Pennod 7 Margaret: Ddoe a Heddiw


Pennod 7

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-Hello and good evening to you.

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-Welcome, once again,

-to my luxurious home.

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-I'm looking forward to welcoming

-a very experienced Welsh actress.

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-We'll also meet a young singer with

-high hopes of turning professional.

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-First, I'd like to welcome

-a man from Cwmafan.

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-It's the experienced broadcaster,

-Chris Needs.

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-He's ready

-and waiting for me over there.

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-Hello, Chris. How are you?

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-Mwah! Mwah! Mwah! Mwah!

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-That's enough

-or you'll spoil my reputation!

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-It's lovely to see you again.

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-It's lovely to see you again.

-

-It's beautiful here.

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-Before I mention anything else,

-I must ask about your Sony award.

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-What was it and when did you get it?

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-It was quite a shock to receive it.

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-I was working for an independent

-radio station in Cardiff in 1996.

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-Oh, right.

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-I sent a tape to someone

-for a random competition...

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-..and I received a telegram

-to say I'd been nominated.

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-It was in London's Grosvenor Park.

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-I thought it could be

-a turning point for me.

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-I won the Sony. It's like

-the Oscar of the radio world.

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-I got a job with the BBC

-after winning the award.

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-You won the Variety Club of Great

-Britain Lifetime Achievement Award.

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-Yes, and I thought

-I was on my way out...

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-..and that the end had come

-but it was very special.

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-They asked who I wanted

-as the presenter of the award.

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-I asked for Max Boyce

-and I got Max Boyce!

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-He was so funny.

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-I'm sure that when you receive

-a lifetime achievement award...

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-..it conjures up

-an array of emotions.

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-I know you were very close

-to your mother.

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-Would you have liked her

-to be with you?

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-Oh, don't. She was a great friend.

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-You met Mam.

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-You met Mam.

-

-Yes, I did meet her.

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-When Mam met you, it was as if

-the Queen of Sheba had arrived!

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-I remember her bowing to you.

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-Your mother was delighted

-when you came to my studio.

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-When you entered

-and headed towards the piano...

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-..I remember that you slipped

-and fell at the foot of the piano.

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-Let's see a clip to remind ourselves

-of that performance.

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-# GOLDFINGER #

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-Are you alright?

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-Are you alright?

-

-Where are you? Oh, how are you?

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-I'm good thanks, Chris. How are you?

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-I'm good thanks, Chris. How are you?

-

-Goodness me.

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-There's something wrong

-with the piano and that band.

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-What do you think happened

-with that piano?

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-I ran out of keys.

-The piano was too small.

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-It was a cheap piano!

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-I think you're an excellent pianist,

-Chris.

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-You've accompanied many people

-including your friend, Bonnie Tyler.

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-Yes, she's another special person

-in my life.

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-I worked with her a long time ago,

-back in the 1970s...

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-..and we're still friends.

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-She appears on my programme

-every Christmas...

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-..with a message for my audience,

-or The Garden as they are known.

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-And she's still there for me.

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-You just mentioned The Garden.

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-Those familiar with your programme

-will know that The Garden is a club.

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-I think it was more of an accident!

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-When I started in 1996 or 1997...

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-..I presented the late show

-on Radio Wales...

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-..and I wanted to do

-something quite crazy.

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-Something one-off.

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-What does it mean to be

-a member of The Garden?

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-They like the company.

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-When it's the evening...

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-..and you're on your own or ill

-or have lost someone...

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-..there's a place where you can go

-for a chat and listen to music.

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-It's important.

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-It must help because

-you've been very ill recently.

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-I knew something was wrong because

-I lost seven stone in eight weeks.

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-Not eight months, but eight weeks!

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-I didn't know what was wrong.

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-The illness was caused

-by tablets that turned nasty.

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-Had you been given

-the wrong tablets?

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-I was taking tablets

-that were poisoning my own body...

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-..and I couldn't walk.

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-On top of all that, you also

-discovered that you are diabetic.

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-Yes, I am now.

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-You do a lot for charity...

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-..and have been honoured

-for your fund-raising work.

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-Do you mean the MBE?

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-Do you mean the MBE?

-

-Yes.

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-I remember the Queen and someone

-said, "Christopher Needs"...

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-..so I walked to the front.

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-You have to wear a hook

-on your lapel...

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-..and the Queen

-places the MBE onto it.

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-"Do they still listen a lot to

-the wireless in Wales?" she asked.

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-"It's better than the telly,"

-I said. She was lovely.

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-At Radio Wales, there's a photograph

-of the Queen and me.

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-Someone has written underneath "Two

-queens in one room. Spot the queen."

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-Do you like that? It suits me.

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-You've suited me tonight, Chris.

-Thank you very much.

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-Let's reminisce with another clip.

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-Let's reminisce with another clip.

-

-Oh, no!

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-# I come from Anglesey

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-# I come from Anglesey

-

-The Majorca of Wales!

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-# The family are quite fine

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-# I come from Pwll-y-glaw

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-# Dad drives a crane

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-# She's one of the stars,

-they're all after her

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-# But I'm waiting for the dole

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-# Yes, it's true

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-# But you're worth

-your weight in gold #

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-Thank you.

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-APPLAUSE

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-Tonight's new talent is the

-classical singer, Rhodri Prys Jones.

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-Welcome to the programme, Rhodri.

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-You're a classical singer

-and are studying at the moment.

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-I'm studying music in my final year

-at Trinity College.

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-I also have lessons with

-Mary Lloyd Davies when I'm at home.

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-It's a bit of a balancing act.

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-I'm sure you've been singing

-since a young boy.

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-I started competing

-when I was four.

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-I don't think I've missed

-an Eisteddfod since that time.

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-You must have a lot of trophies.

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-You must have a lot of trophies.

-

-Yes, and cups too.

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-Mam still pushes me into competing

-but I enjoy doing it.

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-She doesn't have to force you.

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-She doesn't have to force you.

-

-No, not really.

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-Mothers need to be encouraging.

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-Do you compete

-in the National Eisteddfod?

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-Yes, I've competed in it a few times

-and got to know Elgan Llyr Thomas.

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-He's doing well for himself.

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-He's doing well for himself.

-

-Yes, he won the competition.

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-Oh, right.

-I won't say another word about him.

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-I got to know him better

-in the past year.

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-We performed in Macbeth

-with Opra Cymru.

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-We toured Wales and performed

-in schools and for the public.

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-I'm moving to London in September

-and hope to share a flat with him.

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-I'm sure there'll be

-a lot of singing in that flat!

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-Yes, but the neighbours

-might start complaining.

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-You should charge them

-to come and listen.

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-Like many others, you gained a lot

-of experience with Theatr Maldwyn.

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-Yes, I owe a lot to Linda Gittins,

-Derec Williams and Penri Roberts...

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-..and Mel Roberts, our dance tutor.

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-I've had so many experiences

-since I was very young.

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-We were taught

-to perform, act and dance.

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-I'm sure it's been

-a great help to you.

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-Yes, definitely.

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-You're in college and looking

-forward to going to the Guildhall.

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-What type of songs

-do you enjoy singing?

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-I used to sing a lot of songs

-from the musicals...

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-..but my voice has become

-more classical in recent years.

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-I entered the musical competition

-in last year's Eisteddfod...

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-..and the adjudicators said

-that it sounded too classical...

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-..so I decided to stop

-singing songs from musicals.

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-I do enjoy singing

-in different languages.

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-I don't stick to Welsh,

-but sing in German and Italian.

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-My current favourite has to be

-Vainement, Ma Bien-aimee...

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-..by the French composer, Lalo.

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-You'll perform more works

-like that in college.

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-Yes, I hope so.

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-Tonight,

-you're performing a Welsh piece.

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-Who composed it?

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-Who composed it?

-

-Gareth Glyn.

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-I think I know which one it is.

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-Llanrwst.

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-Llanrwst.

-

-Oh, that's a wonderful song.

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-It's been a pleasure

-to chat with you, Rhodri.

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-Good luck to you

-in your professional career.

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-Let's hear your performance

-of Llanrwst.

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-# No twilight

-did over this commote flow

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-# Without my enacting the dew

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-# I know

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-# Every yearning

-to render cool each dawn

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-# And the verdant

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-# Grass blades of mead and lawn

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-# And no summer

-did through the keyhole thrust

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-# Without my feeling grateful

-as well I must

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-# Rememb'ring the lake

-twixt Geirionnydd and town

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-# With the gold

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-# Of the sunlight pouring down

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-# Hills now part me

-from my old township grey

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-# As the first-fruits of the summer

-cluster and sway

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-# The bridge is bathing its feet

-in the streams

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-# And young lovers still cross it

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-# Lost in dreams #

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-.

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-Subtitles

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-Subtitles

-

-Subtitles

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-Hello, again.

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-At the start of the programme...

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-..I said I would be joined by one of

-our most experienced of actresses.

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-It's a pleasure

-to welcome Gaynor Morgan Rees.

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-Thank you.

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-We've been working with one another

-since the 1960s.

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-The first stage production of yours

-that I saw...

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-..made such an impression on me

-and it was called Saer Doliau.

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-Did you see it at the Eisteddfod

-or when it was on tour?

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-It was the tour.

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-It's odd

-that you mentioned Saer Doliau.

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-We opened at the Idris Hall

-in Dolgellau.

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-It was winter and we had snow!

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-Gwenlyn, the author, David Lyn,

-Owen Garmon and me...

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-..were staying in

-the Golden Lion Inn at Dolgellau.

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-We were waiting to do

-the dress rehearsal.

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-Our van got stuck in the snow

-on the Crimea Pass...

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-..and we did the dress rehearsal

-at midnight.

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-Oh, my goodness. I'm sure

-you worked the following day too.

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-Yes, we had to.

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-At that time, there was

-a different venue each night.

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-This was in the cold weather

-and I doubt there was any heating.

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-Neither the dressing rooms

-nor hotels had heard about heating.

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-You had to plead with them

-to light a little fire.

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-It was very different to

-when I last saw you two years ago.

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-It's actually been three years.

-Time flies!

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-Olwen and I starred in Merched Eira.

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-Olwen and I starred in Merched Eira.

-

-It was an excellent play.

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-It had laughter and tears.

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-Learning Aled Jones Williams' work

-is just like learning poetry.

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-Every word has to be in its place...

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-..or you lose the rhythm

-of the entire play.

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-It has to be exactly

-as it was written on the page.

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-This was a play

-starring yourself and Olwen.

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-It isn't easy for a person of

-your age to remember all the words.

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-It's very challenging

-for your memory.

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-Yes, and I must admit

-that I felt very proud...

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-..to be at my current age and

-to have learnt my largest role...

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-..in terms of the script.

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-I want to talk to you

-about Pobol Y Cwm in a moment.

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-You appeared in the first

-ever episode of Pobol Y Cwm.

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-I joined in the 1980s.

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-I've got a clip of your appearance

-on my programme from 1986...

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-..and we're singing about

-Pobol Y Cwm!

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-# Hey, Gaynor

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-# Hey, Gaynor

-

-# Yes, Margaret

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-# Life would be bleak

-if we didn't have Pobol Y Cwm

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-# If we didn't have Pobol Y Cwm

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-# Listen to me, Margaret

-because I've heard a rumour

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-# Maggie Post is leaving the shop

-to act in Dynasty

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-# Maggie Post has packed her bag

-to act in Dynasty

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-# Well, well, that's an OK idea

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-# Imagine what it would be like

-if we all swapped places

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-# Well, well, that's an OK idea

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-# Texas, Rovers and the Deri Arms

-all in one place... #

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-Thank you for your company, Gaynor

-but I've got to go.

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-What's the rush? Stay for

-a quick jangle with a friend.

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-No, I'm going on a trip.

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-That's nice. Is it to Anglesey?

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-That's nice. Is it to Anglesey?

-

-No, I'm going to Dynasty.

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-# I'm swapping places with Joan

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-# Well, well, that's an OK idea

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-# Imagine what it would be like

-if we all swapped places

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-# Well, well, that's an OK idea

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-# Texas, the Rovers and Deri Arms

-all in one place

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-# Imagine what it would be like

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-# If we all swapped places #

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-Oh, look at me there.

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-It's a shame

-we have to grow old, Gaynor.

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-Do you remember that episode

-and how much you used to sing?

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-Erm, yes.

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-I remember you singing

-in a Welsh costume...

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-..but nothing but tights

-from your waist down!

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-The BBC had letters of complaint

-about that...

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-..because someone was showing

-their legs on a Welsh programme!

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-It was 1966 or 1964.

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-It was 1966 or 1964.

-

-Yes, it was very early.

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-You attended a drama school.

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-What was your first role

-after leaving drama school?

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-The BBC gave me a contract in Bangor

-at the start.

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-It was the early days of television.

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-In those days,

-we rehearsed in Bangor...

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-..and we were bussed to Cardiff

-to record the programme.

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-We travelled down

-on the Saturday...

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-..to have a dry run in the studio.

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-We were all learning from scratch...

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-..including the cameramen

-and soundmen.

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-We recorded on the Sunday before

-jumping back on the bus to Bangor...

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-..so we could start work on the next

-episode of whatever we were making.

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-You had worked a lot

-before the days of Pobol Y Cwm...

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-..but you were in the first episode.

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-Yes, I was.

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-At the start,

-Pobol Y Cwm was a series.

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-It started with eight episodes.

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-It then became twelve

-and it's now shown all year round.

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-We've spoken about

-your acting work...

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-..but you're exceptionally busy

-these days.

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-Are you the mayor of Denbigh?

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-Yes, I will be the mayor

-for a year from 3rd May.

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-I'm currently the deputy mayor.

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-It means you'll be the mayor

-during the Eisteddfod.

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-What does that mean for you?

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-I'll have to choose whether to wear

-my white Gorsedd robes...

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-..or my mayoral chain.

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-The robes are more comfortable

-than the chain...

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-..because it's very heavy.

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-What does the role of mayor entail?

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-You're a representative

-of your town.

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-I've already received

-the invitations for Llangollen.

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-You visit Llangollen for the day...

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-..as the mayor of Denbigh

-to represent Denbigh.

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-You are expected to be

-a visual presence...

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-..wearing the mayoral chain.

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-There'll be more chains

-than public conveniences!

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-I'm sure that's true.

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-It's the same

-for the National Eisteddfod.

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-Yes, and you're invited

-to everything in the town...

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-..whether it's the morning,

-afternoon or evening.

0:21:010:21:04

-It's an honour to attend

-even the smallest of events.

0:21:050:21:09

-What will you be doing

-at the Eisteddfod...

0:21:090:21:13

-..outside your mayoral duties?

0:21:130:21:15

-One of the major events

-at the Eisteddfod...

0:21:160:21:20

-..will be the ceremony

-for the drama award.

0:21:200:21:24

-Thankfully,

-this has finally been moved...

0:21:240:21:28

-..from the theatre

-to the main pavilion stage.

0:21:280:21:31

-As chairperson

-of the drama committee...

0:21:320:21:35

-..I'll help to create

-some kind of ceremony...

0:21:350:21:38

-..that should be exciting

-and interesting.

0:21:390:21:43

-Other than all this work...

0:21:430:21:46

-..do you have any television work

-in the pipeline?

0:21:460:21:52

-My last television role was in Teulu

-and I thoroughly enjoyed it.

0:21:520:21:56

-I'm glad it was a success.

0:21:560:21:58

-Thank you for your company tonight,

-Gaynor.

0:21:580:22:02

-We're going to close with a clip

-of you using your Abercwmboi accent.

0:22:030:22:09

-There's a wonderful little twist

-at the end of the song.

0:22:090:22:14

-My thanks to Chris, Rhodri

-and you too.

0:22:140:22:18

-Until next week, goodbye.

0:22:180:22:22

-# What do you want on the mountain,

-pretty little bird?

0:22:220:22:26

-# "To break a branch,

-if I should live"

0:22:260:22:29

-# Why do you need a branch,

-pretty little bird?

0:22:300:22:33

-# "To beat my horse,

-if I should live"

0:22:330:22:36

-# Why do you need a horse,

-pretty little bird?

0:22:370:22:40

-# "To take me to Merthyr,

-if I should live"

0:22:400:22:43

-# What do you need in Merthyr,

-pretty little bird?

0:22:440:22:47

-# "To buy salt, if I should live"

0:22:480:22:51

-# Why do you need salt,

-pretty little bird?

0:22:510:22:55

-# "To put in my soup,

-if I should live"

0:22:550:22:59

-# Why do you need soup,

-pretty little bird?

0:22:590:23:03

-# "To put in my belly,

-if I should live"

0:23:030:23:07

-# What will you do with your belly,

-pretty little bird?

0:23:070:23:11

-# "If it wasn't for my belly,

-I couldn't live!" #

0:23:110:23:17

-APPLAUSE

0:23:170:23:19

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0:23:340:23:37

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