Pennod 5 Ochr 1
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Transcript
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|---|---|---|---|
-Welcome to the show. -You're in for a treat. | 0:00:22 | 0:00:25 | |
-Here's what's coming up -in the next half hour. | 0:00:25 | 0:00:28 | |
-First up, here's Kizzy Crawford -performing Caru Ti. | 0:00:42 | 0:00:45 | |
-More from Kizzy Crawford later. | 0:04:51 | 0:04:53 | |
-Right, I'm here in Monnow Valley -in Monmouthshire. | 0:04:53 | 0:04:57 | |
-Let's see who's in the studio -reinterpreting a classic this week. | 0:04:57 | 0:05:01 | |
-The three taking on the task -this week are Mr Huw... | 0:05:04 | 0:05:07 | |
-..Osh Candelas... | 0:05:09 | 0:05:11 | |
-..and Eilir Pierce. | 0:05:13 | 0:05:15 | |
-A small four-track recorder, -in case they're stuck. | 0:05:17 | 0:05:20 | |
-In case they don't have -enough channels. | 0:05:20 | 0:05:23 | |
-If they don't listen to me, -I can record myself in the toilet. | 0:05:24 | 0:05:28 | |
-Osh, Huw, Eilir. Everyone alright? -Welcome to Monnow Valley. | 0:05:31 | 0:05:34 | |
-You can choose from three songs -in this envelope. | 0:05:35 | 0:05:38 | |
-You decide which one to do and you -have complete artistic freedom... | 0:05:40 | 0:05:45 | |
-..in terms of what you decide to do -with the song. | 0:05:45 | 0:05:49 | |
-So all that's left for me to do -is give you this. | 0:05:49 | 0:05:53 | |
-OK, Eilir, finish your banana first. | 0:05:55 | 0:05:57 | |
-Which one do you think? | 0:05:57 | 0:05:59 | |
-Just open it, yes? | 0:05:59 | 0:06:01 | |
-Go on. | 0:06:02 | 0:06:03 | |
-By MC Mabon originally, -and the choice is... | 0:06:04 | 0:06:07 | |
-..Tamed I Aros Pryd, Myddyffycys -Yn Bob Man, a Tymheredd Yn Y Gwres. | 0:06:08 | 0:06:12 | |
-What's our first impressions? | 0:06:12 | 0:06:14 | |
-I've played two of them before, -anyway. | 0:06:16 | 0:06:19 | |
-You've played them -but not recorded them. | 0:06:20 | 0:06:22 | |
-So you know the chords. -That's handy. | 0:06:23 | 0:06:25 | |
-Can you sing Tamed I Aros Pryd -for me? | 0:06:26 | 0:06:28 | |
-Not off the top of my head. | 0:06:29 | 0:06:30 | |
-# Here's something to keep you going | 0:06:30 | 0:06:32 | |
-# Here's something -to keep you going # | 0:06:33 | 0:06:35 | |
-I don't want to do that. | 0:06:35 | 0:06:36 | |
-That one's brilliant. | 0:06:37 | 0:06:39 | |
-Anyone thinking Tamed I Aros Pryd? | 0:06:39 | 0:06:40 | |
-Anyone thinking Tamed I Aros Pryd? - -I was thinking that one. | 0:06:40 | 0:06:43 | |
-Play it again. | 0:06:43 | 0:06:45 | |
-I'm thinking this one. | 0:06:54 | 0:06:56 | |
-Me too. | 0:06:56 | 0:06:57 | |
-Do we have a decision? | 0:06:59 | 0:07:00 | |
-Do we have a decision? - -We do. | 0:07:00 | 0:07:02 | |
-Tamed I Aros Pryd. | 0:07:02 | 0:07:03 | |
-Tamed I Aros Pryd. - -MC Pierce calls it. | 0:07:03 | 0:07:06 | |
-I'm thinking -how we're going to do it. | 0:07:19 | 0:07:21 | |
-It's already in a style we all like. | 0:07:22 | 0:07:24 | |
-We need to think beyond that. | 0:07:24 | 0:07:26 | |
-What's going on at the moment? | 0:07:30 | 0:07:32 | |
-The drum machine -is good for taking something... | 0:07:33 | 0:07:36 | |
-..in a completely new direction. | 0:07:36 | 0:07:38 | |
-You can use it as the backbone -and if it lasts, it lasts. | 0:07:39 | 0:07:42 | |
-If not, we can play drums over it. | 0:07:42 | 0:07:44 | |
-I quite like that groove - it's -quite similar yet totally different. | 0:07:46 | 0:07:51 | |
-You can slow it down as well. | 0:07:51 | 0:07:53 | |
-I don't know, I liked that tempo. | 0:07:55 | 0:07:57 | |
-You can see the cars going up -and down, the suspension. | 0:07:58 | 0:08:02 | |
-Pierce is going to start twerking -any minute. | 0:08:05 | 0:08:08 | |
-Ladies, here's a little bit of -Eilir Pierce to keep you going. | 0:08:08 | 0:08:12 | |
-So they've now had several hours -with the song. | 0:08:15 | 0:08:19 | |
-They've decided on the structure. | 0:08:19 | 0:08:22 | |
-They're a bit more aware -of how the song goes. | 0:08:23 | 0:08:26 | |
-They've laid some parts down -such as the drum track... | 0:08:26 | 0:08:30 | |
-..some sort of ghost drum track, -and a few other things are down... | 0:08:31 | 0:08:36 | |
-..so let's go and see -where they're at. | 0:08:36 | 0:08:39 | |
-Boys, how's it going? -What's happening? | 0:08:40 | 0:08:43 | |
-It's a combination -of childish Icelandic... | 0:08:43 | 0:08:48 | |
-..and poppy, low-fi hip-hop -and dark gospel. | 0:08:48 | 0:08:53 | |
-Are you at a point -where the song can go somewhere? | 0:08:53 | 0:08:58 | |
-Yes. We need to choose a bass line -for the chorus. | 0:08:59 | 0:09:03 | |
-Then we have something that we can -start layering on top of it. | 0:09:03 | 0:09:08 | |
-Osh, talk me through the day -step by step since you arrived here. | 0:09:15 | 0:09:21 | |
-God, no. | 0:09:22 | 0:09:23 | |
-We decided at the outset -that we didn't want to do a cover... | 0:09:24 | 0:09:28 | |
-..which was similar to the original. | 0:09:28 | 0:09:30 | |
-We've been messing with the vocals -now. Eilir's been doing that. | 0:09:31 | 0:09:34 | |
-He's taken on the role of MC Mabon. | 0:09:35 | 0:09:38 | |
-I think it's fine. -He worries too much. | 0:09:41 | 0:09:44 | |
-Then I'm going to lay the drums down -next, and then the proper vocals. | 0:09:45 | 0:09:50 | |
-The song has now evolved from being -merely a song and an idea... | 0:09:54 | 0:09:59 | |
-..into a graph of earnestness... | 0:09:59 | 0:10:02 | |
-..and they've returned -to the studio... | 0:10:03 | 0:10:05 | |
-..to develop some sort of -earnestness in the structure. | 0:10:06 | 0:10:10 | |
-I'm not exactly sure how it works -but it looks good. | 0:10:10 | 0:10:14 | |
-Osian, you're my vocal mentor. | 0:10:15 | 0:10:17 | |
-What do you want? | 0:10:18 | 0:10:19 | |
-What do I need to do? | 0:10:19 | 0:10:21 | |
-We'll listen to those as they are -as a double track. | 0:10:21 | 0:10:24 | |
-Shall I go on to the second one? | 0:10:24 | 0:10:27 | |
-Fuckin' 'ell, you scared me! | 0:10:39 | 0:10:41 | |
-Sorry, the cameraman scared me. -I'll do that again. | 0:10:41 | 0:10:44 | |
-The style of singing we've done -on the rap bit... | 0:10:45 | 0:10:49 | |
-..sounds like Gruff Meredith's -Stars In Their Eyes. | 0:10:49 | 0:10:53 | |
-It's a danger, like when you sing -a Bob Dylan song... | 0:10:53 | 0:10:57 | |
-..you end up doing an impersonation -of Bob Dylan. | 0:10:58 | 0:11:01 | |
-If we'd had a Hogia'r Wyddfa -or a Tony and Aloma song... | 0:11:01 | 0:11:05 | |
-..we'd have more room to run -with it, with the way we work. | 0:11:06 | 0:11:10 | |
-It's been great that we haven't -all gone into a room... | 0:11:10 | 0:11:15 | |
-..learnt the song, pressed record -and said job done. | 0:11:15 | 0:11:19 | |
-It's been a lot of fun. | 0:11:19 | 0:11:21 | |
-Back to chapel. | 0:11:41 | 0:11:43 | |
-Join us after the break -to hear the finished masterpiece. | 0:11:43 | 0:11:47 | |
-. | 0:11:47 | 0:11:47 | |
-Welcome back to Ochr 1. | 0:11:51 | 0:11:52 | |
-Before the break, we saw Mr Huw, -Osh Candelas, and Eilir Pierce... | 0:11:52 | 0:11:57 | |
-..recording their version -of Tamed I Aros Pryd by MC Mabon. | 0:11:57 | 0:12:00 | |
-Here are the fruits of their labour. | 0:12:01 | 0:12:03 | |
-Next time at Monnow Valley, -Owain from Band Pres Llareggub... - -https://bandpresllareggub.bandcamp.com/album/mwng | 0:14:31 | 0:14:35 | |
-..will work with Mari from Saron -and Houdini Dax... | 0:14:35 | 0:14:38 | |
-..a band who don't sing in Welsh. | 0:14:38 | 0:14:41 | |
-Don't worry, next up... | 0:14:42 | 0:14:44 | |
-..is one of the most influential -Welsh-language bands ever. | 0:14:44 | 0:14:47 | |
-Here's Datblygu's new video. | 0:14:47 | 0:14:50 | |
-Datblygu with Llawenydd Diweithdra. | 0:19:47 | 0:19:49 | |
-It was an honour -to produce the video for Ochr 1. | 0:19:49 | 0:19:53 | |
-Join us next week -for music from Gwenno and ACCU. - -https://twitter.com/accu___?lang=en-gb | 0:19:53 | 0:19:56 | |
-We leave you -with Kizzy Crawford and Gerridae. | 0:19:57 | 0:20:00 | |
-S4C Subtitles by Testun Cyf. | 0:23:53 | 0:23:55 | |
-. | 0:23:55 | 0:23:56 |