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-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Welcome to Y Stiwdio Gefn. | 0:00:10 | 0:00:11 | |
-Let's meet tonight's musicians. | 0:00:12 | 0:00:14 | |
-We'll hear some special new music... | 0:00:14 | 0:00:17 | |
-..from Carwyn Ellis of Colorama -and Plu. | 0:00:17 | 0:00:20 | |
-APPLAUSE | 0:00:20 | 0:00:22 | |
-He's a former member of -Y Tebot Piws and Mynediad Am Ddim. | 0:00:23 | 0:00:27 | |
-It's the influential songwriter, -Emyr Huws Jones. | 0:00:27 | 0:00:31 | |
-APPLAUSE | 0:00:31 | 0:00:32 | |
-We start with a Swansea rock band -that have made music for ten years. | 0:00:32 | 0:00:37 | |
-Here are Yr Angen. | 0:00:37 | 0:00:39 | |
-INSTRUMENTAL INTRODUCTION | 0:00:53 | 0:00:56 | |
-# The person who pulls me down | 0:01:37 | 0:01:40 | |
-# Picks me back up | 0:01:41 | 0:01:43 | |
-# You build a relationship | 0:01:43 | 0:01:46 | |
-# Just to rip it apart | 0:01:47 | 0:01:50 | |
-# What is there to ask for? | 0:01:51 | 0:01:53 | |
-# Time is of the essence | 0:01:54 | 0:01:56 | |
-# I don't have a choice | 0:01:57 | 0:02:00 | |
-# I can't continue this pretence | 0:02:00 | 0:02:03 | |
-# If it's meant to be | 0:02:06 | 0:02:09 | |
-# If it's meant to be | 0:02:13 | 0:02:14 | |
-# Awake until the early hours | 0:02:15 | 0:02:18 | |
-# I can't stand still | 0:02:19 | 0:02:21 | |
-# I've prepared the words | 0:02:21 | 0:02:24 | |
-# It's impossible to be with you | 0:02:25 | 0:02:27 | |
-# Time is of the essence | 0:02:29 | 0:02:31 | |
-# I'm losing days | 0:02:32 | 0:02:35 | |
-# I'm meant to feel better with you | 0:02:35 | 0:02:38 | |
-# But I'd rather run away | 0:02:38 | 0:02:40 | |
-# If it's meant to be | 0:02:45 | 0:02:48 | |
-# If it's meant to be | 0:02:51 | 0:02:54 | |
-# If it's meant to be # | 0:02:58 | 0:03:01 | |
-INSTRUMENTAL | 0:03:20 | 0:03:22 | |
-APPLAUSE | 0:04:14 | 0:04:17 | |
-Thank you, Yr Angen. | 0:04:20 | 0:04:21 | |
-It's great to hear a song from the -album you released five years ago. | 0:04:21 | 0:04:26 | |
-The Dieithriad EP followed, -but how has your sound evolved? | 0:04:26 | 0:04:31 | |
-It was important for us -to do the same record twice. | 0:04:31 | 0:04:35 | |
-Gareth believes that -we've matured musically. | 0:04:35 | 0:04:38 | |
-What's next for you as a group? | 0:04:39 | 0:04:41 | |
-In May, we have a few gigs in London -and at the Swansea Half Marathon. | 0:04:41 | 0:04:46 | |
-We hope to release -another album next year. | 0:04:46 | 0:04:49 | |
-Good luck with the album. | 0:04:49 | 0:04:51 | |
-Next, we've got an exciting -performance from a new partnership. | 0:04:51 | 0:04:56 | |
-This is the melodic sound of -Carwyn Ellis of Colorama and Plu. | 0:04:56 | 0:05:00 | |
-# And if something worries me | 0:05:01 | 0:05:07 | |
-# She's the one who comes to mind | 0:05:08 | 0:05:13 | |
-# There's nothing that can stop her | 0:05:14 | 0:05:18 | |
-# From coming to my side | 0:05:18 | 0:05:23 | |
-# She's my angel | 0:05:25 | 0:05:29 | |
-# If it all becomes too much for me | 0:05:31 | 0:05:37 | |
-# She doesn't hesitate, -she comes quickly | 0:05:37 | 0:05:42 | |
-# All I need to do is say the word | 0:05:43 | 0:05:48 | |
-# And she's there by my side | 0:05:48 | 0:05:52 | |
-# She's my angel | 0:05:55 | 0:05:59 | |
-# By my side, that's where she'll be | 0:06:01 | 0:06:06 | |
-# Anytime of the day or night | 0:06:06 | 0:06:12 | |
-# If anything worries me | 0:06:13 | 0:06:17 | |
-# She's there by my side | 0:06:18 | 0:06:23 | |
-# She's my angel | 0:06:24 | 0:06:28 | |
-INSTRUMENTAL | 0:06:31 | 0:06:33 | |
-# By my side, that's where she'll be | 0:07:00 | 0:07:05 | |
-# Anytime of the day or night | 0:07:06 | 0:07:11 | |
-# If anything worries me | 0:07:11 | 0:07:16 | |
-# She's by my side | 0:07:17 | 0:07:22 | |
-# She's my angel | 0:07:23 | 0:07:28 | |
-# And if I need a helping hand | 0:07:32 | 0:07:38 | |
-# I don't worry, -she's always there for me | 0:07:39 | 0:07:44 | |
-# To bear the weight between us | 0:07:44 | 0:07:49 | |
-# Here, by my side | 0:07:49 | 0:07:54 | |
-# She's my angel | 0:07:56 | 0:08:01 | |
-# She's my angel # | 0:08:02 | 0:08:08 | |
-APPLAUSE | 0:08:12 | 0:08:14 | |
-We'll have another song -from Carwyn and Plu later. | 0:08:18 | 0:08:21 | |
-It's a pleasure to welcome -Emyr Huws Jones. | 0:08:22 | 0:08:24 | |
-You've released a solo album -but what motivated you to do it? | 0:08:25 | 0:08:29 | |
-It felt right for me -to release a solo album. | 0:08:29 | 0:08:32 | |
-I was told to sing my own songs -and I've done it. | 0:08:33 | 0:08:36 | |
-Is the process of writing -your own songs different? | 0:08:36 | 0:08:40 | |
-I write songs for myself, -but sometimes they suit others. | 0:08:40 | 0:08:44 | |
-Why did you choose Cofio Dy Wyneb? | 0:08:45 | 0:08:47 | |
-Why did you choose Cofio Dy Wyneb? - -It's one of my favourites. | 0:08:47 | 0:08:50 | |
-We look forward to hearing it. | 0:08:50 | 0:08:53 | |
-# I remember seeing the moon | 0:09:06 | 0:09:08 | |
-# As white as the sun | 0:09:09 | 0:09:11 | |
-# The sand shone -like snow in its light | 0:09:12 | 0:09:17 | |
-# Your hand, cold in my hand | 0:09:17 | 0:09:20 | |
-# Your nose like an Eskimo's | 0:09:20 | 0:09:23 | |
-# But this is what I remember best | 0:09:23 | 0:09:28 | |
-# I remember your face | 0:09:28 | 0:09:31 | |
-# Looking at my face | 0:09:32 | 0:09:36 | |
-# Your eyes looking into my eyes | 0:09:37 | 0:09:41 | |
-# Your hand | 0:09:43 | 0:09:45 | |
-# On my shoulder | 0:09:45 | 0:09:47 | |
-# And your heart -in the breast pocket of my coat | 0:09:49 | 0:09:53 | |
-# Benllech isn't heaven | 0:10:06 | 0:10:08 | |
-# Especially in summer | 0:10:09 | 0:10:11 | |
-# But your company made it better | 0:10:12 | 0:10:16 | |
-# But I didn't know | 0:10:17 | 0:10:20 | |
-# That the weather was changing | 0:10:20 | 0:10:23 | |
-# That I was going to lose you | 0:10:24 | 0:10:28 | |
-# I remember your face | 0:10:28 | 0:10:31 | |
-# Looking at my face | 0:10:32 | 0:10:36 | |
-# Your eyes looking into my eyes | 0:10:37 | 0:10:41 | |
-# Your hand | 0:10:42 | 0:10:44 | |
-# On my shoulder | 0:10:45 | 0:10:47 | |
-# And your heart -in the breast pocket of my coat | 0:10:48 | 0:10:52 | |
-# I won't go to Benllech again | 0:11:05 | 0:11:07 | |
-# Summer is over | 0:11:08 | 0:11:10 | |
-# The cars are leaving -over Menai Bridge | 0:11:10 | 0:11:15 | |
-# You left | 0:11:16 | 0:11:19 | |
-# And I know you'll never come back | 0:11:19 | 0:11:22 | |
-# But when summer comes | 0:11:22 | 0:11:24 | |
-# I shall | 0:11:25 | 0:11:27 | |
-# Remember your face | 0:11:27 | 0:11:30 | |
-# Looking at my face | 0:11:31 | 0:11:35 | |
-# Your eyes looking into my eyes | 0:11:36 | 0:11:40 | |
-# Your hand | 0:11:42 | 0:11:44 | |
-# On my shoulder | 0:11:44 | 0:11:46 | |
-# And your heart -in the breast pocket of my coat # | 0:11:47 | 0:11:52 | |
-APPLAUSE | 0:12:07 | 0:12:09 | |
-There's more from Emyr Huws Jones, -Carwyn Ellis, Plu and Yr Angen... | 0:12:14 | 0:12:18 | |
-..after the break. | 0:12:19 | 0:12:20 | |
-. | 0:12:24 | 0:12:24 | |
-Subtitles | 0:12:28 | 0:12:28 | |
-Subtitles - -Subtitles | 0:12:28 | 0:12:30 | |
-# The old place is smaller | 0:12:40 | 0:12:44 | |
-# Only a few remain | 0:12:47 | 0:12:52 | |
-# We have to accept -this is how it will be | 0:12:54 | 0:12:58 | |
-# One door opens and another closes | 0:13:01 | 0:13:06 | |
-# I remember when | 0:13:07 | 0:13:10 | |
-# We were children | 0:13:10 | 0:13:14 | |
-# We played down | 0:13:14 | 0:13:17 | |
-# In Danybanc | 0:13:18 | 0:13:21 | |
-# Lying down and dreaming | 0:13:26 | 0:13:30 | |
-# On the grass near the old bridge | 0:13:33 | 0:13:39 | |
-# The sound of water running below | 0:13:41 | 0:13:46 | |
-# A few cars would pass | 0:13:48 | 0:13:53 | |
-# I remember when | 0:13:54 | 0:13:57 | |
-# We were children | 0:13:57 | 0:14:00 | |
-# We played down | 0:14:01 | 0:14:04 | |
-# By the river | 0:14:04 | 0:14:08 | |
-# Those days when | 0:14:08 | 0:14:11 | |
-# We were little | 0:14:11 | 0:14:15 | |
-# We played down | 0:14:16 | 0:14:18 | |
-# In Danybanc | 0:14:18 | 0:14:22 | |
-INSTRUMENTAL | 0:14:29 | 0:14:31 | |
-# I keep the happy memories -in my heart | 0:14:56 | 0:15:00 | |
-# Ooo-ooo | 0:15:00 | 0:15:03 | |
-# Of my favourite places and people | 0:15:03 | 0:15:07 | |
-# Ooo-ooo | 0:15:08 | 0:15:10 | |
-# Pieces of blanket from the past | 0:15:10 | 0:15:14 | |
-# Ooo-ooo | 0:15:15 | 0:15:17 | |
-# Wrap around me for the future | 0:15:17 | 0:15:21 | |
-# I remember when | 0:15:23 | 0:15:26 | |
-# We were children | 0:15:26 | 0:15:30 | |
-# We played down | 0:15:30 | 0:15:34 | |
-# By the river | 0:15:34 | 0:15:37 | |
-# Those days when | 0:15:38 | 0:15:41 | |
-# We were little | 0:15:41 | 0:15:44 | |
-# We played down | 0:15:45 | 0:15:48 | |
-# In Danybanc | 0:15:48 | 0:15:52 | |
-# Those days when | 0:15:52 | 0:15:55 | |
-# We were little | 0:15:56 | 0:15:59 | |
-# We played down | 0:15:59 | 0:16:02 | |
-# In Danybanc # | 0:16:04 | 0:16:11 | |
-APPLAUSE | 0:16:13 | 0:16:16 | |
-Thank you. I love your sound. | 0:16:20 | 0:16:22 | |
-Why did you want to work with Plu, -Carwyn? | 0:16:23 | 0:16:26 | |
-Why not? | 0:16:26 | 0:16:27 | |
-They're an incredible group -and I'm a big fan. | 0:16:28 | 0:16:31 | |
-I approached them and they agreed. | 0:16:31 | 0:16:34 | |
-How did Plu feel about -collaborating with Carwyn? | 0:16:34 | 0:16:39 | |
-It was brilliant as we've never -collaborated with anyone before. | 0:16:39 | 0:16:44 | |
-Working with Carwyn was an honour. | 0:16:44 | 0:16:47 | |
-You've recorded an album together -but when can we hear it? | 0:16:47 | 0:16:50 | |
-This September. | 0:16:51 | 0:16:53 | |
-I can't wait. Congratulations. | 0:16:53 | 0:16:56 | |
-Next, we have Emyr Huws Jones. | 0:16:56 | 0:16:58 | |
-Tudur Morgan produced his album -which was released in February. | 0:16:59 | 0:17:04 | |
-This is Tudur, John Griffiths -and Ems performing Perthyn. | 0:17:04 | 0:17:08 | |
-# The train was going nowhere | 0:17:21 | 0:17:24 | |
-# The roads didn't go very far | 0:17:25 | 0:17:28 | |
-# The wind howled through the valley | 0:17:28 | 0:17:32 | |
-# Full of hope for a better time | 0:17:32 | 0:17:35 | |
-# But the wind is howling once again | 0:17:36 | 0:17:39 | |
-# Along the river -and down from the lake | 0:17:40 | 0:17:43 | |
-# And I know that from now on | 0:17:43 | 0:17:47 | |
-# That this is where I belong | 0:17:47 | 0:17:51 | |
-# I see pathways re-opening | 0:17:55 | 0:17:59 | |
-# There's a green carpet underfoot | 0:17:59 | 0:18:02 | |
-# I smell the burning gorse | 0:18:02 | 0:18:06 | |
-# And hear the voices fill the trees | 0:18:06 | 0:18:09 | |
-# I see the familiar faces | 0:18:10 | 0:18:14 | |
-# They are hiding between the leaves | 0:18:14 | 0:18:16 | |
-# I see the road that leads me home | 0:18:18 | 0:18:21 | |
-# I feel the breeze, -the rain and sun | 0:18:21 | 0:18:24 | |
-# When I close my eyes | 0:18:25 | 0:18:29 | |
-# I can smell the rain | 0:18:29 | 0:18:31 | |
-# I see two people on Lon Fron | 0:18:33 | 0:18:36 | |
-# Running hand-in-hand | 0:18:37 | 0:18:39 | |
-# Racing towards their home | 0:18:41 | 0:18:44 | |
-# To the late afternoon's -roaring fire | 0:18:44 | 0:18:48 | |
-# And I may not see their faces | 0:18:48 | 0:18:51 | |
-# But I know them very well | 0:18:52 | 0:18:55 | |
-# Is there someone in the bracken | 0:19:00 | 0:19:03 | |
-# Where the path comes to an end? | 0:19:03 | 0:19:06 | |
-# But maybe the thing I can hear | 0:19:07 | 0:19:10 | |
-# Is the sheep -owned by John Croes Bren | 0:19:11 | 0:19:13 | |
-# Trampling through my dreams | 0:19:15 | 0:19:18 | |
-# Disturbing everything under foot | 0:19:18 | 0:19:21 | |
-# But the old longing | 0:19:22 | 0:19:25 | |
-# Is still simmering -through my veins # | 0:19:25 | 0:19:29 | |
-APPLAUSE | 0:19:46 | 0:19:48 | |
-Thanks to Ems, Tudur, John, -Carwyn and Plu. | 0:19:53 | 0:19:56 | |
-We close with the Swansea rockers -and a song from the Dieithriad EP. | 0:19:57 | 0:20:01 | |
-Here's Yr Angen to perform -Yr Opsiwn Hawdd. | 0:20:01 | 0:20:04 | |
-Thanks for watching. Goodnight. | 0:20:05 | 0:20:07 | |
-# A loud, chilling scream | 0:20:10 | 0:20:13 | |
-# We don't have to return | 0:20:13 | 0:20:16 | |
-# We don't have to return | 0:20:17 | 0:20:19 | |
-# Over the hillside | 0:20:21 | 0:20:23 | |
-# The pleasure ends | 0:20:23 | 0:20:25 | |
-# We don't have to return | 0:20:26 | 0:20:28 | |
-# We don't have to return | 0:20:29 | 0:20:31 | |
-# What's stopping you -putting another down? | 0:20:33 | 0:20:37 | |
-# Why has her voice -dropped to a whisper? | 0:20:37 | 0:20:40 | |
-# As she opens the door, -is it too easy? | 0:20:40 | 0:20:45 | |
-# There's a darkness within -that's dragging us down | 0:20:45 | 0:20:49 | |
-# It turns the world upside down -and spits us out | 0:20:49 | 0:20:52 | |
-# It takes a chilling scream -and turns it into something I crave | 0:20:53 | 0:20:57 | |
-# Does it feel better -to take the easy option? | 0:20:59 | 0:21:02 | |
-# The blame falls from the eyes | 0:21:03 | 0:21:06 | |
-# The blame falls like tears | 0:21:06 | 0:21:09 | |
-# Were your intentions clear? | 0:21:11 | 0:21:15 | |
-# All you needed was a word | 0:21:15 | 0:21:18 | |
-# All you needed was a word | 0:21:18 | 0:21:21 | |
-# What's stopping you -putting another down? | 0:21:22 | 0:21:26 | |
-# Why has her voice -dropped to a whisper? | 0:21:27 | 0:21:29 | |
-# As she walks to the door, -who said that it would be easy? | 0:21:30 | 0:21:35 | |
-# There's a darkness within -that's dragging us down | 0:21:35 | 0:21:38 | |
-# It turns the world upside down -and spits us out | 0:21:39 | 0:21:42 | |
-# It takes a chilling scream -and turns it into something I crave | 0:21:42 | 0:21:47 | |
-# There's a darkness within -that's dragging us down | 0:21:47 | 0:21:51 | |
-# It turns the world upside down -and spits us out | 0:21:52 | 0:21:54 | |
-# It takes a chilling scream -and turns it into something I crave | 0:21:55 | 0:21:59 | |
-# Whoa-oh-oh-oh-oh | 0:22:01 | 0:22:03 | |
-# Whoa-oh-oh-oh-oh | 0:22:05 | 0:22:06 | |
-# Whoa-oh-oh-oh-oh | 0:22:08 | 0:22:09 | |
-# Whoa-oh-oh-oh-oh | 0:22:11 | 0:22:13 | |
-# Whoa-oh-oh-oh-oh | 0:22:13 | 0:22:16 | |
-# Whoa-oh-oh-oh-oh | 0:22:17 | 0:22:20 | |
-# Whoa-oh-oh-oh-oh | 0:22:20 | 0:22:22 | |
-INSTRUMENTAL | 0:22:32 | 0:22:34 | |
-# Whoa-oh-oh-oh-oh | 0:22:38 | 0:22:41 | |
-# Whoa-oh-oh-oh-oh | 0:22:42 | 0:22:44 | |
-# Whoa-oh-oh-oh-oh | 0:22:44 | 0:22:47 | |
-# There's a darkness within -that's dragging us down | 0:22:50 | 0:22:53 | |
-# It turns the world upside down -and spits us out | 0:22:54 | 0:22:56 | |
-# It takes a chilling scream -and turns it into something I crave | 0:22:57 | 0:23:01 | |
-# There's a darkness within -that's dragging us down | 0:23:02 | 0:23:06 | |
-# It turns the world upside down -and spits us out | 0:23:06 | 0:23:09 | |
-# It takes a chilling scream -and turns it into something I crave | 0:23:09 | 0:23:14 | |
-# Whoa-oh-oh-oh-oh | 0:23:16 | 0:23:18 | |
-# Whoa-oh-oh-oh-oh | 0:23:19 | 0:23:21 | |
-# Whoa-oh-oh-oh-oh # | 0:23:22 | 0:23:24 | |
-APPLAUSE | 0:23:33 | 0:23:35 | |
-S4C Subtitles by Tinopolis | 0:23:55 | 0:23:57 | |
-. | 0:23:57 | 0:23:57 |