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CHEERING AND APPLAUSE | 0:00:29 | 0:00:32 | |
Hello, I'm Mike Read, and this is the return of Pop Quiz. | 0:00:37 | 0:00:41 | |
Yes, you've all been frozen in time, as you can see. | 0:00:41 | 0:00:44 | |
Smaller hair, no shoulder pads, | 0:00:44 | 0:00:46 | |
probably no more idea about the answers | 0:00:46 | 0:00:48 | |
than we had back in the day either. | 0:00:48 | 0:00:49 | |
The first episode of Pop Quiz was broadcast at 6.15, Saturday, | 0:00:49 | 0:00:53 | |
4th of July, 1981, | 0:00:53 | 0:00:56 | |
and featured one of tonight's guests. | 0:00:56 | 0:00:58 | |
35 years later, and the show is back for a special '80s edition. | 0:00:58 | 0:01:02 | |
Tonight we're fielding six pop icons, some of the most | 0:01:02 | 0:01:05 | |
memorable musicians from an era that defined a generation. | 0:01:05 | 0:01:09 | |
They're still touring, they're still recording, | 0:01:09 | 0:01:11 | |
and they're still doing Pop Quiz, so let's meet them. | 0:01:11 | 0:01:13 | |
From Haircut 100, it's Nick Heyward. | 0:01:13 | 0:01:16 | |
CHEERING AND APPLAUSE | 0:01:16 | 0:01:18 | |
And from Bucks Fizz, Cheryl Baker. | 0:01:18 | 0:01:20 | |
CHEERING AND APPLAUSE | 0:01:20 | 0:01:22 | |
And sandwiched between them, one half of soul/funk duo Linx, | 0:01:22 | 0:01:25 | |
their skipper, David Grant. | 0:01:25 | 0:01:27 | |
CHEERING AND APPLAUSE | 0:01:27 | 0:01:29 | |
Let's have a look at them in all their '80s glory. | 0:01:29 | 0:01:31 | |
# Fantastic day today | 0:01:31 | 0:01:38 | |
# Fantastic day... # | 0:01:38 | 0:01:42 | |
# Run for the sun, little one | 0:01:42 | 0:01:46 | |
# You're an outlaw once again | 0:01:46 | 0:01:48 | |
# Time to change, Superman | 0:01:48 | 0:01:51 | |
# He'll be with us while he can... # | 0:01:51 | 0:01:54 | |
# Intuition | 0:01:54 | 0:01:56 | |
# Intuition | 0:01:58 | 0:02:00 | |
# Intuition... # | 0:02:01 | 0:02:03 | |
CHEERING AND APPLAUSE | 0:02:03 | 0:02:06 | |
They've barely changed. | 0:02:06 | 0:02:07 | |
I remember Duran Duran flying in to do Top Of The Pops once | 0:02:07 | 0:02:10 | |
in a helicopter, and landed at TV Centre. | 0:02:10 | 0:02:12 | |
You wouldn't be allowed to do that now, | 0:02:12 | 0:02:14 | |
but, Nick, I think you came to Top Of The Pops once in an aeroplane. | 0:02:14 | 0:02:17 | |
Yeah, they said, "We're going to have to fly you to Top Of The Pops." | 0:02:17 | 0:02:20 | |
So, we thought, "Private jet," you know. | 0:02:20 | 0:02:23 | |
And we got there, and there was, like, seven of us, and we all... | 0:02:23 | 0:02:26 | |
And it was like a Cessna, one of those little four-seater things, | 0:02:26 | 0:02:30 | |
and the pilot was, erm... | 0:02:30 | 0:02:33 | |
Well, he was drunk. | 0:02:33 | 0:02:34 | |
No other word for it, and he had a bottle of Scotch down by his feet, | 0:02:35 | 0:02:38 | |
and he was swigging Scotch, and I remember thinking, | 0:02:38 | 0:02:41 | |
"This is not what I'd expected, really." | 0:02:41 | 0:02:44 | |
The private jet, the glamour... | 0:02:44 | 0:02:46 | |
Cheryl, a few acrobatics from you there, | 0:02:46 | 0:02:49 | |
but you once played the part of a fairy. | 0:02:49 | 0:02:51 | |
That's not Nick, no, that's you, definitely. Er, yes. | 0:02:51 | 0:02:54 | |
Was that just for fun or a fancy dress party? | 0:02:54 | 0:02:56 | |
No. Do you know, the BBC used to have a costume department, and they | 0:02:56 | 0:03:00 | |
made our costumes, made that for me, and said, "So you want to fly? | 0:03:00 | 0:03:03 | |
"D'you you want us to put you on wires for Land Of Make Believe?" | 0:03:03 | 0:03:06 | |
And I went, "Yes!" So they did. I thought it was hilarious. | 0:03:06 | 0:03:10 | |
I was doing the routine in the air, I loved it. | 0:03:10 | 0:03:12 | |
It was just in the glory days of the BBC. | 0:03:12 | 0:03:15 | |
Did you test the wires first, just to make sure? | 0:03:15 | 0:03:17 | |
I shouldn't think so for a minute, no! | 0:03:17 | 0:03:20 | |
David, you've been on before and you were on with a legend. | 0:03:20 | 0:03:23 | |
I was. I remember the very first time I did Pop Quiz. | 0:03:23 | 0:03:26 | |
You know, I'd had a few hits and met a few people, and there I was, | 0:03:26 | 0:03:29 | |
walking into the studio, and Cliff Richard bumped into me! | 0:03:29 | 0:03:33 | |
I was like, "Hello!" And he went, "Hi!" | 0:03:33 | 0:03:35 | |
It was like, "Whoa! This is Cliff Richard!" | 0:03:37 | 0:03:39 | |
And then I thought, "I wonder if I'll see him again," | 0:03:39 | 0:03:42 | |
and they sat me beside him. | 0:03:42 | 0:03:43 | |
So I was trying to be really cool, like... | 0:03:43 | 0:03:46 | |
Cos I'd been watching him since I was born, you know, | 0:03:46 | 0:03:48 | |
it's like, Cliff Richard, and it was just amazing. | 0:03:48 | 0:03:50 | |
-Well, look at your face. -Yes, I am looking kind of like... | 0:03:50 | 0:03:53 | |
"That's Cliff Richard!" | 0:03:53 | 0:03:55 | |
-And Rick Parfitt! -He looks like he's beating Rick Parfitt up there! | 0:03:56 | 0:04:00 | |
"Take that, Rick!" | 0:04:00 | 0:04:02 | |
-Kung fu on Rick. -"Leave David Grant alone!" | 0:04:02 | 0:04:04 | |
And their opponents are a triple whammy of '80s superstars. | 0:04:04 | 0:04:07 | |
We have, from The Beat, Ranking Roger. | 0:04:07 | 0:04:09 | |
CHEERING AND APPLAUSE | 0:04:09 | 0:04:11 | |
And squaring up against her | 0:04:11 | 0:04:13 | |
band-mate from Bucks Fizz is Jay Aston. | 0:04:13 | 0:04:15 | |
CHEERING AND APPLAUSE | 0:04:15 | 0:04:16 | |
And between them, holding the team together, is their team captain, | 0:04:16 | 0:04:19 | |
from T'Pau, Carol Decker. | 0:04:19 | 0:04:20 | |
CHEERING AND APPLAUSE | 0:04:20 | 0:04:22 | |
And let's have a look at them from the archives as we go down | 0:04:22 | 0:04:25 | |
Memory Lane to the 1980s. | 0:04:25 | 0:04:27 | |
# The mirror in the bathroom I just can't stop it | 0:04:27 | 0:04:30 | |
# Every Saturday you see me window shopping | 0:04:30 | 0:04:33 | |
# Find no interest in the racks and shelves | 0:04:33 | 0:04:35 | |
# Just 10,000 reflections of my own sweet self, self, self, self... # | 0:04:35 | 0:04:40 | |
# You gotta turn it off | 0:04:40 | 0:04:42 | |
# And then you gotta pull it out | 0:04:42 | 0:04:45 | |
# You gotta be sure that it's something | 0:04:45 | 0:04:47 | |
# Everybody's going to talk about... # | 0:04:47 | 0:04:50 | |
# Don't push too far | 0:04:51 | 0:04:53 | |
# Your dreams are china in your hand | 0:04:53 | 0:04:56 | |
# Don't wish too hard because they may come true | 0:04:58 | 0:05:02 | |
# And you can't help them... # | 0:05:02 | 0:05:05 | |
APPLAUSE | 0:05:05 | 0:05:06 | |
You've got to admit it, a few classics there, and Roger, | 0:05:06 | 0:05:09 | |
you did that, I remember, at a very famous club, didn't you, that video? | 0:05:09 | 0:05:12 | |
We did, we did it in a club in Birmingham called The Rum Runner, | 0:05:12 | 0:05:15 | |
and it belonged to Duran Duran, believe it or not, | 0:05:15 | 0:05:18 | |
and we were kind of arch enemies at the time because they were | 0:05:18 | 0:05:21 | |
the New Romantics, if you like, and we were the ska stars, | 0:05:21 | 0:05:25 | |
or "ska-sters," and they put us out of business, but anyway, | 0:05:25 | 0:05:28 | |
you know, we used their nightclub to make the video and it was a classic. | 0:05:28 | 0:05:32 | |
Jay, your skirt-ripping thing, was that an accident or was it a | 0:05:32 | 0:05:35 | |
commercial design, where they said, "That'll be a clever thing to do?" | 0:05:35 | 0:05:38 | |
We didn't design it. It was kind of a compromise. | 0:05:38 | 0:05:41 | |
Cheryl wanted to wear the long ones, long skirts, and I wanted the | 0:05:41 | 0:05:44 | |
mini-skirts, because I thought it would win us a few more points. | 0:05:44 | 0:05:49 | |
-And thank heavens for Velcro! -Absolutely. | 0:05:49 | 0:05:51 | |
Well, it worked, whatever it was. | 0:05:51 | 0:05:53 | |
And, Carol, I mean, your name, T'Pau, came from Star Trek, | 0:05:53 | 0:05:55 | |
but surely you're not a Trekkie, are you? | 0:05:55 | 0:05:57 | |
Not a Trekkie, but I did sort of use to watch it if it was on, | 0:05:57 | 0:06:01 | |
and, er, we had the album, Bridge Of Spies, in the can, | 0:06:01 | 0:06:04 | |
but we didn't have a name for the band, | 0:06:04 | 0:06:06 | |
and every time we sat down to try and decide we could never agree. | 0:06:06 | 0:06:10 | |
So I heard this word in this episode, | 0:06:10 | 0:06:12 | |
"T'Pau, T'Pau, T'Pau," I really liked the word. | 0:06:12 | 0:06:15 | |
And it's the one the band hated the least, | 0:06:15 | 0:06:17 | |
and we were in a rush, so... | 0:06:17 | 0:06:18 | |
LAUGHTER | 0:06:18 | 0:06:20 | |
We have to point out that you have broken your arm, | 0:06:20 | 0:06:23 | |
so the arm wrestling round is going to be a real struggle for you. | 0:06:23 | 0:06:26 | |
I know! And I so would have won. | 0:06:26 | 0:06:28 | |
I so would have kicked everybody, but, you know, what can you say? | 0:06:28 | 0:06:31 | |
OK, Round One coming up, and it is the '80s. | 0:06:31 | 0:06:33 | |
As they say, if you remember it, you weren't there! | 0:06:33 | 0:06:36 | |
Of course, there are points, but there'll be also extra points | 0:06:36 | 0:06:39 | |
for sycophancy, bribery and corruption. | 0:06:39 | 0:06:42 | |
So, if everyone's ready, | 0:06:42 | 0:06:43 | |
let's put your '80s musical memories to the test. | 0:06:43 | 0:06:45 | |
Let's play Pop Quiz. | 0:06:45 | 0:06:47 | |
OK, we're kicking off with the Intros Round. | 0:06:51 | 0:06:54 | |
I'll play each of you the opening few seconds from an '80s hit. | 0:06:54 | 0:06:56 | |
Your job is to simply name the track | 0:06:56 | 0:06:58 | |
and the original artist for a point each. | 0:06:58 | 0:07:00 | |
Individual round, so no conferring, and, Nick, you are underway first. | 0:07:00 | 0:07:05 | |
OK, here comes yours. | 0:07:05 | 0:07:07 | |
FUNKY DISCO TRACK PLAYS | 0:07:07 | 0:07:09 | |
It sounds like me at home. | 0:07:14 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:17 | |
-It could be. -Erm, I haven't got a clue! | 0:07:17 | 0:07:19 | |
-You probably heard it. -I could sing over it, I could make something up, | 0:07:19 | 0:07:23 | |
it sounded like a good backing track. It was nice. | 0:07:23 | 0:07:25 | |
God, wow, what is that? | 0:07:25 | 0:07:27 | |
Yeah, anyone? | 0:07:27 | 0:07:28 | |
Is it D.I.S.C.O? | 0:07:28 | 0:07:30 | |
-By...? -Can't remember! | 0:07:30 | 0:07:32 | |
Do we split the point, if you get the artist...? | 0:07:32 | 0:07:34 | |
-Go on, then. -Ottawan. | 0:07:34 | 0:07:36 | |
Ottawan, OK, one point each. It's a good start. | 0:07:36 | 0:07:39 | |
I do not know that song. How weird that I don't know that! | 0:07:39 | 0:07:43 | |
Nobody will admit to dancing to it, of course. | 0:07:43 | 0:07:46 | |
We go over to the other team now, and Ranking Roger, here's yours. | 0:07:46 | 0:07:50 | |
SYNTH POP TRACK PLAYS | 0:07:50 | 0:07:52 | |
Sounds like Soft Cell, but I know it's not. | 0:07:58 | 0:08:01 | |
You've probably danced to it a few times. | 0:08:01 | 0:08:03 | |
I can't say that I know that one, who it is. | 0:08:03 | 0:08:06 | |
-OK, we'll whizz it over. Anybody? Bonus point? -Yazoo? | 0:08:06 | 0:08:09 | |
And? | 0:08:09 | 0:08:10 | |
# Da-da-da-da-da... # | 0:08:10 | 0:08:12 | |
-# Ding-ding-ding-ding-ding-ding. # -# We all need... # | 0:08:12 | 0:08:14 | |
-Divine Inspiration? -Divine Inspiration? | 0:08:14 | 0:08:16 | |
-No. -Ah! | 0:08:16 | 0:08:18 | |
-Page In Your Diary? -Nobody's Diary. | 0:08:18 | 0:08:20 | |
I'll give you another point each | 0:08:20 | 0:08:22 | |
just to get you settled in there, OK? | 0:08:22 | 0:08:23 | |
You can have a point each. | 0:08:23 | 0:08:25 | |
APPLAUSE | 0:08:25 | 0:08:27 | |
OK, back over to David's team, and, Cheryl, take a look at this. | 0:08:28 | 0:08:31 | |
PULSING SYNTHESIZER PLAYS | 0:08:31 | 0:08:33 | |
-Full of knowledge, bursting to get out, look, there it is. -Shut up! | 0:08:45 | 0:08:49 | |
-You know them? -Yeah. | 0:08:49 | 0:08:51 | |
Oh, it's "them." OK, it's not "him," then. | 0:08:51 | 0:08:53 | |
LAUGHTER | 0:08:53 | 0:08:56 | |
-Oh, blimey. -Shall I give you a small clue? -Yes, please! | 0:08:56 | 0:08:58 | |
It can be a large clue if you like. | 0:08:58 | 0:09:00 | |
You used to go for curries with them. | 0:09:00 | 0:09:03 | |
Not that you remember that, of course! | 0:09:03 | 0:09:05 | |
I'm going to throw it over. Oh, you're looking confident. | 0:09:07 | 0:09:10 | |
Well, I know the band, but I can't actually remember the song. | 0:09:10 | 0:09:14 | |
-Human League. -It is the Human League. -Course it is! | 0:09:14 | 0:09:16 | |
-Did you or did you not go for curries with them? -Yeah, we did. | 0:09:16 | 0:09:19 | |
-But Nick knows the song. -Oh, do I? | 0:09:19 | 0:09:21 | |
LAUGHTER | 0:09:21 | 0:09:23 | |
-What's the song? -Love Action. -Love Action. | 0:09:23 | 0:09:25 | |
Love Action, OK. Point each, then. | 0:09:25 | 0:09:28 | |
APPLAUSE | 0:09:28 | 0:09:30 | |
They're playing by their own rules, of course. Jay, here comes yours. | 0:09:32 | 0:09:36 | |
POP-REGGAE TRACK PLAYS | 0:09:36 | 0:09:38 | |
"Gosh, wish I'd got that one, Mike, and not Jay!" | 0:09:45 | 0:09:48 | |
Down Under. | 0:09:48 | 0:09:50 | |
-By...? -Erm... Oh, my God, the Australian band. | 0:09:50 | 0:09:54 | |
I can skip the whole thing and just give you a point each! | 0:09:54 | 0:09:56 | |
Yeah, go on, cos we know who it's by! | 0:09:56 | 0:09:59 | |
-Yeah. -Down Under. The... | 0:09:59 | 0:10:01 | |
-The... -Something like work. | 0:10:01 | 0:10:03 | |
That's exactly it, you're close. | 0:10:03 | 0:10:05 | |
-Something work. -Getting warmer. | 0:10:05 | 0:10:07 | |
-Go on, OK. -Men At Work. | 0:10:07 | 0:10:08 | |
-Men At Work, sorry! -OK, Men At Work. | 0:10:08 | 0:10:10 | |
APPLAUSE | 0:10:10 | 0:10:13 | |
Yeah, so it will be a point each, then. | 0:10:13 | 0:10:15 | |
LAUGHTER | 0:10:15 | 0:10:17 | |
-Snap! -That's the way it goes. OK, David, here comes yours. | 0:10:17 | 0:10:20 | |
SKA MUSIC PLAYS | 0:10:22 | 0:10:25 | |
LAUGHTER | 0:10:30 | 0:10:32 | |
-Roger was like, "Why didn't he give that one to me?" -Exactly, yeah. | 0:10:33 | 0:10:36 | |
-JAY: -Oh, you know that? -Oh, yeah. | 0:10:36 | 0:10:38 | |
Give me a clue. Go on, give me a clue. | 0:10:38 | 0:10:40 | |
I never had curry with him, did I? | 0:10:40 | 0:10:42 | |
OK. Well, you don't have to do anything to get the answer. | 0:10:42 | 0:10:45 | |
Oh! | 0:10:45 | 0:10:47 | |
-No. I know I'm going to be kicking myself. -Black-and-white, really. | 0:10:48 | 0:10:51 | |
HE DRUMS HIS FINGERS | 0:10:51 | 0:10:55 | |
-No. -Throw it over. | 0:10:55 | 0:10:57 | |
Do Nothing by The Specials. | 0:10:57 | 0:10:58 | |
Do Nothing by The Specials, bonus point, Roger. Very good. | 0:10:58 | 0:11:01 | |
Very good. | 0:11:04 | 0:11:06 | |
OK, Carol, here comes your specific question. | 0:11:06 | 0:11:09 | |
FUNK MUSIC PLAYS | 0:11:09 | 0:11:12 | |
Candy Girl. | 0:11:20 | 0:11:21 | |
-By? Yes. -I want to say Jackson 5 or Michael Jackson. | 0:11:21 | 0:11:24 | |
No, the singer was married to somebody very famous, though. | 0:11:24 | 0:11:28 | |
# Candy girl! # | 0:11:28 | 0:11:29 | |
Throw it over for the band. | 0:11:30 | 0:11:32 | |
-New Edition. -New Edition is right. One point each. | 0:11:32 | 0:11:35 | |
It won't always be like that. | 0:11:39 | 0:11:41 | |
At the end of that round, David's team on five, Carol's team on six. | 0:11:41 | 0:11:45 | |
-CAROL'S TEAM: -Oh! | 0:11:45 | 0:11:47 | |
OK, round two is Face Swap. | 0:11:51 | 0:11:53 | |
No '80s pop quiz, of course, would be complete without | 0:11:53 | 0:11:55 | |
a look back at the great fashion of the time. | 0:11:55 | 0:11:57 | |
Eat your heart out, Ralph Lauren, we had Mr Byrite, | 0:11:57 | 0:12:00 | |
we had Man At C&A and we had... | 0:12:00 | 0:12:02 | |
Midge Ure. | 0:12:02 | 0:12:04 | |
LAUGHTER | 0:12:04 | 0:12:07 | |
Keeping one step ahead of the fashion police. | 0:12:07 | 0:12:10 | |
Or maybe one step behind, I don't know. | 0:12:10 | 0:12:12 | |
We're going on to round two, a team round. | 0:12:12 | 0:12:14 | |
We've all done it on our phones where you faceswapped. | 0:12:14 | 0:12:16 | |
We've done a sort of triple faith swap. | 0:12:16 | 0:12:18 | |
We're going to show a face made up of three different '80s artists. | 0:12:18 | 0:12:21 | |
You get a point for each person you can identify. | 0:12:21 | 0:12:23 | |
So there's a top bit, a middle bit and a bottom bit. | 0:12:23 | 0:12:26 | |
So, David's team, here is your '80s composite face. | 0:12:26 | 0:12:30 | |
Nick, Cheryl and David, | 0:12:30 | 0:12:32 | |
have a look at that very attractive person there. | 0:12:32 | 0:12:35 | |
Who do you think the hair might be for a start? | 0:12:35 | 0:12:37 | |
-The hair? -The eyes are definitely Phil Collins. -You think so? | 0:12:37 | 0:12:40 | |
-The eyes are who? -Phil Collins. | 0:12:40 | 0:12:41 | |
He's very attractive. | 0:12:41 | 0:12:43 | |
I'm not an eye person, I'm a mouth person. | 0:12:43 | 0:12:45 | |
You think you might know the mouth? | 0:12:45 | 0:12:47 | |
We think the mouth is Morrissey. | 0:12:47 | 0:12:49 | |
-OK, you think you might have the mouth. -Yeah. | 0:12:49 | 0:12:51 | |
OK, what about the rest of it? | 0:12:51 | 0:12:53 | |
-The hair! -Any ideas? | 0:12:53 | 0:12:54 | |
It looks a bit like Jay Aston. | 0:12:54 | 0:12:56 | |
I beg your pardon! | 0:12:56 | 0:12:58 | |
LAUGHTER | 0:12:58 | 0:13:00 | |
Mine was bigger than that, darling. | 0:13:00 | 0:13:03 | |
-It is big hair. -Oh, I know. -Oh, it's not Tina Turner, is it? | 0:13:03 | 0:13:06 | |
-Yeah, Bonnie Tyler. -That's Bonnie Tyler's hair. | 0:13:06 | 0:13:08 | |
-We think the hair's Bonnie Tyler. -Bonnie Tyler's hair. | 0:13:08 | 0:13:11 | |
Let's have a look and see if it is in fact Bonnie Tyler's hair. | 0:13:11 | 0:13:14 | |
-THEY GROAN -I said... I said Tina Turner. | 0:13:14 | 0:13:16 | |
-Did you? -Oh, no. -You didn't say it to us. -I said Tina Turner. | 0:13:16 | 0:13:19 | |
-Didn't I say Tina Turner? -You did. | 0:13:19 | 0:13:20 | |
-I did. -It is Tina Turner in a Bonnie Tyler wig. | 0:13:20 | 0:13:22 | |
-But you should've said it to us! -I said it to everyone, to the world. | 0:13:22 | 0:13:26 | |
OK, let's get on to the eyes then. | 0:13:26 | 0:13:28 | |
Nick is quite confident that they belong to Phil Collins. | 0:13:28 | 0:13:31 | |
Phil Collins. Let's have a look and see | 0:13:31 | 0:13:33 | |
whether they are in fact Phil Collins's eyes. | 0:13:33 | 0:13:35 | |
And Nick is right. Here it comes. | 0:13:35 | 0:13:37 | |
-Yeah! -Come on! | 0:13:37 | 0:13:40 | |
Wow! | 0:13:41 | 0:13:42 | |
We think nose and mouth, Morrissey. | 0:13:43 | 0:13:46 | |
OK, let's see if it is Morrissey. | 0:13:46 | 0:13:49 | |
-Yes! -Yes. -Fantastic. -Yes! | 0:13:49 | 0:13:52 | |
-Well done, you! -I'm good on mouths. -You are. You rocked it. | 0:13:52 | 0:13:55 | |
So two points out of three, well done. Well done. | 0:13:55 | 0:13:58 | |
OK, your face swap is coming up, Roger, Carol and Jay. | 0:13:58 | 0:14:02 | |
Top bit, middle bit and a bottom bit. Who is this '80s composite? | 0:14:02 | 0:14:07 | |
Very quite a wide face there. | 0:14:07 | 0:14:09 | |
-That is George Michael's eyes. -OK. | 0:14:09 | 0:14:11 | |
-Any ideas? -We know the mouth. Roger thinks he has got the eyes. | 0:14:11 | 0:14:15 | |
-The hair... -You've got somebody? | 0:14:15 | 0:14:16 | |
I think the darkest haired in Bananarama was Keren. | 0:14:16 | 0:14:20 | |
You think you know for the hair? | 0:14:20 | 0:14:21 | |
-The eyes, what do you think? -I know the mouth. | 0:14:21 | 0:14:23 | |
-You know the mouth. -We know the mouth. | 0:14:23 | 0:14:25 | |
I think the eyes are George Michael's. | 0:14:25 | 0:14:27 | |
-Who do you think? -George Michael. -Let's go through them one by one. | 0:14:27 | 0:14:30 | |
-So the first bit, you think, for the hair? -That hairdo... | 0:14:30 | 0:14:33 | |
-Lisa Stansfield, possibly? -Possibly. -You're going for what? | 0:14:33 | 0:14:36 | |
Possibly Lisa Stansfield for the hair? | 0:14:36 | 0:14:38 | |
-Van Halen? -Lisa Stanfield! | 0:14:38 | 0:14:40 | |
Put your other ear piece in. | 0:14:42 | 0:14:43 | |
You're wrong either way. Let's have a look and see who the hair is. | 0:14:43 | 0:14:47 | |
-I know that hair, I can't.... -THEY GASP | 0:14:47 | 0:14:49 | |
-I would never have guessed that, cos I love Kate. -It is Kate Bush. | 0:14:49 | 0:14:52 | |
Kate Bush, so no points there. | 0:14:52 | 0:14:53 | |
-You went, I think, Roger, George Michael for the eyes? -Yes. | 0:14:53 | 0:14:56 | |
Are they George Michael's eyes? | 0:14:56 | 0:14:59 | |
-Yay. -Yeah, George Michael's eyes. -Well done. | 0:14:59 | 0:15:01 | |
Well done. | 0:15:01 | 0:15:02 | |
-You know the mouth? -We know the mouth. -Madonna. -That's Madonna. | 0:15:05 | 0:15:07 | |
OK, Madonna's chin, Madonna's lips, Madonna's teeth. | 0:15:07 | 0:15:09 | |
-Know that beauty spot anywhere. -Yeah. | 0:15:09 | 0:15:11 | |
Let's see whether... Yes. | 0:15:11 | 0:15:13 | |
Well done. At the end of that round, | 0:15:15 | 0:15:17 | |
David's team on seven points and Carol's team on eight points. | 0:15:17 | 0:15:21 | |
And now it's time for the famous lyric round, | 0:15:25 | 0:15:27 | |
the fence on which many famous have fallen in the past. | 0:15:27 | 0:15:30 | |
I'm going to show you some lyrics and you need to name the song. | 0:15:30 | 0:15:33 | |
Two points for a correct answer. | 0:15:33 | 0:15:34 | |
If you're struggling, I can give you a clue, | 0:15:34 | 0:15:36 | |
but it will cost you a point. | 0:15:36 | 0:15:38 | |
Nick, take a look at these lyrics. | 0:15:38 | 0:15:40 | |
-That's Madonna, isn't it? -No, no, no... -Oh, hold on, hold on. | 0:15:47 | 0:15:50 | |
And now you tell me you're having my baby, | 0:15:50 | 0:15:52 | |
I'll tell you that I'm happy if you want me to. | 0:15:52 | 0:15:54 | |
-Do you want a clue? -I can sing it, but... | 0:15:54 | 0:15:57 | |
Well, sing it if you like. Yeah. | 0:15:57 | 0:15:59 | |
# And now you tell me that you're having my baby | 0:15:59 | 0:16:02 | |
# I'll tell you that... | 0:16:02 | 0:16:03 | |
# And I'll tell you that I'm happy if you want me to. # | 0:16:03 | 0:16:06 | |
-That is George. -Yes. -That's George Michael. -Yeah. | 0:16:06 | 0:16:09 | |
Oh, no, Wham! | 0:16:09 | 0:16:11 | |
Yes, and the song? | 0:16:11 | 0:16:12 | |
-We're not conferring. -I'll give you a clue, do you want a clue? | 0:16:12 | 0:16:15 | |
Yeah, OK, I'll have a clue. | 0:16:15 | 0:16:16 | |
It'll cost you a point, though. | 0:16:16 | 0:16:18 | |
Kept off number one by Band Aid in 1984. | 0:16:18 | 0:16:20 | |
Oh, Everything She Wants. | 0:16:20 | 0:16:21 | |
Yes. Is the right answer, well done. | 0:16:21 | 0:16:23 | |
-Everything She Wants. -Yeah, yeah. | 0:16:23 | 0:16:25 | |
-That was a big clue. -OK, let's have a listen to it. | 0:16:25 | 0:16:28 | |
# And now you tell me that you're having my baby | 0:16:28 | 0:16:32 | |
# I'll tell you that I'm happy if you want me to. # | 0:16:32 | 0:16:36 | |
-Sheer relief, ain't it? Sheer relief. -Absolutely. | 0:16:36 | 0:16:38 | |
Fantastic. Let's go over to the other team. | 0:16:38 | 0:16:40 | |
How do you know the name of my new album? | 0:16:40 | 0:16:42 | |
And, Roger, here's your lyric. | 0:16:42 | 0:16:44 | |
Oh, what?! That sounds pretty real to me. | 0:16:50 | 0:16:52 | |
LAUGHTER | 0:16:52 | 0:16:55 | |
-Yep. -I would like a bit of help on this one. | 0:16:55 | 0:16:57 | |
She's from a very famous musical family. | 0:16:57 | 0:17:01 | |
American musical family. | 0:17:01 | 0:17:04 | |
Janet Jackson. | 0:17:04 | 0:17:05 | |
Song? What's the song? | 0:17:05 | 0:17:07 | |
Your only on one point, because I gave you a clue. | 0:17:09 | 0:17:11 | |
They conferred a lot, I think we should be able to chat a bit. | 0:17:11 | 0:17:15 | |
-We didn't confer! -We didn't confer! | 0:17:15 | 0:17:17 | |
We simply sang to one another gently. | 0:17:17 | 0:17:19 | |
A lot of whispering going on... | 0:17:19 | 0:17:21 | |
No, no. Gentle encouragement. | 0:17:21 | 0:17:24 | |
All very good, but, Roger, have you got a title? | 0:17:24 | 0:17:26 | |
-I haven't got a title, no. -You haven't got a title, OK. | 0:17:26 | 0:17:28 | |
I will reveal all after we've heard it. Here it is. | 0:17:28 | 0:17:31 | |
# Now it seems your dancing feet | 0:17:31 | 0:17:33 | |
# Are always on my couch | 0:17:33 | 0:17:35 | |
# Good thing I cook or else we'd starve to death. # | 0:17:35 | 0:17:38 | |
What have you done for me lately? | 0:17:38 | 0:17:40 | |
# What have you done for me lately? # | 0:17:40 | 0:17:42 | |
Well mimed to you by David as well. Go on, give us a verse. | 0:17:42 | 0:17:44 | |
BOTH: # Ooh, ooh, ooh, yeah. # | 0:17:44 | 0:17:47 | |
LAUGHTER AND APPLAUSE | 0:17:47 | 0:17:49 | |
No extra points, but jolly good fun. | 0:17:51 | 0:17:53 | |
Right, Cheryl, here comes your lyric. | 0:17:53 | 0:17:56 | |
I know it, don't I? I do. | 0:18:02 | 0:18:04 | |
Of course I know it. What is it? | 0:18:04 | 0:18:05 | |
I find it kind of funny I find it kind of sad | 0:18:05 | 0:18:08 | |
The dreams in which I'm dying Are the best I've ever had. | 0:18:08 | 0:18:10 | |
SHE HUMS | 0:18:10 | 0:18:12 | |
Bad, Sad, Bad World. Bad World. World. | 0:18:12 | 0:18:14 | |
-Bad World. Sad World. -What kind of world? -Mad? -Mad word. | 0:18:14 | 0:18:17 | |
-CAROL GASPS -Mad World! -What? | 0:18:17 | 0:18:20 | |
I know it rhymes with ad. | 0:18:20 | 0:18:22 | |
-Mad World. -You're absolutely right, it is Mad World. | 0:18:22 | 0:18:24 | |
Did you see? Such a cheat! | 0:18:24 | 0:18:26 | |
# And I find it kind of funny | 0:18:26 | 0:18:28 | |
# I find it kind of sad | 0:18:28 | 0:18:30 | |
# The dreams in which I'm dying | 0:18:30 | 0:18:32 | |
# Are the best I've ever had. # | 0:18:32 | 0:18:34 | |
Struggling to two points there, Cheryl, | 0:18:34 | 0:18:36 | |
but you got there nevertheless. | 0:18:36 | 0:18:38 | |
OK, Jay, can you do as well? Here is your lyric. | 0:18:38 | 0:18:40 | |
Oh. | 0:18:45 | 0:18:46 | |
-Hm. -Do you want a clue? | 0:18:48 | 0:18:50 | |
Yeah, I need a clue. | 0:18:50 | 0:18:51 | |
Went to number one when it was reissued. | 0:18:51 | 0:18:54 | |
-1991. -Oh, dear. | 0:18:54 | 0:18:56 | |
Why can't I cheat like David Grant did? | 0:18:56 | 0:18:58 | |
-LAUGHTER -Yeah, can we cheat like they did? | 0:18:58 | 0:19:01 | |
-Any ideas of the answer? No? -I don't know it. | 0:19:01 | 0:19:04 | |
I'm going to have to tell you that it is this. | 0:19:04 | 0:19:07 | |
# It's always tease, tease, tease | 0:19:07 | 0:19:09 | |
# You're happy when I'm on my knees. # | 0:19:11 | 0:19:14 | |
There we are, Should I Stay Or Should I Go, | 0:19:14 | 0:19:16 | |
from The Clash. | 0:19:16 | 0:19:17 | |
Everyone is bursting to tell you the answer. | 0:19:17 | 0:19:20 | |
No points. Sorry about that. But, David, here comes yours. | 0:19:20 | 0:19:23 | |
We can't even cheat now, we don't know it. | 0:19:26 | 0:19:29 | |
# But if it wasn't for your misfortune... # | 0:19:29 | 0:19:32 | |
Anything stirring in there? | 0:19:32 | 0:19:33 | |
-No, nothing. -Clue? | 0:19:33 | 0:19:34 | |
-Yes, please. -OK, down to one point. | 0:19:34 | 0:19:36 | |
The clue - still the UK's biggest ever selling 12-inch single. | 0:19:36 | 0:19:41 | |
-HE GASPS -Oh, that's got to be New Order. | 0:19:41 | 0:19:44 | |
Blue Monday. | 0:19:44 | 0:19:46 | |
Is the right answer. | 0:19:46 | 0:19:47 | |
# But if it wasn't for your misfortune | 0:19:47 | 0:19:50 | |
# I'd be a heavenly person today. # | 0:19:50 | 0:19:54 | |
So one point there with the clue - Blue Monday, New Order. Well done. | 0:19:54 | 0:19:58 | |
And, finally in this round, Carol, your lyric. | 0:19:58 | 0:20:01 | |
Well, that's got to be... | 0:20:06 | 0:20:07 | |
And I did a gig with her three weeks ago and I broke my arm... | 0:20:07 | 0:20:12 | |
-AUDIENCE: -Aw! -Bonnie Tyler. | 0:20:12 | 0:20:14 | |
-And the song? -And... | 0:20:14 | 0:20:16 | |
I've forgotten the title! | 0:20:16 | 0:20:18 | |
No, you haven't. No, you haven't. | 0:20:18 | 0:20:20 | |
# Always in the dark, livin' in a powder keg, givin' off sparks... # | 0:20:21 | 0:20:25 | |
It's worth two points. SHE HUMS | 0:20:25 | 0:20:27 | |
# Nothing I can do Total eclipse of the heart! # | 0:20:29 | 0:20:32 | |
# I don't know what to do I'm always in the dark | 0:20:32 | 0:20:35 | |
# Livin' in a powder keg And giving off sparks. # | 0:20:35 | 0:20:40 | |
Total Eclipse Of The Heart, two points. | 0:20:40 | 0:20:41 | |
So, at the end of that round, it is a very, very close. | 0:20:41 | 0:20:45 | |
We have Roger and Carol and Jay on ten. | 0:20:45 | 0:20:48 | |
And we have Cheryl, and David, and Nick on 11. | 0:20:48 | 0:20:50 | |
Hey! Wahey! | 0:20:50 | 0:20:52 | |
And onto her fourth round, which is Which Year. | 0:20:54 | 0:20:56 | |
I'm going to show each team a compilation of three music videos, | 0:20:56 | 0:21:00 | |
all charted in the same years. | 0:21:00 | 0:21:02 | |
Four points in all - one for each track and one for getting the year. | 0:21:02 | 0:21:05 | |
David, we start with your team. That's Cheryl, David and Nick. | 0:21:05 | 0:21:07 | |
Three songs for you. What's the year, what are the songs? | 0:21:07 | 0:21:10 | |
-# I want your love -I want your love | 0:21:10 | 0:21:13 | |
-# Give me your love -Give me your love | 0:21:13 | 0:21:15 | |
# That's how I feel... # | 0:21:15 | 0:21:17 | |
# Into the sea, you and me | 0:21:17 | 0:21:19 | |
# All these years and no-one heard | 0:21:19 | 0:21:21 | |
# I'll show you in spring It's a treacherous thing | 0:21:21 | 0:21:24 | |
# We missed you. # | 0:21:24 | 0:21:26 | |
# Modern medicine falls short of your complaints | 0:21:26 | 0:21:30 | |
# Oooh | 0:21:30 | 0:21:32 | |
# Try a little harder. # | 0:21:32 | 0:21:34 | |
-APPLAUSE -Oh, what's the year? | 0:21:34 | 0:21:36 | |
Three good songs, we only need the songs. What is the first one? | 0:21:36 | 0:21:39 | |
-The last one... -OK. -Oh. The last one was Too Shy Shy, | 0:21:39 | 0:21:42 | |
-or Too Shy. -Yeah. | 0:21:42 | 0:21:43 | |
-Lovecats. -Yeah, Lovecats by The Cure. | 0:21:43 | 0:21:46 | |
And IOU by Freeez. | 0:21:46 | 0:21:48 | |
-So the year? -1983. | 0:21:48 | 0:21:51 | |
Is the right answer - a full four points. | 0:21:51 | 0:21:53 | |
Well done. Roger, Carol and Jay, here comes yours. | 0:21:57 | 0:22:00 | |
You want the three tracks, and we'd like the year as well. | 0:22:00 | 0:22:04 | |
# I'll never know how good it feels | 0:22:04 | 0:22:07 | |
# To hold you | 0:22:07 | 0:22:09 | |
# Oh, no. # | 0:22:09 | 0:22:10 | |
# What she asked of me | 0:22:10 | 0:22:12 | |
# At the end of the day | 0:22:12 | 0:22:15 | |
# Caligula would have blushed. # | 0:22:15 | 0:22:18 | |
# Baby, baby, when I look at you | 0:22:18 | 0:22:21 | |
# I feel a warm feeling inside. # | 0:22:21 | 0:22:24 | |
I'd say it was about... I'd say '84. | 0:22:27 | 0:22:30 | |
They are got three good songs, one year, | 0:22:30 | 0:22:32 | |
so four points if you get them all. | 0:22:32 | 0:22:34 | |
-Nikita, Elton John. -That's Morrissey. | 0:22:34 | 0:22:37 | |
Heaven Knows I'm Miserable Now, The Smiths. | 0:22:37 | 0:22:40 | |
And I Feel For You, Chaka Khan. | 0:22:40 | 0:22:42 | |
Absolutely. What about the year? | 0:22:42 | 0:22:44 | |
1984. | 0:22:44 | 0:22:46 | |
1984...is right! | 0:22:46 | 0:22:48 | |
Four points. | 0:22:48 | 0:22:49 | |
Amazing. They were there and they still remember it. | 0:22:52 | 0:22:55 | |
LAUGHTER | 0:22:55 | 0:22:57 | |
So, Carol's team - that's Roger, Carol and Jay - on 14 points. | 0:22:57 | 0:23:01 | |
And Nick, Cheryl and David on 15 points. | 0:23:01 | 0:23:03 | |
OK, moving on to round five, which is Album Covers. | 0:23:08 | 0:23:11 | |
I'm going to show you some album covers, not the whole cover, just | 0:23:11 | 0:23:14 | |
a little bit. If you get the little bit, you get three points. | 0:23:14 | 0:23:18 | |
If I have to expand it, you get two points. | 0:23:18 | 0:23:21 | |
If I have to widen it completely, you get one point. | 0:23:21 | 0:23:23 | |
I need the album and I need the artist as well. | 0:23:23 | 0:23:26 | |
So, Cheryl, David and Nick, here is your little bit of album. | 0:23:26 | 0:23:30 | |
Three points if you get it just from that. | 0:23:31 | 0:23:34 | |
-Would that be Madonna? -I don't know. -Any idea who's those hands are? | 0:23:34 | 0:23:37 | |
We'll have another bit, if that's all right. | 0:23:37 | 0:23:39 | |
You'll have another bit. Two points if you get it from this. | 0:23:39 | 0:23:42 | |
We are widening. There's a bit of red hair there. | 0:23:42 | 0:23:44 | |
-And a bit of black down in the corner. -Yes! | 0:23:44 | 0:23:47 | |
-It's...it's... Yeah, that's... Is it Sweet Dreams? -Oh, yeah! | 0:23:47 | 0:23:50 | |
Not with her arm in that position, it's not. | 0:23:50 | 0:23:52 | |
Well, we think it's the Eurythmics, | 0:23:52 | 0:23:55 | |
and we're trying to remember whether the album is Sweet Dreams... | 0:23:55 | 0:23:58 | |
-Or? -Or not. | 0:23:58 | 0:24:00 | |
LAUGHTER | 0:24:00 | 0:24:02 | |
I can take you down to one point if you want to see more. | 0:24:04 | 0:24:07 | |
Will the title of the album be on it if we see more? | 0:24:07 | 0:24:10 | |
-Not that much more. -I can do that for no points. | 0:24:10 | 0:24:14 | |
What do you think? Do you want to go for one point | 0:24:14 | 0:24:16 | |
-and take it up a bit more? -Let's see a bit more. -OK. | 0:24:16 | 0:24:19 | |
Let's reveal a bit more, down to one point. | 0:24:19 | 0:24:21 | |
Yeah, so it's definitely the Eurythmics, | 0:24:21 | 0:24:23 | |
and we still don't know what it's called. | 0:24:23 | 0:24:26 | |
-Go for one. -It's the Eurythmics, Sweet Dreams. | 0:24:26 | 0:24:29 | |
It's not. Do you know, just out of interest? | 0:24:29 | 0:24:31 | |
It's the Eurythmics, and I think it was called Touch. | 0:24:31 | 0:24:34 | |
It is called Touch. There it is. | 0:24:35 | 0:24:37 | |
-So, sadly, no points, but lots of revealing. It was very good. -Yeah. | 0:24:42 | 0:24:45 | |
OK, Carol's team, here comes one for you. | 0:24:45 | 0:24:48 | |
Three points from this little bit, two points if I widen it, | 0:24:48 | 0:24:51 | |
-and one point... -Oh, come on! -..if I have to widen it greatly. | 0:24:51 | 0:24:54 | |
-That looks very strange. -That's fog! | 0:24:54 | 0:24:56 | |
-It looks like it's been quite a nice day. -It's a picture of fog. | 0:24:56 | 0:24:59 | |
Fog On The Tyne or something? | 0:24:59 | 0:25:01 | |
-He's going to have to expand to level two, isn't he? -Two points? | 0:25:01 | 0:25:04 | |
Do you want to go for two? | 0:25:04 | 0:25:05 | |
-I haven't got a clue, you? -We're going to have to. | 0:25:05 | 0:25:07 | |
-Very, very difficult... -Let's widen it for two points. -..to see. | 0:25:07 | 0:25:10 | |
I think this may give it away. This little bit in the corner there. | 0:25:10 | 0:25:13 | |
Oh, yes! | 0:25:13 | 0:25:14 | |
-It's... -Dire Straits. -Dire Straits. Brothers In Arms. | 0:25:14 | 0:25:17 | |
You're absolutely right. It is. | 0:25:17 | 0:25:20 | |
There it is, Brothers In Arms. | 0:25:20 | 0:25:22 | |
One of the best selling albums of all time. | 0:25:22 | 0:25:25 | |
So, two points for you, and that brings us to this score | 0:25:26 | 0:25:29 | |
at the end of the round - Cheryl, David and Nick 15 points, | 0:25:29 | 0:25:32 | |
Roger, Carol and Jay, 16 points. | 0:25:32 | 0:25:34 | |
-CHEERING AND APPLAUSE -We're back, we're back. | 0:25:34 | 0:25:38 | |
So it is time for the quick fire around. | 0:25:39 | 0:25:41 | |
So, to get the tension and the drama going, let's dip the studio lights | 0:25:41 | 0:25:44 | |
so you can't see your mobile phones to cheat. | 0:25:44 | 0:25:47 | |
So let's hear what your buzzer sounds like, Cheryl, David and Nick. | 0:25:47 | 0:25:51 | |
# Intuition! # | 0:25:51 | 0:25:53 | |
And, Roger, Carol and Jay, yours sounds like this. | 0:25:53 | 0:25:55 | |
# China in your hand. # | 0:25:55 | 0:25:57 | |
LAUGHTER | 0:25:57 | 0:26:00 | |
Royalties! | 0:26:00 | 0:26:02 | |
Yes! | 0:26:02 | 0:26:03 | |
Amazing how the professional mind kicks into gear. | 0:26:06 | 0:26:08 | |
It's extraordinary. | 0:26:08 | 0:26:09 | |
OK, fingers on the buzzers, | 0:26:09 | 0:26:11 | |
and don't just keep buzzing for the royalties. | 0:26:11 | 0:26:13 | |
One point for each correct answer. | 0:26:13 | 0:26:15 | |
Get it wrong, I'll throw it over to the other team for a bonus point. | 0:26:15 | 0:26:18 | |
Who had a UK number one hit single in 1982 with Fame? | 0:26:18 | 0:26:22 | |
-# Intuition! # -David. | 0:26:22 | 0:26:24 | |
The kids from Fame. | 0:26:24 | 0:26:25 | |
Uh, no, throw it over for bonus. | 0:26:25 | 0:26:27 | |
David Bowie? | 0:26:27 | 0:26:28 | |
-No, it's Irene Cara. -Oh! | 0:26:28 | 0:26:30 | |
OK, so novelty act The Firm | 0:26:30 | 0:26:32 | |
had a number one single in 1987 with which space-inspired track? | 0:26:32 | 0:26:36 | |
-# Intuition!# -Cheryl. | 0:26:36 | 0:26:39 | |
-Star Trekkin'. -Star Trekkin'. | 0:26:39 | 0:26:41 | |
You were the one who bought it. | 0:26:41 | 0:26:42 | |
What was Phil Collins's first solo album called? | 0:26:43 | 0:26:46 | |
-# Intuition! # -David. | 0:26:46 | 0:26:48 | |
-No Jacket Required. -No. Throw it over. | 0:26:48 | 0:26:51 | |
-No Jacket Required. -No, we already had that. -Oh, sorry. | 0:26:51 | 0:26:54 | |
You can't give the same wrong answer and expect me to... | 0:26:54 | 0:26:57 | |
HE LAUGHS | 0:26:57 | 0:26:59 | |
-It was in fact Face Value. It was Face Value. -Yeah, yeah. | 0:26:59 | 0:27:01 | |
Who were the first-ever Western pop act perform in China? | 0:27:01 | 0:27:04 | |
# China in my hand. # | 0:27:04 | 0:27:06 | |
I love that song. Wham! | 0:27:07 | 0:27:08 | |
Wham! OK, very good. Point for you. | 0:27:08 | 0:27:11 | |
1980 Dolly Parton and which other female singer had hit called | 0:27:11 | 0:27:13 | |
-9 To 5? -# Intuition! # | 0:27:13 | 0:27:16 | |
-Yes, David. -# Working nine to five | 0:27:16 | 0:27:19 | |
# What a way to... # I need help. | 0:27:19 | 0:27:20 | |
# Working nine to five... # | 0:27:20 | 0:27:22 | |
Dolly Parton and another female singer? | 0:27:22 | 0:27:24 | |
Different song. Different song. | 0:27:24 | 0:27:26 | |
Oh, 9 To 5, Sheena Easton. | 0:27:26 | 0:27:27 | |
-Is a right answer. -I thought it was a duet. I was like... | 0:27:27 | 0:27:30 | |
There's nobody else. Yes! | 0:27:30 | 0:27:31 | |
-Name one of ABBA'S number one singles from 1980s? -Whose? -ABBA. | 0:27:31 | 0:27:35 | |
-# Intuition! # -Yes, Cheryl. | 0:27:35 | 0:27:37 | |
-Winner Takes It All. -No! -# Pop quiz! # | 0:27:37 | 0:27:40 | |
-Winner Takes It All is the right answer. -Oh! -Yes! | 0:27:40 | 0:27:42 | |
-It is the right answer for one point. Absolutely right. -Yeah! | 0:27:42 | 0:27:46 | |
At the end of the game, end of the show, I can tell you, | 0:27:46 | 0:27:49 | |
in the lead and winning tonight's show - Cheryl, David and Nick. | 0:27:49 | 0:27:52 | |
David Grant's team are the winners! | 0:27:52 | 0:27:53 | |
# Celebrate good times, come on! # | 0:27:53 | 0:27:55 | |
Well, we have had the best of the '80s - the fashion, | 0:28:00 | 0:28:02 | |
the gossip, the singing. | 0:28:02 | 0:28:03 | |
All that remains is for me to thank our guests. | 0:28:03 | 0:28:06 | |
Ranking Roger from The Beat. | 0:28:06 | 0:28:08 | |
Carol Decker. | 0:28:09 | 0:28:10 | |
Jay Aston, from Bucks Fizz. | 0:28:12 | 0:28:14 | |
And the winning score - Nick Heyward... | 0:28:14 | 0:28:16 | |
..David Grant... | 0:28:17 | 0:28:19 | |
and Cheryl Baker. | 0:28:19 | 0:28:21 | |
As is the tradition with Pop Quiz, | 0:28:24 | 0:28:25 | |
we end with a fabulous piece of archive. | 0:28:25 | 0:28:27 | |
And I've chosen Prince and Purple Rain. | 0:28:27 | 0:28:30 | |
This is absolutely iconic. | 0:28:30 | 0:28:31 | |
Thank you for watching. We've enjoyed it. | 0:28:31 | 0:28:34 | |
This has been Pop Quiz, The Comeback. | 0:28:34 | 0:28:36 | |
# I never meant to cause you any trouble | 0:28:40 | 0:28:43 | |
# I never meant to cause you any pain | 0:28:48 | 0:28:50 | |
# I only wanted to one time to see you laughing | 0:28:56 | 0:28:58 | |
# I only wanted to see you laughing | 0:29:01 | 0:29:05 | |
# In the purple rain. # | 0:29:05 | 0:29:08 |