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Hello. It's Russell Watson in the city of Salford, | 0:00:02 | 0:00:06 | |
and I want to take you back to 1976. | 0:00:06 | 0:00:10 | |
I remember very clearly, even though I was just a boy, the death of a man | 0:00:10 | 0:00:16 | |
who, more than any other, shaped the popular image | 0:00:16 | 0:00:19 | |
of this part of the world. | 0:00:19 | 0:00:21 | |
He lived here for nearly 30 years. This is Station Road, Swinton, | 0:00:25 | 0:00:29 | |
and up there, in a tiny little attic, is where he created | 0:00:29 | 0:00:32 | |
all his beautiful paintings and drawings. | 0:00:32 | 0:00:35 | |
He was, of course, Laurence Stephen Lowry. | 0:00:36 | 0:00:40 | |
And he perfectly captured the industrial Salford of last century. | 0:00:40 | 0:00:45 | |
But I'm curious to know what is left of Lowry's world. | 0:00:46 | 0:00:50 | |
I'm off to find some of the landmarks | 0:00:54 | 0:00:56 | |
captured on canvas by Lowry, and meeting fellow Salfordians | 0:00:56 | 0:01:00 | |
who are making a difference in their community today. | 0:01:00 | 0:01:03 | |
And in an old cotton mill sketched by Lowry, | 0:01:03 | 0:01:06 | |
I'll be performing the classic hymn, Jerusalem. | 0:01:06 | 0:01:09 | |
Just a short walk from Lowry's home at the end of Station Road | 0:01:17 | 0:01:21 | |
is St Peter's Parish Church, the setting for our hymns tonight. | 0:01:21 | 0:01:26 | |
And amongst the congregation is someone that I'm really | 0:01:27 | 0:01:30 | |
looking forward to meeting. | 0:01:30 | 0:01:32 | |
She's been coming here for almost 65 years, | 0:01:32 | 0:01:36 | |
and she has a Lowry tale or two to tell. | 0:01:36 | 0:01:39 | |
But first, the hymn, Lord, Enthroned In Heavenly Splendour. | 0:01:39 | 0:01:44 | |
I've never been a chocolate eater. | 0:04:06 | 0:04:09 | |
Joan Etchells has been going to St Peter's since 1945. | 0:04:09 | 0:04:13 | |
She continues to be an active member of the congregation and has | 0:04:13 | 0:04:16 | |
fond memories of Lowry visiting the butcher shop owned by her in-laws. | 0:04:16 | 0:04:21 | |
Five to eight, he used to walk down on the other side of Station Road | 0:04:22 | 0:04:26 | |
till he saw them drop the blind, then he'd come in the shop. | 0:04:26 | 0:04:30 | |
He didn't like coming when there was a crowd of people. | 0:04:30 | 0:04:33 | |
So in many respects, he was quite shy. | 0:04:33 | 0:04:37 | |
Oh, very shy! A very, very, shy person. | 0:04:37 | 0:04:41 | |
When I first met him, he said, "Oh, you're the bride to be, are you?" | 0:04:41 | 0:04:46 | |
And I'd heard he didn't talk and so I said, "Yeah, I hope so." | 0:04:46 | 0:04:52 | |
And he started laughing, so he said, "Yeah, I've heard a lot about you." | 0:04:52 | 0:04:57 | |
-You made an impact. -Yeah. | 0:04:57 | 0:04:59 | |
My mother-in-law said she'd never known him | 0:04:59 | 0:05:02 | |
talk to anybody like that. | 0:05:02 | 0:05:05 | |
Wow. | 0:05:05 | 0:05:07 | |
He was a wonderful, wonderful man. | 0:05:07 | 0:05:10 | |
He always had this trilby cap on and this long raincoat, | 0:05:10 | 0:05:14 | |
and in that pocket, he always had a pad and pencil. | 0:05:14 | 0:05:18 | |
That was his doodle pad, he called it, | 0:05:18 | 0:05:21 | |
and in this one, he always had a packet of sweets, | 0:05:21 | 0:05:25 | |
and if he saw a child, he would give it a sweet because he loved children. | 0:05:25 | 0:05:29 | |
We used to meet him once a month, | 0:05:29 | 0:05:32 | |
and we always met him outside the art gallery in Moseley Street, | 0:05:32 | 0:05:35 | |
and he used to say, "Let's see what they've pinned up for me this week." | 0:05:35 | 0:05:40 | |
And then we went in the cafe in St Peter's Square | 0:05:40 | 0:05:43 | |
and had a coffee with him, you see, before he toddled off to his club. | 0:05:43 | 0:05:47 | |
I didn't know, but he came to our wedding | 0:05:48 | 0:05:51 | |
and he sat at the back of the church. | 0:05:51 | 0:05:54 | |
2nd of April, 1945. | 0:05:54 | 0:05:57 | |
-We were married there. -That would be...65 years, then, wouldn't it? | 0:05:57 | 0:06:02 | |
I couldn't live without the church. | 0:06:03 | 0:06:06 | |
God, he's helped me an awful, awful lot. | 0:06:06 | 0:06:09 | |
When I had my daughter, that was 1948, she was very poorly | 0:06:10 | 0:06:15 | |
and they didn't give us any hope for her at all. | 0:06:15 | 0:06:18 | |
And I went into church that morning, and as true as I sitting here, | 0:06:19 | 0:06:25 | |
I knelt down to pray and somebody touched my head to say, | 0:06:25 | 0:06:31 | |
"She's going to be all right." And I have never, ever forgotten that. | 0:06:31 | 0:06:37 | |
I had a similar sensation to that singing the Schubert Ave Maria, | 0:06:39 | 0:06:44 | |
and I walked onstage, | 0:06:44 | 0:06:46 | |
and it wasn't actually that long after my gran had passed away, | 0:06:46 | 0:06:51 | |
and I felt a little touch on my shoulder. | 0:06:51 | 0:06:54 | |
I looked back - nobody there - | 0:06:54 | 0:06:57 | |
and it was just one of those special little moments. | 0:06:57 | 0:07:00 | |
People, they think you're silly, they think you're barmy | 0:07:00 | 0:07:04 | |
-if you say anything like this. -I don't think you're barmy. | 0:07:04 | 0:07:07 | |
I believe that there is life after. I do, really. | 0:07:07 | 0:07:13 | |
That is my belief. | 0:07:13 | 0:07:15 | |
Larry famously captured the industrial scenes around him. | 0:10:31 | 0:10:35 | |
Now those cotton mills and factories, | 0:10:35 | 0:10:37 | |
once the life blood of the city, are gone | 0:10:37 | 0:10:40 | |
and the old docks have been replaced by a new centre for media. | 0:10:40 | 0:10:44 | |
Salford-born Lisa Haywood was worried about | 0:10:47 | 0:10:49 | |
how the influx of newcomers would affect her community. | 0:10:49 | 0:10:53 | |
I knew a lot of people that did work there and that and it was sad. | 0:10:53 | 0:10:57 | |
It was really scary cos you thought, "They're going to take over. | 0:10:57 | 0:11:01 | |
"I'm not having it. This is Salford!" | 0:11:01 | 0:11:05 | |
Do you know what I mean? | 0:11:05 | 0:11:06 | |
-I certainly do know what you mean. -And we weren't happy about it at all. | 0:11:06 | 0:11:09 | |
We just didn't like it, the thought of it. | 0:11:09 | 0:11:12 | |
When at church she met the chaplain of MediaCity, Lisa told her | 0:11:12 | 0:11:17 | |
what she thought. | 0:11:17 | 0:11:18 | |
"You talk funny, you've got a different accent to us | 0:11:18 | 0:11:21 | |
"and you're posh." | 0:11:21 | 0:11:22 | |
So you had preconceived ideas of it based on... | 0:11:22 | 0:11:25 | |
-Just the way she talked. -Just the way she spoke. -Yeah. | 0:11:25 | 0:11:28 | |
And I thought, "She's one of them. She's got money. | 0:11:28 | 0:11:32 | |
"She's one of them." | 0:11:32 | 0:11:33 | |
Next time she come to church she went, "I'm back." | 0:11:33 | 0:11:37 | |
We went, "Didn't think you'd come back." | 0:11:37 | 0:11:39 | |
She went, "Well, you're not putting me off." We got talking to her. | 0:11:39 | 0:11:42 | |
She's great, she's absolutely great. | 0:11:42 | 0:11:44 | |
Hence the saying, "Never judge a book by it's cover." | 0:11:44 | 0:11:48 | |
That's what she's learnt us, and by God, | 0:11:48 | 0:11:49 | |
she's learnt us that statement, yeah. | 0:11:49 | 0:11:52 | |
Remarkably, with the help of Hayley, Lisa decided to become | 0:11:53 | 0:11:56 | |
a volunteer in the chaplaincy office, | 0:11:56 | 0:11:58 | |
which is based in what was once a pie factory. | 0:11:58 | 0:12:02 | |
I really enjoyed it. | 0:12:02 | 0:12:04 | |
She said, "One day, we'll do a big business breakfast." And I thought, | 0:12:04 | 0:12:08 | |
"Oh, no." And I went, "All right, then." I don't like letting her down. | 0:12:08 | 0:12:12 | |
So I went and I was nervous. My legs were shaking. | 0:12:12 | 0:12:15 | |
I'm thinking, "Oh, my God, please help me." | 0:12:15 | 0:12:18 | |
I could feel my face going redder and redder and thinking, | 0:12:19 | 0:12:22 | |
"Don't talk to me. Please, just go away." And this one man went, | 0:12:22 | 0:12:26 | |
"You all right, love?" I went, "Yeah, yeah, fine." | 0:12:26 | 0:12:28 | |
He went, "What you doing?" | 0:12:28 | 0:12:29 | |
"I'm dead nervous," I said, "I'm not like yous. | 0:12:29 | 0:12:31 | |
"I'm not clever. I don't even know half the words | 0:12:31 | 0:12:33 | |
"you're coming out with." He went, "Well, ask." | 0:12:33 | 0:12:36 | |
I said, "It don't matter." He went, "No, it does matter." | 0:12:36 | 0:12:39 | |
He said, "You are as good as us. Ask. | 0:12:39 | 0:12:41 | |
"If you don't understand something, ask." | 0:12:41 | 0:12:43 | |
And I thought, "Oh, right, well, I will." | 0:12:43 | 0:12:45 | |
Well, they couldn't shut me up. | 0:12:45 | 0:12:47 | |
They couldn't shut me up and then I started relaxing. | 0:12:47 | 0:12:50 | |
I do them now with her once a month and I love it. | 0:12:51 | 0:12:54 | |
I don't feel intimidated by lots of people in suits | 0:12:54 | 0:12:57 | |
walking in now cos I always think, "You're no different to me." | 0:12:57 | 0:13:00 | |
Lisa has been an absolute blessing to me, really. I do think of her | 0:13:00 | 0:13:04 | |
as a great gift. Lisa's a real bridge between the two communities, | 0:13:04 | 0:13:08 | |
and I think for me especially, the way her faith has grown, | 0:13:08 | 0:13:12 | |
she really has learned that God is there for her, | 0:13:12 | 0:13:15 | |
what ever she's going through. | 0:13:15 | 0:13:17 | |
OK, So I think we'll get these Julia meetings... | 0:13:17 | 0:13:20 | |
It's like someone's been sent to change my life, like, show me | 0:13:20 | 0:13:23 | |
what I'm actually worth. | 0:13:23 | 0:13:25 | |
I thought, "I'm just a person from Salford like everyone else, | 0:13:25 | 0:13:29 | |
"growing up and nothing's ever good going to happen to me." | 0:13:29 | 0:13:33 | |
And now I think, "No, something could happen good to me now, | 0:13:33 | 0:13:37 | |
"because I'm getting on with things." | 0:13:37 | 0:13:39 | |
God's listening to me and he does answer me, so it's good. | 0:13:40 | 0:13:45 | |
Now, as well as his industrial scenes, | 0:16:12 | 0:16:15 | |
Lowry drew and painted the parks of Salford and there were lots | 0:16:15 | 0:16:19 | |
to choose from, because over 60% of Salford is made up of green spaces. | 0:16:19 | 0:16:25 | |
Buile Park is the location of a project run by the charity | 0:16:28 | 0:16:32 | |
START in Salford, an arts project for people | 0:16:32 | 0:16:35 | |
with mental health problems. | 0:16:35 | 0:16:37 | |
The aim of the project, really, is to bring people together, | 0:16:37 | 0:16:40 | |
to allow people to mix and make new friends, | 0:16:40 | 0:16:44 | |
to feel good about themselves, to build up their self confidence | 0:16:44 | 0:16:48 | |
so they can get back into community life. | 0:16:48 | 0:16:50 | |
Gardening in particular can be very therapeutic, | 0:16:50 | 0:16:54 | |
and all these ways of expressing yourself | 0:16:54 | 0:16:58 | |
can help give focus and purpose and something to be proud of as well. | 0:16:58 | 0:17:05 | |
Stops me from getting depressed, suicidal. | 0:17:05 | 0:17:09 | |
I like meeting people, you know, having a chat. | 0:17:09 | 0:17:12 | |
You always find out about different things. | 0:17:12 | 0:17:15 | |
I think nowadays, mental health still has a stigma, | 0:17:16 | 0:17:20 | |
yet it affects us all, whether we're made redundant, whether our | 0:17:20 | 0:17:25 | |
relationships break up, or whether there's a bereavement in the family. | 0:17:25 | 0:17:29 | |
They're all mental health issues that can affect anybody. | 0:17:29 | 0:17:33 | |
Your mood is, you feel a little bit better, even if | 0:17:33 | 0:17:36 | |
it might only just be for a while. You know, it just helps. | 0:17:36 | 0:17:39 | |
Your mind is focused on something else other than yourself. | 0:17:39 | 0:17:43 | |
Suffering and despair | 0:17:43 | 0:17:45 | |
and sadness are very much common to human experience, | 0:17:45 | 0:17:49 | |
and Jesus, in the gospels we're told that he experienced that | 0:17:49 | 0:17:55 | |
despair on the cross as he cried out, | 0:17:55 | 0:17:57 | |
"My God, My God, why have you forsaken me?" | 0:17:57 | 0:18:00 | |
Just the other day, | 0:18:00 | 0:18:01 | |
we were talking to some parents of some of our members, | 0:18:01 | 0:18:04 | |
and just in passing they said, "You've given us our son back," | 0:18:04 | 0:18:09 | |
and that was really quite emotional. | 0:18:09 | 0:18:12 | |
I suppose that's what makes me so passionate about the project, really. | 0:18:12 | 0:18:16 | |
It's people who have problems the same as I have, | 0:18:16 | 0:18:20 | |
so we all pull together, we help each other much as we possibly can | 0:18:20 | 0:18:25 | |
and we all understand each other and that is the main thing. | 0:18:25 | 0:18:28 | |
TRUMPETS PLAY | 0:18:32 | 0:18:34 | |
Public buildings were another of Lowry's favourite subjects, | 0:20:11 | 0:20:14 | |
like this 1926 sketch of Salford Courthouse. | 0:20:14 | 0:20:18 | |
As a boy, it was Graham Jackson's ambition to work there. | 0:20:18 | 0:20:24 | |
My father was a foreman on the docks | 0:20:24 | 0:20:27 | |
and my mother used to be a seamstress for a friend of hers. | 0:20:27 | 0:20:31 | |
I was the first one in the whole of this very large family | 0:20:31 | 0:20:36 | |
to obtain a degree. | 0:20:36 | 0:20:38 | |
It was a real big deal, so to speak. | 0:20:38 | 0:20:41 | |
A proud day in 1978 when Graham qualified as a solicitor. | 0:20:41 | 0:20:45 | |
But at the beginning of last year, | 0:20:45 | 0:20:47 | |
after over 30 years in the profession, | 0:20:47 | 0:20:50 | |
Graham was made redundant. | 0:20:50 | 0:20:52 | |
I'd never had one day out of work. | 0:20:52 | 0:20:56 | |
Then suddenly to be put in this situation | 0:20:56 | 0:20:59 | |
where your whole life is turned upside-down, you really then, | 0:20:59 | 0:21:05 | |
or I really then started to question my faith and saying, | 0:21:05 | 0:21:09 | |
well, am I getting anywhere with this? | 0:21:09 | 0:21:11 | |
Is God helping me? | 0:21:11 | 0:21:14 | |
I was really, really low in mind and spirit. | 0:21:14 | 0:21:19 | |
I don't think you can't feel guilty for being depressed. | 0:21:19 | 0:21:23 | |
It's sometimes, I think, difficult, | 0:21:23 | 0:21:25 | |
when you're in the situation yourself, to look outside of it. | 0:21:25 | 0:21:28 | |
It really was a difficult time. | 0:21:28 | 0:21:30 | |
One particular priest who came, he didn't know anything about me | 0:21:30 | 0:21:34 | |
but it was just his sermon. | 0:21:34 | 0:21:35 | |
He spoke so movingly about | 0:21:35 | 0:21:38 | |
you don't know what God has got in mind for you for the future, | 0:21:38 | 0:21:43 | |
but there is a plan. | 0:21:43 | 0:21:44 | |
I think I came to my senses and said, "No, God isn't abandoning me." | 0:21:44 | 0:21:49 | |
I think that I'm being given far more time now by God | 0:21:49 | 0:21:54 | |
to be able to do things to help other people. | 0:21:54 | 0:21:57 | |
The upshot being that you now feel like you have a new meaning to life? | 0:21:57 | 0:22:01 | |
Yes, indeed. | 0:22:01 | 0:22:03 | |
-I've been fortunate enough to travel a lot into Africa. -Oh, my word! | 0:22:03 | 0:22:06 | |
To see people living in the bush, in mud huts, walking miles for water, | 0:22:06 | 0:22:11 | |
being afraid to leave their children because of people coming | 0:22:11 | 0:22:16 | |
and either physically or sexually abusing children. | 0:22:16 | 0:22:19 | |
It puts your own difficulties into perspective. | 0:22:19 | 0:22:22 | |
Yes, I'm looking forward to the future | 0:22:22 | 0:22:25 | |
and I think there are opportunities. | 0:22:25 | 0:22:28 | |
Maybe I don't know what they're going to be | 0:22:28 | 0:22:30 | |
but God has something in mind for me. | 0:22:30 | 0:22:32 | |
I'm sure he's not just going to abandon me. | 0:22:32 | 0:22:34 | |
-The twists and turns of faith are continuous. -Yes. | 0:22:34 | 0:22:38 | |
Sacred Trinity is Salford's oldest church. | 0:24:39 | 0:24:42 | |
Lowry sketched it in 1925 and it's one of his views of the city | 0:24:42 | 0:24:48 | |
that has remained unchanged. | 0:24:48 | 0:24:50 | |
Back then, no-one could possibly have imagined that Sacred Trinity | 0:24:50 | 0:24:54 | |
would hold a monthly Goth night. | 0:24:54 | 0:24:57 | |
Goth and Christian Kolyn Amor is one of its founders. | 0:24:57 | 0:25:01 | |
People have said to me, "You can't be a Goth and believe in God." | 0:25:01 | 0:25:06 | |
And I just start, "Well, I am a Goth and I do believe in God." | 0:25:07 | 0:25:14 | |
Goth night is based on Christian principles. | 0:25:17 | 0:25:20 | |
I'm trying to encourage a group of people that perhaps | 0:25:21 | 0:25:25 | |
might not ordinarily engage with church in any way, | 0:25:25 | 0:25:29 | |
just to get them across the threshold. | 0:25:29 | 0:25:32 | |
It's not quiet, believe me! | 0:25:35 | 0:25:38 | |
But people feel safe to be themselves here. | 0:25:38 | 0:25:41 | |
What do you say to people who are judgmental of you? | 0:25:41 | 0:25:45 | |
Generally, nothing. | 0:25:45 | 0:25:48 | |
Because I think they're the ones that have an issue, not me. | 0:25:48 | 0:25:54 | |
My parents, for example, when I was a teenager. | 0:25:55 | 0:25:59 | |
I was going to ask, how did you... How, for instance... | 0:25:59 | 0:26:01 | |
They weren't big fans. They aren't big fans, still! | 0:26:01 | 0:26:07 | |
-No, they're lovely. -Ah, lovely. | 0:26:07 | 0:26:09 | |
But I wouldn't feel like me if I didn't express myself like this. | 0:26:11 | 0:26:15 | |
I know it sounds a bit daft, it's just clothes, it's just hair styles, | 0:26:15 | 0:26:19 | |
but it's such an expression of what's inside me, | 0:26:19 | 0:26:23 | |
that I would feel crushed if I didn't express myself the way I do. | 0:26:23 | 0:26:28 | |
I'm wearing a Sophie Lancaster bracelet, who was a Goth, | 0:26:28 | 0:26:34 | |
and got beaten to death because she felt so strongly | 0:26:34 | 0:26:41 | |
that she wanted to look that way. | 0:26:41 | 0:26:43 | |
Some people took a violent response to that. | 0:26:43 | 0:26:47 | |
Obviously, some of the imagery and music | 0:26:48 | 0:26:52 | |
and stuff that goes along with Goth culture can seem quite dark. | 0:26:52 | 0:26:56 | |
Very occasionally, some people have not been happy with that | 0:26:57 | 0:27:03 | |
and have challenged me to say, | 0:27:03 | 0:27:05 | |
"You shouldn't be doing this," or, "You can't do this." | 0:27:05 | 0:27:09 | |
-Within the world of the Goths, or? -Both. -Both? -Yeah. | 0:27:09 | 0:27:13 | |
-So there's been conflicts from both ends? -Yeah. | 0:27:13 | 0:27:16 | |
But my perception of Jesus is | 0:27:19 | 0:27:22 | |
that he tried to reach those kinds of people | 0:27:22 | 0:27:27 | |
that everybody else didn't really want to hang around with. | 0:27:27 | 0:27:32 | |
Or was outside what was accepted in society at that time | 0:27:34 | 0:27:40 | |
and if we can do a tiny bit of that, then I think that's quite good. | 0:27:40 | 0:27:45 | |
# And did those feet in ancient time | 0:28:03 | 0:28:09 | |
# Walk upon England's mountains green | 0:28:09 | 0:28:15 | |
# And was the Holy Lamb of God | 0:28:16 | 0:28:23 | |
# On England's pleasant pastures seen | 0:28:23 | 0:28:30 | |
# And did the countenance divine | 0:28:30 | 0:28:37 | |
# Shine forth upon our clouded hills | 0:28:37 | 0:28:44 | |
# And was Jerusalem builded here | 0:28:44 | 0:28:51 | |
# Among those dark satanic mills | 0:28:51 | 0:28:59 | |
# Bring me my bow of burning gold | 0:29:11 | 0:29:18 | |
# Bring me my arrows of desire | 0:29:18 | 0:29:26 | |
# Bring me my spear O clouds unfold | 0:29:26 | 0:29:32 | |
# Bring me my chariot of fire | 0:29:32 | 0:29:40 | |
# I will not cease from mental fight | 0:29:40 | 0:29:47 | |
# Nor shall my sword sleep in my hand | 0:29:47 | 0:29:54 | |
# Till we have built Jerusalem | 0:29:54 | 0:30:01 | |
# In England's green and pleasant land | 0:30:01 | 0:30:08 | |
# Jerusalem! # | 0:30:13 | 0:30:21 | |
Almighty God, may we live with hope in this, our earthly community, | 0:30:24 | 0:30:30 | |
and anticipate with joy, the heavenly city | 0:30:30 | 0:30:34 | |
and the communion of all the Saints | 0:30:34 | 0:30:37 | |
through Christ, our Lord, Amen. | 0:30:37 | 0:30:41 | |
And the blessing of God Almighty, | 0:30:41 | 0:30:44 | |
the Father, the Son, and the Holy Spirit, | 0:30:44 | 0:30:47 | |
be among you and remain with you, this day and always. | 0:30:47 | 0:30:53 | |
Amen. | 0:30:53 | 0:30:55 | |
Next week, Pam meets people who believe they've encountered angels, | 0:33:30 | 0:33:35 | |
including author Lorna Byrne | 0:33:35 | 0:33:37 | |
who says she's seen angels since she was a child. | 0:33:37 | 0:33:40 | |
The hymns will be angelic, of course, | 0:33:40 | 0:33:42 | |
and there's music from Sir Willard White. | 0:33:42 | 0:33:45 | |
Subtitles by Red Bee Media Ltd | 0:33:45 | 0:33:48 |