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On this day, exactly 100 years ago - 3rd August, 1914 - | 0:00:02 | 0:00:05 | |
Britain stood on the brink of conflict. | 0:00:05 | 0:00:08 | |
Germany had already declared war on France and its troops | 0:00:08 | 0:00:11 | |
were at the Belgian border. That evening, in London, | 0:00:11 | 0:00:14 | |
the British Foreign Secretary, Sir Edward Grey, | 0:00:14 | 0:00:16 | |
summed up the mood of crisis... | 0:00:16 | 0:00:19 | |
"The lamps are going out all over Europe," he said. | 0:00:19 | 0:00:22 | |
"And we shall not see them lit again in our lifetime." | 0:00:22 | 0:00:25 | |
This week on Songs of Praise, | 0:00:35 | 0:00:38 | |
we mark the centenary of World War I, through the eyes | 0:00:38 | 0:00:40 | |
of the young singers of Libera, as they tour the battlefields | 0:00:40 | 0:00:43 | |
of the Somme and Flanders Fields. And we meet a father and son | 0:00:43 | 0:00:47 | |
who have devoted their working lives to tending the graves of war dead. | 0:00:47 | 0:00:51 | |
In his famous war poem, The Soldier, Rupert Brooke wrote, | 0:01:00 | 0:01:03 | |
"There's some corner of a foreign field that is for ever England". | 0:01:03 | 0:01:08 | |
He was, of course, | 0:01:08 | 0:01:09 | |
contemplating the possibility of his own death far from home, | 0:01:09 | 0:01:12 | |
but those words could also be used to describe | 0:01:12 | 0:01:15 | |
St George's Memorial Church, here in the centre of Ypres in Belgium. | 0:01:15 | 0:01:19 | |
It is an Anglican church built by the British as a meeting place | 0:01:19 | 0:01:23 | |
for the steady stream of visiting relatives, old soldiers and pilgrims | 0:01:23 | 0:01:27 | |
who have come here over the past century. | 0:01:27 | 0:01:30 | |
It is where our congregation of French, Belgian and British choirs | 0:01:30 | 0:01:34 | |
have gathered to sing some of the popular hymns of the period. | 0:01:34 | 0:01:38 | |
The distinctive sound of Libera has endeared them to fans | 0:04:03 | 0:04:06 | |
all over the world and they regularly top the classical charts. | 0:04:06 | 0:04:10 | |
They are about to cross the Channel, on a tour of the battlefields | 0:04:10 | 0:04:14 | |
and cemeteries of The Great War. | 0:04:14 | 0:04:16 | |
'I'm really excited to go and see my great-great-uncle's grave,' | 0:04:16 | 0:04:20 | |
as he was 21 when he died in the war. I think I am the first person | 0:04:20 | 0:04:26 | |
in my family to go and visit his grave. | 0:04:26 | 0:04:28 | |
# One, two three, four five, six seven, eight. # | 0:04:28 | 0:04:32 | |
'My great-great-uncle, George, fought in the war' | 0:04:32 | 0:04:34 | |
and he was only 19 years old, so he must have been absolutely terrified | 0:04:34 | 0:04:39 | |
before he went. But what I'm hoping to see is where he died. | 0:04:39 | 0:04:44 | |
I'm hoping to find my great-great-uncle, to see where | 0:04:44 | 0:04:48 | |
he is remembered, on a big, big wall on a monument, and I am going to see | 0:04:48 | 0:04:53 | |
if I can try and find his name. | 0:04:53 | 0:04:55 | |
The boys are travelling in the footsteps of thousands of young men | 0:04:57 | 0:05:01 | |
who left the mills, factories and farms of Britain to fight. | 0:05:01 | 0:05:05 | |
# You are there | 0:05:07 | 0:05:11 | |
# Whichever way I go | 0:05:11 | 0:05:15 | |
# Keep me safely | 0:05:15 | 0:05:19 | |
# Night and day | 0:05:19 | 0:05:23 | |
# Always there | 0:05:23 | 0:05:26 | |
# Whenever I'm alone | 0:05:26 | 0:05:31 | |
# Hear me calling | 0:05:31 | 0:05:35 | |
# Show the way | 0:05:35 | 0:05:38 | |
# You are shelter from the storm | 0:05:39 | 0:05:46 | |
# The shadows fade away | 0:05:46 | 0:05:51 | |
# All cares pass away | 0:05:51 | 0:05:54 | |
# Hosanna, day by day | 0:05:54 | 0:06:02 | |
# Your love lightens up the sky | 0:06:02 | 0:06:06 | |
# As it shines across the night | 0:06:06 | 0:06:09 | |
# Ave, regina caelorum decora | 0:06:09 | 0:06:17 | |
# Virgo gloriosa, ave | 0:06:17 | 0:06:25 | |
# And when the end of day is come | 0:06:26 | 0:06:34 | |
# Stay with me through the dark | 0:06:34 | 0:06:38 | |
# And bring me home | 0:06:38 | 0:06:42 | |
# Stay with me through the dark | 0:06:43 | 0:06:48 | |
# And bring me home. # | 0:06:48 | 0:06:55 | |
It's Libera's first stop on their visit to the battlefields | 0:07:03 | 0:07:07 | |
of Belgium and France, the Thiepval Memorial, | 0:07:07 | 0:07:09 | |
commemorating 72,000 men who fought on the Somme and whose bodies | 0:07:09 | 0:07:15 | |
were never found. | 0:07:15 | 0:07:16 | |
-Have a look at the flags at the top. -They're guided by battlefield expert | 0:07:18 | 0:07:21 | |
Alan Reed. | 0:07:21 | 0:07:23 | |
Behind the memorial would have been the German front line, | 0:07:24 | 0:07:27 | |
so we are in no man's land. Do you know what no man's land is? Yep? | 0:07:27 | 0:07:31 | |
The British line would have been behind the cross, beyond the trees. | 0:07:31 | 0:07:37 | |
-Your relative? -George Michie... | 0:07:37 | 0:07:39 | |
Sam and Isaac are looking for the names of their great-great-uncles - | 0:07:39 | 0:07:45 | |
George Michie, a Gordon Highlander, and Private Michael Kinane, | 0:07:45 | 0:07:48 | |
of the Royal Dublin Fusiliers. Cabinets in the memorial walls | 0:07:48 | 0:07:53 | |
contain an index of all the names and where to find them. | 0:07:53 | 0:07:57 | |
You have got a number of books. You have to find the right letter. | 0:07:57 | 0:07:59 | |
-Your letter is? -M. | 0:07:59 | 0:08:02 | |
-J, K, L... So, this is probably it. -"Private Michael Kinane, | 0:08:02 | 0:08:08 | |
"the 2nd Battalion, The Royal Dublin Fusiliers..." | 0:08:08 | 0:08:11 | |
'We are going to have a look.' | 0:08:11 | 0:08:13 | |
Somewhere on these panels. He could be anywhere | 0:08:13 | 0:08:17 | |
and it's a huge building. | 0:08:17 | 0:08:19 | |
"George Michie, Wallfield Crescent, Aberdeen. | 0:08:19 | 0:08:24 | |
"Face 15b and 15c." | 0:08:24 | 0:08:27 | |
Wait, where? | 0:08:28 | 0:08:30 | |
-Yes. -Come on... Oh, yeah. | 0:08:30 | 0:08:31 | |
I don't think I'll be able to put my finger on his name! | 0:08:35 | 0:08:38 | |
-Oh, here he is. -Here we are, yep. George Michie. -Yep. | 0:08:40 | 0:08:43 | |
'It is sad to hear one of your family members died,' | 0:08:45 | 0:08:49 | |
but you, kind of, feel as if they are a hero | 0:08:49 | 0:08:52 | |
for fighting for their country. | 0:08:52 | 0:08:54 | |
'When I saw, you know,' | 0:08:55 | 0:08:58 | |
I can't feel deep emotions for him. I can't feel upset, | 0:08:58 | 0:09:02 | |
because I didn't know him, which does make me upset, | 0:09:02 | 0:09:06 | |
because I would like to know my relatives, especially the relatives | 0:09:06 | 0:09:09 | |
who have gone and fought for things that they thought were right, | 0:09:09 | 0:09:13 | |
like Michael Kinane. | 0:09:13 | 0:09:14 | |
You could have so many different emotions running through your head | 0:09:19 | 0:09:23 | |
when you are being fired at by a German machine gun. | 0:09:23 | 0:09:25 | |
You could be thinking, "Will God help me now? | 0:09:25 | 0:09:28 | |
"Will He stop this? Will He make me safe?" | 0:09:28 | 0:09:32 | |
But then, you have to think about it, He does. When you die, | 0:09:32 | 0:09:36 | |
-you go to Heaven. -You definitely need God in that situation, | 0:09:36 | 0:09:40 | |
to give you the courage to go to war and to help your country. | 0:09:40 | 0:09:45 | |
And, like, if you, like, you know, George Michie probably really | 0:09:45 | 0:09:50 | |
didn't want to kill anyone, but he would have to. | 0:09:50 | 0:09:53 | |
Our battlefield guide Alan Reed has done more research | 0:09:58 | 0:10:01 | |
into what happened to Sam's great-great-uncle George. | 0:10:01 | 0:10:05 | |
Right, we are near the site where your great-great-uncle George | 0:10:06 | 0:10:11 | |
-went into action. -Yeah. | 0:10:11 | 0:10:13 | |
Now, that's High Wood and on the 23rd of July, at about 1:00... | 0:10:13 | 0:10:18 | |
SOUND EFFECTS OF GUNSHOTS | 0:10:18 | 0:10:20 | |
..the area was swept by machine-gun fire. | 0:10:20 | 0:10:22 | |
There were about 328 casualties altogether. | 0:10:22 | 0:10:25 | |
And his body was never recovered or identified. | 0:10:26 | 0:10:29 | |
-But at least he's remembered on the Thiepval Memorial. -Yeah. | 0:10:29 | 0:10:33 | |
Well, it makes me feel quite sad to see like cos you're in the site | 0:10:33 | 0:10:40 | |
of where one of your relatives has died but I'm happy he's remembered. | 0:10:40 | 0:10:47 | |
But the land has returned to agriculture, | 0:10:47 | 0:10:50 | |
you can hear the birdsong, so we hope he's at peace somewhere. | 0:10:50 | 0:10:54 | |
Yeah. | 0:10:54 | 0:10:55 | |
# We are the lost who lived and loved | 0:11:03 | 0:11:11 | |
# We felt the dawn saw sunset glow | 0:11:11 | 0:11:18 | |
# For now we lie | 0:11:18 | 0:11:23 | |
# In row on row | 0:11:23 | 0:11:27 | |
# In Flanders Fields | 0:11:27 | 0:11:31 | |
# O lux beata | 0:11:31 | 0:11:38 | |
# Lumina | 0:11:38 | 0:11:42 | |
# Lumina | 0:11:42 | 0:11:47 | |
# The larks fly high where guns destroyed | 0:11:47 | 0:11:54 | |
# Now poppies grow and crosses show | 0:11:54 | 0:12:02 | |
# Where now we lie | 0:12:02 | 0:12:06 | |
# In Flanders Fields | 0:12:06 | 0:12:10 | |
# In row on row | 0:12:10 | 0:12:15 | |
# Time like an ever-rolling stream | 0:12:15 | 0:12:22 | |
# Bears all its sons away | 0:12:22 | 0:12:29 | |
# They fly forgotten | 0:12:29 | 0:12:35 | |
# As a dream | 0:12:35 | 0:12:37 | |
# In row on row | 0:12:37 | 0:12:40 | |
# Dies at the break of day | 0:12:40 | 0:12:48 | |
# O lux beata | 0:12:53 | 0:13:00 | |
# Lumina | 0:13:00 | 0:13:05 | |
# We are the lost. # | 0:13:05 | 0:13:13 | |
The idea that everyone who died in the Great War should have a | 0:13:18 | 0:13:22 | |
memorial came from a Bristol-born industrialist Sir Fabian Ware. | 0:13:22 | 0:13:26 | |
As a result of his vision, | 0:13:26 | 0:13:28 | |
the Commonwealth War Graves Commission today | 0:13:28 | 0:13:31 | |
cares for cemeteries and memorials of both | 0:13:31 | 0:13:33 | |
World Wars at 23,000 locations in more than 150 countries. | 0:13:33 | 0:13:39 | |
Walter Sutherland was one of the many ex-soldiers employed | 0:13:41 | 0:13:44 | |
after the war by the newly-formed Imperial War Graves Commission. | 0:13:44 | 0:13:49 | |
His son George and his grandson Alex followed in his footsteps. | 0:13:49 | 0:13:54 | |
When Walter started working here then just after the war, | 0:13:54 | 0:13:58 | |
this looked very different. What was it like? | 0:13:58 | 0:14:00 | |
Oh, yeah, well, all wooden crosses. | 0:14:00 | 0:14:03 | |
No headstones, it was all wooden crosses. | 0:14:03 | 0:14:06 | |
And they were still burying people when my father was here. | 0:14:06 | 0:14:10 | |
Oh, and my father took a dead soldier into the mortuary | 0:14:11 | 0:14:17 | |
and as he entered, he heard a groan | 0:14:17 | 0:14:21 | |
and that chap was to be buried that morning and he was still alive. | 0:14:21 | 0:14:25 | |
So, they took him out the mortuary, took him back into hospital | 0:14:25 | 0:14:28 | |
and it saved him. | 0:14:28 | 0:14:30 | |
-Gosh, he had a lucky escape. -Yes, yes. | 0:14:30 | 0:14:33 | |
Over the years, you must both have seen some pretty moving sights. | 0:14:33 | 0:14:39 | |
It's distressing sometimes too. | 0:14:39 | 0:14:41 | |
Well, yes, certainly, you meet visitors. | 0:14:41 | 0:14:44 | |
A typical example now is if you see these school buses | 0:14:44 | 0:14:47 | |
and the children are 12-13 years old, or you see a pensioner | 0:14:47 | 0:14:51 | |
and they walk around the cemetery, | 0:14:51 | 0:14:53 | |
you will see people crying in actual fact | 0:14:53 | 0:14:57 | |
and being so emotional about it. | 0:14:57 | 0:15:00 | |
But then you feel it most when the family come along | 0:15:01 | 0:15:05 | |
and you see them crying by the grave, then you feel it yourself. | 0:15:05 | 0:15:10 | |
How important to you both has it been to work here through the years? | 0:15:10 | 0:15:14 | |
Through the decades, in fact. | 0:15:14 | 0:15:15 | |
I can remember when I was about six years old | 0:15:15 | 0:15:18 | |
and listening a lot to all these visitors who were | 0:15:18 | 0:15:21 | |
coming around and then I decided, well, | 0:15:21 | 0:15:23 | |
this is going to be my career in the future, even at that age. | 0:15:23 | 0:15:27 | |
I felt proud... | 0:15:27 | 0:15:29 | |
to follow the steps of my father. | 0:15:29 | 0:15:31 | |
I wanted nothing else, you know. | 0:15:32 | 0:15:35 | |
It wasn't just working and be paid, it was in my heart. Yeah. | 0:15:36 | 0:15:43 | |
Liam is one of the older members of Libera. | 0:18:14 | 0:18:17 | |
Today, he's travelled to the Belgian city of Mons | 0:18:17 | 0:18:20 | |
on a very personal journey. | 0:18:20 | 0:18:22 | |
Being in a religious church setting when you're singing, | 0:18:24 | 0:18:27 | |
there are times in Mass often where they give the congregation | 0:18:27 | 0:18:32 | |
a chance to pray and during those moments, sometimes I do think | 0:18:32 | 0:18:38 | |
about my great-grandfather Harry Connery | 0:18:38 | 0:18:40 | |
and what he did in the war. | 0:18:40 | 0:18:44 | |
He didn't die on the front | 0:18:46 | 0:18:48 | |
but he suffered heavily afterwards from mustard gas poisoning | 0:18:48 | 0:18:52 | |
and he died relatively young at the age of 40 in 1932, | 0:18:52 | 0:18:57 | |
the year that my grandfather was born, | 0:18:57 | 0:18:59 | |
so my grandfather never knew his father. | 0:18:59 | 0:19:02 | |
Today, I've been looking around at Mons | 0:19:04 | 0:19:08 | |
and it's weird to think that 100 years ago, my great-grandfather | 0:19:08 | 0:19:11 | |
Harry could've been walking the same streets with other soldiers | 0:19:11 | 0:19:14 | |
preparing to fight. | 0:19:14 | 0:19:16 | |
I found out today that there's this statue of a monkey in the town | 0:19:18 | 0:19:21 | |
square and people rub its head with their left hand for good luck. | 0:19:21 | 0:19:26 | |
So, maybe my great-grandfather might have done that | 0:19:26 | 0:19:30 | |
as he was going into battle. | 0:19:30 | 0:19:32 | |
The fact that he was 17 when he joined the army and he was | 0:19:34 | 0:19:39 | |
younger than me when he did that, it's quite incredible, really. | 0:19:39 | 0:19:44 | |
My parents would tell you that sometimes | 0:19:44 | 0:19:47 | |
I'm very difficult in the mornings and hard to get up and get out of bed | 0:19:47 | 0:19:51 | |
and stuff and to think that people my age were doing way more than | 0:19:51 | 0:19:54 | |
that 100 years ago, having to get up on the front in a muddy trench, | 0:19:54 | 0:19:58 | |
risking their lives, | 0:19:58 | 0:20:00 | |
I don't know if I would ever be able to do what they did. | 0:20:00 | 0:20:04 | |
It's incredible. | 0:20:04 | 0:20:06 | |
-I wouldn't last... -Wouldn't last a day. -Yeah. | 0:20:11 | 0:20:16 | |
It'd just be so traumatic. | 0:20:16 | 0:20:18 | |
This is kind of crazy almost. | 0:20:18 | 0:20:21 | |
At Sanctuary Wood, the original trenches have been preserved. | 0:20:21 | 0:20:25 | |
A Canadian, trying to catch up with his sleep, opened up his eyes | 0:20:25 | 0:20:28 | |
and what did he see? | 0:20:28 | 0:20:29 | |
A huge rat trying to eat him. | 0:20:29 | 0:20:30 | |
-Em, are there rats here now? -Probably not. -Probably(!) | 0:20:30 | 0:20:36 | |
You are safe, they are well-fed. | 0:20:36 | 0:20:38 | |
I've got pictures of my great-uncles cos all four of them | 0:20:39 | 0:20:43 | |
went into the war and all four of them came back. | 0:20:43 | 0:20:46 | |
I don't want to see what's in here. I'm just going to close my eyes. | 0:20:46 | 0:20:51 | |
Ben, just hold on to me... | 0:20:51 | 0:20:53 | |
This is my great-uncle Neil's diary. | 0:20:53 | 0:20:55 | |
There was a gas attack but he was very lucky to survive. | 0:20:55 | 0:20:59 | |
That's actually only a mile from here. | 0:20:59 | 0:21:01 | |
And he was lucky because the wind blew the gas the other way. | 0:21:01 | 0:21:04 | |
It was really horrible, he had to bury five men in that night, | 0:21:04 | 0:21:08 | |
all suffering from gas. | 0:21:08 | 0:21:09 | |
Yeah, there would have been a ledge or something, | 0:21:09 | 0:21:12 | |
something you could stand on so... | 0:21:12 | 0:21:14 | |
No, the sandbags would be up to... | 0:21:14 | 0:21:16 | |
People would just rely on God almost to help them | 0:21:16 | 0:21:21 | |
and sometimes their prayers wouldn't be answered | 0:21:21 | 0:21:24 | |
and sometimes they would, like my great-uncles'. | 0:21:24 | 0:21:29 | |
-And my great-uncle. -And your great-uncle. | 0:21:29 | 0:21:31 | |
# For all who needs comfort | 0:21:40 | 0:21:43 | |
# For all those who mourn | 0:21:43 | 0:21:47 | |
# All those whom we cherished will be reborn | 0:21:47 | 0:21:55 | |
# All those whom we love but see no more | 0:21:57 | 0:22:03 | |
# They are not perished, but gone before | 0:22:03 | 0:22:11 | |
# And lie in the tender arms of He | 0:22:13 | 0:22:19 | |
# Who died for us all to set us free | 0:22:19 | 0:22:25 | |
# From hatred and anger and cruel tyranny | 0:22:25 | 0:22:34 | |
# May they rest in peace | 0:22:34 | 0:22:41 | |
# And rise in glory | 0:22:42 | 0:22:49 | |
# Lord give me wisdom to comprehend | 0:22:53 | 0:23:00 | |
# Why I survive and not my friend | 0:23:00 | 0:23:07 | |
# And teach me compassion so I may live | 0:23:07 | 0:23:15 | |
# All my enemies to forgive | 0:23:15 | 0:23:22 | |
# All suffering and sorrow will be no more | 0:23:22 | 0:23:29 | |
# They'll vanish like shadows at heaven's door | 0:23:29 | 0:23:37 | |
# All anguish and grieving will one day be healed | 0:23:39 | 0:23:45 | |
# When all of God's purpose will be revealed | 0:23:45 | 0:23:53 | |
# Though now for a season lost from sight | 0:23:55 | 0:24:02 | |
# The innocent slain in the blindness of right | 0:24:02 | 0:24:08 | |
# Are now in the warmth of God's glorious light | 0:24:08 | 0:24:15 | |
# Where they rest in peace | 0:24:17 | 0:24:24 | |
# And rise in glory. # | 0:24:26 | 0:24:34 | |
Ciaran's great-great-uncle was in the Royal Flying Corps. | 0:24:44 | 0:24:48 | |
He died six days after the Armistice | 0:24:48 | 0:24:51 | |
and Ciaran is the first of his family to come here. | 0:24:51 | 0:24:54 | |
Corporal Stanley. | 0:24:54 | 0:24:57 | |
Died of pneumonia, 17th of November, 1918. | 0:24:58 | 0:25:03 | |
Aged 21. | 0:25:03 | 0:25:05 | |
'When I walked into this cemetery, the rows, | 0:25:05 | 0:25:09 | |
'they're all so tightly squashed together.' | 0:25:09 | 0:25:13 | |
As I walked along, I was looking at all the names and you think, | 0:25:14 | 0:25:21 | |
"That person fought in the war and died. | 0:25:21 | 0:25:24 | |
"And then so did that person." | 0:25:24 | 0:25:27 | |
He was my great-great-uncle. | 0:25:29 | 0:25:33 | |
I couldn't describe him, I couldn't say what he looked like | 0:25:33 | 0:25:37 | |
but I still know he's Stanley Bradbury | 0:25:37 | 0:25:40 | |
and Bradbury is my name. | 0:25:40 | 0:25:43 | |
And that still means he's part of my family | 0:25:43 | 0:25:49 | |
and he's connected to me. | 0:25:49 | 0:25:51 | |
I was praying that he didn't die painfully and apart from in | 0:25:54 | 0:26:01 | |
the war that he had a good life | 0:26:01 | 0:26:04 | |
and that he...was a good person. | 0:26:04 | 0:26:09 | |
# Good night, my angel | 0:26:28 | 0:26:30 | |
# Time to close your eyes | 0:26:30 | 0:26:35 | |
# And save these questions for another day | 0:26:35 | 0:26:42 | |
# I think I know what you've been asking me | 0:26:42 | 0:26:48 | |
# I think you know what I've been trying to say | 0:26:49 | 0:26:56 | |
# I promised I would never leave you | 0:26:56 | 0:27:02 | |
# And you should always know | 0:27:02 | 0:27:09 | |
# Wherever you may go | 0:27:09 | 0:27:12 | |
# No matter where you are | 0:27:12 | 0:27:16 | |
# I never will be far away | 0:27:16 | 0:27:23 | |
# Good night, my angel | 0:27:23 | 0:27:25 | |
# Now it's time to sleep | 0:27:25 | 0:27:30 | |
# And still so many things I want to say | 0:27:30 | 0:27:37 | |
# Remember all the songs you sang for me | 0:27:37 | 0:27:44 | |
# When we went sailing on an emerald bay | 0:27:44 | 0:27:50 | |
# And like a boat out on the ocean | 0:27:50 | 0:27:57 | |
# I'm rocking you to sleep | 0:27:57 | 0:28:02 | |
# The water's dark and deep | 0:28:04 | 0:28:07 | |
# Inside an ancient heart | 0:28:07 | 0:28:10 | |
# You'll always be a part of me | 0:28:10 | 0:28:16 | |
# Good night, my angel | 0:28:43 | 0:28:46 | |
# Now it's time to dream | 0:28:46 | 0:28:50 | |
# And dream how wonderful your life will be | 0:28:50 | 0:28:57 | |
# Some day your child may cry | 0:28:57 | 0:29:01 | |
# And if you sing this lullaby | 0:29:01 | 0:29:05 | |
# Then in your heart | 0:29:05 | 0:29:07 | |
# There will always be a part of me | 0:29:07 | 0:29:16 | |
# Ahhh-ahhh ahhh ahhhhh ahh-ahhh | 0:29:18 | 0:29:23 | |
# Ahhh ahhhhhh ahhh | 0:29:23 | 0:29:26 | |
# Some day we'll all be gone | 0:29:26 | 0:29:30 | |
# But lullabies go on and on | 0:29:30 | 0:29:34 | |
# They never die | 0:29:34 | 0:29:38 | |
# That's how you and I | 0:29:38 | 0:29:42 | |
# Will be. # | 0:29:42 | 0:29:47 | |
God grant to the living, grace, | 0:30:01 | 0:30:04 | |
to the departed, rest, | 0:30:04 | 0:30:06 | |
to the Church and all humankind | 0:30:06 | 0:30:08 | |
peace, concord and life everlasting. | 0:30:08 | 0:30:12 | |
The blessing of God Almighty, | 0:30:12 | 0:30:14 | |
the Father, the Son and the Holy Spirit, | 0:30:14 | 0:30:16 | |
be with you and all those whom you love | 0:30:16 | 0:30:20 | |
-this day and for ever more. Amen. CONGREGATION: -Amen. | 0:30:20 | 0:30:24 | |
Tomorrow marks the start of four years of centenary commemorations | 0:30:29 | 0:30:33 | |
of World War I. | 0:30:33 | 0:30:34 | |
No-one who took part in that conflict is alive today, | 0:30:34 | 0:30:37 | |
but that's not to say that we should just forget and move on. | 0:30:37 | 0:30:40 | |
These are our grandparents and great-grandparents, | 0:30:40 | 0:30:43 | |
great-uncles and great-great-uncles. | 0:30:43 | 0:30:46 | |
They're part of us. | 0:30:46 | 0:30:48 | |
And they lie here as a silent but powerful witness | 0:30:48 | 0:30:51 | |
to the misery and desolation that follows | 0:30:51 | 0:30:54 | |
when we learn to hate rather than love. | 0:30:54 | 0:30:57 | |
Next week, Claire and I go in search of sacred gardens. | 0:33:30 | 0:33:33 | |
While I head to Kew to explore their new faith trail, | 0:33:33 | 0:33:37 | |
Claire finds out about Westminster Abbey's secret gardens. | 0:33:37 | 0:33:40 | |
Plus music and hymns inspired by Creation. | 0:33:40 | 0:33:44 |