Browse content similar to Arctic Monkeys. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
language and strobe lighting effects. | :00:08. | :00:13. | |
Hello and welcome back the final part of Saturday at The Reading | :00:14. | :00:16. | |
festival and what a day it's been. We talked about Royal Blood. What | :00:17. | :00:20. | |
else? The acoustic was incredible up here. Right now, we are all about | :00:21. | :00:26. | |
one of the biggest bands on the planet, touring new album for | :00:27. | :00:30. | |
months. This is the final date. I cannot wait for this. And, before we | :00:31. | :00:35. | |
go to it, let's remind everybody of why they are so special. | :00:36. | :00:42. | |
Five number one albums, seven Brit Awards, 19 NMEs. These for pals from | :00:43. | :00:48. | |
Sheffield have become Britain's biggest rock'n'roll band. | :00:49. | :00:52. | |
They are global. We are act tick Monkeys, don't believe the hype. Do | :00:53. | :00:56. | |
believe them actually. They were at Reading in 2005. They | :00:57. | :01:01. | |
were catapulted into the Stratosphere. Their 2006 debut album | :01:02. | :01:06. | |
was launched. Stratosphere. Their 2006 debut album | :01:07. | :01:17. | |
The fastest sell debut album since chart downloads began. That same | :01:18. | :01:25. | |
year, they played the main stage. The gift for telling stories of | :01:26. | :01:28. | |
drink, dancing and teenage romance, the boys next door captured the | :01:29. | :01:32. | |
hearts of the public and critics alike. Bagging themselves the 2006 | :01:33. | :01:41. | |
Mercury Music Prize. Somebody call 999. Pals since seven, the Arctics | :01:42. | :01:50. | |
were now on a roll. Follow up, worst nightmare followed and the band made | :01:51. | :01:56. | |
history with 17 hits in the top 100 at one time. | :01:57. | :02:02. | |
Late that year, they made their Glastonbury debut, headlining the | :02:03. | :02:08. | |
Pyramid stage, of course. Their success just kept coming. | :02:09. | :02:15. | |
Over the next four years, two more chart-topping records landed in the | :02:16. | :02:20. | |
shape of Humbug and Suck it Subpoena see. They played Reading at | :02:21. | :02:25. | |
2009. Thanks for having us. You have been exceptional. | :02:26. | :02:37. | |
-- suck it See. A sleeker, suited and booted Arctic Monkeys appeared | :02:38. | :02:45. | |
appeared in their adopted town of LA. You can ride your mopeds there. | :02:46. | :02:50. | |
Other than that, it's pretty much the same. | :02:51. | :02:55. | |
The finished record, AM, was revealed last September, full of | :02:56. | :02:57. | |
melody and huge hits. They are a band at the peak of their | :02:58. | :03:11. | |
power and tonight they are back to top the Saturday night bill at | :03:12. | :03:15. | |
Reading for their second time. What do they have in store? We'll just | :03:16. | :03:17. | |
have to Suck it See! # Have you got colour | :03:18. | :04:00. | |
in your cheeks? # Do you ever get that fear | :04:01. | :04:04. | |
that you can't shift # The type that sticks around | :04:05. | :04:07. | |
like summat in your teeth? # Are there some aces | :04:08. | :04:11. | |
up your sleeve? # I dreamt about you | :04:12. | :04:17. | |
nearly every night this week # Cos there's this tune I found | :04:18. | :04:22. | |
that makes me think of you somehow # For saying things | :04:23. | :04:29. | |
that you can't say tomorrow day # Ever thought of calling | :04:30. | :05:01. | |
when you've had a few? # Busy being yours | :05:02. | :05:10. | |
to fall for somebody new # Been wondering if your heart's | :05:11. | :05:21. | |
still open # And if so I wanna know | :05:22. | :05:33. | |
what time it shuts # It's just I'm constantly | :05:34. | :05:39. | |
on the cusp # I don't know if you feel the same | :05:40. | :05:46. | |
as I do # For saying things | :05:47. | :05:58. | |
that you can't say tomorrow day # Ever thought of calling | :05:59. | :06:29. | |
when you've had a few # For saying things that you can't | :06:30. | :06:36. | |
say tomorrow day # Do you want me | :06:37. | :07:12. | |
crawling back to you? # We're grateful | :07:13. | :07:34. | |
And so strangely comforted # Because we can't take our eyes | :07:35. | :08:55. | |
Off your T-shirt and ties combinatio # Someone to kiss, | :08:56. | :09:06. | |
Someone to kick you # There's not a net | :09:07. | :09:20. | |
You couldn't slip through # Because you're smooth | :09:21. | :09:25. | |
And you're wet # And she's not aware yet, | :09:26. | :09:27. | |
But she's yours # I imagine that | :09:28. | :09:30. | |
It's there on a plate # You're a wrong liberate | :09:31. | :09:38. | |
Means you'll never be frightened # To make them wait for a while | :09:39. | :09:41. | |
I doubt it's your style # Acquire | :09:42. | :09:44. | |
The eyes are on fire # Calm, collected and commanding | :09:45. | :09:51. | |
You leave the other story standing # With your ignitions and jokes | :09:52. | :10:23. | |
Bet there's hundreds of blokes # That have wept cos you've | :10:24. | :10:27. | |
Stolen their... # Cos we can't take our eyes | :10:28. | :10:29. | |
Off your T-shirt and ties combinatio # For you to say the first word | :10:30. | :10:40. | |
So you're waiting and waiting and... # It's what you're there for | :10:41. | :12:16. | |
Don't you know # Instead you'll just do the same | :12:17. | :12:28. | |
As they all do # The only reason | :12:29. | :12:52. | |
that you came # Well don't you always | :12:53. | :12:58. | |
Do the same # Get on your dancing shoes | :12:59. | :13:05. | |
You sexy little swine # So you're waiting and waiting | :13:06. | :13:36. | |
And. # # Arabella's got some | :13:37. | :15:01. | |
interstellagator skin boots # And a helter skelter | :15:02. | :15:04. | |
around her little finger # She's got a Barbarella | :15:05. | :15:07. | |
silver swimsuit # And when she needs a shelter | :15:08. | :15:14. | |
from reality # My days end best when | :15:15. | :15:17. | |
this sunset gets itself behind # That little lady sitting | :15:18. | :15:29. | |
on the passenger side # It's much less picturesque | :15:30. | :15:33. | |
without her catching the light # The horizon tries, but it's just | :15:34. | :15:38. | |
not as kind on the eyes # Just might have tapped into | :15:39. | :15:49. | |
your mind and soul # But she's a modern lover, | :15:50. | :15:56. | |
it's an exploration # And her lips are like | :15:57. | :16:18. | |
the galaxy's edge # And a kiss the colour of | :16:19. | :16:25. | |
a constellation # My days end best when this sunset | :16:26. | :16:28. | |
gets itself behind # That little lady | :16:29. | :16:38. | |
sitting on the passenger side # It's much less picturesque | :16:39. | :16:43. | |
without her catching the light # The horizon tries but it's just | :16:44. | :16:48. | |
not as kind on the eyes # Just might have tapped into | :16:49. | :16:56. | |
your mind and soul # That's magic | :16:57. | :17:07. | |
in a cheetah-print coat # Rubs her lips | :17:08. | :17:15. | |
'round the Mexican Coke # Makes you wish that | :17:16. | :17:23. | |
you were the bottle # Takes a sip of your soul | :17:24. | :17:26. | |
and it sounds like # Just might have tapped into | :17:27. | :18:00. | |
your mind and soul # Go into business | :18:01. | :18:05. | |
with a grizzly bear # But just don't sit down | :18:06. | :19:14. | |
Cos I've moved your chair # But just don't sit down | :19:15. | :19:40. | |
Cos I've moved your chair # But just don't sit down | :19:41. | :20:12. | |
Cos I've moved your chair # Despair to the point | :20:13. | :21:01. | |
that they provoke # The punch line | :21:02. | :22:30. | |
before they have told the joke # The sheer desperation | :22:31. | :22:33. | |
to be seen # Despair to the point | :22:34. | :22:36. | |
where they provoke you # To tell the locking punch line | :22:37. | :22:42. | |
before you have told the joke # Sorry, sunshine, it doesn't exist | :22:43. | :22:46. | |
It wasn't in the top 100 list # And it's the thousandth time | :22:47. | :22:52. | |
and it's even bolder # Don't be surprised | :22:53. | :22:55. | |
when you get bent over # He told ya | :22:56. | :22:58. | |
that you were gagging for it # She saw it and she grabbed it | :22:59. | :23:04. | |
and it wasn't what it seemed # The kids all dream of making it | :23:05. | :23:08. | |
whatever that means # A tangle on the television | :23:09. | :23:11. | |
and the magazine # D'you reckon | :23:12. | :23:17. | |
that they do it for a joke? # D'you reckon | :23:18. | :23:19. | |
that they make 'em take an oath? # "Of any poseur | :23:20. | :23:22. | |
or professional pretender around" # When did your list | :23:23. | :23:35. | |
replace the twist and turn? # Like the fist | :23:36. | :23:39. | |
replaced the kissed-on concern # And if you're bothered | :23:40. | :23:43. | |
I don't want your prayers # And it's the thousandth time | :23:44. | :23:46. | |
and it's even bolder # Don't be surprised | :23:47. | :24:16. | |
when you get bent over # He told ya | :24:17. | :24:20. | |
that you were dying for it # Let's have a game | :24:21. | :24:26. | |
on the Teddy Picker # Not quick enough | :24:27. | :24:28. | |
Can I have it quicker? # Already thick | :24:29. | :24:30. | |
and you're getting thicker # Let's have a game | :24:31. | :24:32. | |
on the Teddy Picker # Not quick enough | :24:33. | :24:37. | |
Can I have it quicker? # Outside the cafe by | :24:38. | :24:41. | |
the cracker factory # And my thoughts got rude, | :24:42. | :25:17. | |
as you talked and chewed # That I haven't been | :25:18. | :25:25. | |
called cold before # As you bit into your strawberry | :25:26. | :25:41. | |
lace # And then a flip in your attention | :25:42. | :25:43. | |
in the form of a gobstopper # Is all you have left and all | :25:44. | :25:46. | |
is going to waste # Your past times, | :25:47. | :25:49. | |
consisted of the strange # And I love that little game | :25:50. | :25:55. | |
you had called # And how you like to aggravate the | :25:56. | :26:01. | |
ice-cream man on rainy afternoons # The next time that I caught | :26:02. | :26:05. | |
my own reflection # You never looked like yourself | :26:06. | :26:18. | |
from the side # With folded arms you occupy | :26:19. | :26:32. | |
the bench like toothache # Saw them puffed your chest out | :26:33. | :26:38. | |
like you never lost a war # And though I try so not to suffer | :26:39. | :26:43. | |
the indignity of reaction # There was no cracks to grasp | :26:44. | :26:47. | |
or gaps to claw # And your past times consisted | :26:48. | :26:52. | |
of the strange # And I hate that little game | :26:53. | :26:56. | |
you had called # And how you like to aggravate the | :26:57. | :27:02. | |
icky man on rainy afternoons # But not half as impossible as | :27:03. | :27:12. | |
everyone assumes # Your past times consisted of | :27:13. | :27:18. | |
the strange # And I hate that little game | :27:19. | :27:55. | |
you had called # Your past times consisted | :27:56. | :28:00. | |
of the strange # And I hate that little game | :28:01. | :28:20. | |
you had called afternoon | :28:21. | :30:31. | |
# The nights are drawn out long # And you're kissing to cut through | :30:32. | :30:34. | |
the gloom # With a could have drop coloured | :30:35. | :30:37. | |
tong # And you were sitting in the corner | :30:38. | :30:42. | |
with the coats all piled high # And I thought you might be mine | :30:43. | :30:47. | |
# In a small world on an exceptionally rainy Tuesday night | :30:48. | :30:55. | |
# In the right place and time # When the zeros line up on the | :30:56. | :30:58. | |
24-hour clock # When you know who's calling even | :30:59. | :31:04. | |
though the number is blocked # When you walked around your house | :31:05. | :31:11. | |
wearing my sky blue Lacoste and your knee Socks | :31:12. | :31:19. | |
# Well you cured knee Socks | :31:20. | :31:25. | |
# Yeah, you made it all all right # I got a feeling I might have lit | :31:26. | :31:28. | |
the very fuse # That you were trying not to light | :31:29. | :31:34. | |
# You were a stranger in my phone book | :31:35. | :31:37. | |
# I was acting like I knew # Cos I had nothing to lose | :31:38. | :31:42. | |
# When the winter's in full swing and your dreams just aren't coming | :31:43. | :31:44. | |
true and your dreams just aren't coming | :31:45. | :31:51. | |
# Ain't it funny what you'll do # When the zeros line up on the 24 | :31:52. | :31:54. | |
hour clock # When you know who's calling even | :31:55. | :31:59. | |
though the number is blocked # When you walked around your house | :32:00. | :32:05. | |
wearing my sky blue Lacsote # And your knee Socks | :32:06. | :32:12. | |
The late afternoon # The ghost in your room that you | :32:13. | :32:20. | |
always thought didn't approve of you knocks boots | :32:21. | :32:23. | |
# Never stopped you letting me get hold of the sweet spot by the scruff | :32:24. | :32:27. | |
of your # Knee Socks | :32:28. | :32:30. | |
# You and me could have been a team # Each had a half of a King and | :32:31. | :32:33. | |
Queen seat # Like the beginning of Mean Streets | :32:34. | :32:38. | |
# You could be my baby, you could be my baby | :32:39. | :32:41. | |
# You could be my baby # You and me could have been a team | :32:42. | :32:48. | |
# Each had a half of King and Queen sat | :32:49. | :32:52. | |
# Like the beginning of Mean Streets # You could be my baby, | :32:53. | :32:54. | |
# Like the beginning of Mean Streets # You could be my be my baby | :32:55. | :33:04. | |
# You could be my baby, be my baby... | :33:05. | :33:33. | |
# When the zeros lined up but the number's blocked, when you've come | :33:34. | :33:44. | |
undone # When you wore my sky blue Lacoste | :33:45. | :33:50. | |
and your knee Socks # When the zeros line up on the 24 | :33:51. | :33:56. | |
hour clock # When you now who's calling even | :33:57. | :33:59. | |
though the number is blocked # When you walked around your house | :34:00. | :34:05. | |
wearing my sky blue Lacoste # And your knee Socks | :34:06. | :34:51. | |
# Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, | :34:52. | :35:05. | |
ooh... # # Your name isn't Rio | :35:06. | :35:29. | |
But I don't care for sand # Lighting a fuse | :35:30. | :40:19. | |
might result in a bang # I bet that you look good | :40:20. | :40:22. | |
On the dance floor # I don't know | :40:23. | :40:25. | |
if you're looking for romance, or # I don't know | :40:26. | :40:28. | |
What you're looking for # I said, "I bet that you look good | :40:29. | :40:31. | |
on the dance floor # "Dancing to electro-pop | :40:32. | :40:34. | |
Like a robot from 1984 # I wish you'd stop ignoring me | :40:35. | :40:38. | |
Because you're sending me to despair # Without a sound | :40:39. | :40:56. | |
yeah, you're calling me # Your name isn't Rio | :40:57. | :41:00. | |
But I don't care for sand # Lighting a fuse might result | :41:01. | :41:07. | |
In a bang, with a bang-go! # I bet that | :41:08. | :41:10. | |
You look good on the dance floor # I don't know | :41:11. | :41:13. | |
If you're looking for romance, or # I said, "I bet that | :41:14. | :41:15. | |
You look good on the dance floor # "Dancing to electro-pop | :41:16. | :41:22. | |
Like a robot from 1984 # Oh there ain't no love | :41:23. | :41:30. | |
No Montagues or Capulets # Well, I bet that | :41:31. | :41:33. | |
You look good on the dance floor # I don't know | :41:34. | :42:04. | |
If you're looking for romance, or # I said, "I bet that | :42:05. | :42:06. | |
You look good on the dance floor # "Dancing to electro-pop | :42:07. | :42:14. | |
Like a robot from 1984. # quickening canoe | :42:15. | :43:50. | |
# The first of its kind to get to the moon | :43:51. | :43:53. | |
# The first of its kind to get to # Trust some elipses to chase you | :43:54. | :43:57. | |
round the room # Through the curly straws and | :43:58. | :44:00. | |
metaphors and goo! # Been watching all the Neon | :44:01. | :44:15. | |
blossoms # Flickering | :44:16. | :44:19. | |
# You look as if you've all forgotten where you've been | :44:20. | :44:24. | |
# Going riding through the thunder suckle fuzz canyon | :44:25. | :44:36. | |
# I'm going riding through the thunderstorm of suckle fuzz | :44:37. | :45:04. | |
# Pictures of a quickening canoe # The first of its kind to get to | :45:05. | :45:13. | |
the moon # Give me an eanie, meany, minie, mo | :45:14. | :45:28. | |
# Or an in, dip, dog, rock'n'roll... | :45:29. | :46:29. | |
# Old yellow bricks # Love's a risk, | :46:30. | :46:35. | |
# Quite the little escapologist # Looked so miffed, | :46:36. | :46:40. | |
# When you wished # For a thousand places better than | :46:41. | :46:45. | |
this # You're a fugitive | :46:46. | :46:48. | |
# But you don't know what you're running from | :46:49. | :46:51. | |
# You can't kid us # And you couldn't trick anyone | :46:52. | :46:57. | |
# Houdini, love you don't know what you're running away from | :46:58. | :47:01. | |
# Who wants to sleep in the city that never wakes up Blinded by | :47:02. | :47:07. | |
nostalgia # Who wants to sleep in the city | :47:08. | :47:13. | |
that never wakes up? # He was enraged by the way | :47:14. | :47:18. | |
# That the Emperor put traps in the cage | :47:19. | :47:21. | |
# And the days she being dull, # Lead to the nights reading beer | :47:22. | :47:26. | |
bottles # You're such a fugitive | :47:27. | :47:30. | |
# But you don't know what you're running from, | :47:31. | :47:34. | |
# You can't kid us, and you couldn't trick anyone | :47:35. | :47:38. | |
# Houdini love you don't know what you're running away from | :47:39. | :47:45. | |
# Who wants to sleep in the city that never wakes up? | :47:46. | :47:48. | |
# Blinded by nostalgia? # Who wants to sleep in a city that | :47:49. | :47:52. | |
never wakes up? # You're a loss just because it | :47:53. | :47:54. | |
wasn't all that you thought # You're at a loss just because | :47:55. | :48:26. | |
# It wasn't all that you thought it was | :48:27. | :48:29. | |
# You're a fugitive but you don't know what you're running away from | :48:30. | :48:35. | |
# She said I want to sleep in the city that never wakes up | :48:36. | :48:38. | |
# And revel in nostalgia # I know I said he wants to sleep in | :48:39. | :48:44. | |
the city that never wakes up but # DrNy was | :48:45. | :48:52. | |
# What is going on? # Give him half the chance I bet | :48:53. | :49:52. | |
he'd rob you if he can # You can see it in his hands | :49:53. | :50:03. | |
# He's got a driving battle # And I seen him with girls of the | :50:04. | :50:11. | |
night # Like Roxanne who puts on her red | :50:12. | :50:15. | |
light # He'll be all right | :50:16. | :50:16. | |
# Cos he's a scum bag, don't you whether she left already or not | :50:17. | :55:20. | |
# Leather jacket, collar popped like Cantona | :55:21. | :55:24. | |
# Never knowing when to stop # Sunglasses indoors, par for the | :55:25. | :55:27. | |
course # Lights in the floors and the suite | :55:28. | :55:31. | |
on the walls, cages and poles # Call off the search for your soul, | :55:32. | :55:36. | |
or put it on old again # She's having a sly indoor smoke | :55:37. | :55:42. | |
# And she calls the folks who run this her oldest friends | :55:43. | :55:46. | |
# Sipping a drink and laughing at imaginary jokes | :55:47. | :55:51. | |
# As all the signals are sent, her eyes invite you to approach | :55:52. | :55:57. | |
# # And it seems as though those lumps | :55:58. | :56:01. | |
in your throat # That you just swallowed have got | :56:02. | :56:05. | |
you going # Come on, come on, come on | :56:06. | :56:21. | |
# Number one party anthem # She's a certified mind-blower | :56:22. | :56:29. | |
# Knowing full well that I don't # May I suggest there's somewhere | :56:30. | :56:39. | |
from which you might know her # Used to get the ball to roll | :56:40. | :56:44. | |
# Drunken monologues, confused because | :56:45. | :56:47. | |
# It's not like I'm falling in love # I just want you to do me no good | :56:48. | :56:56. | |
# You look like you could # The | :56:57. | :57:07. | |
# Come on, come on, come on # Come on, come on, come on | :57:08. | :57:14. | |
# Number one party anthem # Come on, come on, come on | :57:15. | :57:21. | |
# Before the moment's gone # Number one party anthem | :57:22. | :57:29. | |
# Yeah, yeah # The look of love, the rush of | :57:30. | :57:32. | |
blood # The "she's with me", the Gallic | :57:33. | :57:37. | |
shrug # The shutterbugs, the camera plus | :57:38. | :57:42. | |
# The black-and-white, the colour dodge | :57:43. | :57:46. | |
# The good time girls, the cubicles # The house of fun, the number one | :57:47. | :57:50. | |
party anthem # Come on, come on, come on, | :57:51. | :58:35. | |
Her, come on, come on, come on # Before the moment's gone | :58:36. | :58:43. | |
# Number one party anthem # Number one party anthem | :58:44. | :58:53. | |
# Yeah, yeah, yeah... # This song goes out to anybody who | :58:54. | :59:52. | |
ever woke up to a message that says "you're up early". | :59:53. | :00:39. | |
# The mirror's image tells me it's home time | :00:40. | :00:41. | |
# But I'm not finished cos you're not by my side | :00:42. | :00:44. | |
# And as I arrive I thought I saw you leaving carrying your shoes | :00:45. | :00:47. | |
# Decided that once again I was just dreaming of bumping into you | :00:48. | :00:54. | |
# "Hi, why'd you only call me when you're high?" | :00:55. | :01:13. | |
# Somewhere darker talking the same shite | :01:14. | :01:17. | |
# I need a partner, well "Are you out tonight?" | :01:18. | :01:22. | |
# It's harder and harder to get you to listen more | :01:23. | :01:26. | |
# Why'd you only call me when you're high? | :01:27. | :01:47. | |
# It sorta feels like I'm running out of time | :01:48. | :02:11. | |
# I haven't found what I was hoping to find | :02:12. | :02:13. | |
# You said you "Gotta be up in the morning, gonna have an early night" | :02:14. | :02:17. | |
# And "You're starting to bore me baby, | :02:18. | :02:20. | |
# "Why'd you only call me when you're high?" | :02:21. | :02:35. | |
# Why'd you only ever phone me when you're high? | :02:36. | :02:39. | |
# Why'd you only ever phone me when you're high? | :02:40. | :02:52. | |
# Why'd you only ever phone me when you're high? | :02:53. | :02:55. | |
# You used to get it in your fishnets | :02:56. | :03:43. | |
# Flicking through a book of sex tips | :03:44. | :04:24. | |
# You used to get it in your fishnets | :04:25. | :06:08. | |
# At least as deep as the Pacific Ocean | :06:09. | :09:09. | |
# Cast patterns on the ceiling, but you're feeling fine | :09:10. | :15:35. | |
# So we all go back to yours, and you sit and talk to me on the floor | :15:36. | :15:53. | |
# There's no need to show me 'round baby, | :15:54. | :15:55. | |
# So we all go back to yours, and you sit and talk to me on the floor | :15:56. | :16:31. | |
# There's no need to show me 'round baby, | :16:32. | :16:34. | |
# I've been wondering whether later when you tell everybody to go | :16:35. | :16:41. | |
# Don't get that sinking feeling, don't fall apart | :16:42. | :16:57. | |
# So we all go back to yours, and you sit and talk to me on the floor | :16:58. | :17:57. | |
# There's no need to show me 'round baby, | :17:58. | :17:59. | |
# I've been wondering whether later when you tell everybody to go | :18:00. | :18:04. | |
# What's been happening in your world? | :18:05. | :18:51. | |
# I heard that you fell in love or near enough | :18:52. | :19:05. | |
# I wanna grab both your shoulders and shake, baby | :19:06. | :19:16. | |
# I get the feeling I left it too late, but, baby | :19:17. | :19:23. | |
# If that watch don't continue to swing | :19:24. | :19:29. | |
# Or the fat lady fancies having a sing, I'll be here | :19:30. | :19:37. | |
# Waiting ever so patiently for you to | :19:38. | :19:39. | |
# It sounds like settling down or giving up | :19:40. | :20:20. | |
# But it don't sound much like you, girl | :20:21. | :20:26. | |
# I wanna grab both your shoulders and shake, baby | :20:27. | :20:32. | |
# I get the feeling I left it too late, but, baby | :20:33. | :20:40. | |
# If that watch don't continue to swing | :20:41. | :20:44. | |
# Or the fat lady fancies having a sing, I'll be here | :20:45. | :20:48. | |
# Waiting ever so patiently for you to | :20:49. | :20:52. | |
# Darling, how could you be so blind? | :20:53. | :21:11. | |
# Darling, how could you be so blind? | :21:12. | :21:26. | |
# I wanna grab both your shoulders and shake, baby | :21:27. | :21:30. | |
# I get the feeling I left it too late, but, baby | :21:31. | :21:38. | |
# If that watch don't continue to swing | :21:39. | :21:43. | |
# Or the fat lady fancies having a sing, I'll be here | :21:44. | :21:48. | |
# Waiting ever so patiently for you to | :21:49. | :21:51. | |
Jamie Cook to the left on the electric guitar! | :21:52. | :22:38. | |
Mr Thomas Roley over there on the Eccles field Electrical, et cetera, | :22:39. | :22:45. | |
set set radio. Mr Matthew on the drums! Thank you for having us. We | :22:46. | :22:48. | |
are the Arctic Monkeys. # I'm a puppet on a string, | :22:49. | :23:02. | |
Tracy Island # Time traveling diamond cutter | :23:03. | :23:04. | |
shaped heartaches # That's come to find you, four in | :23:05. | :23:05. | |
some velvet morning years too late # She's a silver lining, | :23:06. | :23:09. | |
lone ranger riding # When she's not right there | :23:10. | :23:11. | |
beside me # All I want to hear her say is | :23:12. | :23:14. | |
"Are you mine?" # Well, are you mine? | :23:15. | :23:26. | |
# I guess what I'm trying to say is I need the deep end | :23:27. | :23:30. | |
# Well, are you mine? Are you mine? | :23:31. | :23:38. | |
# I guess what I'm trying to say is I need the deep end | :23:39. | :23:52. | |
# Unfair we're not somewhere misbehaving for days | :23:53. | :24:00. | |
# Great escape, lost track of time and space | :24:01. | :24:03. | |
# She's a silver lining climbing on my desire | :24:04. | :24:08. | |
# And I go crazy cos here isn't where I want to be | :24:09. | :24:13. | |
# And satisfaction feels like a distant memory | :24:14. | :24:16. | |
# All I want to hear her say is "Are you mine?" | :24:17. | :24:24. | |
# Well, are you mine? Are you mine tomorrow? | :24:25. | :24:30. | |
# Are you mine? Or just mine tonight? | :24:31. | :24:34. | |
# Are you mine? Are you mine? | :24:35. | :24:52. | |
# So in case I'm mistaken I just want to hear you say | :24:53. | :24:57. | |
# She's a silver lining, lone ranger riding | :24:58. | :25:12. | |
# When she's not right there beside me | :25:13. | :25:20. | |
# I go crazy cos here isn't where I want to be | :25:21. | :25:23. | |
# And satisfaction feels like a distant memory | :25:24. | :25:28. | |
# All I want to hear her say is "Are you mine?" | :25:29. | :25:34. | |
# Well, are you mine? Are you mine tomorrow? | :25:35. | :25:40. | |
# Are you mine? Or just mine tonight? | :25:41. | :25:44. | |
# Are you mine? Are you mine tomorrow? | :25:45. | :25:49. | |
# # Feels like a memory | :25:50. | :27:41. | |
# I can't help myself # Yeah | :27:42. | :27:42. | |
# # Well I Up are you mine? | :27:43. | :28:01. | |
What a great way to end the campaign on the latest album AM. That is | :28:02. | :28:55. | |
Arctic Monkeys headliner, Saturday night of The Reading festival. | :28:56. | :29:00. | |
Swagger! Where's the cheeky one gone. They went to the UEA and a | :29:01. | :29:07. | |
cheeky boy from Sheffield was on the stage. What a transformation. | :29:08. | :29:12. | |
Where's the spotty kid from the Cardiff Barfly? ! People are talking | :29:13. | :29:17. | |
about his hips and him being a smoothie. Sounding as slick as Alex | :29:18. | :29:22. | |
Turner's hair. I went out there to have a look at it. What was it like? | :29:23. | :29:28. | |
Great. Really, really good. It's a real sing-along crowd. Was it louder | :29:29. | :29:33. | |
in the crowd than the PA? At times. It was great. That's the | :29:34. | :29:37. | |
biggest crud of the weekend for sure on the main stage, as far as you | :29:38. | :29:41. | |
could see all the way back for Arctic Monkeys. Tim says this is an | :29:42. | :29:45. | |
absolutely killer set list from Arctic Monkeys holding the crowd so | :29:46. | :29:48. | |
well. Also one text saying, we are seeing | :29:49. | :29:54. | |
my sister lying on the floor in a puddle of love after seeing Alex | :29:55. | :30:00. | |
Turner. Not sure if that's a euphemism. Reading Leeds is the end | :30:01. | :30:04. | |
of the campaign for the latest album and what a way to finish. Hope you | :30:05. | :30:12. | |
enjoyed Arctic Monkeys. Paramore have been on, and Blink 182 | :30:13. | :30:20. | |
tomorrow. Excited? Yes. Headlining the NME tonight was someone we'd be | :30:21. | :30:39. | |
rude not to have a look at. # Sometimes I don't know where we | :30:40. | :31:04. | |
are going # Sometimes I feel you should be | :31:05. | :31:07. | |
crawling back to me # Time is ticking by without us | :31:08. | :31:10. | |
knowing # Before you know it, it will be too | :31:11. | :31:13. | |
late to see # You keep on talking but it makes | :31:14. | :31:18. | |
no sense at all, sense at all, sense at all | :31:19. | :31:23. | |
# Sense at all You keep on talking but it make no | :31:24. | :31:29. | |
sense at all # How did you know | :31:30. | :32:22. | |
# Cos I never told # You found out | :32:23. | :32:26. | |
# I got a crush on you # You found out I got a crush on you | :32:27. | :32:30. | |
# How did you know # Cos I never told--% you found out | :32:31. | :32:40. | |
# I got a crush on you # -- cos I never told | :32:41. | :32:44. | |
# I got a crush on you # How did you know | :32:45. | :32:46. | |
# Cos I never told # You found out | :32:47. | :32:48. | |
# I got a How did you know | :32:49. | :33:06. | |
# Cos I never told # You find out, I got a crush on you | :33:07. | :33:11. | |
# How did you know # Cos I never told | :33:12. | :33:14. | |
# You found out # I got a crush on you | :33:15. | :33:20. | |
# You found out # I've got a crush on you | :33:21. | :33:25. | |
# How did you know # Cos I never told | :33:26. | :33:27. | |
# You found out # I've got a crush on you | :33:28. | :33:34. | |
# You found out # I've got a crush, crush, crush | :33:35. | :33:40. | |
# How did you # You found out | :33:41. | :33:48. | |
# How did you # You found out | :33:49. | :33:52. | |
# I've got a crush on you # How did you | :33:53. | :33:57. | |
# You found out # How did you | :33:58. | :34:05. | |
# I've got a crush, crush, crush, crush | :34:06. | :34:07. | |
# How did you know # Cos I never told--you found out | :34:08. | :34:13. | |
# I got a crush on you # My heart feels the same | :34:14. | :34:16. | |
# You found out # I got a crush on you | :34:17. | :34:29. | |
# # You found out | :34:30. | :34:37. | |
# # You found out | :34:38. | :34:42. | |
# I've got a crush on you... # # Crush on you | :34:43. | :35:36. | |
# Crush on you 100 years ago... Civilisation was | :35:37. | :38:50. | |
obliterated in a few minutes of blazing horror | :38:51. | :38:56. | |
It was dooment Domesday. The end of the world. | :38:57. | :39:07. | |
A bit of Nero from the NME Radio 1 stage. Those were the headliners. | :39:08. | :41:54. | |
Loads more online if you want to see it. What a day! What a day! The | :41:55. | :41:58. | |
crowd looked like they were absolutely loving Nero. It's crazy | :41:59. | :41:59. | |
that they were so absolutely loving Nero. It's crazy | :42:00. | :42:03. | |
watching Arctic Monkeys but still that tent was so full. Massive. | :42:04. | :42:09. | |
Hello to Chris Howarth Arctic Monkeys fantastic tonight, wish I | :42:10. | :42:11. | |
was there but the coverage has been great. Bringing the festival into my | :42:12. | :42:16. | |
living room, thank you. Mikey Lee says almost skanking in my bedroom | :42:17. | :42:21. | |
because of BBC Three, sounding brilliant. And Lauren saying why | :42:22. | :42:27. | |
haven't I Ben to an Arctic Monkeys gig yet, it's on my to do list and | :42:28. | :42:30. | |
another person saying they've still got it. Of course they have. | :42:31. | :42:34. | |
We are back on tomorrow. Loads of good stuff tomorrow. What is going | :42:35. | :42:38. | |
on? It's massive. On the red button, pretty much right now, we've Imagine | :42:39. | :42:42. | |
Dragons, then tomorrow, here on BBC Three, we've got Maverik Sabre, | :42:43. | :42:50. | |
Clean Bandit, saint Raymond and Randy Richie. The Kooks, and your | :42:51. | :42:57. | |
headliners, Blink 182 and Disclose sure, it will be a massive day. See | :42:58. | :43:01. | |
you tomorrow right here on BBC Three! | :43:02. | :43:03. |