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-Good evening to you. I'm Aled -Hughes. Welcome to Pontio, Bangor. | 0:00:00 | 0:00:04 | |
-A feast of talent -from the Isle of Anglesey awaits us. | 0:00:04 | 0:00:08 | |
-Who's here from Anglesey? | 0:00:08 | 0:00:10 | |
-Who's here from Anglesey? - -Us! | 0:00:10 | 0:00:11 | |
-Most of them. -Who's come here to see Calfari? | 0:00:12 | 0:00:15 | |
-Us! | 0:00:15 | 0:00:16 | |
-Let's get Anglesey's Noson Lawen -started. | 0:00:17 | 0:00:20 | |
-# As you walk through the door | 0:00:38 | 0:00:42 | |
-# You turn your back | 0:00:45 | 0:00:47 | |
-# And you ask if you're sure | 0:00:47 | 0:00:50 | |
-# You won't get a better chance | 0:00:52 | 0:00:56 | |
-# You won't get a better chance | 0:01:00 | 0:01:02 | |
-# To go and see the world | 0:01:03 | 0:01:05 | |
-# The sea breeze -flows through your blood | 0:01:08 | 0:01:13 | |
-# The slate remains -are firm under your feet | 0:01:14 | 0:01:19 | |
-# I see the sea | 0:01:20 | 0:01:23 | |
-# It leads me home | 0:01:24 | 0:01:27 | |
-# Your voice | 0:01:27 | 0:01:31 | |
-# Draws me back | 0:01:31 | 0:01:34 | |
-# I turn and turn, no escape | 0:01:35 | 0:01:38 | |
-# You call me every time | 0:01:39 | 0:01:41 | |
-# In the night | 0:01:42 | 0:01:46 | |
-# You've returned | 0:01:48 | 0:01:50 | |
-# You've travelled far | 0:02:05 | 0:02:09 | |
-# You've seen the world | 0:02:12 | 0:02:14 | |
-# But there's nowhere better | 0:02:15 | 0:02:17 | |
-# You're on your way back | 0:02:19 | 0:02:23 | |
-# You're on your way back | 0:02:26 | 0:02:29 | |
-# To where you should be | 0:02:29 | 0:02:32 | |
-# The sea breeze -flows through your blood | 0:02:34 | 0:02:39 | |
-# The slate remains -are firm under your feet | 0:02:41 | 0:02:46 | |
-# I see the sea | 0:02:47 | 0:02:50 | |
-# It leads me home | 0:02:51 | 0:02:54 | |
-# Your voice | 0:02:54 | 0:02:57 | |
-# Draws me back | 0:02:58 | 0:03:00 | |
-# I turn and turn, no escape | 0:03:01 | 0:03:05 | |
-# You call me every time | 0:03:05 | 0:03:07 | |
-# In the night | 0:03:08 | 0:03:12 | |
-# You've returned | 0:03:15 | 0:03:16 | |
-# The sea breeze -flows through your blood | 0:03:31 | 0:03:36 | |
-# The slate remains -are firm under your feet | 0:03:38 | 0:03:43 | |
-# I see the sea | 0:03:44 | 0:03:47 | |
-# It leads me home | 0:03:48 | 0:03:50 | |
-# Your voice | 0:03:51 | 0:03:54 | |
-# Draws me back | 0:03:55 | 0:03:57 | |
-# I see the sea | 0:03:58 | 0:04:02 | |
-# It leads me home | 0:04:03 | 0:04:05 | |
-# Your voice | 0:04:05 | 0:04:08 | |
-# Draws me back | 0:04:10 | 0:04:11 | |
-# I turn and turn, no escape | 0:04:13 | 0:04:16 | |
-# You call me every time | 0:04:17 | 0:04:19 | |
-# In the night | 0:04:19 | 0:04:23 | |
-# You've returned | 0:04:26 | 0:04:29 | |
-# You've returned | 0:04:33 | 0:04:36 | |
-# You've returned # | 0:04:40 | 0:04:46 | |
-Thank you, Calfari. -They performed Rhydd. | 0:04:54 | 0:04:57 | |
-That was some way to raise -the curtain at Theatr Bryn Terfel. | 0:04:58 | 0:05:01 | |
-It's nice to be back in Bangor. -I went to university here. | 0:05:01 | 0:05:06 | |
-As it's an university town, there -are people here from the world over. | 0:05:06 | 0:05:12 | |
-Ysbyty Gwynedd - there are doctors -here from the world over. | 0:05:12 | 0:05:16 | |
-I remember one doctor who wanted -a shilling or two over the summer. | 0:05:17 | 0:05:21 | |
-He opened a doctor's surgery -on the high street in Bangor. | 0:05:22 | 0:05:25 | |
-A large poster in the window said... | 0:05:25 | 0:05:28 | |
-.."20 for all treatments -or you get 100 back." | 0:05:28 | 0:05:33 | |
-A mate of mine wanted -to be a solicitor. | 0:05:33 | 0:05:36 | |
-"That's an easy 100," he said. -In he went to see the doctor. | 0:05:36 | 0:05:41 | |
-"Doctor, I've lost my sense -of taste," he told the doctor. | 0:05:42 | 0:05:46 | |
-"Nurse, go out the back, -fetch box 22... | 0:05:46 | 0:05:50 | |
-"..and put three drops -in his mouth." | 0:05:50 | 0:05:53 | |
-So box 22 came out and three drops -were put in his mouth." | 0:05:53 | 0:05:57 | |
-"Oh!" said my mate. -"This is petrol." | 0:05:57 | 0:05:59 | |
-"You can taste - 20." He got 20. | 0:06:00 | 0:06:04 | |
-My mate wasn't happy. | 0:06:04 | 0:06:06 | |
-He went back after two days. -"I'll get him this time." | 0:06:07 | 0:06:10 | |
-"I'm losing my memory, doctor. -I'm confused." | 0:06:11 | 0:06:15 | |
-The doctor said, -"Nurse, fetch box 22... | 0:06:15 | 0:06:18 | |
-"..and put three drops -in his mouth." | 0:06:18 | 0:06:21 | |
-"It's petrol." | 0:06:21 | 0:06:22 | |
-"Your memory's fine," -said the doctor. | 0:06:22 | 0:06:25 | |
-We have a stage full of young people -for you next. | 0:06:29 | 0:06:32 | |
-They're just as busy as they were -12 years ago when they were founded. | 0:06:32 | 0:06:37 | |
-It was Nia Wyn Efans's vision -and she's still in charge. | 0:06:37 | 0:06:41 | |
-They're going to perform -one of the most famous songs... | 0:06:41 | 0:06:45 | |
-..to come from Anglesey, -Ceidwad Y Goleudy by Ems. | 0:06:45 | 0:06:48 | |
-I know you will, -but please give a warm welcome... | 0:06:49 | 0:06:52 | |
-..to Cor Aelwyd yr Ynys. | 0:06:52 | 0:06:54 | |
-# Of course -you can walk along my path | 0:07:16 | 0:07:23 | |
-# You can go anywhere on my land | 0:07:23 | 0:07:30 | |
-# Of course -you can gather my prettiest flowers | 0:07:31 | 0:07:38 | |
-# As long -as you promise to tell the truth | 0:07:39 | 0:07:45 | |
-# Of course -you can walk to my cottage | 0:07:46 | 0:07:52 | |
-# You can light the fire -and make the tea | 0:07:54 | 0:08:00 | |
-# Of course -you'll be welcomed in my home | 0:08:01 | 0:08:08 | |
-# As long as you tell me what's what | 0:08:09 | 0:08:16 | |
-# This is a song -that was rescued from the waves | 0:08:17 | 0:08:24 | |
-# It was spotted drowning -by the lighthouse keeper | 0:08:24 | 0:08:31 | |
-# He heard it shouting | 0:08:32 | 0:08:35 | |
-# "Will you rescue me?" | 0:08:36 | 0:08:39 | |
-# A song -that was nearly forgotten forever | 0:08:40 | 0:08:47 | |
-# The lighthouse keeper am I | 0:08:48 | 0:08:55 | |
-# Of course -you can pray at my altar | 0:08:59 | 0:09:06 | |
-# I give you my god's ears | 0:09:07 | 0:09:15 | |
-# Of course you can baptize your -children in the waters of my well | 0:09:15 | 0:09:22 | |
-# As long as you learn to love me | 0:09:22 | 0:09:30 | |
-# This is a song -that was rescued from the waves | 0:09:31 | 0:09:37 | |
-# It was spotted drowning -by the lighthouse keeper | 0:09:38 | 0:09:45 | |
-# He heard it shouting | 0:09:46 | 0:09:49 | |
-# "Will you rescue me?" | 0:09:49 | 0:09:53 | |
-# A song -that was nearly forgotten forever | 0:09:53 | 0:10:01 | |
-# The lighthouse keeper am I | 0:10:01 | 0:10:09 | |
-# This is a song -that was rescued from the waves | 0:10:10 | 0:10:16 | |
-# It was spotted drowning -by the lighthouse keeper | 0:10:17 | 0:10:24 | |
-# He heard it shouting | 0:10:25 | 0:10:28 | |
-# "Will you rescue me?" | 0:10:29 | 0:10:32 | |
-# A song -that was nearly forgotten forever | 0:10:33 | 0:10:40 | |
-# The lighthouse keeper am I | 0:10:41 | 0:10:48 | |
-# The lighthouse keeper am I | 0:10:49 | 0:10:58 | |
-# The lighthouse keeper am I | 0:10:58 | 0:11:03 | |
-# Ooh # | 0:11:12 | 0:11:17 | |
-Many thanks to Cor Aelwyd yr Ynys... | 0:11:27 | 0:11:30 | |
-..Nia Wyn Efans -and their accompanist, Elen Keen. | 0:11:31 | 0:11:34 | |
-The next artist comes from the heart -of the island, from Llangristiolus. | 0:11:34 | 0:11:38 | |
-She now lives in Trefor. | 0:11:38 | 0:11:40 | |
-This song is from my latest album, -Y Llwybrau. | 0:11:42 | 0:11:45 | |
-It came out in November 2016. | 0:11:46 | 0:11:48 | |
-It's something different -and new, hopefully... | 0:11:48 | 0:11:51 | |
-..for the Noson Lawen audience. | 0:11:52 | 0:11:54 | |
-I'm looking forward to perform it. | 0:11:54 | 0:11:56 | |
-I was raised on Anglesey -and was born in Llangristiolus... | 0:11:57 | 0:12:01 | |
-..so I'm looking forward to perform -at Anglesey's Noson Lawen. | 0:12:01 | 0:12:06 | |
-It's like being home. | 0:12:06 | 0:12:08 | |
-To perform Gwallgo, joined by -Non and Miriam, Meinir Gwilym. | 0:12:09 | 0:12:13 | |
-# Our culture is so strange | 0:12:29 | 0:12:32 | |
-# If there is such a thing | 0:12:32 | 0:12:34 | |
-# Existing instead of living -and our heads full | 0:12:35 | 0:12:38 | |
-# Another year has passed, -rushing from place to place | 0:12:40 | 0:12:44 | |
-# You're nearer a goal -that isn't there | 0:12:45 | 0:12:47 | |
-# Well done you! | 0:12:48 | 0:12:49 | |
-# It's crazy - -simple when you see it | 0:12:49 | 0:12:54 | |
-# Numbers on the screen -and people are angry, angry, angry | 0:12:55 | 0:12:59 | |
-# It's crazy - -simple when you see it | 0:12:59 | 0:13:04 | |
-# Numbers on the screen -and people are angry, angry, angry | 0:13:04 | 0:13:08 | |
-# How do you prepare a pound coin -so it's fragile? | 0:13:09 | 0:13:13 | |
-# Try and plant a tenner -in the ground to grow nuts | 0:13:14 | 0:13:18 | |
-# Watch for the laugh -when you say that water and soil | 0:13:19 | 0:13:24 | |
-# Are the only things of value -to you if they're pure # | 0:13:24 | 0:13:28 | |
-Ha ha ha ha! | 0:13:29 | 0:13:30 | |
-# It's crazy - -simple when you see it | 0:13:30 | 0:13:35 | |
-# Numbers on the screen and people -are angry, angry, angry | 0:13:36 | 0:13:39 | |
-# It's crazy - -simple when you see it | 0:13:40 | 0:13:45 | |
-# Numbers on the screen -and people are angry, angry, angry | 0:13:46 | 0:13:49 | |
-# Do-do-do-do-do-do | 0:13:50 | 0:13:53 | |
-# Do-do-do-do | 0:13:53 | 0:13:55 | |
-# It's crazy - -simple when you see it | 0:13:55 | 0:13:59 | |
-# It's crazy - -simple when you see it | 0:14:09 | 0:14:14 | |
-# Numbers on the screen -and people are angry, angry, angry | 0:14:15 | 0:14:19 | |
-# It's crazy - -simple when you see it | 0:14:20 | 0:14:24 | |
-# Numbers on the screen -and people are angry, angry, angry | 0:14:25 | 0:14:29 | |
-# It's crazy - -simple when you see it | 0:14:29 | 0:14:34 | |
-# Numbers on the screen -and people are angry, angry, angry | 0:14:35 | 0:14:39 | |
-# It's crazy - -simple when you see it | 0:14:40 | 0:14:44 | |
-# Numbers on the screen -and people are angry, angry, angry # | 0:14:45 | 0:14:51 | |
-Can I try it? | 0:15:00 | 0:15:01 | |
-It won't fit. Not bad. | 0:15:01 | 0:15:04 | |
-You should wear it. | 0:15:04 | 0:15:05 | |
-You should wear it. - -I think I should. Can I? | 0:15:05 | 0:15:06 | |
-Yes. | 0:15:06 | 0:15:07 | |
-Yes. - -I'm going now. | 0:15:07 | 0:15:08 | |
-. | 0:15:10 | 0:15:11 | |
-Subtitles | 0:15:14 | 0:15:14 | |
-Subtitles - -Subtitles | 0:15:14 | 0:15:16 | |
-Welcome back. | 0:15:22 | 0:15:23 | |
-We have two youngsters next -who perform across North Wales. | 0:15:23 | 0:15:27 | |
-Daf is originally from St Asaph -and Lisa's from Moelfre. | 0:15:27 | 0:15:30 | |
-They're going to sing a song -by Anglesey's most famous duo... | 0:15:31 | 0:15:35 | |
-..Tony and Aloma. | 0:15:36 | 0:15:37 | |
-Cofion Gorau is the name of the -song. Please welcome Daf and Lisa. | 0:15:37 | 0:15:42 | |
-# It was only an incident | 0:15:54 | 0:15:56 | |
-# It happened in an instant | 0:15:58 | 0:16:00 | |
-# Falling in love | 0:16:01 | 0:16:04 | |
-# Forever with you | 0:16:05 | 0:16:09 | |
-# The best memories | 0:16:11 | 0:16:14 | |
-# And God at his best | 0:16:14 | 0:16:17 | |
-# Putting two together | 0:16:18 | 0:16:21 | |
-# As one, like us | 0:16:22 | 0:16:26 | |
-# Time passes | 0:16:27 | 0:16:30 | |
-# Our love brings us closer | 0:16:31 | 0:16:34 | |
-# I need your company | 0:16:35 | 0:16:38 | |
-# All the time | 0:16:39 | 0:16:44 | |
-# The best memories | 0:16:44 | 0:16:47 | |
-# And God at his best | 0:16:48 | 0:16:51 | |
-# Putting the blue in your eyes | 0:16:52 | 0:16:55 | |
-# And blessing my world | 0:16:55 | 0:16:59 | |
-# Sometimes there's laughter | 0:17:02 | 0:17:04 | |
-# Sometimes a tear | 0:17:05 | 0:17:08 | |
-# One or two arguments | 0:17:09 | 0:17:12 | |
-# But they never last long | 0:17:12 | 0:17:17 | |
-# The best memories | 0:17:18 | 0:17:21 | |
-# And God at his best | 0:17:22 | 0:17:25 | |
-# We can forgive | 0:17:25 | 0:17:28 | |
-# One another's faults | 0:17:29 | 0:17:32 | |
-# Sometimes there's laughter | 0:17:50 | 0:17:53 | |
-# Sometimes a tear | 0:17:54 | 0:17:57 | |
-# One or two arguments | 0:17:58 | 0:18:00 | |
-# But they never last long | 0:18:01 | 0:18:05 | |
-# The best memories | 0:18:07 | 0:18:10 | |
-# And God at his best | 0:18:10 | 0:18:13 | |
-# We can forgive | 0:18:14 | 0:18:17 | |
-# One another's faults | 0:18:18 | 0:18:21 | |
-# There's less of a future | 0:18:23 | 0:18:27 | |
-# Than there is of the past | 0:18:27 | 0:18:30 | |
-# I still want you | 0:18:31 | 0:18:34 | |
-# To hold me close | 0:18:35 | 0:18:39 | |
-# The best memories | 0:18:41 | 0:18:43 | |
-# And God at his best | 0:18:44 | 0:18:47 | |
-# We can forgive | 0:18:48 | 0:18:51 | |
-# One another's faults | 0:18:52 | 0:18:55 | |
-# The best memories | 0:18:56 | 0:18:59 | |
-# And God at his best | 0:18:59 | 0:19:02 | |
-# Fond memories to treasure | 0:19:03 | 0:19:06 | |
-# That I can recall for ever | 0:19:06 | 0:19:10 | |
-# The best memories | 0:19:11 | 0:19:14 | |
-# And God at his best | 0:19:14 | 0:19:17 | |
-# Fond memories to treasure | 0:19:18 | 0:19:21 | |
-# That I can recall | 0:19:21 | 0:19:24 | |
-# For ever # | 0:19:25 | 0:19:29 | |
-Many thanks to Daf and Lisa. | 0:19:36 | 0:19:39 | |
-Thank you. | 0:19:40 | 0:19:41 | |
-I mentioned Ysbyty Gwynedd earlier. -We're lucky to have that hospital. | 0:19:41 | 0:19:46 | |
-But I'm quite sure -that none of us... | 0:19:46 | 0:19:50 | |
-..would want to come across -a nurse like this working there. | 0:19:50 | 0:19:54 | |
-HUMS A SONG | 0:20:00 | 0:20:01 | |
-Ooh! | 0:20:01 | 0:20:02 | |
-Oh! | 0:20:03 | 0:20:04 | |
-Ooh-aah-ee! | 0:20:04 | 0:20:08 | |
-If you feel like pushing, -push as hard as you can. | 0:20:10 | 0:20:14 | |
-Together after three - -one, two, three. | 0:20:14 | 0:20:17 | |
-Push, push, push. | 0:20:17 | 0:20:19 | |
-Ooh, almost. | 0:20:20 | 0:20:21 | |
-Oh, little one. | 0:20:26 | 0:20:29 | |
-I'm sure that's a relief for you, -Mr Evans. | 0:20:29 | 0:20:33 | |
-It was tight! | 0:20:35 | 0:20:37 | |
-Tight shoes? | 0:20:37 | 0:20:39 | |
-I'll leave the chair there. -Let me see. | 0:20:40 | 0:20:44 | |
-Good grief! | 0:20:45 | 0:20:46 | |
-Shall we take the other one off? | 0:20:47 | 0:20:48 | |
-Shall we take the other one off? - -Will you help me? | 0:20:48 | 0:20:50 | |
-I will. -Let's take a look at that foot. | 0:20:50 | 0:20:53 | |
-It's tight. | 0:20:54 | 0:20:55 | |
-It's tight. - -It's swollen. | 0:20:55 | 0:20:56 | |
-Let's get a better grip. | 0:20:56 | 0:20:58 | |
-Nurse! | 0:21:02 | 0:21:04 | |
-What are you doing? | 0:21:07 | 0:21:09 | |
-There we are. | 0:21:15 | 0:21:17 | |
-Better now? | 0:21:19 | 0:21:20 | |
-Help me onto my feet. | 0:21:21 | 0:21:22 | |
-Help me onto my feet. - -Up you come. Get up! | 0:21:22 | 0:21:25 | |
-I'm trying, nurse. | 0:21:25 | 0:21:27 | |
-Wait a minute. | 0:21:27 | 0:21:29 | |
-Up you get. | 0:21:30 | 0:21:31 | |
-Careful! | 0:21:36 | 0:21:37 | |
-Open those legs. | 0:21:38 | 0:21:40 | |
-I'll get your chair now. | 0:21:40 | 0:21:41 | |
-I'll get your chair now. - -Can you get the chair? | 0:21:41 | 0:21:43 | |
-You'll have to help me. -After three. | 0:21:46 | 0:21:49 | |
-One. | 0:21:50 | 0:21:51 | |
-One. - -Three. | 0:21:51 | 0:21:52 | |
-Two, three. | 0:21:52 | 0:21:52 | |
-Two, three. - -Three. | 0:21:52 | 0:21:54 | |
-Better now, Mr Evans? | 0:22:04 | 0:22:05 | |
-Better now, Mr Evans? - -Yes, thanks. | 0:22:05 | 0:22:07 | |
-You'll have to take the tablets -before the camera. | 0:22:07 | 0:22:10 | |
-Camera? What camera? | 0:22:10 | 0:22:12 | |
-The camera. | 0:22:12 | 0:22:14 | |
-I'm not having a camera -up my bu... | 0:22:15 | 0:22:17 | |
-Tut, tut, tut! -I guarantee that it won't hurt. | 0:22:17 | 0:22:21 | |
-I won't have it. | 0:22:22 | 0:22:23 | |
-I won't have it. - -Swallow these. There you are. | 0:22:23 | 0:22:25 | |
-They'll relax the muscle. | 0:22:25 | 0:22:27 | |
-Come now, Mr Evans. | 0:22:28 | 0:22:29 | |
-Come now, Mr Evans. - -I've told you. | 0:22:29 | 0:22:31 | |
-You won't suffer. | 0:22:31 | 0:22:32 | |
-Is that how it is? | 0:22:34 | 0:22:36 | |
-Is that how it is? - -Yes, that's how it is. | 0:22:36 | 0:22:38 | |
-I guarantee it won't hurt. | 0:22:45 | 0:22:48 | |
-I guarantee it won't hurt. - -Drink! | 0:22:48 | 0:22:49 | |
-The poor man is choking! -Water, someone! | 0:22:49 | 0:22:52 | |
-Water! | 0:22:53 | 0:22:54 | |
-Better now? | 0:23:04 | 0:23:06 | |
-Yes, thanks. | 0:23:07 | 0:23:09 | |
-Let's get you up now. | 0:23:09 | 0:23:11 | |
-Let's get you up now. - -Blimey! Where are we? | 0:23:11 | 0:23:12 | |
-Bangor, Mr Evans. | 0:23:12 | 0:23:15 | |
-Why can I see Conwy Tunnel? | 0:23:19 | 0:23:21 | |
-Come on, up you get. | 0:23:23 | 0:23:25 | |
-There we are. Better now. | 0:23:26 | 0:23:28 | |
-There we are. Better now. - -No thanks to you. | 0:23:28 | 0:23:29 | |
-Let's go to the clinic. | 0:23:30 | 0:23:31 | |
-Let's go to the clinic. - -I'm not going. | 0:23:31 | 0:23:32 | |
-I'm not going! | 0:23:33 | 0:23:34 | |
-I'm not going! - -That was my finger, you rascal! | 0:23:34 | 0:23:37 | |
-Mr Evans, what are you doing? | 0:23:40 | 0:23:42 | |
-About the camera! | 0:23:43 | 0:23:44 | |
-Camera? I don't want the camera! | 0:23:45 | 0:23:47 | |
-I guarantee it won't hurt. | 0:23:47 | 0:23:50 | |
-I guarantee it won't hurt. - -No! No! | 0:23:50 | 0:23:52 | |
-Not now. | 0:23:56 | 0:23:58 | |
-Mr Evans, there are stairs here. | 0:23:58 | 0:24:01 | |
-We'll chance it. -I guarantee it won't hurt. | 0:24:01 | 0:24:05 | |
-No! | 0:24:05 | 0:24:06 | |
-Thank you to Bach a Mawr, -Dafydd Roberts and Richard Edwards. | 0:24:09 | 0:24:14 | |
-The next artist comes from the small -village with the long name. | 0:24:17 | 0:24:21 | |
-She now lives in London pursuing -a career in the opera world. | 0:24:21 | 0:24:26 | |
-She travels all over Britain -with different opera companies. | 0:24:26 | 0:24:30 | |
-She's here tonight to perform -Je Veux Vivre from Romeo and Juliet. | 0:24:30 | 0:24:35 | |
-Please give a welcome as big -as the full name of Llanfair PG... | 0:24:35 | 0:24:39 | |
-..to the soprano, Llio Evans. | 0:24:40 | 0:24:43 | |
-# Ah! | 0:24:55 | 0:25:04 | |
-# Je veux vivre | 0:25:05 | 0:25:09 | |
-# Dans ce reve | 0:25:09 | 0:25:12 | |
-# Qui m'enivre ce jour encor! | 0:25:12 | 0:25:19 | |
-# Douce flamme | 0:25:20 | 0:25:23 | |
-# Je te garde | 0:25:23 | 0:25:26 | |
-# Dans mon ame comme un tresor! | 0:25:26 | 0:25:34 | |
-# Je veux vivre | 0:25:34 | 0:25:38 | |
-# Dans ce reve | 0:25:38 | 0:25:41 | |
-# Qui m'enivre ce jour encor | 0:25:41 | 0:25:49 | |
-# Douce flamme | 0:25:49 | 0:25:52 | |
-# Je te garde | 0:25:52 | 0:25:56 | |
-# Dans mon ame comme un tresor! | 0:25:56 | 0:26:03 | |
-# Cette ivresse de jeunesse | 0:26:04 | 0:26:07 | |
-# Ne dure helas qu'un jour! | 0:26:07 | 0:26:10 | |
-# Puis vient l'heure ou l'on pleure | 0:26:10 | 0:26:14 | |
-# Le coeur cede a l'amour | 0:26:14 | 0:26:16 | |
-# Et le bonheur fuit sans retour | 0:26:17 | 0:26:23 | |
-# Ah! | 0:26:23 | 0:26:27 | |
-# Je veux vivre | 0:26:27 | 0:26:30 | |
-# Dans ce reve | 0:26:30 | 0:26:33 | |
-# Qui m'enivre longtemps encor | 0:26:33 | 0:26:41 | |
-# Douce flamme | 0:26:41 | 0:26:44 | |
-# Je te garde | 0:26:44 | 0:26:48 | |
-# Dans mon ame comme un tresor! | 0:26:48 | 0:26:57 | |
-# Loin de l'hiver morose | 0:26:57 | 0:27:02 | |
-# Laisse-moi | 0:27:03 | 0:27:05 | |
-# Laisse-moi sommeiller -et respirer la rose | 0:27:06 | 0:27:15 | |
-# Respirer la rose | 0:27:15 | 0:27:19 | |
-# Avant de l'effeuiller | 0:27:19 | 0:27:23 | |
-# Ah! | 0:27:23 | 0:27:26 | |
-# Ah! | 0:27:26 | 0:27:29 | |
-# Ah! | 0:27:30 | 0:27:32 | |
-# Ah! | 0:27:32 | 0:27:34 | |
-# Douce flamme | 0:27:35 | 0:27:37 | |
-# Reste dans mon ame | 0:27:37 | 0:27:40 | |
-# Comme un doux tresor | 0:27:40 | 0:27:43 | |
-# Longtemps encor | 0:27:43 | 0:27:47 | |
-# Ah! | 0:27:49 | 0:27:56 | |
-# Comme un tresor | 0:27:57 | 0:28:01 | |
-# Longtemps | 0:28:02 | 0:28:07 | |
-# Encor! # | 0:28:08 | 0:28:15 | |
-. | 0:28:37 | 0:28:38 | |
-Subtitles | 0:28:42 | 0:28:42 | |
-Subtitles - -Subtitles | 0:28:42 | 0:28:44 | |
-Welcome back -to Anglesey's Noson Lawen. | 0:28:48 | 0:28:51 | |
-It's easy to find someone who -lives in Llan-something-or-other. | 0:28:51 | 0:28:56 | |
-We go to Llandegfan next. | 0:28:56 | 0:28:57 | |
-After graduating from Cambridge... | 0:28:58 | 0:29:00 | |
-..Jams went on to study at the -Royal Academy of Music in London. | 0:29:00 | 0:29:05 | |
-As I live in London... | 0:29:06 | 0:29:08 | |
-..it can be a while -before I come home. | 0:29:09 | 0:29:12 | |
-So it's nice to get some work -back in North Wales. | 0:29:13 | 0:29:16 | |
-It's an excuse to come home -and see Mam. | 0:29:16 | 0:29:19 | |
-The piece I'm going to perform is -Boogie Woogie Etude by Morton Gould. | 0:29:19 | 0:29:23 | |
-The piece is a bit different because -it's in a boogie woogie style... | 0:29:24 | 0:29:28 | |
-..rather than classical - -Mozart, Beethoven. | 0:29:28 | 0:29:32 | |
-It's more upbeat and more fun. | 0:29:32 | 0:29:34 | |
-Many thanks to Jams Coleman. | 0:31:48 | 0:31:51 | |
-I mentioned earlier -that I went to university in Bangor. | 0:31:51 | 0:31:55 | |
-I worked in the Globe pub -for pocket money. | 0:31:55 | 0:31:59 | |
-It was the best education I got. | 0:32:00 | 0:32:02 | |
-One student would come in every -Thursday asking for three pints. | 0:32:02 | 0:32:07 | |
-Every time, three pints -and he'd sit in the corner. | 0:32:08 | 0:32:11 | |
-After about two weeks, I said... | 0:32:11 | 0:32:13 | |
-.."Don't take the three at once. -They'll go flat." | 0:32:13 | 0:32:16 | |
-"No, this is what I do, -I'm one of a set of triplets. | 0:32:16 | 0:32:19 | |
-"This is the first time -we've been apart. | 0:32:20 | 0:32:22 | |
-"I'm in Bangor, -one brother is in Cardiff... | 0:32:22 | 0:32:25 | |
-"..and the other is in Manchester. | 0:32:25 | 0:32:27 | |
-"Every Thursday afternoon, we go -to the pub and remember each other." | 0:32:27 | 0:32:32 | |
-"Very nice," I said. | 0:32:32 | 0:32:34 | |
-It went on like this for a while, -every Thursday afternoon. | 0:32:34 | 0:32:39 | |
-He came in one day -and asked for two pints. | 0:32:40 | 0:32:44 | |
-We looked at one another, -feeling a bit uneasy. | 0:32:44 | 0:32:48 | |
-I gave him two -and he went to his corner. | 0:32:48 | 0:32:51 | |
-I went over to him. "I'm sorry. -I'm guessing something's happened." | 0:32:51 | 0:32:56 | |
-"Not at all," he said, "It's fine." | 0:32:56 | 0:33:00 | |
-"I've started dating," he said. | 0:33:00 | 0:33:03 | |
-"Oh," I said. | 0:33:03 | 0:33:05 | |
-"She's a very religious woman. -She's teetotal. | 0:33:05 | 0:33:08 | |
-"She doesn't drink, -so I'm not allowed to drink either. | 0:33:08 | 0:33:11 | |
-"But it doesn't stop my brothers," -he said. | 0:33:11 | 0:33:14 | |
-From the Globe pub -we go to the Garddfon Inn. | 0:33:20 | 0:33:23 | |
-Who's been to the Garddfon? -Be honest! | 0:33:23 | 0:33:27 | |
-It's a pub in Felinheli -which looks out towards Anglesey. | 0:33:27 | 0:33:32 | |
-Don't worry if you've never been. | 0:33:32 | 0:33:34 | |
-We can all go there together now. | 0:33:35 | 0:33:37 | |
-These two love the place so much -they've written a song about it. | 0:33:37 | 0:33:42 | |
-Please give a warm welcome -to Dylan and Neil. | 0:33:42 | 0:33:45 | |
-# Sitting on the banks of the Menai | 0:34:04 | 0:34:07 | |
-# Thinking of the past | 0:34:08 | 0:34:11 | |
-# Watching the ships sail by | 0:34:12 | 0:34:15 | |
-# To Felinheli | 0:34:15 | 0:34:18 | |
-# I heard a story from the lads | 0:34:19 | 0:34:23 | |
-# One told by many | 0:34:23 | 0:34:26 | |
-# Chatting over a pint or two | 0:34:27 | 0:34:30 | |
-# In the Garddfon Inn | 0:34:31 | 0:34:33 | |
-# This is what they say | 0:34:37 | 0:34:40 | |
-# So the story goes | 0:34:41 | 0:34:43 | |
-# Chatting over a pint or two | 0:34:44 | 0:34:48 | |
-# In the Garddfon Inn | 0:34:48 | 0:34:51 | |
-# Times have changed | 0:35:09 | 0:35:12 | |
-# It's the age of the fax -and the telephone | 0:35:13 | 0:35:16 | |
-# It's not Enid or Elidir | 0:35:17 | 0:35:20 | |
-# Passing Anglesey | 0:35:21 | 0:35:23 | |
-# There were fifty women | 0:35:25 | 0:35:28 | |
-# Singing in the choir | 0:35:28 | 0:35:31 | |
-# Dob's family were on the boats | 0:35:32 | 0:35:35 | |
-# Down at the seashore # | 0:35:36 | 0:35:39 | |
-Let's sing it together! | 0:35:39 | 0:35:41 | |
-# This is what they say | 0:35:42 | 0:35:45 | |
-# So the story goes | 0:35:46 | 0:35:49 | |
-# Chatting over a pint or two | 0:35:50 | 0:35:53 | |
-# In the Garddfon Inn | 0:35:54 | 0:35:56 | |
-# No more sound of slate | 0:36:15 | 0:36:17 | |
-# No more sound of the sea | 0:36:18 | 0:36:21 | |
-# But by now the bypass | 0:36:22 | 0:36:26 | |
-# Passes our house | 0:36:26 | 0:36:29 | |
-# There's a marina in the village | 0:36:30 | 0:36:33 | |
-# The Pink Palace -sits on top of the hill | 0:36:34 | 0:36:36 | |
-# And Felinheli -is an unfamiliar place | 0:36:38 | 0:36:41 | |
-# For the elderly nowadays | 0:36:42 | 0:36:44 | |
-# This is what they say | 0:36:47 | 0:36:51 | |
-# So the story goes | 0:36:51 | 0:36:54 | |
-# Chatting over a pint or two | 0:36:55 | 0:36:58 | |
-# In the Garddfon Inn | 0:36:59 | 0:37:01 | |
-# Chatting over a pint or two | 0:37:05 | 0:37:09 | |
-# In the Garddfon Inn # | 0:37:10 | 0:37:17 | |
-. | 0:37:31 | 0:37:32 | |
-Subtitles | 0:37:35 | 0:37:35 | |
-Subtitles - -Subtitles | 0:37:35 | 0:37:37 | |
-Tonight, we're going to perform -a translation... | 0:37:40 | 0:37:43 | |
-..of All The Things You Are by Kern. | 0:37:43 | 0:37:46 | |
-I remember hearing Kiri Te Kanawa -sing it. | 0:37:46 | 0:37:49 | |
-I decided that if it was good enough -for Kiri, it was good enough for me! | 0:37:49 | 0:37:53 | |
-I'm accompanying Llio. | 0:37:54 | 0:37:55 | |
-We'd never worked together before, -so I look forward to it. | 0:37:55 | 0:37:59 | |
-We were in school together -but Jams is a bit younger than me! | 0:37:59 | 0:38:03 | |
-# Time and again -I've longed for adventure | 0:38:15 | 0:38:19 | |
-# Something to make my heart -beat the faster | 0:38:19 | 0:38:24 | |
-# What did I long for? | 0:38:24 | 0:38:26 | |
-# I never really knew | 0:38:27 | 0:38:30 | |
-# Finding your love -I've found my adventure | 0:38:32 | 0:38:36 | |
-# Touching your hand, -my heart beats the faster | 0:38:36 | 0:38:41 | |
-# All that I want -in all of this world | 0:38:41 | 0:38:46 | |
-# Is you | 0:38:46 | 0:38:50 | |
-# You are | 0:38:51 | 0:38:54 | |
-# The promised kiss of springtime | 0:38:54 | 0:38:58 | |
-# That makes the lonely winter -seem long | 0:38:59 | 0:39:05 | |
-# You are | 0:39:07 | 0:39:10 | |
-# The breathless hush of evening | 0:39:10 | 0:39:14 | |
-# That trembles on the brink -of a lovely song | 0:39:14 | 0:39:21 | |
-# You are | 0:39:22 | 0:39:24 | |
-# The angel glow -that lights a star | 0:39:25 | 0:39:30 | |
-# The dearest things I know | 0:39:30 | 0:39:34 | |
-# Are what you are | 0:39:35 | 0:39:39 | |
-# Some day | 0:39:42 | 0:39:45 | |
-# My happy arms will hold you | 0:39:45 | 0:39:48 | |
-# And some day | 0:39:49 | 0:39:53 | |
-# I'll know that moment divine | 0:39:53 | 0:39:58 | |
-# When all the things you are | 0:39:58 | 0:40:04 | |
-# Are mine | 0:40:04 | 0:40:07 | |
-# You are | 0:40:10 | 0:40:13 | |
-# The promised kiss of springtime | 0:40:13 | 0:40:17 | |
-# That makes the lonely winter -seem long | 0:40:17 | 0:40:25 | |
-# You are | 0:40:27 | 0:40:29 | |
-# The breathless hush of evening | 0:40:30 | 0:40:33 | |
-# That trembles -on the brink of a lovely song | 0:40:34 | 0:40:40 | |
-# You are | 0:40:42 | 0:40:44 | |
-# The angel glow that lights a star | 0:40:45 | 0:40:50 | |
-# The dearest things I know | 0:40:51 | 0:40:55 | |
-# Are what you are | 0:40:55 | 0:41:00 | |
-# Some day | 0:41:01 | 0:41:04 | |
-# My happy arms will hold you | 0:41:05 | 0:41:09 | |
-# And some day | 0:41:09 | 0:41:13 | |
-# I'll know that moment divine | 0:41:13 | 0:41:18 | |
-# When all the things you are | 0:41:19 | 0:41:25 | |
-# Are mine # | 0:41:26 | 0:41:31 | |
-Thank you, Llio and Jams. | 0:41:43 | 0:41:45 | |
-A friend of mine -works at Pringle's, Llanfairpwll. | 0:41:48 | 0:41:52 | |
-The large cafe - everyone's been -to Pringle's, Llanfairpwll. | 0:41:53 | 0:41:57 | |
-An elderly couple -sat at a table with their meal. | 0:41:58 | 0:42:02 | |
-The husband began to cut his food -exactly in half. | 0:42:02 | 0:42:06 | |
-He cut his sandwich in two -and gave half to his wife. | 0:42:06 | 0:42:11 | |
-Two glasses of water. | 0:42:11 | 0:42:12 | |
-He poured half his water -into her glass. | 0:42:13 | 0:42:16 | |
-My friend went over to them -and said... | 0:42:16 | 0:42:19 | |
-.."I feel awful. If you want me -to buy you another meal, I will." | 0:42:21 | 0:42:25 | |
-"No, we share everything," -said the husband. | 0:42:25 | 0:42:29 | |
-He cut the straw in half -and put it in the glasses. | 0:42:29 | 0:42:33 | |
-He counted the chips one by one. -Twelve for her, twelve for him. | 0:42:33 | 0:42:38 | |
-My friend went up to them again, -"People have started staring." | 0:42:38 | 0:42:43 | |
-"Mind your own business, -we know what we're doing." | 0:42:44 | 0:42:47 | |
-He was eating happily but his wife -was just staring at her plate. | 0:42:48 | 0:42:53 | |
-My friend went up to them once more -but spoke to the wife this time. | 0:42:53 | 0:42:57 | |
-"I feel awful..." | 0:42:57 | 0:42:59 | |
-"No, the husband's telling -the truth. We share everything." | 0:42:59 | 0:43:03 | |
-"Why do you look so angry? -What are you waiting for?" | 0:43:03 | 0:43:06 | |
-"The teeth," she said. | 0:43:07 | 0:43:09 | |
-It's almost time -for us to bid farewell. | 0:43:15 | 0:43:18 | |
-We've seen why Anglesey is known -as the home of gifted people. | 0:43:18 | 0:43:22 | |
-We should be proud -of every single one of them. | 0:43:23 | 0:43:27 | |
-The final word goes to Cor -Aelwyd yr Ynys and Meinir Gwilym. | 0:43:27 | 0:43:31 | |
-They're going to sing Gormod. | 0:43:31 | 0:43:34 | |
-Please give them a warm welcome. -Goodnight. | 0:43:34 | 0:43:37 | |
-# You've lived too long | 0:43:50 | 0:43:54 | |
-# On fags, coffee and cheap vodka | 0:43:55 | 0:43:57 | |
-# You've watched too many | 0:43:58 | 0:44:00 | |
-# Cheesy Westerns late at night | 0:44:01 | 0:44:05 | |
-# You've stared too long, -the sun has burnt your eyelids | 0:44:07 | 0:44:10 | |
-# You've listened too much | 0:44:11 | 0:44:13 | |
-# To people who are scared -of getting to know you | 0:44:13 | 0:44:18 | |
-# Come, follow me | 0:44:20 | 0:44:23 | |
-# Come, follow me | 0:44:24 | 0:44:26 | |
-# Turn away from the dark | 0:44:27 | 0:44:29 | |
-# Come over to my side | 0:44:31 | 0:44:33 | |
-# You've searched too long | 0:44:34 | 0:44:36 | |
-# For sound, speed and a golden star | 0:44:36 | 0:44:41 | |
-# You've yearned -to sit in the empty room | 0:44:43 | 0:44:49 | |
-# You've walked too much, -the ground shakes beneath your feet | 0:44:51 | 0:44:55 | |
-# You've been brainwashed | 0:44:56 | 0:44:58 | |
-# By a warped culture -telling you to shut up | 0:44:58 | 0:45:03 | |
-# Come, follow me | 0:45:04 | 0:45:07 | |
-# Come, follow me | 0:45:08 | 0:45:11 | |
-# Turn away from the dark | 0:45:12 | 0:45:14 | |
-# Come over to my side | 0:45:15 | 0:45:18 | |
-# And there you may -shine in the light of the sun | 0:45:19 | 0:45:22 | |
-# And there you may hide -among the leaves | 0:45:22 | 0:45:25 | |
-# And there you may shout at the sky | 0:45:26 | 0:45:29 | |
-# And there you'll find | 0:45:30 | 0:45:32 | |
-# Your perfect peace | 0:45:32 | 0:45:36 | |
-# You've hidden away too long | 0:45:48 | 0:45:49 | |
-# Behind the masks of daylight | 0:45:50 | 0:45:55 | |
-# You've travelled -too much on trains | 0:45:56 | 0:46:00 | |
-# That made you late | 0:46:00 | 0:46:02 | |
-# You've known too much -and your memory is failing you | 0:46:04 | 0:46:08 | |
-# You've grown too old -to run to your mother | 0:46:09 | 0:46:14 | |
-# Come, follow me | 0:46:18 | 0:46:20 | |
-# Come, follow me | 0:46:21 | 0:46:23 | |
-# Turn away from the dark | 0:46:24 | 0:46:26 | |
-# Come over to my side | 0:46:28 | 0:46:31 | |
-# Come, follow me | 0:46:32 | 0:46:35 | |
-# Come, follow me | 0:46:36 | 0:46:38 | |
-# Turn away from the dark | 0:46:39 | 0:46:41 | |
-# Come over to my side | 0:46:43 | 0:46:46 | |
-# Come, follow me # | 0:46:47 | 0:46:49 | |
-Thank you. | 0:46:54 | 0:46:56 | |
-Excellent. A very good evening. | 0:46:59 | 0:47:01 | |
-Excellent. A very good evening. - -Quite some evening. | 0:47:01 | 0:47:02 | |
-Bach a Mawr - very funny. | 0:47:03 | 0:47:05 | |
-And the pianist! | 0:47:06 | 0:47:07 | |
-Dylan and Neil specifically. | 0:47:08 | 0:47:10 | |
-Dylan and Neil specifically. - -Nice to see young talent. | 0:47:10 | 0:47:12 | |
-Aelwyd Yr Ynys were the best. | 0:47:12 | 0:47:14 | |
-I really liked Dylan and Neil. | 0:47:15 | 0:47:17 | |
-Anglesey people. Unbeatable. | 0:47:17 | 0:47:21 | |
-S4C Subtitles by Testun Cyf. | 0:47:39 | 0:47:41 | |
-. | 0:47:41 | 0:47:42 |