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This is BBC Radio 4 Rick, we stand by for viewers on BBC Two to join | :00:51. | :00:54. | |
us. Welcome to Vienna and the Golden | :00:55. | :00:58. | |
Hall of the Musikverein. I'm Petroc Trelawny and you join | :00:59. | :01:01. | |
us with the players of the Vienna Philharmonic on stage | :01:02. | :01:04. | |
and ready for the climax of their annual New Year's Day | :01:05. | :01:06. | |
concert, this year led by the Latvian conductor | :01:07. | :01:09. | |
Mariss Jansons. The street cleaners have been hard | :01:10. | :01:14. | |
at work getting rid of the evidence, the burnt-out fireworks and empty | :01:15. | :01:30. | |
bottles, left over from last night's celebrations, when tens of thousands | :01:31. | :01:33. | |
packed into the Graben to see The bells of Stephansdom providing | :01:34. | :01:35. | |
a confident greeting to 2016, with the Blue Danube playing out | :01:36. | :01:39. | |
on Austrian television - as it will in an hour | :01:40. | :01:41. | |
or so here in the Musikverein. Before that, the Vienna Boys Choir | :01:42. | :01:44. | |
will make an appearance on stage and the traditional appearance | :01:45. | :01:47. | |
of dancers from the Vienna State Mariss Jansons makes his way | :01:48. | :01:49. | |
to the centre of the stage here at the Musikverein, | :01:50. | :02:04. | |
to conduct the overture The Overture to Strauss' | :02:05. | :02:06. | |
operetta, A Night in Venice, which is performed at | :02:07. | :10:27. | |
the Volksoper here in March. The flowers surrounding the stage | :10:28. | :10:33. | |
provided by Vienna's muncipal gardeners and arranged overnight | :10:34. | :10:36. | |
by an army of florists. And Kim Moon one of the | :10:37. | :10:44. | |
distinguished guests this year. Not sure if any of the flowers came | :10:45. | :10:54. | |
from the Prater Park but that's The dancers from the LA, that was by | :10:55. | :10:58. | |
Eduard Strauss, Beyond All Bounds. One of the most beautiful | :10:59. | :13:12. | |
waltzes of all time next - Music of the Spheres, | :13:13. | :13:15. | |
by Josef Strauss, written in 1868, when Josef was director | :13:16. | :13:17. | |
of the Medical Association Ball. One of the great Viennese | :13:18. | :13:21. | |
musical tone poems. APPLAUSE | :13:22. | :23:39. | |
Marries Jansons conducting the Vienna Philharmonic Orchestra this | :23:40. | :23:48. | |
New Year's Day in Music of the Spheres. | :23:49. | :23:55. | |
Jansons born in Riga, Latvia, son of the celebrated conductor | :23:56. | :23:58. | |
His career started when he was appointed assistant to the legendary | :23:59. | :24:02. | |
Evgeny Mravinsky at the Leningrad Philharmonic in 1971. | :24:03. | :24:03. | |
The Oslo and London Philharmonic Orchestras, the Pittsburgh Symphony | :24:04. | :24:06. | |
and Royal Concertgebouw in Amsterdam amongst the orchestras he has been | :24:07. | :24:08. | |
He is now music director of the Bavarian Radio Symphony | :24:09. | :24:12. | |
It was Jansons' particular wish to have the Vienna Boys Choir -one | :24:13. | :24:17. | |
It was Jansons' particular wish to have the Vienna Boys Choir. | :24:18. | :24:22. | |
The text seems very appropriate for New Year's Day. | :24:23. | :24:25. | |
"He who sings merrily and dances gleefully is armed | :24:26. | :24:27. | |
"Cheerfulness stirs the sluggish blood to new passion. | :24:28. | :24:30. | |
"What makes him glad makes everything good." | :24:31. | :24:40. | |
Schubert and Haydn both former members of the Vienna Boys Choir and | :24:41. | :24:52. | |
Mariss Jansons returns to conduct the Orchestra with the Vienna Boys | :24:53. | :24:54. | |
Choir. And the choir stay on the stage now | :24:55. | :28:32. | |
to perform a work by Josef Strauss, that makes good use of student songs | :28:33. | :28:36. | |
popular in Vienna in the second half Off On Holiday - Mariss Jansons | :28:37. | :28:39. | |
conducting the Vienna Philharmonic By the way, they may be | :28:40. | :31:37. | |
the Vienna Boys Choir, but since 1997, girls have also been | :31:38. | :31:47. | |
accepted by the Vienna Boys Choir. The children sing together | :31:48. | :31:50. | |
but the girls have their own choir too, under the patronage | :31:51. | :31:53. | |
of the famous Slovak soprano Six film milk -- female players in | :31:54. | :32:08. | |
the Philharmonic this year, slightly down on last year. | :32:09. | :32:27. | |
Ritter Pazman - Knight Pazman - was the result but it was not | :32:28. | :32:30. | |
a success, running for just nine performances here in 1892. | :32:31. | :32:33. | |
So, bitterly disappointed, he returned to operetta. | :32:34. | :32:34. | |
Within a few months he wrote Furstin Ninetta, which | :32:35. | :32:36. | |
Premiered at the Theater an der Wien, which, for the first time, | :32:37. | :32:40. | |
was lit with electric light, and the Emperor | :32:41. | :32:42. | |
It was a huge success, even if the work is pretty | :32:43. | :32:46. | |
It's a bizarre story, it's all set in at a seaside hotel | :32:47. | :32:50. | |
in Sorento, Italy, where the guests include a Russian born princess, | :32:51. | :32:53. | |
She enjoys dressing as a man and possesses a whole | :32:54. | :32:56. | |
Thankfully it all ends happily enough. | :32:57. | :36:13. | |
The section that came between Acts 2 and 3. | :36:14. | :36:19. | |
That was premiered on the night where the theatre was first lit by | :36:20. | :36:24. | |
electric light. Emile Waldteufel was always | :36:25. | :36:26. | |
delighted when he was described This is his reworking of his fellow | :36:27. | :36:28. | |
Frenchman Emmanuel Chabrier's A little fanning away | :36:29. | :36:32. | |
of the Spanish heat. The temperature is pretty high | :36:33. | :42:26. | |
inside here. If the Strausses were one famous | :42:27. | :42:35. | |
Viennese musical dynasty, We are going to hear a Ball Scene, | :42:36. | :42:37. | |
for Salon Orchestra by Joseph Hellmesberger Senior, | :42:38. | :42:41. | |
whose father had been one of the most popular Viennese | :42:42. | :42:44. | |
violinists of his time, and whose son became | :42:45. | :42:46. | |
conductor of this orchestra. The leader of the Orchestra there | :42:47. | :48:16. | |
and then the concert master is there. The Orchestra tell me how | :48:17. | :48:30. | |
many they enjoy working with January son, how clear he is giving a beat | :48:31. | :48:36. | |
and how passionately committed he is to Strauss. | :48:37. | :48:44. | |
The man who started the dynasty next, Strauss the father, | :48:45. | :48:46. | |
who had launched his orchestra in 1825, after splitting | :48:47. | :48:49. | |
He wrote many Galops. This includes the musical Sigh. | :48:50. | :50:36. | |
The Sigh Galop by Johann Strauss Senior, who had much to worry | :50:37. | :51:01. | |
His mother died when he was seven, his father drowned when he was 12. | :51:02. | :51:06. | |
His guardian made him apprentice a bookbinder here in Vienna, | :51:07. | :51:08. | |
but he found enough time to study viola and violin, | :51:09. | :51:11. | |
and in his late teens joined a string quartet, | :51:12. | :51:13. | |
which expanded into a string orchestra. | :51:14. | :51:24. | |
His son, Josef Strauss next. This is a very good example, a polka called | :51:25. | :51:33. | |
The Dragonfly. APPLAUSE | :51:34. | :57:13. | |
The Dragon Fly by Juan Strauss. -- Johann. | :57:14. | :57:15. | |
Next, TV viewers will meet again with the dancers | :57:16. | :57:17. | |
of the Vienna State Ballet, this time at the World Heritage Site | :57:18. | :57:20. | |
This time they are seeking love in the grounds of the Palace. | :57:21. | :57:43. | |
Jiri Bubenicek has created the Emperor waltz. | :57:44. | :09:11. | |
The Emperor Waltz. Mariss Jansons conducting the Vienna Philharmonic. | :09:12. | :09:25. | |
The costumes by the English designer Emma Ryatt. | :09:26. | :09:32. | |
Galloping and gunshots in our next work. | :09:33. | :09:33. | |
A hunt is in progress, the horns signalling the sighting | :09:34. | :09:36. | |
This is a polka that is taken from another Strauss operetta, | :09:37. | :09:40. | |
Cagliostro in Wien, a show about an adventurer and occultist, | :09:41. | :09:43. | |
Count Alessandro di Cagliostro, who was a conman and master | :09:44. | :09:48. | |
A polka from Johann Strauss's operetta Cagliostro in Wien, | :09:49. | :12:14. | |
another of those rather forgotten Strauss works. | :12:15. | :12:16. | |
Opened at Theatre an der Wien in 1875, hugely popular thanks | :12:17. | :12:19. | |
to its star, Alexander Girardi, great Austrian actor and tenor. | :12:20. | :12:24. | |
A monument to him stands near to here in the Karlsplatz | :12:25. | :12:27. | |
Korngold made a new version in the 1920s, and another | :12:28. | :12:34. | |
new version was premiered in Danzig, Gdansk in Poland, in 1941. | :12:35. | :12:40. | |
In fact, just after the Vienna Philharmonic New Year's Day | :12:41. | :12:43. | |
The tradition began on New Year's Eve 1939, | :12:44. | :12:47. | |
and then moved to New Year's Day in 1941. | :12:48. | :12:52. | |
What is now an event of such a joy and celebration was an invention | :12:53. | :12:56. | |
of the Nazis, who saw the sweet waltzes of Strauss | :12:57. | :12:59. | |
as being the perfect way of distracting the populace | :13:00. | :13:02. | |
from the increasingly-bleak state of the War. | :13:03. | :13:05. | |
Right from the beginning it was to reach a much wider | :13:06. | :13:08. | |
audience than simply those in the halls, with a live broadcast | :13:09. | :13:11. | |
on radio frequencies across the Third Reich. | :13:12. | :13:15. | |
A sober fact to remember in these days when this is a truly global | :13:16. | :13:18. | |
institution, broadcast to an audience of over 50 million | :13:19. | :13:23. | |
Then there are those lucky enough to be here. Like Ban Ki-Moon, the UN | :13:24. | :13:43. | |
Secretary General, and the Austrian president, his host today. I wonder | :13:44. | :13:48. | |
if they will have had to pay for their tickets, but they can cost up | :13:49. | :13:57. | |
to 1000 euros. There is a completed ballot that gives the chance to get | :13:58. | :13:58. | |
here. His first operetta for the Theater | :13:59. | :14:06. | |
an der Wien was called It was very much in the French style | :14:07. | :14:09. | |
popularised by Offenbach. His operettas often featured | :14:10. | :14:12. | |
a lively can-can, which is perhaps why Strauss decided he should | :14:13. | :14:15. | |
include a high-speed polka At The Double, fast polka | :14:16. | :14:17. | |
by Johann Strauss, one of the concert pieces he arranged | :14:18. | :16:48. | |
from the music to his first operetta, Indigo And | :16:49. | :16:50. | |
The Forty Thieves. Based on the One Thousand | :16:51. | :16:52. | |
And One Nights stories, So we are approaching the final | :16:53. | :17:04. | |
stage of this 2016 Vienna Philharmonic New Year's Day concert. | :17:05. | :17:14. | |
It is not billed in the programme but I'm not sure anyone will be too | :17:15. | :17:17. | |
surprised with what is to come. It was in 1873 that the relationship | :17:18. | :17:20. | |
between the Vienna Philharmonic and the Strauss family began, | :17:21. | :17:22. | |
when Strauss conducted his waltz Weiner Blut at that year's | :17:23. | :17:25. | |
Vienna Opera Ball, held Later that year he conducted them | :17:26. | :17:27. | |
in his Blue Danube Waltz. But there remained a certain | :17:28. | :17:30. | |
sniffiness from the orchestra This was after all the ensemble | :17:31. | :17:33. | |
of Brahms, Mahler, Richard Strauss. It wasn't until Clemens Krauss began | :17:34. | :17:36. | |
conducting an annual Strauss concert at the Salzburg Festival in 1929 | :17:37. | :17:39. | |
that the Strauss firmly That relationship between Krauss and | :17:40. | :17:50. | |
the Strauss family continued until his death in 1954. | :17:51. | :18:01. | |
APPLAUSE Laughter | :18:02. | :28:57. | |
Mariss Jansons, 72-year-old Latvian conductor. | :28:58. | :29:05. | |
Conducting the Vienna Philharmonic in the Blue Danube waltz. Well, | :29:06. | :29:13. | |
there is just one more element of this concert that remains. | :29:14. | :29:25. | |
This is dedicated to a great military man, responsible for two | :29:26. | :29:31. | |
great victories at the end of his career as a soldier. He had 70 years | :29:32. | :29:38. | |
military service under his belt. You can give marks out of ten for the | :29:39. | :29:45. | |
clapping for the audience here. The tradition of clapping and staffing | :29:46. | :29:50. | |
feet goes back to 1948 by an Australian army band. That's when | :29:51. | :29:56. | |
the audience started clapping along. The Radetsky March, bringing | :29:57. | :33:17. | |
the 2016 Vienna Philharmonic Mariss Jansons bows to the audience | :33:18. | :33:21. | |
here in the sparkling golden hall, as the great tradition starts | :33:22. | :33:30. | |
the New Year in spectacular style. The New Year's Day concert | :33:31. | :33:33. | |
performance by the Vienna It's time for us to bid you farewell | :33:34. | :33:35. | |
from Vienna and wish you a safe, | :33:36. | :33:41. |