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Happy New Year - and a warm welcome to the Golden Hall | :00:42. | :00:52. | |
For many around the world, the next few hours provide | :00:53. | :00:56. | |
the perfect way to toast the start of 2016 - | :00:57. | :00:59. | |
a rich feast of musical sweetmeats, performed in this jewel box | :01:00. | :01:03. | |
Well, this year in charge is the Latvian conductor | :01:04. | :01:07. | |
Mariss Jansons, the New Year's Day performance by the Vienna | :01:08. | :01:10. | |
Well Vienna, along with New York, Geneva and Nairobi, is one | :01:11. | :01:17. | |
of the headquarters of the United Nations and we're | :01:18. | :01:20. | |
going to begin this year by celebrating the 70th anniversary | :01:21. | :01:24. | |
of the United Nations with a march by Robert Stolz. | :01:25. | :01:31. | |
Stolz it was who kept the spirit of the Strauss family going in this | :01:32. | :01:34. | |
He's buried here alongside Strauss Junior and Brahms. | :01:35. | :01:40. | |
Mariss Jansons mounts the platform here in the Musikverein. | :01:41. | :01:46. | |
His downbeat in a few seconds will signal the start of the 2016 | :01:47. | :01:49. | |
The UN March by Robert Stolz - opening this 2016 Vienna | :01:50. | :05:21. | |
Ban Ki-Moon, the Secretary General of the United Nations, | :05:22. | :05:25. | |
who is the guest of Dr Heinz Fischer, | :05:26. | :05:27. | |
the Austrian Federal President at this year's concert. | :05:28. | :05:31. | |
Well, Johann Strauss Junior next - his Treasure Waltz - drawn | :05:32. | :05:34. | |
from the music of his operetta The Gypsy Baron. | :05:35. | :13:35. | |
The Treasure Waltz - based on Strauss's Gypsy Baron. | :13:36. | :13:41. | |
The Merry War is a rather less well known operetta by Strauss. | :13:42. | :13:44. | |
Violetta is the operetta principal female character - | :13:45. | :13:47. | |
a widowed countess, and Strauss named a French polka | :13:48. | :13:50. | |
No actual fighting in the Merry War - the "war" is played out | :13:51. | :13:56. | |
Mariss Jansons conducts the Vienna Philharmonic. | :13:57. | :18:25. | |
A French polka, Violetta by Johann Strauss. | :18:26. | :18:30. | |
Well, it started snowing about half an hour ago here in Vienna, | :18:31. | :18:36. | |
but we are going to head outdoors on this January 1st morning | :18:37. | :18:39. | |
to the Prater Park, where it seems the sun always shines. | :18:40. | :18:42. | |
The famous wheel and extensive miniature railway as well | :18:43. | :18:46. | |
which gives a good excuse to hear Strauss' Pleasure Train Polka. | :18:47. | :21:30. | |
Mariss Jansons as train driver, blowing an ancient horn, | :21:31. | :21:37. | |
Originally written for a ball here in 1864, it was inspired | :21:38. | :21:43. | |
by the opening of the Sudbahn, the Austrian Southern Railway. | :21:44. | :21:49. | |
Though Strauss wrote various works inspired by transport, | :21:50. | :21:51. | |
it seems he himself was terrified of rail travel. | :21:52. | :21:54. | |
He quaked at the mere mention of a journey | :21:55. | :21:58. | |
through the Semmering Pass and, apparently, would often spend | :21:59. | :22:00. | |
the trip huddled on the floor of the railway carriage. | :22:01. | :22:03. | |
Now, it wasn't just the family Strauss who had musical success | :22:04. | :22:16. | |
here in Vienna when it came to popular music. | :22:17. | :22:18. | |
of a top hat maker - who became a distinguished military | :22:19. | :22:22. | |
bandmaster - and was the last musician to be appointed | :22:23. | :22:25. | |
by the Emperor Director of Music for Court Balls - | :22:26. | :22:27. | |
the only non-Strauss to hold the position. | :22:28. | :22:29. | |
His Waltz, Viennese Maidens, features one of his trademarks, | :22:30. | :22:31. | |
a whistling theme, providing an extra challenge | :22:32. | :22:33. | |
It opens using elements of the old Austrian Landler, | :22:34. | :22:36. | |
the country folk dance that preceded the waltz. | :22:37. | :22:44. | |
Fine whistling, and fine playing from the Vienna Philharmonic | :22:45. | :33:01. | |
in Viennese Maidens by Carl Ziehrer - never before played | :33:02. | :33:04. | |
Mariss Jansons told the orchestra in rehearsal that it was his | :33:05. | :33:10. | |
Ziehrer and Eduard Strauss, the youngest of the Strauss | :33:11. | :33:15. | |
brothers, had a terrible relationship - each | :33:16. | :33:18. | |
Eduard died 100 years ago this year and we're going to hear a polka | :33:19. | :33:23. | |
of his from 1887, premiered that year in this very hall. | :33:24. | :33:28. | |
Post Haste - Mit Extra Post - a title that reflects the supplement | :33:29. | :33:32. | |
that used to be paid in the olden days for the fastest post carriage. | :33:33. | :33:42. | |
A postman in Imperial uniform circa 1910, and a baton that once belonged | :33:43. | :33:51. | |
to Johann Strauss Jr and is now owned by Jansons himself. | :33:52. | :34:08. | |
Post Haste - Mit Extra Post by Eduard Strauss. | :34:09. | :36:24. | |
Post Haste - the polka by Eduard Strauss conducted | :36:25. | :36:29. | |
Mariss Jansons and the Vienna Philharmonic this New Year's Day | :36:30. | :36:33. | |
And a light dusting of snow this morning. | :36:34. | :36:42. | |
The street cleaners have been hard at work getting rid of the evidence | :36:43. | :36:45. | |
- the burnt out fireworks and empty bottles - | :36:46. | :36:47. | |
left over from last night's celebrations when tens of thousands | :36:48. | :36:51. | |
packed into the Graben to see the new year in, | :36:52. | :36:54. | |
providing a confident greeting to 2016 with the Blue Danube playing | :36:55. | :37:00. | |
out on every Austrian television channel - | :37:01. | :37:03. | |
as it will in an hour or so here in the Musikverein. | :37:04. | :37:07. | |
Well, before that the Vienna Boys' Choir will make an appearance | :37:08. | :37:10. | |
on stage - and the traditional appearance of dancers | :37:11. | :37:12. | |
Next though, we journey to Venice - the overture to A Night In Venice. | :37:13. | :37:23. | |
Mariss Jansons conducts the Vienna Philharmonic this | :37:24. | :37:25. | |
The Overture to Strauss' operetta, A Night In Venice, | :37:26. | :45:48. | |
which will be performed here in Vienna at the Volksoper in March. | :45:49. | :45:52. | |
Well, the flowers surrounding the stage provided by | :45:53. | :45:55. | |
Those flowers arranged last night by an army of florists. | :45:56. | :46:03. | |
I'm not sure if any of them came from the Prater Park, | :46:04. | :46:06. | |
The old Imperial Pavilion at the Prater race course | :46:07. | :48:14. | |
for that Polka by Eduard Strauss. | :48:15. | :48:15. | |
One of the most beautiful waltzes of all time next - | :48:16. | :48:21. | |
Music of the Spheres, by Josef Strauss, one of his musical | :48:22. | :48:30. | |
tone poems - written in 1868, for the annual Medical Association | :48:31. | :48:32. | |
Mariss Jansons conducting the Vienna Philharmonic this | :48:33. | :58:45. | |
New Year's Day in Waltz of the Spheres by Josef Strauss. | :58:46. | :58:54. | |
Jansons was born in Riga, in Latvia, son of the celebrated conductor, | :58:55. | :58:57. | |
His career started when he was appointed assistant to the legendary | :58:58. | :59:00. | |
Evgeny Mravinsky at the Leningrad Philharmonic in 1971. | :59:01. | :59:06. | |
He's currently Music Director of the Bavarian Radio Symphony | :59:07. | :59:08. | |
Well now, it was Mariss Jansons' particular wish that the Vienna | :59:09. | :59:20. | |
We are going to hear them first in a French Polka by Johann Strauss, | :59:21. | :59:25. | |
written for the Vienna Mens' Singing Society. | :59:26. | :59:26. | |
The text seems very appropriate for this of all days. | :59:27. | :59:36. | |
He who sings merrily and dances gleefully is armed | :59:37. | :59:38. | |
Cheerfulness stirs the sluggish blood to new passion | :59:39. | :59:41. | |
What makes him glad makes everything good. | :59:42. | :59:44. | |
Schubert and Haydn, both former members of the Vienna Boys' Choir | :59:45. | :59:46. | |
Mariss Jansons returns to the platform. | :59:47. | :59:49. | |
Vienna Philharmonic Orchestra with the Vienna Boys' Choir. | :59:50. | :00:00. | |
The choir stay on the stage now to perform a work by Josef Strauss | :00:01. | :03:41. | |
that makes good use of student songs popular in Vienna in the second half | :03:42. | :03:45. | |
of the 19th century - it's a Polka "Off On Holiday". | :03:46. | :06:40. | |
Off On Holiday - Mariss Jansons conducting the Vienna Boys' Choir | :06:41. | :06:45. | |
Well, they may be the Vienna Boys' Choir but, since 1997, | :06:46. | :06:49. | |
girls have also been accepted, the children sing together, | :06:50. | :06:53. | |
but the girls have their own choir too - under the patronage | :06:54. | :06:56. | |
of the famous Slovak soprano, Edita Gruberova. | :06:57. | :07:00. | |
On the subject of women on the stage, I reckon six women | :07:01. | :07:03. | |
in the Vienna Philharmonic this year, which is slightly down | :07:04. | :07:05. | |
Now, Emile Waldtueful was always delighted when he was described | :07:06. | :07:11. | |
This is his reworking of his fellow Frenchman, | :07:12. | :07:17. | |
A little Spanish Heat on this cold Vienna morning, | :07:18. | :13:07. | |
though I have to say the temperature's pretty high | :13:08. | :13:09. | |
Waldteufel's reinterpretation of Espana by Chabrier. | :13:10. | :13:15. | |
A bit of fan work from one member of the orchestra! | :13:16. | :13:20. | |
If the Strauss' were one famous Viennese musical dynasty, | :13:21. | :13:22. | |
We are going to hear a Ball Scene, for Salon Orchestra | :13:23. | :13:25. | |
by Josef Hellmesberger Senior - whose father had been one | :13:26. | :13:28. | |
of the most popular Viennese violinists of his time, | :13:29. | :13:31. | |
and whose son became conductor of this orchestra. | :13:32. | :18:30. | |
Mariss Jansons conducting the Vienna Philharmonic this | :18:31. | :18:43. | |
Volkhard Steude, leader of the orchestra. | :18:44. | :18:50. | |
Next to him, concertmaster Albena Danailova. | :18:51. | :18:57. | |
Orchestra players telling me how much they enjoy working | :18:58. | :19:00. | |
with Jansons, how incredibly clear he is in giving a beat, | :19:01. | :19:03. | |
which is absolutely essential in this sort of music, | :19:04. | :19:05. | |
and how passionately committed he is to performing | :19:06. | :19:07. | |
He's spent much time in various archives here in Vienna trying | :19:08. | :19:14. | |
to get the absolutely authentic performing versions of these | :19:15. | :19:17. | |
Now, the man who started it all off next, Strauss the father, | :19:18. | :19:25. | |
who launched his orchestra in 1825, he wrote many galops, | :19:26. | :19:28. | |
Mariss Jansons conducting the Vienna Philharmonic. | :19:29. | :21:38. | |
Well, we're going to meet with the dancers again now. | :21:39. | :21:44. | |
Dancers from Vienna State Ballet, filmed in the halls and gardens | :21:45. | :21:47. | |
of the Schonbrunn Palace, a love story taking place over | :21:48. | :21:49. | |
Jiri Bubenicek has created choreographer for The Kaiser Waltz. | :21:50. | :32:58. | |
The Kaiser Waltz, Mariss Jansons conducting the Vienna Philhamonic. | :32:59. | :33:25. | |
Dancers from Vienna State Ballet, their costumes by the English | :33:26. | :33:29. | |
Principal Cellist Robert Nagy and Principal Horn playing, | :33:30. | :33:40. | |
Galloping and gunshots in our next work - | :33:41. | :33:45. | |
a hunt is in progress, the horns signalling the sighting | :33:46. | :33:48. | |
A polka that is taken from another Strauss operetta, | :33:49. | :33:52. | |
Cagliostro in Wien - a show about an adventurer | :33:53. | :33:55. | |
and occultist Count Alessandro di Cagliostro, who was also a conman | :33:56. | :34:00. | |
The whip cracks in 'Off to the Hunt' - a polka from Johann Strauss' | :34:01. | :36:24. | |
operetta Cagliostro in Wien - another of those rather forgotten | :36:25. | :36:27. | |
Opened at Theatre an der Wien in 1875 and was hugely popular | :36:28. | :36:32. | |
thanks to its star, Alexander Girardi, a great Austrian | :36:33. | :36:35. | |
A monument to him, in fact, stands near to here in the Karlsplatz | :36:36. | :36:41. | |
Korngold made a new version in the 1920s and another new version | :36:42. | :36:49. | |
was premiered in Danzig Gdansk in Poland in 1941. | :36:50. | :36:53. | |
In fact, just after the Vienna Philharmonic New Year's Day | :36:54. | :36:56. | |
The tradition began on New Year's Eve 1939, | :36:57. | :37:01. | |
What is now an event of such a joy and celebration was an invention | :37:02. | :37:10. | |
of the Nazi party, who saw the sweet waltzes of Strauss | :37:11. | :37:12. | |
as being the perfect way of distracting the populus | :37:13. | :37:16. | |
from the increasingly bleak state of the war. | :37:17. | :37:20. | |
Right from the beginning, it was to reach a much wider | :37:21. | :37:22. | |
audience than simply those here in the hall, | :37:23. | :37:25. | |
with a live broadcast on radio frequencies across the Third Reich. | :37:26. | :37:29. | |
That's a sober fact to remember in these days when this, | :37:30. | :37:32. | |
a truly global institution - watching and listening with us | :37:33. | :37:35. | |
today, an audience of over 50 million people in 90 countries | :37:36. | :37:39. | |
Then there are those lucky enough to be here in the Musikverein, | :37:40. | :37:48. | |
like Ban Ki-moon, UN Secretary General and the Austrian President, | :37:49. | :37:52. | |
Well, we're going to hear a high speed polka now | :37:53. | :38:10. | |
This from his frist operetta, Indigo and the Forty Thieves. | :38:11. | :38:20. | |
Very much in the French style, Offenbach used to put can-cans | :38:21. | :38:23. | |
in his operettas so perhaps Strauss thought he would match his | :38:24. | :38:28. | |
the orchestra return to their seats. At The Double, by Johann Strauss. | :38:29. | :40:50. | |
At The Double - fast polka by Johann Strauss from his operetta | :40:51. | :40:58. | |
Indigo and the Forty Thieves, his first operetta based | :40:59. | :41:01. | |
on the Thousand and One Nights stories. | :41:02. | :41:07. | |
So, we are approaching the final stage of this 2016 | :41:08. | :41:11. | |
It's not billed in the official programme but I don't think anyone | :41:12. | :41:16. | |
will be too surprised at what is to come. | :41:17. | :41:19. | |
It was in 1873 that the relationship between the Vienna Philharmonic | :41:20. | :41:22. | |
and the Strauss family began - when Strauss conducted his waltz | :41:23. | :41:25. | |
Wiener Blut at that year's Vienna Opera Ball - held | :41:26. | :41:28. | |
Later that year he conducted them in the Blue Danube Waltz. | :41:29. | :41:33. | |
But there remained a certain sniffiness from the orchestra | :41:34. | :41:36. | |
about Strauss' music - this was after all the ensemble | :41:37. | :41:39. | |
It wasn't until Clemens Krauss began conducting an annual Strauss family | :41:40. | :42:10. | |
The 72-year-old Latvian maestro, Mariss Jansons, conducting | :42:11. | :53:13. | |
the Vienna Philharmonic in the Blue Danube Waltz. | :53:14. | :53:24. | |
Well, there is just one more element of this concert that remains. | :53:25. | :53:32. | |
The work that Johann Strauss Sr dedicated to Field Marshal Joseph | :53:33. | :53:36. | |
Radetzky von Radetz, a great military man responsible | :53:37. | :54:47. | |
The Radetsky March by Johann Strauss Sr. | :54:48. | :57:37. | |
Mariss Jansons, the Vienna Philharmonic and this sparkling | :57:38. | :57:41. | |
flower-filled Golden Hall ensuring the great New Year tradition | :57:42. | :57:43. | |
The New Year's Day concert performance by the Vienna | :57:44. | :57:48. | |
It is time for us to bid you farewell and wish | :57:49. | :58:00. | |
you a safe, prosperous and productive 2016. | :58:01. | :58:02. | |
Goodbye from Vienna and a very Happy New Year. | :58:03. | :58:08. |