Browse content similar to Pulp. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, and welcome back to Reading 2011 here on BBC Three. We are | :00:19. | :00:24. | |
moments away from Pulp. That's right. Still to come tonight on BBC | :00:24. | :00:29. | |
Three, we've got The Strokes and Jane's Addiction as well, but we're | :00:29. | :00:33. | |
literally moments away from the moment we have been waiting for. | :00:33. | :00:38. | |
Also in our tree house we have a beautiful acoustic for you, one of | :00:38. | :00:40. | |
my favourites, Benjamin Francis Leftwich, is going to be here a | :00:40. | :00:46. | |
little bit later on. Don't forgets you can Tweet us or Facebook us, go | :00:46. | :00:53. | |
online too. If you want to Tweet us and end up in Reggie's random | :00:53. | :00:58. | |
tombola... It's mine now. You just have to do #bbcreadingfest if you | :00:58. | :01:03. | |
have any comments or questions about the Reading Festival or want | :01:03. | :01:07. | |
to shout-out. That is what you need to do. I love the massive shout- | :01:07. | :01:11. | |
outs they do before they go on stage. The main stage has gone dark | :01:11. | :01:17. | |
because the moment is nearly upon us. They're about to walk on - in | :01:17. | :01:23. | |
fact, they're doing it right now. This is Pulp headlining the Main | :01:23. | :01:33. | |
:01:33. | :01:33. | ||
Apology for the loss of subtitles for 52 seconds | :01:33. | :02:25. | |
# Though it makes good sense # You said you'd never be sure | :02:25. | :02:29. | |
# Though it makes good sense for # Still you bought a toy that can | :02:29. | :02:39. | |
:02:39. | :03:06. | ||
# No, I don't care # Just as long as you save | :03:06. | :03:16. | |
:03:16. | :03:24. | ||
# Well, at least there's someone # And you never have to face | :03:24. | :03:34. | |
:03:34. | :03:54. | ||
# But you know that we've changed # Now I don't care | :03:54. | :04:03. | |
# Just as long as you save a piece for me, oh, yeah | :04:03. | :04:06. | |
# You wanna go home. # | :04:06. | :04:16. | |
:04:16. | :04:28. | ||
# You say you've got to go home | :04:28. | :04:33. | |
# You say you've got to go home | :04:34. | :04:43. | |
:04:44. | :04:48. | ||
# I can't remember a worse time | :04:48. | :04:49. | |
# But you know that we've changed so much since then | :04:49. | :04:53. | |
# Oh, yeah, we've grown | :04:53. | :04:55. | |
# Now I don't care what you're doing | :04:56. | :04:58. | |
# No, I don't care if you screw him | :04:58. | :05:02. | |
# Just as long as you save a piece for me, oh, yeah | :05:02. | :05:07. | |
# You wanna go home | :05:07. | :05:15. | |
# I can't remember a worse time | :05:15. | :05:18. | |
# But you know that we've changed so much since then | :05:18. | :05:20. | |
# Oh, yeah, we've grown | :05:20. | :05:26. | |
# Now I don't care what you're doing | :05:26. | :05:28. | |
# No, I don't care if you screw him | :05:28. | :05:30. | |
# Just as long as you save a piece for me, oh, yeah | :05:30. | :05:38. | |
# You wanna go home. # | :05:38. | :05:48. | |
:05:48. | :05:53. | ||
Good | :05:53. | :05:53. | |
Good evening. | :05:53. | :05:54. | |
Good evening. One | :05:54. | :05:59. | |
Good evening. One question: Reading, are you ready? Sorry. Reading, are | :05:59. | :06:01. | |
you ready? CHEERING AND APPLAUSE | :06:01. | :06:04. | |
Thank you. Good evening. We are Pulp. | :06:04. | :06:07. | |
APPLAUSE You are Reading. It's Saturday | :06:07. | :06:16. | |
night. You know - CHANTING | :06:16. | :06:23. | |
No, the name of the group is Pulp. # Pulp, Pulp, Pulp # | :06:23. | :06:27. | |
So this is dedicated to those people - they said they were | :06:27. | :06:36. | |
writing - they were actually playing Grand Theft Auto outdoors. | :06:36. | :06:38. | |
# We like driving on a Saturday That wasn't writing. This is | :06:38. | :06:46. | |
dedicated to those guys and gals. # We don't look for trouble | :06:46. | :06:53. | |
# Hey you, you in the Jesus sandals wouldn't you like to come | :06:53. | :06:59. | |
# Over and watch some vandals smashing up someone's home? | :06:59. | :07:07. | |
# We can't help it, we're so thick | :07:07. | :07:15. | |
# We can't think | :07:15. | :07:16. | |
# Can't think of anything but shit, sleep and drink | :07:16. | :07:20. | |
# Oh, and we like women "Up the women" we say | :07:20. | :07:25. | |
# And if we get lucky we might even meet some one day | :07:25. | :07:29. | |
# Hey you, you in the Jesus sandals wouldn't you like to come | :07:29. | :07:34. | |
# Over and watch some vandals smashing up someone's home? | :07:34. | :07:43. | |
# Mister, we just want your car coswe're taking a girl to the reservoir | :07:43. | :07:53. | |
:07:53. | :07:55. | ||
# Oh, all the papers say it's a tragedy | :07:55. | :08:03. | |
# But don't you want to come and see? | :08:03. | :08:07. | |
# Mister, we just want your car coswe're taking a girl to the reservoir | :08:07. | :08:17. | |
:08:17. | :08:52. | ||
# Oh, all the papers say it's a tragedy | :08:52. | :08:59. | |
# Mister, we just want your car coswe're taking a girl to the reservoir | :08:59. | :09:09. | |
:09:09. | :09:10. | ||
# Oh, all the papers say it's a tragedy | :09:10. | :09:19. | |
# But don't you want to come and see? | :09:19. | :09:24. | |
# Mister, we just want your car coswe're taking a girl to the reservoir | :09:24. | :09:34. | |
# Oh, all the papers say it's a tragedy. # | :09:34. | :09:44. | |
:09:44. | :10:01. | ||
# Mis-shapes, mistakes, misfits | :10:01. | :10:04. | |
# We'd like to go to town but we can't risk it | :10:04. | :10:07. | |
# Oh, cos they just want to keep us out | :10:07. | :10:10. | |
# You could end up with a smack in the mouth | :10:10. | :10:15. | |
# Just for standing out oh, really | :10:15. | :10:17. | |
# Brothers, sisters, can't you see? | :10:17. | :10:21. | |
# The future's owned by you and me | :10:21. | :10:25. | |
# There won't be fighting in the street | :10:25. | :10:28. | |
# They think they've got us beat but revenge is going to be so sweet | :10:29. | :10:35. | |
# We're making a move we're making it now | :10:35. | :10:38. | |
# We're coming out of the sidelines | :10:38. | :10:40. | |
# Just put your hands up it's a raid, yeah | :10:40. | :10:44. | |
# We want your homes we want your lives | :10:44. | :10:48. | |
# We want the things you won't allow us | :10:48. | :10:51. | |
# We won't use guns we won't use bombs | :10:51. | :10:54. | |
# We'll use the one thing we've got more of - that's our minds | :10:54. | :10:59. | |
# Check your lucky numbers | :10:59. | :11:08. | |
# That much money could drag you under, oh | :11:08. | :11:11. | |
# What's the point in being rich | :11:11. | :11:16. | |
# If you can't think what to do with it? | :11:16. | :11:19. | |
# Cos you're so bleeding thick | :11:19. | :11:22. | |
# Oh, we weren't supposed to be | :11:22. | :11:26. | |
# We learnt too much at school now we can't help but see | :11:26. | :11:30. | |
# That the future that you've got mapped out | :11:30. | :11:34. | |
# Is nothing much to shout about | :11:34. | :11:38. | |
# We're making a move we're making it now | :11:38. | :11:41. | |
# We're coming out of the sidelines | :11:41. | :11:44. | |
# Just put your hands up it's a raid, yeah | :11:44. | :11:47. | |
# We want your homes we want your lives | :11:47. | :11:54. | |
# We want the things you won't allow us | :11:54. | :11:56. | |
# We won't use guns we won't use bombs | :11:56. | :11:59. | |
# We'll use the one thing we've got more of - that's our minds | :11:59. | :12:01. | |
# Brothers, sisters, can't you see? | :12:01. | :12:11. | |
:12:11. | :12:28. | ||
# Brothers, sisters, can't you see? | :12:28. | :12:30. | |
# The future's owned by you and me | :12:30. | :12:33. | |
# There won't be fighting in the street | :12:33. | :12:35. | |
# They think they've got us beat | :12:35. | :12:38. | |
# But revenge is going to be so sweet | :12:38. | :12:43. | |
# We're making a move we're making it now | :12:43. | :12:45. | |
# We're coming out of the sidelines | :12:45. | :12:47. | |
# Just put your hands up it's a raid | :12:47. | :12:50. | |
# We want your homes we want your lives | :12:50. | :12:55. | |
# We want the things you won't allow us | :12:55. | :12:58. | |
# We won't use guns we won't use bombs | :12:58. | :13:01. | |
# We'll use the one thing we've got more of - that's our minds | :13:01. | :13:03. | |
# And that's our minds, yeah. # | :13:03. | :13:13. | |
:13:13. | :13:15. | ||
# And that's our minds, yeah. # | :13:15. | :13:25. | |
:13:25. | :13:29. | ||
Thank | :13:29. | :13:29. | |
Thank you. | :13:29. | :13:39. | |
:13:39. | :13:40. | ||
Ah-hah! | :13:40. | :13:42. | |
Ah-hah! Are | :13:42. | :13:43. | |
Ah-hah! Are you | :13:43. | :13:46. | |
Ah-hah! Are you there? You're a long way away, aren't you? Can you | :13:46. | :13:50. | |
see us? CHEERING AND APPLAUSE | :13:50. | :13:57. | |
We can see you. You look OK. Oh, there you are. Hi. Hi. Have you had | :13:57. | :13:59. | |
a nice day? CHEERING AND APPLAUSE | :13:59. | :14:04. | |
Good. And we're going to keep that going. Yes, we are. The first song | :14:05. | :14:10. | |
we played was called Do You Remember the First Time? Strangely | :14:10. | :14:18. | |
enough, the first time we ever played here at Reading was exactly | :14:18. | :14:28. | |
:14:28. | :14:29. | ||
17 years agoed today - bzew-whua- whua-whua. Who was here? Let me | :14:29. | :14:31. | |
rephrase it. Who was born? CHEERING AND APPLAUSE | :14:31. | :14:40. | |
OK. Me. And the song we're playing next was the very first time we | :14:40. | :14:45. | |
played it. It's a dirty little number, and it's called Pencil | :14:45. | :14:55. | |
:14:55. | :15:02. | ||
Skirt. It's a dirty little number, # Like the look upon his face | :15:02. | :15:12. | |
:15:12. | :15:13. | ||
# Oh, but I know that you want something to play with, baby | :15:13. | :15:20. | |
# I'll be around when he's not in town | :15:20. | :15:26. | |
# I'll show you how you're doing it wrong | :15:26. | :15:30. | |
# I really love it when you tell me to stop | :15:30. | :15:33. | |
# Oh, it's turning me on | :15:33. | :15:40. | |
# You can tell me some lies about the good times that you've had | :15:40. | :15:47. | |
# But I've kissed your more mother twice | :15:47. | :15:53. | |
# And now I'm working on your dad | :15:53. | :15:59. | |
# I'll be around when he's not in town | :15:59. | :16:01. | |
# I'll show you how you're doing it wrong | :16:01. | :16:05. | |
# I really love it when you tell me to stop | :16:05. | :16:08. | |
# Oh, it's turning me on | :16:08. | :16:12. | |
# If you look under the bed then I can see my house from here | :16:12. | :16:22. | |
:16:22. | :16:57. | ||
# So just lie against the wall | :16:57. | :17:01. | |
# And watch my conscience disappear now, baby | :17:01. | :17:07. | |
# I'll be around when he's not in town | :17:07. | :17:10. | |
# I'll show you how you're doing it wrong | :17:10. | :17:14. | |
# I really love it when you tell me to stop | :17:14. | :17:17. | |
# Oh, it's turning me on | :17:17. | :17:23. | |
# I only come here cos I know it makes you sad | :17:23. | :17:28. | |
# I only do it cos I know you know it's bad | :17:28. | :17:33. | |
# Oh, yes, I know that it's ugly and it shouldn't be like that | :17:33. | :17:37. | |
# Oh, but oh, it's turning me on. # | :17:37. | :17:47. | |
:17:47. | :18:02. | ||
Thanks | :18:02. | :18:03. | |
Thanks a | :18:03. | :18:03. | |
Thanks a lot. | :18:03. | :18:11. | |
Thanks a lot. Ooh, it's tir thety - - dirty, that yeah. We'll go from | :18:11. | :18:16. | |
that, which is not very romantic to - anybody in love tonight? Anybody | :18:16. | :18:20. | |
just met somebody? Anybody just met somebody here at the festival | :18:20. | :18:24. | |
today? It's a beautiful place to find people. If there is, we'll | :18:24. | :18:29. | |
dedicate this next song to you. It's the most romantic song we ever | :18:29. | :18:33. | |
managed to write, and as we have been travelling around Europe, each | :18:33. | :18:36. | |
day I look at things that happened on the day, and the other day there | :18:36. | :18:40. | |
was a really nice quote which seemed to go with this song. It | :18:40. | :18:48. | |
said, "Every heart sings a song incomplete until until another | :18:48. | :18:52. | |
heart whispers back." That's my Plato, you know? I know that was on | :18:52. | :18:58. | |
the tip of your tongue, Plato. He's from Greece. You'll be hearing more | :18:58. | :19:03. | |
about Greece later on. Don't you worry. But this song is called | :19:03. | :19:13. | |
:19:13. | :19:19. | ||
# I wrote the song two hours # I didn't know your name | :19:19. | :19:24. | |
# Oh, I could have stayed at home and gone to bed | :19:24. | :19:32. | |
# I could have gone to see a film instead | :19:32. | :19:41. | |
# You might have changed your mind and seen your friends | :19:41. | :19:47. | |
# Life could have been verydifferent then but something changed | :19:47. | :19:57. | |
:19:57. | :20:00. | ||
# Do you believe that there's someone up above? | :20:00. | :20:10. | |
:20:10. | :20:13. | ||
# Do you believe that there's someone up above? | :20:13. | :20:19. | |
# Does he have a timetable directing acts of love? | :20:19. | :20:26. | |
# Why did I write this song on that day? | :20:26. | :20:33. | |
# Why did you touch my hand and softly say | :20:33. | :20:39. | |
# Stop asking questions that don't matter anyway? | :20:39. | :20:45. | |
# Just give us a kiss to celebrate here today something changed | :20:45. | :20:55. | |
:20:55. | :20:58. | ||
# When we woke up that morning we had no way of knowing | :20:58. | :21:08. | |
:21:08. | :21:21. | ||
# When we woke up that morning we had no way of knowing | :21:21. | :21:28. | |
# That in a matter of hours we'd change the way we were going | :21:28. | :21:32. | |
# Where would I be now if we'd never met | :21:32. | :21:40. | |
# Would I be singing this song to someone else instead? | :21:40. | :21:50. | |
:21:50. | :21:53. | ||
# I dunno | :21:53. | :21:57. | |
# But like you said something changed. # | :21:57. | :22:07. | |
:22:07. | :22:21. | ||
OK. | :22:21. | :22:22. | |
OK. Let's | :22:22. | :22:22. | |
OK. Let's cut | :22:22. | :22:27. | |
OK. Let's cut to the chase. Are you up - are you up for it? | :22:27. | :22:31. | |
CHEERING AND APPLAUSE OK. All right. Because, basically, | :22:31. | :22:38. | |
if you're up for it, we're up for it. It's Saturday, right? Saturday, | :22:38. | :22:40. | |
so traditionally, you probably would be out at a disco or | :22:40. | :22:46. | |
something like that, yeah? Am I right? Maybe. Maybe you might be at | :22:46. | :22:50. | |
a disco, so because you're missing out on that by being here, would | :22:50. | :22:52. | |
you like to dance anyway? CHEERING AND APPLAUSE | :22:52. | :22:58. | |
Yeah? Because I was thinking before I came on stage, well, it's a bit | :22:58. | :23:03. | |
chilly, but if you're going to dance, I'll take my jacket off. All | :23:03. | :23:09. | |
right? So you're not shitting me, are you? Are you going to dance? I | :23:09. | :23:17. | |
said, are you going to dance? I am almost believing you now. Are you | :23:17. | :23:27. | |
:23:27. | :23:52. | ||
really going to dance? You'd better # Well, we were born | :23:52. | :23:58. | |
# Your name is Deborah, Deborah It never suited ya | :23:58. | :24:02. | |
# They said that when we grew up we'd get married and never split up | :24:02. | :24:08. | |
# We never dated, although often I thought of it | :24:08. | :24:15. | |
# Oh, Deborah, do you recall? | :24:15. | :24:20. | |
# Your house was very small with wood chip on the wall | :24:20. | :24:25. | |
# When I came around to call you didn't notice me at all | :24:25. | :24:32. | |
# I said let's all meet up in the year 2000 | :24:32. | :24:38. | |
# Won't it be strange when we're all fully grown? | :24:38. | :24:43. | |
# Be there two o'clock by the fountain down the road | :24:43. | :24:48. | |
# I never knew that you'd get married | :24:48. | :24:52. | |
# I would be living down here on my own | :24:52. | :24:56. | |
# On that damp and lonely Thursday years ago | :24:56. | :25:00. | |
# You were the first girl at school to get breasts | :25:00. | :25:05. | |
# Martyn said that yours were the best | :25:05. | :25:08. | |
# The boys all loved you but I was a mess | :25:08. | :25:11. | |
# I had to watch them trying to get you undressed | :25:11. | :25:15. | |
# We were friends but that was as far as it went | :25:15. | :25:18. | |
# I used to walk you home sometimes but it meant | :25:18. | :25:21. | |
# Oh, it meant nothing to you cos you were so popular | :25:21. | :25:29. | |
# Oh, Deborah, do you recall? | :25:29. | :25:31. | |
# Your house was very small with wood chip on the wall | :25:31. | :25:36. | |
# When I came around to call you didn't notice me at all | :25:36. | :25:42. | |
# I said let's all meet up in the year 2000 | :25:42. | :25:50. | |
# Won't it be strange when we're all fully grown? | :25:50. | :25:53. | |
# Be there two o'clock by the fountain down the road | :25:53. | :25:58. | |
# I never knew that you'd get married | :25:58. | :26:02. | |
# I would be living down here on my own on | :26:02. | :26:07. | |
# That damp and lonely Thursday years ago | :26:07. | :26:13. | |
# Oh ,yeah | :26:13. | :26:21. | |
# Oh ,yeah | :26:21. | :26:31. | |
:26:31. | :26:33. | ||
# Your house was very small with wood chip on the wall | :26:33. | :26:37. | |
# When I came around to call you didn't notice me at all | :26:37. | :26:45. | |
# I said let's all meet up in the year 2000 | :26:45. | :26:48. | |
# Won't it be strange when we're all fully grown? | :26:49. | :26:52. | |
# Be there two o'clock by the fountain down the road | :26:52. | :26:57. | |
# I never knew that you'd get married | :26:57. | :27:01. | |
# I would be living down here on my own | :27:01. | :27:06. | |
# On that damp and lonely Thursday years ago | :27:06. | :27:12. | |
# Oh, what are you doing Sunday, baby? | :27:12. | :27:15. | |
# Would you like to come and meet me maybe? | :27:15. | :27:18. | |
# You can even bring your baby | :27:18. | :27:21. | |
# Oh ooh ooh, ooh ooh ooh ooh | :27:21. | :27:23. | |
# Oh, what are you doing Sunday, baby? | :27:23. | :27:28. | |
# Would you like to come and meet me maybe? | :27:28. | :27:31. | |
# You can even bring your baby | :27:31. | :27:35. | |
# Oh ooh ooh, ooh ooh ooh ooh | :27:35. | :27:40. | |
# Ooh ooh ooh ooh | :27:40. | :27:50. | |
:27:50. | :28:08. | ||
You | :28:08. | :28:09. | |
You don't | :28:09. | :28:09. | |
You don't stop. | :28:09. | :28:16. | |
You don't stop. You don't stop. No, no, you don't stop. We're going to | :28:16. | :28:21. | |
have smoke on stage, and the smoke is blowing towards you, and it's | :28:21. | :28:25. | |
blowing towards you because it's the beginning of the concert, and | :28:25. | :28:29. | |
the smoke has special properties, and they should start kicking in | :28:29. | :28:33. | |
now - some time around now, and you're in the field because you're | :28:33. | :28:39. | |
at the disco, and you wanted the keep going, and so you went out and | :28:39. | :28:45. | |
you met this guy. You didn't even know his name. | :28:45. | :28:55. | |
(Speaks another language) (Horn) | :28:55. | :29:05. | |
:29:05. | :29:25. | ||
# Oh, is this the way they say # Or just 20,000 people | :29:25. | :29:29. | |
# And I don't quite understand just what this feeling is | :29:29. | :29:32. | |
# But that's OK cos we're all sorted out for E's and wizz | :29:32. | :29:39. | |
# And tell me when the spaceship lands | :29:39. | :29:42. | |
# Cos all this has just got to mean something | :29:42. | :29:44. | |
# In the middle of the night | :29:44. | :29:52. | |
# It feels all right | :29:52. | :29:54. | |
# But then tomorrow morning | :29:54. | :29:56. | |
# Oh, oh, then you come down | :29:56. | :30:02. | |
# Oh, yeah, the pirate radio told us what was going down | :30:02. | :30:12. | |
:30:12. | :30:18. | ||
# Oh, and no-one seems to know exactly where it is | :30:18. | :30:23. | |
# But that's okay OK cos we're all sorted out for E's and wizz | :30:23. | :30:28. | |
# At 4 o'clock, the normal world seems very, very, very far away | :30:28. | :30:34. | |
# All right! In the middle of the night | :30:34. | :30:40. | |
# It feels all right | :30:40. | :30:42. | |
# But then tomorrow morning | :30:42. | :30:44. | |
# Oh, oh, then you come down | :30:44. | :30:51. | |
# Just keep on moving! | :30:51. | :31:00. | |
# Everybody asks your name | :31:00. | :31:10. | |
# Everybody asks your name | :31:10. | :31:12. | |
# They say we're all the same | :31:12. | :31:13. | |
# And it's, nice one, geezer | :31:13. | :31:17. | |
# But that's as far as the conversation went | :31:17. | :31:19. | |
# I lost my friends I dance alone | :31:19. | :31:20. | |
# It's six o'clock I wanna go home | :31:20. | :31:22. | |
# But it's, no way, not today | :31:22. | :31:24. | |
# Makes you wonder what it meant | :31:24. | :31:28. | |
# And this hollow feeling grows and grows | :31:28. | :31:32. | |
# And grows and grows and grows | :31:32. | :31:35. | |
# And you want to phone your mother | :31:35. | :31:36. | |
# And say, Mother I can never come home again, | :31:36. | :31:38. | |
# Cos I seem to have left an important part of my brain | :31:38. | :31:41. | |
# Somewhere | :31:41. | :31:44. | |
# Somewhere in a field in Hampshire, all right | :31:44. | :31:47. | |
# In the middle of the night | :31:48. | :31:50. | |
# It feels all right | :31:50. | :31:52. | |
# But then tomorrow morning | :31:52. | :31:53. | |
# Oh, oh, then you come down | :31:53. | :32:03. | |
# What if you never come down? # | :32:03. | :32:13. | |
:32:13. | :32:16. | ||
# Oh, oh, then you come down | :32:16. | :32:24. | |
# What if you never come down? # | :32:24. | :32:34. | |
:32:34. | :32:34. | ||
Apology for the loss of subtitles for 52 seconds | :32:34. | :33:26. | |
# Right down, right down to the broken handle | :33:26. | :33:29. | |
# On the third drawer down of the dressing table | :33:29. | :33:33. | |
# And the world outside this room has also assumed a familiar shape | :33:33. | :33:37. | |
# The same events shuffled in a slightly different order each day | :33:37. | :33:41. | |
# Just like a modern shopping centre | :33:41. | :33:44. | |
# And it's so cold yeah, it's so cold | :33:44. | :33:54. | |
:33:54. | :34:12. | ||
# What is this feeling called love? | :34:12. | :34:22. | |
:34:22. | :34:22. | ||
# Why me, why you, why here why now? | :34:22. | :34:27. | |
# It doesn't make no sense, no | :34:27. | :34:37. | |
:34:37. | :34:39. | ||
# It's not convenient, no | :34:39. | :34:43. | |
# It doesn't fit my plans, no | :34:43. | :34:46. | |
# It's something I don't understand, oh | :34:46. | :34:49. | |
# F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E. | :34:49. | :34:59. | |
# Oh, what is this thing that is happening to me? | :34:59. | :35:02. | |
# And as I'm standing across this room | :35:02. | :35:12. | |
:35:12. | :35:13. | ||
# So what do I do? | :35:13. | :35:15. | |
# I've got a slightly sick feeling in my stomach | :35:15. | :35:17. | |
# Like I'm standing on top of a very high building, oh yeah | :35:17. | :35:21. | |
# All the stuff they tell you about in the movies | :35:21. | :35:24. | |
# But this isn't chocolate boxes and roses | :35:24. | :35:27. | |
# It's dirtier than that like some small animal | :35:27. | :35:30. | |
# That only comes out at night | :35:30. | :35:32. | |
# And I see flashes of the shape of your breasts | :35:32. | :35:37. | |
# And the curve of your belly | :35:37. | :35:39. | |
# And I may have to sit down and catch my breath | :35:39. | :35:44. | |
# And it's so cold yeah, it's so cold | :35:44. | :35:54. | |
:35:54. | :35:59. | ||
# It's so cold yeah, it's so cold | :35:59. | :36:07. | |
# What is this feeling called love? | :36:07. | :36:17. | |
# Why me, why you, why here why now? | :36:17. | :36:27. | |
:36:27. | :36:34. | ||
# It doesn't make no sense, no | :36:34. | :36:36. | |
# It's not convenient, no | :36:36. | :36:38. | |
# It doesn't fit my plans, no | :36:38. | :36:41. | |
# It's something I don't understand, oh | :36:41. | :36:48. | |
# F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E. | :36:48. | :36:55. | |
# Oh, what is this thing that is happening to me? | :36:55. | :36:59. | |
# F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E. | :36:59. | :37:09. | |
:37:09. | :37:12. | ||
# Oh yeah, oh yeah oh yeah, oh yeah. # | :37:12. | :37:22. | |
:37:22. | :37:46. | ||
I | :37:46. | :37:46. | |
I need | :37:46. | :37:47. | |
I need to | :37:47. | :37:52. | |
I need to see you a bit closer even though you're so far away. Where | :37:52. | :38:02. | |
:38:02. | :38:17. | ||
are you? I spy with my little eye something big. -- beginning with - | :38:17. | :38:27. | |
:38:27. | :38:31. | ||
# I spy the worst place in the world # Oh, you didn't do bad | :38:31. | :38:41. | |
:38:41. | :38:46. | ||
# I'm still stuck here Oh, but I'll get out | :38:46. | :38:52. | |
# Oh, yeah, I'll get out | :38:52. | :39:02. | |
:39:02. | :39:06. | ||
# Can't you see the giant that walks around you | :39:06. | :39:08. | |
# Seeing through your petty lives? | :39:08. | :39:11. | |
# Do you think I do these things for real? | :39:11. | :39:13. | |
# I do these things just so I survive | :39:13. | :39:15. | |
# And you know I will survive | :39:15. | :39:22. | |
# It may look to the untrained eye | :39:22. | :39:25. | |
# I'm sitting on my arse all day | :39:25. | :39:28. | |
# I'm biding time until the day I take you all on | :39:28. | :39:31. | |
# My Lords and Ladies | :39:31. | :39:34. | |
# I will prevail, I cannot fail | :39:34. | :39:38. | |
# Cos I spy | :39:38. | :39:42. | |
# Oh, I've got your numbers, taken notes | :39:42. | :39:43. | |
# I know the ways your minds work I've studied | :39:44. | :39:45. | |
# And your minds are just the same as mine | :39:45. | :39:50. | |
# Except that you are clever swines | :39:50. | :39:52. | |
# You never let your mask slip you never admit to it | :39:52. | :39:54. | |
# You're never hurried | :39:54. | :39:57. | |
# Oh, no no no | :39:57. | :39:59. | |
# And every night I hone my plan how I will get my satisfaction | :39:59. | :40:03. | |
# How I will blow your paradise away, away, away | :40:03. | :40:08. | |
# Cos I spy | :40:08. | :40:16. | |
# And it's just like in the old days | :40:17. | :40:22. | |
# I used to compose my own critical notices in my head | :40:22. | :40:26. | |
# "The crowd gasp at Cocker's masterful control | :40:26. | :40:31. | |
# "Of the bicycle skilfully avoiding | :40:31. | :40:36. | |
# "The dog turd next to the corner shop." | :40:36. | :40:39. | |
# Imagining a blue plaque above the place | :40:39. | :40:41. | |
# I first ever touched a girl's chest | :40:41. | :40:44. | |
# But hold on, you've got to wait for the best | :40:44. | :40:47. | |
# You see you should take me seriously | :40:47. | :40:49. | |
# Very seriously indeed | :40:49. | :40:53. | |
# Cos I've been sleeping with your wife for the past 16 weeks | :40:54. | :40:58. | |
# Smoking your cigarettes drinking your brandy | :40:58. | :41:04. | |
# Messing up the bed that you chose together | :41:04. | :41:08. | |
# And in all that time I just wanted you | :41:08. | :41:10. | |
# To come home unexpectedly one afternoon | :41:10. | :41:12. | |
# And catch us at it in the front room | :41:12. | :41:14. | |
# You see I spy for a living and I specialise in revenge | :41:14. | :41:19. | |
# On taking the things I know will cause you pain | :41:19. | :41:25. | |
# I can't help it I was dragged up | :41:25. | :41:30. | |
# My favourite parks are car parks | :41:30. | :41:33. | |
# Grass is something you smoke | :41:33. | :41:35. | |
# Birds are something you shag | :41:35. | :41:38. | |
# Take your Year In Provence and shove it up your arse | :41:38. | :41:45. | |
# Your Ladbroke Grove looks turn me on, yeah | :41:45. | :41:49. | |
# With roach burns in designer dresses skin | :41:49. | :41:52. | |
# Stretched tight over high cheek-bones | :41:52. | :41:54. | |
# And thousands of tiny dryness lines beating a path | :41:54. | :41:57. | |
# To the corners of your eyes | :41:57. | :42:00. | |
# And every night I hatch my plan | :42:00. | :42:03. | |
# It's not a case of woman vs man | :42:03. | :42:05. | |
# It's more a case of haves against haven'ts | :42:06. | :42:10. | |
# And I just happen to have got what you need | :42:10. | :42:14. | |
# Just exactly what you need, yeah | :42:14. | :42:21. | |
# La la la la la la la la la la | :42:21. | :42:25. | |
# In the midnight hour | :42:25. | :42:27. | |
# La la la la la la la la la la | :42:27. | :42:31. | |
# I will come to you I will come to you | :42:31. | :42:36. | |
# I will take you from this sickness dinner parties and champagne | :42:36. | :42:41. | |
# I'll hold your body and make it sing again | :42:41. | :42:46. | |
# Come on - sing again | :42:46. | :42:50. | |
# Let's sing again, oh yeah | :42:50. | :42:53. | |
# Cos I spy | :42:53. | :42:56. | |
# Yes, I spy | :42:56. | :42:59. | |
# I spy a boy and I spy a girl | :42:59. | :43:08. | |
# I spy a boy and I spy a girl | :43:08. | :43:17. | |
# I spy the chance to change the world | :43:17. | :43:27. | |
:43:27. | :43:27. | ||
# To change your world. # | :43:27. | :43:37. | |
:43:37. | :44:08. | ||
On this day | :44:08. | :44:09. | |
On this day in | :44:09. | :44:09. | |
On this day in 1859 | :44:09. | :44:16. | |
On this day in 1859 petrol was discovered for the first time in | :44:16. | :44:18. | |
Titusville, Pennsylvania. Is that a cause for celebration? I don't know. | :44:18. | :44:26. | |
OK. This - APPLAUSE | :44:26. | :44:31. | |
Yeah, this is for anybody who enjoys hiding in wardrobes. | :44:31. | :44:39. | |
I thought there would be more of you than that. | :44:39. | :44:49. | |
:44:49. | :44:49. | ||
Apology for the loss of subtitles for 52 seconds | :44:49. | :45:41. | |
# We listened outside # Well, that was all right | :45:41. | :45:51. | |
:45:51. | :46:02. | ||
# Well, that was all right # And she was with some kid | :46:02. | :46:12. | |
:46:12. | :46:35. | ||
# I listened outside I heard her # Cos you might go | :46:35. | :46:45. | |
:46:45. | :46:49. | ||
# And I thought # I listened outside, I heard you | :46:49. | :46:59. | |
:46:59. | :47:31. | ||
# Well, I guess # And then she opened up her | :47:31. | :47:41. | |
:47:41. | :47:43. | ||
# Oh, listen, we were on # I heard you stop | :47:43. | :47:46. | |
# I know you won't believe it's true | :47:46. | :47:49. | |
# I only went with her cos she looks like you | :47:49. | :47:52. | |
# Oh, I want to take you home | :47:52. | :47:56. | |
# I want to give you children | :47:56. | :47:59. | |
# You might be my girlfriend yeah. # | :47:59. | :48:09. | |
:48:09. | :48:09. | ||
Apology for the loss of subtitles for 52 seconds | :48:09. | :49:01. | |
Oh, yeah. Yeah, | :49:01. | :49:01. | |
Oh, yeah. Yeah, yeah, | :49:01. | :49:01. | |
Oh, yeah. Yeah, yeah, yeah, | :49:01. | :49:06. | |
Oh, yeah. Yeah, yeah, yeah, yeah, yeah, yeah, yeah! Yeah, yeah, yeah, | :49:06. | :49:13. | |
yeah, yeah, yeah, yeah! AUDIENCE: Yeah, yeah, yeah, yeah, | :49:13. | :49:19. | |
yeah, yeah, yeah. Yeah, yeah, yeah. | :49:19. | :49:29. | |
:49:29. | :49:29. | ||
AUDIENCE: Yeah, yeah, yeah. No, no, AUDIENCE: No, no, no. Perhaps, | :49:29. | :49:33. | |
perhaps, perhaps. AUDIENCE: Perhaps, perhaps, perhaps. | :49:33. | :49:41. | |
Sometimes you make a decision and it's sometimes right. This is for | :49:41. | :49:50. | |
the guy - I admire a guy who can keep his tongue up a vagina for | :49:50. | :50:00. | |
:50:00. | :50:02. | ||
that long. This is for the guy with # And in a moment | :50:02. | :50:12. | |
# He's standing far too near How the hell did you get here? | :50:12. | :50:16. | |
# Semi-naked in somebody else's room | :50:16. | :50:20. | |
# I'd give my whole life to see it | :50:20. | :50:26. | |
# Just you stood there only in your underwear | :50:26. | :50:36. | |
:50:36. | :50:37. | ||
# If fashion is your trade then when you're naked | :50:37. | :50:41. | |
# I guess you must be unemployed yeah | :50:41. | :50:46. | |
# Cos once it's underway there's no escaping the fact | :50:46. | :50:54. | |
# That you're a girl and he's a boy | :50:54. | :50:58. | |
# You couldn't stop it now | :50:58. | :51:01. | |
# There's no way to get out | :51:01. | :51:03. | |
# He's standing much too near | :51:03. | :51:05. | |
# How the hell did you get here? | :51:05. | :51:06. | |
# Semi-naked in someone else's room | :51:06. | :51:11. | |
# I'd give my whole life to see it | :51:11. | :51:16. | |
# Just you stood there only in your underwear | :51:16. | :51:26. | |
:51:26. | :51:27. | ||
# If you close your eyes and just remember | :51:27. | :51:37. | |
:51:37. | :51:58. | ||
# If you close your eyes and just remember | :51:58. | :52:01. | |
# That this is what you wanted last night | :52:01. | :52:05. | |
# So why is it so hard for you to touch him? | :52:05. | :52:10. | |
# For you to go and give yourself to him? | :52:10. | :52:14. | |
# I couldn't stop it now There's no way to get out | :52:14. | :52:19. | |
# He's standing much too near and how the hell did you get here? | :52:19. | :52:23. | |
# Semi-naked in somebody else's room | :52:23. | :52:29. | |
# I'd give my whole life to see it | :52:29. | :52:33. | |
# Just you stood there only in your underwear | :52:33. | :52:43. | |
:52:43. | :52:48. | ||
# Do, do do do do, do, do | :52:48. | :52:51. | |
# Do, do do do do, do, do | :52:51. | :52:57. | |
# Do, do do do do, do, do | :52:58. | :53:07. | |
:53:08. | :53:08. | ||
Apology for the loss of subtitles for 52 seconds | :53:08. | :56:40. | |
# Want to see you # You name the drama | :56:40. | :56:44. | |
# It seems I saw you in some teenage wet dream | :56:44. | :56:49. | |
# I like your get-up if you know what I mean | :56:49. | :56:55. | |
# I want it bad, I want it now | :56:55. | :57:05. | |
:57:05. | :57:13. | ||
# Oh, can't you see I'm ready now | :57:13. | :57:23. | |
:57:23. | :57:23. | ||
# I've seen all the pictures I've studied them forever | :57:23. | :57:27. | |
# I wanna make a movie so let's star in it together | :57:27. | :57:33. | |
# Don't make a move till I say "Action" | :57:33. | :57:43. | |
# Oh, here comes the Hardcore life | :57:43. | :57:53. | |
:57:53. | :57:56. | ||
# Put your money where your mouth is tonight | :57:56. | :58:06. | |
:58:06. | :58:08. | ||
# Leave your make-up on and I'll leave on the light | :58:08. | :58:13. | |
# Come over here,babe and talk in the mic | :58:13. | :58:19. | |
# Oh yeah, I hear you now | :58:19. | :58:23. | |
# It's gonna be one hell of a night | :58:23. | :58:28. | |
# You can't be a spectator, oh no | :58:28. | :58:33. | |
# You got to take these dreams and make them whole | :58:33. | :58:43. | |
:58:43. | :58:44. | ||
# Oh, this is Hardcore There is no way back for you | :58:44. | :58:54. | |
:58:54. | :58:56. | ||
# Oh, this is Hardcore this is me on top of you | :58:56. | :59:05. | |
# And I can't believe that it took me this long | :59:05. | :59:15. | |
:59:15. | :59:20. | ||
# That it took me this long | :59:20. | :59:27. | |
# This is the eye of the storm | :59:27. | :59:34. | |
# It's what men in stained raincoats pay for | :59:34. | :59:40. | |
# but in here it is pure | :59:40. | :59:50. | |
:59:50. | :59:51. | ||
# Yeah, this is the end of the line | :59:51. | :00:01. | |
:00:01. | :00:02. | ||
# I've seen the storyline played out so many times before | :00:02. | :00:11. | |
# Oh, that goes in there Then that goes in there | :00:11. | :00:21. | |
:00:21. | :00:22. | ||
# Then that goes in there Then that goes in there | :00:22. | :00:28. | |
# And then it's over | :00:28. | :00:38. | |
:00:38. | :00:42. | ||
# Oh, what a hell of a show but what I want to know | :00:42. | :00:52. | |
:00:52. | :00:54. | ||
# What exactly do you do for an encore? | :00:54. | :01:02. | |
# Cos this is Hardcore. # | :01:02. | :01:12. | |
:01:12. | :01:12. | ||
Apology for the loss of subtitles for 52 seconds | :01:12. | :02:02. | |
No | :02:02. | :02:02. | |
No matter | :02:02. | :02:02. | |
No matter how | :02:02. | :02:06. | |
No matter how dark the night gets at some point the sky starts to get | :02:06. | :02:11. | |
brighter. Do you know what it means? It means the sun's about to | :02:11. | :02:20. | |
come up. Do you know what? The thing is, do you go like, "oh, too | :02:20. | :02:30. | |
:02:30. | :03:00. | ||
early!" or do you go "Yes, bathe me I used to hate this song | :03:00. | :03:04. | |
# Made me feel # Was overfill the ashtray | :03:04. | :03:07. | |
Because of everything I've done # All my achievements | :03:07. | :03:17. | |
:03:17. | :03:51. | ||
# Tried to live my whole life # Why'd you have to rise | :03:51. | :03:56. | |
# Just turned over closed the curtains on the day | :03:56. | :03:59. | |
# But here comes sunrise | :03:59. | :04:08. | |
# Yeah, here's your sunrise | :04:08. | :04:18. | |
:04:18. | :04:19. | ||
# When you've been awake all night long | :04:19. | :04:22. | |
# And you feel like crashing out at dawn | :04:22. | :04:25. | |
# But you've been awake all night | :04:25. | :04:30. | |
# So why should you crash out at dawn? # | :04:30. | :04:40. | |
:04:40. | :04:40. | ||
Apology for the loss of subtitles for 52 seconds | :04:40. | :08:14. | |
Thanks to Mr | :08:14. | :08:14. | |
Thanks to Mr Richard | :08:14. | :08:14. | |
Thanks to Mr Richard Hall | :08:14. | :08:24. | |
:08:24. | :08:44. | ||
Thanks to Mr Richard Hall there on # We made it through the night. | :08:44. | :08:54. | |
:08:54. | :09:15. | ||
# And go for a walk past people # Before they tell us | :09:15. | :09:25. | |
:09:25. | :09:27. | ||
# Come on, it's through come on, it's time | :09:27. | :09:32. | |
# Oh, look at you, you | :09:32. | :09:36. | |
# You're looking so confused, just what did you lose? | :09:36. | :09:41. | |
# If you can make an order could you get me one? | :09:41. | :09:51. | |
:09:51. | :09:59. | ||
# If you can make an order could you get me one? | :09:59. | :10:06. | |
# Two sugars would be great cos I'm fading fast | :10:06. | :10:16. | |
# And it's nearly dawn | :10:16. | :10:20. | |
# If they knocked down this place | :10:20. | :10:25. | |
# This place, it'd still look much better than you | :10:25. | :10:30. | |
# Move, move quick you've gotta move | :10:30. | :10:37. | |
# Come on, it's through Come on, it's time | :10:37. | :10:41. | |
# Oh, look at you, you | :10:41. | :10:47. | |
# You're looking so confused What did you lose? | :10:47. | :10:57. | |
:10:57. | :10:58. | ||
# Oh, it's OK, it's just your mind | :10:58. | :11:08. | |
:11:08. | :11:10. | ||
# If we get through this alive I'll meet you next week | :11:10. | :11:20. | |
:11:20. | :11:29. | ||
# If we get through this alive I'll meet you next week | :11:29. | :11:34. | |
# Same place, same time | :11:34. | :11:37. | |
# Oh, move, move quick You've gotta move | :11:37. | :11:42. | |
# Come on, it's through Come on, it's time | :11:42. | :11:46. | |
# Oh, look at you, you | :11:46. | :11:52. | |
# You're looking so confused What did you lose? | :11:52. | :12:02. | |
:12:02. | :12:04. | ||
# That's what you get from clubbing it | :12:04. | :12:07. | |
# You can't go home an d go to bed because it hasn't worn off yet | :12:07. | :12:11. | |
# And now it's morning | :12:11. | :12:15. | |
# There's only one place we can go | :12:15. | :12:18. | |
# It's around the corner in Soho where other broken people go | :12:18. | :12:25. | |
# Let's go. # | :12:25. | :12:35. | |
:12:35. | :12:49. | ||
Thank | :12:49. | :12:50. | |
Thank you. | :12:50. | :12:50. | |
Thank you. Well, | :12:50. | :12:54. | |
Thank you. Well, I don't know, obviously Reading's not that far | :12:54. | :12:56. | |
from London. You've probably been to London, yeah? | :12:56. | :13:04. | |
Yeah? Vastly overrated - obviously! But | :13:04. | :13:14. | |
just around the corner from Italia is Charing Cross Road. Until a few | :13:14. | :13:21. | |
months ago was the Royal College of Art. Do you know where I'm heading. | :13:21. | :13:25. | |
Now f you were paying attention earlier, I said it is exactly 14 | :13:25. | :13:29. | |
years since we played here at Reading, the first time we played | :13:29. | :13:34. | |
here. It's also exactly 14 years since we played this next song for | :13:34. | :13:41. | |
the first time. I remember coming here trying to finish the words off | :13:41. | :13:48. | |
in time for the concert. We played it. In the middle of the | :13:48. | :13:53. | |
afternoon, afterwards a good friend, who is here tonight, said, "You've | :13:53. | :14:00. | |
written one there!" that's all he said. It was true. It sent us on a | :14:00. | :14:03. | |
strange journey. If Pulp are only ever remembered for this song - I | :14:03. | :14:12. | |
don't care! It's a good song. You know, Black Lace are only | :14:12. | :14:19. | |
remembered for Agadoo. It could be a lot worse! | :14:19. | :14:29. | |
:14:29. | :15:01. | ||
# I want to do whatever # I want to sleep with common people | :15:01. | :15:11. | |
:15:11. | :15:37. | ||
# I said, Pretend you've got no # Well, I can't see anyone else | :15:37. | :15:42. | |
# You want to see whatever common people see | :15:42. | :15:44. | |
# You want to sleep with common people | :15:45. | :15:48. | |
# You want to sleep with common people, like me? | :15:49. | :15:52. | |
# But she didn't understand | :15:52. | :15:59. | |
# She just smiled and held my hand | :15:59. | :16:04. | |
# Rent a flat above a shop | :16:04. | :16:06. | |
# Cut your hair and get a job | :16:06. | :16:09. | |
# Smoke some fags and play some pool | :16:09. | :16:12. | |
# Pretend you never went to school | :16:12. | :16:15. | |
# But still you'll never get it right | :16:15. | :16:18. | |
# Cos when you're laid in bed at night | :16:18. | :16:21. | |
# Watching roaches climb the wall | :16:21. | :16:24. | |
# If you called your dad | :16:24. | :16:28. | |
# He could stop it all, yeah | :16:28. | :16:30. | |
# You'll never live like common people | :16:30. | :16:32. | |
# You'll never do whatever common people do | :16:32. | :16:34. | |
# You'll never fail like common people | :16:34. | :16:37. | |
# You'll never watch your life | :16:37. | :16:40. | |
# Slide out of view | :16:40. | :16:44. | |
# And dance and drink and screw | :16:44. | :16:45. | |
# Because there's nothing else to do | :16:46. | :16:48. | |
# Sing along with the common people | :16:48. | :16:58. | |
:16:58. | :17:04. | ||
# Sing along with the common people | :17:04. | :17:14. | |
:17:14. | :17:16. | ||
# Sing along with the common people | :17:16. | :17:18. | |
# Sing along | :17:18. | :17:19. | |
# And it might just get you through | :17:19. | :17:21. | |
# Laugh along with the common people | :17:21. | :17:23. | |
# Laugh along even though | :17:23. | :17:25. | |
# They're laughing at you | :17:25. | :17:27. | |
# And the stupid things that you do | :17:27. | :17:29. | |
# Because you think | :17:29. | :17:31. | |
# That poor is cool | :17:31. | :17:32. | |
# I want to live with common people | :17:33. | :17:42. | |
:17:43. | :18:02. | ||
# | :18:02. | :18:02. | |
# And | :18:02. | :18:02. | |
# And the | :18:02. | :18:10. | |
# And the chip stains will come out. # How it feels to live your life | :18:10. | :18:20. | |
:18:20. | :18:23. | ||
# It will all come true # And where nowhere left to go | :18:23. | :18:33. | |
:18:33. | :18:34. | ||
# Wonder why # Smoke some fags and play some | :18:35. | :18:37. | |
pool # Where you went to school | :18:37. | :18:44. | |
# Never get it right # So you lay in bed at night | :18:44. | :18:49. | |
# Watching roaches climb up the wall | :18:49. | :18:56. | |
# Ever lived like Common People # Ever do whatever Common People do | :18:56. | :19:03. | |
# You never watch your life slide out of you | :19:03. | :19:13. | |
:19:13. | :19:34. | ||
# Dance and smoke and screw Well, this's about all from us for | :19:34. | :19:44. | |
:19:44. | :19:44. | ||
tonight. How was it? | :19:44. | :19:54. | |
CHEERING AND APPLAUSE How was it? | :19:54. | :19:58. | |
You've been fantastic. I want to applaud you. Thank you very much | :19:58. | :20:02. | |
indeed. You've got the strokes to look | :20:02. | :20:09. | |
forward to in a few minutes First of all, I want you to show | :20:09. | :20:19. | |
:20:19. | :20:20. | ||
your appreciation of the people on the stage. Can you say thank you to | :20:20. | :20:24. | |
Russell on the violin. APPLAUSE | :20:24. | :20:32. | |
You ae been listening to Mr -- you've been listening to Mr Mark | :20:32. | :20:42. | |
:20:42. | :20:48. | ||
Web. Miss Canda on the keyboard. Mr Richard Hallin on the electric | :20:48. | :20:57. | |
guitar. This is Steve on the four-string | :20:57. | :21:07. | |
:21:07. | :21:10. | ||
electric bass and Mr Leo Abrahams on six-string electric guitar. My | :21:10. | :21:15. | |
name is Jarvis. I'm on the monitors. | :21:15. | :21:24. | |
When I grow up, when I grow up, when I grow up I want to, I wanna, | :21:24. | :21:31. | |
I wanna, I wanna live with Common People like you | :21:31. | :21:35. | |
# I want to live with Common People like you | :21:35. | :21:40. | |
# Want to live with Common People like you | :21:40. | :21:43. | |
# Wanna live with Common People like you | :21:43. | :21:47. | |
# Wanna live with Common People like you | :21:47. | :21:57. | |
:21:57. | :21:58. | ||
# Wanna live with Common People like you -you-you | :21:58. | :22:08. | |
:22:08. | :22:15. | ||
Thank you. Thank you very much for being here. | :22:16. | :22:25. | |
:22:26. | :22:48. | ||
We love you. Yes, we do! Thank you. Bye! | :22:48. | :22:58. | |
:22:58. | :23:04. | ||
A wonderful slice of Pulp. That was a beautiful, beautiful set, wasn't | :23:04. | :23:10. | |
it? The snake-hips, the moves! did not see that coming at all. It | :23:10. | :23:13. | |
was brilliant. Amazing. It was a beautiful set. So lovely to hear | :23:14. | :23:17. | |
all the sets. The crowd were going crazy. | :23:17. | :23:20. | |
They are. They are on their way back now. You can hear them | :23:20. | :23:23. | |
shouting and screaming. They are having a fantastic time. It was | :23:24. | :23:27. | |
brilliant to show you that much of Pulp. We have The Strokes coming as | :23:27. | :23:31. | |
well. They will be on that Main Stage later F you want to Tweet us | :23:31. | :23:41. | |
:23:41. | :23:44. | ||
there is time. If you want to shout out hsh-tag Reading Fest. | :23:44. | :23:52. | |
Can I delve in there? Give someone a shout. Sarah, it is a complicated | :23:52. | :23:59. | |
one. The most difficult thing you could | :23:59. | :24:05. | |
pull out and find. Still to come, we will show you Bombay bicycle | :24:05. | :24:11. | |
club. A band who were fantastic live. Here in our lovely treetop, | :24:11. | :24:16. | |
we are bringing you special acoustic performances. Things for | :24:16. | :24:23. | |
you lovely viewers. We've had the Joy Formidable. | :24:23. | :24:28. | |
Big Deal. Today you will get Benjamin Francis later. I have seen | :24:28. | :24:32. | |
him before. He is so quiet. I am worried if there is a lot of noise | :24:32. | :24:36. | |
from The Strokes and he is in here we might have to listen very hard. | :24:36. | :24:40. | |
He is beautiful live. He will do a nice acoustic set for us later on. | :24:41. | :24:45. | |
There is the red button on your remote control that brings you | :24:45. | :24:49. | |
loads of stuff that we are not getting to show you. At the moment | :24:49. | :24:55. | |
The Kills and.... Jimmy wild. I saw them live here. It was a brilliant | :24:55. | :25:00. | |
set F you are a huge fan you will not be disappointed. Press red and | :25:00. | :25:05. | |
you can see that set and The Kills. Do not go anywhere. We will be back | :25:05. | :25:10. | |
shortly with a massive chunk of The Strokes as well as Bombay Bicycle | :25:10. | :25:15. | |
Club as well. They will swap over at Leeds. You | :25:15. | :25:19. | |
will get The Strokes first there and Pulp afterwards. The Strokes | :25:19. | :25:27. |