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Today marks the start of a very special season - Advent, | 0:00:07 | 0:00:12 | |
when we prepare to celebrate the birth of Christ. | 0:00:12 | 0:00:16 | |
Some of our greatest poets have been so moved by this season | 0:00:18 | 0:00:22 | |
that they've written inspirational words, | 0:00:22 | 0:00:26 | |
often given even more depth and beauty | 0:00:26 | 0:00:28 | |
when perfectly partnered with music | 0:00:28 | 0:00:32 | |
and so we celebrate Christ's coming in a feast of music and poetry. | 0:00:32 | 0:00:38 | |
Singing us towards Christmas are three wonderful choirs, | 0:00:41 | 0:00:45 | |
including The Military Wives, | 0:00:45 | 0:00:47 | |
as well as our congregation at St Alban's Church in Bristol. | 0:00:47 | 0:00:51 | |
Verse spanning the centuries is read for us by Sheila Hancock | 0:00:51 | 0:00:55 | |
and Sir Derek Jacobi. | 0:00:55 | 0:00:56 | |
MALE CHOIR SINGS IN LATIN | 0:01:02 | 0:01:06 | |
As far back as the eighth century, | 0:01:08 | 0:01:11 | |
Latin antiphons were sung in church | 0:01:11 | 0:01:14 | |
on the seven days leading up to Christmas. | 0:01:14 | 0:01:17 | |
It's those ancient words on which our first hymn is based, | 0:01:17 | 0:01:21 | |
O Come, O Come, Emmanuel. | 0:01:21 | 0:01:24 | |
Some of the most familiar and poetic Advent verses | 0:03:38 | 0:03:42 | |
come from the book of Isaiah. | 0:03:42 | 0:03:44 | |
The prophet was speaking to a people who had long suffered, | 0:03:44 | 0:03:48 | |
but in the birth of the Messiah, | 0:03:48 | 0:03:50 | |
they were promised their burdens would be lifted. | 0:03:50 | 0:03:53 | |
The people that walked in darkness have seen a great light. | 0:03:57 | 0:04:02 | |
They that dwell in the land of the shadow of death, | 0:04:02 | 0:04:06 | |
upon them hath the light shined. | 0:04:06 | 0:04:09 | |
For unto us a child is born. | 0:04:12 | 0:04:16 | |
Unto us a son is given. | 0:04:16 | 0:04:20 | |
And the government shall be upon His shoulder | 0:04:20 | 0:04:23 | |
and His name shall be called Wonderful Counsellor, | 0:04:23 | 0:04:28 | |
the Mighty God, the Everlasting Father, | 0:04:28 | 0:04:33 | |
the Prince of Peace. | 0:04:33 | 0:04:36 | |
Back in the 17th century, | 0:07:39 | 0:07:41 | |
Robert Herrick was not just a clergyman in Devon, | 0:07:41 | 0:07:44 | |
but a lyrical poet who wrote a carol | 0:07:44 | 0:07:46 | |
that reflected the countryside he knew so well. | 0:07:46 | 0:07:50 | |
He didn't picture Jesus coming in chilly December, though, | 0:07:51 | 0:07:54 | |
but in the warm sunlight of May, as a darling Prince of flowers. | 0:07:54 | 0:07:59 | |
The darling of the world has come | 0:08:01 | 0:08:04 | |
and fit it is, we find the room to welcome Him. | 0:08:04 | 0:08:08 | |
The nobler part of all the house here | 0:08:08 | 0:08:11 | |
is the heart which we will give Him | 0:08:11 | 0:08:14 | |
and bequeath this holly and this ivy wreath | 0:08:14 | 0:08:17 | |
to do Him honour who's our King and Lord of all this revelling. | 0:08:17 | 0:08:23 | |
# What sweeter music can we bring | 0:08:27 | 0:08:33 | |
# Than a carol for to sing | 0:08:33 | 0:08:38 | |
# The birth of this Our heavenly King | 0:08:38 | 0:08:44 | |
# Awake the voice Awake the string! | 0:08:44 | 0:08:50 | |
# Dark and dull night fly hence away | 0:08:50 | 0:08:55 | |
# And give the honour to this day | 0:08:55 | 0:09:00 | |
# That sees December turned to May | 0:09:00 | 0:09:06 | |
# That sees December turned to May | 0:09:06 | 0:09:14 | |
# Why does the chilling winter's morn | 0:09:16 | 0:09:22 | |
# Smile like a field beset with corn? | 0:09:22 | 0:09:27 | |
# Or smell like a meadow newly shorn | 0:09:27 | 0:09:33 | |
# Thus on the sudden, come and see | 0:09:33 | 0:09:39 | |
# The cause, why things thus fragrant be | 0:09:39 | 0:09:44 | |
# 'Tis He is born Whose quickening birth | 0:09:44 | 0:09:50 | |
# Gives life and lustre Public mirth | 0:09:50 | 0:09:55 | |
# To heaven and the under-earth | 0:09:55 | 0:10:03 | |
# We see Him come and know Him ours | 0:10:03 | 0:10:09 | |
# Who, with His sunshine and His showers | 0:10:09 | 0:10:15 | |
# Turns all the patient ground to flowers | 0:10:15 | 0:10:20 | |
# Turns all the patient ground to flowers | 0:10:20 | 0:10:27 | |
# The darling of the world is come | 0:10:27 | 0:10:33 | |
# And fit it is we find a room | 0:10:33 | 0:10:39 | |
# To welcome Him, to welcome Him | 0:10:39 | 0:10:47 | |
# The nobler part of all the house here | 0:10:47 | 0:10:53 | |
# Is the heart | 0:10:53 | 0:10:56 | |
# Which we will give Him and bequeath | 0:10:56 | 0:11:02 | |
# This holly and this ivy wreath | 0:11:02 | 0:11:08 | |
# To do Him honour, who's our King | 0:11:08 | 0:11:14 | |
# And Lord of all this revelling | 0:11:14 | 0:11:22 | |
# What sweeter music can we bring | 0:11:28 | 0:11:34 | |
# Than a carol for to sing? | 0:11:34 | 0:11:40 | |
# The birth of this The heavenly King | 0:11:40 | 0:11:48 | |
# The birth of this | 0:11:48 | 0:11:54 | |
# Our heavenly King. # | 0:11:54 | 0:12:02 | |
When Sheila Hancock's husband, the acclaimed actor John Thaw, | 0:12:15 | 0:12:19 | |
died ten years ago, in her grief, she rediscovered her love of verse. | 0:12:19 | 0:12:25 | |
I had a great upsurge in liking poetry after John died. | 0:12:25 | 0:12:30 | |
A lot of people sent me poems. | 0:12:30 | 0:12:31 | |
I'm a Quaker and the word is quite important to us. | 0:12:33 | 0:12:38 | |
Because of the silence, you know, we worship in silence | 0:12:39 | 0:12:43 | |
and people should not talk in meetings, | 0:12:43 | 0:12:48 | |
unless they are really moved to talk. | 0:12:48 | 0:12:51 | |
Which is where Quaker thing comes from. | 0:12:51 | 0:12:52 | |
You've got to really have to be able to voice it. | 0:12:52 | 0:12:55 | |
Poetry is not vital to my life, but it would be much poorer without it, | 0:12:57 | 0:13:03 | |
let's put it that way. | 0:13:03 | 0:13:05 | |
I mean, I wouldn't pretend I read poetry every day, | 0:13:05 | 0:13:08 | |
but I find poetry crystallises things. | 0:13:08 | 0:13:12 | |
It-It...the very nature of it is to...make things in a nutshell, | 0:13:12 | 0:13:19 | |
as it were. | 0:13:19 | 0:13:20 | |
And sometimes a line of poetry can sort of pierce your consciousness | 0:13:20 | 0:13:24 | |
in the way that a long talk with somebody or a conversation doesn't. | 0:13:24 | 0:13:29 | |
I can sympathise with anybody who says, | 0:13:29 | 0:13:31 | |
"Well, I can't get my head round poetry." | 0:13:31 | 0:13:34 | |
But I think the thing is, with a bit of effort, you can. | 0:13:34 | 0:13:37 | |
I mean, I've done Shakespeare's sonnets with some kids | 0:13:37 | 0:13:39 | |
on the White City estate, which is an estate in London. | 0:13:39 | 0:13:42 | |
And to begin with, they were all going, "Urgh, don't understand it." | 0:13:42 | 0:13:46 | |
The ended up absolutely loving it | 0:13:46 | 0:13:49 | |
and totally getting the feeling of the words and the rhythm. | 0:13:49 | 0:13:54 | |
Look upon myself and curse my fate | 0:13:54 | 0:13:56 | |
Wishing me like to one more rich in hope. | 0:13:56 | 0:13:59 | |
It's our heritage and our children have a right to it. | 0:13:59 | 0:14:03 | |
And it shouldn't be simplified. | 0:14:03 | 0:14:05 | |
How dare we be so patronising as to think | 0:14:05 | 0:14:08 | |
the children cannot understand... | 0:14:08 | 0:14:10 | |
..slightly complex language. Of course they can. | 0:14:12 | 0:14:15 | |
Can you imagine the run-up to Christmas without a tree? | 0:16:41 | 0:16:45 | |
Well, popular modern-day poet Wendy Cope | 0:16:45 | 0:16:48 | |
was prompted to put pen to paper | 0:16:48 | 0:16:50 | |
when an 8-year-old girl told her that if you don't | 0:16:50 | 0:16:54 | |
have a real tree, you don't bring Christmas life into the house. | 0:16:54 | 0:16:58 | |
And for Wendy, that life is Christ himself. | 0:16:58 | 0:17:01 | |
Bring in a tree, a young Norwegian spruce | 0:17:03 | 0:17:08 | |
Bring hyacinths that rooted in the cold | 0:17:08 | 0:17:12 | |
Bring winter jasmine as its buds unfold | 0:17:12 | 0:17:15 | |
Bring the Christmas life into this house | 0:17:15 | 0:17:18 | |
Bring red and green and gold, bring things that shine | 0:17:18 | 0:17:22 | |
Bring candlesticks and music, food and wine | 0:17:22 | 0:17:26 | |
Bring in your memories of Christmas past | 0:17:26 | 0:17:29 | |
Bring in your tears for all that you have lost | 0:17:29 | 0:17:32 | |
Bring in the shepherd boy, the ox and ass | 0:17:32 | 0:17:35 | |
Bring in the stillness of an icy night | 0:17:35 | 0:17:39 | |
Bring in the birth, of hope and love and light | 0:17:39 | 0:17:42 | |
Bring the Christmas life into this house. | 0:17:42 | 0:17:46 | |
Christina Rossetti was born in 1830 | 0:17:52 | 0:17:55 | |
into a remarkable family of poets and artists. | 0:17:55 | 0:17:58 | |
So let's hear now from The Military Wives as they sing one of her | 0:17:58 | 0:18:02 | |
most atmospheric carols, which ends with a personal challenge to us all. | 0:18:02 | 0:18:07 | |
# In the bleak mid-winter | 0:18:13 | 0:18:19 | |
# Frosty wind made moan | 0:18:19 | 0:18:25 | |
# Earth stood hard as iron | 0:18:25 | 0:18:31 | |
# Water like a stone | 0:18:31 | 0:18:37 | |
# Snow had fallen, snow on snow | 0:18:37 | 0:18:45 | |
# Snow on snow | 0:18:45 | 0:18:49 | |
# In the bleak mid-winter | 0:18:50 | 0:18:57 | |
# Long ago | 0:18:57 | 0:19:05 | |
# Our God, heav'n cannot hold Him | 0:19:08 | 0:19:15 | |
# Nor Earth sustain | 0:19:15 | 0:19:22 | |
# Heav'n and Earth shall flee away | 0:19:22 | 0:19:28 | |
# When He comes to reign | 0:19:28 | 0:19:34 | |
# In the bleak mid-winter | 0:19:35 | 0:19:40 | |
# A stable-place sufficed | 0:19:40 | 0:19:47 | |
# The Lord God Almighty | 0:19:47 | 0:19:53 | |
# Jesus Christ | 0:19:53 | 0:20:01 | |
# What can I give Him | 0:20:03 | 0:20:09 | |
# Poor as I am? | 0:20:09 | 0:20:15 | |
# If I were a shepherd | 0:20:15 | 0:20:21 | |
# I would bring a lamb | 0:20:21 | 0:20:27 | |
# If I were a Wise Man | 0:20:28 | 0:20:34 | |
# I would do my part | 0:20:34 | 0:20:40 | |
# Yet what I can I give Him | 0:20:40 | 0:20:48 | |
# Give my heart | 0:20:48 | 0:20:54 | |
# Give my heart | 0:20:54 | 0:21:02 | |
# My heart. # | 0:21:04 | 0:21:10 | |
John Betjeman was unquestionably one of the best-loved poets | 0:21:17 | 0:21:21 | |
of the 20th century. | 0:21:21 | 0:21:23 | |
Well-known on television with his teddy bear-like demeanour. | 0:21:23 | 0:21:27 | |
In spite of being a high-church Anglican, | 0:21:27 | 0:21:29 | |
he sometimes wrestled with his faith, | 0:21:29 | 0:21:32 | |
but whatever his personal doubts, his verse is clear and accessible. | 0:21:32 | 0:21:36 | |
One of his most memorable poems is simply called Christmas, | 0:21:38 | 0:21:42 | |
and in the last three verses, with gentle irony, | 0:21:42 | 0:21:45 | |
he wonders why we mark the great miracle of Christ's coming | 0:21:45 | 0:21:50 | |
with all the "fripperies" of Christmas as we celebrate it today. | 0:21:50 | 0:21:53 | |
And is it true | 0:21:55 | 0:21:58 | |
This most tremendous tale of all | 0:21:58 | 0:22:01 | |
Seen in a stained-glass window's hue | 0:22:01 | 0:22:06 | |
A baby in an ox's stall? | 0:22:06 | 0:22:09 | |
The Maker of the stars and sea | 0:22:09 | 0:22:12 | |
Become a child on Earth for me? | 0:22:12 | 0:22:15 | |
And is it true? | 0:22:17 | 0:22:19 | |
For if it is | 0:22:20 | 0:22:22 | |
No loving fingers tying strings | 0:22:22 | 0:22:25 | |
Around those tissued fripperies | 0:22:25 | 0:22:28 | |
The sweet and silly Christmas things | 0:22:28 | 0:22:30 | |
Bath salts and inexpensive scent | 0:22:30 | 0:22:34 | |
And hideous tie so kindly meant | 0:22:34 | 0:22:38 | |
No love that in a family dwells | 0:22:38 | 0:22:42 | |
No carolling in frosty air | 0:22:42 | 0:22:45 | |
Nor all the steeple-shaking bells | 0:22:45 | 0:22:49 | |
Can with this single truth compare | 0:22:49 | 0:22:52 | |
That God was man in Palestine | 0:22:54 | 0:22:59 | |
And lives today in bread and wine. | 0:23:00 | 0:23:05 | |
I think Christmas is probably THE time when we should... | 0:24:48 | 0:24:52 | |
..lock the doors and put the fire on and engage with poetry. | 0:24:53 | 0:24:59 | |
For me, it isn't a time to go out, spending money and consuming. | 0:24:59 | 0:25:05 | |
It's a time to withdraw into the home to be with | 0:25:05 | 0:25:08 | |
the people that we love most. | 0:25:08 | 0:25:10 | |
And yes, to reflect as the year ends. | 0:25:10 | 0:25:13 | |
In 2007, just a couple of years before Carol Ann Duffy | 0:25:14 | 0:25:19 | |
was appointed Poet Laureate, | 0:25:19 | 0:25:21 | |
she wrote the words to a collection called The Manchester Carols. | 0:25:21 | 0:25:24 | |
Well, they're called The Manchester Carols | 0:25:24 | 0:25:26 | |
because they were written in Manchester. | 0:25:26 | 0:25:28 | |
I live in Manchester. | 0:25:28 | 0:25:30 | |
The composer, Sasha Johnson Manning, lives in Manchester. | 0:25:30 | 0:25:34 | |
It was really an attempt to look at the Christmas story | 0:25:34 | 0:25:39 | |
from the human aspect. | 0:25:39 | 0:25:41 | |
When I was taught the story as a child, Joseph was very important. | 0:25:41 | 0:25:47 | |
I always remember as a child thinking how kind he was. | 0:25:47 | 0:25:51 | |
And I liked that fact that he had a job. He was a carpenter. | 0:25:51 | 0:25:55 | |
He made things with his hands. | 0:25:55 | 0:25:57 | |
My own father was a fitter, | 0:25:57 | 0:26:00 | |
so I could relate to the human aspect of Joseph as Jesus' father. | 0:26:00 | 0:26:07 | |
I could imagine him in his workshop making things. | 0:26:07 | 0:26:10 | |
So when I wrote The Trees, I wanted to have that physical sense | 0:26:10 | 0:26:16 | |
of Joseph knowing the names of the trees, | 0:26:16 | 0:26:19 | |
knowing the qualities of the wood, what he could make from them. | 0:26:19 | 0:26:24 | |
And in the journey of that carol, he makes a cradle for the new baby. | 0:26:24 | 0:26:30 | |
# Joseph stood by the apple tree | 0:26:33 | 0:26:37 | |
# Said these hands work at carpentry | 0:26:37 | 0:26:41 | |
# Tell me what gifts you have for me | 0:26:41 | 0:26:45 | |
# What gifts you have for me | 0:26:45 | 0:26:50 | |
# The tree's reply was wind in leaves | 0:26:50 | 0:26:55 | |
# For all your joys and all your griefs | 0:26:55 | 0:26:59 | |
# I'll give you fruit for Mary | 0:26:59 | 0:27:04 | |
# I'll give you fruit for Mary | 0:27:04 | 0:27:08 | |
# Joseph stood by the cherry tree | 0:27:17 | 0:27:22 | |
# Said these hands work at carpentry | 0:27:22 | 0:27:26 | |
# Tell me what gifts you have for me | 0:27:26 | 0:27:30 | |
# What gifts you have for me | 0:27:30 | 0:27:35 | |
# The tree's reply was wind in leaves | 0:27:35 | 0:27:40 | |
# For all your joys and all your griefs | 0:27:40 | 0:27:44 | |
# I'll give you wood for a cradle | 0:27:44 | 0:27:49 | |
# I'll give you wood for a cradle | 0:27:49 | 0:27:54 | |
# Joseph stood by the darkening trees | 0:28:02 | 0:28:07 | |
# Said these hands made for carpentry | 0:28:07 | 0:28:11 | |
# Are full of gifts from every tree | 0:28:11 | 0:28:16 | |
# Full of gifts from every tree | 0:28:16 | 0:28:21 | |
# The trees' replies were wind in leaves | 0:28:21 | 0:28:25 | |
# For all your joys and all your griefs | 0:28:25 | 0:28:31 | |
# Now Joseph go to Mary | 0:28:31 | 0:28:35 | |
# Now Joseph go to Mary | 0:28:35 | 0:28:39 | |
# Now Joseph go to Mary. # | 0:28:44 | 0:28:49 | |
Ursula Fanthorpe, who only died a few years ago, combined teaching | 0:28:54 | 0:28:58 | |
English at Cheltenham Ladies' College with writing poetry. | 0:28:58 | 0:29:03 | |
She often reflected her quiet Quaker faith in the poems | 0:29:03 | 0:29:08 | |
she included in Christmas cards, and in this one, BC:AD, | 0:29:08 | 0:29:13 | |
she conjures up both the ordinariness and the wonder of Christ's birth. | 0:29:13 | 0:29:18 | |
This was the moment when Before | 0:29:20 | 0:29:23 | |
Turned into After and the future's | 0:29:23 | 0:29:27 | |
Uninvented timekeepers presented arms | 0:29:27 | 0:29:30 | |
This was the moment when nothing happened | 0:29:31 | 0:29:34 | |
Only dull peace sprawled boringly over the Earth | 0:29:35 | 0:29:41 | |
This was the moment when even energetic Romans | 0:29:41 | 0:29:44 | |
Could find nothing better to do | 0:29:44 | 0:29:46 | |
Than counting heads in remote provinces | 0:29:46 | 0:29:49 | |
And this was the moment | 0:29:51 | 0:29:53 | |
When a few farm workers and three members of an obscure Persian sect | 0:29:53 | 0:30:01 | |
Walked haphazard by starlight straight | 0:30:01 | 0:30:06 | |
Into the Kingdom Of Heaven. | 0:30:06 | 0:30:08 | |
Next week, Aled celebrates the second Sunday in Advent | 0:33:28 | 0:33:32 | |
with hymns from Holy Cross in Greenford. | 0:33:32 | 0:33:35 | |
A church built in the middle of the last war. | 0:33:35 | 0:33:38 | |
Local people share their memories of Christmas in wartime. | 0:33:38 | 0:33:41 | |
And there's a performance from Jonathan and Charlotte. | 0:33:41 | 0:33:45 | |
Subtitles by Red Bee Media Ltd | 0:33:55 | 0:33:58 |