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-Hello and good evening to you. | 0:00:08 | 0:00:10 | |
-Welcome, once again, -to my luxurious home. | 0:00:10 | 0:00:16 | |
-I'm looking forward to welcoming -a very experienced Welsh actress. | 0:00:16 | 0:00:22 | |
-We'll also meet a young singer with -high hopes of turning professional. | 0:00:22 | 0:00:28 | |
-First, I'd like to welcome -a man from Cwmafan. | 0:00:29 | 0:00:32 | |
-It's the experienced broadcaster, -Chris Needs. | 0:00:33 | 0:00:36 | |
-He's ready -and waiting for me over there. | 0:00:37 | 0:00:40 | |
-Hello, Chris. How are you? | 0:00:41 | 0:00:44 | |
-Mwah! Mwah! Mwah! Mwah! | 0:00:44 | 0:00:46 | |
-That's enough -or you'll spoil my reputation! | 0:00:46 | 0:00:49 | |
-It's lovely to see you again. | 0:00:49 | 0:00:51 | |
-It's lovely to see you again. - -It's beautiful here. | 0:00:51 | 0:00:53 | |
-Before I mention anything else, -I must ask about your Sony award. | 0:00:53 | 0:00:59 | |
-What was it and when did you get it? | 0:00:59 | 0:01:02 | |
-It was quite a shock to receive it. | 0:01:02 | 0:01:04 | |
-I was working for an independent -radio station in Cardiff in 1996. | 0:01:05 | 0:01:10 | |
-Oh, right. | 0:01:10 | 0:01:12 | |
-I sent a tape to someone -for a random competition... | 0:01:12 | 0:01:18 | |
-..and I received a telegram -to say I'd been nominated. | 0:01:18 | 0:01:22 | |
-It was in London's Grosvenor Park. | 0:01:22 | 0:01:24 | |
-I thought it could be -a turning point for me. | 0:01:24 | 0:01:27 | |
-I won the Sony. It's like -the Oscar of the radio world. | 0:01:27 | 0:01:33 | |
-I got a job with the BBC -after winning the award. | 0:01:33 | 0:01:37 | |
-You won the Variety Club of Great -Britain Lifetime Achievement Award. | 0:01:37 | 0:01:43 | |
-Yes, and I thought -I was on my way out... | 0:01:43 | 0:01:46 | |
-..and that the end had come -but it was very special. | 0:01:47 | 0:01:51 | |
-They asked who I wanted -as the presenter of the award. | 0:01:52 | 0:01:56 | |
-I asked for Max Boyce -and I got Max Boyce! | 0:01:57 | 0:02:01 | |
-He was so funny. | 0:02:01 | 0:02:03 | |
-I'm sure that when you receive -a lifetime achievement award... | 0:02:04 | 0:02:08 | |
-..it conjures up -an array of emotions. | 0:02:08 | 0:02:11 | |
-I know you were very close -to your mother. | 0:02:11 | 0:02:14 | |
-Would you have liked her -to be with you? | 0:02:14 | 0:02:17 | |
-Oh, don't. She was a great friend. | 0:02:17 | 0:02:20 | |
-You met Mam. | 0:02:20 | 0:02:21 | |
-You met Mam. - -Yes, I did meet her. | 0:02:21 | 0:02:23 | |
-When Mam met you, it was as if -the Queen of Sheba had arrived! | 0:02:24 | 0:02:28 | |
-I remember her bowing to you. | 0:02:29 | 0:02:32 | |
-Your mother was delighted -when you came to my studio. | 0:02:33 | 0:02:37 | |
-When you entered -and headed towards the piano... | 0:02:38 | 0:02:41 | |
-..I remember that you slipped -and fell at the foot of the piano. | 0:02:41 | 0:02:46 | |
-Let's see a clip to remind ourselves -of that performance. | 0:02:46 | 0:02:50 | |
-# GOLDFINGER # | 0:02:50 | 0:02:52 | |
-Are you alright? | 0:03:12 | 0:03:13 | |
-Are you alright? - -Where are you? Oh, how are you? | 0:03:13 | 0:03:17 | |
-I'm good thanks, Chris. How are you? | 0:03:17 | 0:03:20 | |
-I'm good thanks, Chris. How are you? - -Goodness me. | 0:03:20 | 0:03:22 | |
-There's something wrong -with the piano and that band. | 0:03:22 | 0:03:25 | |
-What do you think happened -with that piano? | 0:03:25 | 0:03:29 | |
-I ran out of keys. -The piano was too small. | 0:03:30 | 0:03:33 | |
-It was a cheap piano! | 0:03:34 | 0:03:35 | |
-I think you're an excellent pianist, -Chris. | 0:03:36 | 0:03:39 | |
-You've accompanied many people -including your friend, Bonnie Tyler. | 0:03:39 | 0:03:44 | |
-Yes, she's another special person -in my life. | 0:03:45 | 0:03:49 | |
-I worked with her a long time ago, -back in the 1970s... | 0:03:49 | 0:03:54 | |
-..and we're still friends. | 0:03:55 | 0:03:57 | |
-She appears on my programme -every Christmas... | 0:03:57 | 0:04:00 | |
-..with a message for my audience, -or The Garden as they are known. | 0:04:00 | 0:04:05 | |
-And she's still there for me. | 0:04:06 | 0:04:11 | |
-You just mentioned The Garden. | 0:04:11 | 0:04:13 | |
-Those familiar with your programme -will know that The Garden is a club. | 0:04:13 | 0:04:19 | |
-I think it was more of an accident! | 0:04:19 | 0:04:22 | |
-When I started in 1996 or 1997... | 0:04:22 | 0:04:27 | |
-..I presented the late show -on Radio Wales... | 0:04:28 | 0:04:32 | |
-..and I wanted to do -something quite crazy. | 0:04:32 | 0:04:36 | |
-Something one-off. | 0:04:36 | 0:04:38 | |
-What does it mean to be -a member of The Garden? | 0:04:39 | 0:04:42 | |
-They like the company. | 0:04:42 | 0:04:44 | |
-When it's the evening... | 0:04:44 | 0:04:47 | |
-..and you're on your own or ill -or have lost someone... | 0:04:47 | 0:04:52 | |
-..there's a place where you can go -for a chat and listen to music. | 0:04:52 | 0:04:58 | |
-It's important. | 0:04:58 | 0:05:00 | |
-It must help because -you've been very ill recently. | 0:05:00 | 0:05:04 | |
-I knew something was wrong because -I lost seven stone in eight weeks. | 0:05:05 | 0:05:09 | |
-Not eight months, but eight weeks! | 0:05:09 | 0:05:14 | |
-I didn't know what was wrong. | 0:05:14 | 0:05:16 | |
-The illness was caused -by tablets that turned nasty. | 0:05:17 | 0:05:21 | |
-Had you been given -the wrong tablets? | 0:05:21 | 0:05:23 | |
-I was taking tablets -that were poisoning my own body... | 0:05:24 | 0:05:29 | |
-..and I couldn't walk. | 0:05:29 | 0:05:31 | |
-On top of all that, you also -discovered that you are diabetic. | 0:05:31 | 0:05:36 | |
-Yes, I am now. | 0:05:36 | 0:05:38 | |
-You do a lot for charity... | 0:05:38 | 0:05:40 | |
-..and have been honoured -for your fund-raising work. | 0:05:41 | 0:05:45 | |
-Do you mean the MBE? | 0:05:45 | 0:05:47 | |
-Do you mean the MBE? - -Yes. | 0:05:47 | 0:05:49 | |
-I remember the Queen and someone -said, "Christopher Needs"... | 0:05:49 | 0:05:54 | |
-..so I walked to the front. | 0:05:55 | 0:05:57 | |
-You have to wear a hook -on your lapel... | 0:05:57 | 0:06:00 | |
-..and the Queen -places the MBE onto it. | 0:06:00 | 0:06:05 | |
-"Do they still listen a lot to -the wireless in Wales?" she asked. | 0:06:05 | 0:06:09 | |
-"It's better than the telly," -I said. She was lovely. | 0:06:10 | 0:06:14 | |
-At Radio Wales, there's a photograph -of the Queen and me. | 0:06:14 | 0:06:19 | |
-Someone has written underneath "Two -queens in one room. Spot the queen." | 0:06:19 | 0:06:24 | |
-Do you like that? It suits me. | 0:06:24 | 0:06:27 | |
-You've suited me tonight, Chris. -Thank you very much. | 0:06:27 | 0:06:32 | |
-Let's reminisce with another clip. | 0:06:32 | 0:06:35 | |
-Let's reminisce with another clip. - -Oh, no! | 0:06:35 | 0:06:36 | |
-# I come from Anglesey | 0:06:36 | 0:06:39 | |
-# I come from Anglesey - -The Majorca of Wales! | 0:06:39 | 0:06:42 | |
-# The family are quite fine | 0:06:42 | 0:06:45 | |
-# I come from Pwll-y-glaw | 0:06:46 | 0:06:49 | |
-# Dad drives a crane | 0:06:50 | 0:06:53 | |
-# She's one of the stars, -they're all after her | 0:06:53 | 0:06:57 | |
-# But I'm waiting for the dole | 0:06:58 | 0:07:01 | |
-# Yes, it's true | 0:07:01 | 0:07:04 | |
-# But you're worth -your weight in gold # | 0:07:04 | 0:07:10 | |
-Thank you. | 0:07:11 | 0:07:13 | |
-APPLAUSE | 0:07:13 | 0:07:15 | |
-Tonight's new talent is the -classical singer, Rhodri Prys Jones. | 0:07:15 | 0:07:20 | |
-Welcome to the programme, Rhodri. | 0:07:20 | 0:07:23 | |
-You're a classical singer -and are studying at the moment. | 0:07:23 | 0:07:27 | |
-I'm studying music in my final year -at Trinity College. | 0:07:27 | 0:07:32 | |
-I also have lessons with -Mary Lloyd Davies when I'm at home. | 0:07:32 | 0:07:37 | |
-It's a bit of a balancing act. | 0:07:37 | 0:07:39 | |
-I'm sure you've been singing -since a young boy. | 0:07:39 | 0:07:43 | |
-I started competing -when I was four. | 0:07:43 | 0:07:45 | |
-I don't think I've missed -an Eisteddfod since that time. | 0:07:45 | 0:07:50 | |
-You must have a lot of trophies. | 0:07:50 | 0:07:52 | |
-You must have a lot of trophies. - -Yes, and cups too. | 0:07:52 | 0:07:54 | |
-Mam still pushes me into competing -but I enjoy doing it. | 0:07:54 | 0:07:59 | |
-She doesn't have to force you. | 0:07:59 | 0:08:00 | |
-She doesn't have to force you. - -No, not really. | 0:08:00 | 0:08:03 | |
-Mothers need to be encouraging. | 0:08:03 | 0:08:05 | |
-Do you compete -in the National Eisteddfod? | 0:08:05 | 0:08:08 | |
-Yes, I've competed in it a few times -and got to know Elgan Llyr Thomas. | 0:08:08 | 0:08:13 | |
-He's doing well for himself. | 0:08:14 | 0:08:15 | |
-He's doing well for himself. - -Yes, he won the competition. | 0:08:15 | 0:08:19 | |
-Oh, right. -I won't say another word about him. | 0:08:19 | 0:08:22 | |
-I got to know him better -in the past year. | 0:08:22 | 0:08:25 | |
-We performed in Macbeth -with Opra Cymru. | 0:08:26 | 0:08:31 | |
-We toured Wales and performed -in schools and for the public. | 0:08:31 | 0:08:37 | |
-I'm moving to London in September -and hope to share a flat with him. | 0:08:37 | 0:08:42 | |
-I'm sure there'll be -a lot of singing in that flat! | 0:08:42 | 0:08:46 | |
-Yes, but the neighbours -might start complaining. | 0:08:46 | 0:08:49 | |
-You should charge them -to come and listen. | 0:08:49 | 0:08:52 | |
-Like many others, you gained a lot -of experience with Theatr Maldwyn. | 0:08:52 | 0:08:58 | |
-Yes, I owe a lot to Linda Gittins, -Derec Williams and Penri Roberts... | 0:08:59 | 0:09:04 | |
-..and Mel Roberts, our dance tutor. | 0:09:05 | 0:09:08 | |
-I've had so many experiences -since I was very young. | 0:09:08 | 0:09:12 | |
-We were taught -to perform, act and dance. | 0:09:13 | 0:09:18 | |
-I'm sure it's been -a great help to you. | 0:09:18 | 0:09:22 | |
-Yes, definitely. | 0:09:22 | 0:09:24 | |
-You're in college and looking -forward to going to the Guildhall. | 0:09:24 | 0:09:29 | |
-What type of songs -do you enjoy singing? | 0:09:29 | 0:09:32 | |
-I used to sing a lot of songs -from the musicals... | 0:09:32 | 0:09:37 | |
-..but my voice has become -more classical in recent years. | 0:09:37 | 0:09:42 | |
-I entered the musical competition -in last year's Eisteddfod... | 0:09:42 | 0:09:47 | |
-..and the adjudicators said -that it sounded too classical... | 0:09:47 | 0:09:51 | |
-..so I decided to stop -singing songs from musicals. | 0:09:51 | 0:09:55 | |
-I do enjoy singing -in different languages. | 0:09:55 | 0:09:58 | |
-I don't stick to Welsh, -but sing in German and Italian. | 0:09:59 | 0:10:04 | |
-My current favourite has to be -Vainement, Ma Bien-aimee... | 0:10:04 | 0:10:09 | |
-..by the French composer, Lalo. | 0:10:09 | 0:10:11 | |
-You'll perform more works -like that in college. | 0:10:12 | 0:10:15 | |
-Yes, I hope so. | 0:10:15 | 0:10:16 | |
-Tonight, -you're performing a Welsh piece. | 0:10:17 | 0:10:19 | |
-Who composed it? | 0:10:20 | 0:10:21 | |
-Who composed it? - -Gareth Glyn. | 0:10:21 | 0:10:22 | |
-I think I know which one it is. | 0:10:22 | 0:10:25 | |
-Llanrwst. | 0:10:25 | 0:10:26 | |
-Llanrwst. - -Oh, that's a wonderful song. | 0:10:26 | 0:10:28 | |
-It's been a pleasure -to chat with you, Rhodri. | 0:10:29 | 0:10:31 | |
-Good luck to you -in your professional career. | 0:10:32 | 0:10:35 | |
-Let's hear your performance -of Llanrwst. | 0:10:35 | 0:10:38 | |
-# No twilight -did over this commote flow | 0:10:46 | 0:10:54 | |
-# Without my enacting the dew | 0:10:54 | 0:11:00 | |
-# I know | 0:11:00 | 0:11:04 | |
-# Every yearning -to render cool each dawn | 0:11:04 | 0:11:12 | |
-# And the verdant | 0:11:13 | 0:11:18 | |
-# Grass blades of mead and lawn | 0:11:18 | 0:11:27 | |
-# And no summer -did through the keyhole thrust | 0:11:35 | 0:11:41 | |
-# Without my feeling grateful -as well I must | 0:11:42 | 0:11:48 | |
-# Rememb'ring the lake -twixt Geirionnydd and town | 0:11:49 | 0:11:56 | |
-# With the gold | 0:11:56 | 0:12:00 | |
-# Of the sunlight pouring down | 0:12:00 | 0:12:06 | |
-# Hills now part me -from my old township grey | 0:12:16 | 0:12:26 | |
-# As the first-fruits of the summer -cluster and sway | 0:12:26 | 0:12:35 | |
-# The bridge is bathing its feet -in the streams | 0:12:35 | 0:12:44 | |
-# And young lovers still cross it | 0:12:45 | 0:12:51 | |
-# Lost in dreams # | 0:12:51 | 0:12:59 | |
-. | 0:13:07 | 0:13:08 | |
-Subtitles | 0:13:12 | 0:13:12 | |
-Subtitles - -Subtitles | 0:13:12 | 0:13:14 | |
-Hello, again. | 0:13:16 | 0:13:18 | |
-At the start of the programme... | 0:13:18 | 0:13:20 | |
-..I said I would be joined by one of -our most experienced of actresses. | 0:13:20 | 0:13:25 | |
-It's a pleasure -to welcome Gaynor Morgan Rees. | 0:13:26 | 0:13:29 | |
-Thank you. | 0:13:29 | 0:13:31 | |
-We've been working with one another -since the 1960s. | 0:13:31 | 0:13:34 | |
-The first stage production of yours -that I saw... | 0:13:35 | 0:13:38 | |
-..made such an impression on me -and it was called Saer Doliau. | 0:13:38 | 0:13:42 | |
-Did you see it at the Eisteddfod -or when it was on tour? | 0:13:43 | 0:13:46 | |
-It was the tour. | 0:13:47 | 0:13:48 | |
-It's odd -that you mentioned Saer Doliau. | 0:13:48 | 0:13:51 | |
-We opened at the Idris Hall -in Dolgellau. | 0:13:51 | 0:13:54 | |
-It was winter and we had snow! | 0:13:54 | 0:13:57 | |
-Gwenlyn, the author, David Lyn, -Owen Garmon and me... | 0:13:57 | 0:14:01 | |
-..were staying in -the Golden Lion Inn at Dolgellau. | 0:14:01 | 0:14:05 | |
-We were waiting to do -the dress rehearsal. | 0:14:05 | 0:14:09 | |
-Our van got stuck in the snow -on the Crimea Pass... | 0:14:09 | 0:14:15 | |
-..and we did the dress rehearsal -at midnight. | 0:14:15 | 0:14:18 | |
-Oh, my goodness. I'm sure -you worked the following day too. | 0:14:19 | 0:14:22 | |
-Yes, we had to. | 0:14:23 | 0:14:24 | |
-At that time, there was -a different venue each night. | 0:14:24 | 0:14:29 | |
-This was in the cold weather -and I doubt there was any heating. | 0:14:29 | 0:14:33 | |
-Neither the dressing rooms -nor hotels had heard about heating. | 0:14:33 | 0:14:38 | |
-You had to plead with them -to light a little fire. | 0:14:39 | 0:14:43 | |
-It was very different to -when I last saw you two years ago. | 0:14:43 | 0:14:49 | |
-It's actually been three years. -Time flies! | 0:14:49 | 0:14:53 | |
-Olwen and I starred in Merched Eira. | 0:14:53 | 0:14:55 | |
-Olwen and I starred in Merched Eira. - -It was an excellent play. | 0:14:55 | 0:14:58 | |
-It had laughter and tears. | 0:14:58 | 0:15:01 | |
-Learning Aled Jones Williams' work -is just like learning poetry. | 0:15:02 | 0:15:07 | |
-Every word has to be in its place... | 0:15:07 | 0:15:10 | |
-..or you lose the rhythm -of the entire play. | 0:15:10 | 0:15:13 | |
-It has to be exactly -as it was written on the page. | 0:15:13 | 0:15:18 | |
-This was a play -starring yourself and Olwen. | 0:15:18 | 0:15:22 | |
-It isn't easy for a person of -your age to remember all the words. | 0:15:22 | 0:15:27 | |
-It's very challenging -for your memory. | 0:15:28 | 0:15:31 | |
-Yes, and I must admit -that I felt very proud... | 0:15:31 | 0:15:34 | |
-..to be at my current age and -to have learnt my largest role... | 0:15:35 | 0:15:40 | |
-..in terms of the script. | 0:15:40 | 0:15:43 | |
-I want to talk to you -about Pobol Y Cwm in a moment. | 0:15:43 | 0:15:48 | |
-You appeared in the first -ever episode of Pobol Y Cwm. | 0:15:48 | 0:15:52 | |
-I joined in the 1980s. | 0:15:52 | 0:15:54 | |
-I've got a clip of your appearance -on my programme from 1986... | 0:15:54 | 0:16:00 | |
-..and we're singing about -Pobol Y Cwm! | 0:16:00 | 0:16:05 | |
-# Hey, Gaynor | 0:16:06 | 0:16:07 | |
-# Hey, Gaynor - -# Yes, Margaret | 0:16:07 | 0:16:08 | |
-# Life would be bleak -if we didn't have Pobol Y Cwm | 0:16:09 | 0:16:14 | |
-# If we didn't have Pobol Y Cwm | 0:16:15 | 0:16:21 | |
-# Listen to me, Margaret -because I've heard a rumour | 0:16:23 | 0:16:27 | |
-# Maggie Post is leaving the shop -to act in Dynasty | 0:16:27 | 0:16:31 | |
-# Maggie Post has packed her bag -to act in Dynasty | 0:16:32 | 0:16:37 | |
-# Well, well, that's an OK idea | 0:16:39 | 0:16:42 | |
-# Imagine what it would be like -if we all swapped places | 0:16:43 | 0:16:46 | |
-# Well, well, that's an OK idea | 0:16:47 | 0:16:50 | |
-# Texas, Rovers and the Deri Arms -all in one place... # | 0:16:51 | 0:16:56 | |
-Thank you for your company, Gaynor -but I've got to go. | 0:16:57 | 0:17:01 | |
-What's the rush? Stay for -a quick jangle with a friend. | 0:17:01 | 0:17:06 | |
-No, I'm going on a trip. | 0:17:06 | 0:17:08 | |
-That's nice. Is it to Anglesey? | 0:17:09 | 0:17:11 | |
-That's nice. Is it to Anglesey? - -No, I'm going to Dynasty. | 0:17:11 | 0:17:14 | |
-# I'm swapping places with Joan | 0:17:15 | 0:17:20 | |
-# Well, well, that's an OK idea | 0:17:22 | 0:17:25 | |
-# Imagine what it would be like -if we all swapped places | 0:17:26 | 0:17:29 | |
-# Well, well, that's an OK idea | 0:17:29 | 0:17:33 | |
-# Texas, the Rovers and Deri Arms -all in one place | 0:17:33 | 0:17:38 | |
-# Imagine what it would be like | 0:17:38 | 0:17:42 | |
-# If we all swapped places # | 0:17:42 | 0:17:50 | |
-Oh, look at me there. | 0:17:53 | 0:17:57 | |
-It's a shame -we have to grow old, Gaynor. | 0:17:57 | 0:18:00 | |
-Do you remember that episode -and how much you used to sing? | 0:18:00 | 0:18:06 | |
-Erm, yes. | 0:18:06 | 0:18:08 | |
-I remember you singing -in a Welsh costume... | 0:18:08 | 0:18:11 | |
-..but nothing but tights -from your waist down! | 0:18:11 | 0:18:14 | |
-The BBC had letters of complaint -about that... | 0:18:14 | 0:18:17 | |
-..because someone was showing -their legs on a Welsh programme! | 0:18:18 | 0:18:23 | |
-It was 1966 or 1964. | 0:18:23 | 0:18:26 | |
-It was 1966 or 1964. - -Yes, it was very early. | 0:18:26 | 0:18:28 | |
-You attended a drama school. | 0:18:29 | 0:18:32 | |
-What was your first role -after leaving drama school? | 0:18:32 | 0:18:37 | |
-The BBC gave me a contract in Bangor -at the start. | 0:18:37 | 0:18:40 | |
-It was the early days of television. | 0:18:41 | 0:18:43 | |
-In those days, -we rehearsed in Bangor... | 0:18:43 | 0:18:47 | |
-..and we were bussed to Cardiff -to record the programme. | 0:18:47 | 0:18:53 | |
-We travelled down -on the Saturday... | 0:18:53 | 0:18:55 | |
-..to have a dry run in the studio. | 0:18:56 | 0:19:00 | |
-We were all learning from scratch... | 0:19:00 | 0:19:04 | |
-..including the cameramen -and soundmen. | 0:19:04 | 0:19:06 | |
-We recorded on the Sunday before -jumping back on the bus to Bangor... | 0:19:07 | 0:19:12 | |
-..so we could start work on the next -episode of whatever we were making. | 0:19:12 | 0:19:17 | |
-You had worked a lot -before the days of Pobol Y Cwm... | 0:19:17 | 0:19:22 | |
-..but you were in the first episode. | 0:19:22 | 0:19:24 | |
-Yes, I was. | 0:19:25 | 0:19:27 | |
-At the start, -Pobol Y Cwm was a series. | 0:19:27 | 0:19:31 | |
-It started with eight episodes. | 0:19:31 | 0:19:35 | |
-It then became twelve -and it's now shown all year round. | 0:19:35 | 0:19:40 | |
-We've spoken about -your acting work... | 0:19:41 | 0:19:44 | |
-..but you're exceptionally busy -these days. | 0:19:44 | 0:19:47 | |
-Are you the mayor of Denbigh? | 0:19:48 | 0:19:50 | |
-Yes, I will be the mayor -for a year from 3rd May. | 0:19:50 | 0:19:54 | |
-I'm currently the deputy mayor. | 0:19:55 | 0:19:58 | |
-It means you'll be the mayor -during the Eisteddfod. | 0:19:58 | 0:20:01 | |
-What does that mean for you? | 0:20:02 | 0:20:03 | |
-I'll have to choose whether to wear -my white Gorsedd robes... | 0:20:04 | 0:20:10 | |
-..or my mayoral chain. | 0:20:10 | 0:20:13 | |
-The robes are more comfortable -than the chain... | 0:20:13 | 0:20:16 | |
-..because it's very heavy. | 0:20:17 | 0:20:21 | |
-What does the role of mayor entail? | 0:20:21 | 0:20:24 | |
-You're a representative -of your town. | 0:20:24 | 0:20:26 | |
-I've already received -the invitations for Llangollen. | 0:20:26 | 0:20:32 | |
-You visit Llangollen for the day... | 0:20:32 | 0:20:35 | |
-..as the mayor of Denbigh -to represent Denbigh. | 0:20:35 | 0:20:38 | |
-You are expected to be -a visual presence... | 0:20:38 | 0:20:42 | |
-..wearing the mayoral chain. | 0:20:42 | 0:20:45 | |
-There'll be more chains -than public conveniences! | 0:20:46 | 0:20:51 | |
-I'm sure that's true. | 0:20:52 | 0:20:54 | |
-It's the same -for the National Eisteddfod. | 0:20:54 | 0:20:57 | |
-Yes, and you're invited -to everything in the town... | 0:20:57 | 0:21:01 | |
-..whether it's the morning, -afternoon or evening. | 0:21:01 | 0:21:04 | |
-It's an honour to attend -even the smallest of events. | 0:21:05 | 0:21:09 | |
-What will you be doing -at the Eisteddfod... | 0:21:09 | 0:21:13 | |
-..outside your mayoral duties? | 0:21:13 | 0:21:15 | |
-One of the major events -at the Eisteddfod... | 0:21:16 | 0:21:20 | |
-..will be the ceremony -for the drama award. | 0:21:20 | 0:21:24 | |
-Thankfully, -this has finally been moved... | 0:21:24 | 0:21:28 | |
-..from the theatre -to the main pavilion stage. | 0:21:28 | 0:21:31 | |
-As chairperson -of the drama committee... | 0:21:32 | 0:21:35 | |
-..I'll help to create -some kind of ceremony... | 0:21:35 | 0:21:38 | |
-..that should be exciting -and interesting. | 0:21:39 | 0:21:43 | |
-Other than all this work... | 0:21:43 | 0:21:46 | |
-..do you have any television work -in the pipeline? | 0:21:46 | 0:21:52 | |
-My last television role was in Teulu -and I thoroughly enjoyed it. | 0:21:52 | 0:21:56 | |
-I'm glad it was a success. | 0:21:56 | 0:21:58 | |
-Thank you for your company tonight, -Gaynor. | 0:21:58 | 0:22:02 | |
-We're going to close with a clip -of you using your Abercwmboi accent. | 0:22:03 | 0:22:09 | |
-There's a wonderful little twist -at the end of the song. | 0:22:09 | 0:22:14 | |
-My thanks to Chris, Rhodri -and you too. | 0:22:14 | 0:22:18 | |
-Until next week, goodbye. | 0:22:18 | 0:22:22 | |
-# What do you want on the mountain, -pretty little bird? | 0:22:22 | 0:22:26 | |
-# "To break a branch, -if I should live" | 0:22:26 | 0:22:29 | |
-# Why do you need a branch, -pretty little bird? | 0:22:30 | 0:22:33 | |
-# "To beat my horse, -if I should live" | 0:22:33 | 0:22:36 | |
-# Why do you need a horse, -pretty little bird? | 0:22:37 | 0:22:40 | |
-# "To take me to Merthyr, -if I should live" | 0:22:40 | 0:22:43 | |
-# What do you need in Merthyr, -pretty little bird? | 0:22:44 | 0:22:47 | |
-# "To buy salt, if I should live" | 0:22:48 | 0:22:51 | |
-# Why do you need salt, -pretty little bird? | 0:22:51 | 0:22:55 | |
-# "To put in my soup, -if I should live" | 0:22:55 | 0:22:59 | |
-# Why do you need soup, -pretty little bird? | 0:22:59 | 0:23:03 | |
-# "To put in my belly, -if I should live" | 0:23:03 | 0:23:07 | |
-# What will you do with your belly, -pretty little bird? | 0:23:07 | 0:23:11 | |
-# "If it wasn't for my belly, -I couldn't live!" # | 0:23:11 | 0:23:17 | |
-APPLAUSE | 0:23:17 | 0:23:19 | |
-S4C Subtitles by Tinopolis | 0:23:34 | 0:23:37 |