Browse content similar to St Patrick's Day. Check below for episodes and series from the same categories and more!
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Welcome to Songs of Praise. | 0:00:05 | 0:00:07 | |
And in the week that we celebrate St Patrick's Day, | 0:00:07 | 0:00:09 | |
we're in Londonderry in Northern Ireland. | 0:00:09 | 0:00:12 | |
Last year, all roads led to Derry | 0:00:13 | 0:00:16 | |
as the city celebrated 12 months in the spotlight | 0:00:16 | 0:00:19 | |
as the UK's very first City of Culture. | 0:00:19 | 0:00:22 | |
And what a great party that was. | 0:00:25 | 0:00:27 | |
So, how do the people of Derry plan to keep that spirit of hope alive? | 0:00:27 | 0:00:31 | |
And does the message of Ireland's patron saint have anything to add? | 0:00:31 | 0:00:35 | |
This week, we hear from men and women | 0:00:39 | 0:00:41 | |
who are carrying on the message of St Patrick. | 0:00:41 | 0:00:44 | |
Choirs from the Derry area sing some great hymns | 0:00:44 | 0:00:47 | |
in the city's historic Guildhall. | 0:00:47 | 0:00:49 | |
And there's music from Derry singer-songwriter Eilidh Patterson. | 0:00:49 | 0:00:54 | |
The historic walled city of Derry lies at the mouth of River Foyle. | 0:01:03 | 0:01:07 | |
This is one of the oldest continually-inhabited areas of Ireland. | 0:01:07 | 0:01:11 | |
And today, it's home to just over 100,000 people. | 0:01:11 | 0:01:14 | |
The city gets its name from the Irish word Daire, which means oak. | 0:01:16 | 0:01:20 | |
A symbol which is still proudly displayed across the city. | 0:01:20 | 0:01:23 | |
James I granted Derry a royal charter in the 17th century. | 0:01:26 | 0:01:30 | |
And the name London was added to the city's official title. | 0:01:30 | 0:01:34 | |
That link is still evident today. | 0:01:36 | 0:01:38 | |
The city's magnificent Guildhall | 0:01:38 | 0:01:40 | |
a reminder of the historic association | 0:01:40 | 0:01:43 | |
with the city of London and its guilds. | 0:01:43 | 0:01:46 | |
And its in this newly-refurbished Guildhall | 0:01:50 | 0:01:52 | |
that the choirs from the area have gathered | 0:01:52 | 0:01:55 | |
to sing their songs of praise. | 0:01:55 | 0:01:56 | |
As we prepare to celebrate the life of Patrick, | 0:01:56 | 0:01:58 | |
we'll start with William Walsham How's great hymn, | 0:01:58 | 0:02:02 | |
For All The Saints. | 0:02:02 | 0:02:04 | |
2013 was a year-long celebration of culture | 0:04:07 | 0:04:11 | |
which will be remembered by the people of Derry for a long time. | 0:04:11 | 0:04:14 | |
The city opened its doors and its heart to the world. | 0:04:17 | 0:04:20 | |
And they came in their tens of thousands. | 0:04:20 | 0:04:22 | |
It was a year of unprecedented scenes. | 0:04:22 | 0:04:25 | |
Images that captured a new picture of Derry | 0:04:25 | 0:04:28 | |
and showed off this once-troubled city in a new light. | 0:04:28 | 0:04:32 | |
The City of Culture baton has now been handed on to Hull | 0:04:34 | 0:04:36 | |
as they prepare for 2017. | 0:04:36 | 0:04:39 | |
Now, although the pace of life in this city is getting back to normal, | 0:04:39 | 0:04:42 | |
there's also a determination that the spirit of hope | 0:04:42 | 0:04:45 | |
built up during the last year wont be lost. | 0:04:45 | 0:04:49 | |
Pat Storey shares that view. | 0:04:51 | 0:04:53 | |
She's the first female Anglican bishop in the UK and Ireland. | 0:04:53 | 0:04:57 | |
And prior to her recent appointment, | 0:04:57 | 0:04:59 | |
Pat was the Rector of St Augustine's Church on the city's walls. | 0:04:59 | 0:05:03 | |
As the first woman to lead the church in Ireland, | 0:05:03 | 0:05:05 | |
she's following in the footsteps of the saint whose name she shares. | 0:05:05 | 0:05:10 | |
Great to see you all! Group hug! | 0:05:10 | 0:05:13 | |
I would describe our church as maybe being a very happy wee church, | 0:05:16 | 0:05:20 | |
but maybe I would describe it as in a circle facing inwards, | 0:05:20 | 0:05:23 | |
having a great wee time. | 0:05:23 | 0:05:26 | |
And I think the City of Culture in 2013, the one thing it made us do | 0:05:26 | 0:05:30 | |
was maybe turn around in that circle and face outwards. | 0:05:30 | 0:05:34 | |
And that's actually been really significant | 0:05:34 | 0:05:36 | |
in terms of just engaging with people outside our walls. | 0:05:36 | 0:05:39 | |
I think the role of the church going into 2014 | 0:05:41 | 0:05:44 | |
after City of Culture's really important. | 0:05:44 | 0:05:47 | |
Because I think a lot of us were thinking towards the end of 2013, | 0:05:47 | 0:05:51 | |
"What are we going to do now?" | 0:05:51 | 0:05:52 | |
"Is this going to be a really boring city now because we've done everything?" | 0:05:52 | 0:05:56 | |
And it has been a fantastic year, | 0:05:56 | 0:05:58 | |
but its just been a year in the life of this city. | 0:05:58 | 0:06:00 | |
It has to leave a legacy and catapult us into a future with hope. | 0:06:00 | 0:06:03 | |
So, what difference will having a woman in the House of Bishops make? | 0:06:03 | 0:06:09 | |
I don't like to generalise by saying women are more this and men are less that, | 0:06:09 | 0:06:13 | |
but I do think that maybe the way women make decisions | 0:06:13 | 0:06:16 | |
is maybe quite different from men. | 0:06:16 | 0:06:18 | |
Women tend to maybe gather information, | 0:06:18 | 0:06:21 | |
talk it over and make decisions together. | 0:06:21 | 0:06:24 | |
You know, for instance, if we're talking about some of the big issues, | 0:06:24 | 0:06:27 | |
like, you know, maybe abortion or something like that, | 0:06:27 | 0:06:30 | |
I'll be the only person on that board this could ever have happened to, | 0:06:30 | 0:06:34 | |
an unexpected pregnancy could ever have happened to. | 0:06:34 | 0:06:36 | |
So I come as a wife and mother. | 0:06:36 | 0:06:39 | |
But I suppose hopefully, I bring Pat. | 0:06:39 | 0:06:42 | |
And my gender, it really is secondary to that. | 0:06:42 | 0:06:45 | |
Well, obviously the first test of a new bishop | 0:06:45 | 0:06:48 | |
is getting up those pulpit steps. | 0:06:48 | 0:06:51 | |
And I can tell you, it's going to be quite a test to get down them again. | 0:06:51 | 0:06:54 | |
Patrick's main message was, | 0:06:54 | 0:06:56 | |
I bring Christian faith, there is hope in Christ. | 0:06:56 | 0:06:58 | |
Because Patrick, you know, risked his life. | 0:06:58 | 0:07:01 | |
He left everything behind and he came to bring Christian faith. | 0:07:01 | 0:07:05 | |
He felt that strongly about it. | 0:07:05 | 0:07:07 | |
I think we should still have that kind of missionary zeal, | 0:07:07 | 0:07:09 | |
even if we never set foot out of Ireland. | 0:07:09 | 0:07:11 | |
But still, that missionary zeal that Christian faith works, | 0:07:11 | 0:07:14 | |
Christian faith is true | 0:07:14 | 0:07:15 | |
and Christian faith makes a difference to your life. | 0:07:15 | 0:07:19 | |
The message of Patrick, my message, | 0:07:19 | 0:07:21 | |
the message of every Christian in this city | 0:07:21 | 0:07:23 | |
and in this country is the same. | 0:07:23 | 0:07:26 | |
You know, this person is worth knowing. | 0:07:26 | 0:07:28 | |
And it is all about personal faith. It's all about the person. | 0:07:28 | 0:07:30 | |
This year, Derry has branded itself as Music City. | 0:09:18 | 0:09:22 | |
It's very proud of its diverse musical heritage, | 0:09:22 | 0:09:25 | |
especially when it comes to writing hymns. | 0:09:25 | 0:09:28 | |
Perhaps the city's best-known writer was Cecil Frances Alexander, | 0:09:30 | 0:09:34 | |
the wife of William Alexander, the Bishop of Derry and Raphoe. | 0:09:34 | 0:09:38 | |
Cecil Frances was the author of many well-loved hymns, | 0:09:38 | 0:09:41 | |
including All Things Bright And Beautiful | 0:09:41 | 0:09:44 | |
and Once In Royal David's City. | 0:09:44 | 0:09:46 | |
But perhaps her best-known hymn | 0:09:49 | 0:09:50 | |
was inspired by the view from her window | 0:09:50 | 0:09:53 | |
as she looked at one of the many small hills | 0:09:53 | 0:09:56 | |
that are features of this part of the country. | 0:09:56 | 0:09:58 | |
Although we can't be sure exactly which hill she had in mind, | 0:10:00 | 0:10:03 | |
she likened the scene to Golgotha, the place of Christ's crucifixion. | 0:10:03 | 0:10:08 | |
She was then inspired to pen the words of that great hymn, | 0:10:08 | 0:10:11 | |
There Is A Green Hill Far Away. | 0:10:11 | 0:10:14 | |
Beneath the beauty of this city, there's also pain. | 0:12:01 | 0:12:04 | |
Because like so many parts of the UK, | 0:12:04 | 0:12:06 | |
a shocking number of people here die by suicide. | 0:12:06 | 0:12:10 | |
The River Foyle which runs around this city is deceptively dangerous. | 0:12:14 | 0:12:18 | |
And sadly, the river and the bridges which span it | 0:12:18 | 0:12:20 | |
have been used by many people as a way to end their lives. | 0:12:20 | 0:12:24 | |
As a community reaction to these tragedies, | 0:12:26 | 0:12:28 | |
for the past 20 years, | 0:12:28 | 0:12:30 | |
the volunteers of Foyle Search and Rescue | 0:12:30 | 0:12:32 | |
have been on the front line in the fight to prevent death by suicide. | 0:12:32 | 0:12:36 | |
Joanne, why do you do what you do? | 0:12:41 | 0:12:44 | |
The reason I got involved in the beginning | 0:12:44 | 0:12:46 | |
was because my husband and I stopped with a man on the bridge | 0:12:46 | 0:12:51 | |
who was contemplating taking his life. | 0:12:51 | 0:12:53 | |
And we stopped and we stayed with him | 0:12:53 | 0:12:55 | |
and we talked to him until the police came and help arrived. | 0:12:55 | 0:12:59 | |
It can be absolutely anyone. | 0:13:03 | 0:13:06 | |
Any age, male, female, any background. | 0:13:06 | 0:13:11 | |
There's no single common denominator other than that they are ill | 0:13:11 | 0:13:15 | |
and they are unwell and they want to end their life. | 0:13:15 | 0:13:20 | |
I'm talking to you here on a Saturday night. | 0:13:24 | 0:13:26 | |
Will this be a particular night | 0:13:26 | 0:13:28 | |
that you guys will expect to be called out? | 0:13:28 | 0:13:31 | |
We run a duty night on Thursday, Friday and Saturday night | 0:13:31 | 0:13:34 | |
and we go out on duty from 10:00 to just after 3:00 in the morning. | 0:13:34 | 0:13:38 | |
And the reason we pick Thursday, Friday and Saturday night | 0:13:38 | 0:13:40 | |
is they are the nights people go out to socialise. | 0:13:40 | 0:13:44 | |
And sometimes if people are going out in the wrong frame of mind | 0:13:44 | 0:13:48 | |
and they get some alcohol | 0:13:48 | 0:13:49 | |
and that fuels maybe something that's going on in their own head, | 0:13:49 | 0:13:52 | |
and because of that then, negative feelings creep in. | 0:13:52 | 0:13:56 | |
For me, it's... I just want to come out and help people | 0:13:58 | 0:14:01 | |
and offer something back to the community. | 0:14:01 | 0:14:04 | |
And it gives me a good feeling, as well, to help other people. | 0:14:04 | 0:14:08 | |
One night, me and a colleague were in the boat | 0:14:11 | 0:14:13 | |
and a girl went off the top deck of Craigavon Bridge. | 0:14:13 | 0:14:17 | |
And we managed to get a hold of her to get her out, | 0:14:17 | 0:14:20 | |
but I literally had to lie on top of the girl | 0:14:20 | 0:14:23 | |
to keep her from going back into the water. She did not want to be saved. | 0:14:23 | 0:14:26 | |
And it was basically, how dare I infringe on her rights to do what she wanted. | 0:14:26 | 0:14:31 | |
And going down the river in the boat, she calmed somewhat and began to cry. | 0:14:31 | 0:14:36 | |
And she opened up slightly with me on the boat | 0:14:36 | 0:14:39 | |
and she turned around to us and said, | 0:14:39 | 0:14:41 | |
"Thank you for giving me a second chance." | 0:14:41 | 0:14:43 | |
The people that we deal with sometimes, | 0:14:45 | 0:14:48 | |
it really opens their eyes up to say, | 0:14:48 | 0:14:50 | |
"There are people here that care." | 0:14:50 | 0:14:52 | |
Albeit that they're in a very dark place at the time. | 0:14:52 | 0:14:55 | |
Sadly, not all can be rescued. | 0:14:59 | 0:15:02 | |
Basically, what I do if we make a recovery, | 0:15:05 | 0:15:08 | |
into myself subconsciously, I would say a prayer | 0:15:08 | 0:15:11 | |
for that person we take out of the water. | 0:15:11 | 0:15:13 | |
And that probably comes down to my faith | 0:15:13 | 0:15:15 | |
in greater things beyond here. | 0:15:15 | 0:15:19 | |
And for me, it's an essential. | 0:15:19 | 0:15:22 | |
It's not something I've ever shared with anybody before, | 0:15:22 | 0:15:25 | |
but I just feel it's important. | 0:15:25 | 0:15:26 | |
I do have faith. I do believe in God. | 0:15:28 | 0:15:31 | |
There is a comfort in knowing that he is out there. | 0:15:31 | 0:15:33 | |
Yes, it's difficult at times not to question | 0:15:33 | 0:15:39 | |
why he allows things such as suicide to happen, | 0:15:39 | 0:15:43 | |
but you still have to believe. | 0:15:43 | 0:15:47 | |
# Tiny strands of starlight pierce the darkness | 0:16:06 | 0:16:13 | |
# Here and there a flicker comes and goes | 0:16:16 | 0:16:23 | |
# And underneath this wonder | 0:16:26 | 0:16:30 | |
# I have feelings so secure | 0:16:30 | 0:16:36 | |
# And I'm not afraid to feel the cold wind blow | 0:16:36 | 0:16:42 | |
# Because you are there | 0:16:45 | 0:16:48 | |
# Even though I cannot see you | 0:16:48 | 0:16:53 | |
# You are there | 0:16:56 | 0:16:58 | |
# Though sometimes I cannot hear you | 0:16:58 | 0:17:03 | |
# And I'll never be alone | 0:17:05 | 0:17:10 | |
# For you won't leave me | 0:17:10 | 0:17:17 | |
# So I'll just sit here in the safety of your love | 0:17:17 | 0:17:26 | |
# You know I haven't felt like this forever | 0:17:29 | 0:17:35 | |
# It's only since you came into my heart | 0:17:38 | 0:17:46 | |
# And I believe that some day | 0:17:48 | 0:17:54 | |
# We'll meet beyond the stars | 0:17:54 | 0:17:59 | |
# But till that day I'll know when were apart | 0:17:59 | 0:18:06 | |
# That you are there | 0:18:07 | 0:18:11 | |
# Even though I cannot see you | 0:18:11 | 0:18:15 | |
# You are there though sometimes I cannot hear you | 0:18:18 | 0:18:26 | |
# And I'll never be alone | 0:18:27 | 0:18:33 | |
# For you won't leave me | 0:18:33 | 0:18:40 | |
# So I'll just sit here in the safety of your love | 0:18:40 | 0:18:48 | |
# I'll just rest here in the safety of your love | 0:18:52 | 0:19:00 | |
# Ooo-ooo-ooo-ooh. # | 0:19:02 | 0:19:06 | |
Back in 1748, a cargo ship called The Greyhound | 0:19:13 | 0:19:17 | |
was making its way from Africa to England | 0:19:17 | 0:19:21 | |
when it was caught in a fierce storm off the Irish Coast. | 0:19:21 | 0:19:27 | |
On board was a slave trader, John Newton. | 0:19:27 | 0:19:31 | |
By his own admission, a blasphemous rogue. | 0:19:31 | 0:19:33 | |
Convinced that he was about to die, | 0:19:36 | 0:19:38 | |
the non-believer called out to God for help. | 0:19:38 | 0:19:41 | |
The storm abated and the crew spotted land. | 0:19:41 | 0:19:44 | |
They made it safely to shore just along the coast in County Donegal. | 0:19:44 | 0:19:49 | |
That close brush with death was a turning point in Newton's life. | 0:19:51 | 0:19:55 | |
While his ship was being repaired, | 0:19:55 | 0:19:57 | |
Newton, in his diaries, comments that he came to a church in Derry, | 0:19:57 | 0:20:01 | |
where he gave thanks to the God who hears and answers prayers. | 0:20:01 | 0:20:06 | |
Some years later, Newton was ordained as a clergyman | 0:20:08 | 0:20:11 | |
and he became a mentor to William Wilberforce | 0:20:11 | 0:20:14 | |
in his fight to introduce anti-slavery legislation. | 0:20:14 | 0:20:17 | |
To illustrate his sermons, Newton wrote hymns. | 0:20:19 | 0:20:23 | |
His most famous work inspired by his first encounter with his god. | 0:20:23 | 0:20:28 | |
# Amazing Grace, how sweet the sound | 0:20:28 | 0:20:37 | |
# That saved a wretch like me | 0:20:37 | 0:20:48 | |
# I once was lost, but now am found | 0:20:48 | 0:20:59 | |
# Was blind, but now can see | 0:20:59 | 0:21:06 | |
# 'Twas Grace that taught my heart to fear | 0:21:15 | 0:21:26 | |
# And Grace, my fears relieved | 0:21:26 | 0:21:36 | |
# How precious did that Grace appear | 0:21:36 | 0:21:47 | |
# The hour I first believed | 0:21:47 | 0:21:57 | |
# Through many dangers toils and snares | 0:21:59 | 0:22:08 | |
# I have already come | 0:22:08 | 0:22:17 | |
# 'Twas Grace that brought us safe thus far | 0:22:18 | 0:22:29 | |
# And Grace will lead us home | 0:22:31 | 0:22:39 | |
# The Lord has promised good to me | 0:22:43 | 0:22:51 | |
# His word my hope secures | 0:22:53 | 0:23:01 | |
# He will my shield and portion be | 0:23:03 | 0:23:14 | |
# As long as life | 0:23:14 | 0:23:20 | |
# As long as life | 0:23:20 | 0:23:25 | |
# As long as life endures. # | 0:23:25 | 0:23:38 | |
Just across the road from the Guildhall, | 0:23:50 | 0:23:52 | |
this city garden is the home of Ireland's only world peace flame. | 0:23:52 | 0:23:56 | |
Around the garden, local children | 0:24:01 | 0:24:03 | |
have created a pathway of engraved tiles. | 0:24:03 | 0:24:06 | |
A series of written pledges | 0:24:06 | 0:24:08 | |
that tell of their commitment to live together in peace. | 0:24:08 | 0:24:12 | |
Although the flame was lit just last year | 0:24:12 | 0:24:15 | |
when Martin Luther King Junior visited the city, | 0:24:15 | 0:24:17 | |
the project was inspired by the experiences of a local minister | 0:24:17 | 0:24:22 | |
when he was many miles away from Derry. | 0:24:22 | 0:24:25 | |
During the second half of 2008, I spent 14 weeks in Camp Bastion | 0:24:26 | 0:24:32 | |
as the chaplain of the hospital facility there. | 0:24:32 | 0:24:35 | |
And in those 14 weeks, just short of 1,100 casualties | 0:24:35 | 0:24:39 | |
came pouring into that facility. | 0:24:39 | 0:24:42 | |
It was a wake-up call for me. | 0:24:42 | 0:24:45 | |
Because I began to reflect on how | 0:24:45 | 0:24:47 | |
this is what it used to be like back home, | 0:24:47 | 0:24:49 | |
but thank God we've exchanged our guns for government | 0:24:49 | 0:24:53 | |
and former enemies are now talking instead of fighting. | 0:24:53 | 0:24:57 | |
Is there a danger that we think | 0:24:57 | 0:25:01 | |
it will never return and therefore we become complacent? | 0:25:01 | 0:25:05 | |
Yes, we are not where we once were, | 0:25:05 | 0:25:08 | |
but we are far from where we need to be. | 0:25:08 | 0:25:10 | |
And so we must create the conditions | 0:25:10 | 0:25:15 | |
that will allow us to see each other as God sees us. | 0:25:15 | 0:25:20 | |
People made in the same image. | 0:25:20 | 0:25:23 | |
David started this process by inviting schools from across the city | 0:25:26 | 0:25:30 | |
to write a 25-word peace pledge. | 0:25:30 | 0:25:32 | |
The children then gathered together | 0:25:32 | 0:25:34 | |
to transfer their message onto clay tiles. | 0:25:34 | 0:25:37 | |
These would then be used to create the Pathway to Peace. | 0:25:37 | 0:25:42 | |
We've grown up with the notion that children should be seen and not heard. | 0:25:42 | 0:25:46 | |
How foolish. | 0:25:46 | 0:25:47 | |
The wisdom that I have identified within the peace pledges | 0:25:47 | 0:25:51 | |
that children from the age of five right through to 18 | 0:25:51 | 0:25:55 | |
have been composing, it's quite humbling. | 0:25:55 | 0:25:57 | |
It's quite moving. | 0:25:57 | 0:26:00 | |
It's such a nice project for Derry as a whole | 0:26:01 | 0:26:03 | |
because all the schools are coming together. | 0:26:03 | 0:26:06 | |
I designed this because I have a dove on it for peace. | 0:26:06 | 0:26:10 | |
They're more or less saying, it's time to reach out. | 0:26:13 | 0:26:17 | |
Are you going to tell me a little bit about yours? | 0:26:17 | 0:26:19 | |
That's like the Pathway to Peace there and the worlds behind it | 0:26:19 | 0:26:23 | |
and then all the children or people are holding hands. | 0:26:23 | 0:26:27 | |
That shows they're working together as a family by holding hands. | 0:26:27 | 0:26:31 | |
That's beautiful. | 0:26:31 | 0:26:33 | |
What we need to do more than anything else | 0:26:33 | 0:26:35 | |
is to turn not on one another or from one another, | 0:26:35 | 0:26:40 | |
but towards each other. That's it in a nutshell. | 0:26:40 | 0:26:43 | |
What does the message of the patron saint | 0:26:43 | 0:26:46 | |
have to add, if anything, to what you're doing? | 0:26:46 | 0:26:50 | |
Just as Patrick felt he was raised up as a stone | 0:26:50 | 0:26:55 | |
with a message for the people, | 0:26:55 | 0:26:57 | |
these messages will be used to encourage all of us | 0:26:57 | 0:27:01 | |
to keep on and on and on | 0:27:01 | 0:27:04 | |
building a shared future from a divided past. | 0:27:04 | 0:27:08 | |
The blessing is taken from St Patrick's breastplate | 0:29:36 | 0:29:39 | |
and is led by Father Paul Farren | 0:29:39 | 0:29:41 | |
and Archdeacon Robert Miller from the city's cathedrals. | 0:29:41 | 0:29:45 | |
May we arise today through a mighty strength, | 0:29:46 | 0:29:50 | |
the invocation of the Trinity. | 0:29:50 | 0:29:52 | |
Through belief in the Threeness, | 0:29:52 | 0:29:54 | |
through confession of the Oneness of the Creator of creation. | 0:29:54 | 0:29:59 | |
BOTH: May Almighty God bless you, | 0:29:59 | 0:30:01 | |
the Father, the Son and the Holy Spirit. Amen. | 0:30:01 | 0:30:06 | |
And that is almost it from this St Patrick's Day Songs of Praise. | 0:30:08 | 0:30:12 | |
And whether you're Irish or not, have a good one. | 0:30:12 | 0:30:14 | |
Until the next time, Happy St Patrick's Day. | 0:30:14 | 0:30:17 | |
Next week, Bill celebrates the rich cultural heritage of the Isle of Man | 0:32:56 | 0:33:00 | |
and meets a Manx teenager who is saving the environment | 0:33:00 | 0:33:04 | |
by growing her own clothes. | 0:33:04 | 0:33:07 | |
There'll be hymns from Peel Cathedral | 0:33:07 | 0:33:09 | |
and performances from singer-songwriter Christine Collister | 0:33:09 | 0:33:12 | |
and Manx choir Caarjyn Cooidjagh. | 0:33:12 | 0:33:15 |