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This programme contains scenes of Repetitive Flashing Images. | :00:13. | :00:19. | |
Welcome back to Reading Festival 2012, day two. Lovely weather | :00:19. | :00:23. | |
skhra-sm I know! Got a load of people down there going, can we | :00:23. | :00:27. | |
come up to your tree house, please. Miserable people down there. | :00:27. | :00:32. | |
Everyone's so excited about watching Florence. The cagoules and | :00:32. | :00:37. | |
umbrellas are there. This will not deter people from seeing live bands. | :00:37. | :00:42. | |
This is the best job in the world but I don't understand why the back | :00:42. | :00:47. | |
of the studio doesn't have a wafplt Next year let's not bother with a | :00:47. | :00:54. | |
roof -- have a wall. You have a Vaccines anecdote to tell us. | :00:55. | :01:00. | |
gather round. Tell us Earlier on, I was watching Shins, I saw Justin | :01:00. | :01:03. | |
from the Vaccines, I asked him if he was looking forward to tonight | :01:03. | :01:09. | |
and he went "yes, I am, although it's dawned on me how big this | :01:09. | :01:14. | |
place is.". It is a huge deal for the Vaccines tonight, playing a | :01:14. | :01:17. | |
huge set on the main stage like that. It was brilliant as well, | :01:17. | :01:23. | |
wasn't it? Unbelievable. Incredible. You were singing along. His hair | :01:23. | :01:28. | |
did smell a bit. Justin's hair? I'll tell him that later because | :01:28. | :01:33. | |
the Vaccines will be here in a bit. Excellent. Let's watch some of the | :01:33. | :01:43. | |
:01:43. | :01:43. | ||
Apology for the loss of subtitles for 63 seconds | :01:43. | :02:47. | |
# Cos when you're young and bored # Find it in a trouble at English | :02:47. | :02:54. | |
# And I could bet you don't believe me | :02:54. | :02:56. | |
# If I said I care from deep within me | :02:56. | :02:59. | |
# But I promise you I'm telling you the truth | :02:59. | :03:03. | |
# And I, I don't really care about | :03:03. | :03:09. | |
# Anybody else when I haven't got my whole life figured out | :03:09. | :03:13. | |
# Cos when you're 24 and young and bored | :03:13. | :03:16. | |
# And you don't know who you are | :03:16. | :03:19. | |
# Nobodies | :03:19. | :03:19. | |
# No hope | :03:20. | :03:21. | |
# And it's hard to come of age | :03:21. | :03:23. | |
# I think it's a problem | :03:23. | :03:25. | |
# And it never goes my way | :03:25. | :03:28. | |
# And no, I am so self-obsessed | :03:28. | :03:33. | |
# I guess, but there's no hope | :03:33. | :03:35. | |
# But I hope it's just a phase | :03:35. | :03:38. | |
# Or I'll grow | :03:38. | :03:45. | |
# Well I wish that I was comfortable in my own skin | :03:45. | :03:46. | |
# But the whole thing feels like an exercise | :03:47. | :03:48. | |
# And drunk would be someone I would rather not be | :03:48. | :03:51. | |
# I'd try to second guess if you would be approving | :03:51. | :03:53. | |
# I find my life ever so moving | :03:53. | :03:56. | |
# Keen wide-eyed and unassuming | :03:56. | :03:58. | |
# No hope | :03:58. | :04:03. | |
# There is no hope | :04:03. | :04:04. | |
# But there's desperately | :04:04. | :04:05. | |
# No hope, but there's definitely | :04:06. | :04:08. | |
# No hope if you don't believe me Oh, oh, oh | :04:08. | :04:12. | |
# And there is no hope | :04:12. | :04:14. | |
# But there's desperately | :04:14. | :04:15. | |
# No hope, but there's definitely | :04:15. | :04:17. | |
# No hope if you don't believe me | :04:17. | :04:20. | |
# Oh, oh, oh | :04:20. | :04:22. | |
# But I, I don't really care about | :04:22. | :04:27. | |
# Anybody else when I haven't got my whole life figured out | :04:27. | :04:32. | |
# Cos when you're 24 and young and bored | :04:32. | :04:35. | |
# And you don't know who you are | :04:35. | :04:38. | |
# Nobodies | :04:38. | :04:38. | |
# No hope | :04:38. | :04:38. | |
# And it's hard to come of age | :04:38. | :04:44. | |
# And it never goes my way | :04:44. | :04:46. | |
# And no, I am so self-obsessed | :04:46. | :04:51. | |
# I guess, but there's no hope | :04:51. | :04:53. | |
# But I hope it's just a phase | :04:53. | :04:56. | |
# Or I'll grow-oh-oh-oh | :04:56. | :04:58. | |
# There is no hope | :04:58. | :05:01. | |
# And it never goes my way | :05:01. | :05:06. | |
# And no, I am so self-obsessed | :05:06. | :05:11. | |
# I guess, but there's no hope | :05:11. | :05:14. | |
# But I hope it's just a phase | :05:14. | :05:17. | |
# Or I'll grow-oh-oh-oh. # | :05:17. | :05:20. | |
CHEERING AND APPLAUSE | :05:20. | :05:30. | |
:05:30. | :06:01. | ||
# I know you're not from very far But where you been you can't say | :06:01. | :06:09. | |
# Hey, hey, hey, hey, yeah, you may That might seem a bit below | :06:09. | :06:13. | |
# No, no, no, it's funny, though Let's go home, I think we ought to | :06:13. | :06:18. | |
# I know you're your mother's daughter | :06:18. | :06:21. | |
# Well brought up and royal blue | :06:21. | :06:23. | |
# But I haven't got the time for you Finger pointing, presupposing | :06:23. | :06:33. | |
:06:33. | :06:39. | ||
# Watch out, man the doors are closing | :06:39. | :06:41. | |
# This is what you get when you turn your back | :06:41. | :06:43. | |
# A clear blue sky turning dirty black. # | :06:43. | :06:52. | |
CHEERING AND APPLAUSE | :06:52. | :07:02. | |
:07:02. | :07:11. | ||
We | :07:11. | :07:11. | |
We are | :07:11. | :07:11. | |
We are the | :07:11. | :07:15. | |
# You'd do it different We are the Vaccines! Here is our | :07:15. | :07:20. | |
# You had it easy # I'm not convinced | :07:20. | :07:27. | |
# Just suck it up and say It's all been in spite | :07:27. | :07:31. | |
# You're moving in a different class | :07:31. | :07:33. | |
# Drinking that wine From a brandy glass, oh, no | :07:33. | :07:38. | |
# That's not to say We're doing it your way | :07:38. | :07:44. | |
# Tiger blood | :07:44. | :07:54. | |
:07:54. | :07:56. | ||
# And when I went for you You bit me back good | :07:56. | :07:57. | |
# Went in the corner Like an animal would | :07:57. | :08:07. | |
# By playing on my biggest fear I watch you walking out of here | :08:07. | :08:11. | |
# It hurts | :08:11. | :08:14. | |
# That's not to say We're doing it your way | :08:14. | :08:21. | |
# Tiger blood | :08:21. | :08:31. | |
:08:31. | :08:42. | ||
# Who would've thought That you and me | :08:42. | :08:43. | |
# In together, one up on me It hurts | :08:43. | :08:48. | |
# That's not to say We're doing it your way | :08:48. | :08:55. | |
# Tiger blood. # | :08:55. | :09:05. | |
:09:05. | :09:27. | ||
# It's only been a year But it feels like a lifetime here | :09:28. | :09:31. | |
# How's it been for you? Does it feel like a lifetime too? | :09:31. | :09:39. | |
# What would you do now in light of it all? | :09:40. | :09:43. | |
# I don't regret it in spite of it all | :09:43. | :09:47. | |
# If I can't convince you then nobody can, I guess | :09:47. | :09:55. | |
# I've got too much time on my hands | :09:55. | :10:02. | |
# But you don't understand Or you won't understand | :10:02. | :10:09. | |
# Would it make you less uptight? What would it achieve? | :10:09. | :10:19. | |
:10:19. | :10:20. | ||
# What should I put up my sleeve? | :10:20. | :10:24. | |
# What did you think would come out of it all? | :10:24. | :10:28. | |
# That we'd quit pretending we doubted it all? | :10:28. | :10:31. | |
# Oh, you don't make me nervous Hell, nobody does these days | :10:31. | :10:39. | |
# I've got too much time on my hands But you don't understand | :10:39. | :10:49. | |
:10:49. | :10:53. | ||
# Or you won't understand I've got too much time on my hands | :10:53. | :11:03. | |
# But you don't understand or you won't understand | :11:03. | :11:09. | |
# Are you ready, are you ready are you ready for this? | :11:09. | :11:13. | |
# Should I shake your hand or should I give you a kiss? | :11:13. | :11:17. | |
# Is this everything you always hoped it would be? | :11:17. | :11:20. | |
# We'll see | :11:20. | :11:25. | |
# I've got too much time on my hands | :11:25. | :11:33. | |
# But you don't understand or you won't understand | :11:33. | :11:39. | |
# I've got too much time on my hands | :11:39. | :11:46. | |
# But you don't understand or you won't understand. # | :11:46. | :11:56. | |
:11:56. | :11:57. | ||
CHEERING AND APPLAUSE | :11:57. | :12:07. | |
:12:07. | :12:09. | ||
Thank | :12:09. | :12:09. | |
Thank you. | :12:09. | :12:19. | |
:12:19. | :12:19. | ||
Apology for the loss of subtitles for 63 seconds | :12:19. | :13:29. | |
# If it's up and after you what do you suppose that you would do? | :13:29. | :13:35. | |
# You're all whacked out from lack of sleep | :13:35. | :13:39. | |
# You blame it on the friends you keep | :13:39. | :13:42. | |
# You want to do things differently And do them independently | :13:42. | :13:50. | |
# We all got old at breakneck speed Slow it down, go easy on me | :13:50. | :13:58. | |
# Go easy on me, put a wetsuit on come on, come on | :13:58. | :14:08. | |
:14:08. | :14:16. | ||
# Put a wetsuit on, come on, come on | :14:16. | :14:18. | |
# Grow your hair out long Come on, come on | :14:18. | :14:21. | |
# Put a T-shirt on, do me wrong do me wrong, do me wrong | :14:21. | :14:31. | |
:14:31. | :14:35. | ||
# Grow your hair out long Come on, come on | :14:35. | :14:37. | |
# Put a T-shirt on, do me wrong do me wrong, do me wrong | :14:37. | :14:46. | |
# Does holy water make you pure? | :14:46. | :14:53. | |
# Submerged your vision's just obscured, you're a lot like me | :14:53. | :15:03. | |
:15:03. | :15:05. | ||
# In up to our knees | :15:05. | :15:09. | |
# In over your chest is way too deep Put a wetsuit on, come on, come on | :15:09. | :15:19. | |
:15:19. | :15:20. | ||
# Grow your hair out long Come on, come on | :15:20. | :15:25. | |
# Put a T-shirt on, do me wrong do me wrong, do me wrong | :15:25. | :15:32. | |
# Put a wetsuit on, come on, come on | :15:32. | :15:36. | |
# Grow your hair out long Come on, come on | :15:36. | :15:40. | |
# Put a T-shirt on, do me wrong do me wrong, do me wrong. # | :15:40. | :15:50. | |
:15:50. | :15:54. | ||
CHEERING AND APPLAUSE | :15:55. | :16:04. | |
:16:05. | :16:09. | ||
All | :16:09. | :16:09. | |
All right, | :16:10. | :16:10. | |
All right, this | :16:10. | :16:20. | |
:16:20. | :16:27. | ||
All right, this is a new song. It's # God I'm so obvious | :16:27. | :16:37. | |
:16:37. | :16:37. | ||
Apology for the loss of subtitles for 63 seconds | :16:37. | :18:14. | |
# And now I'm guessing that my # I always did it | :18:14. | :18:24. | |
:18:24. | :18:24. | ||
Apology for the loss of subtitles for 63 seconds | :18:24. | :19:19. | |
# I had a photo edge on # Under it, second to none I don't | :19:19. | :19:29. | |
:19:29. | :19:32. | ||
# Under it, second to none I don't # I'm perfectly aware | :19:32. | :19:42. | |
:19:42. | :19:55. | ||
# Mutually assumed, utterly consumed # Take it in your stride | :19:55. | :20:00. | |
# Thoroughly unnerved equally perturbed | :20:00. | :20:03. | |
# Totally adored, Eleanor | :20:03. | :20:06. | |
# Eleanor, Eleanor, Eleanor. # | :20:06. | :20:09. | |
# Eleanor, Eleanor, Eleanor. # | :20:09. | :20:14. | |
# Eleanor, Eleanor, Eleanor. # | :20:14. | :20:24. | |
:20:24. | :20:24. | ||
Apology for the loss of subtitles for 63 seconds | :20:24. | :21:48. | |
# Everyone needs a helping hand # Someone up the social scale for | :21:48. | :21:55. | |
# Have post break-up sex that helps you forget your ex | :21:55. | :22:00. | |
# What did you expect from post break-up sex? | :22:01. | :22:07. | |
# Leave it till the guilt consumes I found you in the nearest room | :22:07. | :22:13. | |
# All our friends were unaware, most had just passed out downstairs | :22:13. | :22:19. | |
# To think I'd hoped you'd be OK No, I can't think of what to say | :22:19. | :22:25. | |
# Maybe I misunderstood but I can't believe you're feeling good | :22:25. | :22:31. | |
# From post break-up sex that helps you forget your ex | :22:31. | :22:37. | |
# What did you expect from post break-up sex? | :22:37. | :22:47. | |
:22:47. | :22:56. | ||
# Post break-up sex that helps you forget your ex | :22:56. | :23:01. | |
# What did you expect from post break-up sex? | :23:01. | :23:08. | |
# When you love somebody but you find someone | :23:08. | :23:10. | |
# And it all unravels and it comes undone | :23:11. | :23:14. | |
# And it all unravels and it comes undone | :23:14. | :23:24. | |
:23:24. | :23:32. | ||
# Post break-up sex that helps you forget your ex | :23:32. | :23:37. | |
# What did you expect from post break-up sex? | :23:37. | :23:44. | |
Post break-up sex that helps you forget your ex | :23:44. | :23:49. | |
Post break-up sex that helps you forget your ex | :23:49. | :23:50. | |
# What did you expect from post break-up sex? # | :23:50. | :23:59. | |
CHEERING AND APPLAUSE | :23:59. | :24:09. | |
:24:09. | :24:24. | ||
# Break me on the 37th hour | :24:24. | :24:25. | |
# Tout me, doubt me show me all of your power | :24:25. | :24:31. | |
# I will watch you rise on my back from the ground | :24:31. | :24:37. | |
# Friend or foe? I don't know Do you like what you've found? | :24:37. | :24:43. | |
# I will one day shine with you I'll shine on a faithful few | :24:43. | :24:49. | |
# Show low quotations | :24:49. | :24:59. | |
:24:59. | :25:03. | ||
# Show low quotations | :25:03. | :25:07. | |
# Have you earned your stripes? | :25:07. | :25:10. | |
# Fabricate salvation Lord, I know your type | :25:10. | :25:17. | |
# I've known you all my lifeI was always wrong, you all in white | :25:17. | :25:27. | |
:25:27. | :25:31. | ||
# Brush my cause aside with little trouble | :25:31. | :25:37. | |
# Oh, my God, I think I'm hearing double | :25:37. | :25:43. | |
# I will watch you rise on my back from afar | :25:43. | :25:49. | |
# Friend or foe? I don't know now you're up in the stars | :25:49. | :25:56. | |
# But I will one day shine with you I'll shine on a faithful few | :25:56. | :26:06. | |
:26:06. | :26:16. | ||
# Show me low quotations | :26:16. | :26:18. | |
# Have you earned your stripes? Fabricate salvation, Lord | :26:19. | :26:25. | |
# I know your type I've known you all my life | :26:26. | :26:34. | |
# I was always wrong you all in white | :26:34. | :26:44. | |
:26:44. | :27:07. | ||
# Show me low quotations | :27:07. | :27:10. | |
# Have you earned your stripes? Fabricate salvation, Lord | :27:10. | :27:17. | |
# I know your type I've known you all my life | :27:17. | :27:27. | |
:27:27. | :27:28. | ||
# I was always wrong, you all in white, show me low quotations | :27:28. | :27:33. | |
# I was always wrong, you all in white, show me low quotations | :27:33. | :27:37. | |
# Have you earned your stripes? Fabricate salvation | :27:37. | :27:46. | |
# Lord, I know your type I've known you all my life | :27:46. | :27:56. | |
:27:56. | :27:59. | ||
# I was always wrong you all in white. # | :28:00. | :28:07. | |
CHEERING AND APPLAUSE | :28:08. | :28:17. | |
:28:18. | :28:53. | ||
# No, I doubt it | :28:54. | :28:56. | |
# A Native American feather Degenerates look better in leather | :28:56. | :29:03. | |
# Blow it up | :29:03. | :29:07. | |
# Blow it up | :29:07. | :29:10. | |
# Trippin' out is fun on the weekend | :29:10. | :29:13. | |
# Blow it up | :29:13. | :29:21. | |
# Trippin' out is fun on the weekend | :29:21. | :29:24. | |
# But you don't feel as young with a girlfriend | :29:24. | :29:27. | |
# I'm bored of trying to deal with your ego | :29:27. | :29:31. | |
# Play it like that and it will though | :29:31. | :29:35. | |
# Blow it up, blow it up. # | :29:35. | :29:38. | |
# Blow it up | :29:38. | :29:42. | |
# Blow it up, blow it up. # | :29:42. | :29:45. | |
# Blow it up | :29:45. | :29:55. | |
:29:55. | :30:10. | ||
# Blow it up, blow it up. # | :30:10. | :30:13. | |
CHEERING AND APPLAUSE | :30:13. | :30:17. | |
# Blow it up, blow it up. # | :30:17. | :30:27. | |
:30:27. | :30:34. | ||
CHEERING AND APPLAUSE | :30:34. | :30:44. | |
:30:44. | :30:45. | ||
Ask | :30:45. | :30:45. | |
Ask Look | :30:45. | :30:45. | |
Ask Look who | :30:45. | :30:49. | |
Ask Look who it is, the actual Vaccines who came off stage what, | :30:49. | :30:54. | |
about half an hour ago? About that, yes. How was that for you? Felt on | :30:54. | :31:00. | |
top of the world. I can't remember it actually. You can't remember it? | :31:00. | :31:05. | |
It goes in a blur. It always happens that way, you kind of don't | :31:05. | :31:08. | |
know if you've had a good gig, then you drink more and more and then | :31:08. | :31:15. | |
you decide you've had a really good gig. Great. What is it about | :31:15. | :31:19. | |
Reading you love? You did the Radio 1 stage and then the step up, what | :31:20. | :31:24. | |
is the difference for you difference apart from more people. | :31:24. | :31:27. | |
You can't quantify that relationship either. People really, | :31:27. | :31:31. | |
really want to be at Reading Festival. We were just saying, | :31:31. | :31:37. | |
they've finished their GCSEs and A- levels or finals or whatever and | :31:37. | :31:41. | |
they're letting loose. I said this last year and now we can say it | :31:41. | :31:46. | |
again, it's one of the best ever gigs we have played and it's such a | :31:46. | :31:49. | |
good crowd. It's a celebratory feel to the crowd there, they are having | :31:49. | :31:54. | |
a great time and lapping you guys up, certainly. How does it feel for | :31:54. | :31:57. | |
you guys, you have been consistently touring for the last | :31:57. | :32:00. | |
18 months. Does that help boost you? We have a deeper connection | :32:00. | :32:05. | |
with each other, we perform better, definitely. It just feels like | :32:05. | :32:09. | |
coming back to the UK and playing a show within half an hour of where | :32:09. | :32:15. | |
we live feels like crossing the finishing line. I genuinely believe | :32:15. | :32:20. | |
that Reading and Leeds, all the British bands play the best shows | :32:20. | :32:23. | |
at those festivals because it's crossing the goal line of all of | :32:23. | :32:28. | |
the festivals that you have been doing and it feels like celebratory | :32:28. | :32:34. | |
and like home-coming really. It's a nice end to the summer? It is | :32:34. | :32:39. | |
indeed, yes. You have done a few foreign festivals as well. It blows | :32:39. | :32:42. | |
my mind that bands go around the world and wherever you go, people | :32:42. | :32:50. | |
are singing back your songs, it fub feeling amazing? It blows our minds | :32:50. | :32:55. | |
as well -- must be feeling amazing. We just got back from Korea and | :32:55. | :32:59. | |
there were people singing our songs, people that don't even speak | :32:59. | :33:03. | |
English! They were in our hotel and at the airport, unbelievable. | :33:03. | :33:07. | |
Obviously for a lot of people, this might be their first festival, | :33:07. | :33:11. | |
they've done their GCSEs, done really well, you might be one of | :33:12. | :33:16. | |
the first live bands they've seen. Can you look back and remember the | :33:16. | :33:19. | |
first time you went to a festival and remember the impact it had on | :33:19. | :33:25. | |
you? The first I went to was one in Denmark and there's just like, it | :33:25. | :33:29. | |
was all of my formative live experiences were all there. I'm | :33:29. | :33:33. | |
from Iceland, no bands come to Iceland, so I saw all the bands I | :33:33. | :33:38. | |
want to see at one festival. Yeah, it was incredible. Nothing in | :33:38. | :33:42. | |
particular, but the whole experience was just like mind- | :33:42. | :33:46. | |
blowing. Have you got festival mates now because you have done a | :33:46. | :33:51. | |
whole few summers? What are the bands you are chummy with? We have | :33:51. | :33:57. | |
got mates, but I always... LAUGHTER We have been asked this a | :33:57. | :34:01. | |
lot recently and I always feel nervous about name-dropping. | :34:01. | :34:06. | |
Because they might be watching and go, "I hate those guys". More | :34:06. | :34:10. | |
people are nice than nasty, put it that way. How daufl about doing | :34:10. | :34:16. | |
this again at Leeds? I literally cannot wait now. This has put my | :34:16. | :34:23. | |
mind at rest and I want it to be tomorrow already. I saw you on the | :34:23. | :34:28. | |
stage with the Shins and I asked how they were feeling and he was | :34:28. | :34:32. | |
overwhelmed. Yes, seeing how big the stage was and the magnitude of | :34:32. | :34:37. | |
it finally hit me and seeing how far up the bill we were. Yes, being, | :34:37. | :34:40. | |
watching the Shins and realising we were playing two or three hours | :34:40. | :34:45. | |
after a band that I grew up listening to was a strange | :34:45. | :34:48. | |
realisation. Good moment! Thank you very much for talking to us. Lovely | :34:48. | :34:58. | |
:34:58. | :34:59. | ||
to see you again. Good luck with the album as well. It's out on my | :34:59. | :35:02. | |
birthday, 3rd September. I'll wait for the present at my office. | :35:02. | :35:06. | |
Strobing flashing lights now, it's the next bit of the Vaccines from | :35:06. | :35:16. | |
:35:16. | :35:32. | ||
This one's called If you want to # Well, I don't wanna wake up | :35:32. | :35:42. | |
:35:42. | :35:44. | ||
# But I've got to face the day # I don't wanna do things | :35:44. | :35:54. | |
:35:54. | :35:58. | ||
# But I can't make you stay # But if you wanna come back | :35:58. | :36:03. | |
# But if you wanna come back It's all right, it's all right | :36:03. | :36:06. | |
# It's all right if you wanna come back to me | :36:06. | :36:16. | |
# Well, I don't wanna see you with another guy | :36:16. | :36:16. | |
# But the fact is that I may That's what all the friends | :36:16. | :36:21. | |
# I do not like as much as you say | :36:21. | :36:26. | |
# Give it just another couple months or so | :36:26. | :36:28. | |
# And then you'll be OK That's what all the friends | :36:28. | :36:32. | |
# I do not like as much as you say | :36:32. | :36:39. | |
# All alone, all alone | :36:39. | :36:45. | |
# I | :36:45. | :36:47. | |
# I am on my own | :36:47. | :36:50. | |
# Alone, all alone | :36:50. | :36:55. | |
# I | :36:55. | :36:57. | |
# I am on my own | :36:57. | :37:00. | |
# But if you wanna come back It's all right, it's all right | :37:00. | :37:03. | |
# It's all right if you wanna come back | :37:03. | :37:06. | |
# But if you wanna come back | :37:06. | :37:06. | |
# It's all right, it's all right | :37:06. | :37:08. | |
# It's all right if you wanna come back to me | :37:08. | :37:18. | |
:37:18. | :37:22. | ||
# But if you wanna come back | :37:22. | :37:23. | |
# It's all right, it's all right | :37:23. | :37:24. | |
# It's all right if you wanna come back | :37:24. | :37:26. | |
# But if you wanna come back | :37:26. | :37:28. | |
# It's all right, it's all right | :37:28. | :37:29. | |
# It's all right if you wanna come back | :37:29. | :37:32. | |
# But if you wanna come back | :37:32. | :37:33. | |
# It's all right, it's all right | :37:33. | :37:35. | |
# It's all right if you wanna come back | :37:35. | :37:37. | |
# But if you wanna come back | :37:37. | :37:38. | |
# It's all right, it's all right It's all right | :37:38. | :37:41. | |
# If you wanna come back to me. # | :37:41. | :37:48. | |
CHEERING AND APPLAUSE | :37:48. | :37:58. | |
:37:58. | :38:06. | ||
See | :38:06. | :38:06. | |
See you | :38:06. | :38:06. | |
See you soon. | :38:06. | :38:14. | |
# Great Dane's cheekbones Teenage hormones | :38:14. | :38:16. | |
# Young complexion Non-physical affection | :38:16. | :38:18. | |
# You're a godsend Do you want a boyfriend? | :38:18. | :38:21. | |
# Crazy crazy, easy tiger | :38:21. | :38:24. | |
# Her mind's made up, she don't want to go steady | :38:24. | :38:25. | |
# She's only 17 so she's probably not ready | :38:26. | :38:28. | |
# A-m-a-n-d-a Norgaard | :38:28. | :38:31. | |
# I saw you on a cover on Cross Bay Boulevard | :38:31. | :38:36. | |
# Smaller tits and skinny framework Tall, sharp hips | :38:36. | :38:39. | |
# And you're all in the same work | :38:39. | :38:40. | |
# Giving me the sweet talk Walking down the catwalk | :38:40. | :38:43. | |
# I want a mannequin But she won't let me in | :38:43. | :38:45. | |
# Her mind's made up she don't want to go steady | :38:45. | :38:48. | |
# She's only 17 so she's probably not ready | :38:48. | :38:50. | |
# A-m-a-n-d-a Norgaard | :38:50. | :38:53. | |
# I saw you on a cover on Cross Bay Boulevard | :38:53. | :39:03. | |
:39:03. | :39:08. | ||
# Her mind's made up she don't want to go steady | :39:08. | :39:10. | |
# She's only 17 so she's probably not ready | :39:10. | :39:12. | |
# A-m-a-n-d-a Norgaard | :39:12. | :39:15. | |
# I saw you on a cover on Cross Bay Boulevard | :39:15. | :39:18. | |
# Her mind's made up she don't want to go steady | :39:18. | :39:20. | |
# She's only 17 so she's probably not ready | :39:20. | :39:22. | |
# A-m-a-n-d-a Norgaard | :39:22. | :39:25. | |
# I saw you on a cover on Cross Bay Boulevard. # | :39:25. | :39:34. | |
CHEERING AND APPLAUSE | :39:34. | :39:44. | |
:39:44. | :39:46. | ||
Thank | :39:46. | :39:46. | |
Thank you, | :39:46. | :39:47. | |
Thank you, Reading. | :39:47. | :39:49. | |
Thank you, Reading. Brilliant performance earlier from the main | :39:49. | :39:55. | |
stage from the Vaccines. We had a nice chat. The guy who bought his | :39:55. | :40:01. | |
wet suit along especially for their song, Wetsuit and was trying to zip | :40:01. | :40:05. | |
it up on camera, I loved that bit. Didn't mention about the hair | :40:05. | :40:12. | |
because I'm a coward. A chicken. Later we have Florence who you may | :40:12. | :40:16. | |
be able to hear and Kasabian at 9.50. You will see the whole thing | :40:16. | :40:23. | |
live on BBC Three. Get ready to see that here on BBC Three, as well as | :40:23. | :40:26. | |
some Florence as well. Right now, a lovely new band. We | :40:26. | :40:30. | |
have both been playing this on Radio 1 quite a lot called Theme | :40:30. | :40:35. | |
Park, popped to the tree house earlier to do a nice acoustic song. | :40:35. | :40:39. | |
# Find it in me # I got a home | :40:39. | :40:49. | |
:40:49. | :40:54. | ||
# Summer girlfriends # Said, oh, we've got | :40:54. | :40:57. | |
# This is modern life and I got patientce | :40:57. | :41:01. | |
# I buy temptations | :41:01. | :41:03. | |
# Said, oh, such an extraordinary thing | :41:03. | :41:06. | |
# We could let it go cos | :41:06. | :41:08. | |
# Summer girlfriends all sing Jamaica | :41:08. | :41:12. | |
# Said, oh, we've got a drink we can bring | :41:12. | :41:16. | |
# This is modern life and I got patientce | :41:16. | :41:20. | |
# I buy temptations | :41:20. | :41:22. | |
# Said, oh, such an extraordinary thing | :41:22. | :41:26. | |
# Fast asleep in a suit by the fire | :41:26. | :41:36. | |
:41:36. | :41:36. | ||
# Close my eyes empty space we expire | :41:36. | :41:43. | |
# We can let it go cos | :41:43. | :41:45. | |
# Summer girlfriends all sing Jamaica | :41:45. | :41:49. | |
# Said, oh, we've got a drink we can bring | :41:49. | :41:53. | |
# This is modern life and I got patientce | :41:53. | :41:56. | |
and I got patience | :41:56. | :41:57. | |
# I buy temptations | :41:57. | :41:58. | |
# Said, oh, such an extraordinary thing | :41:58. | :42:02. | |
# We can let it go cos | :42:02. | :42:04. | |
# Summer girlfriends all sing Jamaica | :42:04. | :42:08. | |
# Said, oh, we've got a drink we can bring | :42:08. | :42:11. | |
# This is modern life and I got patientce | :42:11. | :42:16. | |
# I buy temptations | :42:16. | :42:17. | |
# Said, oh, such an extraordinary thing | :42:17. | :42:23. | |
# Did we come here? Did we find this place on our own? | :42:23. | :42:27. | |
# Did we find it? | :42:27. | :42:29. | |
# Is there someone who calls this home? | :42:29. | :42:32. | |
# Cos I'll ask her later Cos I'll ask her alone | :42:32. | :42:37. | |
# Did we come here? Did we find this place on our own? | :42:37. | :42:41. | |
# Did we come here? Did we find this place on our own? | :42:41. | :42:45. | |
# Did we find it? | :42:45. | :42:48. | |
# Is there someone who calls this home? | :42:48. | :42:50. | |
# Cos I'll ask her later Cos I'll ask her alone | :42:50. | :42:57. | |
# We could let it go cos | :42:57. | :42:59. | |
# Summer girlfriends all sing Jamaica | :42:59. | :43:03. | |
# Said, oh, we've got a drink we can bring | :43:03. | :43:07. | |
# This is modern life and I got patientce | :43:07. | :43:10. | |
# I buy temptations | :43:10. | :43:14. | |
# Said, oh, such an extraordinary thing | :43:14. | :43:15. | |
# We could let it go cos | :43:16. | :43:18. | |
# Summer girlfriends all sing Jamaica | :43:18. | :43:21. | |
# Said, oh, we've got a drink we can bring | :43:21. | :43:25. | |
# This is modern life and I got patience | :43:25. | :43:28. | |
# I buy temptations | :43:28. | :43:31. | |
# Said, oh, such an extraordinary thing | :43:31. | :43:36. | |
# Aaah aah... | :43:36. | :43:40. | |
# Aaah aah... | :43:40. | :43:45. | |
# Aaah aah... | :43:45. | :43:55. | |
:43:55. | :44:29. | ||
Great, Theme Park with Jamaica. What we try to do here in the tree | :44:29. | :44:35. | |
house is get good acoustic tracks on, like Jake Bugg earlier, people | :44:35. | :44:38. | |
who're starting out and we'll see a lot more of later. We are trying to | :44:38. | :44:43. | |
show you as much of the festival as possible. Loads on the website and | :44:43. | :44:47. | |
on the red button as well. Loads of live highlights from all | :44:47. | :44:53. | |
the stages as well. So, florness has had a very busy summer of the | :44:53. | :44:55. | |
festivals. Florence. This will surely top off the whole thing. I | :44:55. | :44:59. | |
know the weather's not great, but this is Florence from the main | :44:59. | :45:05. | |
stage and let me just warn you, there's some flashing lights, some | :45:05. | :45:15. | |
:45:15. | :45:15. | ||
Apology for the loss of subtitles for 63 seconds | :45:15. | :46:04. | |
# And you told me # It was all so strange | :46:04. | :46:10. | |
# That a ghost should be so practical | :46:10. | :46:16. | |
# Only if for a night | :46:16. | :46:21. | |
# And the only solution was to stand and fight | :46:21. | :46:26. | |
# And my body was loose and I was set alight | :46:26. | :46:33. | |
# But you came over me like some holy rite | :46:33. | :46:38. | |
# And although I was burning You're the only light | :46:38. | :46:44. | |
# Only if for a night | :46:44. | :46:48. | |
# The grass was so green against my new clothes | :46:48. | :46:53. | |
# And I did cartwheels in your honour | :46:53. | :46:58. | |
# Dancing on tiptoes my own secret ceremonials | :46:58. | :47:04. | |
Before the silence began in the graveyard, doing handstands | :47:04. | :47:13. | |
# And I heard your voice as clear as day | :47:13. | :47:19. | |
# And you told me I should concentrate | :47:19. | :47:25. | |
# It was all so strange and so surreal | :47:25. | :47:31. | |
# That a ghost should be so practical | :47:31. | :47:37. | |
# Only if for a night | :47:37. | :47:42. | |
# And the only solution was to stand and fight | :47:42. | :47:47. | |
# And my body was loose and I was set alight | :47:47. | :47:53. | |
# But you came over me like some holy rite | :47:53. | :47:59. | |
# And although I was burning You're the only light | :47:59. | :48:06. | |
# Only if for a night | :48:06. | :48:16. | |
:48:16. | :48:20. | ||
# Madam, my dear, my darling | :48:20. | :48:23. | |
# Tell me what all this sighing's about | :48:23. | :48:28. | |
# Tell me what all this sighing's about | :48:28. | :48:31. | |
# And I heard your voice as clear as day | :48:31. | :48:37. | |
# And you told me I should concentrate | :48:37. | :48:43. | |
It was all so strange and so surreal | :48:43. | :48:49. | |
# That a ghost should be so practical | :48:49. | :48:55. | |
# Only if for a night | :48:56. | :49:02. | |
# Only if for a night Only if for a night | :49:02. | :49:07. | |
# Only if for a night Only if for a night | :49:07. | :49:13. | |
# Only if for a night Only if for a night | :49:13. | :49:19. | |
# Only if for a night. # | :49:19. | :49:25. | |
# Only if for a night Only if for a night | :49:25. | :49:31. | |
# Only if for a night Only if for a night | :49:31. | :49:38. | |
# Only if for a night Only if for a night | :49:38. | :49:48. | |
:49:48. | :50:13. | ||
Only if for a night # Only if for a night. # | :50:13. | :50:23. | |
:50:23. | :50:23. | ||
Apology for the loss of subtitles for 63 seconds | :50:23. | :51:58. | |
This next song seems quite fitting # Lay me down, let the only sound | :51:58. | :52:08. | |
:52:08. | :52:29. | ||
# The world's a beast of a burden # And all this longing | :52:29. | :52:39. | |
:52:39. | :52:50. | ||
# So lay me down # Be the overflow | :52:50. | :52:57. | |
# Lay me down, let the only sound Be the overflow | :52:57. | :53:07. | |
:53:07. | :53:13. | ||
# Cos they took your loved ones | :53:13. | :53:16. | |
# But returned them in exchange for you | :53:16. | :53:19. | |
# But would you have it any other way? | :53:19. | :53:25. | |
# Would you have it any other way? You couldn't have it any other way | :53:25. | :53:34. | |
# Cos shes a cruel mistress And a bargain must be made | :53:34. | :53:42. | |
# But oh, my love, dont forget me When I let the water take me | :53:42. | :53:52. | |
:53:52. | :53:54. | ||
# So lay me down, let the only sound | :53:54. | :54:01. | |
# Be the over flow Pockets full of stones | :54:01. | :54:09. | |
# Lay me down, let the only sound Be the overflow | :54:09. | :54:19. | |
:54:19. | :54:29. | ||
# Lay me down, let the only sound | :54:29. | :54:36. | |
# Be the overflow Pockets full of stones | :54:36. | :54:44. | |
# Lay me down, let the only sound Be the overflow | :54:44. | :54:54. | |
:54:54. | :55:21. | ||
# Yeah, yeah Yeah, yeah, yeah, yeah, yeah... | :55:21. | :55:26. | |
# Yeah, yeah Yeah, yeah, yeah, yeah, yeah... | :55:26. | :55:35. | |
# Yeah, yeah Yeah, yeah, yeah, yeah, yeah... | :55:35. | :55:45. | |
:55:45. | :55:45. | ||
Apology for the loss of subtitles for 63 seconds | :55:45. | :56:44. | |
Hi, | :56:44. | :56:44. | |
Hi, Reading | :56:44. | :56:44. | |
Hi, Reading Festival. | :56:44. | :56:54. | |
I | :56:54. | :56:54. | |
I hope | :56:54. | :56:54. | |
I hope you're | :56:54. | :56:58. | |
I hope you're all OK out there in the swamp. It's like a swimming | :56:58. | :57:08. | |
:57:08. | :57:26. | ||
pool up here. Thank you for having # I screamed aloud | :57:26. | :57:36. | |
:57:36. | :57:55. | ||
# The stars, the moon # No dawn, no day | :57:55. | :58:05. | |
:58:05. | :58:22. | ||
# And in the dark # But then it stopped | :58:23. | :58:32. | |
:58:33. | :58:51. | ||
# The stars, the moon # No dawn, no day | :58:51. | :59:01. | |
:59:01. | :59:01. | ||
Apology for the loss of subtitles for 63 seconds | :59:01. | :59:43. | |
# I took the stars from our eyes # And knew that somehow | :59:43. | :59:50. | |
# Then I heard your heart beating You were in the darkness too | :59:50. | :00:00. | |
:00:00. | :00:01. | ||
# Then I heard your heart beating You were in the darkness too | :00:01. | :00:09. | |
# So I stayed in the darkness with you | :00:09. | :00:14. | |
# Then I heard your heart beating You were in the darkness too | :00:14. | :00:24. | |
:00:24. | :00:31. | ||
# So I stayed in the darkness with you | :00:31. | :00:39. | |
# The stars, the moon they have all been blown out | :00:39. | :00:45. | |
# You left me in the dark | :00:45. | :00:52. | |
# No dawn, no day I'm always in this twilight | :00:52. | :00:59. | |
# In the shadow of your heart | :00:59. | :01:06. | |
# The stars, the moon they have all been blown out | :01:06. | :01:12. | |
# You left me in the dark | :01:12. | :01:19. | |
# No dawn, no day I'm always in this twilight | :01:19. | :01:26. | |
# In the shadow of your heart. # | :01:26. | :01:36. | |
:01:36. | :01:39. | ||
# In the shadow of your heart. # | :01:39. | :01:49. | |
:01:49. | :02:05. | ||
CHEERING AND APPLAUSE | :02:05. | :02:15. | |
:02:15. | :02:30. | ||
CHEERING AND APPLAUSE | :02:30. | :02:40. | |
:02:40. | :02:42. | ||
Thank | :02:42. | :02:42. | |
Thank you, | :02:42. | :02:42. | |
Thank you, Reading! | :02:42. | :02:49. | |
Thank you, Reading! Now, | :02:49. | :02:49. | |
Now, I | :02:49. | :02:49. | |
Now, I hope | :02:49. | :02:49. | |
Now, I hope you | :02:49. | :02:59. | |
Now, I hope you are all are OK out there. How are you feeling? What we | :02:59. | :03:09. | |
:03:09. | :03:10. | ||
want from you now - you are soaking, you are cold - we need human | :03:10. | :03:15. | |
sacrifices. So, Reading, if you are with someone, and you like them, or | :03:15. | :03:21. | |
you love them, or you have just met them, we want you to raise them up! | :03:21. | :03:26. | |
We want to see as many people on shoulders as possible, Reading. Get | :03:26. | :03:36. | |
:03:36. | :04:09. | ||
# I start spinning slipping # You made a deal and now | :04:09. | :04:19. | |
:04:19. | :04:57. | ||
# It seems I've made # This is a gift | :04:57. | :05:05. | |
# Midas is king and he holds me so tight | :05:05. | :05:09. | |
# And turns me to gold in the sunlight | :05:09. | :05:16. | |
# I look around but I can't find you | :05:16. | :05:18. | |
# Raise it up | :05:18. | :05:20. | |
# If only I could see your face | :05:20. | :05:22. | |
# Raise it up | :05:22. | :05:23. | |
# Instead of rushing towards the skyline | :05:24. | :05:26. | |
# Raise it up | :05:26. | :05:27. | |
# I wish that I could just be brave | :05:27. | :05:31. | |
# I must become a lion-hearted girl | :05:31. | :05:37. | |
# Ready for a fight | :05:37. | :05:41. | |
# Before I make the final sacrifice | :05:41. | :05:51. | |
:05:51. | :05:51. | ||
# We raise it up this offering | :05:51. | :05:58. | |
# We raise it up | :05:58. | :06:04. | |
# This is a gift It comes with a price | :06:04. | :06:07. | |
# Who is the lamb and who is the knife | :06:08. | :06:11. | |
# Midas is king and he holds me so tight | :06:12. | :06:15. | |
# And turns me to gold in the sunlight | :06:15. | :06:23. | |
# Raise it up, raise it up | :06:23. | :06:28. | |
# Raise it up, raise it up | :06:28. | :06:31. | |
# And in the spring | :06:31. | :06:35. | |
# And it blows away with the changing wind | :06:35. | :06:40. | |
# The waters turn from blue to red | :06:40. | :06:45. | |
# As towards the sky I offer it | :06:45. | :06:55. | |
:06:55. | :07:03. | ||
CHEERING AND APPLAUSE | :07:03. | :07:13. | |
:07:13. | :07:13. | ||
Apology for the loss of subtitles for 63 seconds | :07:13. | :08:10. | |
# Who is the lamb and who is the knife | :08:10. | :08:15. | |
# Midas is king and he holds me so tight | :08:15. | :08:18. | |
# And turns me to gold in the sunlight. # | :08:19. | :08:26. | |
# This is a gift it comes with a price | :08:26. | :08:27. | |
# Who is the lamb and who is the knife | :08:27. | :08:31. | |
# Midas is king and he holds me so tight | :08:31. | :08:35. | |
# And turns me to gold in the sunlight | :08:35. | :08:45. | |
:08:45. | :08:45. | ||
CHEERING AND APPLAUSE | :08:45. | :08:55. | |
:08:55. | :09:02. | ||
CHEERING AND APPLAUSE | :09:02. | :09:12. | |
:09:12. | :09:18. | ||
# This is a gift it comes with a price | :09:18. | :09:23. | |
# Who is the lamb and who is the knife | :09:23. | :09:29. | |
# Midas is king and he holds me so tight | :09:29. | :09:36. | |
# And turns me to gold in the sunlight | :09:36. | :09:46. | |
:09:46. | :09:47. | ||
CHEERING AND APPLAUSE | :09:47. | :09:57. | |
:09:57. | :10:18. | ||
So, | :10:18. | :10:18. | |
So, Reading, | :10:18. | :10:27. | |
So, Reading, if | :10:27. | :10:33. | |
So, Reading, if you all have got to know each other, that will be | :10:33. | :10:37. | |
better. Turn around, give the person next to you a hug. Love each | :10:37. | :10:47. | |
:10:47. | :11:00. | ||
It's a beautiful thing. Now you are all acquainted, we want you to | :11:00. | :11:05. | |
really express yourselves so we are going to be watching and we will | :11:05. | :11:15. | |
:11:15. | :11:15. | ||
Apology for the loss of subtitles for 63 seconds | :11:15. | :12:42. | |
pick a winner. We are looking for # We are shining | :12:42. | :12:52. | |
:12:52. | :13:11. | ||
# With the ocean in our arms Kiss your eyes and kiss your palms | :13:11. | :13:19. | |
# And when it's time to pray dressed up all in gray | :13:19. | :13:26. | |
# With metal on our tongues and silver in our lungs | :13:26. | :13:34. | |
# Say my name and every colour illuminates | :13:34. | :13:41. | |
# We are shining and we will never be afraid again | :13:42. | :13:49. | |
# Say my name as every colour illuminates | :13:49. | :13:57. | |
# We are shining and we will never be afraid again | :13:57. | :14:05. | |
# Say my name as every colour illuminates | :14:05. | :14:13. | |
# We are shining and we will never be afraid again | :14:13. | :14:22. | |
# And when we come back we'll be dressed in black | :14:22. | :14:24. | |
# And you'll scream my name aloud | :14:25. | :14:28. | |
# And we won't eat and we won't sleep | :14:28. | :14:32. | |
# We'll drag bodies from a ground | :14:32. | :14:42. | |
:14:42. | :14:57. | ||
I | :14:57. | :14:58. | |
I see | :14:58. | :14:58. | |
I see the | :14:58. | :15:08. | |
:15:08. | :15:09. | ||
I see the human Pyramid! People at the back, how are you? People at | :15:09. | :15:19. | |
:15:19. | :15:24. | ||
# And we are shining # Say my name | :15:24. | :15:34. | |
:15:34. | :15:40. | ||
# We are shining # Say my name | :15:40. | :15:48. | |
# We are shining and we will never be afraid again | :15:48. | :15:56. | |
# Say my name, we are shining | :15:56. | :16:06. | |
:16:06. | :16:06. | ||
# Say my name, say my name | :16:07. | :16:08. | |
# And we will never be afraid again | :16:08. | :16:11. | |
# So say my name. # | :16:11. | :16:16. | |
CHEERING AND APPLAUSE | :16:16. | :16:26. | |
:16:26. | :16:26. | ||
Apology for the loss of subtitles for 63 seconds | :16:26. | :17:36. | |
# I can see it coming from the edge of the room | :17:36. | :17:40. | |
# Creeping in the streetlight Holding my hand in the pale gloom | :17:40. | :17:48. | |
# Can you see it coming now? | :17:48. | :17:51. | |
# Oh, I think I'm breaking down again | :17:51. | :18:01. | |
:18:01. | :18:01. | ||
# Oh, I think I'm breaking down | :18:01. | :18:11. | |
:18:11. | :18:22. | ||
# All alone | :18:22. | :18:25. | |
# Even when I was a child I've always known | :18:25. | :18:31. | |
# There was something to be frightened of | :18:31. | :18:36. | |
# You know that I can see you coming from the edge of the room | :18:36. | :18:39. | |
# Creeping in the streetlight Holding my hand in the pale gloom | :18:39. | :18:44. | |
# Can you see it coming now? | :18:44. | :18:50. | |
# Oh, I think I'm breaking down again | :18:50. | :19:00. | |
# Oh, I think I'm breaking down again | :19:00. | :19:02. | |
# Oh, I think I'm breaking down | :19:02. | :19:12. | |
:19:12. | :19:16. | ||
# All alone On the edge of sleep | :19:16. | :19:24. | |
# My old familiar friend Comes and lies down next to me | :19:24. | :19:31. | |
# And I can see you coming from the edge of the room | :19:31. | :19:36. | |
# Smiling in the streetlight | :19:36. | :19:41. | |
# Even with my eyes shut tight I still see you coming now | :19:41. | :19:50. | |
# Oh, I think I'm breaking down again | :19:50. | :19:58. | |
# Oh, I think I'm breaking down again | :19:58. | :20:08. | |
:20:08. | :20:08. | ||
# Oh, I think I'm breaking down again | :20:08. | :20:15. | |
# Oh, I think I'm breaking down. # | :20:15. | :20:25. | |
:20:25. | :20:49. | ||
APPLAUSE AND CHEERING | :20:49. | :20:59. | |
:20:59. | :21:05. | ||
Hello! | :21:05. | :21:10. | |
Hello! What | :21:10. | :21:10. | |
Hello! What are | :21:10. | :21:20. | |
:21:20. | :21:21. | ||
Apology for the loss of subtitles for 63 seconds | :21:21. | :22:08. | |
Hands up if you are going to try and do something you will regret | :22:08. | :22:18. | |
:22:18. | :22:18. | ||
Apology for the loss of subtitles for 63 seconds | :22:18. | :23:07. | |
tonight. This song is for you # I'm always dragging | :23:07. | :23:17. | |
:23:17. | :23:20. | ||
# Tonight I'm gonna bury that horse in the ground | :23:20. | :23:22. | |
# So I like to keep my issues drawn | :23:22. | :23:24. | |
# But it's always darkest before the dawn | :23:24. | :23:32. | |
# Shake it out, shake it outshake it out, shake it out, ooh whoa | :23:32. | :23:41. | |
# Shake it out, shake it outshake it out, shake it out, ooh whoa | :23:41. | :23:47. | |
# And it's hard to dance with a devil on your back | :23:47. | :23:51. | |
# So tonight I'm gonna cut it out and then restart | :23:51. | :23:55. | |
# Cos I like to keep my issues drawn | :23:55. | :23:59. | |
# It's always darkest before the dawn | :23:59. | :24:04. | |
# Shake it out, shake it outshake it out, shake it out, ooh whoa | :24:04. | :24:08. | |
# Shake it out, shake it outshake it out, shake it out, ooh whoa | :24:08. | :24:11. | |
# And it's hard to dance with a devil on your back | :24:11. | :24:14. | |
# So shake him off, oh whoa | :24:14. | :24:20. | |
# And it's hard to dance with a devil on your back | :24:20. | :24:24. | |
# And given half the chance would I take any of it back? | :24:24. | :24:30. | |
# It's a fine romance but it's left me so undone | :24:30. | :24:33. | |
# It's always darkest before the dawn | :24:33. | :24:39. | |
# Oh whoa, oh whoa... | :24:39. | :24:46. | |
# And I'm damned if I do and I'm damned if I don't | :24:47. | :24:51. | |
# So here's to drinks in the dark at the end of my road | :24:51. | :24:54. | |
# And I'm ready to suffer and I'm ready to hope | :24:54. | :24:59. | |
# It's a shot in the dark aimed right at my throat | :24:59. | :25:04. | |
# Cos looking for heaven found the devil in me | :25:04. | :25:08. | |
# Looking for heaven | :25:08. | :25:13. | |
# Well, what the hell I'm gonna let it happen to me, yeah | :25:13. | :25:23. | |
:25:23. | :25:26. | ||
# Shake it out, shake it outshake it out, shake it out, ooh whoa | :25:26. | :25:36. | |
:25:36. | :26:16. | ||
# Shake it out, shake it outshake it out, shake it out, ooh whoa | :26:16. | :26:20. | |
# And it's hard to dance with a devil on your back | :26:20. | :26:23. | |
# So shake him off, oh whoa | :26:23. | :26:28. | |
# Shake it out, shake it outshake it out, shake it out, ooh whoa | :26:28. | :26:34. | |
# Shake it out, shake it outshake it out, shake it out, ooh whoa | :26:34. | :26:36. | |
# And it's hard to dance with a devil on your back | :26:36. | :26:44. | |
Jump! Jump! | :26:44. | :26:45. | |
Jump! Jump! | :26:45. | :26:47. | |
Jump! Jump! | :26:47. | :26:57. | |
:26:57. | :27:11. | ||
# Ooh ooh ooh ooh | :27:11. | :27:14. | |
# Ooh ooh ooh ooh | :27:14. | :27:16. | |
CHEERING AND APPLAUSE | :27:16. | :27:26. | |
:27:26. | :27:26. | ||
Apology for the loss of subtitles for 63 seconds | :27:26. | :28:25. | |
# Like a train on a track | :28:25. | :28:27. | |
# Coming towards her | :28:27. | :28:34. | |
# Stuck still no turning back | :28:35. | :28:44. | |
# She hid around corners | :28:44. | :28:54. | |
:28:54. | :28:56. | ||
# And she hid under beds | :28:56. | :29:01. | |
# With every bubble | :29:01. | :29:02. | |
# She sank with her drink | :29:02. | :29:04. | |
# And washed it away | :29:04. | :29:07. | |
# Down the kitchen sink | :29:07. | :29:10. | |
# The dog days are over | :29:10. | :29:13. | |
# The dog days are done | :29:13. | :29:16. | |
# The horses are coming | :29:16. | :29:19. | |
# So you better run | :29:19. | :29:22. | |
# Run fast for your mother | :29:23. | :29:24. | |
# Run fast for your father | :29:24. | :29:26. | |
# Run for your children | :29:26. | :29:27. | |
# For your sisters and brothers | :29:27. | :29:29. | |
# Leave all your love | :29:29. | :29:30. | |
# And your longing behind | :29:30. | :29:32. | |
# You can't carry it with you | :29:32. | :29:33. | |
# If you want to survive | :29:33. | :29:36. | |
# The dog days are over | :29:36. | :29:38. | |
# The dog days are done | :29:38. | :29:41. | |
# Can you hear the horses? | :29:41. | :29:44. | |
# Because here they come | :29:44. | :29:54. | |
:29:54. | :30:00. | ||
# And I never wanted | :30:00. | :30:04. | |
# Anything from you | :30:04. | :30:10. | |
# Except everything you had | :30:10. | :30:16. | |
# And what was left after that too | :30:16. | :30:22. | |
# Oh | :30:22. | :30:25. | |
# Happiness hit her like a bullet | :30:25. | :30:29. | |
# In the head | :30:29. | :30:37. | |
# Struck from a great height | :30:37. | :30:40. | |
# By someone who should know better | :30:40. | :30:46. | |
# Than that | :30:46. | :30:49. | |
# The dog days are over | :30:50. | :30:52. | |
# The dog days are done | :30:52. | :30:56. | |
# Can you hear the horses? | :30:56. | :30:59. | |
# Because here they come | :30:59. | :31:09. | |
:31:09. | :31:25. | ||
You | :31:25. | :31:26. | |
You are | :31:26. | :31:26. | |
You are amazing, | :31:26. | :31:35. | |
You are amazing, Reading! Thank you so much. This is the first festival | :31:35. | :31:45. | |
:31:45. | :31:48. | ||
I ever went to. When I was 13. It is so amazing to be here on the | :31:48. | :31:58. | |
:31:58. | :32:09. | ||
Main Stage today. Thank you, Thank you so much! This is | :32:09. | :32:19. | |
:32:19. | :32:25. | ||
literally a dream come true. Thank Shall we do something together, | :32:25. | :32:35. | |
:32:35. | :32:43. | ||
Reading, in celebration? It is One, two, three. Shall we try it | :32:43. | :32:53. | |
:32:53. | :33:05. | ||
together? All the way to the back. One, two, three! One, two, three! | :33:05. | :33:15. | |
:33:15. | :33:15. | ||
Amazing. There's more. So when I shout READING I want you to do that, | :33:15. | :33:24. | |
but keep doing it. Do it for as long as you can. Are you ready? | :33:24. | :33:34. | |
:33:34. | :33:34. | ||
Apology for the loss of subtitles for 63 seconds | :33:34. | :36:16. | |
One, two, three! Thank you. You have been brilliant. You have been | :36:16. | :36:21. | |
amazing. Thank you so much for having us. We hope you enjoy the | :36:21. | :36:28. | |
rest of your festival. For now, until next time, this is our last | :36:28. | :36:38. | |
:36:38. | :36:38. | ||
Apology for the loss of subtitles for 63 seconds | :36:38. | :38:08. | |
# You are the morning # No light, no light | :38:09. | :38:18. | |
:38:19. | :38:22. | ||
# I never knew daylight # You can't choose what stays | :38:22. | :38:32. | |
:38:32. | :38:48. | ||
# And I'll do anything # Through the crowd | :38:48. | :38:58. | |
:38:58. | :39:00. | ||
# In your place there were # Heaven help me | :39:00. | :39:10. | |
:39:10. | :39:21. | ||
# You want a revelation # No light, no light | :39:21. | :39:31. | |
:39:31. | :39:32. | ||
# I never knew daylight # You can't choose what stays | :39:32. | :39:42. | |
:39:42. | :39:42. | ||
Apology for the loss of subtitles for 63 seconds | :39:42. | :40:37. | |
# No light, no light # I never knew daylight | :40:37. | :40:47. | |
:40:47. | :41:10. | ||
# You can't choose what stays # You want a revelation | :41:10. | :41:20. | |
:41:20. | :41:20. | ||
Apology for the loss of subtitles for 63 seconds | :41:20. | :42:08. | |
# You want a revelation A triumphant set from the Main | :42:08. | :42:13. | |
Stage at Reading 2012. A brilliant Florence + The Machine. I enjoyed | :42:13. | :42:17. | |
the security guard chasing her. Greg treated us to a lovely | :42:17. | :42:23. | |
singalong during that. I did. Do you want me to? Go for it! | :42:23. | :42:28. | |
# Say my name. # That's enough! That will do. When | :42:28. | :42:34. | |
we come back, you will see Kasabian on the Main Stage doing their | :42:34. | :42:39. |