Pennod 2 Stiwdio Gefn
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Transcript
| Line | From | To | |
|---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Welcome to Stiwdio Gefn. | 0:00:09 | 0:00:11 | |
-The series features -all genres of music... | 0:00:11 | 0:00:14 | |
-..and tonight is proof of that. | 0:00:14 | 0:00:17 | |
-We're joined by -the former Race Horses guitarist. | 0:00:17 | 0:00:20 | |
-Alun Gaffey is back -with his own material. | 0:00:21 | 0:00:24 | |
-A member of the pop group, Eden -and still performs around Wales. | 0:00:25 | 0:00:30 | |
-It's Non Williams. | 0:00:30 | 0:00:32 | |
-Our first artist is a rapper, -beatboxer and music producer. | 0:00:32 | 0:00:36 | |
-With a passionate for hip-hop, -it's Mr Phormula. | 0:00:36 | 0:00:40 | |
-# One way | 0:00:45 | 0:00:47 | |
-# One way | 0:00:48 | 0:00:50 | |
-# One way | 0:00:50 | 0:00:52 | |
-'There are many -who follow their own paths | 0:00:53 | 0:00:57 | |
-'Throughout their lives, -refuse advice | 0:00:57 | 0:01:00 | |
-'How many have asked for advice -for your soul that lives forever? | 0:01:01 | 0:01:05 | |
-'How many of you have asked -what is the best way to live?' | 0:01:05 | 0:01:10 | |
-# Yeah, life on the limit | 0:01:11 | 0:01:13 | |
-# Reach for a sword, -sketch a burning landscape | 0:01:13 | 0:01:17 | |
-# I'm a poet on the edge, -ripping beats east to west | 0:01:17 | 0:01:20 | |
-# Like butter, rugged like denim, -to Cilcennin, still representing | 0:01:21 | 0:01:26 | |
-# Kill verses like penicillin, -destroy shows from June to June | 0:01:26 | 0:01:31 | |
-# Cook in the kitchen, fast life | 0:01:31 | 0:01:33 | |
-# Stand with a samurai, blade -like a hairline, strong morals | 0:01:34 | 0:01:38 | |
-# Stand static like a cabin | 0:01:38 | 0:01:41 | |
-# My heart ventures from country -to country, nothing changes | 0:01:41 | 0:01:46 | |
-# Through beats, secret messages, -brothers stand universally | 0:01:46 | 0:01:51 | |
-# Whoo | 0:01:55 | 0:01:56 | |
-# One way, yeah | 0:01:56 | 0:01:59 | |
-# One way to live, one message | 0:01:59 | 0:02:01 | |
-# One path, one man, one woman | 0:02:01 | 0:02:04 | |
-# One base, one planet | 0:02:04 | 0:02:06 | |
-# One mountain, one action | 0:02:07 | 0:02:09 | |
-# One way to live, one message | 0:02:09 | 0:02:11 | |
-# One path, one man, one woman | 0:02:12 | 0:02:14 | |
-# One base, one planet | 0:02:14 | 0:02:16 | |
-# One mountain, one action | 0:02:17 | 0:02:19 | |
-# Use the language without rules, -colour words with a crayola | 0:02:19 | 0:02:24 | |
-# From the land of I can, -pushing listeners like a barrow | 0:02:24 | 0:02:29 | |
-# Into my world, a world of colour, -outside the matrix, since Pep Le Pew | 0:02:29 | 0:02:34 | |
-# I'll leave the rest to you, -I'm sat with God, having a chat | 0:02:34 | 0:02:39 | |
-# Gazing at the planet -and its problems | 0:02:39 | 0:02:42 | |
-# Global issues, questions | 0:02:42 | 0:02:44 | |
-# Realize the power in words, -my purpose in life with languages | 0:02:44 | 0:02:49 | |
-# Here to share my opinion, -everyone is on a journey | 0:02:50 | 0:02:54 | |
-# That's one fact, one key | 0:02:55 | 0:02:57 | |
-# Live your life without stopping | 0:02:57 | 0:03:00 | |
-# One way, whoo | 0:03:04 | 0:03:07 | |
-# One way to live, one message | 0:03:07 | 0:03:09 | |
-# One path, one man, one woman | 0:03:10 | 0:03:12 | |
-# One base, one planet | 0:03:12 | 0:03:14 | |
-# One mountain, one action | 0:03:15 | 0:03:17 | |
-# One way to live, one message | 0:03:17 | 0:03:19 | |
-# One path, one man, one woman | 0:03:20 | 0:03:22 | |
-# One base, one planet | 0:03:23 | 0:03:25 | |
-# Yeah, yeah, yeah | 0:03:25 | 0:03:27 | |
-# Find peace, express through song | 0:03:27 | 0:03:30 | |
-# Use poetry to tell stories | 0:03:30 | 0:03:32 | |
-# We're authors with answers, -poets, rappers and musicians | 0:03:33 | 0:03:37 | |
-# Actors, artists | 0:03:38 | 0:03:40 | |
-# Create a future for a generation | 0:03:40 | 0:03:42 | |
-# Learn from the past -to move universally | 0:03:43 | 0:03:47 | |
-# One way to live, one message | 0:03:48 | 0:03:50 | |
-# One path, one man, one woman | 0:03:50 | 0:03:52 | |
-# One base, one planet | 0:03:53 | 0:03:55 | |
-# One mountain, one action | 0:03:55 | 0:03:57 | |
-# One way to live, one message | 0:03:58 | 0:04:00 | |
-# One path, one man, one woman | 0:04:00 | 0:04:02 | |
-# One base, one planet | 0:04:03 | 0:04:05 | |
-# One mountain, one action # | 0:04:05 | 0:04:09 | |
-APPLAUSE | 0:04:09 | 0:04:12 | |
-Thank you. | 0:04:13 | 0:04:15 | |
-That track is out -but there's more to come. | 0:04:15 | 0:04:18 | |
-How are you so productive? | 0:04:19 | 0:04:21 | |
-I tend to pull my van into lay-bys -and write songs between workshops. | 0:04:21 | 0:04:27 | |
-You're also gigging. | 0:04:28 | 0:04:30 | |
-I'm gigging with British artists. | 0:04:30 | 0:04:33 | |
-I listen to their music -and I'm happy to support them. | 0:04:33 | 0:04:37 | |
-Enjoy and thank you. | 0:04:37 | 0:04:38 | |
-The next artist has been -on the rock scene for years. | 0:04:39 | 0:04:42 | |
-His debut solo album -came out in February. | 0:04:42 | 0:04:45 | |
-Alun Gaffey performs Yr Afon. | 0:04:45 | 0:04:48 | |
-# Been searching for paradise | 0:05:12 | 0:05:15 | |
-# But not in the right places | 0:05:15 | 0:05:18 | |
-# Synthetic sources that mislead | 0:05:19 | 0:05:22 | |
-# I swallowed pure romance | 0:05:26 | 0:05:28 | |
-# Uttering hypocrisies | 0:05:28 | 0:05:31 | |
-# But now I run along the river | 0:05:34 | 0:05:37 | |
-# How are you meant to contemplate? | 0:05:41 | 0:05:45 | |
-# Distraction makes you forget | 0:05:45 | 0:05:48 | |
-# Deep thoughts are underlined | 0:05:49 | 0:05:53 | |
-# By things in the world | 0:05:53 | 0:05:55 | |
-INSTRUMENTAL | 0:06:03 | 0:06:05 | |
-# Stop some of your rituals | 0:06:11 | 0:06:15 | |
-# And it clicks | 0:06:15 | 0:06:17 | |
-# Natural progression over time | 0:06:19 | 0:06:22 | |
-# I obeyed the faithful old beliefs | 0:06:25 | 0:06:29 | |
-# But | 0:06:31 | 0:06:33 | |
-# But now I run along the river | 0:06:34 | 0:06:38 | |
-# How are you meant to contemplate? | 0:06:41 | 0:06:45 | |
-# Distraction makes you forget | 0:06:45 | 0:06:48 | |
-# Deeps thoughts are underlined | 0:06:48 | 0:06:53 | |
-# It chokes you | 0:06:53 | 0:06:56 | |
-# Whoa | 0:07:01 | 0:07:02 | |
-INSTRUMENTAL | 0:07:07 | 0:07:10 | |
-# Shoot the DJs and pass the mic | 0:07:31 | 0:07:33 | |
-# Fresh air is good for me | 0:07:33 | 0:07:36 | |
-# The spider's web -vanishes from my head | 0:07:37 | 0:07:40 | |
-# Taking in the place and time | 0:07:41 | 0:07:44 | |
-# Can't believe -the beauty of the world | 0:07:44 | 0:07:48 | |
-# Fresh air is good for me | 0:07:49 | 0:07:51 | |
-# The spider's web -vanishes from my head | 0:07:52 | 0:07:56 | |
-# Taking in the place and time | 0:07:56 | 0:07:59 | |
-# Can't believe -the beauty of the world # | 0:07:59 | 0:08:03 | |
-APPLAUSE | 0:08:26 | 0:08:29 | |
-Alun Gaffey performs in part two. | 0:08:30 | 0:08:33 | |
-Non Williams -is from the popular group, Eden. | 0:08:33 | 0:08:36 | |
-Yes, many moons ago! | 0:08:36 | 0:08:38 | |
-What was it like, Non? | 0:08:38 | 0:08:39 | |
-What was it like, Non? - -It was a really happy period. | 0:08:39 | 0:08:42 | |
-We're performing -at Tafwyl this year. | 0:08:42 | 0:08:45 | |
-We can't wait -and need to start rehearsing. | 0:08:45 | 0:08:48 | |
-Who has joined you tonight? | 0:08:48 | 0:08:50 | |
-Wal is on the end -and Miriam is my cousin. | 0:08:51 | 0:08:56 | |
-Steff is alright as well! | 0:08:57 | 0:09:00 | |
-What are you singing for us? | 0:09:00 | 0:09:03 | |
-Rho I Mi Wen. | 0:09:03 | 0:09:06 | |
-# Show me a smile | 0:09:20 | 0:09:22 | |
-# Let's go back to our first night | 0:09:22 | 0:09:25 | |
-# Give me a kiss | 0:09:25 | 0:09:27 | |
-# And hold me tight, oh | 0:09:28 | 0:09:31 | |
-# Show me a smile | 0:09:31 | 0:09:33 | |
-# I slip through your fingers | 0:09:33 | 0:09:36 | |
-# Give me your everything -and I'll give it all back | 0:09:36 | 0:09:41 | |
-# Hey, baby, don't look at me -like that, it makes me feel strange | 0:09:41 | 0:09:47 | |
-# Oh, it's wonderful -when you can't stop touching me | 0:09:48 | 0:09:53 | |
-# Come to me and let me | 0:09:54 | 0:09:58 | |
-# Let me melt quietly in your warmth | 0:09:59 | 0:10:03 | |
-# Be strong | 0:10:04 | 0:10:07 | |
-# Be tender | 0:10:07 | 0:10:09 | |
-# I want more and I want it now | 0:10:11 | 0:10:13 | |
-# Baby, it's time | 0:10:14 | 0:10:16 | |
-# Show me a smile | 0:10:17 | 0:10:19 | |
-# Let's go back to the first night | 0:10:19 | 0:10:22 | |
-# Give me a kiss | 0:10:22 | 0:10:25 | |
-# And hold me tight, oh | 0:10:25 | 0:10:28 | |
-# Show me a smile | 0:10:28 | 0:10:31 | |
-# I slip through your fingers | 0:10:31 | 0:10:33 | |
-# Give me your everything -and I'll give it all back | 0:10:34 | 0:10:39 | |
-# Gaze at me again, -your eyes can ask me anything | 0:10:39 | 0:10:45 | |
-# Your embrace is pure pleasure, -there's nothing else like it | 0:10:45 | 0:10:50 | |
-# Come to me | 0:10:50 | 0:10:53 | |
-# And stay all night -and let our bodies do the talking | 0:10:54 | 0:11:01 | |
-# Be wild | 0:11:01 | 0:11:04 | |
-# Be naughty | 0:11:05 | 0:11:07 | |
-# I want more and I want it now | 0:11:09 | 0:11:11 | |
-# Baby, it's time | 0:11:11 | 0:11:15 | |
-# Give me a kiss | 0:11:20 | 0:11:22 | |
-# And hold me tight, oh | 0:11:23 | 0:11:26 | |
-# Show me a smile | 0:11:26 | 0:11:28 | |
-# I slip through your fingers | 0:11:28 | 0:11:31 | |
-# Give me your everything -and I'll give it all back | 0:11:31 | 0:11:37 | |
-# And I'll give it all back | 0:11:37 | 0:11:39 | |
-# And I'll give it all back, -give it all back | 0:11:40 | 0:11:43 | |
-# I'll give it all back # | 0:11:43 | 0:11:47 | |
-APPLAUSE | 0:11:49 | 0:11:51 | |
-There's more from Non, Alun Gaffey -and Mr Phormula after the break. | 0:11:55 | 0:12:00 | |
-. | 0:12:06 | 0:12:06 | |
-Subtitles | 0:12:09 | 0:12:09 | |
-Subtitles - -Subtitles | 0:12:09 | 0:12:11 | |
-# The chimney was blocked | 0:12:18 | 0:12:20 | |
-# On the crass caravanette -where Tameside was rocking | 0:12:21 | 0:12:25 | |
-# And Nina knocked | 0:12:26 | 0:12:28 | |
-# The fire was lit -and the boy didn't clock it | 0:12:30 | 0:12:34 | |
-# Twenty-five and at my best | 0:12:41 | 0:12:44 | |
-# On the other side of darkness -at nine o'clock in the morning | 0:12:45 | 0:12:49 | |
-# The ball and chain isn't there | 0:12:49 | 0:12:52 | |
-# Been at it for hours, -just me and a crew of friends | 0:12:53 | 0:12:57 | |
-# And the pictures say it all | 0:12:57 | 0:13:01 | |
-# Living to tell stories | 0:13:02 | 0:13:05 | |
-# The memories are hazy | 0:13:05 | 0:13:08 | |
-# Singing old melodies | 0:13:10 | 0:13:12 | |
-# Herrick was scared | 0:13:21 | 0:13:24 | |
-# When I pulled out -a blood-stained handkerchief | 0:13:24 | 0:13:28 | |
-# But I just laughed | 0:13:28 | 0:13:32 | |
-# On winding paths to strange places | 0:13:32 | 0:13:36 | |
-# Life on the road | 0:13:44 | 0:13:47 | |
-# Disappear for days -with a dead battery on my phone | 0:13:47 | 0:13:52 | |
-# And sing old melodies | 0:13:53 | 0:13:55 | |
-# Escape boredom from my home | 0:13:56 | 0:14:00 | |
-# And the pictures say it all | 0:14:00 | 0:14:05 | |
-# Living to tell stories | 0:14:06 | 0:14:08 | |
-# The memories are sweet | 0:14:08 | 0:14:12 | |
-# Of singing old melodies # | 0:14:14 | 0:14:17 | |
-BEAT BOX INSTRUMENTAL | 0:14:30 | 0:14:32 | |
-APPLAUSE | 0:15:38 | 0:15:40 | |
-Thank you for performing -two tracks from your solo album. | 0:15:44 | 0:15:48 | |
-It features many layers -so how much fun was it to compile? | 0:15:48 | 0:15:52 | |
-It was fun and we experimented -and laid down a lot of material. | 0:15:52 | 0:15:57 | |
-How difficult is it to adapt -tracks for a live performance? | 0:15:57 | 0:16:01 | |
-It's quite a challenge -as there are many layers. | 0:16:02 | 0:16:05 | |
-The band members are experienced -and we enjoy trying to make it work. | 0:16:05 | 0:16:10 | |
-Good luck with your gigs. | 0:16:11 | 0:16:13 | |
-Here's Non Williams to perform -the classic Eden song, Pethe Bach. | 0:16:13 | 0:16:18 | |
-APPLAUSE | 0:16:19 | 0:16:21 | |
-# Let me say -that the little things you do | 0:16:27 | 0:16:31 | |
-# Make me feel so warm, so happy | 0:16:31 | 0:16:37 | |
-# Don't go far, -there's no better place | 0:16:37 | 0:16:41 | |
-# Than lying in your arms | 0:16:42 | 0:16:47 | |
-# Smile for me | 0:16:47 | 0:16:49 | |
-# Smile for me - -# Smile for me | 0:16:49 | 0:16:52 | |
-# What was my life before I met you | 0:16:52 | 0:16:57 | |
-# Before I spoke to you, whoa? | 0:16:57 | 0:17:02 | |
-# Since you came -everything is perfect | 0:17:02 | 0:17:07 | |
-# The entire world has changed | 0:17:07 | 0:17:11 | |
-# I love every moment with you | 0:17:11 | 0:17:15 | |
-# Come and fill my life | 0:17:16 | 0:17:20 | |
-# With all hope | 0:17:20 | 0:17:25 | |
-# Believe me | 0:17:25 | 0:17:31 | |
-# I don't want this to end | 0:17:32 | 0:17:33 | |
-# Don't forget | 0:17:34 | 0:17:36 | |
-# Let me say -that the little things you do | 0:17:36 | 0:17:40 | |
-# Make me feel so warm, so happy | 0:17:40 | 0:17:46 | |
-# Don't go far, -there's no better place | 0:17:46 | 0:17:50 | |
-# Than lying in your arms | 0:17:50 | 0:17:56 | |
-# Smile for me | 0:17:56 | 0:18:01 | |
-# I wake every morning | 0:18:01 | 0:18:03 | |
-# And you're there | 0:18:03 | 0:18:05 | |
-# In my thoughts, whoa | 0:18:06 | 0:18:11 | |
-# There by side -every minute and hour | 0:18:11 | 0:18:15 | |
-# I can't wait to see you | 0:18:15 | 0:18:19 | |
-# I love everything about you | 0:18:20 | 0:18:24 | |
-# I still can't comprehend why | 0:18:24 | 0:18:28 | |
-# I'm here with you | 0:18:29 | 0:18:33 | |
-# Believe me | 0:18:34 | 0:18:39 | |
-# I don't want this to end | 0:18:40 | 0:18:42 | |
-# Don't forget | 0:18:42 | 0:18:44 | |
-# Let me say -that the little things you do | 0:18:45 | 0:18:49 | |
-# Make me feel so warm, so happy | 0:18:49 | 0:18:54 | |
-# Don't go far, -there's no better place | 0:18:55 | 0:18:59 | |
-# Than lying in your arms | 0:18:59 | 0:19:04 | |
-# Smile for me | 0:19:05 | 0:19:09 | |
-# Let me say -that the little things you do | 0:19:10 | 0:19:13 | |
-# Make me feel so warm, so happy | 0:19:14 | 0:19:19 | |
-# Don't go far, -there's no better place | 0:19:19 | 0:19:24 | |
-# Than lying in your arms | 0:19:24 | 0:19:32 | |
-# Smile for me | 0:19:32 | 0:19:37 | |
-# Haah-aah-aah | 0:19:39 | 0:19:42 | |
-# Smile for me # | 0:19:42 | 0:19:48 | |
-APPLAUSE | 0:19:49 | 0:19:51 | |
-Our thanks to Non Williams, -Alun Gaffey and his band... | 0:19:55 | 0:19:59 | |
-..and Mr Phormula, -Dybl L and E-ratick. | 0:20:00 | 0:20:03 | |
-Thanks for your company, goodnight. | 0:20:03 | 0:20:06 | |
-# Yeah, yeah # | 0:20:10 | 0:20:12 | |
-'We, the Cymmrodorion, -shall reveal to the world | 0:20:12 | 0:20:16 | |
-'The value of this old language.' | 0:20:16 | 0:20:19 | |
-This old language. | 0:20:19 | 0:20:20 | |
-'In colours so beautiful | 0:20:21 | 0:20:22 | |
-'As it was reckoned -an honour henceforth spoken | 0:20:23 | 0:20:27 | |
-'Amongst the learned -and nobility of the kingdom | 0:20:27 | 0:20:31 | |
-'Yes, in the King's court | 0:20:31 | 0:20:34 | |
-'The custom of yore.' | 0:20:34 | 0:20:36 | |
-# Here's a song to make -you grab life with both hands | 0:20:37 | 0:20:40 | |
-# Talk about change right now | 0:20:41 | 0:20:43 | |
-# We're invaluable, life is huge | 0:20:43 | 0:20:45 | |
-# The language tours the globe | 0:20:46 | 0:20:48 | |
-# Stand your ground like a giant | 0:20:48 | 0:20:50 | |
-# Psych out 'til lights out | 0:20:51 | 0:20:53 | |
-# Spying down on us like ants | 0:20:53 | 0:20:55 | |
-# Looking at a life I can't afford | 0:20:55 | 0:20:58 | |
-# Morbid life, I fly like a kite -into the sunset, like an outcast | 0:20:58 | 0:21:02 | |
-# I live life in the moment, -appreciating life to the limit | 0:21:03 | 0:21:07 | |
-# No gimmicks, plain and simple | 0:21:08 | 0:21:10 | |
-# Dropping verses on your head | 0:21:11 | 0:21:13 | |
-# Live life through a pencil | 0:21:13 | 0:21:15 | |
-# Don't try to be a stencil | 0:21:15 | 0:21:18 | |
-# They do, they say what? | 0:21:19 | 0:21:21 | |
-# They do, they say what? | 0:21:21 | 0:21:23 | |
-# They do, they say what? | 0:21:24 | 0:21:26 | |
-# They do, they say what? | 0:21:26 | 0:21:28 | |
-# They do, they say what? | 0:21:28 | 0:21:30 | |
-# They do, they say what? | 0:21:30 | 0:21:32 | |
-# Represent from the top down | 0:21:33 | 0:21:35 | |
-# Take the control back | 0:21:35 | 0:21:37 | |
-# They do, they say what? | 0:21:38 | 0:21:40 | |
-# They do, they say what? | 0:21:41 | 0:21:42 | |
-# Represent from the top down | 0:21:43 | 0:21:45 | |
-# Take the control back | 0:21:45 | 0:21:47 | |
-# Still against the wall, -standing tall | 0:21:57 | 0:22:00 | |
-# Still exist in inequality | 0:22:00 | 0:22:02 | |
-# Treated badly like an animal | 0:22:03 | 0:22:05 | |
-# Reach equally, -the anthem of the continent | 0:22:05 | 0:22:10 | |
-# Move as one, every step and mile | 0:22:10 | 0:22:12 | |
-# Here's the elixir, -take a step forward from behind | 0:22:13 | 0:22:17 | |
-# The world stands in coldness | 0:22:18 | 0:22:20 | |
-# Ghosts remind us of who we were | 0:22:20 | 0:22:23 | |
-# Paying tax, no benefits | 0:22:23 | 0:22:25 | |
-# Want my share but the cake's gone | 0:22:26 | 0:22:28 | |
-# Great one, we live on crumbs | 0:22:28 | 0:22:30 | |
-# No answers, lead by actors, -a Welsh musical gone international | 0:22:31 | 0:22:35 | |
-# We need to set the final rules | 0:22:36 | 0:22:38 | |
-# They do, they say what? | 0:22:38 | 0:22:41 | |
-# They do, they say what? | 0:22:41 | 0:22:43 | |
-# They do, they say what? -They do, they say what? | 0:22:44 | 0:22:48 | |
-# Letters drop in the Menai, -I'm a rapper with a Jedi story | 0:22:48 | 0:22:52 | |
-# Under lights, I share opinions -that create problems like beer | 0:22:53 | 0:22:58 | |
-# I am that man, holding a flame, -a scary monster breaking lose | 0:22:58 | 0:23:02 | |
-# A zig-zag, arms like buildings | 0:23:03 | 0:23:05 | |
-# Don't listen to the two-faced | 0:23:05 | 0:23:08 | |
-# They do, they say what? | 0:23:08 | 0:23:10 | |
-# They do, they say what? | 0:23:11 | 0:23:13 | |
-# Represent from the top down, -take the control back | 0:23:13 | 0:23:18 | |
-# They do, they say what? | 0:23:18 | 0:23:20 | |
-# They do, they say what? | 0:23:21 | 0:23:23 | |
-# Represent from the top down | 0:23:23 | 0:23:25 | |
-# Take the control back # | 0:23:25 | 0:23:27 | |
-APPLAUSE | 0:23:29 | 0:23:31 | |
-S4C Subtitles by Tinopolis | 0:23:51 | 0:23:53 | |
-. | 0:23:53 | 0:23:54 |
