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MUSIC: Domine, Fili unigenite from Gloria by Vivaldi | 0:00:02 | 0:00:06 | |
It was a Pentecost Sunday back in 1967 when here, in Liverpool, | 0:00:06 | 0:00:11 | |
Roman Catholics celebrated as they consecrated a brand-new cathedral. | 0:00:11 | 0:00:16 | |
It was the end of a story that actually stretched back | 0:00:16 | 0:00:19 | |
over 100 years, when the decision was first made to build | 0:00:19 | 0:00:23 | |
a cathedral for the city's growing Catholic population. | 0:00:23 | 0:00:26 | |
A story of frustrated ambition. | 0:00:26 | 0:00:28 | |
But when the doors of the cathedral were finally opened, | 0:00:29 | 0:00:32 | |
it captured the mood of the age. | 0:00:32 | 0:00:35 | |
We hear from the man who oversaw | 0:00:36 | 0:00:38 | |
the construction of this iconic building... | 0:00:38 | 0:00:41 | |
I don't think, in the whole of my life, I've experienced anything | 0:00:42 | 0:00:45 | |
as profound as what happened then. | 0:00:45 | 0:00:47 | |
..and from two of the cathedral's young parishioners, | 0:00:47 | 0:00:50 | |
as they prepare to make their first communion. | 0:00:50 | 0:00:53 | |
You want to look really special on your big special day | 0:00:53 | 0:00:56 | |
of being closer to God. | 0:00:56 | 0:00:58 | |
We've music to celebrate the Feast of Pentecost. | 0:00:59 | 0:01:03 | |
And I'm on the trail of John Wesley, the founder of Methodism. | 0:01:04 | 0:01:08 | |
The story of the cathedral we see today began in 1930, | 0:01:16 | 0:01:20 | |
with the purchase of the site of Liverpool's old workhouse. | 0:01:20 | 0:01:24 | |
Three years later, the foundation stone was laid | 0:01:25 | 0:01:28 | |
in a grand ceremony for which our first home was specially composed. | 0:01:28 | 0:01:33 | |
'Catholics everywhere are watching with increasing pride | 0:03:55 | 0:03:58 | |
'the growth of the great new Liverpool Cathedral, | 0:03:58 | 0:04:00 | |
'which will one day rival | 0:04:00 | 0:04:01 | |
'the largest and most beautiful in Europe.' | 0:04:01 | 0:04:03 | |
But after the outbreak of war, construction work was stopped | 0:04:03 | 0:04:07 | |
and spiralling costs meant all grand plans had to be abandoned. | 0:04:07 | 0:04:12 | |
Instead, Liverpool looked to build a cathedral | 0:04:12 | 0:04:15 | |
that reflected the new post-war era. | 0:04:15 | 0:04:17 | |
This famous cathedral is the result of a competition launched in 1959. | 0:04:18 | 0:04:23 | |
The winning design of almost 300 entries | 0:04:23 | 0:04:27 | |
sent in from around the world. | 0:04:27 | 0:04:30 | |
Among the congregation on the day of the consecration in 1967 | 0:04:30 | 0:04:34 | |
was Philip Harrison. | 0:04:34 | 0:04:36 | |
For him, it was the culmination of five years | 0:04:36 | 0:04:39 | |
overseeing the construction of the winning design. | 0:04:39 | 0:04:42 | |
Working here was extremely exciting. | 0:04:43 | 0:04:47 | |
This design proved a construction challenge, not least. | 0:04:47 | 0:04:52 | |
I remember being right at the top of the lantern on the outside. | 0:04:52 | 0:04:55 | |
And this was in the days before health and safety had been invented. | 0:04:55 | 0:04:59 | |
You were walking on scaffolding tubes and holding the one above you, | 0:04:59 | 0:05:03 | |
just to hang on. | 0:05:03 | 0:05:05 | |
It was a bit hairy at times, yes, I remember. | 0:05:05 | 0:05:08 | |
Tell me about the media buzz that surrounded this building. | 0:05:08 | 0:05:12 | |
I remember in particular right towards the end of | 0:05:12 | 0:05:15 | |
the construction period before the opening, one of the reporters said, | 0:05:15 | 0:05:20 | |
"How did you know that the acoustics were going to work?" | 0:05:20 | 0:05:24 | |
At that point, Jack Forrest, the junior partner, | 0:05:24 | 0:05:28 | |
said, "We do know because we've fired a gun." | 0:05:28 | 0:05:31 | |
Now that's a headline! | 0:05:31 | 0:05:33 | |
And so there seemed to be one voice all clamour for | 0:05:33 | 0:05:37 | |
a re-enactment of this firing a gun. | 0:05:37 | 0:05:40 | |
And so I had the extremely embarrassing task | 0:05:40 | 0:05:43 | |
of ringing the police, | 0:05:43 | 0:05:45 | |
and saying could I borrow a revolver for half an hour, please? | 0:05:45 | 0:05:50 | |
But that was in all the broadsheets at the time. | 0:05:50 | 0:05:52 | |
And my father opened his paper | 0:05:52 | 0:05:54 | |
which had this picture of me firing a revolver. | 0:05:54 | 0:05:57 | |
But the headline in his newspaper said "Architect Shot In Cathedral." | 0:05:57 | 0:06:02 | |
And apparently he fell off the seat in the train at the time. | 0:06:02 | 0:06:05 | |
I bet he did! | 0:06:05 | 0:06:07 | |
'The architect spoke in a new language, | 0:06:07 | 0:06:12 | |
'but this is genuine art.' | 0:06:12 | 0:06:16 | |
What, for you, were some of the special moments | 0:06:17 | 0:06:20 | |
during this whole process? | 0:06:20 | 0:06:22 | |
One particularly special moment was the day before the actual opening. | 0:06:22 | 0:06:27 | |
I had been told that there was going to be | 0:06:27 | 0:06:30 | |
a private service of consecration and it wasn't necessary | 0:06:30 | 0:06:33 | |
for any of the workmen to stop whatever they were doing. | 0:06:33 | 0:06:37 | |
And about 2 o'clock in the afternoon, | 0:06:37 | 0:06:40 | |
I remember hearing this singing. | 0:06:40 | 0:06:42 | |
CHORAL SINGING | 0:06:42 | 0:06:46 | |
I don't think in all my life I've experienced anything | 0:06:46 | 0:06:49 | |
as profound as what happened then. | 0:06:49 | 0:06:52 | |
Without exception, every man seemed to go and sit down, | 0:06:52 | 0:06:56 | |
the crash hats came off | 0:06:56 | 0:06:57 | |
and this intense change came over the building. | 0:06:57 | 0:07:00 | |
It stopped being a building and it became a sacred place. | 0:07:00 | 0:07:05 | |
And it affected me so much that I just cried away. | 0:07:05 | 0:07:08 | |
It was a wonderful, wonderful experience. | 0:07:08 | 0:07:11 | |
Winifred Park has lived in Liverpool her whole life and witnessed | 0:09:59 | 0:10:03 | |
the long struggle to build Liverpool's Metropolitan Cathedral. | 0:10:03 | 0:10:07 | |
She has vivid memories of the celebrations 50 years ago | 0:10:07 | 0:10:11 | |
on Pentecost Sunday. | 0:10:11 | 0:10:13 | |
'Now here comes the procession with the cardinal legate.' | 0:10:13 | 0:10:17 | |
Well, I went to the consecration. | 0:10:17 | 0:10:18 | |
There were nearly 3,000 people in the cathedral. | 0:10:18 | 0:10:23 | |
And the organ, this brand-new organ with the trumpets, | 0:10:23 | 0:10:27 | |
was playing for the first time. | 0:10:27 | 0:10:29 | |
And it was all joyful and uplifting because at long last we had | 0:10:29 | 0:10:33 | |
our cathedral, after having had nearly 100 years of waiting. | 0:10:33 | 0:10:37 | |
You go through the doors and you go, "Wow." | 0:10:42 | 0:10:46 | |
You are met with this huge open space unsupported. | 0:10:46 | 0:10:51 | |
And your eyes are automatically drawn to the lantern tower | 0:10:51 | 0:10:54 | |
so you look up. | 0:10:54 | 0:10:56 | |
It's not stained glass, it's coloured pieces of glass which are | 0:10:56 | 0:10:59 | |
very intense and deep, representing all the beauties of God's nature. | 0:10:59 | 0:11:05 | |
That looking up is almost a prayer in itself. | 0:11:05 | 0:11:08 | |
When the cathedral was opened, it was absolutely bare. | 0:11:10 | 0:11:13 | |
There wasn't a single solitary embellishment in it. | 0:11:13 | 0:11:16 | |
Then gradually over the years, | 0:11:16 | 0:11:18 | |
the needlework department contributed the hangings, | 0:11:18 | 0:11:20 | |
the sculptors contributed the Stations of the Cross. | 0:11:20 | 0:11:25 | |
And so much of it is local work. | 0:11:25 | 0:11:28 | |
I didn't realise how marvellous it was going to be | 0:11:30 | 0:11:34 | |
and how over the years it would go on developing the way it has done. | 0:11:34 | 0:11:39 | |
It's a great joy and privilege to have that as my parish church. | 0:11:39 | 0:11:42 | |
Back in the 18th century, the subject of our next film | 0:14:53 | 0:14:56 | |
described the people of Liverpool as being "much alive to God." | 0:14:56 | 0:15:01 | |
John Wesley, who, as Richard Taylor explains, | 0:15:01 | 0:15:04 | |
was the founder of a new branch of Christianity. | 0:15:04 | 0:15:07 | |
This is the parish church of St Giles Cripplegate in | 0:15:09 | 0:15:12 | |
the City of London. | 0:15:12 | 0:15:14 | |
Christians have worshipped here for hundreds of years, | 0:15:14 | 0:15:16 | |
but our story starts in the early 18th century when, if you'd | 0:15:16 | 0:15:21 | |
attended a service here, you would probably have been really bored. | 0:15:21 | 0:15:28 | |
You see, in the 18th-century Church of England, | 0:15:29 | 0:15:32 | |
you got an old-fashioned liturgy and sermons that could last for hours. | 0:15:32 | 0:15:37 | |
There were no lovely hymns in those days - just maybe the odd | 0:15:37 | 0:15:39 | |
psalm to chant, if you were lucky. | 0:15:39 | 0:15:42 | |
This is all assuming you wanted to come in in the first place. | 0:15:42 | 0:15:45 | |
One young clergyman at the time, who attended services here, | 0:15:47 | 0:15:50 | |
was a certain John Wesley. | 0:15:50 | 0:15:53 | |
But in 1738, he was to have an experience just around | 0:15:53 | 0:15:57 | |
the corner from here which, in time, would challenge what it meant | 0:15:57 | 0:16:01 | |
to worship and what it meant to be a Christian. | 0:16:01 | 0:16:04 | |
John Wesley was from a family of Lincolnshire clergy. | 0:16:06 | 0:16:09 | |
He had travelled to the American colonies to minister there, | 0:16:09 | 0:16:12 | |
but his time wasn't a success and, by this stage, | 0:16:12 | 0:16:15 | |
he was back in London, disconsolate and unhappy. | 0:16:15 | 0:16:19 | |
Then, on 24th May, 1738, he came to a service on this spot. | 0:16:19 | 0:16:25 | |
This monument carries his description of what happened that night. | 0:16:26 | 0:16:31 | |
It says, "I went very unwillingly to a society in Aldersgate Street, | 0:16:32 | 0:16:38 | |
"where one was reading. | 0:16:38 | 0:16:39 | |
"While he was describing the change which God works in the heart | 0:16:40 | 0:16:44 | |
"through faith in Christ, I felt my heart strangely warmed. | 0:16:44 | 0:16:50 | |
"I felt I did trust in Christ, Christ alone, for salvation." | 0:16:50 | 0:16:55 | |
Inspired by his experience that night, | 0:16:57 | 0:17:00 | |
and with his missionary passion revived, | 0:17:00 | 0:17:02 | |
Wesley began to take his message of absolute faith in Christ to | 0:17:02 | 0:17:07 | |
the people that the established Church had left behind - | 0:17:07 | 0:17:10 | |
the men and women of the early Industrial Revolution. | 0:17:10 | 0:17:13 | |
He preached in the coalfields, in the brickfields, | 0:17:13 | 0:17:17 | |
in cottages and in halls, and in the open air. | 0:17:17 | 0:17:20 | |
Wesley intended Methodism to be a society within the Church of England. | 0:17:22 | 0:17:27 | |
But as the movement grew, | 0:17:27 | 0:17:29 | |
so it started to build its own worship spaces. | 0:17:29 | 0:17:32 | |
One of the earliest is here, on London's City Road. | 0:17:32 | 0:17:36 | |
And it's here that I'm meeting the Reverend Dr Leslie Griffiths. | 0:17:37 | 0:17:41 | |
I've often wondered, where does the name Methodism come from? | 0:17:41 | 0:17:45 | |
Well, it was the rather quaint way that the first Methodists | 0:17:45 | 0:17:49 | |
divided up their day so that they got up very early in the morning, | 0:17:49 | 0:17:53 | |
they fasted for a bit, they did Bible study for a bit, | 0:17:53 | 0:17:56 | |
then they had breakfast. | 0:17:56 | 0:17:58 | |
And after that, they divvied up the rest of the day, and they were | 0:17:58 | 0:18:01 | |
so methodical that they were called Methodists as a term of reproach. | 0:18:01 | 0:18:05 | |
-Methodical Methodism! -Mm. | 0:18:05 | 0:18:07 | |
In a place like this, where Wesley himself preached, | 0:18:07 | 0:18:11 | |
what's it like following in his footsteps, as it were? | 0:18:11 | 0:18:14 | |
It's a little bit intimidating. | 0:18:14 | 0:18:16 | |
I feel that perhaps we're measuring up to the rather exacting | 0:18:16 | 0:18:21 | |
expectations of our predecessor, | 0:18:21 | 0:18:23 | |
but John Wesley's statue out in the yard here is facing into the world. | 0:18:23 | 0:18:29 | |
His people must also face into the world. | 0:18:29 | 0:18:32 | |
So I think it's a stimulus to have him as a predecessor, | 0:18:32 | 0:18:36 | |
but also I'd like to think that his rather severe face might just | 0:18:36 | 0:18:40 | |
now and again see the corners of his mouth turning up in | 0:18:40 | 0:18:44 | |
the direction of a smile. | 0:18:44 | 0:18:46 | |
RICHARD LAUGHS | 0:18:46 | 0:18:47 | |
It's said that, by the time he died, | 0:18:51 | 0:18:53 | |
John Wesley had travelled more than 250,000 miles and preached | 0:18:53 | 0:18:58 | |
more than 40,000 sermons, and he left behind him nothing but | 0:18:58 | 0:19:03 | |
a good library and the Methodist Church. | 0:19:03 | 0:19:06 | |
One of the most important moments in the life of | 0:22:03 | 0:22:06 | |
a Roman Catholic is their first communion - a joyous occasion | 0:22:06 | 0:22:10 | |
shared with family and friends. | 0:22:10 | 0:22:12 | |
This is my dress, and my dress is very sparkly and very puffy | 0:22:19 | 0:22:23 | |
and it has a lot of patterns on. | 0:22:23 | 0:22:26 | |
This is my veil and it has a lot of beads, and the front bit | 0:22:26 | 0:22:31 | |
has loads of diamonds on. | 0:22:31 | 0:22:32 | |
You want to look really special on your big, | 0:22:34 | 0:22:36 | |
special day of being closer to God. | 0:22:36 | 0:22:39 | |
I've been practising with everything so I know what to do on the day. | 0:22:39 | 0:22:46 | |
-"Isaac and Rebekah had two sons..." -Gracie is nine years old. | 0:22:46 | 0:22:51 | |
She'll be making her first communion just | 0:22:51 | 0:22:52 | |
a short walk from her home at the Metropolitan Cathedral. | 0:22:52 | 0:22:56 | |
The Cathedral is a lovely place to make a communion cos it's just | 0:22:56 | 0:23:01 | |
very big and it has nice crosses at the top of it. | 0:23:01 | 0:23:05 | |
So this is my cake. | 0:23:07 | 0:23:09 | |
So this is what happens when you have the best grandma ever! | 0:23:09 | 0:23:12 | |
Communion's important because, when you go deep into God's family, | 0:23:14 | 0:23:19 | |
you become more of a Christian. | 0:23:19 | 0:23:21 | |
So the Father says, "This is the body of Christ," | 0:23:21 | 0:23:25 | |
and then we eat it and remember it's Jesus. | 0:23:25 | 0:23:28 | |
And we do the same with the wine. | 0:23:28 | 0:23:30 | |
The wine is normal wine and it's blessed. | 0:23:30 | 0:23:33 | |
Even though they go to Mass | 0:23:41 | 0:23:43 | |
at the Cathedral regularly, it's really special | 0:23:43 | 0:23:47 | |
but, you know, this year, | 0:23:47 | 0:23:48 | |
it's 50 years that the Cathedral's...you know, | 0:23:48 | 0:23:51 | |
it's having its birthday, and the children get to be part of that. | 0:23:51 | 0:23:55 | |
And you'll be able to see Jacob and Gracie make their first communion | 0:24:03 | 0:24:06 | |
after the next hymn. | 0:24:06 | 0:24:07 | |
# What a friend we have in Jesus | 0:24:14 | 0:24:19 | |
# All our sins and griefs to bear | 0:24:19 | 0:24:22 | |
# What a privilege to carry | 0:24:24 | 0:24:28 | |
# Everything to God in prayer | 0:24:29 | 0:24:32 | |
# Oh, what peace we often forfeit | 0:24:34 | 0:24:39 | |
# Oh, what needless pain we bear | 0:24:39 | 0:24:44 | |
# All because we do not carry | 0:24:44 | 0:24:49 | |
# Everything to God in prayer | 0:24:49 | 0:24:52 | |
# Have we trials and temptations? | 0:24:54 | 0:24:58 | |
# Is there trouble anywhere? | 0:24:58 | 0:25:04 | |
# We should never be discouraged | 0:25:04 | 0:25:08 | |
# Take it to the Lord in prayer | 0:25:08 | 0:25:14 | |
# Can we find a friend so faithful? | 0:25:14 | 0:25:17 | |
# Can we find a friend who will all our sorrows share? | 0:25:17 | 0:25:22 | |
# All our sorrows share? | 0:25:22 | 0:25:24 | |
# Jesus knows our every weakness | 0:25:24 | 0:25:27 | |
# Jesus knows | 0:25:27 | 0:25:29 | |
# Take it to the Lord in prayer | 0:25:29 | 0:25:33 | |
# Are we weak and heavy-laden | 0:25:34 | 0:25:39 | |
# Cumbered with a load of care? | 0:25:39 | 0:25:44 | |
# Precious saviour, still our refuge | 0:25:44 | 0:25:49 | |
# Take it to the Lord in prayer | 0:25:49 | 0:25:54 | |
# Do your friends despise Forsake you? | 0:25:54 | 0:25:57 | |
# Do you need a friend? | 0:25:57 | 0:25:59 | |
# Take it to the Lord in prayer | 0:25:59 | 0:26:02 | |
# To the Lord in prayer | 0:26:02 | 0:26:04 | |
# In his arms he'll take and shield you | 0:26:04 | 0:26:08 | |
# In his arms | 0:26:08 | 0:26:09 | |
# You will find a solace there | 0:26:09 | 0:26:14 | |
# You will find | 0:26:14 | 0:26:16 | |
# You will find a solace there. # | 0:26:16 | 0:26:24 | |
The moment for which Gracie and Jacob have been preparing for | 0:26:28 | 0:26:31 | |
many months has arrived. | 0:26:31 | 0:26:34 | |
They're surrounded by family, friends and the Cathedral community. | 0:26:34 | 0:26:38 | |
So, children, this is it! | 0:26:40 | 0:26:44 | |
The big day has arrived - | 0:26:44 | 0:26:47 | |
something you'll remember for the rest of your lives. | 0:26:47 | 0:26:50 | |
Taking my Holy Communion in such a special building is actually | 0:26:56 | 0:27:00 | |
quite a gift because you can look up and see all the nice colours | 0:27:00 | 0:27:06 | |
and remember that God is always with you. | 0:27:06 | 0:27:09 | |
So, at first, I was a little bit nervous and then, | 0:27:29 | 0:27:32 | |
when they called out my name, I was, like, "Oh!" | 0:27:32 | 0:27:35 | |
I got to wear a lovely dress and I got to have a lot of fun. | 0:27:35 | 0:27:39 | |
# Lord, I know I am not worthy to receive you | 0:27:50 | 0:27:58 | |
# You speak the words and I am healed | 0:27:59 | 0:28:05 | |
# Here at your table | 0:28:09 | 0:28:12 | |
# Love's mystery | 0:28:14 | 0:28:16 | |
# One bread, one cup One family... # | 0:28:19 | 0:28:24 | |
Next week, David Grant highlights the vital contribution that | 0:30:41 | 0:30:45 | |
carers make to our families and communities. | 0:30:45 | 0:30:49 | |
But we end today's programme with a rousing hymn in celebration of | 0:30:49 | 0:30:54 | |
the Feast of Pentecost. | 0:30:54 | 0:30:56 |