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Hello. Welcome back to Reading, 2011. It has been a fantastic night | :00:26. | :00:31. | |
of live music so far. It has and it is about to get huge. You will see | :00:31. | :00:36. | |
a lovely chunk of Pulp's performance here at Reading 2011. | :00:36. | :00:41. | |
If you are a big fan, stay tuned for that. You will get a set from | :00:41. | :00:49. | |
Big Deal. That will happen here in our Tree House. Get to the hashtag | :00:49. | :00:57. | |
Reading fest. Send us any questions or thoughts. Put your name on those | :00:57. | :01:03. | |
Tweets, we may just read it out. This is a man dominated for a | :01:03. | :01:13. | |
:01:13. | :01:13. | ||
Apology for the loss of subtitles for 40 seconds | :01:13. | :01:54. | |
mercury, this is Everything # This shell-shocked apartment was | :01:54. | :02:04. | |
:02:04. | :02:15. | ||
# It's like I'm watching the A4 # It's like I'm watching the A4 | :02:15. | :02:21. | |
# And I wanna know what happened to # Cos he was looking at me | :02:21. | :02:24. | |
# Yeah, right before the kitchen was a dustbowl | :02:24. | :02:26. | |
# And tossing me the keys and I can't forget how | :02:26. | :02:29. | |
# Everything just coming through the windows | :02:29. | :02:31. | |
# And half the street was under my nails | :02:31. | :02:34. | |
# It's like we sitting in the Faraday cage | :02:34. | :02:35. | |
# When the lights all failed | :02:35. | :02:42. | |
# I fly through the walls all pieces colliding | :02:43. | :02:46. | |
# And I see Raymond apart | :02:46. | :02:49. | |
# He's a frowning now wagging a finger at me,"Boy" | :02:49. | :02:52. | |
# His knees bend the other way and, "Boy" | :02:52. | :02:54. | |
# Are you guys together, honey? | :02:54. | :02:56. | |
# "Boy" | :02:56. | :02:57. | |
# Oh but now I can't find his torso | :02:57. | :03:00. | |
# I guess you're separated | :03:00. | :03:02. | |
# It's like I'm watching the A4 paper taking over the guillotine | :03:02. | :03:05. | |
# It's like I'm watching the A4 paper taking over the guillotine | :03:05. | :03:10. | |
# And I wanna know what happened to your boyfriend | :03:10. | :03:12. | |
# Cos he was looking at me like, "Woah" | :03:12. | :03:14. | |
# Yeah, right before the kitchen was a dustbowl | :03:14. | :03:15. | |
# And tossing me the keys and I can't forget how | :03:15. | :03:20. | |
# Everything just coming through the windows | :03:20. | :03:22. | |
# And half the street was under my nails | :03:22. | :03:24. | |
# It's like we sitting in the Faraday cage | :03:24. | :03:26. | |
# When the lights all failed | :03:26. | :03:31. | |
# When the lights all failed | :03:31. | :03:37. | |
# Lucifer, you're landing | :03:37. | :03:40. | |
# Do believe it will be business inside | :03:40. | :03:42. | |
# Cross hairs on the kitchen sink | :03:42. | :03:48. | |
# It's a real spanner into my works | :03:48. | :03:58. | |
:03:58. | :04:01. | ||
# And I wanna know what happened to your boyfriend | :04:01. | :04:03. | |
# Cos he was looking at me like, "Woah" | :04:03. | :04:05. | |
# Yeah, right before the kitchen was a dustbowl | :04:05. | :04:07. | |
# And tossing me the keys and I can't forget how | :04:07. | :04:09. | |
# Everything just coming through the windows | :04:09. | :04:10. | |
# And half the street was under my nails | :04:10. | :04:12. | |
# It's like we sitting in the Faraday cage | :04:12. | :04:14. | |
# When the lights all failed | :04:14. | :04:21. | |
# And now everybody gotta go hungry and everybody cover up their mouths | :04:21. | :04:26. | |
# And I haven't seen the body count lately | :04:26. | :04:28. | |
# But looking at your faces it must have been bad | :04:28. | :04:29. | |
# And if everybody answered their phone calls | :04:29. | :04:31. | |
# But people say the army's on fire | :04:31. | :04:32. | |
# It's like we sitting with our parachutes on | :04:32. | :04:34. | |
# When the airport's gone. # | :04:34. | :04:43. | |
That | :04:43. | :04:43. | |
That is | :04:43. | :04:43. | |
That is very | :04:43. | :04:48. | |
That is very cute. Everything Everything with their beautifully | :04:48. | :04:52. | |
unusual music. I am thinking after this festival season those boiler | :04:52. | :04:57. | |
suits need a wash. They are the world's worst Ghostbusters. I love | :04:57. | :05:00. | |
that music, Everything Everything. One of the things I have learned is | :05:00. | :05:05. | |
tracking the journey of some of the smaller bands as they get bigger | :05:05. | :05:09. | |
and bigger. We had that with Two Door Cinema Club. We had Everything | :05:09. | :05:14. | |
Everything do a set for us a few years back. This is Big Deal. Check | :05:14. | :05:24. | |
:05:24. | :05:27. | ||
them out - they're fantastic. # You don't trust me | :05:27. | :05:31. | |
# Put me on a chair in the corning # And stair | :05:31. | :05:35. | |
# You don't trust me, you don't trust me | :05:35. | :05:44. | |
# At all # Only one me for the songs I write | :05:44. | :05:49. | |
about you # About how I like you | :05:49. | :05:55. | |
# You don't trust me # You put me on a chair in the | :05:55. | :06:03. | |
corner and stair -- and stare | :06:03. | :06:10. | |
# I'm just hoping # Mezed up up | :06:10. | :06:15. | |
# Stop being sensible # It's in my arms | :06:15. | :06:21. | |
# Don't you want to help them again # Want to be in love | :06:21. | :06:31. | |
:06:31. | :06:32. | ||
# Trying to be your friend # You're so sweet | :06:32. | :06:36. | |
# You keep me that way # Messing my head | :06:36. | :06:42. | |
# You keep me that way # Messing my hair | :06:42. | :06:48. | |
# I know that you've been playing # Messing my hair | :06:48. | :06:53. | |
# I know you've been playing me # Messing my hair | :06:53. | :07:00. | |
# You don't trust me to sit on your back | :07:00. | :07:04. | |
# Put me in a chair in the corner and stare | :07:04. | :07:09. | |
# Don't you want to help them # Want to be in love | :07:09. | :07:19. | |
:07:19. | :07:20. | ||
# Trying not to be your friend # You're so sweet | :07:20. | :07:24. | |
# And you keep me that way # Messing my hair | :07:24. | :07:29. | |
# You're so sweet # And you keep me that way | :07:29. | :07:34. | |
# Messing my hair # You're so sweet | :07:34. | :07:39. | |
# That you keep me that way # Messing my hair | :07:39. | :07:44. | |
# You're so sweet # You keep me that way | :07:44. | :07:49. | |
# Messing my hair # You don't trust me to sit on your | :07:49. | :07:53. | |
back # Put me on a chair in the corner | :07:53. | :08:03. | |
:08:03. | :08:11. | ||
APPLAUSE About lutely adore that. We have | :08:11. | :08:17. | |
been playing that in the office all week. The album is not even out yet. | :08:18. | :08:22. | |
There are so many excited people just out there waiting to see Pulp | :08:22. | :08:29. | |
on that Main Stage. It's been a real excitement building all day | :08:29. | :08:32. | |
here at Reading festival. Greg has been out and about, chatting to | :08:32. | :08:36. | |
people, seeing how they are doing and how they are looking forward to | :08:36. | :08:40. | |
that gig. Greg, how are you? Thank you very much Fearne and Reg. I'm | :08:40. | :08:44. | |
in the pit of the Main Stage at the moment just before Pulp take to the | :08:44. | :08:50. | |
Main Stage. I have some pullen fans here. | :08:50. | :08:56. | |
So, quite excite about Pulp. What do they mean to you as a fan? | :08:56. | :09:03. | |
Everything. I've been waiting since 11am just to see them. | :09:03. | :09:07. | |
You've been here for the whole day? On this bar. What about if you need | :09:07. | :09:16. | |
a wee? I haven't. Feeling OK? little bit. What Pulp song? Common | :09:16. | :09:20. | |
People. If you are in u to this band this is incredible. This is | :09:20. | :09:30. | |
:09:30. | :09:37. | ||
Hello. My name's Jarvis Cocker. I'm in a pop group called Pulp. The | :09:37. | :09:42. | |
band from Sheffield who helped to shape Britpop back at Reading after | :09:42. | :09:47. | |
nine years away, with a set promised to be full of anthems. In | :09:47. | :09:51. | |
fact, up until this summer, the last time the classic Pulp line-up | :09:51. | :10:00. | |
shared the stage it was the year Take That was splitting up. Jay-Z | :10:00. | :10:06. | |
was releasing an album. And Jarvis's bottom was the most talked | :10:06. | :10:11. | |
about in pop. So Do You Remember The First Time? | :10:11. | :10:16. | |
In 1994, after 16 years of pop obscurity Pulp arrived on the pop | :10:16. | :10:23. | |
landscape with their fourth album, His And Hers. It announced a new | :10:23. | :10:33. | |
:10:33. | :10:35. | ||
national hero and unlikely sex symbol in the shape of Jarvis | :10:35. | :10:43. | |
Cocker. What did his mum make of her son's new-found celebrity. | :10:43. | :10:51. | |
is difficult to see her son as a sex symbol, unless they are built | :10:51. | :10:58. | |
like Rock Hudson. This was the anthem of the summer. | :10:58. | :11:03. | |
# At St Martin's college # That's where I # When the Stone | :11:03. | :11:10. | |
Roses had to pull out of Glastonbury the following month up | :11:10. | :11:18. | |
stepped Pulp. We were told that John was, he had fallen off his | :11:18. | :11:24. | |
mountain bike. He has broken his collarbone. Do you want to take | :11:24. | :11:34. | |
:11:34. | :11:36. | ||
their place? It went down in festival folk law. | :11:36. | :11:43. | |
The subsequent album, Different Class went on to sell 1.2 million | :11:43. | :11:53. | |
:11:53. | :11:54. | ||
copies. The winner of the 1996 Mercury Prize is Different Class. | :11:54. | :11:59. | |
We were given these unforgetable singles. | :11:59. | :12:02. | |
# The year 2,000 # Something Changed. And some | :12:02. | :12:08. | |
controversy. # We're all sorted out for E's and | :12:08. | :12:14. | |
wiss. Jackson said he was sickened by the incident and Cocker ran on | :12:14. | :12:18. | |
to the stage during his live performance. The group went on to | :12:18. | :12:25. | |
release another two albums this is Hard Core in 1998. | :12:25. | :12:32. | |
And 2001's We Love Life, after which Pulp would take a lengthy | :12:32. | :12:37. | |
break. During which Jarvis was a recognisable voice on our own 6 | :12:37. | :12:44. | |
Music and grow a beard. Fast forward this evening where a new | :12:44. | :12:51. | |
generation of festivalgoers will be -- festival-goers will be treated | :12:51. | :12:56. | |
to them. I never will forget the day he ran on the stage at the BRIT | :12:56. | :13:05. | |
Awards. He called TFI Friday. They started a "free Jarvis campaign." | :13:05. | :13:15. | |
We have seen many of his Derryer -- derrier moments down there. Greg | :13:15. | :13:20. | |
talked to some over excited people. It is interested to see different | :13:20. | :13:24. | |
generations of people getting into Pulp. People there first time | :13:24. | :13:29. | |
around. Younger people who have just finished doing their exams. | :13:29. | :13:34. | |
They are out there, getting very excited. You will see Pulp live | :13:34. | :13:40. | |
here on BBC Three very shortly. Pulp have played just about | :13:40. | :13:44. | |
everywhere. You have not had a chance to see them on telly. This | :13:44. | :13:48. |