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-Welcome to a special programme -for Christmas... | 0:00:20 | 0:00:23 | |
-..where, I, Elin Manahan Thomas, -present some popular songs... | 0:00:23 | 0:00:27 | |
-..from the series, Sopranos. | 0:00:27 | 0:00:29 | |
-Over the next hour, you'll hear some -classical songs by great sopranos. | 0:00:29 | 0:00:34 | |
-I'm joined by the opera singer, -Claire Surman... | 0:00:34 | 0:00:39 | |
-..Charlotte Mobbs from England, -Ana James from New Zealand... | 0:00:39 | 0:00:44 | |
-..Camilla Roberts from Wales... | 0:00:44 | 0:00:48 | |
-..and Orla Boylan from Ireland. | 0:00:48 | 0:00:52 | |
-I'll perform alongside my husband, -the baritone, Robert Davies... | 0:00:52 | 0:00:57 | |
-..and the famous tenor, Wynne Evans, -is also our special guest. | 0:00:57 | 0:01:01 | |
-First, a song from the opera, Hansel -and Gretel by Engelbert Humperdinck. | 0:01:02 | 0:01:07 | |
-This is the Evening Prayer. | 0:01:07 | 0:01:09 | |
-# Abends, will ich schlafen gehn | 0:01:21 | 0:01:30 | |
-# Vierzehn Engel um mich stehn | 0:01:31 | 0:01:40 | |
-# Zwei zu meinen Haupten | 0:01:42 | 0:01:52 | |
-# Zwei zu meinen fussen | 0:01:54 | 0:02:03 | |
-# Zwei zu meiner Rechten | 0:02:05 | 0:02:11 | |
-# Zwei zu meiner Rechten | 0:02:12 | 0:02:17 | |
-# Zwei zu meiner Linken | 0:02:17 | 0:02:23 | |
-# Zwei zu meiner Linken | 0:02:23 | 0:02:30 | |
-# Zweie, die mich decken | 0:02:30 | 0:02:39 | |
-# Zweie, die mich wecken | 0:02:40 | 0:02:49 | |
-# Zweie, die mich weisen | 0:02:51 | 0:03:00 | |
-# Zu | 0:03:01 | 0:03:03 | |
-# Himmels-Paradeisen # | 0:03:03 | 0:03:13 | |
-Next, another popular song... | 0:03:33 | 0:03:36 | |
-..that belongs to the famous Vivaldi -composition, The Four Seasons. | 0:03:36 | 0:03:41 | |
-It may be Christmas, but I chose -a song from the Spring movement. | 0:03:42 | 0:03:47 | |
-# Dell'aura al sussurrar -dell'onda al mormorar | 0:04:04 | 0:04:09 | |
-# Dell'onda al mormorar | 0:04:09 | 0:04:11 | |
-# Cantiamo con piacer -Fra il dolce, e bel goder | 0:04:11 | 0:04:16 | |
-# Della nuova stagion -l'onor'il vanto | 0:04:17 | 0:04:21 | |
-# E sia di primavera -d'ogni gioir foriera | 0:04:21 | 0:04:26 | |
-# Foriera, il nostro canto | 0:04:27 | 0:04:31 | |
-# Senti quell' usignolo -su la nascente fronda | 0:04:40 | 0:04:45 | |
-# Come il piacer l'innonda -e qual d'amor favella | 0:04:45 | 0:04:52 | |
-# D'amor favella | 0:04:52 | 0:04:55 | |
-# Spiegando lieto il volo | 0:04:55 | 0:05:01 | |
-# Ei cerca fido il nido | 0:05:01 | 0:05:07 | |
-# Al bel piacer ch'attende | 0:05:08 | 0:05:13 | |
-# Ch'attende | 0:05:13 | 0:05:15 | |
-# E in noi di primavera -d'amor lieta foriera | 0:05:16 | 0:05:20 | |
-# Foriera i voti accende | 0:05:21 | 0:05:24 | |
-# Dell'aura al sussurrar -dell'onda al mormorar | 0:05:25 | 0:05:30 | |
-# Dell'onda al mormorar | 0:05:30 | 0:05:32 | |
-# Cantiamo con piacer -Fra il dolce e bel goder | 0:05:32 | 0:05:37 | |
-# Della nuova stagion -l'onor'il vanto | 0:05:37 | 0:05:42 | |
-# E sia di primavera -d'ogni gioir foriera | 0:05:43 | 0:05:47 | |
-# Foriera, il nostro canto # | 0:05:48 | 0:05:51 | |
-The next aria is from the opera, -La Traviata by Verdi. | 0:06:04 | 0:06:08 | |
-Verdi is known to this day -for his grand, romantic operas. | 0:06:08 | 0:06:12 | |
-Sempre Libera was first performed in -the Theatre of the Phoenix, Venice. | 0:06:12 | 0:06:18 | |
-The first production of the opera -was a complete failure. | 0:06:18 | 0:06:22 | |
-Verdi blamed the singers -and the singers blamed Verdi! | 0:06:22 | 0:06:27 | |
-No matter what was said at the time, -the opera is now a firm favourite. | 0:06:27 | 0:06:33 | |
-Violetta is a courtesan -celebrating her single life... | 0:06:33 | 0:06:36 | |
-..but Alfredo, a gentleman -who has adored her from afar... | 0:06:37 | 0:06:41 | |
-..enchants her with a song and she -gradually falls in love with him. | 0:06:41 | 0:06:46 | |
-Claire Surman and Wynne Evans, -or Gio Campario, perform this aria. | 0:06:46 | 0:06:52 | |
-It's a challenging song for any -soprano worth her weight in gold. | 0:06:52 | 0:06:56 | |
-# Sempre libera degg'io -folleggiar di gioia in gioia | 0:07:09 | 0:07:15 | |
-# Vo' che scorra il viver mio -pei sentieri del piacer | 0:07:15 | 0:07:21 | |
-# Nasca il giorno, o il giorno muoia | 0:07:22 | 0:07:24 | |
-# Sempre lieta ne'ritrovi | 0:07:25 | 0:07:27 | |
-# Ah-ah-ah | 0:07:28 | 0:07:33 | |
-# A diletti sempre nuovi -dee volare il mio pensier | 0:07:34 | 0:07:39 | |
-# Dee volar, dee volar | 0:07:39 | 0:07:42 | |
-# Dee volare il mio pensier | 0:07:43 | 0:07:45 | |
-# Dee volar, dee volar | 0:07:46 | 0:07:55 | |
-# Il pensier | 0:07:55 | 0:07:56 | |
-# Il pensier - -# Amor, amor | 0:07:56 | 0:08:01 | |
-# E palpito | 0:08:01 | 0:08:04 | |
-# Dell'universo | 0:08:04 | 0:08:08 | |
-# Dell'universo intero | 0:08:08 | 0:08:10 | |
-# Dell'universo intero - -# Oh amore! | 0:08:10 | 0:08:12 | |
-# Misterioso | 0:08:12 | 0:08:16 | |
-# Misterioso altero | 0:08:17 | 0:08:21 | |
-# Croce, croce e delizia | 0:08:22 | 0:08:26 | |
-# Croce e delizia | 0:08:26 | 0:08:28 | |
-# Delizia al cor! | 0:08:28 | 0:08:29 | |
-# Delizia al cor! - -# Follie, follie, follie! | 0:08:29 | 0:08:34 | |
-# Ah! | 0:08:34 | 0:08:39 | |
-# Ah! | 0:08:39 | 0:08:42 | |
-# Gioire | 0:08:43 | 0:08:47 | |
-# Gioire | 0:08:47 | 0:08:50 | |
-# Ah! | 0:08:51 | 0:08:58 | |
-# Sempre libera degg'io -folleggiar di gioia in gioia | 0:08:58 | 0:09:05 | |
-# Vo' che scorra il viver mio -pei sentieri del piacer | 0:09:05 | 0:09:11 | |
-# Nasca il giorno, o il giorno muoia | 0:09:11 | 0:09:14 | |
-# Sempre lieta ne'ritrovi | 0:09:14 | 0:09:16 | |
-# Ah-ah-ah! | 0:09:17 | 0:09:22 | |
-# A diletti sempre nuovi -dee volare il mio pensier | 0:09:22 | 0:09:28 | |
-# Dee volar, dee volar | 0:09:28 | 0:09:31 | |
-# Dee volare il mio pensier | 0:09:32 | 0:09:35 | |
-# Dee volar, dee volar il pensier | 0:09:35 | 0:09:44 | |
-# Amor e palpito | 0:09:45 | 0:09:46 | |
-# Amor e palpito - -# Dee volar | 0:09:46 | 0:09:48 | |
-# Dell'universo | 0:09:49 | 0:09:50 | |
-# Dell'universo - -# Dee volar, ah! ah! ah! | 0:09:50 | 0:09:54 | |
-# Ah! Dee volar il pensier | 0:09:54 | 0:09:57 | |
-# Amor e palpito, dell'universo | 0:09:57 | 0:10:02 | |
-# Dee volar, ah! ah! ah! | 0:10:03 | 0:10:06 | |
-# Ah! Dee volar il pensier | 0:10:07 | 0:10:12 | |
-# Il mio pensier | 0:10:12 | 0:10:16 | |
-# Ah-ah! | 0:10:19 | 0:10:22 | |
-# Il mio pensier # | 0:10:22 | 0:10:28 | |
-After the break, there's an aria -from the opera, Romeo et Juliette... | 0:10:39 | 0:10:43 | |
-..the Flower Duet by Lakme... | 0:10:44 | 0:10:47 | |
-..and an wonderful song by Schumann. | 0:10:47 | 0:10:50 | |
-. | 0:10:51 | 0:10:52 | |
-Subtitles | 0:11:00 | 0:11:00 | |
-Subtitles - -Subtitles | 0:11:00 | 0:11:02 | |
-The most popular opera -by Charles-Francois Gounod... | 0:11:06 | 0:11:10 | |
-..is Romeo et Juliette. | 0:11:10 | 0:11:12 | |
-Next, we have the most popular song -of that opera. | 0:11:12 | 0:11:15 | |
-In this aria, Juliette explains -that she isn't ready to marry... | 0:11:16 | 0:11:20 | |
-..because she enjoys being single -until she meets Romeo... | 0:11:20 | 0:11:24 | |
-..but that's another story! | 0:11:24 | 0:11:26 | |
-# Ah! | 0:11:31 | 0:11:37 | |
-# Ah! | 0:11:37 | 0:11:42 | |
-# Je veux vivre | 0:11:43 | 0:11:45 | |
-# Dans le reve | 0:11:46 | 0:11:49 | |
-# Qui m'enivre | 0:11:49 | 0:11:52 | |
-# Ce jour encore | 0:11:53 | 0:11:56 | |
-# Douce flamme | 0:11:56 | 0:11:59 | |
-# Je te garde | 0:11:59 | 0:12:02 | |
-# Dans mon ame | 0:12:02 | 0:12:06 | |
-# Comme un tresor! | 0:12:06 | 0:12:09 | |
-# Je veux vivre | 0:12:10 | 0:12:13 | |
-# Dans le reve | 0:12:13 | 0:12:16 | |
-# Qui m'enivre | 0:12:16 | 0:12:19 | |
-# Ce jour encore! | 0:12:20 | 0:12:23 | |
-# Douce flamme | 0:12:23 | 0:12:26 | |
-# Je te garde | 0:12:26 | 0:12:29 | |
-# Dans mon ame | 0:12:29 | 0:12:32 | |
-# Comme un tresor! | 0:12:33 | 0:12:37 | |
-# Cette ivresse de jeunesse | 0:12:37 | 0:12:41 | |
-# Nu dure helas! Qu'un jour | 0:12:41 | 0:12:45 | |
-# Puis vient l'heure -ou l'on pleure | 0:12:45 | 0:12:49 | |
-# Le coeur cede a l'amour | 0:12:49 | 0:12:52 | |
-# Et le bonheur | 0:12:53 | 0:12:56 | |
-# Fuit sans retour! | 0:12:56 | 0:13:03 | |
-# Je veux vivre | 0:13:03 | 0:13:07 | |
-# Dans le reve | 0:13:07 | 0:13:10 | |
-# Qui m'enivre | 0:13:10 | 0:13:14 | |
-# Ce jour encore! | 0:13:14 | 0:13:17 | |
-# Douce flamme | 0:13:17 | 0:13:20 | |
-# Je te garde | 0:13:20 | 0:13:23 | |
-# Dans mon ame | 0:13:23 | 0:13:27 | |
-# Comme un tresor! | 0:13:27 | 0:13:31 | |
-# Loin de l'hiver morose | 0:13:31 | 0:13:36 | |
-# Laisse moi | 0:13:37 | 0:13:40 | |
-# Laisse moi sommeiller | 0:13:40 | 0:13:44 | |
-# Et respirer a la rose | 0:13:44 | 0:13:49 | |
-# Respirer a la rose | 0:13:50 | 0:13:53 | |
-# Avant de l'effeuiller | 0:13:54 | 0:13:59 | |
-# Ah! | 0:13:59 | 0:14:01 | |
-# Ah! | 0:14:01 | 0:14:02 | |
-# Ah! | 0:14:03 | 0:14:04 | |
-# Ah! | 0:14:04 | 0:14:08 | |
-# Ah! | 0:14:09 | 0:14:11 | |
-# Douce flamme | 0:14:11 | 0:14:14 | |
-# Reste dans mon ame | 0:14:14 | 0:14:17 | |
-# Comme un doux tresor | 0:14:17 | 0:14:19 | |
-# Longtemps encore | 0:14:20 | 0:14:23 | |
-# Ah! | 0:14:26 | 0:14:29 | |
-# Ah! | 0:14:30 | 0:14:33 | |
-# Comme un tresor | 0:14:33 | 0:14:38 | |
-# Longtemps | 0:14:38 | 0:14:43 | |
-# Encore # | 0:14:43 | 0:14:50 | |
-I'm sure you've heard the music -for the Flower Duet... | 0:15:01 | 0:15:04 | |
-..in many adverts and films. | 0:15:04 | 0:15:07 | |
-In our series, Charlotte Mobbs -performed this duet with me. | 0:15:07 | 0:15:12 | |
-# Dome epais | 0:15:28 | 0:15:31 | |
-# Le jasmin | 0:15:31 | 0:15:34 | |
-# A la rose s'assemble | 0:15:34 | 0:15:40 | |
-# Rive en fleurs | 0:15:40 | 0:15:43 | |
-# Frais matin | 0:15:43 | 0:15:46 | |
-# Nous appellent ensemble | 0:15:46 | 0:15:52 | |
-# Ah! glissons | 0:15:53 | 0:15:56 | |
-# En suivant | 0:15:56 | 0:15:59 | |
-# Le courant fuyant | 0:15:59 | 0:16:04 | |
-# Dans l'on de fremissante | 0:16:04 | 0:16:13 | |
-# D'une main nonchalante | 0:16:13 | 0:16:20 | |
-# Gagnons le bord | 0:16:20 | 0:16:25 | |
-# Ou l'oiseau chante | 0:16:25 | 0:16:28 | |
-# L'oiseau, l'oiseau chante | 0:16:29 | 0:16:35 | |
-# Dome epais | 0:16:35 | 0:16:38 | |
-# Sous le blanc jasmin | 0:16:38 | 0:16:42 | |
-# Nous appellent | 0:16:42 | 0:16:51 | |
-# Ensemble | 0:16:51 | 0:16:59 | |
-# Mais je ne sais -quelle crainte subite | 0:17:01 | 0:17:05 | |
-# S'empare de moi | 0:17:05 | 0:17:08 | |
-# Quand mon pere va seul -a leur ville maudite | 0:17:08 | 0:17:12 | |
-# Je tremble, -je tremble d'effroi | 0:17:12 | 0:17:18 | |
-# Pourquoi le Dieu Ganeca le protege | 0:17:18 | 0:17:23 | |
-# Jusqu'a l'etang -ou s'ebattent joyeux | 0:17:23 | 0:17:28 | |
-# Les cynges aux ailes de neige | 0:17:28 | 0:17:32 | |
-# Allons cueillir les lotus bleus | 0:17:32 | 0:17:36 | |
-# Oui pres des cynges -aux ailes de neige | 0:17:37 | 0:17:41 | |
-# Allons cueillir | 0:17:42 | 0:17:45 | |
-# Les lotus bleus | 0:17:45 | 0:17:49 | |
-# Dome epais | 0:17:49 | 0:17:52 | |
-# Le jasmin | 0:17:53 | 0:17:56 | |
-# A la rose s'assemble | 0:17:56 | 0:18:02 | |
-# Rive en fleurs | 0:18:02 | 0:18:06 | |
-# Frais matin | 0:18:06 | 0:18:09 | |
-# Nous appellent ensemble | 0:18:09 | 0:18:15 | |
-# Ah! glissons | 0:18:16 | 0:18:19 | |
-# En suivant | 0:18:20 | 0:18:22 | |
-# Le courant fuyant | 0:18:23 | 0:18:27 | |
-# Dans l'on de fremissante | 0:18:28 | 0:18:37 | |
-# D'une main nonchalante | 0:18:37 | 0:18:44 | |
-# Gagnons le bord | 0:18:44 | 0:18:49 | |
-# Ou l'oiseau chante | 0:18:50 | 0:18:53 | |
-# L'oiseau, l'oiseau chante | 0:18:54 | 0:18:59 | |
-# Dome epais | 0:19:00 | 0:19:04 | |
-# Le jasmin | 0:19:04 | 0:19:08 | |
-# Nous appellent | 0:19:08 | 0:19:16 | |
-# Ensemble! # | 0:19:17 | 0:19:27 | |
-Next, we have a lieder by Schumann. | 0:19:28 | 0:19:30 | |
-Schumann suffered -with severe depression. | 0:19:31 | 0:19:34 | |
-It was a family disease. | 0:19:35 | 0:19:37 | |
-However, his love -for Clara Wieck gave him hope. | 0:19:37 | 0:19:41 | |
-She was a young, famous pianist. | 0:19:41 | 0:19:44 | |
-Many of Schumann's lieder, -written to a piano accompaniment... | 0:19:44 | 0:19:48 | |
-..feature references -to his love for Clara. | 0:19:48 | 0:19:51 | |
-This next song was composed -on the verge of their marriage. | 0:19:51 | 0:19:56 | |
-Du Ring an meinem Finger... | 0:19:56 | 0:19:58 | |
-..belongs to a series a poems -telling the story of a girl... | 0:19:58 | 0:20:02 | |
-..from courtship to marriage, -and childbirth. | 0:20:02 | 0:20:05 | |
-This song -refers to the wedding ring. | 0:20:05 | 0:20:09 | |
-# Du Ring an meinem Finger | 0:20:11 | 0:20:18 | |
-# Mein goldenes Ringelein | 0:20:19 | 0:20:25 | |
-# Ich drucke dich fromm -an die Lippen | 0:20:26 | 0:20:33 | |
-# Dich fromm an die Lippen -an das Herze mein | 0:20:33 | 0:20:40 | |
-# Ich hatt ihn ausgetraumet | 0:20:41 | 0:20:47 | |
-# Der Kindheit -friedlich schonen Traum | 0:20:47 | 0:20:54 | |
-# Ich fand allein mich verloren | 0:20:54 | 0:21:00 | |
-# Im oden, unendlichen Raum | 0:21:01 | 0:21:07 | |
-# Du Ring an meinem Finger | 0:21:08 | 0:21:16 | |
-# Da hast du mich erst belehrt | 0:21:16 | 0:21:23 | |
-# Hast meinem Blick erschlossen | 0:21:23 | 0:21:30 | |
-# Des Lebens unendlichen | 0:21:30 | 0:21:34 | |
-# Tiefen Wert | 0:21:34 | 0:21:38 | |
-# Ich ihm dienen, ihm leben | 0:21:38 | 0:21:44 | |
-# Ihm angehoren ganz | 0:21:44 | 0:21:50 | |
-# Hin selber mich geben | 0:21:51 | 0:21:54 | |
-# Und finden Verklart mich | 0:21:54 | 0:21:58 | |
-# Und finden Verklart mich -in seinem Glanz | 0:21:58 | 0:22:06 | |
-# Du Ring an meinem Finger | 0:22:07 | 0:22:15 | |
-# Mein goldenes Ringelein | 0:22:15 | 0:22:22 | |
-# Ich drucke dich -fromm an die Lippen | 0:22:22 | 0:22:30 | |
-# Dich fromm an die Lippen | 0:22:30 | 0:22:34 | |
-# An das Herze mein # | 0:22:34 | 0:22:41 | |
-After the break, we have some -favourites from the opera world. | 0:23:00 | 0:23:05 | |
-Robert Davies and I -perform a duet from Don Giovanni. | 0:23:05 | 0:23:09 | |
-Ana James performs the Queen of -the Night aria from The Magic Flute. | 0:23:11 | 0:23:16 | |
-And Orla Boylan performs a -great song from the opera, Fidelio. | 0:23:16 | 0:23:20 | |
-. | 0:23:21 | 0:23:22 | |
-Subtitles | 0:23:29 | 0:23:29 | |
-Subtitles - -Subtitles | 0:23:29 | 0:23:31 | |
-Next, we enter the opera world -with the master himself, Mozart. | 0:23:35 | 0:23:40 | |
-Mozart was born -in the beautiful town of Salzburg. | 0:23:41 | 0:23:44 | |
-He composed religious music, -symphonies and intrumental pieces... | 0:23:45 | 0:23:49 | |
-..before his sudden death -at the age of 35. | 0:23:50 | 0:23:53 | |
-His operatic hits are my favourite. | 0:23:53 | 0:23:57 | |
-This opera is Don Giovanni. | 0:23:57 | 0:23:59 | |
-The main character seduced women -across the globe. | 0:23:59 | 0:24:03 | |
-In the duet that I perform alongside -the baritone, Robert Davies... | 0:24:03 | 0:24:08 | |
-..Giovanni entices Zerlina -to his home for a chat... | 0:24:08 | 0:24:12 | |
-..but chatting is the last thing -on his mind! | 0:24:12 | 0:24:16 | |
-# La ci darem la mano | 0:24:17 | 0:24:22 | |
-# La mi dirai di si | 0:24:22 | 0:24:26 | |
-# Verdi, no e lontano | 0:24:27 | 0:24:32 | |
-# Partiam, ben mio, da qui | 0:24:32 | 0:24:37 | |
-# Vorrei, e non vorrei | 0:24:37 | 0:24:42 | |
-# Mi trema un poco il cor | 0:24:43 | 0:24:48 | |
-# Felice, e ver, sarei | 0:24:48 | 0:24:54 | |
-# Ma puo burlarmi ancor! | 0:24:54 | 0:24:57 | |
-# Ma puo burlarmi ancor! | 0:24:58 | 0:25:04 | |
-# Vieni, mio bel diletto! | 0:25:05 | 0:25:09 | |
-# Mi fa pieta Masetto! | 0:25:09 | 0:25:15 | |
-# Io cangiero tua sorte! | 0:25:15 | 0:25:19 | |
-# Presto non son piu forte | 0:25:19 | 0:25:24 | |
-# Non son piu forte | 0:25:24 | 0:25:26 | |
-# Non son piu forte | 0:25:27 | 0:25:29 | |
-# Vieni! Vieni! | 0:25:29 | 0:25:34 | |
-# La ci darem la mano | 0:25:34 | 0:25:39 | |
-# Vorrei, e non vorrei | 0:25:39 | 0:25:44 | |
-# La mi dirai di si | 0:25:45 | 0:25:49 | |
-# Mi trema un poco il cor | 0:25:50 | 0:25:54 | |
-# Partiam, ben mio, da qui | 0:25:54 | 0:25:57 | |
-# Ma puo burlami ancor | 0:25:57 | 0:26:02 | |
-# Vieni, mio bel diletto | 0:26:02 | 0:26:04 | |
-# Vieni, mio bel diletto - -# Mi fa pieta Masetto! | 0:26:04 | 0:26:07 | |
-# Io cangiero tuo sorte | 0:26:07 | 0:26:09 | |
-# Io cangiero tuo sorte - -# Presto non son piu forte! | 0:26:09 | 0:26:13 | |
-# Non son piu forte! -Non son piu forte! | 0:26:13 | 0:26:19 | |
-# Andiam, andiam | 0:26:20 | 0:26:26 | |
-# Andiam | 0:26:26 | 0:26:32 | |
-# Andiam, andiam, mio bene | 0:26:33 | 0:26:36 | |
-# A ristorar le pene | 0:26:37 | 0:26:40 | |
-# D'un innocente amor! | 0:26:40 | 0:26:45 | |
-# Andiam, andiam, mio bene | 0:26:47 | 0:26:50 | |
-# A ristorar le pene | 0:26:50 | 0:26:54 | |
-# D'un innocente amor! | 0:26:54 | 0:26:59 | |
-# Andiam | 0:27:00 | 0:27:02 | |
-# Andiam | 0:27:04 | 0:27:07 | |
-# Andiam | 0:27:07 | 0:27:10 | |
-# Andiam | 0:27:11 | 0:27:13 | |
-# Andiam, mio bene, andiam | 0:27:13 | 0:27:16 | |
-# Le pene a ristorar | 0:27:16 | 0:27:19 | |
-# D'un innocente amor! # | 0:27:19 | 0:27:23 | |
-One of Mozart's most famous arias -is Der Holle Rache... | 0:27:32 | 0:27:35 | |
-..from the opera, -The Magic Flute. | 0:27:35 | 0:27:38 | |
-It's an excellent aria -for any soprano who can perform it. | 0:27:38 | 0:27:42 | |
-Ana James performed it -in the series, Sopranos. | 0:27:42 | 0:27:45 | |
-The Queen of the Night -seeks revenge on King Sarastro. | 0:27:45 | 0:27:49 | |
-She orders her daughter, -Pamina, to kill him. | 0:27:50 | 0:27:53 | |
-# Der holle rache kocht -in meinem Herzen | 0:27:56 | 0:27:59 | |
-# Tod und Verzweiflung | 0:28:00 | 0:28:03 | |
-# Tod und Verzweiflung -flamment um mich her | 0:28:03 | 0:28:09 | |
-# Fuhlt nicht durch dich | 0:28:10 | 0:28:13 | |
-# Sarastro todesschmerzen | 0:28:13 | 0:28:16 | |
-# Sarastro todesschmerzen | 0:28:17 | 0:28:20 | |
-# So bist du meine -Tochter nimmermerh | 0:28:21 | 0:28:26 | |
-# So bist du meine | 0:28:27 | 0:28:30 | |
-# Meine Tochter nimmermerh | 0:28:31 | 0:28:33 | |
-# Ah | 0:28:34 | 0:28:36 | |
-# Ah | 0:28:37 | 0:28:40 | |
-# Ah | 0:28:40 | 0:28:47 | |
-# Meine Tochter nimmermehr | 0:28:47 | 0:28:52 | |
-# Ah | 0:28:53 | 0:28:56 | |
-# Ah | 0:28:56 | 0:28:59 | |
-# Ah | 0:28:59 | 0:29:06 | |
-# So bist du meine -Tochter nimmermehr | 0:29:06 | 0:29:13 | |
-# Vestossen sei auf ewig | 0:29:22 | 0:29:25 | |
-# Verlassen sie auf ewig | 0:29:26 | 0:29:29 | |
-# Zertummert sei'n auf ewig | 0:29:29 | 0:29:32 | |
-# Alle Bande der Natur | 0:29:32 | 0:29:37 | |
-# Verstossen, verlassen, zertrummert | 0:29:37 | 0:29:42 | |
-# Alle Bande der Natur | 0:29:42 | 0:29:48 | |
-# Alle Bande | 0:29:48 | 0:29:57 | |
-# Ah | 0:29:58 | 0:30:01 | |
-# Alle bande | 0:30:02 | 0:30:09 | |
-# Alle Bande der natur | 0:30:09 | 0:30:13 | |
-# Wenn nicht durch dich! | 0:30:14 | 0:30:17 | |
-# Sarastro wird erblassen! | 0:30:17 | 0:30:26 | |
-# Hort | 0:30:27 | 0:30:29 | |
-# Hort | 0:30:29 | 0:30:31 | |
-# Hort! | 0:30:31 | 0:30:36 | |
-# Rachegotter | 0:30:36 | 0:30:39 | |
-# Hort | 0:30:39 | 0:30:42 | |
-# Der Mutter Schwur # | 0:30:43 | 0:30:47 | |
-Vienna has been home to many famous -composers, including Beethoven. | 0:30:54 | 0:31:00 | |
-Beethoven is the only composer -to leave his mark on this city. | 0:31:00 | 0:31:06 | |
-It's incredible that Beethoven -lost his hearing in his late 20s... | 0:31:06 | 0:31:11 | |
-..yet he performed, conducted and -composed some of his best work... | 0:31:11 | 0:31:16 | |
-..despite being totally deaf. | 0:31:16 | 0:31:19 | |
-He experienced periods -of depression due to his deafness. | 0:31:20 | 0:31:24 | |
-This could explain -the stormy nature of his music. | 0:31:24 | 0:31:28 | |
-Amazingly, Beethoven only composed -one opera, namely Fidelio... | 0:31:28 | 0:31:32 | |
-..that debuted -at the Theater An Der Wien in -Vienna. - | 0:31:33 | 0:31:37 | |
-The heroine -is the soprano, Leonora. | 0:31:38 | 0:31:41 | |
-She disguises herself as a male -prison officer called Fidelio... | 0:31:42 | 0:31:45 | |
-..to save her husband who is -imprisoned in a political jail. | 0:31:46 | 0:31:50 | |
-In the series, -the soprano, Orla Boylan... | 0:31:50 | 0:31:53 | |
-..sang the aria Komm, o Hoffnung, -or Come, Hope, from this opera. | 0:31:53 | 0:31:59 | |
-The aria conveys -her initial anxiety... | 0:31:59 | 0:32:01 | |
-..which eases at the -thought of his release. | 0:32:02 | 0:32:05 | |
-# Komm, Hoffnung | 0:32:18 | 0:32:22 | |
-# Lass den letzten Stern | 0:32:22 | 0:32:28 | |
-# Den letzten Stern | 0:32:28 | 0:32:32 | |
-# Der Mueden nicht erbleichen! | 0:32:32 | 0:32:40 | |
-# O komm | 0:32:44 | 0:32:48 | |
-# Erhell' ihr mein Ziel | 0:32:48 | 0:32:56 | |
-# Sei's noch so fern, so fern | 0:32:56 | 0:33:02 | |
-# Die Liebe | 0:33:03 | 0:33:07 | |
-# Sie wird's erreichen, ja, ja | 0:33:07 | 0:33:13 | |
-# Sie wird's erreichen | 0:33:13 | 0:33:20 | |
-# Erreichen | 0:33:21 | 0:33:27 | |
-# Sie wird's erreichen | 0:33:28 | 0:33:37 | |
-# Erreichen | 0:33:37 | 0:33:43 | |
-# Komm, o komm | 0:33:46 | 0:33:50 | |
-# Komm, o Hoffnung | 0:33:51 | 0:33:57 | |
-# Lass den letzten Stern | 0:34:02 | 0:34:08 | |
-# Der Mueden | 0:34:10 | 0:34:13 | |
-# Der Mueden nicht erbleichen! | 0:34:13 | 0:34:17 | |
-# Erhell' ihr Ziel | 0:34:18 | 0:34:25 | |
-# Sei's noch so fern | 0:34:25 | 0:34:29 | |
-# Sei's noch so fern | 0:34:29 | 0:34:34 | |
-# Die Liebe | 0:34:35 | 0:34:38 | |
-# Die Liebe | 0:34:38 | 0:34:43 | |
-# Wird's erreichen | 0:34:43 | 0:34:47 | |
-# Die Liebe | 0:34:48 | 0:34:56 | |
-# Die Liebe wird's erreichen | 0:34:56 | 0:35:07 | |
-# Ich folg' dem innern Triebe | 0:35:11 | 0:35:14 | |
-# Ich wanke nicht mich staerkt -die Pflicht der treuen | 0:35:15 | 0:35:19 | |
-# Gattenliebe | 0:35:19 | 0:35:27 | |
-# Ich folg' dem innern Triebe | 0:35:27 | 0:35:31 | |
-# Ich wanke nicht | 0:35:31 | 0:35:33 | |
-# O, Ich wanke nicht! | 0:35:34 | 0:35:38 | |
-# Mich staerkt -die Pflicht der treuen | 0:35:38 | 0:35:43 | |
-# Gattenliebe! | 0:35:43 | 0:35:50 | |
-# Gattenliebe! # | 0:35:50 | 0:35:56 | |
-Join me after the break for -the final part of the programme... | 0:36:04 | 0:36:08 | |
-..to enjoy music -from the world of the operetta... | 0:36:08 | 0:36:11 | |
-..with Camilla Roberts -and Wynne Evans. | 0:36:11 | 0:36:14 | |
-There's a song from The Mikado -by Gilbert and Sullivan... | 0:36:16 | 0:36:21 | |
-..and a personal favourite from the -Welsh composer, Dilys Elwyn-Edwards. | 0:36:21 | 0:36:26 | |
-. | 0:36:27 | 0:36:28 | |
-Subtitles | 0:36:35 | 0:36:35 | |
-Subtitles - -Subtitles | 0:36:35 | 0:36:37 | |
-Welcome to the final part of this -selection of songs from Sopranos. | 0:36:41 | 0:36:47 | |
-We end with three beautiful songs. | 0:36:47 | 0:36:49 | |
-First, Camilla Roberts -and Wynne Evans perform a duet... | 0:36:50 | 0:36:53 | |
-..from The Merry Widow by Lehar. | 0:36:53 | 0:36:55 | |
-This is the climax of the most -successful operetta in history. | 0:36:55 | 0:36:59 | |
-It's a love story and, -as in all good love stories... | 0:37:00 | 0:37:03 | |
-..love conquers all! | 0:37:03 | 0:37:06 | |
-# Lippen schweigen, -'s flustern Geigen | 0:37:53 | 0:37:59 | |
-# Hab mich lieb! | 0:37:59 | 0:38:04 | |
-# All die Schritte saga bitte | 0:38:05 | 0:38:11 | |
-# Hab mich lieb | 0:38:11 | 0:38:16 | |
-# Jeder druck der Hande | 0:38:16 | 0:38:23 | |
-# Deutlich mir's beschrieb | 0:38:23 | 0:38:29 | |
-# Er sagt klar: -'s ist wahr, 's ist wahr | 0:38:29 | 0:38:34 | |
-# Du hast mich lieb | 0:38:35 | 0:38:40 | |
-# Bei jedem Walzerschritt | 0:38:41 | 0:38:45 | |
-# Tanzt auch die Seele mit | 0:38:45 | 0:38:50 | |
-# Da hupft das Herzchen klien, -es klopft und pocht | 0:38:50 | 0:38:55 | |
-# Sei mein! Sei mein! | 0:38:55 | 0:39:00 | |
-# Und der Mund er spricht kein Wort | 0:39:00 | 0:39:04 | |
-# Doch tont es fort und immerfort | 0:39:05 | 0:39:10 | |
-# Ich hab dich ja so lieb | 0:39:11 | 0:39:15 | |
-# Ich hab dich lieb | 0:39:15 | 0:39:21 | |
-# Jeder Druck der Hande | 0:39:44 | 0:39:49 | |
-# Deutlich mir's beschrieb | 0:39:49 | 0:39:55 | |
-# Es sagt klar: -'s ist wahr, 's ist wahr | 0:39:56 | 0:40:01 | |
-# Du hast | 0:40:01 | 0:40:04 | |
-# Mich lieb! # | 0:40:04 | 0:40:12 | |
-Our next song is from the Gilbert -and Sullivan operetta, The Mikado. | 0:40:13 | 0:40:17 | |
-The Savoy Theatre in London was -the home of Gilbert and Sullivan. | 0:40:17 | 0:40:22 | |
-It was erected primarily -to stage their work. | 0:40:23 | 0:40:27 | |
-The interior is similar... | 0:40:28 | 0:40:30 | |
-..to when it staged the operetta's -first performance in 1881. | 0:40:30 | 0:40:34 | |
-The tenor, Nanki-Poo flees from -his father, The Mikado of Japan... | 0:40:34 | 0:40:40 | |
-..to avoid marrying -the ugly contralto, Katisha. | 0:40:40 | 0:40:43 | |
-He wants to marry -the beautiful soprano, Yum-Yum. | 0:40:43 | 0:40:46 | |
-The Mikado agrees... | 0:40:47 | 0:40:48 | |
-..on the condition that Nanki-Poo -is executed afterwards. | 0:40:48 | 0:40:52 | |
-Sarah Tynan plays Yum-Yum. | 0:40:52 | 0:40:54 | |
-On her wedding day, she pauses -to admire her beauty and strength. | 0:40:54 | 0:41:00 | |
-# The sun, whose rays are all ablaze | 0:41:10 | 0:41:14 | |
-# With ever-living glory | 0:41:14 | 0:41:19 | |
-# Does not deny His majesty | 0:41:19 | 0:41:22 | |
-# He scorns to tell a story! | 0:41:22 | 0:41:27 | |
-# He don't exclaim, -"I blush for shame | 0:41:28 | 0:41:30 | |
-# "So kindly be indulgent" | 0:41:31 | 0:41:36 | |
-# But, fierce and bold, -in fiery gold | 0:41:37 | 0:41:40 | |
-# He glories all effulgent! | 0:41:40 | 0:41:45 | |
-# I mean to rule the earth | 0:41:50 | 0:41:55 | |
-# As he the sky | 0:41:55 | 0:41:58 | |
-# We really know our worth | 0:41:58 | 0:42:04 | |
-# The sun and I | 0:42:04 | 0:42:08 | |
-# I mean to rule the earth, -as he the sky | 0:42:09 | 0:42:15 | |
-# We really know our worth | 0:42:15 | 0:42:19 | |
-# The sun and I! | 0:42:19 | 0:42:26 | |
-# Observe his flame, -that placid dame | 0:42:32 | 0:42:35 | |
-# The moon's Celestial Highness | 0:42:36 | 0:42:41 | |
-# There's not a trace upon her face | 0:42:41 | 0:42:44 | |
-# Of diffidence or shyness | 0:42:44 | 0:42:50 | |
-# She borrows light -that through the night | 0:42:50 | 0:42:53 | |
-# Mankind may all acclaim her! | 0:42:53 | 0:42:59 | |
-# And, truth to tell, -she lights up well | 0:42:59 | 0:43:02 | |
-# So I for one, don't blame her! | 0:43:02 | 0:43:08 | |
-# Ah, pray make no mistake | 0:43:11 | 0:43:17 | |
-# We are not shy | 0:43:18 | 0:43:20 | |
-# We're very wide awake | 0:43:21 | 0:43:27 | |
-# The moon and I! | 0:43:27 | 0:43:32 | |
-# Ah, pray make no mistake | 0:43:32 | 0:43:37 | |
-# We are not shy | 0:43:37 | 0:43:41 | |
-# We're very wide awake | 0:43:41 | 0:43:45 | |
-# The moon | 0:43:46 | 0:43:50 | |
-# And I! # | 0:43:50 | 0:43:56 | |
-I hope you've enjoyed some of -the best songs from Sopranos... | 0:44:04 | 0:44:08 | |
-..in this Christmas special. | 0:44:08 | 0:44:10 | |
-We end with Y Gylfinir -by Dilys Elwyn-Edwards. | 0:44:11 | 0:44:16 | |
-This song was commissioned -as part of Caneuon Y Tri Aderyn... | 0:44:16 | 0:44:20 | |
-..that also includes -Mae Hiraeth Yn Y Mor and Tylluanod. | 0:44:20 | 0:44:24 | |
-R Williams Parry -penned the lyrics... | 0:44:24 | 0:44:26 | |
-..and Y Gylfinir was a personal -favourite of Dilys Elwyn-Edwards. | 0:44:26 | 0:44:31 | |
-It's also one of my favourites. | 0:44:31 | 0:44:33 | |
-# Your call is heard -at high noon-day | 0:44:47 | 0:44:54 | |
-# A wistful flute across the mere | 0:44:54 | 0:45:01 | |
-# As herdsman's whistle far away | 0:45:02 | 0:45:09 | |
-# Your call is heard -at midnight clear | 0:45:09 | 0:45:16 | |
-# Then hear we | 0:45:16 | 0:45:20 | |
-# As you swell your keen | 0:45:20 | 0:45:24 | |
-# Baring afar, your hounds unseen | 0:45:24 | 0:45:31 | |
-# Your flocks -the massive clouds of grey | 0:45:33 | 0:45:41 | |
-# And all four winds -your eager hounds | 0:45:41 | 0:45:48 | |
-# Awhile do pen them 'ere they stray | 0:45:48 | 0:45:55 | |
-# And scatter once more -out of hounds | 0:45:55 | 0:46:01 | |
-# A mute and restless drove on high | 0:46:01 | 0:46:07 | |
-# Amid the shielings of the sky # | 0:46:07 | 0:46:16 | |
-S4C subtitles by Tinopolis | 0:47:15 | 0:47:17 | |
-. | 0:47:17 | 0:47:18 |