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I'm in the Peak District, at the beautiful Chatsworth Estate, | 0:00:03 | 0:00:07 | |
where they're holding their first-ever annual flower show. | 0:00:07 | 0:00:10 | |
Welcome to Songs Of Praise. | 0:00:10 | 0:00:11 | |
On today's show, I'm joining a flower-arranging class | 0:00:35 | 0:00:38 | |
with a Church of England expert. | 0:00:38 | 0:00:40 | |
Facing this way a little bit. | 0:00:40 | 0:00:41 | |
-Remember the congregation are that way. -Oh, yes, of course they are. | 0:00:41 | 0:00:44 | |
Pam Rhodes and historian Kate Williams | 0:00:44 | 0:00:46 | |
discover a 500-year-old message | 0:00:46 | 0:00:49 | |
from a secret royal visitor to Derbyshire. | 0:00:49 | 0:00:52 | |
And former JLS pop star JB Gill | 0:00:52 | 0:00:55 | |
tells me about his Christian faith, | 0:00:55 | 0:00:58 | |
and sings one of his favourite songs of praise. | 0:00:58 | 0:01:01 | |
Chatsworth is one of Britain's best-loved stately homes. | 0:01:12 | 0:01:15 | |
This is the very first time they've hosted a flower show. | 0:01:15 | 0:01:18 | |
And the displays are breathtaking. | 0:01:21 | 0:01:24 | |
Much of this week's music comes from the village of Tideswell, | 0:01:28 | 0:01:31 | |
near the Chatsworth Estate, here in Derbyshire. | 0:01:31 | 0:01:34 | |
St John's Church is known as the Cathedral of the Peak. | 0:01:34 | 0:01:37 | |
And what better way to start than with this hymn, | 0:01:37 | 0:01:40 | |
which truly celebrates God's creation? | 0:01:40 | 0:01:42 | |
There are thousands of arrangements here at the Chatsworth Flower Show. | 0:04:28 | 0:04:32 | |
Every week, churches across the UK are decorated with flowers | 0:04:32 | 0:04:36 | |
by an army of volunteers. | 0:04:36 | 0:04:38 | |
Ada Fawthrop is chair of the Church of England Flower Arrangers' Association. | 0:04:38 | 0:04:42 | |
I thought I'd done everything in the 17 years I've been presenting Songs Of Praise, | 0:04:44 | 0:04:48 | |
but this is a first. Flower-arranging! | 0:04:48 | 0:04:51 | |
Ada here is putting us all through our paces. | 0:04:51 | 0:04:53 | |
We've got Faith and Libby here, as well. | 0:04:53 | 0:04:55 | |
I've never done this before, so be gentle with me. Where do we start? | 0:04:55 | 0:04:59 | |
-Here, obviously! -Yes, we're going to start... | 0:04:59 | 0:05:01 | |
We're trying to make a pedestal, | 0:05:01 | 0:05:03 | |
-which is like a head and arms, like that. -OK. | 0:05:03 | 0:05:05 | |
-Like Christ, holding out his arms to you. -OK. | 0:05:05 | 0:05:07 | |
-So start with something tall at the back, like this. -Right. | 0:05:07 | 0:05:11 | |
-And then, two arms. -Two arms. | 0:05:11 | 0:05:13 | |
-Tilting down. -Tilting down. OK. | 0:05:13 | 0:05:16 | |
Do you think your flower-arranging talent comes from God? | 0:05:24 | 0:05:28 | |
Well, I think everything comes from God. | 0:05:28 | 0:05:29 | |
It's a good answer. | 0:05:29 | 0:05:31 | |
ADA LAUGHS | 0:05:31 | 0:05:32 | |
So, when Ada goes on her holiday for a couple of weeks, do you think Aled | 0:05:32 | 0:05:36 | |
could take over flower-arranging in your local church? | 0:05:36 | 0:05:38 | |
-We'd be pleased to have you. -Oh, yay! That was the right answer! | 0:05:38 | 0:05:42 | |
-Now, then. One, two, three. -OK. I'll do this over here. | 0:05:42 | 0:05:46 | |
Facing this way a little bit. | 0:05:46 | 0:05:47 | |
-Remember the congregation are that way. -Oh, yes, of course they are. | 0:05:47 | 0:05:51 | |
So how are we all doing, Ada? How are the girls doing? | 0:05:54 | 0:05:57 | |
-You're doing well. Looking lovely! -Yes, they're coming lovely. | 0:05:57 | 0:06:00 | |
Just flick it out with your fingers and they open up a little bit. | 0:06:00 | 0:06:03 | |
Are these just flowers to you, or do they mean something more? | 0:06:03 | 0:06:06 | |
I think when flowers open, that's a really beautiful thing, isn't it? | 0:06:06 | 0:06:10 | |
-It is. -And you just think, "Wow! Isn't God wonderful!" | 0:06:10 | 0:06:14 | |
-Yeah. -I just love playing with flowers. | 0:06:14 | 0:06:18 | |
You know, I love growing them and, er... | 0:06:18 | 0:06:20 | |
and I like the result afterwards. | 0:06:20 | 0:06:23 | |
Yeah. We're getting there. I think it's looking lovely. | 0:06:23 | 0:06:26 | |
How much more are we putting in? | 0:06:26 | 0:06:28 | |
-These are called alstromeria, and this... -Alstromeria? OK. | 0:06:28 | 0:06:30 | |
-This is what you'd call a filler flower. -OK. | 0:06:30 | 0:06:33 | |
-Would you like to carry on doing this, do you reckon? -I think so. | 0:06:33 | 0:06:37 | |
-I'm quite enjoying it. -It's quite therapeutic, isn't it? -It really is. | 0:06:37 | 0:06:40 | |
-Anyway, you carry on because yours isn't as good as ours yet. -Ah! -Oh! | 0:06:40 | 0:06:44 | |
I can't believe I've been with you all this time | 0:06:44 | 0:06:46 | |
and I haven't asked you, what's your favourite flower? | 0:06:46 | 0:06:49 | |
-Um...I think I would say a daisy. -Why? | 0:06:49 | 0:06:52 | |
It's just like a happy, smiling face, isn't it? Look at that. | 0:06:52 | 0:06:56 | |
-It is, isn't it? -Just like a... -It lifts the soul. -Yes, yes. | 0:06:56 | 0:06:59 | |
Well, Ada, it's not a bad effort for first time, is it? | 0:07:05 | 0:07:08 | |
It's not a bad effort at all. | 0:07:08 | 0:07:09 | |
I've got to say, the girls have outshone me, though. | 0:07:09 | 0:07:11 | |
They've done really, really well. | 0:07:11 | 0:07:12 | |
I suppose the million-dollar question is, guys, | 0:07:12 | 0:07:15 | |
what do you think of our creations? Any good? | 0:07:15 | 0:07:17 | |
APPLAUSE AND CHEERING | 0:07:17 | 0:07:19 | |
-Thank you. -Thank you. | 0:07:23 | 0:07:25 | |
Chatsworth has long been a magnet for visitors, | 0:10:32 | 0:10:34 | |
but go back 500 years and there was a royal guest here | 0:10:34 | 0:10:37 | |
who wasn't quite visiting, | 0:10:37 | 0:10:39 | |
and who left a secret message for the people of Derbyshire. | 0:10:39 | 0:10:42 | |
Pam's been finding out more with historian, Kate Williams. | 0:10:42 | 0:10:45 | |
So, Kate, who was this mysterious royal resident? | 0:10:51 | 0:10:55 | |
We're talking about Mary Queen of Scots, who came here in the 1500s. | 0:10:55 | 0:10:59 | |
And go back and picture the scene. | 0:10:59 | 0:11:01 | |
Elizabeth's on the throne, it's a Protestant country, | 0:11:01 | 0:11:03 | |
and here's her cousin, the beautiful Catholic queen, | 0:11:03 | 0:11:07 | |
and she keeps being part of these plots to depose Elizabeth, | 0:11:07 | 0:11:10 | |
to throw her off the throne. | 0:11:10 | 0:11:11 | |
And what Elizabeth does is she sends Mary up to Derbyshire | 0:11:11 | 0:11:14 | |
to get her out of the way of the plotters | 0:11:14 | 0:11:16 | |
and pretty much out of her hair. | 0:11:16 | 0:11:18 | |
So why did Elizabeth feel so threatened? | 0:11:18 | 0:11:22 | |
Was it by the woman or by the faith? | 0:11:22 | 0:11:24 | |
It was really the faith. | 0:11:24 | 0:11:25 | |
Because Mary, she believed that England should have a Catholic queen, | 0:11:25 | 0:11:29 | |
a Catholic monarch, and should be a Catholic country. | 0:11:29 | 0:11:31 | |
And that means deposing Elizabeth. | 0:11:31 | 0:11:34 | |
So Mary is this huge threat to Elizabeth. | 0:11:34 | 0:11:36 | |
She's a threat to her country, she's a threat to her throne, | 0:11:36 | 0:11:40 | |
and, really, she's a threat to her life. | 0:11:40 | 0:11:42 | |
The First Earl of Shrewsbury, George Talbot, | 0:11:44 | 0:11:46 | |
who lived at Chatsworth, | 0:11:46 | 0:11:47 | |
was the man charged with detaining Mary in Derbyshire for 16 years. | 0:11:47 | 0:11:52 | |
But during that time, she was allowed to visit the nearby | 0:11:52 | 0:11:55 | |
spa town of Buxton and enjoy its comforts. | 0:11:55 | 0:11:58 | |
Well, this is the actual room where she stayed. | 0:12:01 | 0:12:03 | |
It's not bad, if you're a captive, is it, really? | 0:12:03 | 0:12:06 | |
Pretty good for a prison. So Mary is under house arrest, | 0:12:06 | 0:12:08 | |
but her surroundings are quite luxurious at this point. | 0:12:08 | 0:12:12 | |
When Mary was here, Buxton was so fashionable, | 0:12:16 | 0:12:19 | |
there were banquets, there were glamorous dinners. | 0:12:19 | 0:12:21 | |
All the local nobles came to meet the queen. | 0:12:21 | 0:12:23 | |
But did she have a premonition even then that it would come to an end? | 0:12:23 | 0:12:27 | |
Mary did know it was going to change, | 0:12:27 | 0:12:29 | |
and when one of the plots was uncovered against Elizabeth, | 0:12:29 | 0:12:32 | |
that's when she knew this couldn't continue. | 0:12:32 | 0:12:34 | |
And what she did was she wrote, with a diamond ring, on the glass, | 0:12:34 | 0:12:38 | |
this is a replica here, a goodbye. | 0:12:38 | 0:12:39 | |
And what she writes in Latin is, "Buxton, whose warm waters | 0:12:39 | 0:12:42 | |
"have made your name famous, | 0:12:42 | 0:12:44 | |
"perchance I will never see you again. | 0:12:44 | 0:12:47 | |
"Vale - goodbye." | 0:12:47 | 0:12:48 | |
And that is pretty clear, she knows that the fun times are over. | 0:12:48 | 0:12:51 | |
And her faith, I guess, would have become even more important to her. | 0:12:51 | 0:12:55 | |
Absolutely. And this, we can see here, | 0:12:55 | 0:12:56 | |
she also scratched with her diamond ring, this time in French, | 0:12:56 | 0:12:59 | |
the language of her childhood, | 0:12:59 | 0:13:01 | |
"Even though people have said evil things about me, | 0:13:01 | 0:13:04 | |
"even though they've maligned my faith, | 0:13:04 | 0:13:06 | |
"God alone know what's in my heart, | 0:13:06 | 0:13:08 | |
"and one day, he will show my innocence. | 0:13:08 | 0:13:10 | |
"His virtue attracts me." | 0:13:10 | 0:13:12 | |
But at the age of 44, | 0:13:15 | 0:13:17 | |
Mary would be condemned to death by Queen Elizabeth. | 0:13:17 | 0:13:21 | |
Elizabeth realised that even though she put her in the middle of nowhere, | 0:13:21 | 0:13:25 | |
there were still plots, | 0:13:25 | 0:13:26 | |
Mary was still retaining her Catholic faith. | 0:13:26 | 0:13:29 | |
And so Elizabeth had to go for some more determined action, | 0:13:29 | 0:13:32 | |
and that, ultimately, led to execution. | 0:13:32 | 0:13:35 | |
It's this amazing story of conviction and courage | 0:13:35 | 0:13:39 | |
and an unshakeable faith in God. | 0:13:39 | 0:13:43 | |
A flower show, like this one in Chatsworth, | 0:15:55 | 0:15:57 | |
is a super way of appreciating the great outdoors. | 0:15:57 | 0:16:00 | |
And our next guest has spent the last two years | 0:16:00 | 0:16:02 | |
starting a new life as a farmer, | 0:16:02 | 0:16:04 | |
having enjoyed considerable success with the boyband, JLS. | 0:16:04 | 0:16:08 | |
# J-J-J-J-JLS | 0:16:10 | 0:16:12 | |
# Everybody in love Go on put your hands up...# | 0:16:12 | 0:16:15 | |
As part of JLS, JB Gill found himself | 0:16:15 | 0:16:18 | |
in one of the UK's biggest-ever bands, | 0:16:18 | 0:16:21 | |
selling over 10-million records worldwide. | 0:16:21 | 0:16:24 | |
But when they called it a day back in 2013, | 0:16:24 | 0:16:27 | |
JB took a complete change of direction, becoming a farmer | 0:16:27 | 0:16:31 | |
and settling into family life on 10 acres of land in Kent. | 0:16:31 | 0:16:35 | |
I can't think of any other pop star, OK, who travels the world, | 0:16:36 | 0:16:40 | |
has adoring fans and gives it all up to be a farmer. | 0:16:40 | 0:16:43 | |
JB LAUGHS | 0:16:43 | 0:16:45 | |
-What were you thinking?! -Well, I'm definitely unusual. Um... | 0:16:45 | 0:16:48 | |
I mean, it was something that just happened | 0:16:48 | 0:16:50 | |
quite naturally, to be honest. | 0:16:50 | 0:16:52 | |
A few people mentioned to me that I should do something | 0:16:52 | 0:16:55 | |
with the 10 acres of land that we do have. | 0:16:55 | 0:16:57 | |
And as I sort of researched different types of farming, | 0:16:57 | 0:17:00 | |
what I could do and how I could do it. | 0:17:00 | 0:17:02 | |
I love food anyway, so for me, kind of joining up all the dots | 0:17:02 | 0:17:05 | |
of how it's actually grown and cultivated or reared, | 0:17:05 | 0:17:09 | |
is just an incredible thing for me, | 0:17:09 | 0:17:11 | |
and something that I'm very passionate about. | 0:17:11 | 0:17:13 | |
Would you say it's easier to find God on the farm | 0:17:13 | 0:17:15 | |
-than it is in a packed crowd at Wembley? -Absolutely. | 0:17:15 | 0:17:19 | |
I find when I'm outside, especially when I'm working | 0:17:19 | 0:17:21 | |
with the animals and it's just myself, it's just incredible. | 0:17:21 | 0:17:24 | |
I can definitely sense the presence of God. | 0:17:24 | 0:17:26 | |
You know, and you're literally just observing, | 0:17:26 | 0:17:28 | |
whether it's the beauty of your surroundings, | 0:17:28 | 0:17:30 | |
or looking at how the animals interact with each other | 0:17:30 | 0:17:32 | |
or interact with you. | 0:17:32 | 0:17:34 | |
You were brought up through faith, it was a Pentecostal church, wasn't it? | 0:17:34 | 0:17:37 | |
-Yes. Yeah. -And what was that like? -It was incredible. | 0:17:37 | 0:17:40 | |
I really enjoyed it. I, obviously, love singing, I love the music, | 0:17:40 | 0:17:44 | |
and I was always encouraged to play a full part in attending church | 0:17:44 | 0:17:49 | |
and that being part of the family, especially on my mum's side. | 0:17:49 | 0:17:53 | |
But your work with JLS, it's fair to say, | 0:17:53 | 0:17:55 | |
took you away from the church a little bit. | 0:17:55 | 0:17:57 | |
Was that just because of time constraints and stuff like that? | 0:17:57 | 0:18:00 | |
Yeah, I mean, I think a little bit of both. | 0:18:00 | 0:18:02 | |
For me, my beliefs in general were still very, very strong, but, | 0:18:02 | 0:18:06 | |
you know, it was definitely something that, | 0:18:06 | 0:18:08 | |
as I grew older, actually, you want something more. | 0:18:08 | 0:18:13 | |
You know, there's a presence that you miss which you then search for. | 0:18:13 | 0:18:17 | |
What about getting married, | 0:18:17 | 0:18:18 | |
-becoming a father - did that bring you closer to God? -Absolutely. | 0:18:18 | 0:18:22 | |
For me, I got to a point where I was, like, | 0:18:22 | 0:18:24 | |
what do I want to do with my life? What do I want to stand for? | 0:18:24 | 0:18:26 | |
What are the things that I'm passionate about? | 0:18:26 | 0:18:28 | |
How do I want to live my life? | 0:18:28 | 0:18:30 | |
What are the sort of things that I'm going to bring my children up believing in? | 0:18:30 | 0:18:33 | |
And for me, obviously, having the Christian faith at the centre of that, I think, is very important. | 0:18:33 | 0:18:37 | |
I think it's important for anybody to make up their own mind but, | 0:18:37 | 0:18:41 | |
as a father and as someone that's responsible for a young person, | 0:18:41 | 0:18:44 | |
you're just getting that exposure to a lifestyle that you believe in. | 0:18:44 | 0:18:48 | |
Did you think you have to go to church to be a Christian? | 0:18:48 | 0:18:50 | |
I don't think you have to go to church in order to believe in God, you know. Of course not. | 0:18:50 | 0:18:54 | |
And I think, for some people, it's not possible for you to go to church every week, | 0:18:54 | 0:18:57 | |
so I don't think it's got to be a, "You have to go to church | 0:18:57 | 0:19:00 | |
"in order to do this", but I do believe it helps. | 0:19:00 | 0:19:03 | |
And how do you feel, coming somewhere like this today? | 0:19:03 | 0:19:05 | |
This is just incredible. | 0:19:05 | 0:19:07 | |
You enter the gates and automatically | 0:19:07 | 0:19:09 | |
you just get a sense of peace, a sense of tranquillity. | 0:19:09 | 0:19:13 | |
-You can't help but see God's work. -And so to You Raise Me Up. -Yes! | 0:19:13 | 0:19:19 | |
It's a song I know well! Why is that important to you? | 0:19:19 | 0:19:22 | |
Why do you like singing that song? | 0:19:22 | 0:19:24 | |
-Well, firstly, it's brought me out of retirement. -Good answer! | 0:19:24 | 0:19:28 | |
And also, for me, it's just such a great song about empowerment | 0:19:28 | 0:19:31 | |
and, you know, literally lifting you up and, if I was going to | 0:19:31 | 0:19:34 | |
choose any song, it would definitely be that one to sing. | 0:19:34 | 0:19:37 | |
# When I am down | 0:19:44 | 0:19:47 | |
# And, oh, my soul, so weary | 0:19:47 | 0:19:51 | |
# When troubles come | 0:19:51 | 0:19:54 | |
# And my heart burdened be | 0:19:54 | 0:19:59 | |
# Then I am still | 0:19:59 | 0:20:03 | |
# And wait here in the silence | 0:20:03 | 0:20:07 | |
# Until you come | 0:20:07 | 0:20:11 | |
# And sit a while with me | 0:20:11 | 0:20:15 | |
# You raise me up | 0:20:15 | 0:20:19 | |
# So I can stand on mountains | 0:20:19 | 0:20:24 | |
# You raise me up | 0:20:24 | 0:20:27 | |
# To walk on stormy seas | 0:20:27 | 0:20:32 | |
# I am strong | 0:20:32 | 0:20:35 | |
# When I am on your shoulders | 0:20:35 | 0:20:40 | |
# You raise me up | 0:20:40 | 0:20:43 | |
# To more than I can be | 0:20:43 | 0:20:47 | |
# You raise me up | 0:20:55 | 0:20:59 | |
# So I can stand on mountains | 0:20:59 | 0:21:04 | |
# You raise me up | 0:21:04 | 0:21:07 | |
# To walk on stormy seas | 0:21:07 | 0:21:12 | |
# I am strong | 0:21:12 | 0:21:14 | |
# I am strong | 0:21:14 | 0:21:15 | |
# When I am on your shoulders | 0:21:15 | 0:21:20 | |
# You raise me up | 0:21:20 | 0:21:23 | |
# To more than I can be | 0:21:23 | 0:21:27 | |
# You raise me up | 0:21:31 | 0:21:35 | |
# So I can stand on mountains | 0:21:35 | 0:21:38 | |
# Stand on mountains | 0:21:38 | 0:21:40 | |
# You raise me up | 0:21:40 | 0:21:43 | |
# To walk on stormy seas | 0:21:43 | 0:21:46 | |
# Stormy seas | 0:21:46 | 0:21:48 | |
# And I am strong | 0:21:48 | 0:21:50 | |
# I am strong | 0:21:50 | 0:21:51 | |
# When I am on your shoulders | 0:21:51 | 0:21:56 | |
# You raise me up | 0:21:56 | 0:21:59 | |
# To more than I can be | 0:21:59 | 0:22:03 | |
# You raise me up | 0:22:07 | 0:22:11 | |
# To more than I can be. # | 0:22:12 | 0:22:20 | |
Now, if you love singing, this could be for you. | 0:22:30 | 0:22:34 | |
Tickets for this year's Big Sing at the Royal Albert Hall go on sale tomorrow. | 0:22:34 | 0:22:38 | |
The event itself takes place on Sunday, September 10th, | 0:22:38 | 0:22:41 | |
and it's going to be a wonderful evening, featuring fabulous hymns, songs and carols. | 0:22:41 | 0:22:45 | |
The phone line and box office open at 9.00am tomorrow morning, | 0:22:45 | 0:22:49 | |
so, please, don't try calling before then | 0:22:49 | 0:22:51 | |
because you won't be able to purchase tickets. | 0:22:51 | 0:22:53 | |
The ticket line number is... | 0:22:53 | 0:22:55 | |
Details are on our website. | 0:23:08 | 0:23:10 | |
And we return to Tideswell for our next hymn, | 0:23:15 | 0:23:18 | |
which echoes this week's theme of creation. | 0:23:18 | 0:23:20 | |
It takes several months to create the intricate garden designs | 0:25:19 | 0:25:23 | |
here at the Chatsworth Flower Show. | 0:25:23 | 0:25:25 | |
Many are based on personal experiences and have | 0:25:25 | 0:25:27 | |
a strong theme at their heart. | 0:25:27 | 0:25:29 | |
Designer Neil Sutcliffe was moved to create this award-winning garden | 0:25:30 | 0:25:34 | |
after a family bereavement. It's called A Time For Everything. | 0:25:34 | 0:25:38 | |
He's been explaining to Pam how the garden symbolises | 0:25:38 | 0:25:41 | |
the different stages of grief. | 0:25:41 | 0:25:43 | |
Well, this is Neil's garden. How does it work? | 0:25:44 | 0:25:47 | |
Right at the beginning there, you notice that | 0:25:47 | 0:25:49 | |
a lot of the planting's very dark, quite spiky, uninviting. | 0:25:49 | 0:25:53 | |
And this is really the sort of the diagnosis stage. | 0:25:53 | 0:25:57 | |
We then have this water channel that runs through the centre of | 0:25:58 | 0:26:01 | |
the garden and, as you come to that and have to step over, | 0:26:01 | 0:26:04 | |
it's highlighting the acute awareness of how time is passing. | 0:26:04 | 0:26:07 | |
And how people have passed, too. There are names along the sides. | 0:26:07 | 0:26:10 | |
That's right. | 0:26:10 | 0:26:11 | |
And that's where the sort of memorial side of things | 0:26:11 | 0:26:15 | |
crosses over into the theme. | 0:26:15 | 0:26:17 | |
We then come round, after going there, to these two curved walls, | 0:26:17 | 0:26:21 | |
and the planting's very vibrant at this point or a lot more interesting, | 0:26:21 | 0:26:25 | |
and that's really signifying how life never really stops around you. | 0:26:25 | 0:26:29 | |
So then, as we come to the end of the pathway, | 0:26:30 | 0:26:32 | |
there's a large black reservoir behind the much more | 0:26:32 | 0:26:35 | |
muted planting, which is a reflection pool, | 0:26:35 | 0:26:39 | |
giving reflection or a memory of someone who was there once | 0:26:39 | 0:26:42 | |
before with, as I say, a much more peaceful planting scheme. | 0:26:42 | 0:26:45 | |
Neil's work is driven by his strong Christian faith, | 0:26:46 | 0:26:49 | |
which hasn't always come easily to him. | 0:26:49 | 0:26:52 | |
I was sort of really struggling with the idea of Christianity and | 0:26:52 | 0:26:56 | |
what it meant to be a Christian, that, you know what, it's not | 0:26:56 | 0:26:59 | |
about me making myself right for God because that's what Jesus has done. | 0:26:59 | 0:27:04 | |
Well, I hope you've enjoyed Chatsworth's beautiful flowers as much as I have. | 0:30:12 | 0:30:16 | |
Next week, Sean Fletcher will be walking | 0:30:16 | 0:30:19 | |
the ancient Christian pilgrim route to Mont-Saint-Michel in France, | 0:30:19 | 0:30:22 | |
and Josie d'Arby will reveal its link | 0:30:22 | 0:30:24 | |
with St Michael's Mount in Cornwall. | 0:30:24 | 0:30:27 | |
God's amazing creation has been all around us today, so we're going to | 0:30:27 | 0:30:31 | |
end with a hymn that celebrates the very heart of the Christian faith. | 0:30:31 | 0:30:35 | |
And we're back in Tideswell, | 0:30:35 | 0:30:38 | |
the Cathedral of the Peak, for Thine Be The Glory. | 0:30:38 | 0:30:40 |