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The beauty of creation. | 0:00:03 | 0:00:05 | |
How often do we stop to marvel at it? | 0:00:05 | 0:00:07 | |
Well, today, we're doing just that | 0:00:09 | 0:00:11 | |
as we reach the height of summer...somewhere | 0:00:11 | 0:00:13 | |
and more of us are spending time in our gardens. | 0:00:13 | 0:00:16 | |
We've come to Britain's most popular horticultural centre | 0:00:16 | 0:00:19 | |
to see its connection with God and how that's being celebrated | 0:00:19 | 0:00:22 | |
with a new attraction. | 0:00:22 | 0:00:23 | |
And at a time when such attractions are at their busiest, | 0:00:25 | 0:00:28 | |
I'm here at one of the country's most visited places of worship | 0:00:28 | 0:00:32 | |
to discover a sacred garden that's been around for hundreds of years | 0:00:32 | 0:00:35 | |
and find out how gardening and music complement each other. | 0:00:35 | 0:00:39 | |
We'll also be catching up with The Corrs, | 0:00:40 | 0:00:42 | |
a Christian family who, this week, face their own gardening challenge. | 0:00:42 | 0:00:46 | |
As well as hymns and performances from across the UK, | 0:00:46 | 0:00:49 | |
inspired by and celebrating God's creative powers. | 0:00:49 | 0:00:54 | |
Welcome to Songs Of Praise. | 0:00:54 | 0:00:55 | |
Celebrating God's amazing creations is the context of our first hymn, | 0:01:04 | 0:01:08 | |
originally written for children | 0:01:08 | 0:01:10 | |
but now universally loved - All Things Bright And Beautiful. | 0:01:10 | 0:01:14 | |
ALL SING | 0:01:20 | 0:01:24 | |
WOMEN SING | 0:01:37 | 0:01:41 | |
ALL SING | 0:01:56 | 0:01:58 | |
MEN SING | 0:02:13 | 0:02:17 | |
WOMEN SING | 0:02:22 | 0:02:26 | |
ALL SING | 0:02:32 | 0:02:36 | |
Royal Botanic Gardens, Kew, the jewel in the UK's botanical crown | 0:03:34 | 0:03:38 | |
and home to 30,000 species of plants and flowers. | 0:03:38 | 0:03:42 | |
Starting life as a royal garden where botanical experimentation | 0:03:42 | 0:03:46 | |
took place, it first opened its doors to the public in 1848. | 0:03:46 | 0:03:51 | |
The gardens are now not only a world heritage site | 0:03:52 | 0:03:54 | |
but also something of a national treasure, | 0:03:54 | 0:03:57 | |
with nearly 1.5 million people passing through its gates | 0:03:57 | 0:04:01 | |
every year, seeing nature at its most beautiful. | 0:04:01 | 0:04:04 | |
And you might not know that this most famous of gardens | 0:04:06 | 0:04:09 | |
has its own parish church, | 0:04:09 | 0:04:11 | |
St Anne's, which, this year, is celebrating its 300th anniversary. | 0:04:11 | 0:04:15 | |
To mark this milestone, | 0:04:15 | 0:04:16 | |
Kew has introduced a faith trail which opens later this month. | 0:04:16 | 0:04:20 | |
So I've got my map and we're off to explore. | 0:04:21 | 0:04:23 | |
In Kew's Princess Of Wales Conservatory I get my first glimpse | 0:04:26 | 0:04:29 | |
of what's going to be on the trail. | 0:04:29 | 0:04:32 | |
The idea was basically to have a look at the plants | 0:04:32 | 0:04:35 | |
and to see what's the history and the culture that lies behind it | 0:04:35 | 0:04:38 | |
and how they are kind of significant to the people, | 0:04:38 | 0:04:41 | |
for the people of different faiths. | 0:04:41 | 0:04:43 | |
So, what sort of things are talking about here, say, for instance? | 0:04:43 | 0:04:46 | |
Uh, well, over here we do have the lotus | 0:04:46 | 0:04:49 | |
which is sacred to the Buddhists and it's also sacred to the Hindus | 0:04:49 | 0:04:54 | |
and it's considered as a symbol of purity. | 0:04:54 | 0:04:56 | |
So, Nigel, which plants relate | 0:04:56 | 0:04:58 | |
to the Christian faith here to you? | 0:04:58 | 0:04:59 | |
Well, virtually everything you've got here. | 0:04:59 | 0:05:01 | |
There's about 167 plants identified in the Bible, | 0:05:01 | 0:05:05 | |
and throughout the Bible | 0:05:05 | 0:05:07 | |
plants are used for illustration of spiritual truths. | 0:05:07 | 0:05:10 | |
Even if you don't understand the significance | 0:05:10 | 0:05:13 | |
of a particular plant, you can learn here. | 0:05:13 | 0:05:15 | |
And even if you don't follow that faith, | 0:05:15 | 0:05:17 | |
you can learn a lot about that plant | 0:05:17 | 0:05:19 | |
and its significance to a particular religion or culture. | 0:05:19 | 0:05:23 | |
One of the very important points from our point of view | 0:05:23 | 0:05:25 | |
when we were thinking about this was that virtually everybody | 0:05:25 | 0:05:29 | |
who comes to Kew, regardless or not of whether they profess a faith, | 0:05:29 | 0:05:32 | |
come from a faith tradition or faith culture | 0:05:32 | 0:05:35 | |
and therefore there is a general interest to them. | 0:05:35 | 0:05:39 | |
And obviously, those who are maybe practising their faith more | 0:05:39 | 0:05:42 | |
will find a little bit more out about that. | 0:05:42 | 0:05:45 | |
So, we've seen the lotus here, shall we go and have a look | 0:05:45 | 0:05:48 | |
at some other things? | 0:05:48 | 0:05:49 | |
So, this is special here, isn't it? What is this now? | 0:05:55 | 0:05:57 | |
Yeah, this is very special. This is the frankincense tree. | 0:05:57 | 0:06:01 | |
It has been used as incense since a very long time. | 0:06:01 | 0:06:06 | |
Yes, we use it every Sunday at St Anne's | 0:06:06 | 0:06:09 | |
and I'd never realised this is where it came from. | 0:06:09 | 0:06:11 | |
What the religious significance of it though? | 0:06:11 | 0:06:13 | |
It's a sign. It's one of the three gifts | 0:06:13 | 0:06:16 | |
that the magi brought to the infant Jesus | 0:06:16 | 0:06:18 | |
and it's used in liturgy to symbolise | 0:06:18 | 0:06:20 | |
holiness and maybe symbolising prayer ascending to heaven. | 0:06:20 | 0:06:24 | |
And there's one more plant on the trail | 0:06:24 | 0:06:26 | |
that father Nigel wants to show me. | 0:06:26 | 0:06:28 | |
And over here you're going to show us something that's outside | 0:06:28 | 0:06:32 | |
but that will have significance for a lot of people actually, won't it? | 0:06:32 | 0:06:35 | |
Indeed. This is the bush that the soldiers would have used | 0:06:35 | 0:06:41 | |
to plait the crown of thorns which they made to put on Jesus' head | 0:06:41 | 0:06:45 | |
as to mock him because he claimed to be a king, | 0:06:45 | 0:06:48 | |
and it's called Christ's-thorn. | 0:06:48 | 0:06:51 | |
Does nature play a role for you in your personal faith? | 0:06:51 | 0:06:54 | |
Yes, it does. | 0:06:54 | 0:06:55 | |
When I rise early and I take the dog out for a walk, | 0:06:55 | 0:06:58 | |
walking along the riverside, | 0:06:58 | 0:07:00 | |
calmly immersed with the birds singing, | 0:07:00 | 0:07:03 | |
watching nature change the seasons, I feel very close to God. | 0:07:03 | 0:07:07 | |
It really sets me up for the day. | 0:07:08 | 0:07:09 | |
The Corrs, a Catholic family from Essex. | 0:09:21 | 0:09:24 | |
Earlier this year they responded to our appeal for a family | 0:09:24 | 0:09:26 | |
to take part in some of our programmes over the summer. | 0:09:26 | 0:09:30 | |
The idea is that we set them some challenges | 0:09:30 | 0:09:33 | |
so that you find out how their Christian faith | 0:09:33 | 0:09:36 | |
is woven into their lives. | 0:09:36 | 0:09:37 | |
This week, we wanted to explore the role community plays in their life... | 0:09:40 | 0:09:44 | |
Good morning. | 0:09:44 | 0:09:45 | |
..so asked their priest to set them a bit of a green-fingered challenge. | 0:09:45 | 0:09:49 | |
Now, you know, every time you come to mass, | 0:09:49 | 0:09:51 | |
you see our rather forlorn-looking memorial garden. | 0:09:51 | 0:09:54 | |
And we want you to tidy that up for us. | 0:09:54 | 0:09:57 | |
But because this is the 100th anniversary | 0:09:57 | 0:09:59 | |
of the beginning of the First World War | 0:09:59 | 0:10:01 | |
what we've like you to do is to make it a war memorial garden. | 0:10:01 | 0:10:04 | |
-Can you do that? -OK, yeah. -We'll give it a go. -Excellent. | 0:10:05 | 0:10:08 | |
"And right from the start, mum, Sam, took charge." | 0:10:09 | 0:10:13 | |
Let's work in this area first. | 0:10:13 | 0:10:15 | |
Let Charlotte have a go with the rake. | 0:10:15 | 0:10:16 | |
And if... Aimee, you hold the bag. | 0:10:16 | 0:10:18 | |
Why don't you cut it first? | 0:10:18 | 0:10:20 | |
Go on, get your back into it, girl. | 0:10:24 | 0:10:26 | |
I thought it was going to be | 0:10:27 | 0:10:28 | |
quite a good laugh because | 0:10:28 | 0:10:31 | |
all the family together | 0:10:31 | 0:10:32 | |
and doing things | 0:10:32 | 0:10:34 | |
and sort of doing gardening. | 0:10:34 | 0:10:36 | |
That's it, girls. That's looking really lovely now. | 0:10:37 | 0:10:40 | |
What did you think about the thought of maybe doing gardening? | 0:10:40 | 0:10:43 | |
Did it fill you with horror or...? | 0:10:43 | 0:10:45 | |
Uh, I actually was quite excited about it | 0:10:45 | 0:10:46 | |
because, you know, as Christians, | 0:10:46 | 0:10:49 | |
when you do gardening like growing a plant or seed, it's about life. | 0:10:49 | 0:10:53 | |
-How's the fence going, Martin? -I just put one in and one fell off. | 0:10:54 | 0:10:57 | |
I think I'm going to be all day doing this. | 0:10:57 | 0:10:59 | |
I think Father Gerry's booby-trapped it, you know? | 0:10:59 | 0:11:02 | |
'Not natural gardeners. | 0:11:03 | 0:11:04 | |
'They are a little daunted by the task in hand.' | 0:11:06 | 0:11:08 | |
Is that a weed over there? Are you sure it's not a raspberry plant? | 0:11:09 | 0:11:12 | |
Anything that looks like a weed probably is a weed. | 0:11:12 | 0:11:15 | |
-They're raspberries. -All right. | 0:11:15 | 0:11:17 | |
I did never promise I was Mrs Titchmarsh. | 0:11:17 | 0:11:21 | |
I have to say, in all honesty, | 0:11:21 | 0:11:22 | |
gardening was something that we haven't done much of until recently. | 0:11:22 | 0:11:26 | |
Mum, can I have some soil, please? | 0:11:26 | 0:11:28 | |
It's very satisfying work. | 0:11:28 | 0:11:30 | |
And when you can actually look at a garden in bloom | 0:11:30 | 0:11:33 | |
it reminds you of the awe and wonders of God's creation. | 0:11:33 | 0:11:36 | |
"But over an hour later and tensions start to rise | 0:11:37 | 0:11:40 | |
"about how they're going to best pay tribute | 0:11:40 | 0:11:42 | |
"to the 100-year anniversary of the Great War." | 0:11:42 | 0:11:45 | |
Why don't you put it there? | 0:11:45 | 0:11:47 | |
We're going to put the poppy seeds. | 0:11:47 | 0:11:49 | |
Oh, well, that would be lovely, wouldn't it? | 0:11:49 | 0:11:51 | |
No. No. I think... | 0:11:51 | 0:11:53 | |
Right, get the plants down, then scatter the poppies | 0:11:53 | 0:11:56 | |
and then you've got kind of a very wild sort of... | 0:11:56 | 0:11:59 | |
I agree about the wild... | 0:11:59 | 0:12:01 | |
It did get a bit frustrating at times when, you know, | 0:12:01 | 0:12:04 | |
you try to do some stuff. | 0:12:04 | 0:12:06 | |
Excuse me, you can't just go with your own ideas. | 0:12:06 | 0:12:10 | |
Being part of the community we have to listen to each other, Martin. | 0:12:10 | 0:12:14 | |
We have to listen to each other and each other's ideas. | 0:12:14 | 0:12:16 | |
I tell you what would look nice here, the number 100. | 0:12:16 | 0:12:20 | |
We could do a "1" and then an "0" and then an "0". | 0:12:20 | 0:12:22 | |
Do you know what I was thinking? Have 1914. | 0:12:22 | 0:12:24 | |
Yeah, but 1914 is much harder to do than 100. | 0:12:26 | 0:12:28 | |
I think when you all sort of have your own ideas | 0:12:28 | 0:12:30 | |
you've got to compromise sometimes, | 0:12:30 | 0:12:32 | |
which is what I did a little bit but I still got the 100 at the end. | 0:12:32 | 0:12:35 | |
Yay, we got it, didn't we? | 0:12:35 | 0:12:37 | |
One, zero, zero. | 0:12:39 | 0:12:42 | |
-I can't see it. -You can't see it? | 0:12:42 | 0:12:45 | |
"With much of the day gone, the Corrs are happy with their hard work." | 0:12:45 | 0:12:49 | |
I'm sure that once it all blooms it will all look...fabaroony. | 0:12:49 | 0:12:53 | |
-Hi, father. -ALL: Hello, father. | 0:12:53 | 0:12:55 | |
Wow, look at what you've done. | 0:12:55 | 0:12:57 | |
"And father Gerry arrives to bless the revitalised memorial space." | 0:12:57 | 0:13:00 | |
Heavenly Father, we give you thanks for the gift of this land, | 0:13:00 | 0:13:04 | |
for the gift and the beauty of flowers. | 0:13:04 | 0:13:07 | |
Being part of a community is not what you can take out, | 0:13:07 | 0:13:11 | |
it's what you can give back. | 0:13:11 | 0:13:14 | |
Lord, make us always mindful of those who have given their lives | 0:13:14 | 0:13:18 | |
so that we might be free. | 0:13:18 | 0:13:19 | |
Eternal rest grant to them, oh, Lord | 0:13:20 | 0:13:23 | |
and let perpetual light shine upon them. | 0:13:23 | 0:13:25 | |
May they rest in peace. | 0:13:25 | 0:13:27 | |
Amen. | 0:13:27 | 0:13:29 | |
# I look around me as I grow | 0:13:35 | 0:13:39 | |
# I'd like to tell you all I know | 0:13:40 | 0:13:46 | |
# I see life with all its energy | 0:13:55 | 0:14:01 | |
# The city streets, the rush of time | 0:14:01 | 0:14:08 | |
# This is my world | 0:14:08 | 0:14:11 | |
# It's where I like to be | 0:14:11 | 0:14:15 | |
# So much to see | 0:14:15 | 0:14:18 | |
# So much to find | 0:14:18 | 0:14:22 | |
# I sometimes sit and wait a while | 0:14:22 | 0:14:27 | |
# I see the sun It makes me smile | 0:14:28 | 0:14:34 | |
-# Can you see it? -Can you see it? | 0:14:36 | 0:14:42 | |
# Can you see it too? | 0:14:42 | 0:14:48 | |
-# Can you see it? -Can you see it? | 0:14:49 | 0:14:55 | |
# Can you see it too? | 0:14:56 | 0:15:01 | |
# My world's a silent one but it's enough for me | 0:15:02 | 0:15:08 | |
# I hear you through your hands The movement sets me free | 0:15:09 | 0:15:14 | |
# But it would be a special thing | 0:15:16 | 0:15:21 | |
# To hear your voice To hear you sing | 0:15:21 | 0:15:28 | |
-# Can you hear me? -Can you hear me? | 0:15:30 | 0:15:36 | |
# Can you hear me too? | 0:15:36 | 0:15:43 | |
-# Can you hear me? -Can you hear me? | 0:15:43 | 0:15:49 | |
# Can you hear me too? | 0:15:50 | 0:15:56 | |
# I look around me as I grow | 0:16:00 | 0:16:06 | |
# I'd like to tell you all I know | 0:16:06 | 0:16:14 | |
# Can you hear me? # | 0:16:18 | 0:16:31 | |
Thousands of people are familiar with this view of Westminster Abbey | 0:16:35 | 0:16:39 | |
but you might not be familiar with this one, their beautiful gardens. | 0:16:39 | 0:16:43 | |
Well, there are three spaces around the Abbey. | 0:16:43 | 0:16:45 | |
One is in the Cloister Garth | 0:16:45 | 0:16:47 | |
which is central to the Abbey, the old Cloister | 0:16:47 | 0:16:50 | |
where the monks originally were able to spend time reflecting, | 0:16:50 | 0:16:55 | |
sitting, chatting, as well as reading. | 0:16:55 | 0:16:58 | |
It was a reflective sort of space, a social space. | 0:16:58 | 0:17:01 | |
And then where we are here in the Little Cloister | 0:17:01 | 0:17:04 | |
is where monks who were unwell used to come and sit and be private. | 0:17:04 | 0:17:09 | |
I mean, actually kept...not quite in quarantine but something like that, | 0:17:09 | 0:17:13 | |
sort of close to the Abbey but not in direct contact. | 0:17:13 | 0:17:17 | |
And then out through the Cloister there | 0:17:17 | 0:17:19 | |
is the Infirmary Garden, known now as the College Garden | 0:17:19 | 0:17:22 | |
and was the original garden going back, well, 900 years. | 0:17:22 | 0:17:26 | |
And it's in the college garden that I caught up with head gardener Jan. | 0:17:26 | 0:17:30 | |
Nice to see you. | 0:17:30 | 0:17:31 | |
This garden used to be gardened by monks. | 0:17:31 | 0:17:33 | |
Herbs were a very big part of their lives for medicinal purposes. | 0:17:33 | 0:17:38 | |
Also, their diets were very bland, and therefore | 0:17:38 | 0:17:41 | |
culinary herbs were extremely important. | 0:17:41 | 0:17:43 | |
They had some very strong-tasting herbs as well | 0:17:43 | 0:17:45 | |
that we probably wouldn't like. | 0:17:45 | 0:17:47 | |
Jan, what is it like working in the Abbey Gardens? | 0:17:47 | 0:17:50 | |
Well, the first seven or so years I was here I could not believe it. | 0:17:50 | 0:17:53 | |
Just like looking up from watering a pot | 0:17:53 | 0:17:56 | |
and you can see Victoria Tower over there. | 0:17:56 | 0:17:59 | |
You know, every quarter of an hour you've got Big Ben going. | 0:17:59 | 0:18:01 | |
It's just... I mean, we never have to have a watch or anything | 0:18:01 | 0:18:04 | |
because we always know what time it is. | 0:18:04 | 0:18:07 | |
The amazing thing is to be in the centre of this global capital. | 0:18:07 | 0:18:11 | |
You know, right next to Parliament, | 0:18:11 | 0:18:13 | |
the gardens around and then there's still space. | 0:18:13 | 0:18:17 | |
And prayer often... | 0:18:17 | 0:18:18 | |
We think of prayer in terms of words on a page, or a text, | 0:18:18 | 0:18:22 | |
or something like that but somehow, being close to nature, | 0:18:22 | 0:18:26 | |
close to the garden in this way, enables you to go beyond that. | 0:18:26 | 0:18:30 | |
And of course, the original word "paradise" | 0:18:30 | 0:18:33 | |
is an Iranian-Persian word | 0:18:33 | 0:18:35 | |
that means garden. | 0:18:35 | 0:18:37 | |
And so, that drawing close to paradise | 0:18:37 | 0:18:39 | |
and drawing close to your garden kind of go hand-in-hand. | 0:18:39 | 0:18:43 | |
# Our father | 0:18:48 | 0:18:56 | |
# Which art in heaven | 0:18:57 | 0:19:05 | |
-# Hallowed be -Hallowed be | 0:19:06 | 0:19:15 | |
# Thy name | 0:19:15 | 0:19:22 | |
# Thy kingdom come | 0:19:25 | 0:19:31 | |
# Thy will be done | 0:19:32 | 0:19:37 | |
# On earth | 0:19:37 | 0:19:41 | |
# As it is in heaven | 0:19:41 | 0:19:55 | |
# Give us this day | 0:20:07 | 0:20:11 | |
# Our daily bread | 0:20:11 | 0:20:16 | |
# And forgive us our trespasses | 0:20:16 | 0:20:21 | |
# As we forgive those who trespass against us | 0:20:21 | 0:20:26 | |
# And lead us not into temptation | 0:20:32 | 0:20:37 | |
# But deliver us from evil | 0:20:37 | 0:20:42 | |
# For thine is the kingdom | 0:20:42 | 0:20:48 | |
# And the power and the glory | 0:20:48 | 0:20:54 | |
# Forever | 0:20:54 | 0:21:01 | |
# Amen | 0:21:01 | 0:21:06 | |
# Amen | 0:21:07 | 0:21:12 | |
# For thine is the kingdom | 0:21:12 | 0:21:19 | |
# And the power and the glory | 0:21:19 | 0:21:26 | |
# Forever | 0:21:26 | 0:21:33 | |
# And ever | 0:21:33 | 0:21:37 | |
# Amen | 0:21:37 | 0:21:43 | |
# Amen. # | 0:21:44 | 0:21:53 | |
The organ is such a key element to church music, | 0:21:57 | 0:22:00 | |
and the one here is among the finest in the world | 0:22:00 | 0:22:03 | |
and I can't believe they're going to let me have a go on it. | 0:22:03 | 0:22:06 | |
-Hi, Daniel. -Hi. | 0:22:15 | 0:22:16 | |
Sorry to interrupt you there. That sounded absolutely beautiful. | 0:22:16 | 0:22:19 | |
-Thanks. -This is quite a piece of kit. | 0:22:19 | 0:22:23 | |
Just tell me, what are the major components? | 0:22:23 | 0:22:25 | |
Well, we've got five keyboards which we call manuals on an organ, | 0:22:25 | 0:22:29 | |
and they're just the same as the piano but they're slightly shorter. | 0:22:29 | 0:22:32 | |
And then we have a pedal keyboard as well, | 0:22:32 | 0:22:34 | |
which is the thing that most people are frightened of. | 0:22:34 | 0:22:36 | |
-Yes. -Although... -It is frightening looking from my perspective. | 0:22:36 | 0:22:39 | |
Absolutely. But it's just the same as the manuals | 0:22:39 | 0:22:42 | |
-but it plays all the low pipes. -OK. | 0:22:42 | 0:22:44 | |
And then we've got all these buttons that you can see | 0:22:44 | 0:22:47 | |
which are called pistons, | 0:22:47 | 0:22:48 | |
and they give me separate combinations | 0:22:48 | 0:22:51 | |
and make the stops move. And that brings me to the stops | 0:22:51 | 0:22:54 | |
which control the different sounds. | 0:22:54 | 0:22:55 | |
-Why don't you try pulling some out? -Can I have... Shall we go for the... | 0:22:55 | 0:22:58 | |
Let's see. The clarion and the trumpet. There we go. | 0:22:58 | 0:23:01 | |
-Shall we see what they sound like? -OK. | 0:23:01 | 0:23:03 | |
HE PLAYS MELODY | 0:23:03 | 0:23:06 | |
And now it's your turn. | 0:23:10 | 0:23:11 | |
You don't want me to recreate that song, do you? | 0:23:11 | 0:23:13 | |
-No. Anything you like. -Anything I like, OK. | 0:23:13 | 0:23:16 | |
SHE PLAYS MELODY | 0:23:16 | 0:23:20 | |
Perfect. You're a natural. SHE LAUGHS | 0:23:21 | 0:23:24 | |
-What about that? -Excellent. -Excellent. | 0:23:24 | 0:23:26 | |
And what else can I try? | 0:23:26 | 0:23:27 | |
-Why don't we try the flutes on this keyboard here? -OK. | 0:23:27 | 0:23:30 | |
-Yeah, very good. -Very good. So I can take over next Sunday then? | 0:23:35 | 0:23:38 | |
-Absolutely. -Well, this is amazing. | 0:23:38 | 0:23:40 | |
I mean, to be working in Westminster Abbey. | 0:23:40 | 0:23:42 | |
Do you have to pinch yourself everyday? | 0:23:42 | 0:23:44 | |
Sometimes I do, absolutely. And, um, | 0:23:44 | 0:23:47 | |
the beauty about working here is that every day is different. | 0:23:47 | 0:23:50 | |
There is no such thing as a standard day or a standard week | 0:23:50 | 0:23:53 | |
but it is just a wonderful privilege. | 0:23:53 | 0:23:54 | |
The great thing about playing here is that the big occasions | 0:23:55 | 0:23:59 | |
are incredibly moving and powerful, | 0:23:59 | 0:24:01 | |
and sitting on this screen in the middle of Westminster Abbey | 0:24:01 | 0:24:05 | |
gives you a unique perspective on how the worship is progressing. | 0:24:05 | 0:24:10 | |
And as well as leading the hymns | 0:24:10 | 0:24:11 | |
and playing the voluntaries and accompanying the choir... | 0:24:11 | 0:24:15 | |
the great thing about this organ in particular is, | 0:24:15 | 0:24:17 | |
it's fantastic liturgically. | 0:24:17 | 0:24:19 | |
I have the ability to be able to change the mood of a service | 0:24:20 | 0:24:23 | |
from huge triumph to very quiet contemplation. | 0:24:23 | 0:24:29 | |
THEY SING | 0:24:29 | 0:24:30 | |
You can almost sense people's mood change from just sitting here. | 0:24:30 | 0:24:33 | |
Back at Kew and I'm going to find out just how vicious | 0:26:38 | 0:26:41 | |
Christ's-thorn really is. | 0:26:41 | 0:26:43 | |
Tony, now, you're the expert here. | 0:26:44 | 0:26:47 | |
-You're going to give me a lesson in pruning? -I am. | 0:26:47 | 0:26:50 | |
You're going to need these, Bill, cos it's quite ferocious, this. | 0:26:50 | 0:26:53 | |
Yes. It's got an amazing Latin name, hasn't it, Christ's-thorn? | 0:26:53 | 0:26:56 | |
It has. It's called Paliurus spina-christi. | 0:26:56 | 0:26:59 | |
-OK. -So, spina-christi is Latin for Christ's-thorn. | 0:26:59 | 0:27:02 | |
And every two or three winters we go into this | 0:27:03 | 0:27:06 | |
and we remove some of the dead wood. | 0:27:06 | 0:27:08 | |
And you'll feel it's very thorny, hence the gloves. | 0:27:08 | 0:27:11 | |
-I'm going to give you the secateurs. -Right. | 0:27:11 | 0:27:13 | |
And I'm going to pull this branch back, Bill. | 0:27:13 | 0:27:16 | |
And you can see a piece of dead wood there | 0:27:16 | 0:27:18 | |
that needs to come off at the stem. | 0:27:18 | 0:27:20 | |
-This one here? -Yeah. -OK. | 0:27:20 | 0:27:22 | |
-Good. -Good. There's another big piece in there, Bill. | 0:27:22 | 0:27:26 | |
-All right? -Yeah. | 0:27:26 | 0:27:27 | |
-This one? -Yeah. -OK. | 0:27:27 | 0:27:29 | |
-Good. -And we just keep going until we've got all these out. | 0:27:31 | 0:27:35 | |
Lovely. Thank you. | 0:27:35 | 0:27:37 | |
Well, there are 132 hectares. | 0:27:37 | 0:27:40 | |
That's about 326 acres of gardens to explore here at Kew. | 0:27:40 | 0:27:44 | |
Everything from the world's oldest pot plant | 0:27:44 | 0:27:47 | |
to 40 species of plants that you simply can't find | 0:27:47 | 0:27:50 | |
anywhere else in the world now. | 0:27:50 | 0:27:52 | |
Around every corner here there's something amazing and beautiful. | 0:27:52 | 0:27:57 | |
Shall I have another go? | 0:27:57 | 0:27:58 | |
# Above all powers | 0:28:05 | 0:28:08 | |
# Above all kings | 0:28:08 | 0:28:10 | |
# Above all nature and all created things | 0:28:11 | 0:28:16 | |
# Above all wisdom | 0:28:18 | 0:28:21 | |
# And all the ways of man | 0:28:21 | 0:28:26 | |
# You were here before the world began | 0:28:26 | 0:28:30 | |
# Above all kingdoms | 0:28:32 | 0:28:36 | |
# Above all thrones | 0:28:36 | 0:28:37 | |
# Above all wonders the world has ever known | 0:28:39 | 0:28:44 | |
# Above all wealth and treasures of the earth | 0:28:45 | 0:28:53 | |
# There's no way to imagine what you're worth | 0:28:53 | 0:29:00 | |
# Crucified | 0:29:00 | 0:29:03 | |
# Laid behind a stone | 0:29:03 | 0:29:06 | |
# You lived to die | 0:29:06 | 0:29:10 | |
# Rejected and alone | 0:29:10 | 0:29:12 | |
# Like a rose | 0:29:12 | 0:29:15 | |
# Trampled on the ground | 0:29:15 | 0:29:19 | |
# You took the fall | 0:29:19 | 0:29:22 | |
# And thought of me | 0:29:22 | 0:29:24 | |
# Above all | 0:29:25 | 0:29:30 | |
# Crucified | 0:29:30 | 0:29:33 | |
# Laid behind a stone | 0:29:33 | 0:29:36 | |
# You lived to die | 0:29:36 | 0:29:39 | |
# Rejected and alone | 0:29:39 | 0:29:42 | |
# Like a rose | 0:29:42 | 0:29:44 | |
# Trampled on the ground | 0:29:44 | 0:29:48 | |
# You took the fall | 0:29:48 | 0:29:50 | |
# And thought of me | 0:29:51 | 0:29:53 | |
# Above all | 0:29:55 | 0:29:58 | |
# Like a rose | 0:29:58 | 0:30:01 | |
# Trampled on the ground | 0:30:01 | 0:30:05 | |
# You took the fall | 0:30:05 | 0:30:06 | |
# And thought of me | 0:30:08 | 0:30:10 | |
# Above all. # | 0:30:12 | 0:30:17 | |
Now, we all know what this is but will Claire be able to guess? | 0:30:32 | 0:30:35 | |
-Oh, hello. -Hello, Bill. -Had a good day? | 0:30:35 | 0:30:37 | |
I've had a wonderful day. And I've brought you a treat | 0:30:37 | 0:30:39 | |
-from Westminster Abbey. -Mm-hm. -It's blackcurrant sage. -Mm-hm? | 0:30:39 | 0:30:42 | |
And I thought you could maybe plant your own sacred garden. | 0:30:42 | 0:30:45 | |
-Lovely. It'll smell of something like... -Absolutely. | 0:30:45 | 0:30:47 | |
-You get that? The blackcurrant and the sage? -Yeah, very nice. -Lovely. | 0:30:47 | 0:30:50 | |
-Now, you can't really plant anything with this... -No. | 0:30:50 | 0:30:53 | |
..but can you guess what it is? | 0:30:53 | 0:30:55 | |
I would say fern, but I'm guessing that's not quite right. | 0:30:55 | 0:30:58 | |
-No. Not quite. If I tell you it's not gold... -Aha. | 0:30:58 | 0:31:01 | |
..and it's not myrrh. | 0:31:01 | 0:31:02 | |
-It'll be frankincense. -Absolutely. | 0:31:02 | 0:31:04 | |
-Super. -Well done. -Thank you. | 0:31:04 | 0:31:05 | |
-Well. -What a treat. -It'll be a memento of sorts. | 0:31:05 | 0:31:08 | |
Absolutely. | 0:31:08 | 0:31:09 | |
Well, as our visit here to these beautiful gardens comes to an end, | 0:31:09 | 0:31:12 | |
what better way to finish than with a hymn | 0:31:12 | 0:31:14 | |
that truly reflects how sacred our green spaces can be? | 0:31:14 | 0:31:18 | |
-From Claire and me here at Kew Gardens, bye-bye. -Bye-bye. | 0:31:18 | 0:31:21 | |
-Now, have you ever been here before? -I haven't. | 0:31:21 | 0:31:23 | |
-Are you going to show me around? -Yeah, come on. -Lovely. Let's go. | 0:31:23 | 0:31:25 | |
# For the beauty of the earth... | 0:31:28 | 0:31:32 | |
Next week, join David and Sally | 0:33:27 | 0:33:30 | |
as they get away from it all at Ampleforth Abbey near York. | 0:33:30 | 0:33:33 | |
David learns how to Gregorian chant | 0:33:33 | 0:33:36 | |
and Sally goes cider tasting in the abbey's ancient orchard | 0:33:36 | 0:33:40 | |
and there are peaceful and soothing hymns from around the UK. | 0:33:40 | 0:33:43 |