Browse content similar to Jane Austen. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Here in rural Hampshire, | 0:00:02 | 0:00:03 | |
some of the greatest literary works of our time were written. | 0:00:03 | 0:00:07 | |
This week, we celebrate Jane Austen, a writer who, | 0:00:07 | 0:00:10 | |
despite living a quiet, unassuming life here, | 0:00:10 | 0:00:13 | |
went on to become one of the most recognised novelists in the world. | 0:00:13 | 0:00:17 | |
200 years after her death, I'll be finding out more about her | 0:00:17 | 0:00:20 | |
personal faith, visiting Jane's final resting place, | 0:00:20 | 0:00:24 | |
Winchester Cathedral, and discovering why | 0:00:24 | 0:00:26 | |
this vicar's daughter didn't always portray the clergy | 0:00:26 | 0:00:29 | |
in a flattering light. | 0:00:29 | 0:00:31 | |
Would you do me the great honour of walking with me into town? | 0:00:31 | 0:00:35 | |
I'll be meeting the high-society girl who gave up | 0:00:37 | 0:00:39 | |
a life of luxury to become a nun. | 0:00:39 | 0:00:43 | |
And Josie's in Bristol to find out how this choir is helping to | 0:00:46 | 0:00:49 | |
beat the effects of addiction through song. | 0:00:49 | 0:00:52 | |
We have some great music for you, | 0:01:00 | 0:01:02 | |
including a hymn from this magnificent cathedral in Winchester. | 0:01:02 | 0:01:05 | |
And we begin with a joyous worship song written and led | 0:01:05 | 0:01:10 | |
by Keith and Kristin Getty. | 0:01:10 | 0:01:12 | |
In 1809, at the age of 33, Jane Austen moved here to the picturesque | 0:03:59 | 0:04:04 | |
village of Chawton in Hampshire with her sister and their mother. | 0:04:04 | 0:04:08 | |
It's exciting to think that it was here Jane Austen created some of | 0:04:09 | 0:04:13 | |
her most dashing heroes, dastardly rogues, and memorable clergymen. | 0:04:13 | 0:04:18 | |
And where she first became a published author. | 0:04:18 | 0:04:21 | |
She wrote six novels, of which Pride And Prejudice is perhaps her | 0:04:25 | 0:04:28 | |
most famous, and has inspired many film and television dramas. | 0:04:28 | 0:04:32 | |
Mr Darcy? | 0:04:32 | 0:04:34 | |
Miss Bennett? | 0:04:34 | 0:04:36 | |
The house is now a museum, and I'm here to meet Austen expert | 0:04:36 | 0:04:40 | |
Helena Kelly and curator Mary Guyatt. | 0:04:40 | 0:04:43 | |
We're standing in the drawing room. | 0:04:43 | 0:04:45 | |
This is the room where Jane would have spent many hours with | 0:04:45 | 0:04:48 | |
-her sister and her mother. -And writing? | 0:04:48 | 0:04:50 | |
And writing, yes. | 0:04:50 | 0:04:51 | |
-In fact, we have her writing table. -Wow, that's tiny, isn't it? | 0:04:51 | 0:04:55 | |
It's very small. | 0:04:55 | 0:04:57 | |
It seems quite a grand house. | 0:04:58 | 0:05:00 | |
What level of society were the Austens? | 0:05:00 | 0:05:03 | |
Well, Jane was born into a middle-class family. | 0:05:03 | 0:05:05 | |
This was the gentry, the emerging middle classes. | 0:05:05 | 0:05:08 | |
Her father was a clergyman, and two of her brothers. | 0:05:08 | 0:05:12 | |
So, she was surrounded in the family by clergymen. | 0:05:12 | 0:05:15 | |
And, in front of us here, we've got a few Bibles. | 0:05:15 | 0:05:18 | |
Are these family Bibles? | 0:05:18 | 0:05:20 | |
This larger Bible belonged to the church, | 0:05:20 | 0:05:23 | |
St Nicolas's Church in Steventon, where her father was a clergyman. | 0:05:23 | 0:05:27 | |
-And what about this teeny-tiny one here? -Well, this is a family Bible. | 0:05:27 | 0:05:32 | |
This was published in 1628. | 0:05:32 | 0:05:34 | |
It's in Greek, it's the New Testament. | 0:05:34 | 0:05:37 | |
And you can see that it has the Austen name, 1711. | 0:05:37 | 0:05:41 | |
-So, passed down through the generations. -Precisely. | 0:05:41 | 0:05:45 | |
What sort of Christian do you think she was? | 0:05:46 | 0:05:49 | |
We know from her letters that she was an active person, | 0:05:49 | 0:05:52 | |
that she visited the sick, and that she gave alms. | 0:05:52 | 0:05:56 | |
So I think she took her responsibilities seriously | 0:05:56 | 0:05:58 | |
and with a practical mind. | 0:05:58 | 0:06:00 | |
Despite religion being an integral part of Jane's upbringing, | 0:06:00 | 0:06:03 | |
she didn't always portray the clergy in the best light. | 0:06:03 | 0:06:06 | |
I believe I possess the happy knack, much to be desired in a clergyman, | 0:06:06 | 0:06:11 | |
of adapting myself to every kind of society, whether high or low. | 0:06:11 | 0:06:15 | |
The Reverend Mr Collins in Pride And Prejudice is really | 0:06:17 | 0:06:20 | |
just bumbling, obsequious, and absurd. | 0:06:20 | 0:06:23 | |
They don't all of them seem to spend very much time, sort of, | 0:06:23 | 0:06:27 | |
looking after their parishioners, writing their sermons. | 0:06:27 | 0:06:31 | |
So, there's a strange disconnect, I think, between the depiction | 0:06:31 | 0:06:34 | |
in the books and perhaps how she felt about religion herself. | 0:06:34 | 0:06:38 | |
In Emma, the clergyman, Mr Elton, is, at times, a flirty gossip. | 0:06:38 | 0:06:43 | |
I hope that you, like myself, | 0:06:43 | 0:06:44 | |
have been urging Miss Woodhouse not to go within half a mile | 0:06:44 | 0:06:47 | |
of Goddard's when there is the chance of catching an infection. | 0:06:47 | 0:06:50 | |
But he does have redeeming characteristics. | 0:06:50 | 0:06:53 | |
Even he is shown being very active in parish work. | 0:06:53 | 0:06:58 | |
All her characters are very nuanced, so they all have faults, | 0:06:58 | 0:07:02 | |
and they all have journeys of learning that they need to make. | 0:07:02 | 0:07:06 | |
Did you think, because she was surrounded by clergymen, | 0:07:06 | 0:07:10 | |
she was able to be candid about what she really thought? | 0:07:10 | 0:07:13 | |
I think that's exactly it. | 0:07:13 | 0:07:14 | |
She had the license of knowing a religious family, | 0:07:14 | 0:07:18 | |
and that gave her the permission to write critically. | 0:07:18 | 0:07:21 | |
Our next hymn comes from somewhere that Jane may well have | 0:07:25 | 0:07:28 | |
visited here in Hampshire, Romsey Abbey. | 0:07:28 | 0:07:31 | |
It was written by a female hymn writer, Caroline Noel, | 0:07:31 | 0:07:35 | |
and I'm certain Jane Austen would have approved of that. | 0:07:35 | 0:07:38 | |
As we know, Jane Austen had a gift for conjuring up some | 0:10:03 | 0:10:07 | |
memorable fictional figures in her books. | 0:10:07 | 0:10:10 | |
Now Claire McCollum introduces us to a real-life character, | 0:10:10 | 0:10:14 | |
who has a remarkable story to tell. | 0:10:14 | 0:10:17 | |
JAZZ MUSIC | 0:10:17 | 0:10:19 | |
After the Second World War, high society was getting back into | 0:10:21 | 0:10:24 | |
the swing of things, with debutants presented to the king. | 0:10:24 | 0:10:29 | |
One of them was Shirley Leach, a young lady with a privileged life. | 0:10:29 | 0:10:34 | |
We used to go around in what we'd call a gang. | 0:10:34 | 0:10:37 | |
I was always getting ideas, "Let's go off to Switzerland," | 0:10:37 | 0:10:40 | |
which was quite dashing. | 0:10:40 | 0:10:43 | |
I had a wonderful young life. | 0:10:43 | 0:10:46 | |
A very glamorous life. | 0:10:46 | 0:10:49 | |
And I loved dancing. | 0:10:49 | 0:10:52 | |
Shirley was due to marry the love of her life, Jeremy. | 0:10:52 | 0:10:55 | |
And even picked the names of ten children she planned. | 0:10:55 | 0:10:59 | |
Until she chose another path. | 0:10:59 | 0:11:02 | |
I wrote to Jeremy, "I'm going to be a nun." | 0:11:02 | 0:11:06 | |
And, in saying that, it was as if... | 0:11:08 | 0:11:12 | |
..that had been in the mind of God for all eternity. | 0:11:13 | 0:11:17 | |
And he said, "If it's between me and God, | 0:11:17 | 0:11:20 | |
"it's obvious who's going to win." | 0:11:20 | 0:11:23 | |
After taking her vows in 1952, Shirley became Sister Agatha, | 0:11:24 | 0:11:30 | |
and, for over 40 years, | 0:11:30 | 0:11:32 | |
has been an ever-present figure at Bar Convent in York. | 0:11:32 | 0:11:35 | |
And there's now a book about her experiences, A Nun's Story. | 0:11:35 | 0:11:40 | |
When Jeremy left you off, | 0:11:40 | 0:11:41 | |
you were saying goodbye to that great love you had for him. | 0:11:41 | 0:11:46 | |
Was the love that you had for God stronger, would you say? | 0:11:46 | 0:11:50 | |
No, it grew, I suppose, is the answer. | 0:11:50 | 0:11:53 | |
It was a gradual losing of one life... | 0:11:53 | 0:11:57 | |
and... | 0:11:57 | 0:12:00 | |
learning another way of loving. | 0:12:00 | 0:12:03 | |
-'Having once lived the life of luxury...' -This is my bedroom. | 0:12:03 | 0:12:07 | |
'..I was curious to see Sister Agatha's quarters at the convent.' | 0:12:07 | 0:12:10 | |
This is what I always say, it's my office, too. | 0:12:10 | 0:12:13 | |
I'm guessing it wasn't like this | 0:12:13 | 0:12:15 | |
when you first became a nun, your room. | 0:12:15 | 0:12:18 | |
Oh, Lord, no. | 0:12:18 | 0:12:19 | |
It was called a cell in those days. | 0:12:19 | 0:12:21 | |
I had a bed. | 0:12:21 | 0:12:23 | |
Quite hard bed. | 0:12:23 | 0:12:24 | |
And then there was a screen, | 0:12:24 | 0:12:27 | |
and there was a person on the other side of the screen. | 0:12:27 | 0:12:30 | |
And then you went out, and you filled your jug, | 0:12:30 | 0:12:34 | |
and when it was very cold, | 0:12:34 | 0:12:36 | |
the water in one's basin was frozen in the morning. | 0:12:36 | 0:12:39 | |
It was a totally, totally different way of life. | 0:12:39 | 0:12:43 | |
The sisters no longer wear a habit, and the convent, | 0:12:43 | 0:12:46 | |
originally a girls' school dating back to 1686, | 0:12:46 | 0:12:50 | |
has adapted to changing times, with an interactive exhibition. | 0:12:50 | 0:12:54 | |
THEY SING QUE SERA | 0:12:57 | 0:12:59 | |
Despite being in her 80s, Sister Agatha takes on the responsibility | 0:12:59 | 0:13:03 | |
of looking after the elderly nuns, with the help of 30 volunteers. | 0:13:03 | 0:13:07 | |
Together, we all care for the sisters | 0:13:07 | 0:13:11 | |
who need day and night nursing. | 0:13:11 | 0:13:14 | |
I think I'm the only one who doesn't need day or all might nursing. | 0:13:14 | 0:13:18 | |
You provide all that. | 0:13:18 | 0:13:20 | |
THEY SAY THE LORD'S PRAYER | 0:13:20 | 0:13:23 | |
Knowing what you have experienced throughout life, | 0:13:23 | 0:13:26 | |
you're now 85, do you have any regrets about making that decision? | 0:13:26 | 0:13:31 | |
Oh, no. No time for regrets. No! | 0:13:31 | 0:13:34 | |
For me, there was never any doubt. | 0:13:36 | 0:13:40 | |
We love to bring you a variety of music on Songs Of Praise. | 0:16:32 | 0:16:36 | |
And our next performance comes from a man with an incredible voice, | 0:16:36 | 0:16:40 | |
opera singer Noah Stewart. | 0:16:40 | 0:16:42 | |
And it's a song to lift the spirits. | 0:16:42 | 0:16:45 | |
# Great day | 0:16:47 | 0:16:50 | |
# Great day, the righteous marching | 0:16:50 | 0:16:53 | |
# Great day | 0:16:53 | 0:16:56 | |
# God's going to build up Zion's walls | 0:16:56 | 0:16:58 | |
# Oh, great day | 0:16:58 | 0:17:01 | |
# Great day, the righteous marching | 0:17:01 | 0:17:04 | |
# Great day | 0:17:04 | 0:17:06 | |
# God's going to build up Zion's walls | 0:17:06 | 0:17:09 | |
# Chariot rode on the mountain top | 0:17:09 | 0:17:12 | |
# God's going to build up Zion's walls | 0:17:12 | 0:17:14 | |
# God, he spoke, and the chariot stop | 0:17:14 | 0:17:17 | |
# God's going to build up Zion's walls | 0:17:17 | 0:17:20 | |
# This is the day of jubilee | 0:17:20 | 0:17:22 | |
# God's going to build up Zion's walls | 0:17:22 | 0:17:25 | |
# God has set His people free | 0:17:25 | 0:17:27 | |
# God's going to build up Zion's walls | 0:17:27 | 0:17:30 | |
# Great day | 0:17:30 | 0:17:32 | |
# Great day, the righteous marching | 0:17:32 | 0:17:35 | |
# Great day | 0:17:35 | 0:17:38 | |
# God's going to build up Zion's walls | 0:17:38 | 0:17:40 | |
# Take my breast-plate, sword and head | 0:17:40 | 0:17:45 | |
# March out boldly through the land | 0:17:46 | 0:17:50 | |
# Want no cowards in our band | 0:17:50 | 0:17:55 | |
# Each must be a good, brave man | 0:17:55 | 0:18:00 | |
# Great day | 0:18:00 | 0:18:03 | |
# Great day, the righteous marching | 0:18:03 | 0:18:06 | |
# Great day | 0:18:06 | 0:18:08 | |
# God's going to build up Zion's walls | 0:18:08 | 0:18:11 | |
# Great day | 0:18:11 | 0:18:15 | |
# Great day, the righteous marching | 0:18:15 | 0:18:19 | |
# Great day | 0:18:19 | 0:18:25 | |
# God's going to build up | 0:18:26 | 0:18:29 | |
# Zion's | 0:18:29 | 0:18:35 | |
# Walls! # | 0:18:35 | 0:18:41 | |
Well, not everyone's blessed with a voice like Noah Stewart, | 0:18:42 | 0:18:45 | |
but that doesn't stop people of all faiths - and none - of experiencing | 0:18:45 | 0:18:49 | |
the power of music. | 0:18:49 | 0:18:50 | |
Josie d'Arby went to meet one choir | 0:18:50 | 0:18:52 | |
who think singing has completely changed their lives. | 0:18:52 | 0:18:55 | |
People join choirs for all sorts of reasons, | 0:18:59 | 0:19:03 | |
maybe to learn new music or perhaps to meet new people, | 0:19:03 | 0:19:06 | |
but for this group of singers, it's an opportunity | 0:19:06 | 0:19:09 | |
to support each other in an even more profound way. | 0:19:09 | 0:19:12 | |
The members of Rising Voices are either recovering addicts | 0:19:16 | 0:19:19 | |
or closely connected to someone who is. | 0:19:19 | 0:19:21 | |
And they rehearse every week in a local church. | 0:19:21 | 0:19:24 | |
I set it up because I'd been working in drug treatment | 0:19:26 | 0:19:29 | |
for five, six years, | 0:19:29 | 0:19:30 | |
doing group work therapy - | 0:19:30 | 0:19:32 | |
so talking to people about addiction, recovery - | 0:19:32 | 0:19:35 | |
and I just really wanted to do something different. | 0:19:35 | 0:19:37 | |
On your roller-coaster... | 0:19:37 | 0:19:38 | |
ALL WHOOP | 0:19:38 | 0:19:40 | |
You don't need to be musically experienced to join the choir. | 0:19:41 | 0:19:44 | |
It's really about people coming together. | 0:19:44 | 0:19:48 | |
So many people have the story of, like, "I was told I couldn't sing." | 0:19:50 | 0:19:54 | |
It's almost like saying, "I can't walk." | 0:19:54 | 0:19:56 | |
# Whoa, whoa, whoa-whoa-whoa | 0:19:56 | 0:19:58 | |
-ALL: -# Whoa, whoa, whoa-whoa-whoa | 0:19:58 | 0:19:59 | |
But if you start to walk again, metaphorically, with your voice, | 0:19:59 | 0:20:03 | |
I think, again, it really instils a lot of hope | 0:20:03 | 0:20:05 | |
that anything's possible. | 0:20:05 | 0:20:07 | |
# Woo-ooh-oooh | 0:20:08 | 0:20:09 | |
-ALL: -# Woo-ooh-oooh | 0:20:09 | 0:20:11 | |
While the choir isn't faith-based, | 0:20:11 | 0:20:13 | |
several members are Christians - | 0:20:13 | 0:20:15 | |
like Tony, who, as a young man, fell away from church-going | 0:20:15 | 0:20:19 | |
and into drug addiction. | 0:20:19 | 0:20:21 | |
It was such a terrible thing, such a one-way street, | 0:20:21 | 0:20:23 | |
that I thought I would never get out. | 0:20:23 | 0:20:26 | |
And, um, I went into prison | 0:20:26 | 0:20:28 | |
and it was there that I found faith in God | 0:20:28 | 0:20:33 | |
by going to the church chaplain | 0:20:33 | 0:20:35 | |
and talking about it and trying to find my way back into life. | 0:20:35 | 0:20:38 | |
And Chris has been in the choir since it began. | 0:20:38 | 0:20:42 | |
The rebellious attitude of the '80s, | 0:20:42 | 0:20:45 | |
I went on the road and then ended up messed up on drink and drugs. | 0:20:45 | 0:20:49 | |
And now I'm living in Bristol, | 0:20:49 | 0:20:52 | |
found a higher power, which ended up as Christianity, | 0:20:52 | 0:20:55 | |
and I joined the choir and am living in a Christian community. | 0:20:55 | 0:20:59 | |
Chris and Tony are telling me how the choir has helped them. | 0:20:59 | 0:21:03 | |
THEY DO VOCAL EXERCISES | 0:21:03 | 0:21:05 | |
When you've been in addiction a long time, | 0:21:07 | 0:21:11 | |
you are very isolated, you know? | 0:21:11 | 0:21:13 | |
You haven't got any true friends left, really. | 0:21:13 | 0:21:16 | |
And then, so, it's good to build... | 0:21:16 | 0:21:20 | |
I wouldn't say I'm a good singer, either, but I'm accepted. | 0:21:20 | 0:21:23 | |
Oh, I'll be the judge of that. | 0:21:23 | 0:21:25 | |
# Never, never, never, never, never | 0:21:25 | 0:21:27 | |
# Oh, never... # | 0:21:27 | 0:21:30 | |
I feel secure in that environment, I'm comfortable with the people. | 0:21:30 | 0:21:33 | |
We're just one family when we're together and that's so special. | 0:21:33 | 0:21:38 | |
# Never give up... # | 0:21:38 | 0:21:40 | |
I get a lot of feeling of recovery from the songs, | 0:21:40 | 0:21:43 | |
even though they might not be written that way. | 0:21:43 | 0:21:46 | |
It's a healing, when we get that. We get to let that out through song. | 0:21:46 | 0:21:51 | |
# I'm gonna find heaven in my... | 0:21:51 | 0:21:54 | |
-TONY: -The recovery choir is one of those good parts of my life which | 0:21:54 | 0:21:58 | |
keeps my recovery going. | 0:21:58 | 0:21:59 | |
This year is the 200th anniversary of the death of Jane Austen. | 0:23:58 | 0:24:03 | |
At the age of 41, she'd published four novels | 0:24:03 | 0:24:06 | |
and had written two more, | 0:24:06 | 0:24:08 | |
but she had a debilitating illness and her health was failing, | 0:24:08 | 0:24:11 | |
so, in 1817, her sister Cassandra brought Jane here, to Winchester, | 0:24:11 | 0:24:17 | |
for medical help. | 0:24:17 | 0:24:18 | |
They took lodgings in College Street. | 0:24:18 | 0:24:21 | |
At the time, her books were growing in popularity, | 0:24:21 | 0:24:24 | |
she was just beginning to be recognised as a great writer. | 0:24:24 | 0:24:28 | |
Her sister desperately hoped for Jane's recovery, but, sadly, | 0:24:28 | 0:24:31 | |
it wasn't to be. | 0:24:31 | 0:24:33 | |
Her final words were, "God grant me patience, | 0:24:34 | 0:24:37 | |
"pray for me, oh, pray for me." | 0:24:37 | 0:24:40 | |
Three days later, she was laid to rest here in Winchester Cathedral. | 0:24:40 | 0:24:44 | |
Louise, wow, what an incredible place to be buried. | 0:24:44 | 0:24:48 | |
-I know, it is amazing, isn't it? -Certainly is. | 0:24:48 | 0:24:50 | |
How was Jane given permission to be buried here? | 0:24:50 | 0:24:53 | |
Well, we think it was probably because of the clergy connection in the family. | 0:24:53 | 0:24:56 | |
Her father was a clergyman, her eldest brother was, and we think, | 0:24:56 | 0:24:59 | |
you know, probably a favour was pulled in, really, for that. | 0:24:59 | 0:25:02 | |
-And her funeral, was that a grand affair? -No, not at all. No. | 0:25:02 | 0:25:06 | |
No, when you think about what a famous person she is, | 0:25:06 | 0:25:08 | |
it was a very modest affair. | 0:25:08 | 0:25:10 | |
She was attended by three of her brothers and one of her nephews. | 0:25:10 | 0:25:13 | |
And her sister? | 0:25:13 | 0:25:14 | |
No, Cassandra didn't attend the funeral because women weren't | 0:25:14 | 0:25:17 | |
allowed to attend funerals in those days, so she said she just | 0:25:17 | 0:25:21 | |
watched the sad, mournful procession as it entered the close. | 0:25:21 | 0:25:24 | |
-Oh, no, that's terrible. -It is, it is, it's very touching, actually. | 0:25:24 | 0:25:29 | |
Yeah, and she's actually buried just over here. | 0:25:29 | 0:25:31 | |
-And this is her grave. -Wow, it's big. -Yes, it is, yeah. | 0:25:33 | 0:25:38 | |
So how well known was Jane Austen when she passed away? | 0:25:39 | 0:25:43 | |
She was... She was beginning to be known, | 0:25:43 | 0:25:46 | |
she was certainly known among the literati. | 0:25:46 | 0:25:48 | |
She had actually dedicated Emma to the Prince Regent, | 0:25:48 | 0:25:51 | |
on his request, so she was known among certain people, definitely. | 0:25:51 | 0:25:55 | |
On her epitaph, there's no mention, really, of her being a writer. | 0:25:55 | 0:26:00 | |
I know, but it does mention the extraordinary endowments of | 0:26:00 | 0:26:04 | |
her mind but it's mainly talking about what a good Christian | 0:26:04 | 0:26:07 | |
woman she was and how well loved she was by her family. | 0:26:07 | 0:26:10 | |
But I think that Henry, her brother, who wrote this epitaph, | 0:26:10 | 0:26:14 | |
he wanted to thank the cathedral for allowing her to be buried here | 0:26:14 | 0:26:18 | |
and by saying what a very good Christian woman she was, | 0:26:18 | 0:26:22 | |
it's almost saying she deserved to be here. | 0:26:22 | 0:26:25 | |
In the early 1870s, her nephew commissioned | 0:26:27 | 0:26:30 | |
a plaque commemorating Jane and acknowledging her as a writer. | 0:26:30 | 0:26:34 | |
Then in the early 1900s, this impressive stained glass window | 0:26:34 | 0:26:38 | |
was installed, paid for by her many admirers. | 0:26:38 | 0:26:41 | |
To this day, people still revere her. | 0:26:44 | 0:26:48 | |
They have a great affection for her as a person, | 0:26:48 | 0:26:50 | |
as well as the writer of these extraordinary books, | 0:26:50 | 0:26:54 | |
which live to this day. | 0:26:54 | 0:26:55 | |
# In paradisum | 0:26:57 | 0:27:09 | |
# Deducant te angeli | 0:27:11 | 0:27:23 | |
# In tuo adventu | 0:27:23 | 0:27:31 | |
# Suscipiant te martyres | 0:27:31 | 0:27:41 | |
# Et perducant te | 0:27:47 | 0:27:52 | |
# In civitatem sanctam | 0:27:52 | 0:27:59 | |
# Jerusalem | 0:27:59 | 0:28:05 | |
# Jerusalem | 0:28:05 | 0:28:12 | |
# Jerusalem | 0:28:12 | 0:28:21 | |
# Jerusalem | 0:28:24 | 0:28:32 | |
# Chorus angelorum | 0:28:35 | 0:28:45 | |
# Te suscipiat | 0:28:45 | 0:28:53 | |
# Et cum Lazaro quondam paupere | 0:28:53 | 0:29:08 | |
# Et cum Lazaro quondam paupere | 0:29:08 | 0:29:22 | |
# Aeternam habeas | 0:29:22 | 0:29:30 | |
# Requiem | 0:29:30 | 0:29:41 | |
# Aeternam | 0:29:46 | 0:29:55 | |
# Habeas | 0:29:55 | 0:30:04 | |
# Requiem. # | 0:30:06 | 0:30:21 | |
BIRDSONG | 0:30:29 | 0:30:31 | |
Well, that's almost it for today. | 0:30:32 | 0:30:34 | |
Next week, Aled is in Wales, | 0:30:34 | 0:30:36 | |
following the footsteps of pilgrims both ancient and modern. | 0:30:36 | 0:30:40 | |
We end today with a hymn from this beautiful cathedral, | 0:30:40 | 0:30:44 | |
a place so admired by Jane Austen. | 0:30:44 | 0:30:46 | |
Thanks for watching. | 0:30:46 | 0:30:47 |