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APPLAUSE. | 0:00:51 | 0:00:56 | |
Happy New Year and good morning
to you from Vienna, where hundreds | 0:01:00 | 0:01:08 | |
of flowers tended by
the municipal gardeners | 0:01:08 | 0:01:10 | |
and park-keepers of this city
complement the gilded ceiling, | 0:01:10 | 0:01:12 | |
the golden caryatids and glittering
chandeliers of the large | 0:01:12 | 0:01:14 | |
hall of the Musikverein. | 0:01:14 | 0:01:17 | |
For the next few hours waltzes
and polkas, marches, mazurkas, | 0:01:17 | 0:01:20 | |
quadrilles and gavottes
by the Strauss family will provide | 0:01:20 | 0:01:23 | |
a perfect start to 2018 -
a model unchanged in eight decades. | 0:01:23 | 0:01:27 | |
Its reassuring familiarity perhaps
key to the popularity | 0:01:27 | 0:01:30 | |
of this great annual event. | 0:01:30 | 0:01:33 | |
The Vienna Philharmonic
New Year's Day Concert | 0:01:33 | 0:01:35 | |
in association with Rolex. | 0:01:35 | 0:01:37 | |
On the conductor's podium this year,
Riccardo Muti who is an honorary | 0:01:37 | 0:01:40 | |
member of the Vienna Philharmonic
having conducted them | 0:01:40 | 0:01:42 | |
more than 500 times. | 0:01:42 | 0:01:43 | |
This is his fifth
New Year's Day Concert. | 0:01:43 | 0:01:46 | |
To get here this morning I walked
past the Theatre An Der Wien | 0:01:48 | 0:01:51 | |
associated with Mozart and Beethoven
and also with Johann Strauss Junior, | 0:01:51 | 0:01:54 | |
whose operetta The Gypsy Baron
premiered there in 1885. | 0:01:54 | 0:01:59 | |
A comedy set in both rural Hungary
and imperial Vienna, | 0:01:59 | 0:02:02 | |
Strauss thus cleverly bringing
together both parts | 0:02:02 | 0:02:04 | |
of the old Dual Monarchy. | 0:02:04 | 0:02:07 | |
Riccardo Muti makes his way
onto the platform to open the 2018 | 0:02:07 | 0:02:12 | |
Vienna Philharmonic New Year's Day
Concert with the Entrance March | 0:02:12 | 0:02:14 | |
from The Gypsy Baron. | 0:02:14 | 0:02:18 | |
MUSIC: Johann Strauss, Sohn - | 0:02:33 | 0:02:35 | |
Einzugsmarsch aus der Operette
"Der Zigeunerbaron" | 0:02:35 | 0:02:37 | |
The Entrance March from the Gypsy
Baron by Strauss launching the 2018 | 0:05:49 | 0:05:52 | |
Vienna Philharmonic New Year's Day
Concert. | 0:05:52 | 0:05:56 | |
Johann's younger brother Josef next,
celebrating the rich murals | 0:05:59 | 0:06:02 | |
and ceiling paintings found
in the churches and palaces of this | 0:06:02 | 0:06:05 | |
city in his waltz "Vienna Frescoes". | 0:06:05 | 0:06:07 | |
MUSIC: Josef Strauss -
Wiener Fresken, Walzer, op249. | 0:06:15 | 0:06:20 | |
APPLAUSE | 0:15:14 | 0:15:18 | |
Vienna Frescoes by Josef Strauss,
with images of the Austrian National | 0:15:18 | 0:15:21 | |
Library in the Hofburg,
the old Imperial Palace. | 0:15:21 | 0:15:31 | |
This is the third performance
of the concert, the Vienna | 0:15:31 | 0:15:34 | |
Philharmonic ended the old year
with a performance last night | 0:15:34 | 0:15:36 | |
and on Saturday morning
the Austrian Armed Forces made up | 0:15:36 | 0:15:39 | |
a substantial chunk of the audience,
their olive drab uniforms | 0:15:39 | 0:15:41 | |
contrasting with the golden glow
of this hall. | 0:15:41 | 0:15:43 | |
We opened with The Gypsy Baron. | 0:15:43 | 0:15:44 | |
Such was its success that Strauss
wrote a series of works | 0:15:46 | 0:15:49 | |
on it, including this. | 0:15:49 | 0:15:52 | |
MUSIC: Johann Strauss, Sohn
Brautschau, Polka francaise op.417 | 0:15:52 | 0:15:55 | |
APPLAUSE | 0:19:58 | 0:20:02 | |
Strauss' polka Bridal Parade. | 0:20:02 | 0:20:05 | |
In 1866, Austria was defeated
at Koniggratz in the decisive battle | 0:20:05 | 0:20:07 | |
of the Austro-Prussian War. | 0:20:07 | 0:20:10 | |
As a result, the country lost
much of her political | 0:20:10 | 0:20:12 | |
influence in Europe. | 0:20:12 | 0:20:14 | |
Carnival season the next year
desperately needed music | 0:20:14 | 0:20:18 | |
that would bring cheer,
one of the works Strauss | 0:20:18 | 0:20:21 | |
provided was his fast
polka "Leichtes Blut" - | 0:20:21 | 0:20:22 | |
"Light of Heart". | 0:20:22 | 0:20:24 | |
MUSIC: Johann Strauss - | 0:20:24 | 0:20:26 | |
Sohn Leichtes Blut,
Polka schnell op.319 | 0:20:26 | 0:20:28 | |
APPLAUSE | 0:22:32 | 0:22:36 | |
Light of Heart. | 0:22:36 | 0:22:38 | |
Johann Strauss writing
for the 1867 Carnival Season, | 0:22:38 | 0:22:41 | |
for which he also wrote
the Blue Danube which we will | 0:22:41 | 0:22:44 | |
hear much later in this
New Year's Day Concert. | 0:22:44 | 0:22:46 | |
Also ahead later, dancers
from Vienna State Ballet taking us | 0:22:46 | 0:22:50 | |
to a railway station designed
by the architect Otto Wagner, | 0:22:50 | 0:22:53 | |
who died a century ago this year. | 0:22:53 | 0:23:03 | |
Johann Strauss, Vater Wilhelm
Tell-Galopp, Polka schnell, op.29b | 0:23:34 | 0:23:37 | |
APPLAUSE | 0:24:46 | 0:24:52 | |
The William Tell Gallop
by Johann Strauss Senior, | 0:24:52 | 0:24:54 | |
ending the first part of the 2017
Vienna Philharmonic | 0:24:54 | 0:24:56 | |
New Year's Day Concert. | 0:24:56 | 0:25:00 | |
Managed with some speed
by Riccardo Muti who will be | 0:25:00 | 0:25:02 | |
back on the platform
in about 25 minutes' time. | 0:25:02 | 0:25:12 | |
We"ll return to the Strauss family
shortly - after another | 0:25:45 | 0:25:47 | |
composer of the Austro -
Hungarian Empire, Franz von Suppe, | 0:25:47 | 0:25:50 | |
who came from Dalmatia,
in what is now Croatia. | 0:25:50 | 0:25:52 | |
A prolific writer of operettas -
four dozen in total - | 0:25:52 | 0:25:55 | |
he was also a fine bass singer. | 0:25:55 | 0:25:56 | |
His operetta Boccaccio opened
here in Vienna in 1879. | 0:25:56 | 0:25:59 | |
The Italian conductor
Riccardo Muti takes us | 0:25:59 | 0:26:00 | |
to his homeland for a drama set
during Renaissance times. | 0:26:00 | 0:26:03 | |
APPLAUSE. | 0:26:03 | 0:26:03 | |
APPLAUSE. | 0:33:08 | 0:33:18 | |
Giovanni Boccaccio an Italian poet,
writer and parliamentarian active | 0:33:18 | 0:33:22 | |
in Florence and Naples,
Muti's hometown, author | 0:33:22 | 0:33:24 | |
of the Decameron, in
which he criticlally | 0:33:24 | 0:33:26 | |
and sarcastically portrayed 14th
century Florentine society. | 0:33:26 | 0:33:31 | |
1881 wedding music next. | 0:33:34 | 0:33:37 | |
Empress Elizabeth, the much-loved
Sisi Belgian Princess was just 16. | 0:33:49 | 0:33:54 | |
Long-term it was not
to be a happy partnership | 0:33:54 | 0:33:58 | |
but the wedding was a grand affair,
like the hall this morning, | 0:33:58 | 0:34:01 | |
every available space
decked with flowers. | 0:34:01 | 0:34:05 | |
The people of Vienna welcomed
the new Princess with open arms. | 0:34:05 | 0:34:08 | |
As part of the celebrations,
Strauss provided his waltz. | 0:34:08 | 0:34:12 | |
MUSIC: Johann Strauss -
Sohn Myrthenbluten, Walzer op.395 | 0:34:20 | 0:34:23 | |
APPLAUSE | 0:43:29 | 0:43:34 | |
Riccardo Muti, conducting the Vienna
Philharmonic. | 0:43:34 | 0:43:43 | |
Myrtle Blossom, written for
the marriage of Crown Prince Rudolph | 0:43:43 | 0:43:46 | |
and Princess Stephanie. | 0:43:46 | 0:43:48 | |
Our next work also written for that
Grand Royal Wedding, | 0:43:48 | 0:43:50 | |
the Stephanie Gavotte,
by the Imperial Bandmaster | 0:43:50 | 0:43:53 | |
Alfons Czibulka. | 0:43:53 | 0:43:55 | |
And this is the moment
where we first meet dancers | 0:43:55 | 0:43:58 | |
from the Vienna State Ballet. | 0:43:58 | 0:44:00 | |
This year, Vienna marks a centenary
since the death of the great | 0:44:00 | 0:44:03 | |
Austrian modernist architect Otto
Wagner. | 0:44:03 | 0:44:05 | |
Many of his buildings
survive, including stations | 0:44:05 | 0:44:08 | |
that he built for the Stadtbahn,
a new Metropolitan Railway | 0:44:08 | 0:44:11 | |
constructed as the 19th century
turned into the 20th. | 0:44:11 | 0:44:14 | |
Emperor Franz Joseph
had his own pavilion | 0:44:14 | 0:44:18 | |
at its station at Heitzing,
which is where we will | 0:44:18 | 0:44:21 | |
find the dancers. | 0:44:21 | 0:44:27 | |
Not a favourite amongst
the Emperor's buildings - | 0:44:27 | 0:44:28 | |
he only used it twice. | 0:44:28 | 0:44:30 | |
Not that that worried Otto Wagner, | 0:44:30 | 0:44:33 | |
He got the royal seal of approval. | 0:44:33 | 0:44:36 | |
MUSIC: Alphons Czibulka -
"Stephanie-Gavotte" op 312. | 0:44:42 | 0:44:45 | |
APPLAUSE | 0:49:28 | 0:49:33 | |
The Stephanie Gavotte -
and a celebration of Otto Wagner, | 0:49:33 | 0:49:35 | |
the architect who died a century ago
and left a vital legacy | 0:49:35 | 0:49:38 | |
with his buildings in Vienna. | 0:49:38 | 0:49:46 | |
Davide Bombana choreographing
the Vienna State Ballet | 0:49:46 | 0:49:48 | |
for his third New Year's Concert. | 0:49:48 | 0:49:53 | |
MUSIC: Johann Strauss - | 0:49:57 | 0:49:58 | |
Sohn Freikugeln,
Polka schnell op.326 | 0:49:58 | 0:50:00 | |
APPLAUSE | 0:52:18 | 0:52:23 | |
A polka premiered 150
years ago in 1868. | 0:52:23 | 0:52:25 | |
Magic Bullets, written for the 3rd
German Federal Shooting Contest | 0:52:25 | 0:52:28 | |
in the Prater Park. | 0:52:28 | 0:52:32 | |
The event attracted no less
than 10,000 marksmen | 0:52:32 | 0:52:33 | |
from many parts of the world. | 0:52:33 | 0:52:41 | |
Work that Strauss took to America -
he conducted it in Boston | 0:52:41 | 0:52:45 | |
to an audience of tens of thousands
with an orchestra of 809, | 0:52:45 | 0:52:48 | |
including 200 first violins. | 0:52:48 | 0:52:53 | |
Another work Strauss composed 150
years ago was "Tales | 0:52:53 | 0:52:55 | |
from the Vienna Woods",
premiered under the collonades | 0:52:55 | 0:53:01 | |
of the Paradise Cafe. | 0:53:01 | 0:53:04 | |
Alongside excerpts from Wagner's
brand new opera, The Mastersingers | 0:53:04 | 0:53:06 | |
of Nuremburg. | 0:53:06 | 0:53:08 | |
A pause for a table to accommodate a
zither. | 0:53:08 | 0:53:16 | |
The oldest instruments of the family
are found in China, there are many | 0:53:16 | 0:53:19 | |
different national variations. | 0:53:19 | 0:53:21 | |
The Austrian Zither grew
in size during the C19, | 0:53:21 | 0:53:24 | |
and zither virtuosi started
to emerge around the 1850s. | 0:53:24 | 0:53:28 | |
The Shrammel brothers were the most
celebrated players in Strauss' day, | 0:53:28 | 0:53:34 | |
though he only used the instrument
occasionally and Tales | 0:53:34 | 0:53:36 | |
from the Vienna Woods the only time
he gave it a prominent solo passage. | 0:53:36 | 0:53:39 | |
An instrument that became synonymous
with Vienna in the 20th century, | 0:53:39 | 0:53:42 | |
thanks to the film the Third Man. | 0:53:42 | 0:53:46 | |
Soloist Barbara Laister Ebner
Strauss gave the zither a prominent | 0:53:46 | 0:53:48 | |
role in his Tales from the Vienna
Woods. | 0:53:48 | 0:53:58 | |
MUSIC: Johann Strauss - | 0:54:08 | 0:54:09 | |
Jr Tales from Vienna
Woods, waltz, op 325. | 0:54:09 | 0:54:12 | |
APPLAUSE | 1:06:18 | 1:06:22 | |
Strauss' Waltz Tales
From the Vienna Woods. | 1:06:22 | 1:06:25 | |
The zither player Barbara Laister
Ebner, born here in Vienna | 1:06:26 | 1:06:29 | |
and studied the instrument
at the State Conservatoire, | 1:06:29 | 1:06:36 | |
one of 16 zither players auditioned
for this prestigious concert. | 1:06:36 | 1:06:39 | |
She is one of just six
women on stage today. | 1:06:39 | 1:06:44 | |
We were up to nine or ten, so it's
a backwards journey this year. | 1:06:44 | 1:06:47 | |
Riccardo Muti, born in Naples. | 1:06:54 | 1:07:00 | |
Another Italian connection next
chosen by Maestro Muti, | 1:07:00 | 1:07:05 | |
a march written for a wedding that
took place in a villa on the coast | 1:07:05 | 1:07:09 | |
near Lucca in 1893 -
the wedding of Prince Ferdinand | 1:07:09 | 1:07:12 | |
of Bulgaria, who later became
the Tsar of Bulgaria. | 1:07:12 | 1:07:14 | |
He held the role for a decade before
he abdicated in favour | 1:07:14 | 1:07:17 | |
of his son in 1918, in order
to save the Bulgarian throne. | 1:07:17 | 1:07:20 | |
Ferdinand lived on until 1948,
long enough to see his nine-year-old | 1:07:20 | 1:07:22 | |
grandson deposed in 1946
when the communists | 1:07:22 | 1:07:24 | |
abolished the monarchy. | 1:07:24 | 1:07:31 | |
For the first half of this year it
will hold the Presidency of the EU, | 1:07:31 | 1:07:35 | |
hence the inclusion
of the march today. | 1:07:35 | 1:07:37 | |
Austria will then take
over for the second six | 1:07:37 | 1:07:39 | |
months of the year. | 1:07:39 | 1:07:42 | |
Ferdinand was from Vienna. | 1:07:52 | 1:07:59 | |
The King is completely captivated | 1:07:59 | 1:08:00 | |
by you and your music,
Strauss was told. | 1:08:00 | 1:08:02 | |
The grandson had a brief stab
at being Tsar as a boy and returned | 1:08:02 | 1:08:06 | |
as Prime Minister of Bulgaria
in 2001 and it was he who was in | 1:08:06 | 1:08:09 | |
part responsible for bringing
about Bulgaria's membership | 1:08:09 | 1:08:11 | |
of the European Union. | 1:08:11 | 1:08:13 | |
So we await the return
of Riccardo Muti. | 1:08:15 | 1:08:18 | |
The music director of
The Chicago Symphony Orchestra. | 1:08:21 | 1:08:29 | |
He has conducted the Philharmonic
500 times, in a relationship that | 1:08:29 | 1:08:32 | |
spans nearly half a century. The
Festival March, written for a royal | 1:08:32 | 1:08:36 | |
wedding. | 1:08:36 | 1:08:38 | |
MUSIC: Johann Strauss -
Sohn Festmarsch op.452 | 1:08:38 | 1:08:41 | |
APPLAUSE | 1:12:23 | 1:12:26 | |
Strauss's Festival March. | 1:12:26 | 1:12:30 | |
It was at a charity
concert in the Floral Hall | 1:12:30 | 1:12:32 | |
of the Vienna Horticultural Society
that Strauss introduced his | 1:12:32 | 1:12:35 | |
polka Stadt und Land -
town and country, a title that | 1:12:35 | 1:12:38 | |
rather reflected his lifestyle
after he purchased a yellow | 1:12:38 | 1:12:40 | |
sandstone villa in the green suburb
of Hietzing. | 1:12:40 | 1:12:43 | |
MUSIC: Johann Strauss - | 1:12:51 | 1:12:53 | |
Town and Country,
polka mazurka, op 322. | 1:12:53 | 1:12:54 | |
APPLAUSE | 1:16:48 | 1:16:54 | |
Town and country. | 1:16:54 | 1:16:57 | |
Like his father, Strauss always
took a keen interest | 1:16:57 | 1:17:00 | |
in musical happenings abroad -
the first nights of new | 1:17:00 | 1:17:02 | |
operas in particular. | 1:17:02 | 1:17:03 | |
He managed to work a little Verdi
into his Masked Ball Quadrille, | 1:17:03 | 1:17:06 | |
which we'll hear next. | 1:17:06 | 1:17:09 | |
Verdi's opera heard it
in St Petersburg in 1862. | 1:17:09 | 1:17:13 | |
MUSIC: Johann Strauss - Sohn Un
ballo in maschera, Quadrille op.272 | 1:17:13 | 1:17:17 | |
APPLAUSE | 1:22:27 | 1:22:31 | |
The Masked Ball Quadrille -
Riccardo Muti conducting | 1:22:31 | 1:22:33 | |
the Vienna Philharmonic. | 1:22:33 | 1:22:40 | |
2018 will the mark
the centenary of the end | 1:22:40 | 1:22:42 | |
of the Austro-Hungarian Empire. | 1:22:42 | 1:22:45 | |
In November that year,
Karl, the last emperor, | 1:22:45 | 1:22:48 | |
renounced his participation
in affairs of state and left Vienna. | 1:22:48 | 1:22:52 | |
A convoy of seven vehicles set off
from the Schonbrunn Palace | 1:22:52 | 1:22:55 | |
in the dead of night,
carrying the Emperor and his family | 1:22:55 | 1:22:58 | |
to Schloss Eckartsau,
a hunting lodge in Lower Austria. | 1:22:58 | 1:23:06 | |
The Lodge was close
the to the Hungarian border - | 1:23:06 | 1:23:08 | |
for a brief moment Karl thought
he might be able to maintain | 1:23:08 | 1:23:11 | |
sovereignty over Hungary at least. | 1:23:11 | 1:23:12 | |
But just two days after he arrived,
a delegation arrived from Budapest, | 1:23:12 | 1:23:15 | |
demanding he make a formal
abdication as King of Hungary. | 1:23:15 | 1:23:18 | |
We go to Schoss Eckartsau now, with
dancers from Vienna State Ballet, | 1:23:18 | 1:23:22 | |
and Strauss' great waltz Roses
from the South. | 1:23:22 | 1:23:25 | |
Premiered here in the
Golden Hall in 1880. | 1:23:25 | 1:23:29 | |
Johann Strauss, Sohn Rosen aus dem
Suden, Walzer, op.388 | 1:23:29 | 1:23:33 | |
APPLAUSE | 1:33:43 | 1:33:47 | |
Strauss' waltz Roses from the South. | 1:33:57 | 1:34:01 | |
Dancers of Vienna State Ballet
at Schloss Eckartsau | 1:34:01 | 1:34:05 | |
where the deposed last
Austro-Hungarian Emperor, Karl, | 1:34:05 | 1:34:07 | |
spent four months before he went
into exile in Switzerland. | 1:34:07 | 1:34:10 | |
This year the centenary of the end
of the Austro-Hungarian empire. | 1:34:10 | 1:34:15 | |
Viennese high spirits to finish
the publically billed | 1:34:15 | 1:34:16 | |
element of this concert. | 1:34:16 | 1:34:19 | |
MUSIC: Josef Strauss -
Eingesendet, Polka schnell op.240 | 1:34:24 | 1:34:26 | |
APPLAUSE | 1:36:06 | 1:36:11 | |
Letters to the Editor
by Jozef Strauss. | 1:36:11 | 1:36:15 | |
Riccardo Muti conducting the Vienna
Philharmonic. | 1:36:19 | 1:36:33 | |
As I said earlier,
something reassuringly familiar | 1:36:35 | 1:36:37 | |
about this annual event,
much has changed since | 1:36:37 | 1:36:39 | |
we were here last year.
A new president"s in office | 1:36:39 | 1:36:41 | |
in the US and France,
in Liberia and Zimbabwe, | 1:36:41 | 1:36:46 | |
an election in Britain we were not
expecting 12 months ago, | 1:36:46 | 1:36:49 | |
and major political change
here in Austria as well. | 1:36:49 | 1:36:51 | |
Turbulent times globally,
but as the world moves on, | 1:36:51 | 1:36:53 | |
what is clear is that for many of us
there is a pleasing sense | 1:36:53 | 1:36:57 | |
of continuity about this concert,
the way it offers the perfect | 1:36:57 | 1:36:59 | |
opportunity to reflect on times
past, and consider the new year that | 1:36:59 | 1:37:02 | |
lies invitingly ahead of us
with resolutions to break aplenty. | 1:37:02 | 1:37:05 | |
Riccardo Muti returns to the
platform and brings the orchestra to | 1:37:15 | 1:37:21 | |
their feet. | 1:37:21 | 1:37:23 | |
MUSIC: Johann Strauss - | 1:37:44 | 1:37:45 | |
Sohn Unter Donner
und Blitz, Polka schnell op.324 | 1:37:45 | 1:37:46 | |
APPLAUSE | 1:40:24 | 1:40:29 | |
The Thunder and Lightening Polka
by Johann Strauss - | 1:40:30 | 1:40:32 | |
Riccardo Muti conducting the Vienna
Philharmonic. | 1:40:32 | 1:40:37 | |
An Italian maestro and
many links with Italy, | 1:40:48 | 1:40:50 | |
which Strauss toured in 1874. | 1:40:50 | 1:40:54 | |
He played in cities including
Venice, Milan and Florence. He | 1:40:54 | 1:41:02 | |
played in such a manner that washes
away all internal and external | 1:41:02 | 1:41:06 | |
cares. | 1:41:06 | 1:41:10 | |
Back home, Viennese papers raved
about the success of the tour. | 1:41:10 | 1:41:13 | |
"Strauss creates near fanatical
reactions in Italy", | 1:41:13 | 1:41:14 | |
ran one headline. | 1:41:14 | 1:41:25 | |
Is the Blue Danube,
Strauss' masterpiece. | 1:41:29 | 1:41:32 | |
The relationship with Italy two way. | 1:41:33 | 1:41:35 | |
The Strauss family
championing Italian opera. | 1:41:35 | 1:41:40 | |
APPLAUSE | 1:41:55 | 1:41:57 | |
LAUGHTER | 1:41:59 | 1:42:02 | |
APPLAUSE | 1:42:03 | 1:42:07 | |
HE SPEAKS IN GERMAN | 1:42:21 | 1:42:23 | |
APPLAUSE | 1:42:24 | 1:42:28 | |
MUSIC: Johann Strauss - | 1:42:46 | 1:42:51 | |
Sohn An der schonen blauen Donau. | 1:42:51 | 1:42:53 | |
APPLAUSE | 1:53:30 | 1:53:35 | |
Riccardo Muti conducting
the Vienna Philharmonic. | 1:53:35 | 1:53:38 | |
The Blue Danube. | 1:53:38 | 1:53:43 | |
As broadcast at midnight last night
on Austrian television, | 1:53:43 | 1:53:47 | |
along with the sound of the Pummerin
bell, literally the boomer bell | 1:53:47 | 1:53:50 | |
of St Stephens Cathedral at nearly
45,000 pounds in weight, | 1:53:50 | 1:53:52 | |
cast behind by Ottoman invaders. | 1:53:52 | 1:54:02 | |
Also on TV, Dinner for One,
that 20 minute English sketch, | 1:54:18 | 1:54:21 | |
almost unknown in England,
but a staple part of new year | 1:54:21 | 1:54:23 | |
in German speaking lands
and countries across Northern | 1:54:23 | 1:54:25 | |
Europe. | 1:54:25 | 1:54:32 | |
The March, composed
by Johann Strauss Sr and dedicated | 1:58:07 | 1:58:09 | |
to Field Marshal Joseph Radetzky. | 1:58:09 | 1:58:19 | |
Now the orchestra get
to enjoy their New Year's Day. | 1:58:25 | 1:58:27 | |
They will be in the Golden Hall
in a fortnight when the 77th | 1:58:27 | 1:58:30 | |
Vienna Philharmonic Hall. | 1:58:30 | 1:58:35 | |
As for the audience,
now something of a bunfight. | 1:58:35 | 1:58:42 | |
Same procedure as last year,
same procedure as every year, | 1:58:42 | 1:58:45 | |
we will do it all again in 2019. | 1:58:45 | 1:58:48 | |
But there is 2018 to enjoy first. | 1:58:48 | 1:58:52 | |
Goodbye from Vienna
and happy New Year. | 1:58:52 | 1:58:56 |