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-Right. -Up and down the country... | 0:00:03 | 0:00:05 | |
Oops, forgot the drum. | 0:00:05 | 0:00:08 | |
I'm delighted to say we've got a new member. | 0:00:08 | 0:00:12 | |
Nice of them to let us out of the office. | 0:00:16 | 0:00:19 | |
Do you think they even know we've gone? | 0:00:19 | 0:00:22 | |
-This is lovely! -It is! | 0:00:28 | 0:00:31 | |
It's Ampleforth Abbey, near York, | 0:00:31 | 0:00:33 | |
and listen...silence, it's so peaceful! | 0:00:33 | 0:00:37 | |
And it ought to be because the | 0:00:37 | 0:00:39 | |
monastery here is home to the biggest | 0:00:39 | 0:00:41 | |
Benedictine community of monks in the UK and they're, | 0:00:41 | 0:00:43 | |
kind of, experts at being tranquil. | 0:00:43 | 0:00:45 | |
Hmmm...and perhaps there's something in it for all of us. | 0:00:45 | 0:00:48 | |
I'm going to learn to Gregorian Chant, | 0:00:48 | 0:00:50 | |
which apparently can lower blood pressure and reduce stress levels. | 0:00:50 | 0:00:53 | |
HE SIGHS | 0:00:53 | 0:00:55 | |
And while he's chanting I'll be drinking, actually. | 0:00:55 | 0:00:57 | |
It's cider, this is a great cider making community here - | 0:00:57 | 0:01:00 | |
it's part of the monk's self sufficiency rule. | 0:01:00 | 0:01:03 | |
I definitely drew the short straw. | 0:01:03 | 0:01:05 | |
Also on today's programme, | 0:01:05 | 0:01:06 | |
it's the Songs Of Praise family's final challenge, | 0:01:06 | 0:01:09 | |
as the chatty Corrs spend hours in silence on a religious retreat. | 0:01:09 | 0:01:13 | |
And there are beautiful, soothing hymns to match the mood. | 0:01:13 | 0:01:17 | |
Monks have been here in Ampleforth since 1802, | 0:01:25 | 0:01:29 | |
when the estate was donated to the Benedictine community. | 0:01:29 | 0:01:32 | |
But their history stretches back hundreds of years before. | 0:01:32 | 0:01:36 | |
Here they live by the ancient rule of St Benedict, | 0:01:38 | 0:01:41 | |
a man who lived in a cave 1,500 years ago. | 0:01:41 | 0:01:45 | |
The thing about St Benedict is that even though | 0:01:45 | 0:01:48 | |
he decided to live his life like a hermit, like a monk, | 0:01:48 | 0:01:51 | |
people from far and wide sought him out to ask him | 0:01:51 | 0:01:54 | |
for advice for their walk with God and he responded. | 0:01:54 | 0:01:57 | |
But he found himself advising them not to do it alone | 0:01:57 | 0:02:01 | |
but to do it together, as a community. | 0:02:01 | 0:02:04 | |
So, he took his own advice, left the cave, founded his first monastery | 0:02:06 | 0:02:10 | |
and went on to establish 11 more in his lifetime. | 0:02:10 | 0:02:14 | |
His vision of how to live the monastic life is still | 0:02:14 | 0:02:18 | |
followed by the monks here today. | 0:02:18 | 0:02:20 | |
It's not all scripture and solemnity at Ampleforth, | 0:04:13 | 0:04:16 | |
there's also the chance to explore the ancient apple orchard | 0:04:16 | 0:04:20 | |
and even try the cider they make. Hello there. | 0:04:20 | 0:04:23 | |
Cameron Smith is the orchard manager at Ampleforth | 0:04:23 | 0:04:27 | |
and he's putting me to work, bottling the latest vintage. | 0:04:27 | 0:04:30 | |
-You could get a job... -I'm enjoying this, I have to say! | 0:04:34 | 0:04:38 | |
It is funny, you know, though, to think of this being a monastery. | 0:04:39 | 0:04:43 | |
I mean, it shouldn't be if you know your history, I suppose. | 0:04:43 | 0:04:46 | |
It's so hi tech, isn't it? | 0:04:46 | 0:04:48 | |
-Yes...ish. -Well, compared to the picture you would have of monks. | 0:04:48 | 0:04:53 | |
For an artisan production, which is what we are. | 0:04:53 | 0:04:56 | |
In terms of the monks, | 0:04:56 | 0:04:58 | |
the Benedictine Order has always had a history of being | 0:04:58 | 0:05:01 | |
commercially savvy and making sure they get the most out of what | 0:05:01 | 0:05:05 | |
they have and this is just another aspect of that. | 0:05:05 | 0:05:07 | |
-I think I'm outpacing your lid making. -No, I've run out of caps! | 0:05:07 | 0:05:12 | |
LAUGHTER | 0:05:12 | 0:05:14 | |
Shortage of caps but that's super! | 0:05:14 | 0:05:16 | |
Yeah, great! Well, I think we should go outside | 0:05:16 | 0:05:18 | |
because I think I fancy a drink. | 0:05:18 | 0:05:20 | |
Right, let's go. | 0:05:20 | 0:05:21 | |
What on earth have you got for me here? | 0:05:23 | 0:05:26 | |
Before I find out, though, what's it like working with monks? | 0:05:26 | 0:05:30 | |
Well, I enjoy it because of the Benedictine values. | 0:05:30 | 0:05:33 | |
They've got some lovely values where, basically, treat | 0:05:33 | 0:05:36 | |
people like you'd like to be treated yourself. | 0:05:36 | 0:05:39 | |
The edict of half a day's prayer, | 0:05:39 | 0:05:41 | |
half a day's hard labour fits with this work and it's just | 0:05:41 | 0:05:44 | |
the natural coming together of their values and what I enjoy doing. | 0:05:44 | 0:05:49 | |
Tell me what I've got here. | 0:05:49 | 0:05:51 | |
I've got to warn you that I get very tiddly very quickly on | 0:05:51 | 0:05:54 | |
-very little, so, erm... -This could be a headache then. -Yes. | 0:05:54 | 0:05:57 | |
Right, we've got three sorts of cider. | 0:05:57 | 0:05:59 | |
We've got an 8.3 cider, a sparkling 6.5 and a still 6.5 | 0:05:59 | 0:06:03 | |
and more than anything I'd like to know what you think of them, | 0:06:03 | 0:06:07 | |
-which would you prefer to drink if you were drinking cider. -OK. | 0:06:07 | 0:06:10 | |
-Right, so... -There we go with that one. -So, this is the 8.3? | 0:06:10 | 0:06:14 | |
It's supposed to be a mystery but I'll let you cheat. | 0:06:14 | 0:06:17 | |
This is actually the one that you've just bottled, | 0:06:19 | 0:06:22 | |
only this is in its finished state. | 0:06:22 | 0:06:23 | |
-Yeah, that's quite nice. It doesn't taste too strong, actually. -No. | 0:06:23 | 0:06:27 | |
-OK...right. -Next one's sparkling. | 0:06:27 | 0:06:30 | |
-I like a bit of sparkle. -Yeah. | 0:06:30 | 0:06:32 | |
Oooh, now, I'm liking that! | 0:06:32 | 0:06:35 | |
-You like that one? -Yes, uh-huh! | 0:06:35 | 0:06:37 | |
That's lost a bit of bubble but it's still got some there. | 0:06:37 | 0:06:40 | |
Says she, gulping back another one. | 0:06:40 | 0:06:41 | |
I'm going to have to stop here, right. | 0:06:41 | 0:06:43 | |
Last but not least, something else that we can do with cider | 0:06:43 | 0:06:46 | |
and do do with cider, make it into cider brandy. | 0:06:46 | 0:06:48 | |
Yorkshire's Calvados! | 0:06:48 | 0:06:50 | |
Cameron, you know I have a programme to present here! | 0:06:50 | 0:06:52 | |
You can sleep later. | 0:06:52 | 0:06:54 | |
Oooh, boy, that's strong! | 0:06:57 | 0:07:00 | |
Yeah. | 0:07:00 | 0:07:01 | |
It's a fierce spirit but it warms you on a cold day in the North. | 0:07:01 | 0:07:04 | |
Cheers, David! | 0:07:04 | 0:07:06 | |
Morning mass at Ampleforth Abbey. | 0:09:11 | 0:09:14 | |
Gregorian chant is at the heart of their daily worship | 0:09:17 | 0:09:21 | |
and I wanted to hear it first-hand. | 0:09:21 | 0:09:24 | |
THEY CHANT | 0:09:24 | 0:09:27 | |
Monks have been singing like this for thousands of years | 0:09:27 | 0:09:30 | |
and it's something that Father Alexander, choir master | 0:09:30 | 0:09:34 | |
and Gregorian chant composer takes very seriously. | 0:09:34 | 0:09:38 | |
How important is Gregorian chant to the community here? | 0:09:38 | 0:09:41 | |
It is so important that we don't talk about it. | 0:09:41 | 0:09:45 | |
It's too deeply embedded in our culture, in our monastic culture. | 0:09:45 | 0:09:49 | |
It is something, I believe, that feeds souls... | 0:09:49 | 0:09:55 | |
it nourishes them. | 0:09:55 | 0:09:57 | |
It brings people into a much closer relationship with God. | 0:09:57 | 0:10:01 | |
How important are the acoustics of this abbey to Gregorian chant? | 0:10:03 | 0:10:08 | |
Well, the acoustics of this abbey serve | 0:10:08 | 0:10:10 | |
the purpose of Gregorian chant better than any I've ever | 0:10:10 | 0:10:13 | |
been in really because it has this amazing echo, | 0:10:13 | 0:10:16 | |
-which lasts, believe it or not, six seconds. -Six seconds?! | 0:10:16 | 0:10:21 | |
-Shall we try it? -Go on, show me, show me! | 0:10:21 | 0:10:24 | |
OK, erm... | 0:10:24 | 0:10:25 | |
# La. # | 0:10:25 | 0:10:28 | |
NOTES ECHO | 0:10:28 | 0:10:30 | |
You're right! | 0:10:31 | 0:10:33 | |
With the sound still ringing in my ears, | 0:10:33 | 0:10:36 | |
I wanted to know just how the choir master wrote this sacred plainsong. | 0:10:36 | 0:10:40 | |
I start with the words first. | 0:10:40 | 0:10:42 | |
Everything starts with the words, with the text. | 0:10:42 | 0:10:45 | |
-So, you don't need a bass clef, you don't need a treble clef? -No, no. | 0:10:45 | 0:10:48 | |
-You don't need to have a time signature? -No, you don't. | 0:10:48 | 0:10:52 | |
You read these notes because they all represent pitches, | 0:10:52 | 0:10:56 | |
particular pitches, F... | 0:10:56 | 0:10:58 | |
'And then he began to compose, | 0:10:58 | 0:10:59 | |
'in a way completely different to anything I'd ever seen before.' | 0:10:59 | 0:11:03 | |
So, the text here, | 0:11:03 | 0:11:04 | |
"The Lord is compassion and love, slow to anger and rich in mercy," | 0:11:04 | 0:11:09 | |
I have in my mind...a particular | 0:11:09 | 0:11:13 | |
mood that I want to create. | 0:11:13 | 0:11:15 | |
Intimacy, a sense of closeness and you've got to find | 0:11:15 | 0:11:20 | |
the notes that will reflect these particular divine qualities. | 0:11:20 | 0:11:26 | |
And within a few minutes, the line from Psalm 103 was coming together. | 0:11:26 | 0:11:31 | |
So, the architecture of the thing is that you've got a phrase that | 0:11:34 | 0:11:38 | |
actually moves out into the world and then moves slowly back. | 0:11:38 | 0:11:42 | |
# The Lord is compassion and love | 0:11:44 | 0:11:49 | |
# Slow to anger and rich in mercy | 0:11:49 | 0:11:54 | |
# The Lord is compassion and love | 0:11:56 | 0:12:01 | |
# Slow to anger and rich in mercy. # | 0:12:01 | 0:12:07 | |
-Wow! -That was brilliant, congratulations! | 0:12:09 | 0:12:11 | |
-It's beautiful! -That's your first ever, isn't it? | 0:12:11 | 0:12:14 | |
That is beautiful! I can't believe you just wrote that. | 0:12:14 | 0:12:17 | |
# The lord is my shepherd | 0:12:28 | 0:12:31 | |
# I shall not want | 0:12:31 | 0:12:34 | |
# He maketh me to lie down in green pastures | 0:12:34 | 0:12:40 | |
# He leadeth me | 0:12:40 | 0:12:46 | |
# Beside the still waters | 0:12:47 | 0:12:52 | |
# The lord is my shepherd | 0:12:56 | 0:13:00 | |
# I shall not want | 0:13:00 | 0:13:02 | |
# He maketh me to lie down in green pastures | 0:13:03 | 0:13:09 | |
# He leadeth me | 0:13:10 | 0:13:15 | |
# Beside the still waters | 0:13:17 | 0:13:21 | |
# Yea, though I walk through the valley of the shadow of death | 0:13:27 | 0:13:33 | |
# I will fear no evil | 0:13:35 | 0:13:38 | |
# Yea, though I walk through the valley of the shadow of death | 0:13:40 | 0:13:47 | |
# I will fear no evil | 0:13:48 | 0:13:51 | |
# For you are with me | 0:13:54 | 0:13:56 | |
# You will comfort me | 0:13:58 | 0:14:00 | |
# You are with me | 0:14:01 | 0:14:03 | |
# You will comfort me | 0:14:04 | 0:14:07 | |
# Comfort me | 0:14:13 | 0:14:15 | |
# Surely goodness and mercy | 0:14:20 | 0:14:25 | |
# Shall follow me all the days of my life | 0:14:26 | 0:14:31 | |
# And I will dwell | 0:14:33 | 0:14:35 | |
# In the house of the Lord | 0:14:35 | 0:14:42 | |
# For ever | 0:14:42 | 0:14:44 | |
# For ever | 0:14:48 | 0:14:50 | |
# For ever | 0:14:55 | 0:14:58 | |
# For ever. # | 0:15:03 | 0:15:08 | |
The Corrs, a Catholic family from Essex. | 0:15:17 | 0:15:20 | |
Earlier this year, they responded to our appeal for a family to | 0:15:20 | 0:15:23 | |
take part in some of our programmes over the summer. | 0:15:23 | 0:15:26 | |
The idea is that we set them some challenges, so that you find | 0:15:26 | 0:15:30 | |
out how their Christian faith is woven into their lives. | 0:15:30 | 0:15:34 | |
This week it's their final challenge and we're really putting them | 0:15:35 | 0:15:39 | |
to the test. | 0:15:39 | 0:15:41 | |
The gadget lovers are off on a religious retreat | 0:15:41 | 0:15:43 | |
but they don't quite realise it yet. | 0:15:43 | 0:15:46 | |
So this is Aylesford Priory | 0:15:46 | 0:15:47 | |
and I'm guessing you don't know why you're here. | 0:15:47 | 0:15:50 | |
-No. -No idea. -No idea, whatsoever? -No. | 0:15:50 | 0:15:53 | |
You, for the next 24 hours, are going to enter into a time of retreat. | 0:15:53 | 0:15:58 | |
And not any old retreat, a tough one. | 0:15:58 | 0:16:01 | |
So, if you've got a mobile telephone, | 0:16:01 | 0:16:03 | |
can you put it in there, please? | 0:16:03 | 0:16:05 | |
With a no-screens weekend ahead... | 0:16:05 | 0:16:07 | |
Phone amnesty. | 0:16:07 | 0:16:09 | |
..the family were split up into sparse separate rooms, | 0:16:09 | 0:16:13 | |
including Mum and Dad. | 0:16:13 | 0:16:15 | |
When we arrived we were a little bit anxious about the challenge ahead. | 0:16:15 | 0:16:19 | |
Before they knew it, | 0:16:19 | 0:16:21 | |
they were thrown into a situation quite alien to such a chatty family. | 0:16:21 | 0:16:25 | |
So, here we are in the peace garden | 0:16:25 | 0:16:27 | |
and the hour of silence is about to begin. | 0:16:27 | 0:16:31 | |
The idea of silence is a very good idea for any person, | 0:16:31 | 0:16:34 | |
simply because it confronts us with something very real. | 0:16:34 | 0:16:38 | |
And for the Christian person it's an opportunity to be open to | 0:16:39 | 0:16:43 | |
something which is greater than ourselves. | 0:16:43 | 0:16:46 | |
Although initially there were a few moments of Sam and Sophie | 0:16:47 | 0:16:50 | |
bending the rules, the family seemed quickly to embrace the challenge. | 0:16:50 | 0:16:55 | |
After the first hour in the peace garden | 0:17:09 | 0:17:12 | |
the silent challenge continued. | 0:17:12 | 0:17:15 | |
Silent prayer in church, silent prayer through dinner | 0:17:15 | 0:17:19 | |
and even back in their rooms. | 0:17:19 | 0:17:21 | |
The rules were to stay apart and to stay quiet, | 0:17:21 | 0:17:25 | |
while reflecting on their faith on paper. | 0:17:25 | 0:17:27 | |
But they kept it up right up until bedtime prayers with Father Brendan. | 0:17:34 | 0:17:40 | |
Our God, you search me and you know me. | 0:17:40 | 0:17:42 | |
All my ways lie open to your gaze. | 0:17:42 | 0:17:44 | |
On their weekend retreat, the Corrs had spent much of their first day | 0:19:49 | 0:19:53 | |
in silence and the next morning they were in reflective mood. | 0:19:53 | 0:19:57 | |
It was really hard but actually it really made you think, | 0:19:57 | 0:20:01 | |
"Hang on a minute, there's more to life than just talking." | 0:20:01 | 0:20:04 | |
Sometimes, you just need to sit and reflect. | 0:20:04 | 0:20:08 | |
And the girls, with a new-found relationship with a proper friar, | 0:20:08 | 0:20:12 | |
decided that they wanted to know | 0:20:12 | 0:20:13 | |
more about life in the habit, so they put him in the hot seat. | 0:20:13 | 0:20:17 | |
As a friar, why do you wear funny clothes? | 0:20:17 | 0:20:20 | |
You think my clothes are funny? | 0:20:20 | 0:20:22 | |
I noticed last night | 0:20:22 | 0:20:24 | |
when we had our night prayer that you were all in your onesies. | 0:20:24 | 0:20:27 | |
Erm, this is my threesy, OK. | 0:20:27 | 0:20:30 | |
So, it's actually three pieces of clothing | 0:20:30 | 0:20:32 | |
and actually underneath I've got normal clothes. | 0:20:32 | 0:20:34 | |
I'm wearing my jeans underneath. | 0:20:34 | 0:20:36 | |
This is called the tunic but if you think back to when we started, | 0:20:36 | 0:20:39 | |
it was back in the 13th century, people wore tunics | 0:20:39 | 0:20:44 | |
and friars really wanted to be amongst the ordinary people. | 0:20:44 | 0:20:48 | |
Do you wish you had a family of your own? Do you ever get slightly lonely? | 0:20:48 | 0:20:52 | |
Yes, it would be lovely to have my own family | 0:20:52 | 0:20:56 | |
and I feel that especially when I see my sister's family | 0:20:56 | 0:21:00 | |
and my brother's family. | 0:21:00 | 0:21:02 | |
So, sometimes, I wouldn't say I'm jealous but I think, | 0:21:02 | 0:21:06 | |
"Mmm, that would have been nice." | 0:21:06 | 0:21:08 | |
The girls were preparing for their upcoming confirmation | 0:21:08 | 0:21:11 | |
and so they also wanted to get to the bottom of something that | 0:21:11 | 0:21:14 | |
had been really worrying them. | 0:21:14 | 0:21:16 | |
Can you give me some advice on going to confession? | 0:21:16 | 0:21:19 | |
Rule number one, always be yourselves. | 0:21:19 | 0:21:22 | |
You don't have to be at confession cos you're holy. | 0:21:22 | 0:21:26 | |
Be honest, there's no point going in and pretending and there's | 0:21:26 | 0:21:29 | |
absolutely nothing we can do in our lives that God can't forgive. | 0:21:29 | 0:21:33 | |
I think it was a really good idea for us to have silence | 0:21:35 | 0:21:38 | |
and to have solitude | 0:21:38 | 0:21:40 | |
because actually my pace of life is too fast and sometimes I do need to | 0:21:40 | 0:21:44 | |
slow it down and to think of having some time with just me and God. | 0:21:44 | 0:21:49 | |
Well, there is this phrase, isn't there, | 0:21:49 | 0:21:51 | |
"If you're too busy for God, you're too busy." | 0:21:51 | 0:21:54 | |
# When I survive the wondrous cross | 0:21:58 | 0:22:04 | |
# On which the Prince of glory died | 0:22:07 | 0:22:13 | |
# My richest gain I count but loss | 0:22:16 | 0:22:23 | |
# And pour contempt on all my pride | 0:22:25 | 0:22:31 | |
# Forbid it, Lord | 0:22:35 | 0:22:38 | |
# That I should boast | 0:22:38 | 0:22:43 | |
# Save in the death | 0:22:43 | 0:22:46 | |
# Of Christ my God! | 0:22:47 | 0:22:52 | |
# All the vain things | 0:22:52 | 0:22:56 | |
# That charm me most | 0:22:56 | 0:23:00 | |
# I sacrifice them | 0:23:01 | 0:23:05 | |
# To His blood | 0:23:05 | 0:23:08 | |
# Were the whole realm of nature mine | 0:23:45 | 0:23:52 | |
# That were a present far too small | 0:23:55 | 0:24:01 | |
# Love so amazing | 0:24:03 | 0:24:09 | |
# So divine | 0:24:09 | 0:24:11 | |
# Demands my soul | 0:24:13 | 0:24:17 | |
# My life, my all. # | 0:24:17 | 0:24:21 | |
BELL RINGS | 0:24:26 | 0:24:30 | |
MONKS CHANT | 0:24:30 | 0:24:33 | |
Back at Ampleforth, I was really getting | 0:24:33 | 0:24:36 | |
stuck into Gregorian chanting. | 0:24:36 | 0:24:39 | |
Father Alexander, I can't believe you said you were going to teach me | 0:24:39 | 0:24:42 | |
and you have! That's brilliant! | 0:24:42 | 0:24:44 | |
Hang on a minute, David, there's a little bit more to this. | 0:24:44 | 0:24:47 | |
Why don't you come and join us at vespers | 0:24:47 | 0:24:49 | |
if you want to sing some more plainchant? That's the real thing. | 0:24:49 | 0:24:52 | |
And I could teach you a nice little phrase that you would get used to. | 0:24:52 | 0:24:55 | |
Singing with you and the other monks? | 0:24:55 | 0:24:57 | |
And the other monks...would you like to do that? | 0:24:57 | 0:25:00 | |
I'd love to, I'd love to, I'd love to! | 0:25:00 | 0:25:02 | |
But then it dawned on me that what he wanted me | 0:25:02 | 0:25:04 | |
to learn wasn't English Gregorian chant, | 0:25:04 | 0:25:07 | |
it was Latin! | 0:25:07 | 0:25:09 | |
Quoniam in aeternum misericordia eius. | 0:25:09 | 0:25:14 | |
As you can probably tell, | 0:25:14 | 0:25:15 | |
there wasn't a big call for Latin in East London when I was growing up. | 0:25:15 | 0:25:18 | |
I think you're doing very well. | 0:25:18 | 0:25:20 | |
What does it mean? | 0:25:20 | 0:25:21 | |
It means, for - quoniam, for ever - in aeternum, | 0:25:21 | 0:25:26 | |
misecordia eius - His love. | 0:25:26 | 0:25:28 | |
So, His love lasts or endures for ever. | 0:25:28 | 0:25:32 | |
I'm going to have to work at that, aren't I? | 0:25:32 | 0:25:34 | |
Oh, by the way, I forgot, there are notes to it as well, aren't there? | 0:25:34 | 0:25:38 | |
There are notes as well. | 0:25:38 | 0:25:40 | |
-I think the time has come, don't you? -Yes. | 0:25:40 | 0:25:42 | |
Are you prepared for this, ready? | 0:25:42 | 0:25:44 | |
OK, so... | 0:25:44 | 0:25:46 | |
# Confitemini Domino, quoniam bonus...# | 0:25:50 | 0:25:54 | |
Now this is your phrase. | 0:25:54 | 0:25:56 | |
# Quoniam in aeternum misericordia eius. | 0:25:56 | 0:26:02 | |
# Quoniam in aeternum misericordia eius...# | 0:26:03 | 0:26:08 | |
Essentially it is, yes. | 0:26:10 | 0:26:12 | |
# Corida eius. # | 0:26:12 | 0:26:14 | |
Two notes on the A, those two notes go on the A. | 0:26:14 | 0:26:17 | |
And although it was only one short line, it did take a bit of practice. | 0:26:17 | 0:26:21 | |
# Quoniam in aeternum misericordia eius. # | 0:26:21 | 0:26:26 | |
MONKS CHANT | 0:26:37 | 0:26:39 | |
Later, at their evening service, as promised, Father Alexander gave me | 0:26:40 | 0:26:45 | |
the chance to be part of an ancient monastic tradition | 0:26:45 | 0:26:48 | |
that has been sung for centuries. | 0:26:48 | 0:26:51 | |
I felt quite nervous. | 0:26:51 | 0:26:53 | |
At least there was a familiar face in there too. | 0:26:53 | 0:26:56 | |
I only knew one line and I didn't know when it was coming exactly | 0:27:01 | 0:27:06 | |
but luckily it was a phrase that was | 0:27:06 | 0:27:08 | |
sung over and over and over, giving me plenty of chances to get it right. | 0:27:08 | 0:27:12 | |
# Quoniam in aeternum misericordia eius. # | 0:27:14 | 0:27:19 | |
And it's true what Father Alexander says, it does feed the soul. | 0:27:19 | 0:27:24 | |
# Quoniam in aeternum misericordia eius. # | 0:27:26 | 0:27:31 | |
THE MONKS CHANT | 0:27:37 | 0:27:40 | |
Well, how was it? | 0:27:43 | 0:27:45 | |
It was really kind of strange and then beautiful. | 0:27:46 | 0:27:50 | |
It was actually very moving, I found. | 0:27:50 | 0:27:54 | |
I think it shows that if something's sung with sincerity, you don't | 0:27:54 | 0:27:57 | |
necessarily have to understand the words to be touched by it, | 0:27:57 | 0:28:00 | |
cos I was really touched by it. | 0:28:00 | 0:28:01 | |
-You did very well. -Thank you. | 0:28:01 | 0:28:03 | |
# Pie Jesu | 0:28:05 | 0:28:09 | |
# Domine | 0:28:09 | 0:28:12 | |
# Dona eis | 0:28:14 | 0:28:19 | |
# Requiem | 0:28:19 | 0:28:23 | |
# Dona | 0:28:24 | 0:28:28 | |
# Dona eis | 0:28:28 | 0:28:32 | |
# Requiem | 0:28:34 | 0:28:38 | |
# Pie Jesu | 0:28:43 | 0:28:47 | |
# Domine | 0:28:49 | 0:28:52 | |
# Dona eis | 0:28:55 | 0:29:01 | |
# Sempiternam | 0:29:03 | 0:29:09 | |
# Requiem | 0:29:19 | 0:29:23 | |
# Dona eis | 0:29:29 | 0:29:31 | |
# Requiem | 0:29:33 | 0:29:36 | |
# Dona eis | 0:29:37 | 0:29:41 | |
# Requiem | 0:29:42 | 0:29:45 | |
# Dona eis | 0:29:47 | 0:29:51 | |
# Requiem. # | 0:29:51 | 0:29:55 | |
I don't know about you but I'm beginning to feel quite relaxed | 0:30:07 | 0:30:10 | |
after my day at Ampleforth but before I go I had to show you this. | 0:30:10 | 0:30:14 | |
Look at it, the Millennium Cross, isn't it splendid? | 0:30:14 | 0:30:18 | |
It's on a little hill, just above the abbey | 0:30:18 | 0:30:21 | |
and it towers over North Yorkshire for miles! | 0:30:21 | 0:30:25 | |
This cross, four and a half tonnes and 50 foot high, | 0:30:25 | 0:30:29 | |
is dedicated to the life of the late Cardinal Basil Hume, | 0:30:29 | 0:30:32 | |
former leader of the Catholic Church in England and Wales. | 0:30:32 | 0:30:36 | |
The Cardinal lived here in Ampleforth, man and boy, | 0:30:36 | 0:30:39 | |
eventually becoming the Abbot. | 0:30:39 | 0:30:42 | |
The cross began life outside Westminster Cathedral, in London, | 0:30:42 | 0:30:45 | |
where Basil Hume was Archbishop but a few years after his death, | 0:30:45 | 0:30:49 | |
it was winched by helicopter here, to stand beside his old home. | 0:30:49 | 0:30:56 | |
-Wow! -Amazing, isn't it? | 0:30:56 | 0:30:58 | |
Yeah, it's fantastic! It's time for us to get on the road. | 0:30:58 | 0:31:00 | |
-It is. -I'll drive. -Probably very wise. | 0:31:00 | 0:31:03 | |
-We've had such a good day at Ampleforth, haven't we? -We have. | 0:31:03 | 0:31:06 | |
-Hope you've enjoyed it too, bye-bye. -Bye-bye. | 0:31:06 | 0:31:09 | |
Next week, it's carnival time in Leeds and Pam's there to meet | 0:33:24 | 0:33:28 | |
some of the participants and explore the city's vibrant cultural life. | 0:33:28 | 0:33:33 | |
She also introduces soloist Christina Miles | 0:33:33 | 0:33:36 | |
and there are toe-tapping hymns from our congregation. | 0:33:36 | 0:33:39 |