Pulp Reading and Leeds Festival


Pulp

Continuing live coverage from the Reading Festival, as Fearne Cotton and Reggie Yates present the return to the festival circuit and live music scene of Britpop kings, Pulp.


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Transcript


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Hello, and welcome back to Reading 2011 here on BBC Three. We are

:00:19.:00:24.

moments away from Pulp. That's right. Still to come tonight on BBC

:00:24.:00:29.

Three, we've got The Strokes and Jane's Addiction as well, but we're

:00:29.:00:33.

literally moments away from the moment we have been waiting for.

:00:33.:00:38.

Also in our tree house we have a beautiful acoustic for you, one of

:00:38.:00:40.

my favourites, Benjamin Francis Leftwich, is going to be here a

:00:40.:00:46.

little bit later on. Don't forgets you can Tweet us or Facebook us, go

:00:46.:00:53.

online too. If you want to Tweet us and end up in Reggie's random

:00:53.:00:58.

tombola... It's mine now. You just have to do #bbcreadingfest if you

:00:58.:01:03.

have any comments or questions about the Reading Festival or want

:01:03.:01:07.

to shout-out. That is what you need to do. I love the massive shout-

:01:07.:01:11.

outs they do before they go on stage. The main stage has gone dark

:01:11.:01:17.

because the moment is nearly upon us. They're about to walk on - in

:01:17.:01:23.

fact, they're doing it right now. This is Pulp headlining the Main

:01:23.:01:33.
:01:33.:01:33.

Apology for the loss of subtitles for 52 seconds

:01:33.:02:25.

# Though it makes good sense # You said you'd never be sure

:02:25.:02:29.

# Though it makes good sense for # Still you bought a toy that can

:02:29.:02:39.
:02:39.:03:06.

# No, I don't care # Just as long as you save

:03:06.:03:16.
:03:16.:03:24.

# Well, at least there's someone # And you never have to face

:03:24.:03:34.
:03:34.:03:54.

# But you know that we've changed # Now I don't care

:03:54.:04:03.

# Just as long as you save a piece for me, oh, yeah

:04:03.:04:06.

# You wanna go home. #

:04:06.:04:16.
:04:16.:04:28.

# You say you've got to go home

:04:28.:04:33.

# You say you've got to go home

:04:34.:04:43.
:04:44.:04:48.

# I can't remember a worse time

:04:48.:04:49.

# But you know that we've changed so much since then

:04:49.:04:53.

# Oh, yeah, we've grown

:04:53.:04:55.

# Now I don't care what you're doing

:04:56.:04:58.

# No, I don't care if you screw him

:04:58.:05:02.

# Just as long as you save a piece for me, oh, yeah

:05:02.:05:07.

# You wanna go home

:05:07.:05:15.

# I can't remember a worse time

:05:15.:05:18.

# But you know that we've changed so much since then

:05:18.:05:20.

# Oh, yeah, we've grown

:05:20.:05:26.

# Now I don't care what you're doing

:05:26.:05:28.

# No, I don't care if you screw him

:05:28.:05:30.

# Just as long as you save a piece for me, oh, yeah

:05:30.:05:38.

# You wanna go home. #

:05:38.:05:48.
:05:48.:05:53.

Good

:05:53.:05:53.

Good evening.

:05:53.:05:54.

Good evening. One

:05:54.:05:59.

Good evening. One question: Reading, are you ready? Sorry. Reading, are

:05:59.:06:01.

you ready? CHEERING AND APPLAUSE

:06:01.:06:04.

Thank you. Good evening. We are Pulp.

:06:04.:06:07.

APPLAUSE You are Reading. It's Saturday

:06:07.:06:16.

night. You know - CHANTING

:06:16.:06:23.

No, the name of the group is Pulp. # Pulp, Pulp, Pulp #

:06:23.:06:27.

So this is dedicated to those people - they said they were

:06:27.:06:36.

writing - they were actually playing Grand Theft Auto outdoors.

:06:36.:06:38.

# We like driving on a Saturday That wasn't writing. This is

:06:38.:06:46.

dedicated to those guys and gals. # We don't look for trouble

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# Hey you, you in the Jesus sandals wouldn't you like to come

:06:53.:06:59.

# Over and watch some vandals smashing up someone's home?

:06:59.:07:07.

# We can't help it, we're so thick

:07:07.:07:15.

# We can't think

:07:15.:07:16.

# Can't think of anything but shit, sleep and drink

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# Oh, and we like women "Up the women" we say

:07:20.:07:25.

# And if we get lucky we might even meet some one day

:07:25.:07:29.

# Hey you, you in the Jesus sandals wouldn't you like to come

:07:29.:07:34.

# Over and watch some vandals smashing up someone's home?

:07:34.:07:43.

# Mister, we just want your car coswe're taking a girl to the reservoir

:07:43.:07:53.
:07:53.:07:55.

# Oh, all the papers say it's a tragedy

:07:55.:08:03.

# But don't you want to come and see?

:08:03.:08:07.

# Mister, we just want your car coswe're taking a girl to the reservoir

:08:07.:08:17.
:08:17.:08:52.

# Oh, all the papers say it's a tragedy

:08:52.:08:59.

# Mister, we just want your car coswe're taking a girl to the reservoir

:08:59.:09:09.
:09:09.:09:10.

# Oh, all the papers say it's a tragedy

:09:10.:09:19.

# But don't you want to come and see?

:09:19.:09:24.

# Mister, we just want your car coswe're taking a girl to the reservoir

:09:24.:09:34.

# Oh, all the papers say it's a tragedy. #

:09:34.:09:44.
:09:44.:10:01.

# Mis-shapes, mistakes, misfits

:10:01.:10:04.

# We'd like to go to town but we can't risk it

:10:04.:10:07.

# Oh, cos they just want to keep us out

:10:07.:10:10.

# You could end up with a smack in the mouth

:10:10.:10:15.

# Just for standing out oh, really

:10:15.:10:17.

# Brothers, sisters, can't you see?

:10:17.:10:21.

# The future's owned by you and me

:10:21.:10:25.

# There won't be fighting in the street

:10:25.:10:28.

# They think they've got us beat but revenge is going to be so sweet

:10:29.:10:35.

# We're making a move we're making it now

:10:35.:10:38.

# We're coming out of the sidelines

:10:38.:10:40.

# Just put your hands up it's a raid, yeah

:10:40.:10:44.

# We want your homes we want your lives

:10:44.:10:48.

# We want the things you won't allow us

:10:48.:10:51.

# We won't use guns we won't use bombs

:10:51.:10:54.

# We'll use the one thing we've got more of - that's our minds

:10:54.:10:59.

# Check your lucky numbers

:10:59.:11:08.

# That much money could drag you under, oh

:11:08.:11:11.

# What's the point in being rich

:11:11.:11:16.

# If you can't think what to do with it?

:11:16.:11:19.

# Cos you're so bleeding thick

:11:19.:11:22.

# Oh, we weren't supposed to be

:11:22.:11:26.

# We learnt too much at school now we can't help but see

:11:26.:11:30.

# That the future that you've got mapped out

:11:30.:11:34.

# Is nothing much to shout about

:11:34.:11:38.

# We're making a move we're making it now

:11:38.:11:41.

# We're coming out of the sidelines

:11:41.:11:44.

# Just put your hands up it's a raid, yeah

:11:44.:11:47.

# We want your homes we want your lives

:11:47.:11:54.

# We want the things you won't allow us

:11:54.:11:56.

# We won't use guns we won't use bombs

:11:56.:11:59.

# We'll use the one thing we've got more of - that's our minds

:11:59.:12:01.

# Brothers, sisters, can't you see?

:12:01.:12:11.
:12:11.:12:28.

# Brothers, sisters, can't you see?

:12:28.:12:30.

# The future's owned by you and me

:12:30.:12:33.

# There won't be fighting in the street

:12:33.:12:35.

# They think they've got us beat

:12:35.:12:38.

# But revenge is going to be so sweet

:12:38.:12:43.

# We're making a move we're making it now

:12:43.:12:45.

# We're coming out of the sidelines

:12:45.:12:47.

# Just put your hands up it's a raid

:12:47.:12:50.

# We want your homes we want your lives

:12:50.:12:55.

# We want the things you won't allow us

:12:55.:12:58.

# We won't use guns we won't use bombs

:12:58.:13:01.

# We'll use the one thing we've got more of - that's our minds

:13:01.:13:03.

# And that's our minds, yeah. #

:13:03.:13:13.
:13:13.:13:15.

# And that's our minds, yeah. #

:13:15.:13:25.
:13:25.:13:29.

Thank

:13:29.:13:29.

Thank you.

:13:29.:13:39.
:13:39.:13:40.

Ah-hah!

:13:40.:13:42.

Ah-hah! Are

:13:42.:13:43.

Ah-hah! Are you

:13:43.:13:46.

Ah-hah! Are you there? You're a long way away, aren't you? Can you

:13:46.:13:50.

see us? CHEERING AND APPLAUSE

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We can see you. You look OK. Oh, there you are. Hi. Hi. Have you had

:13:57.:13:59.

a nice day? CHEERING AND APPLAUSE

:13:59.:14:04.

Good. And we're going to keep that going. Yes, we are. The first song

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we played was called Do You Remember the First Time? Strangely

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enough, the first time we ever played here at Reading was exactly

:14:18.:14:28.
:14:28.:14:29.

17 years agoed today - bzew-whua- whua-whua. Who was here? Let me

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rephrase it. Who was born? CHEERING AND APPLAUSE

:14:31.:14:40.

OK. Me. And the song we're playing next was the very first time we

:14:40.:14:45.

played it. It's a dirty little number, and it's called Pencil

:14:45.:14:55.
:14:55.:15:02.

Skirt. It's a dirty little number, # Like the look upon his face

:15:02.:15:12.
:15:12.:15:13.

# Oh, but I know that you want something to play with, baby

:15:13.:15:20.

# I'll be around when he's not in town

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# I'll show you how you're doing it wrong

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# I really love it when you tell me to stop

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# Oh, it's turning me on

:15:33.:15:40.

# You can tell me some lies about the good times that you've had

:15:40.:15:47.

# But I've kissed your more mother twice

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# And now I'm working on your dad

:15:53.:15:59.

# I'll be around when he's not in town

:15:59.:16:01.

# I'll show you how you're doing it wrong

:16:01.:16:05.

# I really love it when you tell me to stop

:16:05.:16:08.

# Oh, it's turning me on

:16:08.:16:12.

# If you look under the bed then I can see my house from here

:16:12.:16:22.
:16:22.:16:57.

# So just lie against the wall

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# And watch my conscience disappear now, baby

:17:01.:17:07.

# I'll be around when he's not in town

:17:07.:17:10.

# I'll show you how you're doing it wrong

:17:10.:17:14.

# I really love it when you tell me to stop

:17:14.:17:17.

# Oh, it's turning me on

:17:17.:17:23.

# I only come here cos I know it makes you sad

:17:23.:17:28.

# I only do it cos I know you know it's bad

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# Oh, yes, I know that it's ugly and it shouldn't be like that

:17:33.:17:37.

# Oh, but oh, it's turning me on. #

:17:37.:17:47.
:17:47.:18:02.

Thanks

:18:02.:18:03.

Thanks a

:18:03.:18:03.

Thanks a lot.

:18:03.:18:11.

Thanks a lot. Ooh, it's tir thety - - dirty, that yeah. We'll go from

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that, which is not very romantic to - anybody in love tonight? Anybody

:18:16.:18:20.

just met somebody? Anybody just met somebody here at the festival

:18:20.:18:24.

today? It's a beautiful place to find people. If there is, we'll

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dedicate this next song to you. It's the most romantic song we ever

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managed to write, and as we have been travelling around Europe, each

:18:33.:18:36.

day I look at things that happened on the day, and the other day there

:18:36.:18:40.

was a really nice quote which seemed to go with this song. It

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said, "Every heart sings a song incomplete until until another

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heart whispers back." That's my Plato, you know? I know that was on

:18:52.:18:58.

the tip of your tongue, Plato. He's from Greece. You'll be hearing more

:18:58.:19:03.

about Greece later on. Don't you worry. But this song is called

:19:03.:19:13.
:19:13.:19:19.

# I wrote the song two hours # I didn't know your name

:19:19.:19:24.

# Oh, I could have stayed at home and gone to bed

:19:24.:19:32.

# I could have gone to see a film instead

:19:32.:19:41.

# You might have changed your mind and seen your friends

:19:41.:19:47.

# Life could have been verydifferent then but something changed

:19:47.:19:57.
:19:57.:20:00.

# Do you believe that there's someone up above?

:20:00.:20:10.
:20:10.:20:13.

# Do you believe that there's someone up above?

:20:13.:20:19.

# Does he have a timetable directing acts of love?

:20:19.:20:26.

# Why did I write this song on that day?

:20:26.:20:33.

# Why did you touch my hand and softly say

:20:33.:20:39.

# Stop asking questions that don't matter anyway?

:20:39.:20:45.

# Just give us a kiss to celebrate here today something changed

:20:45.:20:55.
:20:55.:20:58.

# When we woke up that morning we had no way of knowing

:20:58.:21:08.
:21:08.:21:21.

# When we woke up that morning we had no way of knowing

:21:21.:21:28.

# That in a matter of hours we'd change the way we were going

:21:28.:21:32.

# Where would I be now if we'd never met

:21:32.:21:40.

# Would I be singing this song to someone else instead?

:21:40.:21:50.
:21:50.:21:53.

# I dunno

:21:53.:21:57.

# But like you said something changed. #

:21:57.:22:07.
:22:07.:22:21.

OK.

:22:21.:22:22.

OK. Let's

:22:22.:22:22.

OK. Let's cut

:22:22.:22:27.

OK. Let's cut to the chase. Are you up - are you up for it?

:22:27.:22:31.

CHEERING AND APPLAUSE OK. All right. Because, basically,

:22:31.:22:38.

if you're up for it, we're up for it. It's Saturday, right? Saturday,

:22:38.:22:40.

so traditionally, you probably would be out at a disco or

:22:40.:22:46.

something like that, yeah? Am I right? Maybe. Maybe you might be at

:22:46.:22:50.

a disco, so because you're missing out on that by being here, would

:22:50.:22:52.

you like to dance anyway? CHEERING AND APPLAUSE

:22:52.:22:58.

Yeah? Because I was thinking before I came on stage, well, it's a bit

:22:58.:23:03.

chilly, but if you're going to dance, I'll take my jacket off. All

:23:03.:23:09.

right? So you're not shitting me, are you? Are you going to dance? I

:23:09.:23:17.

said, are you going to dance? I am almost believing you now. Are you

:23:17.:23:27.
:23:27.:23:52.

really going to dance? You'd better # Well, we were born

:23:52.:23:58.

# Your name is Deborah, Deborah It never suited ya

:23:58.:24:02.

# They said that when we grew up we'd get married and never split up

:24:02.:24:08.

# We never dated, although often I thought of it

:24:08.:24:15.

# Oh, Deborah, do you recall?

:24:15.:24:20.

# Your house was very small with wood chip on the wall

:24:20.:24:25.

# When I came around to call you didn't notice me at all

:24:25.:24:32.

# I said let's all meet up in the year 2000

:24:32.:24:38.

# Won't it be strange when we're all fully grown?

:24:38.:24:43.

# Be there two o'clock by the fountain down the road

:24:43.:24:48.

# I never knew that you'd get married

:24:48.:24:52.

# I would be living down here on my own

:24:52.:24:56.

# On that damp and lonely Thursday years ago

:24:56.:25:00.

# You were the first girl at school to get breasts

:25:00.:25:05.

# Martyn said that yours were the best

:25:05.:25:08.

# The boys all loved you but I was a mess

:25:08.:25:11.

# I had to watch them trying to get you undressed

:25:11.:25:15.

# We were friends but that was as far as it went

:25:15.:25:18.

# I used to walk you home sometimes but it meant

:25:18.:25:21.

# Oh, it meant nothing to you cos you were so popular

:25:21.:25:29.

# Oh, Deborah, do you recall?

:25:29.:25:31.

# Your house was very small with wood chip on the wall

:25:31.:25:36.

# When I came around to call you didn't notice me at all

:25:36.:25:42.

# I said let's all meet up in the year 2000

:25:42.:25:50.

# Won't it be strange when we're all fully grown?

:25:50.:25:53.

# Be there two o'clock by the fountain down the road

:25:53.:25:58.

# I never knew that you'd get married

:25:58.:26:02.

# I would be living down here on my own on

:26:02.:26:07.

# That damp and lonely Thursday years ago

:26:07.:26:13.

# Oh ,yeah

:26:13.:26:21.

# Oh ,yeah

:26:21.:26:31.
:26:31.:26:33.

# Your house was very small with wood chip on the wall

:26:33.:26:37.

# When I came around to call you didn't notice me at all

:26:37.:26:45.

# I said let's all meet up in the year 2000

:26:45.:26:48.

# Won't it be strange when we're all fully grown?

:26:49.:26:52.

# Be there two o'clock by the fountain down the road

:26:52.:26:57.

# I never knew that you'd get married

:26:57.:27:01.

# I would be living down here on my own

:27:01.:27:06.

# On that damp and lonely Thursday years ago

:27:06.:27:12.

# Oh, what are you doing Sunday, baby?

:27:12.:27:15.

# Would you like to come and meet me maybe?

:27:15.:27:18.

# You can even bring your baby

:27:18.:27:21.

# Oh ooh ooh, ooh ooh ooh ooh

:27:21.:27:23.

# Oh, what are you doing Sunday, baby?

:27:23.:27:28.

# Would you like to come and meet me maybe?

:27:28.:27:31.

# You can even bring your baby

:27:31.:27:35.

# Oh ooh ooh, ooh ooh ooh ooh

:27:35.:27:40.

# Ooh ooh ooh ooh

:27:40.:27:50.
:27:50.:28:08.

You

:28:08.:28:09.

You don't

:28:09.:28:09.

You don't stop.

:28:09.:28:16.

You don't stop. You don't stop. No, no, you don't stop. We're going to

:28:16.:28:21.

have smoke on stage, and the smoke is blowing towards you, and it's

:28:21.:28:25.

blowing towards you because it's the beginning of the concert, and

:28:25.:28:29.

the smoke has special properties, and they should start kicking in

:28:29.:28:33.

now - some time around now, and you're in the field because you're

:28:33.:28:39.

at the disco, and you wanted the keep going, and so you went out and

:28:39.:28:45.

you met this guy. You didn't even know his name.

:28:45.:28:55.

(Speaks another language) (Horn)

:28:55.:29:05.
:29:05.:29:25.

# Oh, is this the way they say # Or just 20,000 people

:29:25.:29:29.

# And I don't quite understand just what this feeling is

:29:29.:29:32.

# But that's OK cos we're all sorted out for E's and wizz

:29:32.:29:39.

# And tell me when the spaceship lands

:29:39.:29:42.

# Cos all this has just got to mean something

:29:42.:29:44.

# In the middle of the night

:29:44.:29:52.

# It feels all right

:29:52.:29:54.

# But then tomorrow morning

:29:54.:29:56.

# Oh, oh, then you come down

:29:56.:30:02.

# Oh, yeah, the pirate radio told us what was going down

:30:02.:30:12.
:30:12.:30:18.

# Oh, and no-one seems to know exactly where it is

:30:18.:30:23.

# But that's okay OK cos we're all sorted out for E's and wizz

:30:23.:30:28.

# At 4 o'clock, the normal world seems very, very, very far away

:30:28.:30:34.

# All right! In the middle of the night

:30:34.:30:40.

# It feels all right

:30:40.:30:42.

# But then tomorrow morning

:30:42.:30:44.

# Oh, oh, then you come down

:30:44.:30:51.

# Just keep on moving!

:30:51.:31:00.

# Everybody asks your name

:31:00.:31:10.

# Everybody asks your name

:31:10.:31:12.

# They say we're all the same

:31:12.:31:13.

# And it's, nice one, geezer

:31:13.:31:17.

# But that's as far as the conversation went

:31:17.:31:19.

# I lost my friends I dance alone

:31:19.:31:20.

# It's six o'clock I wanna go home

:31:20.:31:22.

# But it's, no way, not today

:31:22.:31:24.

# Makes you wonder what it meant

:31:24.:31:28.

# And this hollow feeling grows and grows

:31:28.:31:32.

# And grows and grows and grows

:31:32.:31:35.

# And you want to phone your mother

:31:35.:31:36.

# And say, Mother I can never come home again,

:31:36.:31:38.

# Cos I seem to have left an important part of my brain

:31:38.:31:41.

# Somewhere

:31:41.:31:44.

# Somewhere in a field in Hampshire, all right

:31:44.:31:47.

# In the middle of the night

:31:48.:31:50.

# It feels all right

:31:50.:31:52.

# But then tomorrow morning

:31:52.:31:53.

# Oh, oh, then you come down

:31:53.:32:03.

# What if you never come down? #

:32:03.:32:13.
:32:13.:32:16.

# Oh, oh, then you come down

:32:16.:32:24.

# What if you never come down? #

:32:24.:32:34.
:32:34.:32:34.

Apology for the loss of subtitles for 52 seconds

:32:34.:33:26.

# Right down, right down to the broken handle

:33:26.:33:29.

# On the third drawer down of the dressing table

:33:29.:33:33.

# And the world outside this room has also assumed a familiar shape

:33:33.:33:37.

# The same events shuffled in a slightly different order each day

:33:37.:33:41.

# Just like a modern shopping centre

:33:41.:33:44.

# And it's so cold yeah, it's so cold

:33:44.:33:54.
:33:54.:34:12.

# What is this feeling called love?

:34:12.:34:22.
:34:22.:34:22.

# Why me, why you, why here why now?

:34:22.:34:27.

# It doesn't make no sense, no

:34:27.:34:37.
:34:37.:34:39.

# It's not convenient, no

:34:39.:34:43.

# It doesn't fit my plans, no

:34:43.:34:46.

# It's something I don't understand, oh

:34:46.:34:49.

# F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E.

:34:49.:34:59.

# Oh, what is this thing that is happening to me?

:34:59.:35:02.

# And as I'm standing across this room

:35:02.:35:12.
:35:12.:35:13.

# So what do I do?

:35:13.:35:15.

# I've got a slightly sick feeling in my stomach

:35:15.:35:17.

# Like I'm standing on top of a very high building, oh yeah

:35:17.:35:21.

# All the stuff they tell you about in the movies

:35:21.:35:24.

# But this isn't chocolate boxes and roses

:35:24.:35:27.

# It's dirtier than that like some small animal

:35:27.:35:30.

# That only comes out at night

:35:30.:35:32.

# And I see flashes of the shape of your breasts

:35:32.:35:37.

# And the curve of your belly

:35:37.:35:39.

# And I may have to sit down and catch my breath

:35:39.:35:44.

# And it's so cold yeah, it's so cold

:35:44.:35:54.
:35:54.:35:59.

# It's so cold yeah, it's so cold

:35:59.:36:07.

# What is this feeling called love?

:36:07.:36:17.

# Why me, why you, why here why now?

:36:17.:36:27.
:36:27.:36:34.

# It doesn't make no sense, no

:36:34.:36:36.

# It's not convenient, no

:36:36.:36:38.

# It doesn't fit my plans, no

:36:38.:36:41.

# It's something I don't understand, oh

:36:41.:36:48.

# F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E.

:36:48.:36:55.

# Oh, what is this thing that is happening to me?

:36:55.:36:59.

# F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E.

:36:59.:37:09.
:37:09.:37:12.

# Oh yeah, oh yeah oh yeah, oh yeah. #

:37:12.:37:22.
:37:22.:37:46.

I

:37:46.:37:46.

I need

:37:46.:37:47.

I need to

:37:47.:37:52.

I need to see you a bit closer even though you're so far away. Where

:37:52.:38:02.
:38:02.:38:17.

are you? I spy with my little eye something big. -- beginning with -

:38:17.:38:27.
:38:27.:38:31.

# I spy the worst place in the world # Oh, you didn't do bad

:38:31.:38:41.
:38:41.:38:46.

# I'm still stuck here Oh, but I'll get out

:38:46.:38:52.

# Oh, yeah, I'll get out

:38:52.:39:02.
:39:02.:39:06.

# Can't you see the giant that walks around you

:39:06.:39:08.

# Seeing through your petty lives?

:39:08.:39:11.

# Do you think I do these things for real?

:39:11.:39:13.

# I do these things just so I survive

:39:13.:39:15.

# And you know I will survive

:39:15.:39:22.

# It may look to the untrained eye

:39:22.:39:25.

# I'm sitting on my arse all day

:39:25.:39:28.

# I'm biding time until the day I take you all on

:39:28.:39:31.

# My Lords and Ladies

:39:31.:39:34.

# I will prevail, I cannot fail

:39:34.:39:38.

# Cos I spy

:39:38.:39:42.

# Oh, I've got your numbers, taken notes

:39:42.:39:43.

# I know the ways your minds work I've studied

:39:44.:39:45.

# And your minds are just the same as mine

:39:45.:39:50.

# Except that you are clever swines

:39:50.:39:52.

# You never let your mask slip you never admit to it

:39:52.:39:54.

# You're never hurried

:39:54.:39:57.

# Oh, no no no

:39:57.:39:59.

# And every night I hone my plan how I will get my satisfaction

:39:59.:40:03.

# How I will blow your paradise away, away, away

:40:03.:40:08.

# Cos I spy

:40:08.:40:16.

# And it's just like in the old days

:40:17.:40:22.

# I used to compose my own critical notices in my head

:40:22.:40:26.

# "The crowd gasp at Cocker's masterful control

:40:26.:40:31.

# "Of the bicycle skilfully avoiding

:40:31.:40:36.

# "The dog turd next to the corner shop."

:40:36.:40:39.

# Imagining a blue plaque above the place

:40:39.:40:41.

# I first ever touched a girl's chest

:40:41.:40:44.

# But hold on, you've got to wait for the best

:40:44.:40:47.

# You see you should take me seriously

:40:47.:40:49.

# Very seriously indeed

:40:49.:40:53.

# Cos I've been sleeping with your wife for the past 16 weeks

:40:54.:40:58.

# Smoking your cigarettes drinking your brandy

:40:58.:41:04.

# Messing up the bed that you chose together

:41:04.:41:08.

# And in all that time I just wanted you

:41:08.:41:10.

# To come home unexpectedly one afternoon

:41:10.:41:12.

# And catch us at it in the front room

:41:12.:41:14.

# You see I spy for a living and I specialise in revenge

:41:14.:41:19.

# On taking the things I know will cause you pain

:41:19.:41:25.

# I can't help it I was dragged up

:41:25.:41:30.

# My favourite parks are car parks

:41:30.:41:33.

# Grass is something you smoke

:41:33.:41:35.

# Birds are something you shag

:41:35.:41:38.

# Take your Year In Provence and shove it up your arse

:41:38.:41:45.

# Your Ladbroke Grove looks turn me on, yeah

:41:45.:41:49.

# With roach burns in designer dresses skin

:41:49.:41:52.

# Stretched tight over high cheek-bones

:41:52.:41:54.

# And thousands of tiny dryness lines beating a path

:41:54.:41:57.

# To the corners of your eyes

:41:57.:42:00.

# And every night I hatch my plan

:42:00.:42:03.

# It's not a case of woman vs man

:42:03.:42:05.

# It's more a case of haves against haven'ts

:42:06.:42:10.

# And I just happen to have got what you need

:42:10.:42:14.

# Just exactly what you need, yeah

:42:14.:42:21.

# La la la la la la la la la la

:42:21.:42:25.

# In the midnight hour

:42:25.:42:27.

# La la la la la la la la la la

:42:27.:42:31.

# I will come to you I will come to you

:42:31.:42:36.

# I will take you from this sickness dinner parties and champagne

:42:36.:42:41.

# I'll hold your body and make it sing again

:42:41.:42:46.

# Come on - sing again

:42:46.:42:50.

# Let's sing again, oh yeah

:42:50.:42:53.

# Cos I spy

:42:53.:42:56.

# Yes, I spy

:42:56.:42:59.

# I spy a boy and I spy a girl

:42:59.:43:08.

# I spy a boy and I spy a girl

:43:08.:43:17.

# I spy the chance to change the world

:43:17.:43:27.
:43:27.:43:27.

# To change your world. #

:43:27.:43:37.
:43:37.:44:08.

On this day

:44:08.:44:09.

On this day in

:44:09.:44:09.

On this day in 1859

:44:09.:44:16.

On this day in 1859 petrol was discovered for the first time in

:44:16.:44:18.

Titusville, Pennsylvania. Is that a cause for celebration? I don't know.

:44:18.:44:26.

OK. This - APPLAUSE

:44:26.:44:31.

Yeah, this is for anybody who enjoys hiding in wardrobes.

:44:31.:44:39.

I thought there would be more of you than that.

:44:39.:44:49.
:44:49.:44:49.

Apology for the loss of subtitles for 52 seconds

:44:49.:45:41.

# We listened outside # Well, that was all right

:45:41.:45:51.
:45:51.:46:02.

# Well, that was all right # And she was with some kid

:46:02.:46:12.
:46:12.:46:35.

# I listened outside I heard her # Cos you might go

:46:35.:46:45.
:46:45.:46:49.

# And I thought # I listened outside, I heard you

:46:49.:46:59.
:46:59.:47:31.

# Well, I guess # And then she opened up her

:47:31.:47:41.
:47:41.:47:43.

# Oh, listen, we were on # I heard you stop

:47:43.:47:46.

# I know you won't believe it's true

:47:46.:47:49.

# I only went with her cos she looks like you

:47:49.:47:52.

# Oh, I want to take you home

:47:52.:47:56.

# I want to give you children

:47:56.:47:59.

# You might be my girlfriend yeah. #

:47:59.:48:09.
:48:09.:48:09.

Apology for the loss of subtitles for 52 seconds

:48:09.:49:01.

Oh, yeah. Yeah,

:49:01.:49:01.

Oh, yeah. Yeah, yeah,

:49:01.:49:01.

Oh, yeah. Yeah, yeah, yeah,

:49:01.:49:06.

Oh, yeah. Yeah, yeah, yeah, yeah, yeah, yeah, yeah! Yeah, yeah, yeah,

:49:06.:49:13.

yeah, yeah, yeah, yeah! AUDIENCE: Yeah, yeah, yeah, yeah,

:49:13.:49:19.

yeah, yeah, yeah. Yeah, yeah, yeah.

:49:19.:49:29.
:49:29.:49:29.

AUDIENCE: Yeah, yeah, yeah. No, no, AUDIENCE: No, no, no. Perhaps,

:49:29.:49:33.

perhaps, perhaps. AUDIENCE: Perhaps, perhaps, perhaps.

:49:33.:49:41.

Sometimes you make a decision and it's sometimes right. This is for

:49:41.:49:50.

the guy - I admire a guy who can keep his tongue up a vagina for

:49:50.:50:00.
:50:00.:50:02.

that long. This is for the guy with # And in a moment

:50:02.:50:12.

# He's standing far too near How the hell did you get here?

:50:12.:50:16.

# Semi-naked in somebody else's room

:50:16.:50:20.

# I'd give my whole life to see it

:50:20.:50:26.

# Just you stood there only in your underwear

:50:26.:50:36.
:50:36.:50:37.

# If fashion is your trade then when you're naked

:50:37.:50:41.

# I guess you must be unemployed yeah

:50:41.:50:46.

# Cos once it's underway there's no escaping the fact

:50:46.:50:54.

# That you're a girl and he's a boy

:50:54.:50:58.

# You couldn't stop it now

:50:58.:51:01.

# There's no way to get out

:51:01.:51:03.

# He's standing much too near

:51:03.:51:05.

# How the hell did you get here?

:51:05.:51:06.

# Semi-naked in someone else's room

:51:06.:51:11.

# I'd give my whole life to see it

:51:11.:51:16.

# Just you stood there only in your underwear

:51:16.:51:26.
:51:26.:51:27.

# If you close your eyes and just remember

:51:27.:51:37.
:51:37.:51:58.

# If you close your eyes and just remember

:51:58.:52:01.

# That this is what you wanted last night

:52:01.:52:05.

# So why is it so hard for you to touch him?

:52:05.:52:10.

# For you to go and give yourself to him?

:52:10.:52:14.

# I couldn't stop it now There's no way to get out

:52:14.:52:19.

# He's standing much too near and how the hell did you get here?

:52:19.:52:23.

# Semi-naked in somebody else's room

:52:23.:52:29.

# I'd give my whole life to see it

:52:29.:52:33.

# Just you stood there only in your underwear

:52:33.:52:43.
:52:43.:52:48.

# Do, do do do do, do, do

:52:48.:52:51.

# Do, do do do do, do, do

:52:51.:52:57.

# Do, do do do do, do, do

:52:58.:53:07.
:53:08.:53:08.

Apology for the loss of subtitles for 52 seconds

:53:08.:56:40.

# Want to see you # You name the drama

:56:40.:56:44.

# It seems I saw you in some teenage wet dream

:56:44.:56:49.

# I like your get-up if you know what I mean

:56:49.:56:55.

# I want it bad, I want it now

:56:55.:57:05.
:57:05.:57:13.

# Oh, can't you see I'm ready now

:57:13.:57:23.
:57:23.:57:23.

# I've seen all the pictures I've studied them forever

:57:23.:57:27.

# I wanna make a movie so let's star in it together

:57:27.:57:33.

# Don't make a move till I say "Action"

:57:33.:57:43.

# Oh, here comes the Hardcore life

:57:43.:57:53.
:57:53.:57:56.

# Put your money where your mouth is tonight

:57:56.:58:06.
:58:06.:58:08.

# Leave your make-up on and I'll leave on the light

:58:08.:58:13.

# Come over here,babe and talk in the mic

:58:13.:58:19.

# Oh yeah, I hear you now

:58:19.:58:23.

# It's gonna be one hell of a night

:58:23.:58:28.

# You can't be a spectator, oh no

:58:28.:58:33.

# You got to take these dreams and make them whole

:58:33.:58:43.
:58:43.:58:44.

# Oh, this is Hardcore There is no way back for you

:58:44.:58:54.
:58:54.:58:56.

# Oh, this is Hardcore this is me on top of you

:58:56.:59:05.

# And I can't believe that it took me this long

:59:05.:59:15.
:59:15.:59:20.

# That it took me this long

:59:20.:59:27.

# This is the eye of the storm

:59:27.:59:34.

# It's what men in stained raincoats pay for

:59:34.:59:40.

# but in here it is pure

:59:40.:59:50.
:59:50.:59:51.

# Yeah, this is the end of the line

:59:51.:00:01.
:00:01.:00:02.

# I've seen the storyline played out so many times before

:00:02.:00:11.

# Oh, that goes in there Then that goes in there

:00:11.:00:21.
:00:21.:00:22.

# Then that goes in there Then that goes in there

:00:22.:00:28.

# And then it's over

:00:28.:00:38.
:00:38.:00:42.

# Oh, what a hell of a show but what I want to know

:00:42.:00:52.
:00:52.:00:54.

# What exactly do you do for an encore?

:00:54.:01:02.

# Cos this is Hardcore. #

:01:02.:01:12.
:01:12.:01:12.

Apology for the loss of subtitles for 52 seconds

:01:12.:02:02.

No

:02:02.:02:02.

No matter

:02:02.:02:02.

No matter how

:02:02.:02:06.

No matter how dark the night gets at some point the sky starts to get

:02:06.:02:11.

brighter. Do you know what it means? It means the sun's about to

:02:11.:02:20.

come up. Do you know what? The thing is, do you go like, "oh, too

:02:20.:02:30.
:02:30.:03:00.

early!" or do you go "Yes, bathe me I used to hate this song

:03:00.:03:04.

# Made me feel # Was overfill the ashtray

:03:04.:03:07.

Because of everything I've done # All my achievements

:03:07.:03:17.
:03:17.:03:51.

# Tried to live my whole life # Why'd you have to rise

:03:51.:03:56.

# Just turned over closed the curtains on the day

:03:56.:03:59.

# But here comes sunrise

:03:59.:04:08.

# Yeah, here's your sunrise

:04:08.:04:18.
:04:18.:04:19.

# When you've been awake all night long

:04:19.:04:22.

# And you feel like crashing out at dawn

:04:22.:04:25.

# But you've been awake all night

:04:25.:04:30.

# So why should you crash out at dawn? #

:04:30.:04:40.
:04:40.:04:40.

Apology for the loss of subtitles for 52 seconds

:04:40.:08:14.

Thanks to Mr

:08:14.:08:14.

Thanks to Mr Richard

:08:14.:08:14.

Thanks to Mr Richard Hall

:08:14.:08:24.
:08:24.:08:44.

Thanks to Mr Richard Hall there on # We made it through the night.

:08:44.:08:54.
:08:54.:09:15.

# And go for a walk past people # Before they tell us

:09:15.:09:25.
:09:25.:09:27.

# Come on, it's through come on, it's time

:09:27.:09:32.

# Oh, look at you, you

:09:32.:09:36.

# You're looking so confused, just what did you lose?

:09:36.:09:41.

# If you can make an order could you get me one?

:09:41.:09:51.
:09:51.:09:59.

# If you can make an order could you get me one?

:09:59.:10:06.

# Two sugars would be great cos I'm fading fast

:10:06.:10:16.

# And it's nearly dawn

:10:16.:10:20.

# If they knocked down this place

:10:20.:10:25.

# This place, it'd still look much better than you

:10:25.:10:30.

# Move, move quick you've gotta move

:10:30.:10:37.

# Come on, it's through Come on, it's time

:10:37.:10:41.

# Oh, look at you, you

:10:41.:10:47.

# You're looking so confused What did you lose?

:10:47.:10:57.
:10:57.:10:58.

# Oh, it's OK, it's just your mind

:10:58.:11:08.
:11:08.:11:10.

# If we get through this alive I'll meet you next week

:11:10.:11:20.
:11:20.:11:29.

# If we get through this alive I'll meet you next week

:11:29.:11:34.

# Same place, same time

:11:34.:11:37.

# Oh, move, move quick You've gotta move

:11:37.:11:42.

# Come on, it's through Come on, it's time

:11:42.:11:46.

# Oh, look at you, you

:11:46.:11:52.

# You're looking so confused What did you lose?

:11:52.:12:02.
:12:02.:12:04.

# That's what you get from clubbing it

:12:04.:12:07.

# You can't go home an d go to bed because it hasn't worn off yet

:12:07.:12:11.

# And now it's morning

:12:11.:12:15.

# There's only one place we can go

:12:15.:12:18.

# It's around the corner in Soho where other broken people go

:12:18.:12:25.

# Let's go. #

:12:25.:12:35.
:12:35.:12:49.

Thank

:12:49.:12:50.

Thank you.

:12:50.:12:50.

Thank you. Well,

:12:50.:12:54.

Thank you. Well, I don't know, obviously Reading's not that far

:12:54.:12:56.

from London. You've probably been to London, yeah?

:12:56.:13:04.

Yeah? Vastly overrated - obviously! But

:13:04.:13:14.

just around the corner from Italia is Charing Cross Road. Until a few

:13:14.:13:21.

months ago was the Royal College of Art. Do you know where I'm heading.

:13:21.:13:25.

Now f you were paying attention earlier, I said it is exactly 14

:13:25.:13:29.

years since we played here at Reading, the first time we played

:13:29.:13:34.

here. It's also exactly 14 years since we played this next song for

:13:34.:13:41.

the first time. I remember coming here trying to finish the words off

:13:41.:13:48.

in time for the concert. We played it. In the middle of the

:13:48.:13:53.

afternoon, afterwards a good friend, who is here tonight, said, "You've

:13:53.:14:00.

written one there!" that's all he said. It was true. It sent us on a

:14:00.:14:03.

strange journey. If Pulp are only ever remembered for this song - I

:14:03.:14:12.

don't care! It's a good song. You know, Black Lace are only

:14:12.:14:19.

remembered for Agadoo. It could be a lot worse!

:14:19.:14:29.
:14:29.:15:01.

# I want to do whatever # I want to sleep with common people

:15:01.:15:11.
:15:11.:15:37.

# I said, Pretend you've got no # Well, I can't see anyone else

:15:37.:15:42.

# You want to see whatever common people see

:15:42.:15:44.

# You want to sleep with common people

:15:45.:15:48.

# You want to sleep with common people, like me?

:15:49.:15:52.

# But she didn't understand

:15:52.:15:59.

# She just smiled and held my hand

:15:59.:16:04.

# Rent a flat above a shop

:16:04.:16:06.

# Cut your hair and get a job

:16:06.:16:09.

# Smoke some fags and play some pool

:16:09.:16:12.

# Pretend you never went to school

:16:12.:16:15.

# But still you'll never get it right

:16:15.:16:18.

# Cos when you're laid in bed at night

:16:18.:16:21.

# Watching roaches climb the wall

:16:21.:16:24.

# If you called your dad

:16:24.:16:28.

# He could stop it all, yeah

:16:28.:16:30.

# You'll never live like common people

:16:30.:16:32.

# You'll never do whatever common people do

:16:32.:16:34.

# You'll never fail like common people

:16:34.:16:37.

# You'll never watch your life

:16:37.:16:40.

# Slide out of view

:16:40.:16:44.

# And dance and drink and screw

:16:44.:16:45.

# Because there's nothing else to do

:16:46.:16:48.

# Sing along with the common people

:16:48.:16:58.
:16:58.:17:04.

# Sing along with the common people

:17:04.:17:14.
:17:14.:17:16.

# Sing along with the common people

:17:16.:17:18.

# Sing along

:17:18.:17:19.

# And it might just get you through

:17:19.:17:21.

# Laugh along with the common people

:17:21.:17:23.

# Laugh along even though

:17:23.:17:25.

# They're laughing at you

:17:25.:17:27.

# And the stupid things that you do

:17:27.:17:29.

# Because you think

:17:29.:17:31.

# That poor is cool

:17:31.:17:32.

# I want to live with common people

:17:33.:17:42.
:17:43.:18:02.

#

:18:02.:18:02.

# And

:18:02.:18:02.

# And the

:18:02.:18:10.

# And the chip stains will come out. # How it feels to live your life

:18:10.:18:20.
:18:20.:18:23.

# It will all come true # And where nowhere left to go

:18:23.:18:33.
:18:33.:18:34.

# Wonder why # Smoke some fags and play some

:18:35.:18:37.

pool # Where you went to school

:18:37.:18:44.

# Never get it right # So you lay in bed at night

:18:44.:18:49.

# Watching roaches climb up the wall

:18:49.:18:56.

# Ever lived like Common People # Ever do whatever Common People do

:18:56.:19:03.

# You never watch your life slide out of you

:19:03.:19:13.
:19:13.:19:34.

# Dance and smoke and screw Well, this's about all from us for

:19:34.:19:44.
:19:44.:19:44.

tonight. How was it?

:19:44.:19:54.

CHEERING AND APPLAUSE How was it?

:19:54.:19:58.

You've been fantastic. I want to applaud you. Thank you very much

:19:58.:20:02.

indeed. You've got the strokes to look

:20:02.:20:09.

forward to in a few minutes First of all, I want you to show

:20:09.:20:19.
:20:19.:20:20.

your appreciation of the people on the stage. Can you say thank you to

:20:20.:20:24.

Russell on the violin. APPLAUSE

:20:24.:20:32.

You ae been listening to Mr -- you've been listening to Mr Mark

:20:32.:20:42.
:20:42.:20:48.

Web. Miss Canda on the keyboard. Mr Richard Hallin on the electric

:20:48.:20:57.

guitar. This is Steve on the four-string

:20:57.:21:07.
:21:07.:21:10.

electric bass and Mr Leo Abrahams on six-string electric guitar. My

:21:10.:21:15.

name is Jarvis. I'm on the monitors.

:21:15.:21:24.

When I grow up, when I grow up, when I grow up I want to, I wanna,

:21:24.:21:31.

I wanna, I wanna live with Common People like you

:21:31.:21:35.

# I want to live with Common People like you

:21:35.:21:40.

# Want to live with Common People like you

:21:40.:21:43.

# Wanna live with Common People like you

:21:43.:21:47.

# Wanna live with Common People like you

:21:47.:21:57.
:21:57.:21:58.

# Wanna live with Common People like you -you-you

:21:58.:22:08.
:22:08.:22:15.

Thank you. Thank you very much for being here.

:22:16.:22:25.
:22:26.:22:48.

We love you. Yes, we do! Thank you. Bye!

:22:48.:22:58.
:22:58.:23:04.

A wonderful slice of Pulp. That was a beautiful, beautiful set, wasn't

:23:04.:23:10.

it? The snake-hips, the moves! did not see that coming at all. It

:23:10.:23:13.

was brilliant. Amazing. It was a beautiful set. So lovely to hear

:23:14.:23:17.

all the sets. The crowd were going crazy.

:23:17.:23:20.

They are. They are on their way back now. You can hear them

:23:20.:23:23.

shouting and screaming. They are having a fantastic time. It was

:23:24.:23:27.

brilliant to show you that much of Pulp. We have The Strokes coming as

:23:27.:23:31.

well. They will be on that Main Stage later F you want to Tweet us

:23:31.:23:41.
:23:41.:23:44.

there is time. If you want to shout out hsh-tag Reading Fest.

:23:44.:23:52.

Can I delve in there? Give someone a shout. Sarah, it is a complicated

:23:52.:23:59.

one. The most difficult thing you could

:23:59.:24:05.

pull out and find. Still to come, we will show you Bombay bicycle

:24:05.:24:11.

club. A band who were fantastic live. Here in our lovely treetop,

:24:11.:24:16.

we are bringing you special acoustic performances. Things for

:24:16.:24:23.

you lovely viewers. We've had the Joy Formidable.

:24:23.:24:28.

Big Deal. Today you will get Benjamin Francis later. I have seen

:24:28.:24:32.

him before. He is so quiet. I am worried if there is a lot of noise

:24:32.:24:36.

from The Strokes and he is in here we might have to listen very hard.

:24:36.:24:40.

He is beautiful live. He will do a nice acoustic set for us later on.

:24:41.:24:45.

There is the red button on your remote control that brings you

:24:45.:24:49.

loads of stuff that we are not getting to show you. At the moment

:24:49.:24:55.

The Kills and.... Jimmy wild. I saw them live here. It was a brilliant

:24:55.:25:00.

set F you are a huge fan you will not be disappointed. Press red and

:25:00.:25:05.

you can see that set and The Kills. Do not go anywhere. We will be back

:25:05.:25:10.

shortly with a massive chunk of The Strokes as well as Bombay Bicycle

:25:10.:25:15.

Club as well. They will swap over at Leeds. You

:25:15.:25:19.

will get The Strokes first there and Pulp afterwards. The Strokes

:25:19.:25:27.

Continuing live coverage from the Reading Festival, as Fearne Cotton and Reggie Yates present the much-anticipated return to the festival circuit and live music scene of Britpop kings, Pulp.


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