Dwylo Dros Amour 'Run Sbit


Dwylo Dros Amour

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Transcript


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-Subtitles

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-Subtitles

-

-Subtitles

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-I'm Linda Brown...

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-..and this is my daughter, Caren.

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-Together...

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-..we run Wales's only

-celebrity lookalike company.

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-If you need that special star's

-lookalike...

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-..for an event...

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-..contact 'Run Sbit.

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-Caernarfon's Clwb Canol Dre club.

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-An excited audience is clearly

-enjoying a Welsh-language classic.

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-Linda Brown from lookalike company

-'Run Sbit is in the crowd.

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-Tonight is a rare chance

-for the successful business woman...

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-..to relax to the music

-of a Welsh superstar.

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-You really can't beat Dafydd Iwan.

-I don't care what you say.

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-The evergreen singer had

-hung up his guitar.

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-Turning to Run Sbit for a lookalike

-was a natural step...

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-..according to the rest of his band.

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-Well,

-Dafydd Iwan has retired yet again.

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-We didn't see any reason

-for us to give up...

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-..so we phoned 'Run Sbit.

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-We get better treatment from the

-lookalike than the real Dafydd Iwan.

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-Ysbryd Y Nos! Ysbryd Y Nos!

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-Linda may have got into the spirit

-a bit too much.

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-You need to let your knees down

-sometimes!

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-We're not here for long after all.

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-# We're still here

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-# We're still here #

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-What on earth?

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-Honestly, you'd think that woman

-was still 18 the way she behaves.

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-Here you are, you nutter.

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-Oh, I don't remember anything

-after that song about aborigines.

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-Mam, I think you've got Dafydd

-Iwan's side burns on your face.

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-What were you doing last night?

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-Nothing. Why do you ask?

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-I won't deny I was merry

-by the end of the night.

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-Dear me, nothing like that happened.

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-Not that I remember, anyway.

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-I phoned Jabas at 2.30 this morning.

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-Hello, 'Run Sbit.

-Hello, 'Run Sbit.

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-That'll go down like a crap sandwich

-with his lordship, won't it!

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-Hold on. It's for you.

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-A woman you spoke to last

-night...

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-..saying you were going to help

-with some project or other.

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-Hello?

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-Hello?

-

-She's dangerous.

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-Every time she goes out

-she promises something to someone.

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-Yes, of course, I remember.

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-Yes, it's a worthwhile cause.

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-It's very important.

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-It quickly becomes apparent how much

-Linda remembers of the night before.

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-Yes. Could you just remind me again,

-what's the project called?

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-Oh, yes,

-"B'yta'n Iach" - healthy eating.

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-Yes, I did remember, honestly,

-I just wanted to double check.

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-I didn't know what she was talking

-about. Some healthy eating.

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-It's no wonder

-these people want help.

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-Look at their website. It's like

-something out of the dark ages.

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-A community project...

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-..providing quality organic

-vegetables in the Snowdonia area.

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-Oh, damn it,

-it's these things with fleas!

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-I could do without this today.

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-What are we going to do, Car?

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-What do you mean we?

-You offered to help, not me.

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-Charming!

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-We're in this together, Caren.

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-Now, pull your socks together and

-try to get us out of this mess.

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-I don't want to sound cruel...

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-..but Mam's not the best ambassador

-for a healthy eating project.

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-How about we get Dudley

-to do something.

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-Do you think he'll do anything

-for us again?

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-Hello?

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-Hello?

-

-Oh, hi!

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-Alright?

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-Keeping the faith.

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-I'm Chris O'Marah from Abermawddach

-and I'm 'Run Sbit's Dafydd Iwan.

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-There aren't many people in Wales...

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-..who aren't aware of Dafydd Iwan's

-cultural contribution.

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-From singing and running the famous

-Sain recording studio...

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-..to reaching the heights of the

-charts with his evergreen anthems.

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-Reaching the heights isn't a problem

-for Chris either.

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-He's a successful

-painter and decorator.

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-He's got plenty to keep him busy...

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-..when he isn't playing lookalike

-to Wales's most famous troubadour.

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-How about painting it all green?

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-There must be something we can do.

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-Here's 45 and a fiver for petrol.

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-Nice one, Car.

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-How's it going?

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-Alright, except she's promised

-to help promote...

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-..some fruit and veg place

-nobody's heard of.

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-Vegetables are important.

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-You know what they say, the masses

-were raised on jacket spuds.

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-That's it!

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-I had a Dafydd Iwan lookalike

-quoting Hogia'r Wyddfa in one ear...

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-..and her in the other ear

-thinking she's bloody Bob Geldof.

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-A charity single?

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-Yes, they're all the rage now.

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-All we have to do is write a song...

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-..get a handful of lookalikes

-to record it and Hey Bisto!

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-We'll "just" write a song.

-Who's doing that?

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-Wow, don't look at me...

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-..my Welsh isn't good enough

-to do something like that.

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-OK, you can write the music.

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-You can write the words.

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-You can make use

-of that stupid degree of yours.

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-There we are.

-That was quite easy in the end.

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-Without much experience

-of songwriting...

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-..the next morning,

-Caren sets off to do some research.

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-She comes across

-the strangest sights.

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-Oh, hello.

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-Sorry,

-I think I'm in the wrong place.

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-I'm looking for B'yta'n Iach.

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-No, my dear,

-you're in the right place.

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-Oh, right.

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-I'm Caren from 'Run Sbit.

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-Mother Eira and other nuns

-from the convent's gardens...

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-..have run a business, B'yta'n Iach,

-in Wales for over eight years.

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-Very few people

-are aware of their existence.

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-..write a song to help you.

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-Right.

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-Yes, it's difficult to get people

-to know of the service we offer.

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-When one of Jesus's lambs

-came to us to offer help...

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-..it was too good an opportunity

-to refuse.

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-You've got a great operation here.

-I didn't even know it existed.

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-That's the problem.

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-The trees shelter us,

-we're difficult to see.

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-Hopefully, this song will be

-advertise your produce.

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-I'm sure it will be.

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-I know hardly anything

-about this organic food.

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-I was hoping you could

-give me a few pointers.

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-As Caren looks for holy support

-for her writing...

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-..Dafydd Iwan's job is to compose

-a melody for the masterpiece.

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-Come on, Chris.

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-That's a bit better.

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-Meanwhile,

-back at Run Sbit's office...

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-..Linda is herding the singers

-for the recording.

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-Don't be such an old fart, John!

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-Dear me, Alun's doing it!

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-There will be food if you're...

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-It was a bit full on,

-getting everyone to join in.

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-But I soon laid

-the final brick in the wall.

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-Be at Sain Studio

-by 5.30pm tomorrow.

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-Not you, Brian.

-You need to be there by 10.30am.

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-To the ladies

-at B'yta'n Iach Gardens...

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-..thanks for everything,

-Dafydd Iwan.

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-Aren't you posh?

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-He's one of our favourite customers.

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-He's here rather often.

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-As it happens, our lookalike for

-Dafydd Iwan is writing the music.

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-Come on ladies, settle down.

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-How about we start

-by sharing...

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-..a few ideas we'd like

-to include in the song.

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-Well, it's important

-people know where we are.

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-Location.

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-You could say

-it's a sanctuary in the trees.

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-I like that.

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-A sanctuary in the trees.

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-It was going really well.

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-We had loads of ideas

-straight away.

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-It's worth paying extra.

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-Is there anything else?

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-"Iach" - healthy rhymes with...

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-"Iach" - healthy rhymes with...

-

-"Sach" - sack!

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-B'yta'n Iach gardens,

-there's love in every sack.

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-Yes!

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-You're quite the poet, Mary!

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-As Caren and the nuns' creation

-takes shape...

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-..Dafydd Iwan seems

-quite proud of his efforts too.

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-It isn't bad actually.

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-It sounds a bit like Neil Young.

-I think we've got a hit there, boys.

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-Wow, that wasn't supposed to happen.

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-In part two...

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-Jesus Christ, where are they?

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-..will Caren's words and Dafydd's

-melody hit the mark?

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-How will Linda get on

-controlling the recording?

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-Where's Elin Fflur? There you are.

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-The pressure mounts

-when S4C's cameras turn up...

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-..to broadcast

-the first performance.

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-We're joined by Linda Brown.

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-.

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-Subtitles

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-Subtitles

-

-Subtitles

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-A drunken promise has pushed

-Linda Brown into a corner.

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-We must be able to do something.

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-Dafydd Iwan's lookalike is under

-pressure to finish a painting job.

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-There we are, we've finished,

-ladies.

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-Caren's had a holy helping hand

-to write a song about organic veg.

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-Hopefully the song

-will advertise the produce.

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-It's yet another ordinary week

-at Run Sbit.

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-Sain's famous studios.

-The fine tuning is on going.

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-How many packs of quavers

-is that now?

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-One, two, three, four, five, six.

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-Maybe I'll leave an extra three or

-four, in case Rhys Meirion turns up.

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-As Linda waits for the singers

-who'll sing the charity single...

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-..Brian Yr Organ,

-Alun Tan Lan and Gethin Evs...

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-..are ready to record

-the backing track.

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-There's a problem, as Alun explains.

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-We can't do anything without music.

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-Absolutely,

-where is this

-BEEP

-Dafydd Iwan?

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-Who knows, Brian?

-He's supposed to be here.

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-Is it that bloke?

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-Hallelujah!

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-Where have you been, man?

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-How was I supposed to know

-it was the real Dafydd Iwan?

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-He looks exactly like our one.

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-At last, the Dafydd Iwan Linda

-was expecting arrives.

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-Where on earth have you been?

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-Where on earth have you been?

-

-I'm sorry, Linda.

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-But time is scarce

-for the busy painter.

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-I've got two windows left.

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-I'll have to show the lads the tune

-and then I have to go back.

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-Come along for God's sake.

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-Lads, this is Dafydd Iwan.

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-Bry, Alun, Geth.

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-With only a few hours...

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-..until the Heno cameras arrive

-to catch the recording...

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-..it's a race against time

-to show the band the tune.

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-Can you hold D down.

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-With a little tweaking from Bryan,

-Alun and Gethin Evs' lookalikes...

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-For

-BEEP

-sakes Geth!

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-It's not long

-before the melody takes shape.

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-I can go from here then.

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-It sounds good, lads.

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-It sounds good, lads.

-

-Thank you.

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-I was glad for Dafydd and the lads

-that the song came together.

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-I didn't want them to make fools

-of themselves on live TV.

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-Hello, Caren.

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-The music is only half the work.

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-Caren has brought

-a thank-you gift...

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-..for the sisters at B'yta'n Iach

-for their assistance.

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-Listen.

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-Why don't you come with me

-to the recording at the studio?

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-Do you think that would be OK?

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-Of course it would.

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-You can meet Dafydd Iwan's lookalike

-after that.

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-Really?

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-Absolutely.

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-Kim, Mari...

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-..do you want come and meet

-Dafydd Iwan's lookalike?

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-I'm sitting in the front!

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-They were thrilled with the idea.

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-Off we go.

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-The nuns make their way

-to the studio.

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-By now,

-the background track is finished.

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-Linda is pleased with it.

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-Oh, it's fantastic, lads.

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-So that'll do, will it?

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-It's great, Dafydd.

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-Look, I have to go

-and do these windows now.

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-Alright then.

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-Be back by six for the practice.

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-Those S4C people

-are coming to film you.

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-Aye, alright.

-Make sure to give me a good line.

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-I will, don't worry.

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-Are you alright there?

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-Here he is, ladies.

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-Hello.

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-Alright? OK?

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-They wanted to meet you.

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-The sisters were so happy to meet

-the lookalike of such a hero.

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-When the opportunity came to help

-him get his van moving...

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-..it was the cherry on the cake.

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-Let's go for it!

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-The lyrics

-have been such a success...

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-..there's no doubt the heavenly

-father is smiling down on us.

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-I think if we change that last word

-to get one that fits better.

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-And maybe swap this verse

-with this one, it'll be great.

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-As the group put the finishing

-touches on things.

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-Outside,

-the stars have started to arrive.

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-Alright, son?

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-It's obvious Linda's hard work

-has paid off.

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-From Tom Jones to Osian Candelas...

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-..have come to take part

-in the historic venture.

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-Hi, Meic, they're

-through there in the studio.

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-I've got some photocopying to do.

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-It's not just lookalikes

-of singers who're here.

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-I'm looking forward to it so much.

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-I get to be on Heno!

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-It's great.

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-It's an honour to be in a room

-with these people.

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-I wouldn't have missed it

-for the world.

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-Margaret Williams!

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-Yeah, yeah, it's going really well,

-isn't it, John?

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-Nice vibe,

-everything's really chilled.

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-I was just telling Osian Candelas

-actually...

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-..we don't get enough chances to do

-things like this.

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-We're quite confident.

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-A good group has turned up,

-we'll be fine.

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-Thanks.

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-As they reminisce and mingle,

-there's important work to do.

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-OK, OK.

-Can I have your attention, please?

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-These are the words,

-you can have a copy each.

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-I was impressed with Mam.

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-It was like watching Cefin Roberts

-going through his stuff.

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-Is anyone else chewing gum?

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-Bonnie Tyler,

-you get the first line.

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-"There's a place in the Ogwen Valley

-a sanctuary in the woods."

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-It's Tom next.

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-With all eyes on the maestro...

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-Rownd a Rownd cast!

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-..it seems that Linda's idea

-of a song about healthy produce...

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-..was quite productive.

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-That's when Dafydd Iwan

-comes in with his line.

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-OK?

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-Linda, phone.

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-With less than an hour to go until

-the Heno cameras arrive...

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-..news arrives to burst the bubble.

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-What do you mean you've broken down?

-Where are you?

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-I'm not sure.

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-Somewhere in the Nantlle Valley.

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-Look, Linda,

-I don't think I can make it.

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-Bloody great, he's got the most

-important line in the song.

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-There was only one thing I could do.

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-Dafydd, are you busy? Come with me.

0:17:310:17:33

-When in a hole, start digging.

0:17:340:17:37

-What are you doing, woman?

0:17:370:17:38

-Stand in the middle there

-then I'll tell you what to do.

0:17:390:17:42

-What are you doing? You can't get

-the real Dafydd Iwan to sing!

0:17:450:17:48

-I've got no choice, Caren.

0:17:480:17:51

-Nobody will know him,

-we'll put some sunglasses on him.

0:17:510:17:55

-Hello, Llanelli, can you hear me?

0:17:550:17:58

-With S4C's cameras

-here to catch the historic moment...

0:17:580:18:01

-..there's a last-minute rehearsal

-before the nation hears it.

0:18:020:18:07

-I want plenty of movement

-during the chorus.

0:18:070:18:09

-Dear me, you're like soldiers!

-Hedd Wyn, that's fine for you.

0:18:100:18:13

-They're coming live to us in ten...

0:18:150:18:17

-Next, we head live to Caernarfon

-to Llio who's been hearing...

0:18:190:18:23

-..about a slightly different

-campaign.

0:18:230:18:26

-Thanks, Angharad.

0:18:260:18:28

-Behind me, the 'Run Sbit gang

-are ready to sing a remarkable song.

0:18:290:18:33

-We'll speak to the manager,

-Linda Brown shortly.

0:18:330:18:36

-To get the background

-of the campaign...

0:18:360:18:39

-..here's Janice Cook

-from Sexual Health Wales.

0:18:390:18:43

-What is the "Putain Iach"

-- healthy prostitute campaign?

0:18:430:18:46

-Well, 78% of the women who work

-in the sex industry in Wales...

0:18:460:18:51

-..do so in such a way

-as to put their health at risk.

0:18:520:18:56

-So, the Putain Iach campaign...

0:18:570:18:59

-..is planning to open

-official brothels...

0:18:590:19:03

-..to protect these women.

0:19:030:19:06

-The long-term goal...

0:19:060:19:08

-..is for every prostitute in Wales

-to be a healthy prostitute.

0:19:080:19:13

-A controversial issue

-to say the least.

0:19:130:19:16

-We're joined now by Linda Brown.

0:19:160:19:19

-Tell us Linda, how important was it

-to support this issue?

0:19:190:19:24

-Very important.

0:19:240:19:25

-I feel for the nuns

-down on all fours every day.

0:19:260:19:29

-Nuns?

0:19:310:19:32

-Yes, Meira and her gang.

0:19:320:19:34

-Everyone should use them.

0:19:340:19:36

-They've got a fantastic place.

0:19:360:19:38

-Anything you want and there's

-something for every taste.

0:19:380:19:42

-Melons, cucumbers,

-they're incredibly cheap too!

0:19:420:19:45

-At 'Run Sbit, we urge everyone

-to make the most of what's on offer.

0:19:450:19:49

-Well, thanks, Linda.

0:19:500:19:52

-Closing the programme, here's

-'Run Sbit's gang with Putain Iach.

0:19:520:19:57

-# There's a place

-in the Ogwen Valley

0:20:040:20:07

-# A haven in the trees

0:20:070:20:10

-# Where everyone is welcome

0:20:100:20:12

-# Come and meet the generous women

0:20:130:20:16

-# Women who are eager to please #

0:20:160:20:18

-Suddenly the penny drops...

0:20:180:20:20

-..and Linda realizes

-what the song was meant to be.

0:20:200:20:24

-Caren and the nuns' lyrics suddenly

-take on a different meaning.

0:20:240:20:29

-# The women are on all fours

-from morning until night

0:20:290:20:34

-# Hard at it on their knees

-until they're tired out

0:20:340:20:39

-# Whatever you fancy

0:20:400:20:43

-# A little or a lot

0:20:430:20:46

-# Come over to Madam Eira

0:20:470:20:50

-# Where you'll be satisfied

0:20:500:20:53

-# Satisfied

0:20:530:20:54

-# Satisfied

0:20:560:20:58

-# The customer comes first

0:20:590:21:01

-# At the ladies' garden

0:21:010:21:04

-# There's love in every sack

0:21:040:21:09

-No! Jesus!

-Can you switch this thing off.

0:21:100:21:14

-No, no, no!

0:21:140:21:16

-Can't you stop them down south?

0:21:170:21:20

-# Women perform miracles

-with their nimble fingers

0:21:200:21:24

-# Things grow quickly

-under Sister Kim

0:21:250:21:29

-# Laura's very eager

-to please non-stop

0:21:300:21:35

-# Mari's never happy

-until her box is full to the top

0:21:370:21:42

-# Satisfied

0:21:430:21:45

-# Satisfied

0:21:460:21:47

-# The customer comes first

-at the ladies' garden

0:21:490:21:54

-# There's love in every sack

0:21:540:21:58

-# Go to see the garden

-and you'll be satisfied

0:22:010:22:06

-# You'll never know

-who you'll find when you go there

0:22:090:22:14

-# Me and John have been known

-to come for a juicy pear

0:22:150:22:19

-# We provide a service,

-the best in the world

0:22:200:22:25

-# I can vouch for that,

-because I'm still here

0:22:260:22:34

-# Satisfied #

0:22:340:22:35

-Do something, will you?

-Rewind live TV. Stop it!

0:22:370:22:41

-# There's love in every sack #

0:22:410:22:44

-I can't believe this is happening.

0:22:450:22:46

-# Head over to the gardens

-and you'll be satisfied! #

0:22:470:22:55

-Well!

-Wasn't that a feast for your ears?!

0:23:000:23:03

-Apologies if the song's lyrics

-caused you any distress.

0:23:040:23:09

-There's nothing to say

-except sorry, really.

0:23:100:23:13

-I better go, I don't think

-Mam can handle things on her own.

0:23:130:23:17

-Sorry again.

0:23:170:23:18

-Goodbye for now.

0:23:190:23:20

-There you go, turn round there.

0:23:210:23:23

-Sorry, there's a mistake,

-they sell veg.

0:23:250:23:27

-No, veg!

0:23:280:23:29

-What's got into you!

-I wouldn't do such a thing!

0:23:310:23:34

-You dirty scoundrel!

0:23:340:23:35

-S4C Subtitles by Testun Cyf.

0:23:560:23:58

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0:23:580:23:59

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