0:50:21 | |
# But maybe I'll fold | 0:50:22 | 0:50:28 | |
# Hot streaks don't last forever | 0:50:28 | 0:50:31 | |
# Don't let me go cold | 0:50:31 | 0:50:35 | |
BOTH: # Who am I kidding? | 0:50:37 | 0:50:42 | |
# This story's been told
# Oh, it's been told | 0:50:42 | 0:50:47 | |
# The reason I want you
# Tell me, darling | 0:50:50 | 0:50:55 | |
# Is you're so cold. # | 0:50:55 | 0:51:02 | |
CHEERING AND APPLAUSE | 0:51:05 | 0:51:11 | |
Thank you, Rita Wilson
and Jose Feliciano. | 0:51:11 | 0:51:15 | |
You're So Cold, from her album,
As You See Me Now. | 0:51:15 | 0:51:18 | |
Jose Feliciano and Rita Wilson. | 0:51:18 | 0:51:20 | |
And now, we move on over into
this direction here | 0:51:20 | 0:51:24 | |
and we now hear a cover | 0:51:24 | 0:51:26 | |
which is an Albanian sort of
basic version of their blues. | 0:51:26 | 0:51:30 | |
We welcome back Saz'iso. | 0:51:30 | 0:51:32 | |
CHEERING AND APPLAUSE | 0:51:32 | 0:51:37 | |
CHEERING AND APPLAUSE | 0:54:59 | 0:55:02 | |
# One, one, one | 0:55:13 | 0:55:15 | |
# Talkin' in my sleep at night,
makin' myself crazy | 0:55:21 | 0:55:26 | |
# Out of my mind, out of my mind | 0:55:26 | 0:55:30 | |
# Wrote it down and read it out,
hopin' it would save me | 0:55:30 | 0:55:34 | |
# Too many times, too many times | 0:55:34 | 0:55:38 | |
# My love, he makes me feel
like nobody else | 0:55:38 | 0:55:43 | |
# Nobody else | 0:55:43 | 0:55:45 | |
# But my love, he doesn't love me | 0:55:46 | 0:55:49 | |
# So I tell myself, I tell myself | 0:55:49 | 0:55:53 | |
# One, don't pick up the phone | 0:55:55 | 0:55:57 | |
# You know he's only calling
cos he's drunk and alone | 0:55:57 | 0:55:59 | |
# Two, don't let him in | 0:55:59 | 0:56:00 | |
# You have to kick him out again | 0:56:00 | 0:56:03 | |
# Three, don't be his friend | 0:56:03 | 0:56:05 | |
# You know you're gonna
wake up in his bed in the morning | 0:56:05 | 0:56:08 | |
# And if you're under him,
you ain't getting over him | 0:56:08 | 0:56:11 | |
# I got new rules, I count 'em
Hey! | 0:56:11 | 0:56:14 | |
# I got new rules, I count 'em | 0:56:15 | 0:56:17 | |
# I gotta tell them to myself | 0:56:19 | 0:56:21 | |
# I got new rules, I count 'em | 0:56:24 | 0:56:26 | |
# I gotta tell them to myself | 0:56:27 | 0:56:30 | |
# I keep pushin' forwards
but he keeps pullin' me backwards | 0:56:30 | 0:56:34 | |
# Nowhere to turn, no way | 0:56:34 | 0:56:36 | |
# Nowhere to turn, no | 0:56:36 | 0:56:38 | |
# Now I'm standing back from it
I finally see the pattern | 0:56:38 | 0:56:43 | |
# I never learn, I never learn | 0:56:43 | 0:56:46 | |
# But my love, he doesn't love me | 0:56:46 | 0:56:49 | |
# So I tell myself, I tell myself | 0:56:49 | 0:56:53 | |
# I do, I do, I do | 0:56:53 | 0:56:54 | |
# One, don't pick up the phone | 0:56:54 | 0:56:57 | |
# You know he's only calling
cos he's drunk and alone | 0:56:57 | 0:56:59 | |
# Two, don't let him in | 0:56:59 | 0:57:00 | |
# You have to kick him out again | 0:57:00 | 0:57:03 | |
# Three, don't be his friend | 0:57:03 | 0:57:05 | |
# You know you're gonna wake up
in his bed in the morning | 0:57:05 | 0:57:07 | |
# And if you're under him,
you ain't getting over him | 0:57:07 | 0:57:11 | |
# I got new rules, I count 'em | 0:57:11 | 0:57:13 | |
# Hey | 0:57:13 | 0:57:14 | |
# I got new rules, I count 'em | 0:57:15 | 0:57:17 | |
# I gotta tell them to myself | 0:57:19 | 0:57:21 | |
# I got new rules, I count 'em | 0:57:24 | 0:57:25 | |
# I gotta tell them to myself | 0:57:27 | 0:57:30 | |
# Practice makes perfect | 0:57:30 | 0:57:32 | |
# I'm still trying to learn it
by heart | 0:57:32 | 0:57:34 | |
# Eat, sleep, and breathe it | 0:57:38 | 0:57:40 | |
# Rehearse and repeat it cos I | 0:57:40 | 0:57:44 | |
# I got new rules, I count 'em | 0:57:44 | 0:57:46 | |
# One, don't pick up the phone | 0:57:46 | 0:57:48 | |
# You know he's only calling
cos he's drunk and alone | 0:57:48 | 0:57:50 | |
# Two, don't let him in | 0:57:50 | 0:57:52 | |
# You have to kick him out again | 0:57:52 | 0:57:54 | |
# Three, don't be his friend | 0:57:54 | 0:57:56 | |
# You know you're gonna wake up
in his bed in the morning | 0:57:56 | 0:57:59 | |
# And if you're under him,
you ain't getting over him | 0:57:59 | 0:58:03 | |
# I got new rules, I count 'em | 0:58:03 | 0:58:05 | |
# I got new rules, I count 'em | 0:58:07 | 0:58:09 | |
# I gotta tell them to myself | 0:58:11 | 0:58:13 | |
# I got new rules, I count 'em | 0:58:15 | 0:58:17 | |
# I gotta tell them to myself | 0:58:19 | 0:58:21 | |
# Don't let him in, don't let him in
# Don't, don't, don't | 0:58:21 | 0:58:25 | |
# Don't be his friend,
don't be his friend | 0:58:25 | 0:58:28 | |
# Don't let him in,
don't let him in | 0:58:29 | 0:58:32 | |
# Don't be his friend,
don't be his friend | 0:58:33 | 0:58:36 | |
# You're getting over him. # | 0:58:37 | 0:58:40 | |
CHEERING AND APPLAUSE | 0:58:40 | 0:58:43 | |
The wonderful Dua Lipa with
New Rules, from her album Dua Lipa. | 0:58:46 | 0:58:50 | |
The award-winning Dua Lipa. | 0:58:50 | 0:58:52 | |
Before that, we enjoyed Saz'iso... | 0:58:52 | 0:58:55 | |
CHEERING AND APPLAUSE | 0:58:55 | 0:58:57 | |
..who are on tour around Britain
as we speak | 0:58:57 | 0:59:00 | |
and you can go and see them. | 0:59:00 | 0:59:01 | |
Or you could relax in your armchair
now, turn your television up | 0:59:01 | 0:59:04 | |
and really enjoy Noel Gallagher's
High Flying Birds. | 0:59:04 | 0:59:08 | |
CHEERING AND APPLAUSE | 0:59:08 | 0:59:10 | |
# The one I love | 0:59:20 | 0:59:22 | |
# The one I love | 0:59:23 | 0:59:25 | |
# She's divine | 0:59:26 | 0:59:30 | |
# She's out to blow my mind | 0:59:30 | 0:59:34 | |
# The one I love | 0:59:34 | 0:59:36 | |
# The one I love | 0:59:37 | 0:59:39 | |
# She's divine | 0:59:41 | 0:59:43 | |
# She's out to blow my-my-my mind | 0:59:44 | 0:59:49 | |
# The one I love | 0:59:51 | 0:59:54 | |
# The one I love | 0:59:55 | 0:59:58 | |
# She taught me to fly | 0:59:59 | 1:00:00 | |
# She taught me how to fly | 1:00:02 | 1:00:05 | |
# The one I love | 1:00:06 | 1:00:09 | |
# The one I love | 1:00:09 | 1:00:12 | |
# She taught me to fly | 1:00:13 | 1:00:16 | |
# She raised me up
Now I can fly | 1:00:16 | 1:00:21 | |
# Put your money where your mouth is | 1:00:24 | 1:00:27 | |
# You know where to draw the line | 1:00:27 | 1:00:30 | |
# It doesn't matter
what your name is | 1:00:31 | 1:00:34 | |
# See you round all the time | 1:00:34 | 1:00:37 | |
# You lost your mind
and your make-up | 1:00:38 | 1:00:41 | |
# You can lose your money, too | 1:00:41 | 1:00:44 | |
# I don't mind if you don't mind | 1:00:44 | 1:00:48 | |
# Cos all the roads I run
are coming back to you | 1:00:48 | 1:00:52 | |
# The one I love | 1:00:59 | 1:01:01 | |
# The one I love | 1:01:03 | 1:01:05 | |
# So put your money
where your mouth is | 1:01:10 | 1:01:13 | |
# You know where to draw the line | 1:01:13 | 1:01:17 | |
# It doesn't matter
what your name is | 1:01:17 | 1:01:20 | |
# See you round all the time | 1:01:20 | 1:01:23 | |
# You've lost your mind
and your make-up | 1:01:24 | 1:01:28 | |
# You can lose your money, too | 1:01:28 | 1:01:30 | |
# I don't mind
if you don't mind | 1:01:30 | 1:01:34 | |
# Cos all the roads I run
are coming back to you | 1:01:34 | 1:01:38 | |
# The one I love | 1:01:45 | 1:01:47 | |
# The one I love | 1:01:49 | 1:01:51 | |
# She's divine | 1:01:52 | 1:01:55 | |
# She's out to blow my mind | 1:01:56 | 1:02:00 | |
# The one I love | 1:02:00 | 1:02:02 | |
# The one I love | 1:02:03 | 1:02:06 | |
# Taught me to fly | 1:02:07 | 1:02:09 | |
# She raised me up
Now I can fly | 1:02:10 | 1:02:14 | |
# Put your money where your mouth is | 1:02:18 | 1:02:21 | |
# You know where to draw the line | 1:02:21 | 1:02:24 | |
# It doesn't matter
what your faith is | 1:02:25 | 1:02:28 | |
# See you praying all the time | 1:02:28 | 1:02:31 | |
# You lost your mind
and your make-up | 1:02:32 | 1:02:34 | |
# You could lose your money, too | 1:02:36 | 1:02:38 | |
# Well, I don't mind
if you don't mind | 1:02:38 | 1:02:41 | |
# Cos all the roads I run
are coming back to you | 1:02:41 | 1:02:46 | |
# The one I love | 1:02:53 | 1:02:56 | |
# The one I love | 1:02:56 | 1:03:00 | |
# The one I love | 1:03:07 | 1:03:10 | |
# The one I love. # | 1:03:10 | 1:03:14 | |
CHEERING AND APPLAUSE | 1:03:18 | 1:03:21 | |
Thank you,
Noel Gallagher's High Flying Birds. | 1:03:22 | 1:03:25 | |
She Taught Me How To Fly.
Beautifully done. | 1:03:25 | 1:03:27 | |
Beautiful bit of scissor playing
over there as well. | 1:03:27 | 1:03:29 | |
We will be back here
in this very studio... | 1:03:29 | 1:03:32 | |
It's the end of this series,
remember. | 1:03:32 | 1:03:34 | |
We will be back on New Year's Eve
with our 25th Annual Hootenanny. | 1:03:34 | 1:03:38 | |
CHEERING | 1:03:38 | 1:03:40 | |
And if anybody wants to come
to that, | 1:03:40 | 1:03:41 | |
then get on the BBC audience
website | 1:03:41 | 1:03:43 | |
and it'll explain all of that, | 1:03:43 | 1:03:44 | |
but we don't have time
to do all that now. | 1:03:44 | 1:03:46 | |
Instead, we need to thank | 1:03:46 | 1:03:48 | |
all of the incredible guests
we've had this evening. | 1:03:48 | 1:03:50 | |
Have you got something
about your person, there, | 1:03:50 | 1:03:52 | |
that you could give us
a couple of chords perhaps? | 1:03:52 | 1:03:54 | |
DRUMBEAT | 1:03:54 | 1:03:56 | |
Oh, nice. | 1:03:54 | 1:03:56 | |
And here we go... | 1:03:56 | 1:03:58 | |
Thank you, Noel Gallagher
and his High Flying Birds. | 1:03:58 | 1:04:01 | |
CHEERING | 1:04:01 | 1:04:05 | |
Thank you, Aimee Mann. | 1:04:05 | 1:04:09 | |
CHEERING | 1:04:05 | 1:04:09 | |
Thank you, Saz'iso. | 1:04:11 | 1:04:13 | |
CHEERING | 1:04:13 | 1:04:15 | |
Thank you, Jose Feliciano.
Thank you, Rita Wilson. | 1:04:17 | 1:04:21 | |
CHEERING
Jose, come back on New Year's Eve. | 1:04:21 | 1:04:23 | |
Thank you, Dua Lipa. | 1:04:24 | 1:04:28 | |
CHEERING | 1:04:24 | 1:04:28 | |
Thank you, Superorganism. | 1:04:31 | 1:04:34 | |
CHEERING | 1:04:34 | 1:04:36 | |
Thank you, Amadou and Mariam.
CHEERING | 1:04:36 | 1:04:39 | |
One, two, | 1:04:41 | 1:04:43 | |
one, two, three, and... | 1:04:43 | 1:04:45 |