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# Pop Quiz! | 0:00:10 | 0:00:11 | |
# Pop Quiz | 0:00:12 | 0:00:13 | |
# Pop Quiz | 0:00:20 | 0:00:21 | |
# Pop Quiz... # | 0:00:23 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:28 | 0:00:32 | |
# Pop Quiz! # | 0:00:32 | 0:00:33 | |
All right, that's enough. Good evening. | 0:00:40 | 0:00:42 | |
I'm Mike Read, and this is the return of Pop Quiz. | 0:00:42 | 0:00:45 | |
Yes, Pop Quiz: The Comeback! | 0:00:45 | 0:00:47 | |
First broadcast in 1981, now back after more than 35 years. | 0:00:47 | 0:00:50 | |
As a tribute to that wonderful era, | 0:00:50 | 0:00:52 | |
tonight's show is an '80s special, complete with six '80s pop stars. | 0:00:52 | 0:00:56 | |
I could probably get away with using the same questions, but we won't. | 0:00:56 | 0:01:00 | |
Pop Quiz, of course, was the BBC's prime-time Saturday night show, | 0:01:00 | 0:01:03 | |
the sort of Strictly of its day, without sequins, | 0:01:03 | 0:01:06 | |
except when Leeee John was on. But tonight, no sequins. | 0:01:06 | 0:01:09 | |
Talking of which, let's introduced tonight's guests. | 0:01:09 | 0:01:12 | |
A top trio of tremendous talent. From the Thompson Twins, Tom Bailey. | 0:01:12 | 0:01:15 | |
-Hello. -APPLAUSE | 0:01:15 | 0:01:19 | |
The original queen of the beehive, Mari Wilson. | 0:01:19 | 0:01:21 | |
APPLAUSE | 0:01:21 | 0:01:22 | |
And their team captain, hoping to lead them to victory, | 0:01:22 | 0:01:25 | |
from Imagination, if I can read his writing, | 0:01:25 | 0:01:27 | |
the talented and strikingly good-looking - | 0:01:27 | 0:01:29 | |
yes, I can read his writing - Leee John. | 0:01:29 | 0:01:31 | |
CHEERING | 0:01:31 | 0:01:34 | |
OK, let's have a look at how they were back in the day. | 0:01:36 | 0:01:39 | |
# Doctor, doctor | 0:01:39 | 0:01:42 | |
# Can't you see I'm burning, burning | 0:01:42 | 0:01:45 | |
# Oh, doctor, doctor... # | 0:01:47 | 0:01:49 | |
# Just what I've always wanted | 0:01:49 | 0:01:53 | |
# Oh-oh, just what I've always | 0:01:55 | 0:01:58 | |
# Wanted. # | 0:01:58 | 0:02:00 | |
# Could it be that | 0:02:00 | 0:02:02 | |
# It's just an illusion | 0:02:02 | 0:02:05 | |
# Putting me back | 0:02:05 | 0:02:07 | |
# In all this confusion... # | 0:02:07 | 0:02:09 | |
APPLAUSE AND CHEERING | 0:02:09 | 0:02:12 | |
-All right. -LEEE LAUGHS | 0:02:12 | 0:02:14 | |
Mari, we saw you there with your famous beehive. | 0:02:18 | 0:02:20 | |
Someone told me your beehive was so big you had a car with a sunroof. | 0:02:20 | 0:02:23 | |
I had an Austin A40 with a sunroof, | 0:02:23 | 0:02:25 | |
and my hair could poke through. It was very handy. | 0:02:25 | 0:02:27 | |
And you would hear the Jaws theme as I was coming down the road. | 0:02:27 | 0:02:30 | |
Tom, I wondered about your altercation with Grace Jones. | 0:02:32 | 0:02:35 | |
Russell Harty had one. I know you had one as well, didn't you? | 0:02:35 | 0:02:38 | |
It wasn't an altercation, | 0:02:38 | 0:02:40 | |
just, the first time I met Grace, I was working in a studio | 0:02:40 | 0:02:43 | |
late at night, and to take a break, went into the reception area. | 0:02:43 | 0:02:47 | |
And a limousine arrives and out steps Grace, and of course, | 0:02:47 | 0:02:51 | |
she thinks I'm the night porter, so she said, you know, | 0:02:51 | 0:02:55 | |
"Which room am I in? Take my bags to my room." | 0:02:55 | 0:02:59 | |
So, you know, she's quite an imposing person, I thought, | 0:02:59 | 0:03:01 | |
"I'd better just behave." Took her bags, and then later, | 0:03:01 | 0:03:04 | |
when she tried to tip me, I said, | 0:03:04 | 0:03:06 | |
"No, actually, I'm one of the musicians playing in the studio." | 0:03:06 | 0:03:08 | |
-Should have taken the money! -It was only 50p, I think. | 0:03:08 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:13 | |
Leee, you've had some outrageous outfits. | 0:03:13 | 0:03:15 | |
You've toned down a little for tonight, I see. | 0:03:15 | 0:03:16 | |
Yeah, I knew I was coming here. | 0:03:16 | 0:03:18 | |
I mean, this one here, look at those legs. Don't they look good? | 0:03:18 | 0:03:21 | |
I still got them. | 0:03:21 | 0:03:23 | |
But... One of them, actually, we have a track called Burning Up, | 0:03:23 | 0:03:27 | |
and when we were live on stage, it actually caught on fire. | 0:03:27 | 0:03:30 | |
And I was burning up, literally. | 0:03:30 | 0:03:33 | |
It was like, I called it the Green Hornet, | 0:03:33 | 0:03:35 | |
cos it was like a cloak, and I be going, | 0:03:35 | 0:03:37 | |
# I'm burning up # and I was like this, "Aargh!" | 0:03:37 | 0:03:39 | |
And it went on fire. | 0:03:39 | 0:03:40 | |
And the audience thought it was part of the show. | 0:03:40 | 0:03:43 | |
Up against Leee John's team, a three-pronged hit machine | 0:03:43 | 0:03:46 | |
featuring, from Orchestral Manoeuvres in the Dark, | 0:03:46 | 0:03:48 | |
Andy McCluskey. APPLAUSE | 0:03:48 | 0:03:52 | |
From Spandau Ballet, Steve Norman. | 0:03:52 | 0:03:54 | |
-Thank you. -APPLAUSE | 0:03:54 | 0:03:57 | |
And doing her best to keep them in order, | 0:03:57 | 0:04:00 | |
it's not a mystery. It's Toyah. | 0:04:00 | 0:04:02 | |
APPLAUSE | 0:04:02 | 0:04:04 | |
And let's have a look at them as they were back in the 1980s. | 0:04:07 | 0:04:10 | |
# Enola Gay | 0:04:11 | 0:04:13 | |
# You should have stayed at home yesterday... # | 0:04:13 | 0:04:16 | |
# Oh, it can't describe | 0:04:16 | 0:04:19 | |
# The feeling and the way you lied... # | 0:04:19 | 0:04:24 | |
SAXOPHONE SOLO | 0:04:24 | 0:04:27 | |
# It's a mystery | 0:04:34 | 0:04:36 | |
# Oh, it's a mystery | 0:04:36 | 0:04:39 | |
# I'm still searching | 0:04:39 | 0:04:42 | |
# For a clue... # | 0:04:42 | 0:04:43 | |
CHEERING AND APPLAUSE | 0:04:43 | 0:04:46 | |
Oh. All our yesterdays. | 0:04:46 | 0:04:49 | |
You know, songs can be very useful, | 0:04:49 | 0:04:52 | |
not just at bringing in royalties and letting you go out on the road | 0:04:52 | 0:04:54 | |
and play, but Andy and the gang once had their lives saved, I believe, | 0:04:54 | 0:04:58 | |
by one of your songs, didn't you, when you were touring abroad? | 0:04:58 | 0:05:01 | |
We did, it was quite terrifying, actually. | 0:05:01 | 0:05:04 | |
We were driving in this customised small American bus, | 0:05:04 | 0:05:06 | |
and we didn't realise that the Red Brigade terrorists | 0:05:06 | 0:05:09 | |
used the same type of bus. | 0:05:09 | 0:05:11 | |
We got surrounded, machine guns, dragged off to a police station. | 0:05:11 | 0:05:14 | |
Fortunately, Enola Gay had been a huge hit, | 0:05:14 | 0:05:17 | |
and we got out of jail by waving this magazine around | 0:05:17 | 0:05:20 | |
with our faces on it, going "Enola Gay, pop. Not terrorists." | 0:05:20 | 0:05:24 | |
It was... I mean, if it hadn't been terrifying, | 0:05:24 | 0:05:26 | |
it would have been funny. | 0:05:26 | 0:05:27 | |
But it was actually terrifying at the time! | 0:05:27 | 0:05:29 | |
Well, you escaped from Italy, and Stephen, | 0:05:29 | 0:05:31 | |
you escaped from Spain, having... I mean, you are a good sax player, | 0:05:31 | 0:05:34 | |
but it doesn't work out like that every night, does it? | 0:05:34 | 0:05:37 | |
Oh, my goodness. | 0:05:37 | 0:05:39 | |
So we're going back, this is about the late '80s, | 0:05:39 | 0:05:41 | |
and we're playing in front of the King and Queen of Spain, | 0:05:41 | 0:05:45 | |
and this is one of the most important gigs of my life. | 0:05:45 | 0:05:49 | |
I knew my future wife was going to be there, for example, watching it. | 0:05:49 | 0:05:52 | |
And the royalty, in front of Montjuic Palace, | 0:05:52 | 0:05:55 | |
the fairy lights are going, I've got a big solo, | 0:05:55 | 0:05:58 | |
they're buzzing, all of a sudden, there I am. | 0:05:58 | 0:06:01 | |
And as opposed to this really cool muted trumpet, | 0:06:01 | 0:06:04 | |
"the lady loves Milk Tray" kind of sound, | 0:06:04 | 0:06:07 | |
this machine decided to jump a step up to the next programme, | 0:06:07 | 0:06:11 | |
which was a harmonica tuned half a tone down, | 0:06:11 | 0:06:15 | |
and you can imagine how excruciatingly painful that is. | 0:06:15 | 0:06:19 | |
Not just to witness it, but to hear it in front of | 0:06:19 | 0:06:22 | |
the whole of Spain, live for the whole of Spain. | 0:06:22 | 0:06:24 | |
-And you're still in the band? -Thanks for reminding me about that! | 0:06:24 | 0:06:28 | |
We had been talking about Duran versus Spandau, | 0:06:28 | 0:06:30 | |
-the rematch, haven't we? -We have. Yes. | 0:06:30 | 0:06:33 | |
Well, I mean, not a lot of people know that | 0:06:33 | 0:06:36 | |
they were a little bit liberal with the truth. | 0:06:36 | 0:06:40 | |
-What you're saying is they cheated? -They did. | 0:06:40 | 0:06:42 | |
Toyah, you've been a bit of a wild child as well. | 0:06:42 | 0:06:45 | |
Adam Ant swung from a chandelier in a video, | 0:06:45 | 0:06:47 | |
but you actually did it for real. | 0:06:47 | 0:06:49 | |
Apparently, I did it for real in a hotel in Manchester, | 0:06:49 | 0:06:52 | |
and I now have a lifetime ban from the hotel. | 0:06:52 | 0:06:55 | |
We'd just played Manchester Apollo and it was just a fantastic concert, | 0:06:55 | 0:06:59 | |
and the thing is, you've then got all night at a hotel. | 0:06:59 | 0:07:03 | |
You never go to sleep, you're just revved up, | 0:07:03 | 0:07:05 | |
so by five in the morning, we were being chased around the hotel, | 0:07:05 | 0:07:09 | |
five in the morning, by the security, | 0:07:09 | 0:07:11 | |
cos we'd already stolen a life-size zebra and put it on the tour bus. | 0:07:11 | 0:07:17 | |
And I thought, "I'm not going to go in the lift, | 0:07:17 | 0:07:19 | |
"I'm not going to go down the stairs, | 0:07:19 | 0:07:21 | |
"I'm going to get down to the reception by chandelier." | 0:07:21 | 0:07:25 | |
And I dived off this balcony and I hung on to the chandelier. | 0:07:25 | 0:07:31 | |
-You're not staying there tonight, are you? -No, I'm banned! | 0:07:31 | 0:07:33 | |
Just checking. | 0:07:33 | 0:07:34 | |
Tonight's show, as you may have spotted, is an '80s extravaganza, | 0:07:35 | 0:07:38 | |
so all the questions will be from that era. | 0:07:38 | 0:07:41 | |
Give me a correct answer and I will give you a point. | 0:07:41 | 0:07:43 | |
I once gave Meat Loaf a bonus point, | 0:07:43 | 0:07:45 | |
for which he thanked me in his own tender way. | 0:07:45 | 0:07:47 | |
If everyone's ready, time to get your '80s brains and lips in gear. | 0:07:48 | 0:07:51 | |
Let's play Pop Quiz. | 0:07:51 | 0:07:52 | |
APPLAUSE | 0:07:52 | 0:07:55 | |
# Pop quiz! # | 0:07:55 | 0:07:56 | |
OK, Round One. I'll play you a few seconds from the start of a song. | 0:07:59 | 0:08:03 | |
You have to name it. Better known as the intros round. | 0:08:03 | 0:08:06 | |
I want to know the track and the original artist. A point for each. | 0:08:06 | 0:08:09 | |
It's an individual round, so no conferring. | 0:08:09 | 0:08:12 | |
OK, so, Tom, yours is first. Here comes your intro. | 0:08:12 | 0:08:16 | |
PULSING SYNTHESIZER RIFF | 0:08:16 | 0:08:18 | |
Smalltown Boy. It's Smalltown Boy. | 0:08:25 | 0:08:28 | |
-By? -Bronski Beat. | 0:08:28 | 0:08:29 | |
Is the right answer, yes. Well done. | 0:08:29 | 0:08:32 | |
APPLAUSE DROWNS SPEECH | 0:08:32 | 0:08:35 | |
OK, so let's go over to the other team, | 0:08:35 | 0:08:37 | |
and, Andy, here comes your intro. | 0:08:37 | 0:08:39 | |
DRUMS CRASH AND SYNTHESIZER PLAYS | 0:08:39 | 0:08:42 | |
OK, Andy. Any ideas? | 0:08:50 | 0:08:51 | |
Is it Prince? | 0:08:51 | 0:08:53 | |
-GROANS FROM AUDIENCE -No? No. | 0:08:53 | 0:08:56 | |
If it's not electronic, I haven't a clue. | 0:08:56 | 0:08:58 | |
I won't give you a point, but I'll pass you over. Do you know? | 0:08:58 | 0:09:00 | |
-Easy Lover. -It's Easy Lover. Yes, Phil Bailey. | 0:09:00 | 0:09:03 | |
-And Phil Collins! -You mean Phil Collins?! | 0:09:03 | 0:09:06 | |
Phil Collins and Phil Bailey. | 0:09:06 | 0:09:07 | |
-Oh, yes. Philip Bailey from Earth, Wind and Fire. -They did it together. | 0:09:07 | 0:09:11 | |
Yeah. Can I just go now, cos I'm not going to score any? | 0:09:11 | 0:09:13 | |
LAUGHTER | 0:09:13 | 0:09:15 | |
It is, in fact, yes, Easy Lover, Phil Bailey, Phil Collins. | 0:09:15 | 0:09:17 | |
And back to your team. And, Mari, here comes your intro. | 0:09:17 | 0:09:20 | |
MID-TEMPO PERCUSSION AND SYNTHS | 0:09:20 | 0:09:24 | |
HE HUMS | 0:09:32 | 0:09:34 | |
THEY SING | 0:09:36 | 0:09:37 | |
I've got no idea. I have to be honest. | 0:09:37 | 0:09:39 | |
Oh, Leee's in the groove, he's in the groove. | 0:09:39 | 0:09:42 | |
HE SINGS It's coming to him. | 0:09:42 | 0:09:44 | |
But it's not his question, so it's irrelevant! | 0:09:44 | 0:09:46 | |
LAUGHTER | 0:09:46 | 0:09:47 | |
I can throw it over. | 0:09:47 | 0:09:48 | |
We think it's Bananarama. | 0:09:48 | 0:09:50 | |
And... | 0:09:51 | 0:09:53 | |
-You don't get a point. Just for the kudos, this. -Oh, OK. | 0:09:53 | 0:09:57 | |
I can tell you a funny story about Bananarama. | 0:09:57 | 0:09:59 | |
LAUGHTER | 0:09:59 | 0:10:00 | |
-It's the only way I'm going to get any points. -OK. | 0:10:00 | 0:10:03 | |
We did a charity show two weeks ago with them, | 0:10:03 | 0:10:05 | |
and the guy doing the monitors came up to me and I said, | 0:10:05 | 0:10:07 | |
"I don't like these, can I change them? | 0:10:07 | 0:10:09 | |
"But have Bananarama already sound checked?" | 0:10:09 | 0:10:11 | |
And he went, "I thought you WERE Bananarama." | 0:10:11 | 0:10:14 | |
LAUGHTER AND APPLAUSE | 0:10:14 | 0:10:16 | |
Well, looking forward to your new album, then, Andy! | 0:10:19 | 0:10:22 | |
LAUGHTER | 0:10:22 | 0:10:23 | |
No points for that, but I can, in fact, reveal it is Cruel Summer. | 0:10:23 | 0:10:26 | |
-Cruel Summer! -Cruel Summer! | 0:10:26 | 0:10:28 | |
OK. Over to Toyah's team, and Steve, here's your intro. | 0:10:28 | 0:10:31 | |
UPBEAT PIANO AND HORNS PLAY | 0:10:31 | 0:10:33 | |
Wow. | 0:10:34 | 0:10:35 | |
Oh, my goodness. It's a... | 0:10:41 | 0:10:43 | |
Is it Kid Creole And The Coconuts? | 0:10:43 | 0:10:45 | |
AUDIENCE: Yes. | 0:10:45 | 0:10:46 | |
It is? But I don't know what it's called. | 0:10:46 | 0:10:48 | |
-Can I... Can I mime? -We'll give you one for the artist. | 0:10:48 | 0:10:50 | |
Bawk-bawk-bawk. | 0:10:50 | 0:10:52 | |
Doesn't make that sound. That's a chicken! | 0:10:52 | 0:10:54 | |
I'm sitting on a windowsill. | 0:10:54 | 0:10:56 | |
If you want to help, I wouldn't do the mime. | 0:10:56 | 0:10:58 | |
LAUGHTER | 0:10:58 | 0:10:59 | |
Sit on your stool. | 0:10:59 | 0:11:01 | |
It's an individual question, of course... | 0:11:02 | 0:11:04 | |
LAUGHTER | 0:11:04 | 0:11:05 | |
-Any ideas? -Pigeon. | 0:11:07 | 0:11:09 | |
LAUGHTER | 0:11:09 | 0:11:11 | |
-What? -No pigeons or stools involved in this one. | 0:11:11 | 0:11:14 | |
I'm A Wonderful Thing, Baby. | 0:11:14 | 0:11:16 | |
Oh! | 0:11:16 | 0:11:17 | |
OK. Over to Leee's team. | 0:11:18 | 0:11:20 | |
Leee, your intro coming up. Here it is. | 0:11:20 | 0:11:23 | |
UPBEAT DRUMS AND GUITAR RIFF | 0:11:23 | 0:11:25 | |
Abracadabra... | 0:11:30 | 0:11:31 | |
# Abra, cada, cadabra... | 0:11:31 | 0:11:34 | |
# I wanna reach out and grab ya. # | 0:11:34 | 0:11:35 | |
That's it? That's it? | 0:11:35 | 0:11:36 | |
AUDIENCE: Yeah. | 0:11:36 | 0:11:38 | |
-It is, it is. -By? -Steve... -Steve Miller. -Miller. | 0:11:38 | 0:11:41 | |
OK, and just tell me the title of the track. | 0:11:41 | 0:11:44 | |
And we need a long version there. | 0:11:44 | 0:11:45 | |
Abracadabra. | 0:11:45 | 0:11:46 | |
Is the right answer for the points, yes. Well done. | 0:11:46 | 0:11:49 | |
APPLAUSE | 0:11:49 | 0:11:50 | |
All right. So, finally in this round, over to Toyah. | 0:11:52 | 0:11:54 | |
Toyah, here comes yours. | 0:11:54 | 0:11:56 | |
DISCO DRUMS AND SYNTH RIFF | 0:11:56 | 0:11:58 | |
Is it Eddie Grant? Electric Avenue? | 0:12:06 | 0:12:09 | |
It is! | 0:12:09 | 0:12:11 | |
APPLAUSE | 0:12:11 | 0:12:12 | |
So, the end of that round, Andy, Toyah and Steve are on three, | 0:12:14 | 0:12:18 | |
and Mari, Leee and Tom are on four. | 0:12:18 | 0:12:20 | |
APPLAUSE | 0:12:20 | 0:12:21 | |
# Pop quiz! # | 0:12:22 | 0:12:24 | |
Now time to look at some more famous faces | 0:12:24 | 0:12:26 | |
for the game we call Face Swap. | 0:12:26 | 0:12:27 | |
In this round, you need to work as a team this time. | 0:12:27 | 0:12:30 | |
I'm going to show you a face made up of three different '80s artists. | 0:12:30 | 0:12:33 | |
You get a point for each person you can identify. | 0:12:33 | 0:12:36 | |
Leee's team, here comes your face. | 0:12:36 | 0:12:38 | |
-There we are. -OK. -A rather attractive face. Who is it? | 0:12:40 | 0:12:43 | |
Look at the top part, look at the hair. | 0:12:43 | 0:12:46 | |
There's a 'tache there, as well. | 0:12:46 | 0:12:48 | |
The eyes may be a clue. | 0:12:48 | 0:12:50 | |
We're thinking the hair is David Bowie, aren't we? | 0:12:50 | 0:12:52 | |
Is David Bowie. | 0:12:52 | 0:12:53 | |
Annie Lennox, and Lionel Ritchie. | 0:12:53 | 0:12:56 | |
Let's have a look at the hair, and see whether it is David Bowie. | 0:12:56 | 0:12:59 | |
-Ah, yes. -Yes, it is. | 0:12:59 | 0:13:01 | |
APPLAUSE | 0:13:01 | 0:13:03 | |
It's tricky, cos he had so many hairstyles, really, didn't he? | 0:13:03 | 0:13:06 | |
So, number two, you're going for...? | 0:13:06 | 0:13:08 | |
-Annie Lennox. -Annie Lennox. | 0:13:08 | 0:13:10 | |
Let's have a look and see whether they are indeed Annie Lennox's eyes. | 0:13:10 | 0:13:13 | |
-Hooray! -Yes. | 0:13:13 | 0:13:14 | |
APPLAUSE | 0:13:14 | 0:13:16 | |
And the chin, whose chin? | 0:13:17 | 0:13:19 | |
Lionel Richie. | 0:13:19 | 0:13:21 | |
Yes, it is. APPLAUSE | 0:13:23 | 0:13:24 | |
-Yeah! -Well done. | 0:13:24 | 0:13:26 | |
What a group that would have made! So you get all the points. | 0:13:28 | 0:13:31 | |
Fantastic. | 0:13:31 | 0:13:32 | |
Are you ready, Toyah's team, | 0:13:32 | 0:13:34 | |
to take a look at your fabulous '80s college? | 0:13:34 | 0:13:37 | |
-Not related to any of you, this person, I don't think. -Oh, my! | 0:13:37 | 0:13:39 | |
-Oh, God. -It looks like a very ugly woman, at this point. | 0:13:41 | 0:13:45 | |
-It could be a lady or a bloke. -A bloke, absolutely. | 0:13:45 | 0:13:47 | |
-It could be... -With that little flick fringe, | 0:13:47 | 0:13:49 | |
-you really believe that would be a bloke? -There's a guy in there. | 0:13:49 | 0:13:52 | |
It's not Kim Wilde, is it? No. It's not Kim Wilde's hair? | 0:13:52 | 0:13:54 | |
-Oh. -She doesn't have that tattoo, that's for sure. -No. | 0:13:54 | 0:13:56 | |
No, just the hair. | 0:13:56 | 0:13:58 | |
OK, so we could have Kim Wilde, | 0:13:58 | 0:14:01 | |
we could have... Who's that lovely Welsh singer that... | 0:14:01 | 0:14:04 | |
-Bonnie Tyler? -Bonnie Tyler. | 0:14:04 | 0:14:06 | |
I think it may be more Bonnie than Kim. | 0:14:06 | 0:14:07 | |
I think it's more Bonnie, cos Kim was really... | 0:14:07 | 0:14:09 | |
I've heard the name bandied around. | 0:14:09 | 0:14:11 | |
Kim was platinum blonde and incredibly sexy, | 0:14:11 | 0:14:13 | |
and Bonnie was a little bit more family, so shall we go for Bonnie? | 0:14:13 | 0:14:17 | |
You're saying Bonnie Tyler? | 0:14:17 | 0:14:18 | |
-Yes. -Let's have a look. | 0:14:18 | 0:14:19 | |
Ohhh! | 0:14:20 | 0:14:21 | |
-Well played, excellent. -Well done. -APPLAUSE | 0:14:21 | 0:14:23 | |
Excellent. Well done. OK. | 0:14:23 | 0:14:27 | |
It is Bonnie Tyler's hair, indeed. Now, the eyes, the eyes. | 0:14:27 | 0:14:30 | |
What do we think about the eyes? | 0:14:30 | 0:14:32 | |
I think that's Kevin Rowland, Dexys Midnight Runners. | 0:14:32 | 0:14:35 | |
You think Kevin Rowland's eyes? | 0:14:35 | 0:14:36 | |
-OK. -OK, let's have a look. | 0:14:36 | 0:14:38 | |
Oh, no! | 0:14:41 | 0:14:43 | |
-Oh, my God. -No! No, come on. | 0:14:43 | 0:14:47 | |
Oh. Well-known Dexys frontman Simon Le Bon! | 0:14:47 | 0:14:50 | |
How could you make Simon Le Bon's eyes so unsexy? | 0:14:50 | 0:14:54 | |
LAUGHTER | 0:14:54 | 0:14:55 | |
-You did on purpose, didn't you? -Just put Bonnie Tyler's wig on him! | 0:14:55 | 0:14:58 | |
LAUGHTER | 0:14:58 | 0:14:59 | |
And this other person's chin underneath, and their mouth. | 0:15:00 | 0:15:03 | |
Can we just go for the tattoo? | 0:15:03 | 0:15:05 | |
We've got a much better chance with the tattoo. | 0:15:05 | 0:15:07 | |
-That's... -Well, the tattoo might give you a clue. -Oh! | 0:15:07 | 0:15:09 | |
-It's Billy Idol. -BOTH: Billy Idol! | 0:15:09 | 0:15:11 | |
That's it. The tat. It's his tat. | 0:15:11 | 0:15:12 | |
Let's have a look. Is it, in fact, Billy Idol? | 0:15:12 | 0:15:14 | |
It's his tat, yeah. | 0:15:14 | 0:15:15 | |
-Result! -Yeah! -Well done. | 0:15:16 | 0:15:18 | |
APPLAUSE | 0:15:18 | 0:15:19 | |
Salvaged. Well done. | 0:15:19 | 0:15:21 | |
Fantastic. | 0:15:21 | 0:15:22 | |
At the end of that round, we are faced with the following scores. | 0:15:22 | 0:15:25 | |
Andy, Toyah and Steve are on five points. | 0:15:25 | 0:15:27 | |
Mari, Leee and Tom are on seven points. | 0:15:27 | 0:15:29 | |
APPLAUSE | 0:15:29 | 0:15:31 | |
# Pop Quiz! # | 0:15:33 | 0:15:34 | |
OK, into Round Three we go. | 0:15:34 | 0:15:35 | |
As well as being a great era musically, | 0:15:35 | 0:15:37 | |
the '80s also produced some amazing lyrics. | 0:15:37 | 0:15:39 | |
Who can forget those great words | 0:15:39 | 0:15:41 | |
that could have been written by Shakespeare himself, | 0:15:41 | 0:15:43 | |
"Agadoo, doo, doo, shake pineapple..." | 0:15:43 | 0:15:45 | |
whatever it was? LAUGHTER | 0:15:45 | 0:15:46 | |
Quite simply, in this round, I'm going to show you some lyrics. | 0:15:46 | 0:15:49 | |
All you have to do is name the song. | 0:15:49 | 0:15:50 | |
You get two points for a right answer. | 0:15:50 | 0:15:52 | |
If you're struggling, you can ask for a clue, | 0:15:52 | 0:15:53 | |
but it will cost you a point. | 0:15:53 | 0:15:55 | |
Tom, time to word up, as they said in Cameo. Take a look at this. | 0:15:55 | 0:15:58 | |
I'm lost on this one. | 0:16:04 | 0:16:06 | |
Can I take a clue? | 0:16:07 | 0:16:08 | |
-It will cost your point if I give you a clue. -Let's go for a clue. | 0:16:10 | 0:16:12 | |
A clue. OK. | 0:16:12 | 0:16:13 | |
I once auctioned something conical of hers. | 0:16:13 | 0:16:16 | |
LAUGHTER | 0:16:16 | 0:16:17 | |
Oh, it's a she. | 0:16:17 | 0:16:18 | |
-Madonna. Madonna. -It is Madonna. -The track? | 0:16:18 | 0:16:20 | |
Don't preach, Papa Don't Preach. | 0:16:22 | 0:16:24 | |
For some reason, just thought of Papa Don't Preach. | 0:16:24 | 0:16:26 | |
Papa Don't Preach is the right answer. | 0:16:26 | 0:16:28 | |
APPLAUSE | 0:16:28 | 0:16:29 | |
# But my friends keep telling me to give it up | 0:16:29 | 0:16:33 | |
# Saying I'm too young, I ought to live it up. # | 0:16:33 | 0:16:37 | |
Amazing. All that musicality, | 0:16:37 | 0:16:38 | |
I mention a conical bra, and they get it. | 0:16:38 | 0:16:40 | |
LAUGHTER | 0:16:40 | 0:16:41 | |
Extraordinary. Right. OK, Andy, here come your lyrics. | 0:16:41 | 0:16:44 | |
Would you like to marry me? | 0:16:44 | 0:16:45 | |
And if you like, you can buy the ring. | 0:16:45 | 0:16:47 | |
Would you like to marry me? And if you like, | 0:16:49 | 0:16:50 | |
-you can buy the ring. -Do you want a clue? Cost you a point. | 0:16:50 | 0:16:53 | |
I'm going to have to have a clue, yeah. | 0:16:53 | 0:16:54 | |
OK. The front man has been on this programme. | 0:16:54 | 0:16:56 | |
Oh, that really narrows it down(!) | 0:16:58 | 0:16:59 | |
If somebody were to tell me was Nick Heyward, I'd say Nick Heyward, | 0:16:59 | 0:17:02 | |
but I don't think it is. | 0:17:02 | 0:17:04 | |
-No, it was the Smiths, and William, It Was Really Nothing. -Oh! | 0:17:04 | 0:17:07 | |
# Would you like to marry me? | 0:17:07 | 0:17:10 | |
# And if you like, you can buy the ring. # | 0:17:10 | 0:17:12 | |
Oh, God! NOW I can sing it. | 0:17:12 | 0:17:14 | |
OK, on we go. And, Mari, take a look at these lyrics. | 0:17:14 | 0:17:17 | |
LAUGHTER | 0:17:22 | 0:17:23 | |
I bought it in Primrose Hill from a bloke from Brazil. | 0:17:23 | 0:17:27 | |
It's the metre. I'm reading it in a different metre there. | 0:17:27 | 0:17:30 | |
If I read it in the right metre, you'd get it. | 0:17:30 | 0:17:32 | |
I think we'll have to go for a clue, yeah, yeah. | 0:17:32 | 0:17:35 | |
I'll put the stress in it. | 0:17:35 | 0:17:36 | |
I bought it in Primrose Hill, from a bloke from Brazil. | 0:17:36 | 0:17:39 | |
Ha-ha ha-ha. | 0:17:39 | 0:17:41 | |
It's difficult to say without singing it. | 0:17:43 | 0:17:44 | |
Is it... Is it Madness? | 0:17:44 | 0:17:46 | |
Hm... | 0:17:48 | 0:17:50 | |
SHE HUMS | 0:17:50 | 0:17:52 | |
-Baggy Trousers. -Baggy Trousers? | 0:17:53 | 0:17:55 | |
-AUDIENCE: No! -No, hold on, hold on. | 0:17:55 | 0:17:57 | |
No, no, it's, it's... | 0:17:58 | 0:18:00 | |
# I've been driving in my car. | 0:18:00 | 0:18:02 | |
-# It's not a Jaguar. # -SHE HUMS | 0:18:02 | 0:18:04 | |
Which one are you going for? | 0:18:04 | 0:18:05 | |
-Which one you going for? -What is it? | 0:18:08 | 0:18:10 | |
-C...c...c... -So what's the answer? | 0:18:10 | 0:18:11 | |
-What's the title of the song? -What's the title of the song? | 0:18:11 | 0:18:13 | |
The one you've just sung. What's the title of it? | 0:18:13 | 0:18:15 | |
THEY HUM | 0:18:15 | 0:18:18 | |
Is it Driving In My Car? | 0:18:18 | 0:18:20 | |
-It is Driving In My Car. -It is! | 0:18:20 | 0:18:22 | |
# I bought it in Primrose Hill | 0:18:22 | 0:18:24 | |
# From a bloke from Brazil. # | 0:18:24 | 0:18:27 | |
HE SIGHS | 0:18:29 | 0:18:30 | |
-I'll go for a lie down. -Painful, that one. | 0:18:30 | 0:18:32 | |
LAUGHTER | 0:18:32 | 0:18:33 | |
Steve, take a look at these lyrics, OK? | 0:18:33 | 0:18:35 | |
# In my life | 0:18:38 | 0:18:39 | |
# Heartache and pain | 0:18:39 | 0:18:41 | |
# I don't know | 0:18:41 | 0:18:42 | |
# Face it again. # | 0:18:42 | 0:18:44 | |
HE CONTINUES TO SING THE TUNE | 0:18:44 | 0:18:45 | |
I Want To Know What Love Is, Foreigner. | 0:18:45 | 0:18:47 | |
APPLAUSE Absolutely right. Here it comes. | 0:18:47 | 0:18:49 | |
# In my life | 0:18:49 | 0:18:51 | |
# There's been heartache and pain. # | 0:18:52 | 0:18:54 | |
Thank you for that one. | 0:18:54 | 0:18:55 | |
Well done. I Want To Know What Love is, Foreigner. | 0:18:55 | 0:18:57 | |
And, Leee, your lyrics on the way. | 0:18:57 | 0:18:59 | |
# All I know is that to me... # | 0:19:07 | 0:19:09 | |
All I know... | 0:19:09 | 0:19:10 | |
I need a... | 0:19:10 | 0:19:12 | |
# Open up... | 0:19:12 | 0:19:13 | |
# Up... Open up... # | 0:19:13 | 0:19:14 | |
It's that... | 0:19:14 | 0:19:16 | |
HE HUMS | 0:19:16 | 0:19:17 | |
Go on, you're there, you're there, I can feel you boiling. | 0:19:17 | 0:19:19 | |
I'm feeling it, feeling it! Oh! | 0:19:19 | 0:19:21 | |
Lord knows I'm feelin' it! | 0:19:21 | 0:19:23 | |
# All I know is that to me... # | 0:19:23 | 0:19:25 | |
-You're BURNING up. -Do you want me to give you a clue? | 0:19:25 | 0:19:27 | |
-TOYAH: -We know. -We do know. | 0:19:27 | 0:19:28 | |
-We know. -We'll sing it for you. | 0:19:28 | 0:19:30 | |
We'll mime it for you. | 0:19:30 | 0:19:32 | |
I may need a clue. | 0:19:32 | 0:19:33 | |
OK, without giving it away, sing it for him without giving it away. | 0:19:34 | 0:19:37 | |
# You spin me right round, baby, right round... # | 0:19:37 | 0:19:40 | |
LAUGHTER | 0:19:40 | 0:19:41 | |
APPLAUSE | 0:19:41 | 0:19:44 | |
I'd say much too subtle for me! | 0:19:49 | 0:19:51 | |
LAUGHTER | 0:19:51 | 0:19:52 | |
You Spin Me Round, Dead Or Alive. | 0:19:52 | 0:19:55 | |
# All I know is that to me | 0:19:55 | 0:19:56 | |
# You look like you're having fun | 0:19:56 | 0:19:58 | |
# Open up your loving arms | 0:19:58 | 0:20:00 | |
# Watch out, here I come. # | 0:20:00 | 0:20:02 | |
Great. First number one for Stock Aitken Waterman. | 0:20:04 | 0:20:06 | |
Right, Toyah, here come your lyrics. | 0:20:06 | 0:20:09 | |
Oh, well, it's Frankie goes to Hollywood. | 0:20:13 | 0:20:16 | |
The Power Of Love. | 0:20:16 | 0:20:17 | |
-Yes! -Well done. | 0:20:17 | 0:20:19 | |
APPLAUSE | 0:20:19 | 0:20:20 | |
# I'll protect you from the hooded claw... # | 0:20:20 | 0:20:22 | |
I still had to think about it! | 0:20:22 | 0:20:24 | |
# Keep the vampires from your door. # | 0:20:24 | 0:20:26 | |
At the end of that round, we have Toyah's team, | 0:20:26 | 0:20:29 | |
that's Andy, Toyah and Steve, on nine, | 0:20:29 | 0:20:31 | |
Mari, Leee and Tom, Leee's team, also on nine. | 0:20:31 | 0:20:34 | |
APPLAUSE AND CHEERING | 0:20:34 | 0:20:36 | |
# Pop Quiz! # | 0:20:37 | 0:20:38 | |
We move on to Round Four. This is called Which Year? | 0:20:38 | 0:20:41 | |
There is a clue in the title, of course. | 0:20:41 | 0:20:42 | |
I'm going to show each team a compilation of three music videos | 0:20:42 | 0:20:45 | |
that all charted in the same year. | 0:20:45 | 0:20:48 | |
When you've seen the compilation, | 0:20:48 | 0:20:49 | |
I want to know the name of each track and the year, | 0:20:49 | 0:20:52 | |
starting with Leee's team. | 0:20:52 | 0:20:53 | |
Three songs, point for each, and a point for the year. | 0:20:53 | 0:20:55 | |
Here they come. | 0:20:55 | 0:20:57 | |
# I resolve to call her up | 0:20:57 | 0:20:59 | |
# 1,000 times a day. # | 0:20:59 | 0:21:02 | |
# You hear laughter | 0:21:02 | 0:21:05 | |
# Cracking through the walls | 0:21:05 | 0:21:06 | |
# It sends you spinning. # | 0:21:06 | 0:21:08 | |
COMIC SYNTHESIZER RIFF | 0:21:08 | 0:21:10 | |
Well, we think the first one might be | 0:21:14 | 0:21:16 | |
Every Little Thing She Does Is Magic, by The Police. | 0:21:16 | 0:21:18 | |
Spot on, Tom, yes, it is. Well done. | 0:21:18 | 0:21:20 | |
There they are in Montserrat. | 0:21:20 | 0:21:22 | |
And the second might have been Siouxsie singing Christine. | 0:21:22 | 0:21:27 | |
No, do you want to go for the third one? | 0:21:27 | 0:21:29 | |
Tweets. | 0:21:29 | 0:21:31 | |
-The Birdie Song. -The Birdie Song. -It's only the songs we want. | 0:21:32 | 0:21:35 | |
-It's the Birdie Song. -Yes, the Birdie Song, yeah. | 0:21:35 | 0:21:37 | |
-The Birdie Song is the third one. -She said, so proudly! | 0:21:37 | 0:21:39 | |
-"The Birdie Song, I know!" -LAUGHTER | 0:21:39 | 0:21:41 | |
-"I know my stuff!" -You bought it! | 0:21:41 | 0:21:42 | |
LAUGHTER | 0:21:42 | 0:21:44 | |
So we have two out of three, there. | 0:21:44 | 0:21:47 | |
-The second one, I can tell you, was Spellbound. -Spellbound. | 0:21:47 | 0:21:50 | |
Siouxsie And The Banshees, Spellbound. | 0:21:50 | 0:21:51 | |
But what was the year? So you got two points. | 0:21:51 | 0:21:53 | |
For a third point, what was the year? | 0:21:53 | 0:21:55 | |
-'81. -81 is spot on, Leeee. Well done. | 0:21:55 | 0:21:56 | |
-APPLAUSE -Where did you get that? | 0:21:56 | 0:21:58 | |
-I was on Top Of The Pops with them. -Well done. | 0:21:58 | 0:22:00 | |
You know that because that was the year the Birdie Song came out? | 0:22:01 | 0:22:04 | |
No, because we were on Top Of The Pops with Siouxsie! | 0:22:04 | 0:22:06 | |
Boom-boom! | 0:22:07 | 0:22:09 | |
So, to Toyah's team. Your compilation, three songs. | 0:22:09 | 0:22:12 | |
# Oh oh-oh oh-oh ohhh oh-ohhh | 0:22:13 | 0:22:17 | |
# Oh oh-oh oh-oh ohhh... # | 0:22:17 | 0:22:19 | |
# Needless to say | 0:22:19 | 0:22:21 | |
# I'm odds and ends | 0:22:21 | 0:22:23 | |
# But I'll be... # | 0:22:23 | 0:22:25 | |
# Oh, how you brought me down | 0:22:25 | 0:22:29 | |
# Down, down... # | 0:22:29 | 0:22:30 | |
-OK. -We've got two. We've got two. We just don't know the first one. | 0:22:30 | 0:22:33 | |
-Well, we got the last one. Frankie. -You've got...? | 0:22:33 | 0:22:36 | |
Frankie, the last video... | 0:22:36 | 0:22:38 | |
-OK. -..as a song. | 0:22:38 | 0:22:40 | |
The first one, I'm clueless. Did you have anything? | 0:22:40 | 0:22:43 | |
-No, I have no idea. -No idea. | 0:22:43 | 0:22:46 | |
-The middle one... A-ha. -Take On Me. -Take On Me. | 0:22:46 | 0:22:51 | |
OK. The first one you didn't get is Tarzan Boy, Baltimora. | 0:22:51 | 0:22:54 | |
-Did you know that? -OK. -Sorry, Tarzan Boy. | 0:22:54 | 0:22:56 | |
A big Roadshow favourite, that one. | 0:22:56 | 0:22:59 | |
The second one you did get, | 0:22:59 | 0:23:01 | |
which was A-ha - Take On Me, of course. | 0:23:01 | 0:23:03 | |
The third one... Absolutely right again. | 0:23:03 | 0:23:05 | |
Frankie, Sister Sledge. | 0:23:05 | 0:23:07 | |
OK, so, for the final point, the year. | 0:23:07 | 0:23:10 | |
Do you think it's '84 rather than '83? | 0:23:10 | 0:23:12 | |
Well, it's definitely middle '80s, not early. But... '83 or '84. | 0:23:12 | 0:23:16 | |
-You want to toss a coin? -Eh... | 0:23:16 | 0:23:17 | |
How "mid" are you going to go? | 0:23:17 | 0:23:19 | |
-'84. -'84, then. -The boss says '84. -We're going to try '84. | 0:23:19 | 0:23:23 | |
-You should have gone more mid. It's '85, but very close. -Oh! | 0:23:23 | 0:23:26 | |
Very close. So, at the end of that round, | 0:23:26 | 0:23:28 | |
we have Andy, Toyah and Steve - | 0:23:28 | 0:23:30 | |
Toyah's team - on 11, | 0:23:30 | 0:23:31 | |
Mari, Leee and Tom - | 0:23:31 | 0:23:32 | |
Leee's team - on 12. | 0:23:32 | 0:23:33 | |
APPLAUSE | 0:23:33 | 0:23:36 | |
# Pop Quiz! # | 0:23:37 | 0:23:38 | |
As we lurch into Round Five, we're going to show you some album covers. | 0:23:38 | 0:23:41 | |
You need to tell me the name of the album and the group who released it. | 0:23:41 | 0:23:45 | |
I'm going to show you a very small section for three points. | 0:23:45 | 0:23:47 | |
If I have to enlarge it for you, then you're down to two points. | 0:23:47 | 0:23:50 | |
Enlarge it even more, you're down to one point. | 0:23:50 | 0:23:53 | |
So here comes your small bit. | 0:23:53 | 0:23:55 | |
OK, so this is Leee's team. | 0:23:56 | 0:23:59 | |
There's an ear for you and an earring. | 0:23:59 | 0:24:02 | |
Do you think you know it for three points? | 0:24:04 | 0:24:06 | |
-You want the album title? -You need the title as well. | 0:24:06 | 0:24:10 | |
THEY WHISPER | 0:24:10 | 0:24:12 | |
You lose everything if you give a wrong answer to the album title, | 0:24:12 | 0:24:15 | |
so be very careful. | 0:24:15 | 0:24:17 | |
OK, I think you know who it is, but what's the title? | 0:24:19 | 0:24:22 | |
-It's Wham!, definitely. -Yeah, I need both. | 0:24:22 | 0:24:25 | |
-You need the artist and the album. -Young Guns? | 0:24:25 | 0:24:27 | |
-Go for it. -Young Guns? | 0:24:27 | 0:24:29 | |
OK. | 0:24:29 | 0:24:30 | |
Or I can expand it for you. | 0:24:30 | 0:24:32 | |
It's not going to change your life, but, I mean, you know... | 0:24:34 | 0:24:36 | |
LAUGHTER | 0:24:36 | 0:24:39 | |
Oh, it's... Um... | 0:24:39 | 0:24:41 | |
No. Er... | 0:24:41 | 0:24:43 | |
-Young Guns... -Go for it. -Go for it. -Young Guns Go For It. | 0:24:43 | 0:24:48 | |
Is that the one you're saying? | 0:24:48 | 0:24:50 | |
-Shall we go for it? -You're the boss. | 0:24:50 | 0:24:52 | |
You're saying it's Wham!, and you're saying... | 0:24:52 | 0:24:54 | |
Young Guns Go For It. | 0:24:54 | 0:24:56 | |
You're not right. Let's reveal it. Let's have a look. | 0:24:56 | 0:24:59 | |
It is actually Wham!... | 0:24:59 | 0:25:01 | |
Fantastic. | 0:25:01 | 0:25:02 | |
It's like a second-hand vinyl store here. There we are. There it is. | 0:25:02 | 0:25:05 | |
Wham! and Fantastic. | 0:25:05 | 0:25:07 | |
OK. We'll be selling these afterwards, of course. | 0:25:07 | 0:25:09 | |
Right, over to Toyah's team for your little bit of an album, | 0:25:09 | 0:25:14 | |
and here it comes. | 0:25:14 | 0:25:15 | |
Three points if you get it on this. | 0:25:15 | 0:25:17 | |
Oh, my goodness! | 0:25:17 | 0:25:19 | |
You had an ear on the last one. You've got an eye on this one. | 0:25:19 | 0:25:22 | |
-Oh, oh, oh! -Yes! | 0:25:22 | 0:25:24 | |
This brilliant young man has got it. | 0:25:24 | 0:25:27 | |
Yeah. I think we should go all in and crash or burn. | 0:25:27 | 0:25:30 | |
Human League - Dare. | 0:25:30 | 0:25:32 | |
-You're saying The Human League and Dare. -Yeah. | 0:25:32 | 0:25:34 | |
Let's have a look, see if it is. | 0:25:34 | 0:25:36 | |
Indeed it is. Well done. Well done, yes. | 0:25:36 | 0:25:38 | |
APPLAUSE | 0:25:38 | 0:25:40 | |
And here it is. | 0:25:40 | 0:25:42 | |
-Steve, I think you should have that for a great effort. -That's great. | 0:25:43 | 0:25:47 | |
Thank you very much indeed. | 0:25:47 | 0:25:48 | |
-APPLAUSE -Great band. | 0:25:48 | 0:25:51 | |
Well done. So, the scores at the end of that round are... | 0:25:51 | 0:25:54 | |
Leee's team - | 0:25:54 | 0:25:55 | |
that's Mari, Leee and Tom - on 12, | 0:25:55 | 0:25:57 | |
and Toyah's team - | 0:25:57 | 0:25:58 | |
Andy, Toyah and Steve - on 14. | 0:25:58 | 0:25:59 | |
APPLAUSE | 0:25:59 | 0:26:01 | |
# Pop quiz! # | 0:26:01 | 0:26:02 | |
And so into our final round. | 0:26:02 | 0:26:04 | |
Here's the Quickfire Round. | 0:26:04 | 0:26:05 | |
International rules of TV state | 0:26:05 | 0:26:07 | |
that, to increase the dynamic tension, | 0:26:07 | 0:26:09 | |
the studio lights have to be dimmed rather, so we'll do that. | 0:26:09 | 0:26:12 | |
-I hope you can all still see. AUDIENCE: -Ooh! | 0:26:12 | 0:26:14 | |
Fingers on the buzzers. One point for a correct answer. | 0:26:14 | 0:26:16 | |
Get it wrong, I'll throw it over to the other team. | 0:26:16 | 0:26:18 | |
First, let's hear your buzzers. | 0:26:18 | 0:26:20 | |
Leee's team, this is what yours sounds like. | 0:26:20 | 0:26:22 | |
# Body talk! # | 0:26:22 | 0:26:23 | |
And Toyah's. | 0:26:23 | 0:26:24 | |
# It's a mystery! # | 0:26:24 | 0:26:26 | |
Yeah! | 0:26:26 | 0:26:27 | |
And, of course, they'll be buzzing | 0:26:27 | 0:26:28 | |
just to hear their own song being played. We know that. | 0:26:28 | 0:26:31 | |
Right, here we go, then. Fingers on the buzzers. | 0:26:31 | 0:26:33 | |
What is the title of The Smiths' debut album? | 0:26:33 | 0:26:36 | |
# It's a mystery! # Yes, Steve? | 0:26:37 | 0:26:39 | |
Is it The Queen Is Dead? | 0:26:39 | 0:26:40 | |
No, it was wasn't. Throw it over for one? | 0:26:40 | 0:26:42 | |
This...Charming Man? | 0:26:42 | 0:26:44 | |
Much... Much deliberation. | 0:26:44 | 0:26:45 | |
It was actually called The Smiths. | 0:26:45 | 0:26:47 | |
Right. | 0:26:47 | 0:26:48 | |
Who had a hit in '83 with Rat Rapping? | 0:26:48 | 0:26:51 | |
# It's a mystery! # Yes, Toyah. | 0:26:51 | 0:26:53 | |
Roland Rat? | 0:26:53 | 0:26:54 | |
Roland Rat, yes! Absolutely. Well done. | 0:26:54 | 0:26:57 | |
I shouldn't know it, but I do! | 0:26:57 | 0:26:58 | |
APPLAUSE | 0:26:58 | 0:27:00 | |
Your specialist subject. | 0:27:00 | 0:27:01 | |
Name the chart-topping male duo from Bushey in Hertfordshire. | 0:27:01 | 0:27:04 | |
# It's a mystery! # Yes, Steve? | 0:27:04 | 0:27:06 | |
Wham! | 0:27:06 | 0:27:07 | |
Wham! is the right answer, yes. | 0:27:07 | 0:27:09 | |
Whose 1985 album was called Songs From The Big Chair? | 0:27:09 | 0:27:12 | |
# It's a mystery! # Yes, Steve? | 0:27:12 | 0:27:14 | |
Tears for Fears. | 0:27:14 | 0:27:15 | |
-It was Tears For Fears. Right answer. -On a roll. | 0:27:15 | 0:27:18 | |
The '80s expert! | 0:27:18 | 0:27:19 | |
And finally... | 0:27:19 | 0:27:21 | |
who won Best Female Singer in both the '81 and '82 | 0:27:21 | 0:27:23 | |
Smash Hits readers' poll? | 0:27:23 | 0:27:25 | |
# It's a mystery! # Yes, Steve? | 0:27:25 | 0:27:27 | |
Madonna. | 0:27:27 | 0:27:28 | |
No, she didn't. I can throw it over. | 0:27:28 | 0:27:29 | |
-Kim Wilde. -No, it wasn't. | 0:27:29 | 0:27:31 | |
-Kate Bush? -Kate Bush? -It was... | 0:27:31 | 0:27:33 | |
-Toyah. -Toyah! -No way! -APPLAUSE | 0:27:33 | 0:27:35 | |
# Body talk! # | 0:27:35 | 0:27:36 | |
Oh, my God! | 0:27:36 | 0:27:37 | |
# Body talk! # | 0:27:37 | 0:27:38 | |
# Pop Quiz! # | 0:27:38 | 0:27:40 | |
No-one told me! | 0:27:40 | 0:27:42 | |
That very subtle sound tells me that I'm out of time in the game | 0:27:42 | 0:27:46 | |
and that it's the end of the show. | 0:27:46 | 0:27:47 | |
I can tell you that, in the lead | 0:27:47 | 0:27:49 | |
and winning tonight's show... | 0:27:49 | 0:27:51 | |
Steve, Andy and Toyah - | 0:27:51 | 0:27:52 | |
it's Toyah's team! | 0:27:52 | 0:27:53 | |
Yeah! | 0:27:53 | 0:27:54 | |
# Celebrate good times Come on! # | 0:27:54 | 0:27:57 | |
APPLAUSE | 0:27:57 | 0:28:00 | |
Well, it's been a fantastic nostalgia trip. | 0:28:01 | 0:28:03 | |
We've relived some great times and shuddered at some of our fashions. | 0:28:03 | 0:28:06 | |
All that remains is for me to thank our wonderful guests. | 0:28:06 | 0:28:09 | |
They are Leee's team - Mari Wilson... | 0:28:09 | 0:28:11 | |
APPLAUSE | 0:28:11 | 0:28:13 | |
..Tom Bailey... | 0:28:13 | 0:28:14 | |
APPLAUSE | 0:28:14 | 0:28:15 | |
..and Leee John! | 0:28:15 | 0:28:17 | |
APPLAUSE | 0:28:17 | 0:28:18 | |
And they faced the might of Andy McCluskey... | 0:28:18 | 0:28:20 | |
APPLAUSE | 0:28:20 | 0:28:22 | |
..Steve Norman... | 0:28:22 | 0:28:24 | |
APPLAUSE | 0:28:24 | 0:28:25 | |
..and their leader, Toyah Wilcox! | 0:28:25 | 0:28:26 | |
APPLAUSE | 0:28:26 | 0:28:28 | |
And, as is the tradition with Pop Quiz, | 0:28:28 | 0:28:30 | |
we finish the show with a pop video. | 0:28:30 | 0:28:32 | |
Tonight, I've chosen a really good one. | 0:28:32 | 0:28:34 | |
This is David Bowie, and Let's Dance. | 0:28:34 | 0:28:37 | |
I've been Mike Read. | 0:28:37 | 0:28:38 | |
This has been Pop Quiz: The Comeback! Goodnight. | 0:28:38 | 0:28:40 | |
-CHEERING -# Let's dance | 0:28:40 | 0:28:43 | |
# Put on your red shoes and dance the blues | 0:28:43 | 0:28:47 | |
# Let's dance | 0:28:49 | 0:28:51 | |
# To the song they're playing on the radio | 0:28:51 | 0:28:55 | |
# Let's sway | 0:28:57 | 0:29:00 | |
# While colour lights up your face | 0:29:00 | 0:29:03 | |
# Let's sway | 0:29:06 | 0:29:07 | |
# Sway through the crowd to an empty space... # | 0:29:08 | 0:29:12 |