Browse content similar to 01/01/2012. Check below for episodes and series from the same categories and more!
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-Hello, I'm Jamie MacDougall. -And I'm Kaye Adams. | 0:00:27 | 0:00:30 | |
And welcome to the Caird Hall in Dundee | 0:00:30 | 0:00:32 | |
for the BBC Proms Last Night Celebrations in Scotland. | 0:00:32 | 0:00:36 | |
We have a great show coming up for you tonight, | 0:00:36 | 0:00:39 | |
with some of the world's finest musicians and singers joining us on the stage. | 0:00:39 | 0:00:42 | |
Already onstage, we have the BBC Scottish Symphony Orchestra, | 0:00:42 | 0:00:46 | |
guest-led tonight by Helena Wood. | 0:00:46 | 0:00:48 | |
Hot-footing it fresh from the West End | 0:00:48 | 0:00:52 | |
we have one of the country's best-loved singers, Alfie Boe, | 0:00:52 | 0:00:54 | |
and one of Scotland's most successful singer-songwriters, Fran Healy, | 0:00:54 | 0:00:58 | |
is going to be performing with the BBC SSO for the first time. | 0:00:58 | 0:01:02 | |
And from Orkney, one of the brightest new talents | 0:01:02 | 0:01:05 | |
on the traditional music scene, | 0:01:05 | 0:01:07 | |
BBC Radio Scotland Young Traditional Musician of the Year | 0:01:07 | 0:01:10 | |
Kristan Harvey will also be playing with the orchestra. | 0:01:10 | 0:01:14 | |
And behind me, looking resplendent as you can see, | 0:01:14 | 0:01:17 | |
we have our very own Dundee Proms Chorus. | 0:01:17 | 0:01:20 | |
They have been brought together just to perform for us tonight. | 0:01:20 | 0:01:24 | |
They haven't performed in public before, | 0:01:24 | 0:01:26 | |
so we will be hearing their debut performance | 0:01:26 | 0:01:29 | |
-in just a few moments' time. -We've got some superb pieces for you - | 0:01:29 | 0:01:32 | |
everything from show tunes to Shostakovich. | 0:01:32 | 0:01:35 | |
It's a real celebration of music of all kinds. | 0:01:35 | 0:01:37 | |
And to lead us, and the BBC Scottish Symphony Orchestra | 0:01:37 | 0:01:41 | |
through this evening, please welcome our conductor, Stephen Bell! | 0:01:41 | 0:01:45 | |
CHEERING AND APPLAUSE | 0:01:45 | 0:01:49 | |
CHEERING AND APPLAUSE | 0:08:09 | 0:08:13 | |
Stephen Bell and the BBC Scottish Symphony Orchestra | 0:08:24 | 0:08:28 | |
getting us off to a great start with the Festival Overture | 0:08:28 | 0:08:31 | |
by Shostakovich, first heard at the Bolshoi in Moscow in 1954. | 0:08:31 | 0:08:36 | |
Now to meet our first soloist of the evening. Are you ready? | 0:08:36 | 0:08:39 | |
-AUDIENCE: -Yes! | 0:08:39 | 0:08:40 | |
He is rather good, I can tell you. | 0:08:40 | 0:08:42 | |
Legend has it that he only joined the local amateur operatic society | 0:08:42 | 0:08:47 | |
because his sister told him it was a good place to meet girls. | 0:08:47 | 0:08:50 | |
-That's why we do it! -Bear that in mind. | 0:08:50 | 0:08:53 | |
He was also spotted by a talent scout who heard him singing | 0:08:53 | 0:08:57 | |
while he was at work in the local car factory. | 0:08:57 | 0:09:00 | |
Well, the car factory's loss is certainly our gain | 0:09:00 | 0:09:03 | |
because he is now regarded as one of the finest tenor voices | 0:09:03 | 0:09:07 | |
in the world. | 0:09:07 | 0:09:08 | |
Ladies and gentlemen, singing Recondita Armonia from Tosca by Puccini, | 0:09:08 | 0:09:11 | |
please welcome the fabulous Alfie Boe! | 0:09:11 | 0:09:14 | |
CHEERING AND APPLAUSE | 0:09:14 | 0:09:17 | |
# Recondita armonia | 0:10:13 | 0:10:21 | |
# Di bellezze diverse | 0:10:21 | 0:10:28 | |
# A bruna Floria | 0:10:28 | 0:10:33 | |
# L'ardente amante mia | 0:10:33 | 0:10:41 | |
# E te, beltade ignota | 0:10:44 | 0:10:52 | |
# Cinta di chiome bionde | 0:10:53 | 0:10:59 | |
# Tu azzurro hai l'occhio | 0:10:59 | 0:11:06 | |
# Tosca ha l'occhio nero | 0:11:07 | 0:11:14 | |
# L'arte nel suo mistero | 0:11:17 | 0:11:22 | |
# Le diverse bellezze insiem confonde | 0:11:23 | 0:11:29 | |
# Ma nel ritrar costei | 0:11:29 | 0:11:38 | |
# Il mio solo pensiero | 0:11:38 | 0:11:44 | |
# Ah! Il mio sol' pensier sei tu | 0:11:44 | 0:11:51 | |
# Tosca | 0:11:52 | 0:12:00 | |
# Sei tu! # | 0:12:00 | 0:12:06 | |
CHEERING AND APPLAUSE | 0:12:06 | 0:12:08 | |
Well, a very appreciative Dundee audience there, | 0:12:15 | 0:12:18 | |
and they can look forward to more from Alfie later in the programme. | 0:12:18 | 0:12:22 | |
CHEERING AND APPLAUSE | 0:21:16 | 0:21:20 | |
-I think that left everyone shaken AND stirred! -Absolutely. | 0:21:40 | 0:21:43 | |
That was, of course, a medley of some of the best James Bond themes, | 0:21:43 | 0:21:47 | |
our own tribute to the late, great John Barry. | 0:21:47 | 0:21:49 | |
You should have heard - what - Goldfinger, Thunderball, From Russia With Love... | 0:21:49 | 0:21:54 | |
-Did you recognise them? AUDIENCE: -Yes! | 0:21:54 | 0:21:57 | |
In the summer we announced that once again we'd be forming | 0:21:57 | 0:22:00 | |
the Dundee Proms Chorus. Now, this is a choir of all ages, | 0:22:00 | 0:22:04 | |
all abilities and experience. We don't have any auditions - | 0:22:04 | 0:22:07 | |
we just ask that they come along to the rehearsals | 0:22:07 | 0:22:09 | |
and sing their heart out, which they absolutely do, | 0:22:09 | 0:22:13 | |
but tonight the rehearsals are over. They are about to sing for you, for the very first time. | 0:22:13 | 0:22:18 | |
Remember, this group have not sung in public before. | 0:22:18 | 0:22:22 | |
So, performing Verdi's Chorus Of The Hebrew Slaves from Nabucco, | 0:22:22 | 0:22:27 | |
with Stephen Bell, I give you the Dundee Proms Chorus. | 0:22:27 | 0:22:31 | |
CHEERING AND APPLAUSE | 0:22:31 | 0:22:34 | |
# Va, pensiero | 0:23:38 | 0:23:42 | |
# Sull'ali dorate | 0:23:42 | 0:23:47 | |
# Va ti posa sui clivi | 0:23:48 | 0:23:53 | |
# Sui colli | 0:23:53 | 0:23:57 | |
# Ove olezzano tepide e molli | 0:23:57 | 0:24:05 | |
# L'aure dolci del suolo natal | 0:24:06 | 0:24:14 | |
# Del Giordano le rive saluta | 0:24:16 | 0:24:25 | |
# Di Sionne le torri atterrate | 0:24:25 | 0:24:34 | |
# Oh, mia patria si bella e perduta | 0:24:34 | 0:24:44 | |
# Oh, membranza si cara e fatal! | 0:24:44 | 0:24:53 | |
# Arpa d'or dei fatidici vati | 0:24:53 | 0:25:04 | |
# Perche muta dal salice pendi? | 0:25:04 | 0:25:12 | |
# Le memorie nel petto raccendi | 0:25:12 | 0:25:23 | |
# Ci favella del tempo che fu | 0:25:23 | 0:25:31 | |
# O simile di Solima ai fati | 0:25:31 | 0:25:41 | |
# Traggi un suono di crudo lamento | 0:25:41 | 0:25:51 | |
# O t'ispiri il Signore un concento | 0:25:51 | 0:26:01 | |
# Che ne infonda al patire virtu! | 0:26:01 | 0:26:08 | |
# Che ne infonda al patire virtu | 0:26:08 | 0:26:17 | |
# Che ne infonda al patire virtu | 0:26:17 | 0:26:27 | |
# Al patire virtu. # | 0:26:27 | 0:26:42 | |
CHEERING AND APPLAUSE | 0:26:42 | 0:26:47 | |
The Dundee Proms Chorus, ladies and gentlemen. Weren't they fantastic? | 0:27:01 | 0:27:06 | |
Well, I'd like to introduce the lady who's trained the choir, | 0:27:06 | 0:27:10 | |
though I'm sure not like a slave-driver you'd find | 0:27:10 | 0:27:12 | |
in the opera Nabucco. | 0:27:12 | 0:27:14 | |
Please welcome the inspirational Anna Flannagan! | 0:27:14 | 0:27:17 | |
CHEERING AND APPLAUSE | 0:27:17 | 0:27:20 | |
# Come on babe Why don't we paint the town? | 0:27:41 | 0:27:46 | |
# And all that jazz | 0:27:47 | 0:27:49 | |
# I'm gonna rouge my knees and roll my stockings down | 0:27:49 | 0:27:52 | |
# And all that jazz | 0:27:55 | 0:27:57 | |
# Start the car I know a whoopee spot | 0:27:57 | 0:28:00 | |
# Where the gin is cold but the piano's hot | 0:28:00 | 0:28:04 | |
# It's just a noisy hall where there's a nightly brawl | 0:28:04 | 0:28:07 | |
# And all that jazz | 0:28:07 | 0:28:16 | |
# Slick your hair and wear your buckle shoes | 0:28:19 | 0:28:22 | |
# Wah-wah-wah-wah-wah | 0:28:22 | 0:28:24 | |
# And all that jazz | 0:28:24 | 0:28:26 | |
# I hear that Father Dip is gonna blow the blues | 0:28:26 | 0:28:29 | |
# Wah-wah-wah-wah-wah | 0:28:29 | 0:28:31 | |
# And all that jazz | 0:28:31 | 0:28:33 | |
# Hold on, hon We're gonna bunny hug | 0:28:33 | 0:28:36 | |
# I bought some aspirin down at United Drug | 0:28:36 | 0:28:40 | |
# In case you shake apart and want a brand new start | 0:28:40 | 0:28:43 | |
# To do - do- that - that - jazz | 0:28:43 | 0:28:52 | |
# Skidoo! | 0:28:52 | 0:28:53 | |
# And all that jazz | 0:28:53 | 0:28:55 | |
# Hotcha! | 0:28:55 | 0:28:56 | |
# Whoopee! | 0:28:56 | 0:28:58 | |
# And all that jazz | 0:29:00 | 0:29:02 | |
# Ha! Ha! Ha! | 0:29:04 | 0:29:09 | |
# It's just a noisy hall where there's a nightly brawl | 0:29:09 | 0:29:13 | |
# And all that jazz | 0:29:13 | 0:29:20 | |
# Oh, you're gonna see your sheba shimmy shake | 0:29:21 | 0:29:25 | |
# And all that jazz | 0:29:25 | 0:29:28 | |
# Oh, she's gonna shimmy till her garters break | 0:29:28 | 0:29:32 | |
# And all that jazz | 0:29:32 | 0:29:34 | |
# Show her where to park her girdle | 0:29:34 | 0:29:38 | |
# Oh, her mother's blood'd curdle | 0:29:38 | 0:29:41 | |
# If she'd hear her baby's queer | 0:29:41 | 0:29:44 | |
# For all that jazz | 0:29:44 | 0:29:46 | |
# Find a flask We're playing fast and loose | 0:29:52 | 0:29:55 | |
# And all that jazz And all that jazz | 0:29:55 | 0:29:59 | |
# Right up here is where I store the juice | 0:29:59 | 0:30:02 | |
# And all that jazz And all that jazz | 0:30:02 | 0:30:05 | |
# Come on, babe We're gonna brush the sky | 0:30:05 | 0:30:08 | |
# I bet you Lucky Lindy never flew so high | 0:30:08 | 0:30:12 | |
# Cos in the stratosphere how could he lend an ear | 0:30:12 | 0:30:15 | |
# To all that jazz | 0:30:15 | 0:30:24 | |
# And all that jazz | 0:30:24 | 0:30:26 | |
# And all that jazz | 0:30:30 | 0:30:32 | |
# Oooh | 0:30:32 | 0:30:36 | |
# Aaah | 0:30:36 | 0:30:39 | |
# No, I'm no-one's wife | 0:30:43 | 0:30:47 | |
# But, oh, I love my life | 0:30:47 | 0:30:51 | |
# And all that jazz! | 0:30:51 | 0:31:03 | |
# That's jazz! # | 0:31:03 | 0:31:06 | |
CHEERING AND APPLAUSE | 0:31:06 | 0:31:10 | |
I'd like to introduce you to the next of our fantastic soloists. | 0:31:26 | 0:31:31 | |
Kristan Harvey started playing the violin at the age of nine in her home in Orkney. | 0:31:31 | 0:31:36 | |
This early start paid off, because earlier this year, she was handed the title | 0:31:36 | 0:31:42 | |
BBC Radio Scotland Young Traditional Musician of the Year. | 0:31:42 | 0:31:46 | |
Accompanied on bodhran by Stuart Semple, please welcome Kristan Harvey. | 0:31:46 | 0:31:50 | |
CHEERING AND APPLAUSE | 0:38:25 | 0:38:28 | |
CHEERING AND APPLAUSE | 0:42:12 | 0:42:17 | |
Next up tonight, | 0:42:21 | 0:42:22 | |
one of the most successful Scottish singer-songwriters of this generation. | 0:42:22 | 0:42:26 | |
He's had a string of hits with his band, Travis, | 0:42:26 | 0:42:29 | |
including our other national anthem. | 0:42:29 | 0:42:31 | |
You know it, don't you? Why Does It Always Rain On Me? Yes. We know that one here in Scotland. | 0:42:31 | 0:42:35 | |
And also, he's had great critical acclaim with his solo album, Recorder. | 0:42:35 | 0:42:40 | |
Please give a huge welcome to Fran Healy! | 0:42:40 | 0:42:45 | |
CHEERING AND APPLAUSE | 0:42:45 | 0:42:50 | |
I'm just going to tune quickly, because if I'm out of tune, | 0:42:57 | 0:43:00 | |
they'll sound bad! | 0:43:00 | 0:43:01 | |
MUTED LAUGHTER | 0:43:01 | 0:43:04 | |
HE STRUMS CHORDS | 0:43:04 | 0:43:06 | |
Perfect. | 0:43:06 | 0:43:07 | |
One, two, three, four. | 0:43:12 | 0:43:14 | |
# I've had enough | 0:43:32 | 0:43:35 | |
# Of this parade | 0:43:37 | 0:43:40 | |
# I'm thinking of | 0:43:41 | 0:43:45 | |
# The words to say | 0:43:45 | 0:43:49 | |
# We open up | 0:43:51 | 0:43:53 | |
# Unfinished parts | 0:43:55 | 0:43:58 | |
# Broken up | 0:44:00 | 0:44:04 | |
# It's so mellow | 0:44:04 | 0:44:09 | |
# And when I see you then I know it will be next to me | 0:44:09 | 0:44:14 | |
# And when I need you then I know you will be there with me | 0:44:14 | 0:44:18 | |
# I'll never leave you | 0:44:18 | 0:44:21 | |
# Just need to get closer | 0:44:21 | 0:44:24 | |
# Closer | 0:44:24 | 0:44:27 | |
# Lean on me now | 0:44:27 | 0:44:29 | |
# Lean on me now | 0:44:29 | 0:44:32 | |
# Closer | 0:44:32 | 0:44:34 | |
# Closer | 0:44:34 | 0:44:36 | |
# Lean on me now | 0:44:36 | 0:44:39 | |
# Lean on me now | 0:44:39 | 0:44:41 | |
# Keep waking up | 0:44:41 | 0:44:44 | |
# Without you here | 0:44:45 | 0:44:48 | |
# Another day | 0:44:50 | 0:44:52 | |
# Another year | 0:44:54 | 0:44:57 | |
# I seek the truth | 0:44:59 | 0:45:02 | |
# We set apart | 0:45:03 | 0:45:06 | |
# Thinking of | 0:45:08 | 0:45:13 | |
# A second chance | 0:45:13 | 0:45:17 | |
# And when I see you then I know it will be next to me | 0:45:17 | 0:45:22 | |
# And when I need you then I know you will be there with me | 0:45:22 | 0:45:27 | |
# I'll never leave you | 0:45:27 | 0:45:30 | |
# Just need to get closer | 0:45:30 | 0:45:33 | |
# Closer | 0:45:33 | 0:45:36 | |
# Lean on me now | 0:45:36 | 0:45:38 | |
# Lean on me now | 0:45:38 | 0:45:41 | |
# Closer | 0:45:41 | 0:45:43 | |
# Closer | 0:45:43 | 0:45:45 | |
# Lean on me now | 0:45:45 | 0:45:47 | |
# Lean on me now | 0:45:47 | 0:45:49 | |
# Lean on me now | 0:45:49 | 0:45:52 | |
# And when I see you then I know it will be next to me | 0:46:08 | 0:46:12 | |
# And when I need you then I know you will be there with me | 0:46:12 | 0:46:17 | |
# I'll never leave you | 0:46:17 | 0:46:20 | |
Just need to get closer | 0:46:20 | 0:46:23 | |
# Closer | 0:46:23 | 0:46:26 | |
# Lean on me now | 0:46:26 | 0:46:29 | |
# Lean on me now | 0:46:29 | 0:46:31 | |
# Closer, closer | 0:46:31 | 0:46:35 | |
# Lean on me now | 0:46:35 | 0:46:37 | |
# Lean on me now | 0:46:37 | 0:46:40 | |
# Lean on me now | 0:46:40 | 0:46:42 | |
# Ooh, ooh-ooh | 0:46:45 | 0:46:48 | |
# Ooh, ooh-ooh | 0:46:48 | 0:46:52 | |
# Ooh-ooh | 0:46:53 | 0:46:56 | |
# Closer | 0:46:57 | 0:46:59 | |
# Closer | 0:46:59 | 0:47:03 | |
# Closer | 0:47:06 | 0:47:09 | |
# Closer. # | 0:47:09 | 0:47:12 | |
CHEERING AND APPLAUSE | 0:47:19 | 0:47:27 | |
Ladies and gentlemen, it is now time to welcome back one of the biggest names of the West End. | 0:47:39 | 0:47:45 | |
He's made the part of Jean Valjean in Les Miserables his own. | 0:47:45 | 0:47:49 | |
He has, of course, a string of solo albums and awards to his name. | 0:47:49 | 0:47:53 | |
It is, of course, Alfie Boe. | 0:47:53 | 0:47:57 | |
CHEERING AND APPLAUSE | 0:47:57 | 0:48:01 | |
# God on high | 0:48:21 | 0:48:30 | |
# Hear my prayer | 0:48:30 | 0:48:35 | |
# In my need | 0:48:37 | 0:48:42 | |
# You have always been there | 0:48:43 | 0:48:48 | |
# He is young | 0:48:49 | 0:48:55 | |
# He's afraid | 0:48:55 | 0:49:01 | |
# Let him rest | 0:49:02 | 0:49:08 | |
# Heaven blessed | 0:49:08 | 0:49:11 | |
# Bring him home | 0:49:13 | 0:49:19 | |
# Bring him home | 0:49:19 | 0:49:23 | |
# Bring him home | 0:49:24 | 0:49:28 | |
# He's like the son I might have known | 0:49:30 | 0:49:33 | |
# If God had granted me a son | 0:49:35 | 0:49:38 | |
# The summers die | 0:49:38 | 0:49:42 | |
# One by one | 0:49:42 | 0:49:43 | |
# How soon they fly | 0:49:43 | 0:49:47 | |
# On and on | 0:49:47 | 0:49:49 | |
# And I am old | 0:49:49 | 0:49:52 | |
# And will be gone | 0:49:53 | 0:49:56 | |
# Bring him peace | 0:50:01 | 0:50:09 | |
# Bring him joy | 0:50:09 | 0:50:14 | |
# He is young | 0:50:16 | 0:50:19 | |
# He is only a boy | 0:50:20 | 0:50:24 | |
# You can take | 0:50:26 | 0:50:31 | |
# You can give | 0:50:31 | 0:50:35 | |
# Let him be | 0:50:37 | 0:50:41 | |
# Let him live | 0:50:41 | 0:50:45 | |
# If I die | 0:50:47 | 0:50:52 | |
# Let me die | 0:50:52 | 0:50:57 | |
# Let him live | 0:50:58 | 0:51:02 | |
# Bring him home | 0:51:04 | 0:51:08 | |
# Bring him home | 0:51:11 | 0:51:14 | |
# Bring him home. # | 0:51:18 | 0:51:39 | |
CHEERING AND APPLAUSE | 0:51:40 | 0:51:47 | |
A fantastic response from the audience to that favourite piece. | 0:52:12 | 0:52:17 | |
Now joining Alfie on stage, Anna Flannagan. | 0:52:17 | 0:52:21 | |
APPLAUSE | 0:52:21 | 0:52:25 | |
# Do you hear the people sing? | 0:52:35 | 0:52:38 | |
# Singing a song of angry men? | 0:52:38 | 0:52:41 | |
# It's the music of a people | 0:52:41 | 0:52:44 | |
# Who will not be slaves again! | 0:52:44 | 0:52:46 | |
# When the beating of your heart | 0:52:46 | 0:52:49 | |
# Echoes the beating of the drums | 0:52:49 | 0:52:51 | |
# There's a life about to start | 0:52:51 | 0:52:54 | |
# When tomorrow comes! | 0:52:54 | 0:52:57 | |
# Will you join in our crusade? | 0:52:57 | 0:52:59 | |
# Who will be strong and stand with me? | 0:52:59 | 0:53:02 | |
# Beyond the barricade | 0:53:02 | 0:53:05 | |
# Is there a world you long to see? | 0:53:05 | 0:53:08 | |
# Then join in the fight | 0:53:08 | 0:53:10 | |
# That will give you the right to be free! | 0:53:10 | 0:53:13 | |
# Do you hear the people sing? | 0:53:13 | 0:53:16 | |
# Singing a song of angry men? | 0:53:16 | 0:53:19 | |
# It's the music of a people | 0:53:19 | 0:53:21 | |
# Who will not be slaves again! | 0:53:21 | 0:53:24 | |
# When the beating of your heart | 0:53:24 | 0:53:26 | |
# Echoes the beating of the drums | 0:53:26 | 0:53:29 | |
# There's a life about to start | 0:53:29 | 0:53:31 | |
# When tomorrow comes! | 0:53:31 | 0:53:34 | |
# Will you give all you can give | 0:53:34 | 0:53:36 | |
# So that our banner may advance | 0:53:36 | 0:53:39 | |
# Some will fall and some will live | 0:53:39 | 0:53:42 | |
# Will you stand up and take your chance? | 0:53:42 | 0:53:44 | |
# The blood of the martyrs Will water the meadows of France! | 0:53:44 | 0:53:49 | |
# Do you hear the people sing? | 0:53:49 | 0:53:51 | |
# Singing a song of angry men? | 0:53:51 | 0:53:54 | |
# It's the music of a people | 0:53:54 | 0:53:56 | |
# Who will not be slaves again! | 0:53:56 | 0:53:59 | |
# When the beating of your heart | 0:53:59 | 0:54:01 | |
# Echoes the beating of the drums | 0:54:01 | 0:54:04 | |
# There's a life about to start | 0:54:04 | 0:54:07 | |
# When tomorrow comes! | 0:54:07 | 0:54:09 | |
# Will you give all you can give | 0:54:09 | 0:54:12 | |
# So that our banner may advance | 0:54:12 | 0:54:15 | |
# Some will fall and some will live | 0:54:15 | 0:54:17 | |
# Will you stand up and take your chance? | 0:54:17 | 0:54:19 | |
# The blood of the martyrs Will water the meadows of France! | 0:54:19 | 0:54:24 | |
# Do you hear the people sing? | 0:54:24 | 0:54:27 | |
# Singing a song of angry men? | 0:54:27 | 0:54:29 | |
# It is the music of a people | 0:54:29 | 0:54:32 | |
# Who will not be slaves again! | 0:54:32 | 0:54:35 | |
# When the beating of your heart | 0:54:35 | 0:54:37 | |
# Echoes the beating of the drums | 0:54:37 | 0:54:39 | |
# There is a life about to start | 0:54:39 | 0:54:42 | |
# When tomorrow comes! | 0:54:42 | 0:54:46 | |
# Co-o-o-o-o-o-omes! # | 0:54:46 | 0:55:03 | |
CHEERING AND APPLAUSE | 0:55:03 | 0:55:07 | |
Ladies and gentlemen, that brings us almost to the close of our concert this evening. | 0:55:19 | 0:55:23 | |
It's time to thank all our performers. | 0:55:23 | 0:55:26 | |
-To Anna Flannagan, to Kristan Harvey. -To Fran Healy, to Alfie Boe. And, of course... | 0:55:26 | 0:55:32 | |
CHEERING AND APPLAUSE | 0:55:32 | 0:55:35 | |
..to the BBC Scottish Symphony Orchestra. | 0:55:35 | 0:55:39 | |
Conducted by Stephen Bell. | 0:55:39 | 0:55:42 | |
Time now to end our wonderful evening of music with a very Scottish finale. | 0:55:47 | 0:55:53 | |
We really hope you've had a wonderful time this evening. | 0:55:53 | 0:55:57 | |
We have certainly had a wonderful time this evening. | 0:55:57 | 0:55:59 | |
We certainly have. Mr Conductor, Auld Lang Syne, if you please. | 0:55:59 | 0:56:02 | |
# Should auld acquaintance be forgot | 0:56:13 | 0:56:17 | |
# And never brought to mind? | 0:56:17 | 0:56:22 | |
# Should auld acquaintance be forgot | 0:56:23 | 0:56:29 | |
# And days of auld lang syne | 0:56:29 | 0:56:34 | |
# For auld lang syne, my dear | 0:56:34 | 0:56:40 | |
# For auld lang syne | 0:56:40 | 0:56:46 | |
# We'll tak' a cup o' kindness yet | 0:56:46 | 0:56:51 | |
# For auld lang syne | 0:56:51 | 0:56:57 | |
# And there's a hand my trusty fiere | 0:56:57 | 0:57:03 | |
# And gie's a hand o' thine | 0:57:03 | 0:57:08 | |
# And we'll tak' a right gude-willy waught | 0:57:08 | 0:57:14 | |
# For auld lang syne | 0:57:14 | 0:57:20 | |
# For auld lang syne, my dear | 0:57:20 | 0:57:26 | |
# For auld lang syne | 0:57:26 | 0:57:31 | |
# We'll tak' a cup o' kindness yet | 0:57:31 | 0:57:38 | |
# For auld lang syne | 0:57:38 | 0:57:42 | |
# For auld lang syne, my dear | 0:57:44 | 0:57:49 | |
# For auld lang syne | 0:57:49 | 0:57:53 | |
# We'll tak' a cup o' kindness yet | 0:57:53 | 0:58:01 | |
# For auld lang syne! | 0:58:01 | 0:58:13 | |
CHEERING AND APPLAUSE | 0:58:13 | 0:58:17 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:58 | |
E-mail [email protected] | 0:58:58 | 0:59:01 |