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Have you any idea where Europe's first Caribbean carnival was held? | 0:00:02 | 0:00:05 | |
Well, it was here, in Leeds | 0:00:05 | 0:00:07 | |
and every year it seems to get more spectacular. | 0:00:07 | 0:00:11 | |
But the city also hosts ballet, drama and many kinds of music | 0:00:11 | 0:00:14 | |
and we're keeping the beat in today's Songs Of Praise. | 0:00:14 | 0:00:18 | |
Well, with the big parade swinging through the streets tomorrow, | 0:00:27 | 0:00:30 | |
there are sequins to sew and feathers to fix. It's all great fun, | 0:00:30 | 0:00:34 | |
but you know Leeds has always known how to entertain a crowd. | 0:00:34 | 0:00:37 | |
Do you remember this? | 0:00:41 | 0:00:43 | |
The City Varieties Theatre, home to Britain's longest-running | 0:00:43 | 0:00:47 | |
television variety show, The Good Old Days. | 0:00:47 | 0:00:51 | |
CLASSICAL MUSIC PLAYS | 0:00:51 | 0:00:53 | |
Well, long before we had TV, on this stage, | 0:00:56 | 0:01:00 | |
a very young Charlie Chaplin clog danced. | 0:01:00 | 0:01:04 | |
Lillie Langtry performed knowing that the Prince of Wales had | 0:01:04 | 0:01:07 | |
sneaked in to watch her and Harry Houdini... | 0:01:07 | 0:01:11 | |
Well, he escaped. | 0:01:11 | 0:01:12 | |
And it was in this city in 1888 | 0:01:13 | 0:01:16 | |
that the world's first moving picture sequences were filmed. | 0:01:16 | 0:01:21 | |
Two scenes were shot here using paper film on a single-lens camera | 0:01:21 | 0:01:26 | |
developed by the inventor Louis le Prince. | 0:01:26 | 0:01:28 | |
MELLOW JAZZ | 0:01:28 | 0:01:31 | |
But this is a city that loves music, | 0:01:34 | 0:01:37 | |
so it's no surprise that back in the '60s, | 0:01:37 | 0:01:40 | |
the UK's first full-time jazz course was established here, | 0:01:40 | 0:01:44 | |
at the Leeds College of Music, | 0:01:44 | 0:01:45 | |
and it's students from here who are warming up now | 0:01:45 | 0:01:48 | |
to provide some toe-tapping rhythms for our hymns this week. | 0:01:48 | 0:01:52 | |
We're definitely in for a happy day. | 0:01:52 | 0:01:54 | |
JAZZ BAND STRIKES UP | 0:01:57 | 0:01:59 | |
Leeds Carnival has its roots firmly in the sunshine of the Caribbean. | 0:04:45 | 0:04:51 | |
However, back in the 1960s, | 0:04:51 | 0:04:53 | |
the West Indian community here was very disconnected. | 0:04:53 | 0:04:56 | |
We needed something to bind us together | 0:04:58 | 0:05:00 | |
as people from all over the Caribbean. | 0:05:00 | 0:05:03 | |
Having an event where you don't need an invite, | 0:05:04 | 0:05:07 | |
everybody comes. | 0:05:07 | 0:05:09 | |
The best remedy for our homesickness is the carnival. | 0:05:10 | 0:05:14 | |
Most West Indians are very religious | 0:05:15 | 0:05:17 | |
and they didn't accept carnival, | 0:05:17 | 0:05:20 | |
for they think...well, they were saying we were doing devil work. | 0:05:20 | 0:05:25 | |
You know, because we're not sitting in a church singing and clapping. | 0:05:25 | 0:05:28 | |
My argument - life needs to be celebrated, | 0:05:28 | 0:05:32 | |
rather than we sit down with our head in the Bible reading. | 0:05:32 | 0:05:35 | |
And I do believe there is music in heaven. | 0:05:35 | 0:05:39 | |
So why not? | 0:05:39 | 0:05:40 | |
When members of Leeds carnival troupe celebrated | 0:05:43 | 0:05:46 | |
the start of the Tour de France, | 0:05:46 | 0:05:47 | |
they gave the first outing to new costumes by designer Hughbon Condor. | 0:05:47 | 0:05:52 | |
Both costumes had doves on, | 0:05:52 | 0:05:56 | |
and both costumes showed the dove in a highlight position, | 0:05:56 | 0:06:00 | |
flying above the whole crowd. | 0:06:00 | 0:06:02 | |
And of course there's one at ground level to have a much closer view | 0:06:02 | 0:06:06 | |
of the whole concert and the dove. | 0:06:06 | 0:06:09 | |
I wanted the doves to move, as well, so there was some flexibility, | 0:06:09 | 0:06:13 | |
not just static. | 0:06:13 | 0:06:15 | |
So I think it worked really well in terms of being able to create that. | 0:06:15 | 0:06:18 | |
It's all about celebration, it's all about niceness, | 0:06:19 | 0:06:22 | |
it's all about beauty, it's all about light. | 0:06:22 | 0:06:25 | |
So I suppose | 0:06:25 | 0:06:27 | |
if I was to describe it, | 0:06:27 | 0:06:28 | |
I would say that it's like a rainbow, the biggest rainbow | 0:06:28 | 0:06:33 | |
that maybe crosses Leeds in August, | 0:06:33 | 0:06:37 | |
on the August bank holiday, because | 0:06:37 | 0:06:40 | |
I think that's the one time that I see so many people come together. | 0:06:40 | 0:06:44 | |
So the streets of Leeds often resound with music, | 0:06:47 | 0:06:50 | |
not just from Carnival, but from solo performers like | 0:06:50 | 0:06:54 | |
Kristyna Myles, who was BBC Radio 5 Live's Busker Of The Year. | 0:06:54 | 0:06:59 | |
She's about to lead the congregation in a medley of the hymn | 0:06:59 | 0:07:02 | |
Blessed Assurance and a George Harrison song. | 0:07:02 | 0:07:05 | |
Sounds unlikely, but it works. | 0:07:05 | 0:07:08 | |
As buildings go, from the outside, | 0:10:09 | 0:10:11 | |
the former St Margaret of Antioch Church in inner-city Leeds | 0:10:11 | 0:10:15 | |
looks rather uninspiring. | 0:10:15 | 0:10:17 | |
But a wonderful surprise awaits you when you walk inside | 0:10:20 | 0:10:22 | |
with these neo-Gothic arches that draw the eye and lift the soul. | 0:10:22 | 0:10:27 | |
This is Left Bank Leeds, run by a collective of artists, | 0:10:27 | 0:10:31 | |
most of whom share a Christian ethos. | 0:10:31 | 0:10:34 | |
Local illustrator and artist Si Smith is part of the community, | 0:10:35 | 0:10:39 | |
so has curated exhibitions and shown his own work here. | 0:10:39 | 0:10:43 | |
Left Bank Leeds is this amazing old church | 0:10:45 | 0:10:49 | |
and it's used by the local community artists for exhibitions. | 0:10:49 | 0:10:54 | |
We have weddings here, parties, there's quite a few gigs | 0:10:54 | 0:10:56 | |
and things here. | 0:10:56 | 0:10:58 | |
So it's just a beautiful space that is | 0:10:58 | 0:11:02 | |
sort of part of the community now. | 0:11:02 | 0:11:05 | |
Now, you're an illustrator, you do cartoons more than anything. | 0:11:05 | 0:11:09 | |
-Quite a simple form of art really, isn't it? -Yeah, yeah. | 0:11:09 | 0:11:11 | |
Hopefully it's sort of deceptively simple! | 0:11:11 | 0:11:14 | |
Tell me about Raised In Leeds, which was exhibited here. | 0:11:14 | 0:11:19 | |
Raised In Leeds was a piece that was commissioned | 0:11:19 | 0:11:22 | |
by the church Pastoral Aid Society | 0:11:22 | 0:11:24 | |
and they asked me | 0:11:24 | 0:11:25 | |
to illustrate the Stations of the Resurrection, which is | 0:11:25 | 0:11:28 | |
19 meetings with the risen Christ, | 0:11:28 | 0:11:31 | |
so it goes from the earthquake on Easter Sunday | 0:11:31 | 0:11:35 | |
through to Saul on the road to Damascus. | 0:11:35 | 0:11:38 | |
They asked me to illustrate those and they let me | 0:11:38 | 0:11:42 | |
update the story to modern-day Leeds. | 0:11:42 | 0:11:45 | |
It was lovely for me to be able to do that, | 0:11:45 | 0:11:47 | |
because it turned into a sort of love letter to Leeds. | 0:11:47 | 0:11:50 | |
It also means that people are connecting with it in a very | 0:11:50 | 0:11:53 | |
personal way and it's their personal surroundings here, isn't it? | 0:11:53 | 0:11:57 | |
Yes, and I think that's one of the great things about setting it | 0:11:57 | 0:12:00 | |
in the modern-day where it is, because those spaces, | 0:12:00 | 0:12:03 | |
they don't belong to me, they belong to everybody. | 0:12:03 | 0:12:06 | |
And I think as well, it's that thing of imagining yourself into the story. | 0:12:06 | 0:12:11 | |
And it's very easy to think about the Resurrection and think about... | 0:12:11 | 0:12:16 | |
it happened a long time ago and a long way away, to a very old people. | 0:12:16 | 0:12:21 | |
Whereas this way, the Resurrection is about now and I like that idea. | 0:12:22 | 0:12:28 | |
# When the trumpet of the Lord shall sound and time shall be no more | 0:12:33 | 0:12:37 | |
# And the morning breaks Eternal, bright and fair | 0:12:37 | 0:12:41 | |
# When the saved of Earth shall gather over on the other shore | 0:12:41 | 0:12:45 | |
# And the roll is called up yonder I'll be there | 0:12:45 | 0:12:50 | |
# When the roll is called up yonder | 0:12:50 | 0:12:54 | |
# When the roll is called up yonder | 0:12:54 | 0:12:58 | |
# When the roll is called up yonder | 0:12:58 | 0:13:03 | |
# When the roll is called up yonder I'll be there | 0:13:03 | 0:13:06 | |
# Let us labour for the Master from the dawn till setting sun | 0:13:07 | 0:13:11 | |
# Let us talk of all His wondrous love and care | 0:13:11 | 0:13:15 | |
# Then when all of life is over and our work on Earth is done | 0:13:15 | 0:13:20 | |
# And the roll is called up yonder I'll be there | 0:13:20 | 0:13:24 | |
# When the roll is called up yonder | 0:13:24 | 0:13:28 | |
# When the roll is called up yonder | 0:13:28 | 0:13:33 | |
# When the roll is called up yonder | 0:13:33 | 0:13:37 | |
# When the roll is called up yonder I'll be there | 0:13:37 | 0:13:41 | |
# When the roll is called up yonder | 0:13:41 | 0:13:46 | |
# When the roll is called up yonder | 0:13:46 | 0:13:49 | |
# When the roll is called up yonder | 0:13:49 | 0:13:55 | |
# Ooh | 0:13:55 | 0:13:58 | |
# When the roll | 0:13:58 | 0:14:00 | |
# Is called up yonder | 0:14:00 | 0:14:03 | |
# I'll be | 0:14:03 | 0:14:05 | |
# There, yeah | 0:14:05 | 0:14:09 | |
# I'll be | 0:14:09 | 0:14:11 | |
# There. # | 0:14:11 | 0:14:16 | |
There's music for all tastes in this city, | 0:14:21 | 0:14:24 | |
from one of the great prizes in the classical world, | 0:14:24 | 0:14:27 | |
the Leeds International Piano Competition, | 0:14:27 | 0:14:29 | |
which is held at the Town Hall... | 0:14:29 | 0:14:31 | |
..to a thriving contemporary music scene, reflecting | 0:14:33 | 0:14:36 | |
the tastes of the large student population that is here in the city. | 0:14:36 | 0:14:40 | |
Now, this is the world of MC hip-hop artist | 0:14:40 | 0:14:43 | |
and producer Andy Brooks, also known as Testament. | 0:14:43 | 0:14:47 | |
HE BEATBOXES | 0:14:47 | 0:14:50 | |
'Testament means like, an agreement, a contract, a covenant.' | 0:14:50 | 0:14:54 | |
And it was almost me saying... | 0:14:56 | 0:14:58 | |
I agree, I'm going to try and use music | 0:14:58 | 0:15:01 | |
in a way that's going to glorify God | 0:15:01 | 0:15:04 | |
and hopefully not just inflate my own ego. | 0:15:04 | 0:15:07 | |
'Hip-hop is a whole urban culture using... | 0:15:09 | 0:15:12 | |
'Very much associated with rap, | 0:15:12 | 0:15:14 | |
'which is basically rhyming poetry over a beat.' | 0:15:14 | 0:15:17 | |
'And beatboxing, which is also part of hip-hop culture, | 0:15:18 | 0:15:21 | |
'is making crazy sounds with your mouth - | 0:15:21 | 0:15:24 | |
'normally imitating drums and various instruments.' | 0:15:24 | 0:15:28 | |
Struggling with stuff like suffering, God only knows, | 0:15:28 | 0:15:30 | |
that's why I put my trust in Him because I...I don't even know. | 0:15:30 | 0:15:34 | |
'If I get on the mic and I start rapping about my life, God,' | 0:15:34 | 0:15:38 | |
who I everyday try and make the centre of it - | 0:15:38 | 0:15:41 | |
sometimes I succeed, sometimes I fail - | 0:15:41 | 0:15:43 | |
but God, Jesus, Christianity is going to pop up | 0:15:43 | 0:15:46 | |
because that's my raison d'etre, that's what gets me | 0:15:46 | 0:15:49 | |
out of bed in the morning, it's what gives me hope. | 0:15:49 | 0:15:52 | |
That's what keeps me going when everything goes a bit pear-shaped. | 0:15:52 | 0:15:55 | |
So...every song I've ever released will have a reference to God in it. | 0:15:57 | 0:16:01 | |
Sometimes that's not deliberate! | 0:16:01 | 0:16:03 | |
'It seems to me that | 0:16:05 | 0:16:06 | |
'if you're trying to put Jesus at the centre of your life, | 0:16:06 | 0:16:09 | |
'even if you're talking about shoes, | 0:16:09 | 0:16:12 | |
'somehow, God is going to come into that.' | 0:16:12 | 0:16:14 | |
Faith is the thing that gets me through and is the ray of light | 0:16:16 | 0:16:19 | |
because sometimes the world can be quite dark and oppressive | 0:16:19 | 0:16:22 | |
and we need hope.... | 0:16:22 | 0:16:24 | |
And so far, God has not let me down | 0:16:24 | 0:16:27 | |
and I have faith, even in the storms. | 0:16:27 | 0:16:30 | |
Um...it's God that sustains me. | 0:16:30 | 0:16:33 | |
Art and artists add flavour to this city, | 0:18:54 | 0:18:57 | |
from Yorkshire-born Henry Moore | 0:18:57 | 0:18:59 | |
with his world-famous sculptures | 0:18:59 | 0:19:01 | |
to Leeds Art Gallery, which houses one of the best | 0:19:01 | 0:19:04 | |
collections of 20th-century British art in the country. | 0:19:04 | 0:19:07 | |
This takes a bit of practice, doesn't it?! | 0:19:08 | 0:19:12 | |
'But it's photography that interests professional artist | 0:19:12 | 0:19:14 | |
'Steve Rayner, who explores themes of spirituality, | 0:19:14 | 0:19:19 | |
'drawing his inspiration from 19th-century photographic techniques.' | 0:19:19 | 0:19:23 | |
Take an ordinary piece of darkroom photographic paper... | 0:19:24 | 0:19:27 | |
Which is...that colour. | 0:19:30 | 0:19:32 | |
It's starting to go blue immediately. | 0:19:32 | 0:19:34 | |
And if you lay that down on top of there | 0:19:34 | 0:19:36 | |
and put that on top of it like that... | 0:19:36 | 0:19:39 | |
Clip it together... | 0:19:39 | 0:19:41 | |
What's this technique called? | 0:19:41 | 0:19:42 | |
It's called lumen printing, L-U-M-E-N... | 0:19:42 | 0:19:46 | |
-Lumen meaning light. -Yes. | 0:19:46 | 0:19:48 | |
So how long do you have to leave it like that before you see a result? | 0:19:48 | 0:19:51 | |
What colour was it when we took it out of the packet? | 0:19:51 | 0:19:54 | |
Well, it was white, and it's quite deep blue now. | 0:19:54 | 0:19:56 | |
Well, we've already got a result. | 0:19:56 | 0:19:58 | |
It's really a matter of how long you choose to use it. | 0:19:58 | 0:20:00 | |
If we were to take that off there now, | 0:20:00 | 0:20:02 | |
we would have an image of that fern already. | 0:20:02 | 0:20:05 | |
Right, so can you give me an idea of what it looks like then, later? | 0:20:05 | 0:20:09 | |
This is one I did the Blue Peter thing on! | 0:20:09 | 0:20:11 | |
This has been going for about an hour and a half | 0:20:12 | 0:20:15 | |
and you can see it's gone from blue to a sort of purply-brown colour. | 0:20:15 | 0:20:19 | |
Nobody has ever seen this before, | 0:20:20 | 0:20:22 | |
this is the first time and it looks like that. | 0:20:22 | 0:20:25 | |
-SHE GASPS -The colours are stunning! | 0:20:25 | 0:20:28 | |
-It brings out the extraordinary in the ordinary, doesn't it? -Yes. | 0:20:28 | 0:20:32 | |
I'm making something primarily for me | 0:20:32 | 0:20:34 | |
and if I make something that I like, | 0:20:34 | 0:20:36 | |
that makes me feel good on the inside, | 0:20:36 | 0:20:38 | |
I hope it makes other people feel good too | 0:20:38 | 0:20:40 | |
and that does, generally speaking, seem to happen. | 0:20:40 | 0:20:43 | |
I think if you work too hard at it, | 0:20:43 | 0:20:45 | |
you end up with something that looks laboured. | 0:20:45 | 0:20:48 | |
Now, I recognise this in other disciplines | 0:20:48 | 0:20:50 | |
that you do actually have to put a lot of work in, | 0:20:50 | 0:20:52 | |
but at the same time, I think it should be something | 0:20:52 | 0:20:55 | |
that you enjoy yourself and something that feels good to you. | 0:20:55 | 0:20:58 | |
For lots of us, of course, | 0:20:58 | 0:21:00 | |
art is just something that's colourful and a nice shape and | 0:21:00 | 0:21:03 | |
we hang it on our wall in the living room, but what does it mean to you? | 0:21:03 | 0:21:07 | |
The thing I mentioned about it feeling good, | 0:21:07 | 0:21:09 | |
making someone feel good inside. | 0:21:09 | 0:21:11 | |
It has resonances with spirituality | 0:21:11 | 0:21:15 | |
and the spiritual dimensions of life because the way in which | 0:21:15 | 0:21:18 | |
people respond to art, there is an element of reverence to it... | 0:21:18 | 0:21:22 | |
which isn't always, I think, appropriate. | 0:21:22 | 0:21:25 | |
But the way in which people respond to art, it does something | 0:21:25 | 0:21:28 | |
to them on the inside, otherwise they wouldn't bother with it. | 0:21:28 | 0:21:31 | |
So it actually does something that they feel is important. | 0:21:31 | 0:21:34 | |
I actually think that that is in some way related | 0:21:34 | 0:21:36 | |
to the spiritual dimension of life, | 0:21:36 | 0:21:38 | |
or the spiritual aspect of life. | 0:21:38 | 0:21:40 | |
-So do you think it's time to unveil my great work of art? -Absolutely! | 0:21:40 | 0:21:44 | |
-Here we go, then. -Gosh, it's changed to be quite dark. | 0:21:44 | 0:21:47 | |
-It was blue when we first... -We'll just pop it down here and... | 0:21:47 | 0:21:51 | |
-Would you like to take the top off? -Oh, yes, please. | 0:21:54 | 0:21:57 | |
There we are. | 0:21:57 | 0:21:59 | |
If you just peel the plant off the paper... | 0:21:59 | 0:22:03 | |
Ah! Look at that! | 0:22:05 | 0:22:09 | |
-Gorgeous. -Absolutely right. | 0:22:09 | 0:22:11 | |
# Every little step I've made | 0:22:13 | 0:22:15 | |
# Has brought me through this far | 0:22:15 | 0:22:18 | |
# It hasn't been an easy road But look at where we are | 0:22:18 | 0:22:23 | |
# I bought my funfair ticket | 0:22:25 | 0:22:28 | |
# It ain't always what it seems | 0:22:28 | 0:22:30 | |
# Fast, slow, merry go | 0:22:30 | 0:22:33 | |
# Some things still out of reach | 0:22:33 | 0:22:38 | |
# So I'm going to keep searching | 0:22:38 | 0:22:41 | |
# I'm going to keep preaching | 0:22:41 | 0:22:44 | |
# I'm going to keep pushing | 0:22:44 | 0:22:47 | |
# Because heaven knows | 0:22:47 | 0:22:49 | |
# I've never been a fan of being uncomfortable | 0:22:50 | 0:22:55 | |
# Scares me half to death and leaves me vulnerable | 0:22:55 | 0:23:01 | |
# But I'm stepping out The chance is mine to take | 0:23:01 | 0:23:06 | |
# I hope I'm brave enough | 0:23:06 | 0:23:09 | |
# To learn from my mistakes | 0:23:09 | 0:23:11 | |
# So I'm going to keep searching | 0:23:11 | 0:23:13 | |
# I'm going to keep reaching | 0:23:13 | 0:23:16 | |
# I'm going to keep pushing | 0:23:16 | 0:23:19 | |
# Because heaven knows | 0:23:20 | 0:23:22 | |
# I'm going to keep looking | 0:23:22 | 0:23:24 | |
# I'm going to keep trying | 0:23:24 | 0:23:27 | |
# I'm going to keep on trusting Waiting, hoping, praying | 0:23:27 | 0:23:31 | |
# Because heaven knows | 0:23:31 | 0:23:33 | |
# There's no cutting corners now It's going to take hard work | 0:23:34 | 0:23:38 | |
# It may require me to lay down my blood, sweat and hurt | 0:23:40 | 0:23:45 | |
# So I decided today this is my decree | 0:23:45 | 0:23:50 | |
# Whether they take it or leave it | 0:23:51 | 0:23:54 | |
# I'll be nobody else but me | 0:23:54 | 0:23:57 | |
# No, no, no, no-oh | 0:23:57 | 0:24:00 | |
# So I'm going to keep searching | 0:24:00 | 0:24:04 | |
# I'm going to keep reaching | 0:24:04 | 0:24:07 | |
# I'm going to keep pushing | 0:24:07 | 0:24:09 | |
# Because heaven knows | 0:24:09 | 0:24:12 | |
# I'm going to keep looking | 0:24:12 | 0:24:15 | |
# I'm going to keep trying | 0:24:15 | 0:24:17 | |
# I'm going to keep on trusting Waiting, hoping, praying | 0:24:17 | 0:24:21 | |
# Cos heaven knows. # | 0:24:21 | 0:24:24 | |
Leeds is the only English city outside London with its own ballet | 0:24:31 | 0:24:36 | |
and opera companies - the Northern Ballet Theatre and Opera North. | 0:24:36 | 0:24:40 | |
It also has a prestigious list of literary sons | 0:24:42 | 0:24:45 | |
and daughters like playwright Alan Bennett, | 0:24:45 | 0:24:48 | |
novelist Barbara Taylor Bradford and poet Tony Harrison. | 0:24:48 | 0:24:52 | |
In fact, poetry means a lot to a group who meet near here | 0:24:52 | 0:24:55 | |
called Survivors' Poetry. | 0:24:55 | 0:24:57 | |
'When there've been very difficult feelings | 0:25:00 | 0:25:04 | |
'and experiences in depressive times,' | 0:25:04 | 0:25:08 | |
I sometimes found that | 0:25:08 | 0:25:11 | |
actually expressing it in words, | 0:25:11 | 0:25:14 | |
on paper, | 0:25:14 | 0:25:15 | |
'is a way of sort of getting it out.' | 0:25:15 | 0:25:19 | |
There are two ways to look at your reflection | 0:25:19 | 0:25:22 | |
The first one is to... | 0:25:22 | 0:25:25 | |
'When I first started going to Survivors' a few years ago, | 0:25:25 | 0:25:29 | |
'there was quite a mixture of people | 0:25:29 | 0:25:31 | |
'and there still are people of different ages, | 0:25:31 | 0:25:34 | |
'people from different backgrounds, but the thing we have in common' | 0:25:34 | 0:25:38 | |
is that we've all experienced some kind of mental health issues. | 0:25:38 | 0:25:43 | |
What were some of the lowest moments that you remember? | 0:25:43 | 0:25:47 | |
I felt as if I was trapped | 0:25:47 | 0:25:50 | |
and I was frightened of everything. | 0:25:50 | 0:25:53 | |
I couldn't watch the television, because I was frightened of it. | 0:25:53 | 0:25:58 | |
I couldn't go out because I didn't feel safe to drive | 0:25:58 | 0:26:02 | |
and I was frightened to get on a bus. I couldn't go shopping | 0:26:02 | 0:26:05 | |
because I was frightened of going in a shop... | 0:26:05 | 0:26:07 | |
"This is my heavy, graceless form | 0:26:09 | 0:26:12 | |
"My solid legs, my belly like a heap of sand... | 0:26:12 | 0:26:16 | |
"But take note: this will weigh you down." | 0:26:16 | 0:26:21 | |
I think a lot of what I'm doing is expressing how I'm feeling | 0:26:21 | 0:26:25 | |
and how I'm experiencing the world | 0:26:25 | 0:26:28 | |
and God and other people. | 0:26:28 | 0:26:30 | |
You are revealing within that group some of your inner demons | 0:26:32 | 0:26:37 | |
-in a way, aren't you? -Mm. -Does that make you feel vulnerable? | 0:26:37 | 0:26:40 | |
It could do, but because it's such an accepting group, | 0:26:40 | 0:26:46 | |
and because we don't in any way criticise each other | 0:26:46 | 0:26:50 | |
or each other's poetry, | 0:26:50 | 0:26:52 | |
there isn't any judgment there at all. | 0:26:52 | 0:26:56 | |
And does God feel very real and present in your life? | 0:26:56 | 0:27:00 | |
Now, there are things that I couldn't do when | 0:27:00 | 0:27:03 | |
I was suffering from depression | 0:27:03 | 0:27:05 | |
and in the church context, | 0:27:05 | 0:27:08 | |
I do all sorts of things, even leading services sometimes. | 0:27:08 | 0:27:14 | |
I feel that the gifts that God has given me, | 0:27:14 | 0:27:18 | |
I'm much more able to use now and express who Jesus is for me | 0:27:18 | 0:27:26 | |
with other people in the church. | 0:27:26 | 0:27:29 | |
Father, we give You thanks for all who enrich our lives | 0:29:32 | 0:29:37 | |
with their creative talents. | 0:29:37 | 0:29:39 | |
You are the Word and the author of life stories. | 0:29:40 | 0:29:45 | |
You are the artist and know us in our true colours. | 0:29:45 | 0:29:50 | |
You are the source of light and life. | 0:29:50 | 0:29:52 | |
Inspire us to use all our gifts in Your service, | 0:29:53 | 0:29:57 | |
through Jesus Christ, our Lord. | 0:29:57 | 0:29:59 | |
Well, Kristyna Myles is ready to sing us on our way now | 0:30:03 | 0:30:07 | |
as she leads the congregation in another musical medley, | 0:30:07 | 0:30:10 | |
this time of traditional gospel songs. | 0:30:10 | 0:30:13 | |
So we're going to finish, as we started, | 0:30:13 | 0:30:15 | |
with our toes tapping and our voices singing praise. | 0:30:15 | 0:30:18 | |
From Leeds and from me, bye-bye! | 0:30:18 | 0:30:21 | |
Next week, in a special junior edition, | 0:33:30 | 0:33:33 | |
David is joined by the winner of The Voice, Jermaine Jackman. | 0:33:33 | 0:33:37 | |
CBBC's Hacker T Dog visits Newcastle's Catholic Cathedral | 0:33:37 | 0:33:41 | |
and there'll be great family songs to sing along to. | 0:33:41 | 0:33:45 |