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TRADITIONAL IRISH MUSIC | 0:00:03 | 0:00:05 | |
Hello, there. Welcome to Londonderry for a Songs of Praise | 0:00:08 | 0:00:10 | |
full of music, singing and story telling. | 0:00:10 | 0:00:13 | |
This week, the streets are awash with Irish traditional music | 0:00:13 | 0:00:17 | |
and dancing, as the world's largest gathering of Irish culture, | 0:00:17 | 0:00:21 | |
otherwise known as the All-Ireland Fleadh, | 0:00:21 | 0:00:24 | |
comes to the UK City of Culture. | 0:00:24 | 0:00:26 | |
This week, a cathedral prepares for the Columba Canticles, | 0:00:29 | 0:00:32 | |
music from one of the City of Culture's ambassadors, Margaret Keys, | 0:00:32 | 0:00:36 | |
and from our Junior School Choir of The Year, | 0:00:36 | 0:00:38 | |
and the wonderful hymns of praise from the city's Guildhall. | 0:00:38 | 0:00:42 | |
I am delighted to announce that the winner of the competition | 0:00:51 | 0:00:54 | |
to become the third UK capital of culture is Derry-Londonderry. | 0:00:54 | 0:00:58 | |
The news was met with huge celebrations | 0:00:58 | 0:01:00 | |
at the city's Guildhall. | 0:01:00 | 0:01:02 | |
That was back in 2010 and three years on, | 0:01:02 | 0:01:05 | |
the excitement has become a reality. | 0:01:05 | 0:01:08 | |
# All kinds of everything...# | 0:01:08 | 0:01:11 | |
The former military barracks at Ebrington Square | 0:01:11 | 0:01:14 | |
has been transformed into one of the city's most exciting venues. | 0:01:14 | 0:01:18 | |
Churches, cathedrals and the City Council's Guildhall | 0:01:18 | 0:01:22 | |
have all opened their doors to a variety of cultural events. | 0:01:22 | 0:01:26 | |
And with the number of visitors on the up, | 0:01:26 | 0:01:28 | |
there is real hope of a lasting legacy. | 0:01:28 | 0:01:31 | |
And it's in the historic Guildhall building behind me, | 0:01:32 | 0:01:35 | |
where our choirs and congregation from the Derry-Londonderry area | 0:01:35 | 0:01:38 | |
have come together to sing our first hymn. | 0:01:38 | 0:01:40 | |
# Your people shall be my people | 0:04:12 | 0:04:17 | |
# And your God shall be my God...# | 0:04:17 | 0:04:22 | |
Street theatre and performance | 0:04:22 | 0:04:24 | |
have been a huge part of the City of Culture celebrations | 0:04:24 | 0:04:26 | |
and one of the largest events this year welcomed the return | 0:04:26 | 0:04:30 | |
of the city's founder saint, Columba, | 0:04:30 | 0:04:32 | |
or Colm Cille, as he is also known. | 0:04:32 | 0:04:34 | |
Back in the year 563, Colm Cille left these shores | 0:04:36 | 0:04:40 | |
for Iona in Scotland, | 0:04:40 | 0:04:41 | |
after taking part in a disastrous battle where many died. | 0:04:41 | 0:04:45 | |
But he is still remembered in Derry as a poet, | 0:04:45 | 0:04:48 | |
an artist and as the patron saint of this city. | 0:04:48 | 0:04:53 | |
The writer Frank Cottrell Boyce, | 0:04:53 | 0:04:54 | |
who helped shape the remarkable opening ceremony | 0:04:54 | 0:04:56 | |
for the Olympic Games last summer, | 0:04:56 | 0:04:59 | |
jumped at the chance to help create a spectacular performance | 0:04:59 | 0:05:02 | |
for the City of Culture, based on their famous son. | 0:05:02 | 0:05:05 | |
I just love Derry and also, it's got this great story | 0:05:07 | 0:05:10 | |
that it was founded by this great St Columba, or Colm Cille, | 0:05:10 | 0:05:13 | |
who had this huge influence all over the world. | 0:05:13 | 0:05:16 | |
He's part of the tradition that created the Book of Kells, | 0:05:16 | 0:05:18 | |
which is one of the most beautiful things ever. | 0:05:18 | 0:05:20 | |
He is the kind of light that lit up the end of the Dark Ages | 0:05:20 | 0:05:24 | |
and turned it into an age of light. | 0:05:24 | 0:05:26 | |
A currach travelled from Iona in Scotland, mirroring the journey | 0:05:27 | 0:05:31 | |
that Colm Cille and his supporters made almost 1,500 years ago. | 0:05:31 | 0:05:34 | |
The monks brought with them a gift for the people of Derry. | 0:05:35 | 0:05:39 | |
When the mysterious crate was opened, | 0:05:39 | 0:05:41 | |
it revealed a map for a new city that would be called Colmville. | 0:05:41 | 0:05:46 | |
We had this huge thurible with incense | 0:05:48 | 0:05:50 | |
swinging in the Guildhall Square. | 0:05:50 | 0:05:52 | |
And those smells have such powerful resonance for anyone | 0:05:52 | 0:05:56 | |
who's grown up like that, you know? | 0:05:56 | 0:05:59 | |
We've put different performances, short performances all over the city. | 0:06:01 | 0:06:06 | |
The attractive thing to me about the whole thing | 0:06:06 | 0:06:08 | |
was the participation of local people. | 0:06:08 | 0:06:11 | |
I'm sort of a catalyst, but this is Derry speaking for Derry. | 0:06:12 | 0:06:16 | |
In a city that has been quite divided, | 0:06:16 | 0:06:18 | |
what is good about Colm Cille is that he predates that trouble, | 0:06:18 | 0:06:20 | |
so he belongs firmly to both traditions, | 0:06:20 | 0:06:22 | |
and there's some common ground there that we can celebrate. | 0:06:22 | 0:06:26 | |
What makes Colm Cille really remarkable | 0:06:27 | 0:06:30 | |
is that he's this terribly flawed individual. | 0:06:30 | 0:06:33 | |
In anger, he created this terrible battle where loads of people died. | 0:06:33 | 0:06:38 | |
He was nearly excommunicated and he went off into exile | 0:06:38 | 0:06:41 | |
to try and make it good. | 0:06:41 | 0:06:43 | |
And that idea that you can do something beautiful and brilliant | 0:06:43 | 0:06:46 | |
after you have made a terrible mess, | 0:06:46 | 0:06:48 | |
is such a hopeful message and such a human message as well. | 0:06:48 | 0:06:50 | |
The climax of the weekend was a monstrous showdown | 0:06:53 | 0:06:55 | |
with the battle between good and evil. | 0:06:55 | 0:06:57 | |
Legend has it that St Colm Cille | 0:06:57 | 0:06:59 | |
confronted an angry and menacing Loch Ness monster | 0:06:59 | 0:07:03 | |
whilst crossing the River Ness in Scotland. | 0:07:03 | 0:07:06 | |
Calm as summer, he did nothing but make the sign of the cross. | 0:07:10 | 0:07:17 | |
He made the sign of our saviour there in the air. | 0:07:17 | 0:07:20 | |
The monster despaired. | 0:07:21 | 0:07:23 | |
It sank back into the waters. | 0:07:23 | 0:07:26 | |
It slunk away off to the loch. | 0:07:26 | 0:07:29 | |
It hid itself away in the deep. | 0:07:29 | 0:07:31 | |
They say that hellish thing, | 0:07:32 | 0:07:35 | |
it could not breathe the air he blessed. | 0:07:35 | 0:07:39 | |
Even our beloved Derry of the oak groves, | 0:07:39 | 0:07:42 | |
which is white with angels, will stand with you. | 0:07:42 | 0:07:46 | |
Derry will stand all round you, Colm Cille. | 0:07:46 | 0:07:50 | |
Derry will be your shield. | 0:07:50 | 0:07:53 | |
For me, the legacy of this will be | 0:07:58 | 0:07:59 | |
all the new friendships that have been formed. | 0:07:59 | 0:08:02 | |
And the other legacy I would really love is that people | 0:08:02 | 0:08:04 | |
recover their pride in Colm Cille and realise what a gigantic figure he is. | 0:08:04 | 0:08:08 | |
He's hugely celebrated here but not celebrated enough, you know. | 0:08:08 | 0:08:11 | |
One of the musical highlights this year was the Music City event, | 0:11:06 | 0:11:09 | |
which brought musicians, singers and songwriters onto the streets | 0:11:09 | 0:11:13 | |
and into the air, for a one-day celebration of music. | 0:11:13 | 0:11:17 | |
ALL SING DANNY BOY | 0:11:17 | 0:11:20 | |
They also marked the 100th anniversary of Danny Boy, | 0:11:21 | 0:11:24 | |
a song so strongly associated with the city. | 0:11:24 | 0:11:28 | |
# Oh, Danny boy...# | 0:11:28 | 0:11:30 | |
But Derry's historical connections to music | 0:11:30 | 0:11:32 | |
and songwriting go back even further than that. | 0:11:32 | 0:11:35 | |
The writer of our next hymn lived here back in 1867 | 0:11:39 | 0:11:43 | |
with her husband, the Church of Ireland Bishop of Derry. | 0:11:43 | 0:11:46 | |
Mrs Cecil Frances Alexander penned over 400 hymns | 0:11:46 | 0:11:50 | |
and wrote the much-loved All Things Bright And Beautiful. | 0:11:50 | 0:11:54 | |
She did it to help children understand the opening lines | 0:11:54 | 0:11:57 | |
of the Apostles Creed: | 0:11:57 | 0:12:00 | |
"I believe in God, the Father Almighty, | 0:12:00 | 0:12:02 | |
"creator of heaven and earth." | 0:12:02 | 0:12:05 | |
Now, the really exciting thing about the City of Culture is that | 0:14:27 | 0:14:30 | |
people from all parts of the city have had an opportunity to be | 0:14:30 | 0:14:34 | |
involved one way or the other. Now, have a look at this. | 0:14:34 | 0:14:37 | |
What you are looking at there is a massive quilt. | 0:14:37 | 0:14:40 | |
This was knitted and crocheted by hundreds of women | 0:14:40 | 0:14:43 | |
and children from various groups and backgrounds. | 0:14:43 | 0:14:46 | |
What it does is, | 0:14:46 | 0:14:47 | |
it records their memories of living in this very city. | 0:14:47 | 0:14:51 | |
Further along the street in the Cathedral Quarter, | 0:14:52 | 0:14:55 | |
as it is known, is the London Street Gallery. | 0:14:55 | 0:14:58 | |
As part of the City of Culture programme, they have | 0:14:58 | 0:15:00 | |
commissioned a unique icon, as part of its current exhibition. | 0:15:00 | 0:15:05 | |
The Fount of Life is almost exclusive in that it is an icon which is | 0:15:05 | 0:15:10 | |
about a statement of theology, so that it doesn't have a set location. | 0:15:10 | 0:15:15 | |
The whole thing is suggesting and implying Derry, | 0:15:15 | 0:15:20 | |
but not trying to look like Derry. | 0:15:20 | 0:15:23 | |
So what is iconography? | 0:15:24 | 0:15:26 | |
Iconography is a very specific thing. | 0:15:26 | 0:15:30 | |
And it is now generally taken to mean an image painted on a wooden board | 0:15:30 | 0:15:34 | |
using gold leaf and egg tempera. | 0:15:34 | 0:15:38 | |
And it is exclusively images from the Christian church. | 0:15:38 | 0:15:42 | |
One of the reasons I would have taken to iconography | 0:15:42 | 0:15:45 | |
was because it comes right from the second century of the Church. | 0:15:45 | 0:15:49 | |
It is before the split between the East and West, | 0:15:49 | 0:15:53 | |
and before the Reformation. | 0:15:53 | 0:15:55 | |
So everything in it is the common heritage of all Christians. | 0:15:55 | 0:16:00 | |
Oh Lord our God, send down the grace of your holy spirit from these icons. | 0:16:00 | 0:16:05 | |
Bless them and make them holy... | 0:16:05 | 0:16:07 | |
The popularity of iconography is growing, | 0:16:07 | 0:16:10 | |
and Dick runs regular classes | 0:16:10 | 0:16:12 | |
where artists can learn to paint their own icon. | 0:16:12 | 0:16:15 | |
You paint, you use egg yolk mixed with vinegar, | 0:16:15 | 0:16:18 | |
so you have the symbol of the resurrection, the new life | 0:16:18 | 0:16:22 | |
that is given to Christ at the tomb, | 0:16:22 | 0:16:24 | |
and we mix it with pure pigment. | 0:16:24 | 0:16:26 | |
You have the linen of the shroud, you have the alabaster of the tomb, | 0:16:26 | 0:16:31 | |
so all the time, you're bringing it back to its religious meaning. | 0:16:31 | 0:16:35 | |
And it can either be a pivotal moment in Christ's life, | 0:16:35 | 0:16:39 | |
or it can be a saint, | 0:16:39 | 0:16:41 | |
but it must be something that is rooted in tradition. | 0:16:41 | 0:16:44 | |
And it must be based on a pre-existing icon. | 0:16:44 | 0:16:48 | |
Because iconographers, we believe that the very first icon was painted | 0:16:48 | 0:16:53 | |
by St Luke and it was of the mother of God and the Christ child. | 0:16:53 | 0:16:57 | |
So they believe that there is an actual image | 0:16:57 | 0:17:01 | |
which would approximate to how the person would have looked. | 0:17:01 | 0:17:05 | |
How do you feel when you see a finished article | 0:17:05 | 0:17:10 | |
and you realise, that's it, it's done? | 0:17:10 | 0:17:14 | |
The icon in the exhibition, I was working on until half an hour | 0:17:14 | 0:17:18 | |
before it had to go to the framers, and I was never sure it was right. | 0:17:18 | 0:17:22 | |
I had to let it be, I had to let it go. | 0:17:22 | 0:17:24 | |
And then I saw it framed and I was completely delighted. | 0:17:24 | 0:17:28 | |
And you have to be willing to do that. | 0:17:28 | 0:17:31 | |
You must leave room for the Holy Spirit and for God to intervene | 0:17:31 | 0:17:35 | |
and to add to the work. | 0:17:35 | 0:17:36 | |
# My life goes on in endless song | 0:17:40 | 0:17:45 | |
# Above Earth's lamentations | 0:17:45 | 0:17:51 | |
# I hear the sweet, tho' far-off hymn | 0:17:51 | 0:17:56 | |
# That hails a new creation | 0:17:56 | 0:18:01 | |
# Thro' all the tumult and the strife | 0:18:01 | 0:18:07 | |
# I hear its music ringing | 0:18:07 | 0:18:13 | |
# It sounds an echo in my soul | 0:18:13 | 0:18:19 | |
# How can I keep from singing? | 0:18:19 | 0:18:24 | |
# When tyrants tremble in their fear | 0:18:51 | 0:18:57 | |
# And hear that death bell ringing | 0:18:57 | 0:19:02 | |
# When friends rejoice, both far and near | 0:19:02 | 0:19:08 | |
# How can I keep from singing? | 0:19:08 | 0:19:13 | |
# In prison cell and dungeon vile | 0:19:13 | 0:19:20 | |
# Our thoughts to them are winging | 0:19:20 | 0:19:26 | |
# When friends by shame are undefiled | 0:19:26 | 0:19:33 | |
# How can I keep from singing? | 0:19:33 | 0:19:40 | |
# How can I keep from singing? # | 0:19:54 | 0:20:04 | |
A recent addition to the city is the new Peace Bridge which now joins | 0:20:21 | 0:20:24 | |
Protestant and Catholic communities | 0:20:24 | 0:20:26 | |
living on the east and west banks of the River Foyle. | 0:20:26 | 0:20:29 | |
Just a short stroll across the Peace Bridge from the Guildhall | 0:20:31 | 0:20:35 | |
is this place, Ebrington Square, | 0:20:35 | 0:20:37 | |
which has hosted some of the landmark events | 0:20:37 | 0:20:39 | |
that have taken place during the City of Culture celebrations. | 0:20:39 | 0:20:42 | |
Today, if you've got your dancing shoes on like me, | 0:20:42 | 0:20:45 | |
it's playing host to an unusual world record attempt. | 0:20:45 | 0:20:50 | |
Richard Moore, the founder of Children In Crossfire, | 0:20:50 | 0:20:54 | |
set up the charity after losing his sight | 0:20:54 | 0:20:57 | |
when he was shot with a plastic bullet in the city 40 years ago. | 0:20:57 | 0:21:01 | |
We support projects in Tanzania, Ethiopia and the Gambia, | 0:21:01 | 0:21:04 | |
affecting children under eight years of age. | 0:21:04 | 0:21:06 | |
And today, I am joining fundraisers to help set a new world record | 0:21:08 | 0:21:11 | |
for the largest line of Irish dancers. | 0:21:11 | 0:21:17 | |
And what's the magic number, what is the figure you have to break? | 0:21:17 | 0:21:20 | |
As long as we get over 1693, I'll be happy. | 0:21:20 | 0:21:24 | |
And with unofficial figures totting up over 2,500 dancers, | 0:21:27 | 0:21:32 | |
it looks like this could be a new world record | 0:21:32 | 0:21:35 | |
for the City Of Culture. | 0:21:35 | 0:21:37 | |
This is the Promise Chalice. | 0:24:05 | 0:24:08 | |
It was gifted to the people of Derry 400 years ago | 0:24:08 | 0:24:10 | |
from the Honourable The Irish Society in London. | 0:24:10 | 0:24:13 | |
They pledged they would build a cathedral for the new city. | 0:24:13 | 0:24:17 | |
And if you look at the Latin inscription, it translates as, | 0:24:17 | 0:24:20 | |
"To the Church of God in the city of Derry, the gift of the Londoners." | 0:24:20 | 0:24:26 | |
St Columb's Cathedral was indeed built and 400 years later, | 0:24:28 | 0:24:32 | |
it is busy playing a part in the City of Culture. | 0:24:32 | 0:24:36 | |
Practically all the churches here in the city | 0:24:37 | 0:24:40 | |
have been involved in hosting events | 0:24:40 | 0:24:42 | |
in connection with the Year of Culture. | 0:24:42 | 0:24:45 | |
And I think in doing all of this, | 0:24:45 | 0:24:47 | |
the churches have helped to make them think about God | 0:24:47 | 0:24:50 | |
and the creative power of God and all that is going on. | 0:24:50 | 0:24:54 | |
It does help in the faith process. | 0:24:54 | 0:24:55 | |
As part of the celebrations, | 0:24:59 | 0:25:00 | |
St Columb's Cathedral has commissioned | 0:25:00 | 0:25:03 | |
an oratorio called the Columba Canticles, which incorporates | 0:25:03 | 0:25:07 | |
the poems of a local writer, along with specially composed music. | 0:25:07 | 0:25:11 | |
I think this one is quite unique | 0:25:12 | 0:25:15 | |
in that it does span a wide net of involvement. | 0:25:15 | 0:25:18 | |
We've got representation from England, obviously, | 0:25:18 | 0:25:21 | |
with the Southbank Sinfonia, | 0:25:21 | 0:25:24 | |
a wonderful Scottish contingent with the Aberdeen Choir. | 0:25:24 | 0:25:27 | |
Our own University of Ulster choir | 0:25:27 | 0:25:29 | |
is brought from all four corners of the island of Ireland. | 0:25:29 | 0:25:32 | |
The mix is really vibrant and wonderful, so it is really a thrill | 0:25:33 | 0:25:38 | |
to see all of this come together for this wonderful performance. | 0:25:38 | 0:25:42 | |
I've used some Gregorian chanting | 0:25:44 | 0:25:46 | |
and I've used four Irish traditional folk melodies and some fiddle tunes. | 0:25:46 | 0:25:51 | |
There are two slip jigs in it, so I've tried to combine | 0:25:53 | 0:25:57 | |
elements of traditional music, Irish traditional music, | 0:25:57 | 0:26:00 | |
with ecclesiastical music, with contemporary music and these poems. | 0:26:00 | 0:26:05 | |
And I hope what we've ended up with is an interesting, | 0:26:05 | 0:26:08 | |
exciting new piece. | 0:26:08 | 0:26:09 | |
Until I was 15... | 0:26:09 | 0:26:11 | |
It was the first time that the writer of the poem | 0:26:13 | 0:26:15 | |
heard the completed piece. | 0:26:15 | 0:26:20 | |
..Together with relations and neighbours. | 0:26:23 | 0:26:25 | |
It was a little piece of magic. | 0:26:27 | 0:26:30 | |
The words that had been there on a page | 0:26:30 | 0:26:33 | |
suddenly came alive and I am so appreciative | 0:26:33 | 0:26:36 | |
of all the people that really put a lot of work into it. | 0:26:36 | 0:26:40 | |
Just like the Scottish connections | 0:26:44 | 0:26:46 | |
that St Columba made all those years ago, | 0:26:46 | 0:26:49 | |
events like this strengthen the links between Derry and Scotland. | 0:26:49 | 0:26:53 | |
We really blend really well. | 0:26:53 | 0:26:54 | |
I feel like we've known each other for so long | 0:26:54 | 0:26:56 | |
and it's only been since Friday we met. | 0:26:56 | 0:26:58 | |
It's been really nice to come across from outside Ireland | 0:27:00 | 0:27:03 | |
and to see what is going on in Derry with the City of Culture. | 0:27:03 | 0:27:08 | |
I've got on so well with the Aberdeen ones who have come here. | 0:27:10 | 0:27:15 | |
They are actually such an inspiration. | 0:27:15 | 0:27:17 | |
I really hope the two choirs do get together again. | 0:27:17 | 0:27:20 | |
I hope this is a link which will continue to go on. | 0:27:20 | 0:27:23 | |
I hope it is not the last time I see them. | 0:27:23 | 0:27:24 | |
# Amen. # | 0:27:24 | 0:27:30 | |
You may remember the fabulous performance | 0:27:41 | 0:27:43 | |
of Joshua Fought The Battle Of Jericho | 0:27:43 | 0:27:45 | |
that our next guests gave us earlier this year, | 0:27:45 | 0:27:48 | |
when they became Songs Of Praise Junior Choir Of The Year. | 0:27:48 | 0:27:53 | |
We are delighted to say | 0:27:53 | 0:27:54 | |
we are going to hear them sing for us again, | 0:27:54 | 0:27:56 | |
this time in their home city. | 0:27:56 | 0:27:57 | |
This is St Patrick's Primary School Choir, and the City Of God. | 0:27:57 | 0:28:02 | |
# Awake from your slumber | 0:28:02 | 0:28:06 | |
# Arise from your sleep | 0:28:06 | 0:28:10 | |
# A new day is dawning | 0:28:10 | 0:28:13 | |
# For all those who weep | 0:28:13 | 0:28:18 | |
# The people in darkness | 0:28:18 | 0:28:22 | |
# Have seen a great light | 0:28:22 | 0:28:26 | |
# The Lord of all longing | 0:28:26 | 0:28:30 | |
# Has conquered the night | 0:28:30 | 0:28:34 | |
# Let us build the city of God | 0:28:34 | 0:28:38 | |
# May our tears be turned into dancing | 0:28:38 | 0:28:42 | |
# For the Lord our light and our love | 0:28:42 | 0:28:46 | |
# Has turned the night into day | 0:28:46 | 0:28:50 | |
# We are sons of the morning | 0:28:51 | 0:28:55 | |
# We are daughters of day | 0:28:55 | 0:28:59 | |
# The one who has loved us | 0:28:59 | 0:29:03 | |
# Has brightened our way | 0:29:03 | 0:29:06 | |
# The Lord of all kindness | 0:29:07 | 0:29:11 | |
# Has called us to be | 0:29:11 | 0:29:15 | |
# A light for his people | 0:29:15 | 0:29:18 | |
# To set their hearts free | 0:29:18 | 0:29:22 | |
# Let us build the city of God | 0:29:23 | 0:29:27 | |
# May our tears be turned into dancing | 0:29:27 | 0:29:31 | |
# For the Lord our light and our love | 0:29:31 | 0:29:35 | |
# Has turned the night into day | 0:29:35 | 0:29:38 | |
# God is light | 0:29:42 | 0:29:45 | |
# In him there is no darkness | 0:29:45 | 0:29:50 | |
# Let us walk in his light | 0:29:50 | 0:29:54 | |
# His children one and all | 0:29:54 | 0:30:00 | |
# O comfort to my people | 0:30:00 | 0:30:04 | |
# Make gentle your words | 0:30:04 | 0:30:08 | |
# Proclaim to my city | 0:30:08 | 0:30:12 | |
# The day of her birth | 0:30:12 | 0:30:17 | |
# Let us build a city of God | 0:30:17 | 0:30:21 | |
# May our tears be turned into dancing | 0:30:21 | 0:30:25 | |
# For the Lord our light and our love | 0:30:25 | 0:30:29 | |
# Has turned the night into day. # | 0:30:29 | 0:30:38 | |
May Almighty God, | 0:30:41 | 0:30:43 | |
the source of all inspiration, harmony and culture in creation, | 0:30:43 | 0:30:50 | |
fill you with joy and peace on your earthly pilgrimage. | 0:30:50 | 0:30:56 | |
And the blessing of God Almighty, | 0:30:56 | 0:30:59 | |
the Father, the Son and the Holy Spirit, | 0:30:59 | 0:31:02 | |
be with you now and for ever more. | 0:31:02 | 0:31:05 | |
Amen. | 0:31:05 | 0:31:06 | |
And so we come to our final hymn | 0:31:16 | 0:31:17 | |
in this Songs of Praise City of Culture special. | 0:31:17 | 0:31:20 | |
For that, we have chosen the wonderful Angel Voices Ever Singing. | 0:31:20 | 0:31:24 | |
From all of us here, in Derry-Londonderry, | 0:31:24 | 0:31:26 | |
until the next time, bye-bye. | 0:31:26 | 0:31:28 | |
Next week, Aled visits Whitby and the North York Moors | 0:33:28 | 0:33:32 | |
to celebrate the harvest of land and sea. | 0:33:32 | 0:33:36 | |
And congregations from farming and port communities | 0:33:36 | 0:33:39 | |
all over the country sing their harvest hymns | 0:33:39 | 0:33:41 | |
in praise of God's creation. | 0:33:41 | 0:33:44 | |
Subtitles for the deaf and hard-of-hearing by Red Bee Media Ltd | 0:34:03 | 0:34:06 |