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Good evening ladies and gentlemen, | 0:00:26 | 0:00:28 | |
welcome to Proms in the Park 2011. | 0:00:28 | 0:00:31 | |
Please show your appreciation for the Ulster Orchestra | 0:00:31 | 0:00:34 | |
and conductor David Brophy. | 0:00:34 | 0:00:37 | |
CHEERING AND APPLAUSE | 0:00:37 | 0:00:39 | |
CHEERING AND APPLAUSE | 0:04:57 | 0:05:00 | |
Ladies and gentlemen, a warm round of applause for this evening's hosts, | 0:05:04 | 0:05:09 | |
Claire McCollum and Noel Thompson. CHEERING AND APPLAUSE | 0:05:09 | 0:05:12 | |
-Hello, gorgeous. -All right? | 0:05:12 | 0:05:14 | |
-How are you? -Doing very well, good evening! -I like rehearsing that bit! | 0:05:14 | 0:05:18 | |
Ladies and gentlemen, it's our very great pleasure to offer you | 0:05:18 | 0:05:21 | |
a very warm welcome to this year's Proms in the Park concert. | 0:05:21 | 0:05:26 | |
This is our 10th year, Belfast was brilliant, | 0:05:26 | 0:05:30 | |
Carrickfergus was a cracker, Hillsborough was heavenly, | 0:05:30 | 0:05:34 | |
but Bangor's going to be just beautiful. | 0:05:34 | 0:05:36 | |
-It certainly is indeed! -CHEERING | 0:05:36 | 0:05:38 | |
And of course all with the fantastic support of the Ulster Orchestra, | 0:05:38 | 0:05:42 | |
give them another quick round of applause, please. | 0:05:42 | 0:05:44 | |
CHEERING AND APPLAUSE | 0:05:44 | 0:05:47 | |
Fantastic as ever to have the Ulster Orchestra here this evening | 0:05:47 | 0:05:52 | |
and they opened of course with Mozart's overture to The Marriage Of Figaro | 0:05:52 | 0:05:55 | |
and it certainly is a great start | 0:05:55 | 0:05:57 | |
to what is going to be a great, great evening. | 0:05:57 | 0:06:00 | |
All right, we're here for some unbelievably wonderful music. | 0:06:00 | 0:06:03 | |
Of course, I must say at this point that | 0:06:03 | 0:06:04 | |
we would like to extend our thanks to North Down Borough Council, | 0:06:04 | 0:06:07 | |
without whom this would not have been possible. | 0:06:07 | 0:06:09 | |
Thank you for allowing us to use this fantastic piece of ground. | 0:06:09 | 0:06:12 | |
So, without further ado, let us ask the orchestra | 0:06:12 | 0:06:15 | |
with their leader Ioana Petcu-Colan and David Brophy | 0:06:15 | 0:06:18 | |
to take us away from here to the skies of sunny Spain. | 0:06:18 | 0:06:23 | |
Bizet's March Of The Toreadors from Carmen! | 0:06:23 | 0:06:26 | |
CHEERING AND APPLAUSE | 0:08:36 | 0:08:40 | |
It's our very great pleasure to introduce | 0:08:43 | 0:08:45 | |
our first special guest of the evening. | 0:08:45 | 0:08:48 | |
She sang with us five years ago and it was a tumultuous success | 0:08:48 | 0:08:52 | |
and we are so glad to have her with this again tonight. | 0:08:52 | 0:08:55 | |
It is, ladies and gentlemen, no-one other than the diva of all divas, | 0:08:55 | 0:08:58 | |
the very beautiful Lesley Garrett! | 0:08:58 | 0:09:00 | |
CHEERING AND APPLAUSE | 0:09:00 | 0:09:02 | |
LESLEY SINGS IN ITALIAN | 0:09:17 | 0:09:19 | |
CHEERING AND APPLAUSE | 0:12:45 | 0:12:47 | |
LESLEY WARBLES | 0:12:55 | 0:12:56 | |
And she's still going, ladies and gentleman! | 0:12:56 | 0:12:58 | |
Lesley, you look fantastic | 0:12:58 | 0:13:00 | |
and that was just a stunning, stunning performance. | 0:13:00 | 0:13:03 | |
Oh, that was such fun! I can't tell you, that was such fun! | 0:13:03 | 0:13:05 | |
-4,000 people, all rocking it, oh, it was wonderful! -You couldn't beat it! | 0:13:05 | 0:13:10 | |
She did tell me earlier in rehearsals | 0:13:10 | 0:13:12 | |
that she was going to be 100 times more hyper when she came off and she's right! | 0:13:12 | 0:13:15 | |
You can't help it, it's the adrenaline, you know, | 0:13:15 | 0:13:18 | |
it's that wonderful music and the Ulster Orchestra, | 0:13:18 | 0:13:20 | |
oh, they are playing SO fabulously. | 0:13:20 | 0:13:23 | |
It just is the best, best fun, it really is. | 0:13:23 | 0:13:26 | |
-Are they listening out there?! -They are! Give them a wave! | 0:13:26 | 0:13:29 | |
Thank you, everybody! Oh, I didn't realise you will seeing this! | 0:13:29 | 0:13:32 | |
You are the best audience, thank you so much! | 0:13:32 | 0:13:35 | |
-Leslie, thank you very much, go and get changed and cool off. -See later. | 0:13:35 | 0:13:39 | |
CHEERING AND APPLAUSE | 0:13:39 | 0:13:42 | |
Moving on, Rodeo is a Ballet written by Aaron Copland. | 0:13:42 | 0:13:45 | |
In its symphonic form it has four movements, | 0:13:45 | 0:13:48 | |
there's the Buckaroo Holiday, Corral Nocturne, | 0:13:48 | 0:13:51 | |
-Saturday Night Waltz and Hoe Down! -LAUGHTER | 0:13:51 | 0:13:55 | |
CHEERING AND APPLAUSE | 0:17:18 | 0:17:20 | |
So, from the Rodeo to something altogether more ordered. | 0:17:28 | 0:17:32 | |
Karl Jenkins is a Welsh composer | 0:17:32 | 0:17:34 | |
and the piece we're going to hear was written by him in 1996, | 0:17:34 | 0:17:37 | |
but it was inspired by the 16th century Italian architect Palladio. | 0:17:37 | 0:17:42 | |
Now, Palladio embodied the Renaissance dream of order and harmony | 0:17:42 | 0:17:47 | |
and this is what is reflected in Jenkins' music. | 0:17:47 | 0:17:49 | |
So will hear one movement from Palladio. | 0:17:49 | 0:17:51 | |
CHEERING AND APPLAUSE | 0:22:02 | 0:22:04 | |
Karl Jenkins' Palladio. | 0:22:09 | 0:22:11 | |
Now, everywhere you go in the world, as we all know, | 0:22:11 | 0:22:14 | |
you meet people of Irish origin, | 0:22:14 | 0:22:15 | |
well, we went to Australia to secure the services of our next guest - | 0:22:15 | 0:22:20 | |
a long way to go. | 0:22:20 | 0:22:21 | |
And when we had them secured it was only purely by chance, | 0:22:21 | 0:22:24 | |
in fact, as a result of a tweet by the man himself, | 0:22:24 | 0:22:28 | |
who we discovered that his ma is from Belfast! | 0:22:28 | 0:22:31 | |
MUTED CHEERING | 0:22:31 | 0:22:34 | |
He is now one of the world's finest players of the classical guitar. | 0:22:34 | 0:22:39 | |
I'd like you, ladies and gentlemen, to put your hands together, | 0:22:39 | 0:22:43 | |
a big North Down Proms in the Park welcome for Craig Ogden! | 0:22:43 | 0:22:47 | |
CHEERING AND APPLAUSE | 0:22:47 | 0:22:49 | |
CHEERING AND APPLAUSE | 0:27:23 | 0:27:26 | |
A stunning, stunning performance there by Craig Ogden. | 0:27:34 | 0:27:37 | |
How was it out there for you tonight? | 0:27:37 | 0:27:39 | |
Actually, the crowd are so lovely that... | 0:27:39 | 0:27:43 | |
you know, it's quite an intimidating scene, obviously, | 0:27:43 | 0:27:45 | |
big stage, big audience, it's on television, | 0:27:45 | 0:27:48 | |
but everybody was so incredibly welcoming | 0:27:48 | 0:27:51 | |
that it made me relax quite quickly. | 0:27:51 | 0:27:52 | |
This is your first Proms, Craig? | 0:27:52 | 0:27:54 | |
It is, absolutely, and obviously, even growing up in Australia, | 0:27:54 | 0:27:57 | |
we get the last night of the Proms on television, | 0:27:57 | 0:28:00 | |
so it's an institution I've been aware of since I was a small child | 0:28:00 | 0:28:03 | |
and to be taking part in it is an amazing total dream. | 0:28:03 | 0:28:07 | |
And I know it's a very, very proud evening. | 0:28:07 | 0:28:08 | |
You mentioned your mum's from here this evening - | 0:28:08 | 0:28:10 | |
how proud do think she would be of you after that performance? | 0:28:10 | 0:28:13 | |
I think she would be beside herself, | 0:28:13 | 0:28:15 | |
but also she would have been absolutely terrified on my behalf! | 0:28:15 | 0:28:19 | |
-CHEERING -Well, we certainly enjoyed it, as you can hear, the crowd loved it. | 0:28:19 | 0:28:23 | |
Craig, thank you very much, we'll let you go and enjoy the rest of the show. | 0:28:23 | 0:28:26 | |
-Thank you very much, thanks, Claire. -Thank you. | 0:28:26 | 0:28:28 | |
Well, now, Bangor is obviously famous for its marina, Pickie pool | 0:28:28 | 0:28:32 | |
and paddling in the sea with an ice cream in your hand, | 0:28:32 | 0:28:34 | |
but it's also been put on the world musical map | 0:28:34 | 0:28:37 | |
by a group called Snow Patrol and this is our tribute to them, | 0:28:37 | 0:28:41 | |
it's a medley been put together by one of our very own Proms production team Graeme Stuart. | 0:28:41 | 0:28:47 | |
CHEERING AND APPLAUSE | 0:32:29 | 0:32:31 | |
Ladies and gentlemen, it is my... | 0:32:39 | 0:32:42 | |
very, very great pleasure to introduce our next guest. | 0:32:42 | 0:32:46 | |
This performer has been at the top of his trade | 0:32:46 | 0:32:48 | |
since he won the Tchaikovsky gold-medal piano prize in Moscow 25 years ago | 0:32:48 | 0:32:54 | |
and he's also won respect and renown as a conductor. | 0:32:54 | 0:32:59 | |
His travels, his work, take him around the world, | 0:32:59 | 0:33:02 | |
but tonight he is in Bangor. | 0:33:02 | 0:33:04 | |
So please a big Proms in the Park welcome for Mr Barry Douglas! | 0:33:04 | 0:33:09 | |
CHEERING AND APPLAUSE | 0:33:09 | 0:33:11 | |
CHEERING AND APPLAUSE | 0:40:17 | 0:40:20 | |
That was unbelievable as always. | 0:40:42 | 0:40:45 | |
That was the piece that won you the gold medal in Moscow a few short years ago. | 0:40:45 | 0:40:49 | |
Does it have a really special place in your heart and your repertoire? | 0:40:49 | 0:40:53 | |
It does, I like to play it all the time, | 0:40:53 | 0:40:54 | |
not too much because I want it to be very special each time I approach it | 0:40:54 | 0:40:58 | |
and it's such great music, I love it. | 0:40:58 | 0:41:00 | |
You could exist in this bubble of the international superstar, | 0:41:00 | 0:41:04 | |
but you give a lot back to music. | 0:41:04 | 0:41:05 | |
I mean, not least in Northern Ireland with Camerata of course, | 0:41:05 | 0:41:08 | |
you're always developing new talent. Why is that so important you? | 0:41:08 | 0:41:11 | |
I think it's very important to encourage the new young talent | 0:41:11 | 0:41:13 | |
that is here on the island, north and south, | 0:41:13 | 0:41:15 | |
and through Clandeboye festival here near Bangor we do a lot of that | 0:41:15 | 0:41:19 | |
and we've been doing that for nearly 10 years now | 0:41:19 | 0:41:21 | |
and there is SO much talent here | 0:41:21 | 0:41:22 | |
and whatever we can do as an orchestra, | 0:41:22 | 0:41:24 | |
or I as an individual or an artist, that's, I want to do it. | 0:41:24 | 0:41:27 | |
Thank you so much for being with us this evening, it's been a real pleasure as always. | 0:41:27 | 0:41:30 | |
-I hope you enjoy the rest of the evening. -Thank you. | 0:41:30 | 0:41:32 | |
CHEERING AND APPLAUSE | 0:41:32 | 0:41:35 | |
Now, composer Max Steiner is one of the founders of film music as we know it today. | 0:41:35 | 0:41:40 | |
He provided the music for Gone With The Wind | 0:41:40 | 0:41:42 | |
and its sweeping and elevating score really has stood the test of time | 0:41:42 | 0:41:47 | |
sending shivers down your spine and given you goosebumps. | 0:41:47 | 0:41:50 | |
Ladies and gentlemen, this is Tara's Theme. | 0:41:50 | 0:41:53 | |
CHEERING AND APPLAUSE | 0:45:28 | 0:45:31 | |
Now, ladies and gentlemen, | 0:45:36 | 0:45:38 | |
all of you old rockers will know who Paul Weller is, don't you? | 0:45:38 | 0:45:41 | |
MUTED CHEERING | 0:45:41 | 0:45:43 | |
-Yes? -ALL: Yes! | 0:45:43 | 0:45:44 | |
Paul Weller of The Jam and the Style Council of course. | 0:45:44 | 0:45:47 | |
Well, he was asked recently if there was one song of the last two decades | 0:45:47 | 0:45:51 | |
that he would like to have written, what would it be? | 0:45:51 | 0:45:55 | |
Well, he chose a song by a Dublin singer-songwriter | 0:45:55 | 0:45:59 | |
Declan O'Rourke, a song called Galileo. | 0:45:59 | 0:46:02 | |
And it just showed Mr Weller's good taste | 0:46:02 | 0:46:05 | |
because this is a very special song. | 0:46:05 | 0:46:08 | |
Let's give a big, big warm welcome, please to Declan O'Rourke! | 0:46:08 | 0:46:12 | |
CHEERING AND APPLAUSE | 0:46:12 | 0:46:14 | |
# Galileo fell in love | 0:46:28 | 0:46:34 | |
# As a Galilean boy | 0:46:34 | 0:46:37 | |
# And he wondered what in heavens | 0:46:37 | 0:46:41 | |
# Who invented such a joy? | 0:46:41 | 0:46:46 | |
# But the question got the better of his scientific mind | 0:46:46 | 0:46:54 | |
# And to his blind and dying days | 0:46:54 | 0:47:00 | |
# He looked up high And often sighed | 0:47:00 | 0:47:07 | |
# And sometimes cried | 0:47:07 | 0:47:10 | |
# Who puts the rainbow in the sky? | 0:47:10 | 0:47:18 | |
# Who lights the stars at night? | 0:47:19 | 0:47:28 | |
# Who dreamt up someone so divine? | 0:47:28 | 0:47:36 | |
# Someone like you And made them mine? | 0:47:36 | 0:47:45 | |
# Love can make you ask some funny questions now and then | 0:47:46 | 0:47:55 | |
# But just remember the alternative | 0:47:55 | 0:48:00 | |
# For I remember when | 0:48:00 | 0:48:04 | |
# I was lonely and unhappy And my lips were cold as ice | 0:48:04 | 0:48:13 | |
# But you kissed me and good heavens | 0:48:13 | 0:48:18 | |
# Now I'm here in paradise | 0:48:18 | 0:48:22 | |
# So if ever I'm not kissing you Or looking in your eyes | 0:48:22 | 0:48:31 | |
# I won't be blind and I won't cry | 0:48:31 | 0:48:37 | |
# I'll look up high and gladly sigh | 0:48:37 | 0:48:45 | |
# And thank the guy | 0:48:45 | 0:48:47 | |
# Who puts the rainbow in the sky? | 0:48:47 | 0:48:56 | |
# Who lights the stars at night? | 0:48:56 | 0:49:05 | |
# Who dreamt up someone so divine? | 0:49:05 | 0:49:14 | |
# Someone like you And made them mine? | 0:49:14 | 0:49:23 | |
# Someone like you And made them mine? # | 0:49:23 | 0:49:32 | |
CHEERING AND APPLAUSE | 0:49:39 | 0:49:42 | |
That was another fabulous performance indeed | 0:49:44 | 0:49:46 | |
and Declan is making his way to us now. | 0:49:46 | 0:49:49 | |
-Declan, that was just unbelievable. -Nice to meet you, Claire. | 0:49:49 | 0:49:51 | |
-It was lovely. Now, how was it for you out there? -Great fun. | 0:49:51 | 0:49:55 | |
They were great, I could see them vibing away, | 0:49:55 | 0:49:57 | |
I could see people stamping their feet and waving things, it was great, loved it! | 0:49:57 | 0:50:00 | |
So, for your first Proms you feel you've one under your belt now, you might come back? | 0:50:00 | 0:50:04 | |
They'd better have me back, yeah! | 0:50:04 | 0:50:06 | |
I won't give up until they have me back, certainly! | 0:50:06 | 0:50:09 | |
I hope they enjoyed it as much as I did, I loved it | 0:50:09 | 0:50:12 | |
and it was just great hearing that sound behind me up there... | 0:50:12 | 0:50:14 | |
And the sound that I'm hearing from the front now is great. | 0:50:14 | 0:50:17 | |
I know you've played with Snow Patrol before... | 0:50:17 | 0:50:20 | |
Great friends of mine, what a great bunch of guys, yeah, | 0:50:20 | 0:50:22 | |
they're legends, all of them, actually. | 0:50:22 | 0:50:25 | |
And you toured with them? | 0:50:25 | 0:50:26 | |
I've toured a lot with them, actually, I've been around... | 0:50:26 | 0:50:28 | |
Germany and we did Wembley a couple of times | 0:50:28 | 0:50:31 | |
and around Ireland a couple of times, yeah, so... | 0:50:31 | 0:50:35 | |
We loved having you here this evening, you've been good to our crowd, thank you very much. | 0:50:35 | 0:50:38 | |
-Thank you very much, Claire, my pleasure. -Thank you very much, Declan, thank you. | 0:50:38 | 0:50:41 | |
CHEERING AND APPLAUSE | 0:50:41 | 0:50:43 | |
Louis B Mayer was a legendary head of MGM Studios in Hollywood | 0:50:44 | 0:50:48 | |
and in 1939, when he saw a preview of the Wizard Of Oz, | 0:50:48 | 0:50:53 | |
he thought the song Over The Rainbow was a real drag, | 0:50:53 | 0:50:56 | |
he thought it slows the whole thing down and he wanted it taken out. | 0:50:56 | 0:50:59 | |
Now, it was just the dedication of one of the associate producers | 0:50:59 | 0:51:02 | |
who insisted that it go in, thank goodness it did | 0:51:02 | 0:51:05 | |
because what a song - it has become one of the all-time greats. | 0:51:05 | 0:51:08 | |
Here to sing Over The Rainbow, one of the all-time greats, | 0:51:08 | 0:51:12 | |
please welcome once again the lovely Lesley Garrett. | 0:51:12 | 0:51:15 | |
CHEERING AND APPLAUSE | 0:51:15 | 0:51:18 | |
# When all the world is a hopeless jumble | 0:51:38 | 0:51:44 | |
# And the raindrops tumble all around | 0:51:44 | 0:51:51 | |
# Heaven opens a magic lane | 0:51:51 | 0:52:02 | |
# When all the clouds darken up the skyway | 0:52:07 | 0:52:12 | |
# There's a rainbow highway to be found | 0:52:12 | 0:52:19 | |
# Leading from your window pane | 0:52:19 | 0:52:31 | |
# To a place behind the sun | 0:52:31 | 0:52:39 | |
# Just a step beyond the rain | 0:52:39 | 0:52:49 | |
# Somewhere over the rainbow | 0:52:50 | 0:52:57 | |
# Way up high | 0:52:57 | 0:53:03 | |
# There's a land that I heard of | 0:53:03 | 0:53:10 | |
# Once in a lullaby | 0:53:10 | 0:53:16 | |
# Somewhere over the rainbow | 0:53:16 | 0:53:24 | |
# Skies are blue | 0:53:24 | 0:53:31 | |
# And the dreams that you dare to dream | 0:53:31 | 0:53:38 | |
# Really do come true | 0:53:38 | 0:53:44 | |
# Someday I'll wish upon a star | 0:53:46 | 0:53:49 | |
# And wake up where the stars are far behind me | 0:53:49 | 0:53:57 | |
# Where troubles melt like lemon drops | 0:53:57 | 0:54:00 | |
# Away above the chimney tops | 0:54:00 | 0:54:03 | |
# That's where you'll find me | 0:54:03 | 0:54:12 | |
# Somewhere over the rainbow | 0:54:12 | 0:54:20 | |
# Bluebirds fly | 0:54:20 | 0:54:26 | |
# Birds fly over the rainbow | 0:54:26 | 0:54:34 | |
# Why then oh why can't I? | 0:54:34 | 0:54:42 | |
# If happy little bluebirds fly | 0:54:56 | 0:55:03 | |
# Beyond the rainbow | 0:55:03 | 0:55:08 | |
# Why oh why can't I? # | 0:55:08 | 0:55:27 | |
CHEERING AND APPLAUSE | 0:55:27 | 0:55:29 | |
Lesley Garrett sparkling in every sense of the word. | 0:55:35 | 0:55:38 | |
Ladies and gentlemen, | 0:55:40 | 0:55:42 | |
can you believe we have come to the end of this evening? | 0:55:42 | 0:55:45 | |
-I can't believe it. -Absolutely terrible. | 0:55:45 | 0:55:47 | |
Thank you so much helping us to celebrate our Proms in the Park | 0:55:47 | 0:55:51 | |
and thank you so much indeed to the North Down Borough Council, | 0:55:51 | 0:55:54 | |
without their help and support that tonight couldn't have happened. | 0:55:54 | 0:55:57 | |
-They've been wonderful. -Yep. | 0:55:57 | 0:56:00 | |
Thank you to the orchestra, Ioana Petcu-Colan and David Brophy! | 0:56:00 | 0:56:04 | |
CHEERING AND APPLAUSE | 0:56:04 | 0:56:07 | |
And so we come to our final piece this evening. | 0:56:07 | 0:56:11 | |
Although written by John Philip Sousa, | 0:56:11 | 0:56:14 | |
Liberty Bell March is most often associated with that classic comedy | 0:56:14 | 0:56:18 | |
Monty Python's flying Circus. | 0:56:18 | 0:56:20 | |
So as Eric Idle might have said, | 0:56:20 | 0:56:22 | |
"And now for something completely different." | 0:56:22 | 0:56:25 | |
-Goodnight, Bangor! -Goodnight! | 0:56:25 | 0:56:26 | |
CHEERING AND APPLAUSE | 0:56:26 | 0:56:28 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:52 | |
E-mail [email protected] | 0:58:52 | 0:58:56 |