Arctic Monkeys Reading and Leeds Festival


Arctic Monkeys

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language and strobe lighting effects.

:00:08.:00:13.

Hello and welcome back the final part of Saturday at The Reading

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festival and what a day it's been. We talked about Royal Blood. What

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else? The acoustic was incredible up here. Right now, we are all about

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one of the biggest bands on the planet, touring new album for

:00:27.:00:30.

months. This is the final date. I cannot wait for this. And, before we

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go to it, let's remind everybody of why they are so special.

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Five number one albums, seven Brit Awards, 19 NMEs. These for pals from

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Sheffield have become Britain's biggest rock'n'roll band.

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They are global. We are act tick Monkeys, don't believe the hype. Do

:00:53.:00:56.

believe them actually. They were at Reading in 2005. They

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were catapulted into the Stratosphere. Their 2006 debut album

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was launched. Stratosphere. Their 2006 debut album

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The fastest sell debut album since chart downloads began. That same

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year, they played the main stage. The gift for telling stories of

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drink, dancing and teenage romance, the boys next door captured the

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hearts of the public and critics alike. Bagging themselves the 2006

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Mercury Music Prize. Somebody call 999. Pals since seven, the Arctics

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were now on a roll. Follow up, worst nightmare followed and the band made

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history with 17 hits in the top 100 at one time.

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Late that year, they made their Glastonbury debut, headlining the

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Pyramid stage, of course. Their success just kept coming.

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Over the next four years, two more chart-topping records landed in the

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shape of Humbug and Suck it Subpoena see. They played Reading at

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2009. Thanks for having us. You have been exceptional.

:02:26.:02:37.

-- suck it See. A sleeker, suited and booted Arctic Monkeys appeared

:02:38.:02:45.

appeared in their adopted town of LA. You can ride your mopeds there.

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Other than that, it's pretty much the same.

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The finished record, AM, was revealed last September, full of

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melody and huge hits. They are a band at the peak of their

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power and tonight they are back to top the Saturday night bill at

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Reading for their second time. What do they have in store? We'll just

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have to Suck it See! # Have you got colour

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in your cheeks? # Do you ever get that fear

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that you can't shift # The type that sticks around

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like summat in your teeth? # Are there some aces

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up your sleeve? # I dreamt about you

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nearly every night this week # Cos there's this tune I found

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that makes me think of you somehow # For saying things

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that you can't say tomorrow day # Ever thought of calling

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when you've had a few? # Busy being yours

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to fall for somebody new # Been wondering if your heart's

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still open # And if so I wanna know

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what time it shuts # It's just I'm constantly

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on the cusp # I don't know if you feel the same

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as I do # For saying things

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that you can't say tomorrow day # Ever thought of calling

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when you've had a few # For saying things that you can't

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say tomorrow day # Do you want me

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crawling back to you? # We're grateful

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And so strangely comforted # Because we can't take our eyes

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Off your T-shirt and ties combinatio # Someone to kiss,

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Someone to kick you # There's not a net

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You couldn't slip through # Because you're smooth

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And you're wet # And she's not aware yet,

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But she's yours # I imagine that

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It's there on a plate # You're a wrong liberate

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Means you'll never be frightened # To make them wait for a while

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I doubt it's your style # Acquire

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The eyes are on fire # Calm, collected and commanding

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You leave the other story standing # With your ignitions and jokes

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Bet there's hundreds of blokes # That have wept cos you've

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Stolen their... # Cos we can't take our eyes

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Off your T-shirt and ties combinatio # For you to say the first word

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So you're waiting and waiting and... # It's what you're there for

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Don't you know # Instead you'll just do the same

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As they all do # The only reason

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that you came # Well don't you always

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Do the same # Get on your dancing shoes

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You sexy little swine # So you're waiting and waiting

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And. # # Arabella's got some

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interstellagator skin boots # And a helter skelter

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around her little finger # She's got a Barbarella

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silver swimsuit # And when she needs a shelter

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from reality # My days end best when

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this sunset gets itself behind # That little lady sitting

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on the passenger side # It's much less picturesque

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without her catching the light # The horizon tries, but it's just

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not as kind on the eyes # Just might have tapped into

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your mind and soul # But she's a modern lover,

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it's an exploration # And her lips are like

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the galaxy's edge # And a kiss the colour of

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a constellation # My days end best when this sunset

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gets itself behind # That little lady

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sitting on the passenger side # It's much less picturesque

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without her catching the light # The horizon tries but it's just

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not as kind on the eyes # Just might have tapped into

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your mind and soul # That's magic

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in a cheetah-print coat # Rubs her lips

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'round the Mexican Coke # Makes you wish that

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you were the bottle # Takes a sip of your soul

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and it sounds like # Just might have tapped into

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your mind and soul # Go into business

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with a grizzly bear # But just don't sit down

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Cos I've moved your chair # But just don't sit down

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Cos I've moved your chair # But just don't sit down

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Cos I've moved your chair # Despair to the point

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that they provoke # The punch line

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before they have told the joke # The sheer desperation

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to be seen # Despair to the point

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where they provoke you # To tell the locking punch line

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before you have told the joke # Sorry, sunshine, it doesn't exist

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It wasn't in the top 100 list # And it's the thousandth time

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and it's even bolder # Don't be surprised

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when you get bent over # He told ya

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that you were gagging for it # She saw it and she grabbed it

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and it wasn't what it seemed # The kids all dream of making it

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whatever that means # A tangle on the television

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and the magazine # D'you reckon

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that they do it for a joke? # D'you reckon

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that they make 'em take an oath? # "Of any poseur

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or professional pretender around" # When did your list

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replace the twist and turn? # Like the fist

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replaced the kissed-on concern # And if you're bothered

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I don't want your prayers # And it's the thousandth time

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and it's even bolder # Don't be surprised

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when you get bent over # He told ya

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that you were dying for it # Let's have a game

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on the Teddy Picker # Not quick enough

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Can I have it quicker? # Already thick

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and you're getting thicker # Let's have a game

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on the Teddy Picker # Not quick enough

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Can I have it quicker? # Outside the cafe by

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the cracker factory # And my thoughts got rude,

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as you talked and chewed # That I haven't been

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called cold before # As you bit into your strawberry

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lace # And then a flip in your attention

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in the form of a gobstopper # Is all you have left and all

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is going to waste # Your past times,

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consisted of the strange # And I love that little game

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you had called # And how you like to aggravate the

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ice-cream man on rainy afternoons # The next time that I caught

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my own reflection # You never looked like yourself

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from the side # With folded arms you occupy

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the bench like toothache # Saw them puffed your chest out

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like you never lost a war # And though I try so not to suffer

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the indignity of reaction # There was no cracks to grasp

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or gaps to claw # And your past times consisted

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of the strange # And I hate that little game

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you had called # And how you like to aggravate the

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icky man on rainy afternoons # But not half as impossible as

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everyone assumes # Your past times consisted of

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the strange # And I hate that little game

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you had called # Your past times consisted

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of the strange # And I hate that little game

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you had called afternoon

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# The nights are drawn out long # And you're kissing to cut through

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the gloom # With a could have drop coloured

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tong # And you were sitting in the corner

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with the coats all piled high # And I thought you might be mine

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# In a small world on an exceptionally rainy Tuesday night

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# In the right place and time # When the zeros line up on the

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24-hour clock # When you know who's calling even

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though the number is blocked # When you walked around your house

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wearing my sky blue Lacoste and your knee Socks

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# Well you cured knee Socks

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# Yeah, you made it all all right # I got a feeling I might have lit

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the very fuse # That you were trying not to light

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# You were a stranger in my phone book

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# I was acting like I knew # Cos I had nothing to lose

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# When the winter's in full swing and your dreams just aren't coming

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true and your dreams just aren't coming

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# Ain't it funny what you'll do # When the zeros line up on the 24

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hour clock # When you know who's calling even

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though the number is blocked # When you walked around your house

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wearing my sky blue Lacsote # And your knee Socks

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The late afternoon # The ghost in your room that you

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always thought didn't approve of you knocks boots

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# Never stopped you letting me get hold of the sweet spot by the scruff

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of your # Knee Socks

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# You and me could have been a team # Each had a half of a King and

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Queen seat # Like the beginning of Mean Streets

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# You could be my baby, you could be my baby

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# You could be my baby # You and me could have been a team

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# Each had a half of King and Queen sat

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# Like the beginning of Mean Streets # You could be my baby,

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# Like the beginning of Mean Streets # You could be my be my baby

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# You could be my baby, be my baby...

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# When the zeros lined up but the number's blocked, when you've come

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undone # When you wore my sky blue Lacoste

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and your knee Socks # When the zeros line up on the 24

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hour clock # When you now who's calling even

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though the number is blocked # When you walked around your house

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wearing my sky blue Lacoste # And your knee Socks

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# Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,

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ooh... # # Your name isn't Rio

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But I don't care for sand # Lighting a fuse

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might result in a bang # I bet that you look good

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On the dance floor # I don't know

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if you're looking for romance, or # I don't know

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What you're looking for # I said, "I bet that you look good

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on the dance floor # "Dancing to electro-pop

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Like a robot from 1984 # I wish you'd stop ignoring me

:40:35.:40:38.

Because you're sending me to despair # Without a sound

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yeah, you're calling me # Your name isn't Rio

:40:57.:41:00.

But I don't care for sand # Lighting a fuse might result

:41:01.:41:07.

In a bang, with a bang-go! # I bet that

:41:08.:41:10.

You look good on the dance floor # I don't know

:41:11.:41:13.

If you're looking for romance, or # I said, "I bet that

:41:14.:41:15.

You look good on the dance floor # "Dancing to electro-pop

:41:16.:41:22.

Like a robot from 1984 # Oh there ain't no love

:41:23.:41:30.

No Montagues or Capulets # Well, I bet that

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You look good on the dance floor # I don't know

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If you're looking for romance, or # I said, "I bet that

:42:05.:42:06.

You look good on the dance floor # "Dancing to electro-pop

:42:07.:42:14.

Like a robot from 1984. # quickening canoe

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# The first of its kind to get to the moon

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# The first of its kind to get to # Trust some elipses to chase you

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round the room # Through the curly straws and

:43:58.:44:00.

metaphors and goo! # Been watching all the Neon

:44:01.:44:15.

blossoms # Flickering

:44:16.:44:19.

# You look as if you've all forgotten where you've been

:44:20.:44:24.

# Going riding through the thunder suckle fuzz canyon

:44:25.:44:36.

# I'm going riding through the thunderstorm of suckle fuzz

:44:37.:45:04.

# Pictures of a quickening canoe # The first of its kind to get to

:45:05.:45:13.

the moon # Give me an eanie, meany, minie, mo

:45:14.:45:28.

# Or an in, dip, dog, rock'n'roll...

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# Old yellow bricks # Love's a risk,

:46:30.:46:35.

# Quite the little escapologist # Looked so miffed,

:46:36.:46:40.

# When you wished # For a thousand places better than

:46:41.:46:45.

this # You're a fugitive

:46:46.:46:48.

# But you don't know what you're running from

:46:49.:46:51.

# You can't kid us # And you couldn't trick anyone

:46:52.:46:57.

# Houdini, love you don't know what you're running away from

:46:58.:47:01.

# Who wants to sleep in the city that never wakes up Blinded by

:47:02.:47:07.

nostalgia # Who wants to sleep in the city

:47:08.:47:13.

that never wakes up? # He was enraged by the way

:47:14.:47:18.

# That the Emperor put traps in the cage

:47:19.:47:21.

# And the days she being dull, # Lead to the nights reading beer

:47:22.:47:26.

bottles # You're such a fugitive

:47:27.:47:30.

# But you don't know what you're running from,

:47:31.:47:34.

# You can't kid us, and you couldn't trick anyone

:47:35.:47:38.

# Houdini love you don't know what you're running away from

:47:39.:47:45.

# Who wants to sleep in the city that never wakes up?

:47:46.:47:48.

# Blinded by nostalgia? # Who wants to sleep in a city that

:47:49.:47:52.

never wakes up? # You're a loss just because it

:47:53.:47:54.

wasn't all that you thought # You're at a loss just because

:47:55.:48:26.

# It wasn't all that you thought it was

:48:27.:48:29.

# You're a fugitive but you don't know what you're running away from

:48:30.:48:35.

# She said I want to sleep in the city that never wakes up

:48:36.:48:38.

# And revel in nostalgia # I know I said he wants to sleep in

:48:39.:48:44.

the city that never wakes up but # DrNy was

:48:45.:48:52.

# What is going on? # Give him half the chance I bet

:48:53.:49:52.

he'd rob you if he can # You can see it in his hands

:49:53.:50:03.

# He's got a driving battle # And I seen him with girls of the

:50:04.:50:11.

night # Like Roxanne who puts on her red

:50:12.:50:15.

light # He'll be all right

:50:16.:50:16.

# Cos he's a scum bag, don't you whether she left already or not

:50:17.:55:20.

# Leather jacket, collar popped like Cantona

:55:21.:55:24.

# Never knowing when to stop # Sunglasses indoors, par for the

:55:25.:55:27.

course # Lights in the floors and the suite

:55:28.:55:31.

on the walls, cages and poles # Call off the search for your soul,

:55:32.:55:36.

or put it on old again # She's having a sly indoor smoke

:55:37.:55:42.

# And she calls the folks who run this her oldest friends

:55:43.:55:46.

# Sipping a drink and laughing at imaginary jokes

:55:47.:55:51.

# As all the signals are sent, her eyes invite you to approach

:55:52.:55:57.

# # And it seems as though those lumps

:55:58.:56:01.

in your throat # That you just swallowed have got

:56:02.:56:05.

you going # Come on, come on, come on

:56:06.:56:21.

# Number one party anthem # She's a certified mind-blower

:56:22.:56:29.

# Knowing full well that I don't # May I suggest there's somewhere

:56:30.:56:39.

from which you might know her # Used to get the ball to roll

:56:40.:56:44.

# Drunken monologues, confused because

:56:45.:56:47.

# It's not like I'm falling in love # I just want you to do me no good

:56:48.:56:56.

# You look like you could # The

:56:57.:57:07.

# Come on, come on, come on # Come on, come on, come on

:57:08.:57:14.

# Number one party anthem # Come on, come on, come on

:57:15.:57:21.

# Before the moment's gone # Number one party anthem

:57:22.:57:29.

# Yeah, yeah # The look of love, the rush of

:57:30.:57:32.

blood # The "she's with me", the Gallic

:57:33.:57:37.

shrug # The shutterbugs, the camera plus

:57:38.:57:42.

# The black-and-white, the colour dodge

:57:43.:57:46.

# The good time girls, the cubicles # The house of fun, the number one

:57:47.:57:50.

party anthem # Come on, come on, come on,

:57:51.:58:35.

Her, come on, come on, come on # Before the moment's gone

:58:36.:58:43.

# Number one party anthem # Number one party anthem

:58:44.:58:53.

# Yeah, yeah, yeah... # This song goes out to anybody who

:58:54.:59:52.

ever woke up to a message that says "you're up early".

:59:53.:00:39.

# The mirror's image tells me it's home time

:00:40.:00:41.

# But I'm not finished cos you're not by my side

:00:42.:00:44.

# And as I arrive I thought I saw you leaving carrying your shoes

:00:45.:00:47.

# Decided that once again I was just dreaming of bumping into you

:00:48.:00:54.

# "Hi, why'd you only call me when you're high?"

:00:55.:01:13.

# Somewhere darker talking the same shite

:01:14.:01:17.

# I need a partner, well "Are you out tonight?"

:01:18.:01:22.

# It's harder and harder to get you to listen more

:01:23.:01:26.

# Why'd you only call me when you're high?

:01:27.:01:47.

# It sorta feels like I'm running out of time

:01:48.:02:11.

# I haven't found what I was hoping to find

:02:12.:02:13.

# You said you "Gotta be up in the morning, gonna have an early night"

:02:14.:02:17.

# And "You're starting to bore me baby,

:02:18.:02:20.

# "Why'd you only call me when you're high?"

:02:21.:02:35.

# Why'd you only ever phone me when you're high?

:02:36.:02:39.

# Why'd you only ever phone me when you're high?

:02:40.:02:52.

# Why'd you only ever phone me when you're high?

:02:53.:02:55.

# You used to get it in your fishnets

:02:56.:03:43.

# Flicking through a book of sex tips

:03:44.:04:24.

# You used to get it in your fishnets

:04:25.:06:08.

# At least as deep as the Pacific Ocean

:06:09.:09:09.

# Cast patterns on the ceiling, but you're feeling fine

:09:10.:15:35.

# So we all go back to yours, and you sit and talk to me on the floor

:15:36.:15:53.

# There's no need to show me 'round baby,

:15:54.:15:55.

# So we all go back to yours, and you sit and talk to me on the floor

:15:56.:16:31.

# There's no need to show me 'round baby,

:16:32.:16:34.

# I've been wondering whether later when you tell everybody to go

:16:35.:16:41.

# Don't get that sinking feeling, don't fall apart

:16:42.:16:57.

# So we all go back to yours, and you sit and talk to me on the floor

:16:58.:17:57.

# There's no need to show me 'round baby,

:17:58.:17:59.

# I've been wondering whether later when you tell everybody to go

:18:00.:18:04.

# What's been happening in your world?

:18:05.:18:51.

# I heard that you fell in love or near enough

:18:52.:19:05.

# I wanna grab both your shoulders and shake, baby

:19:06.:19:16.

# I get the feeling I left it too late, but, baby

:19:17.:19:23.

# If that watch don't continue to swing

:19:24.:19:29.

# Or the fat lady fancies having a sing, I'll be here

:19:30.:19:37.

# Waiting ever so patiently for you to

:19:38.:19:39.

# It sounds like settling down or giving up

:19:40.:20:20.

# But it don't sound much like you, girl

:20:21.:20:26.

# I wanna grab both your shoulders and shake, baby

:20:27.:20:32.

# I get the feeling I left it too late, but, baby

:20:33.:20:40.

# If that watch don't continue to swing

:20:41.:20:44.

# Or the fat lady fancies having a sing, I'll be here

:20:45.:20:48.

# Waiting ever so patiently for you to

:20:49.:20:52.

# Darling, how could you be so blind?

:20:53.:21:11.

# Darling, how could you be so blind?

:21:12.:21:26.

# I wanna grab both your shoulders and shake, baby

:21:27.:21:30.

# I get the feeling I left it too late, but, baby

:21:31.:21:38.

# If that watch don't continue to swing

:21:39.:21:43.

# Or the fat lady fancies having a sing, I'll be here

:21:44.:21:48.

# Waiting ever so patiently for you to

:21:49.:21:51.

Jamie Cook to the left on the electric guitar!

:21:52.:22:38.

Mr Thomas Roley over there on the Eccles field Electrical, et cetera,

:22:39.:22:45.

set set radio. Mr Matthew on the drums! Thank you for having us. We

:22:46.:22:48.

are the Arctic Monkeys. # I'm a puppet on a string,

:22:49.:23:02.

Tracy Island # Time traveling diamond cutter

:23:03.:23:04.

shaped heartaches # That's come to find you, four in

:23:05.:23:05.

some velvet morning years too late # She's a silver lining,

:23:06.:23:09.

lone ranger riding # When she's not right there

:23:10.:23:11.

beside me # All I want to hear her say is

:23:12.:23:14.

"Are you mine?" # Well, are you mine?

:23:15.:23:26.

# I guess what I'm trying to say is I need the deep end

:23:27.:23:30.

# Well, are you mine? Are you mine?

:23:31.:23:38.

# I guess what I'm trying to say is I need the deep end

:23:39.:23:52.

# Unfair we're not somewhere misbehaving for days

:23:53.:24:00.

# Great escape, lost track of time and space

:24:01.:24:03.

# She's a silver lining climbing on my desire

:24:04.:24:08.

# And I go crazy cos here isn't where I want to be

:24:09.:24:13.

# And satisfaction feels like a distant memory

:24:14.:24:16.

# All I want to hear her say is "Are you mine?"

:24:17.:24:24.

# Well, are you mine? Are you mine tomorrow?

:24:25.:24:30.

# Are you mine? Or just mine tonight?

:24:31.:24:34.

# Are you mine? Are you mine?

:24:35.:24:52.

# So in case I'm mistaken I just want to hear you say

:24:53.:24:57.

# She's a silver lining, lone ranger riding

:24:58.:25:12.

# When she's not right there beside me

:25:13.:25:20.

# I go crazy cos here isn't where I want to be

:25:21.:25:23.

# And satisfaction feels like a distant memory

:25:24.:25:28.

# All I want to hear her say is "Are you mine?"

:25:29.:25:34.

# Well, are you mine? Are you mine tomorrow?

:25:35.:25:40.

# Are you mine? Or just mine tonight?

:25:41.:25:44.

# Are you mine? Are you mine tomorrow?

:25:45.:25:49.

# # Feels like a memory

:25:50.:27:41.

# I can't help myself # Yeah

:27:42.:27:42.

# # Well I Up are you mine?

:27:43.:28:01.

What a great way to end the campaign on the latest album AM. That is

:28:02.:28:55.

Arctic Monkeys headliner, Saturday night of The Reading festival.

:28:56.:29:00.

Swagger! Where's the cheeky one gone. They went to the UEA and a

:29:01.:29:07.

cheeky boy from Sheffield was on the stage. What a transformation.

:29:08.:29:12.

Where's the spotty kid from the Cardiff Barfly? ! People are talking

:29:13.:29:17.

about his hips and him being a smoothie. Sounding as slick as Alex

:29:18.:29:22.

Turner's hair. I went out there to have a look at it. What was it like?

:29:23.:29:28.

Great. Really, really good. It's a real sing-along crowd. Was it louder

:29:29.:29:33.

in the crowd than the PA? At times. It was great. That's the

:29:34.:29:37.

biggest crud of the weekend for sure on the main stage, as far as you

:29:38.:29:41.

could see all the way back for Arctic Monkeys. Tim says this is an

:29:42.:29:45.

absolutely killer set list from Arctic Monkeys holding the crowd so

:29:46.:29:48.

well. Also one text saying, we are seeing

:29:49.:29:54.

my sister lying on the floor in a puddle of love after seeing Alex

:29:55.:30:00.

Turner. Not sure if that's a euphemism. Reading Leeds is the end

:30:01.:30:04.

of the campaign for the latest album and what a way to finish. Hope you

:30:05.:30:12.

enjoyed Arctic Monkeys. Paramore have been on, and Blink 182

:30:13.:30:20.

tomorrow. Excited? Yes. Headlining the NME tonight was someone we'd be

:30:21.:30:39.

rude not to have a look at. # Sometimes I don't know where we

:30:40.:31:04.

are going # Sometimes I feel you should be

:31:05.:31:07.

crawling back to me # Time is ticking by without us

:31:08.:31:10.

knowing # Before you know it, it will be too

:31:11.:31:13.

late to see # You keep on talking but it makes

:31:14.:31:18.

no sense at all, sense at all, sense at all

:31:19.:31:23.

# Sense at all You keep on talking but it make no

:31:24.:31:29.

sense at all # How did you know

:31:30.:32:22.

# Cos I never told # You found out

:32:23.:32:26.

# I got a crush on you # You found out I got a crush on you

:32:27.:32:30.

# How did you know # Cos I never told--% you found out

:32:31.:32:40.

# I got a crush on you # -- cos I never told

:32:41.:32:44.

# I got a crush on you # How did you know

:32:45.:32:46.

# Cos I never told # You found out

:32:47.:32:48.

# I got a How did you know

:32:49.:33:06.

# Cos I never told # You find out, I got a crush on you

:33:07.:33:11.

# How did you know # Cos I never told

:33:12.:33:14.

# You found out # I got a crush on you

:33:15.:33:20.

# You found out # I've got a crush on you

:33:21.:33:25.

# How did you know # Cos I never told

:33:26.:33:27.

# You found out # I've got a crush on you

:33:28.:33:34.

# You found out # I've got a crush, crush, crush

:33:35.:33:40.

# How did you # You found out

:33:41.:33:48.

# How did you # You found out

:33:49.:33:52.

# I've got a crush on you # How did you

:33:53.:33:57.

# You found out # How did you

:33:58.:34:05.

# I've got a crush, crush, crush, crush

:34:06.:34:07.

# How did you know # Cos I never told--you found out

:34:08.:34:13.

# I got a crush on you # My heart feels the same

:34:14.:34:16.

# You found out # I got a crush on you

:34:17.:34:29.

# # You found out

:34:30.:34:37.

# # You found out

:34:38.:34:42.

# I've got a crush on you... # # Crush on you

:34:43.:35:36.

# Crush on you 100 years ago... Civilisation was

:35:37.:38:50.

obliterated in a few minutes of blazing horror

:38:51.:38:56.

It was dooment Domesday. The end of the world.

:38:57.:39:07.

A bit of Nero from the NME Radio 1 stage. Those were the headliners.

:39:08.:41:54.

Loads more online if you want to see it. What a day! What a day! The

:41:55.:41:58.

crowd looked like they were absolutely loving Nero. It's crazy

:41:59.:41:59.

that they were so absolutely loving Nero. It's crazy

:42:00.:42:03.

watching Arctic Monkeys but still that tent was so full. Massive.

:42:04.:42:09.

Hello to Chris Howarth Arctic Monkeys fantastic tonight, wish I

:42:10.:42:11.

was there but the coverage has been great. Bringing the festival into my

:42:12.:42:16.

living room, thank you. Mikey Lee says almost skanking in my bedroom

:42:17.:42:21.

because of BBC Three, sounding brilliant. And Lauren saying why

:42:22.:42:27.

haven't I Ben to an Arctic Monkeys gig yet, it's on my to do list and

:42:28.:42:30.

another person saying they've still got it. Of course they have.

:42:31.:42:34.

We are back on tomorrow. Loads of good stuff tomorrow. What is going

:42:35.:42:38.

on? It's massive. On the red button, pretty much right now, we've Imagine

:42:39.:42:42.

Dragons, then tomorrow, here on BBC Three, we've got Maverik Sabre,

:42:43.:42:50.

Clean Bandit, saint Raymond and Randy Richie. The Kooks, and your

:42:51.:42:57.

headliners, Blink 182 and Disclose sure, it will be a massive day. See

:42:58.:43:01.

you tomorrow right here on BBC Three!

:43:02.:43:03.

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