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-Welcome to Y Stiwdio Gefn. -Let's see who we've got for you. | 0:00:09 | 0:00:13 | |
-The psychedelic-pop band -with a debut album this year. | 0:00:13 | 0:00:17 | |
-It's HMS Morris. | 0:00:17 | 0:00:20 | |
-The Bridgend musician who beat off -12,000 hopefuls earlier this year. | 0:00:21 | 0:00:26 | |
-It's John Nicholas. | 0:00:26 | 0:00:29 | |
-We start with a popular Welsh band -that have released a fourth album. | 0:00:30 | 0:00:35 | |
-It's Cowbois Rhos Botwnnog. | 0:00:35 | 0:00:37 | |
-# Maybe I won't do more -until the days grind to a halt | 0:00:52 | 0:00:55 | |
-# I feel frail and at breaking point | 0:00:56 | 0:00:59 | |
-# Standing over the dishes, -almost every day | 0:01:00 | 0:01:03 | |
-# Going mad, without expectations | 0:01:03 | 0:01:07 | |
-# My skin starts to weaken | 0:01:07 | 0:01:10 | |
-# Just peering through -the crack of the curtains | 0:01:11 | 0:01:14 | |
-# Just let me smile, take delight | 0:01:15 | 0:01:18 | |
-# From hearing grace -still runs in our veins | 0:01:18 | 0:01:22 | |
-# If you can see -where the scar is worst | 0:01:22 | 0:01:25 | |
-# You can live as if I wasn't here | 0:01:26 | 0:01:29 | |
-# You say it's easy, but not for me | 0:01:30 | 0:01:33 | |
-# Not for me | 0:01:33 | 0:01:37 | |
-# Don't say it's as bad as that | 0:01:39 | 0:01:42 | |
-# Don't say it's as bad | 0:01:42 | 0:01:44 | |
-INSTRUMENTAL | 0:01:55 | 0:01:57 | |
-# I don't feel lonely -until the streets flow | 0:02:09 | 0:02:13 | |
-# Over our still bodies, passing by | 0:02:13 | 0:02:16 | |
-# Not tonight, -she grows closer again | 0:02:17 | 0:02:20 | |
-# Feeling her warmth whilst asleep | 0:02:21 | 0:02:24 | |
-# Too lazy to help, I'm broken | 0:02:24 | 0:02:28 | |
-# The world is down the road, -but I watch television in bed | 0:02:28 | 0:02:32 | |
-# Dust gets under my skin every day | 0:02:33 | 0:02:35 | |
-# Going mad, without expectations | 0:02:36 | 0:02:39 | |
-# Can you see how we grew tired | 0:02:39 | 0:02:43 | |
-# Like everyone else before? | 0:02:43 | 0:02:46 | |
-# I want to know -if there's something left | 0:02:47 | 0:02:50 | |
-# Because I think -there's something left | 0:02:51 | 0:02:54 | |
-# Don't say it's as bad as that | 0:02:56 | 0:02:59 | |
-# Don't say it's as bad | 0:02:59 | 0:03:02 | |
-INSTRUMENTAL | 0:03:13 | 0:03:15 | |
-# Don't say it's as bad as that | 0:03:43 | 0:03:46 | |
-# Don't say it's as bad # | 0:03:47 | 0:03:49 | |
-APPLAUSE | 0:04:10 | 0:04:12 | |
-Thanks, Cowbois. -You've released a fourth album. | 0:04:14 | 0:04:18 | |
-Describe how your sound has evolved. | 0:04:18 | 0:04:22 | |
-Our latest album sounds different -because we've produced it ourselves. | 0:04:23 | 0:04:28 | |
-Our previous albums -have a live band sound. | 0:04:28 | 0:04:35 | |
-We've experimented with -arrangements and instruments... | 0:04:35 | 0:04:39 | |
-..and it impacts our sound. | 0:04:40 | 0:04:42 | |
-I love it and congratulations. | 0:04:42 | 0:04:44 | |
-Heledd, Wil and Sam -have been promoting their new album. | 0:04:44 | 0:04:49 | |
-This is HMS Morris. | 0:04:49 | 0:04:52 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:04:59 | 0:05:03 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:05:03 | 0:05:06 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:05:06 | 0:05:10 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:05:10 | 0:05:13 | |
-# Love | 0:05:14 | 0:05:16 | |
-# I'm worried about your appearance | 0:05:17 | 0:05:20 | |
-# Your obsession | 0:05:20 | 0:05:23 | |
-# Like Kurt Cobain's last days | 0:05:24 | 0:05:28 | |
-# It's OK | 0:05:28 | 0:05:31 | |
-# Well, come and live me | 0:05:33 | 0:05:37 | |
-# Love | 0:05:42 | 0:05:45 | |
-# This isn't healthy | 0:05:45 | 0:05:48 | |
-# You awaken | 0:05:48 | 0:05:52 | |
-# To wander in the early hours | 0:05:52 | 0:05:54 | |
-# Like I did | 0:05:55 | 0:05:59 | |
-# Is something seriously wrong? | 0:06:01 | 0:06:04 | |
-INSTRUMENTAL | 0:06:14 | 0:06:16 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:06:21 | 0:06:24 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:06:25 | 0:06:28 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:06:28 | 0:06:32 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:06:32 | 0:06:35 | |
-# Love | 0:06:35 | 0:06:38 | |
-# If you're thinking of leaving | 0:06:38 | 0:06:41 | |
-# Give me a reason | 0:06:41 | 0:06:46 | |
-# To lose a close friend | 0:06:46 | 0:06:49 | |
-# It's clear to me | 0:06:49 | 0:06:52 | |
-# There's something better to do | 0:06:55 | 0:06:58 | |
-# Love | 0:07:04 | 0:07:07 | |
-# Don't press the red button | 0:07:07 | 0:07:10 | |
-# There's a sweet world | 0:07:10 | 0:07:14 | |
-# To wander | 0:07:14 | 0:07:16 | |
-# Tell me, hey-ho | 0:07:17 | 0:07:21 | |
-# Well, now | 0:07:21 | 0:07:23 | |
-# It's almost over | 0:07:23 | 0:07:26 | |
-INSTRUMENTAL | 0:07:40 | 0:07:42 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:07:43 | 0:07:46 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:07:47 | 0:07:50 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:07:50 | 0:07:53 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:07:54 | 0:07:57 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:07:57 | 0:08:00 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:08:01 | 0:08:04 | |
-# Ah-ooo, ah-ooo-ooo-ooo | 0:08:04 | 0:08:08 | |
-# Ah-ooo, ah-ooo-ooo-ooo # | 0:08:08 | 0:08:12 | |
-APPLAUSE | 0:08:14 | 0:08:16 | |
-HMS Morris perform again -in part two. | 0:08:20 | 0:08:23 | |
-John Nicholas, you beat thousands of -hopefuls at this year's Open Mic UK. | 0:08:23 | 0:08:28 | |
-It was a great feeling. | 0:08:28 | 0:08:31 | |
-It was an honour to perform at the -Birmingham NEC and come runner-up. | 0:08:31 | 0:08:36 | |
-You also won best original song. | 0:08:36 | 0:08:39 | |
-Yes, I won an award for Pethe Gwell. | 0:08:39 | 0:08:42 | |
-And you're singing it for us. -Thanks, John. | 0:08:42 | 0:08:45 | |
-# All I have | 0:08:53 | 0:08:56 | |
-# And all I know, collide | 0:08:56 | 0:09:01 | |
-# Show me what it feels like | 0:09:04 | 0:09:08 | |
-# What it feels like to be alive | 0:09:08 | 0:09:13 | |
-# Awake, oh, my soul | 0:09:16 | 0:09:21 | |
-# From all the riches you stole | 0:09:23 | 0:09:28 | |
-# Let your anchor hold | 0:09:30 | 0:09:34 | |
-# Let the rain fall | 0:09:34 | 0:09:37 | |
-# I've set my eyes on better things | 0:09:38 | 0:09:43 | |
-# Let the oceans fall | 0:09:46 | 0:09:49 | |
-# On the ashes of old | 0:09:49 | 0:09:53 | |
-# I've set my eyes on better things | 0:09:53 | 0:09:58 | |
-# You see me | 0:10:01 | 0:10:04 | |
-# As the man I want to be | 0:10:04 | 0:10:09 | |
-# Rivers flow | 0:10:12 | 0:10:15 | |
-# Through deserts down into the sea | 0:10:15 | 0:10:21 | |
-# I'm falling down | 0:10:22 | 0:10:24 | |
-# Down, down, down, down | 0:10:25 | 0:10:28 | |
-# As I'm lifted off the ground | 0:10:30 | 0:10:36 | |
-# Let your anchor hold | 0:10:37 | 0:10:41 | |
-# Let the rain fall | 0:10:41 | 0:10:45 | |
-# I've set my eyes on better things | 0:10:45 | 0:10:50 | |
-# Let the oceans fall | 0:10:53 | 0:10:56 | |
-# On the ashes of old | 0:10:56 | 0:10:59 | |
-# I've set my eyes on better things | 0:11:00 | 0:11:04 | |
-# Oh, take me as I am | 0:11:07 | 0:11:11 | |
-# Oh, take me as I am | 0:11:11 | 0:11:14 | |
-# Oh, take me as I am, my love | 0:11:15 | 0:11:20 | |
-# Take me as I am | 0:11:23 | 0:11:26 | |
-# Oh, take me as I am | 0:11:26 | 0:11:30 | |
-# Oh, take me as I am, my love | 0:11:30 | 0:11:37 | |
-# Let your anchor hold | 0:11:38 | 0:11:40 | |
-# Let the rain fall | 0:11:41 | 0:11:44 | |
-# I've set my eyes -on better things # | 0:11:44 | 0:11:50 | |
-APPLAUSE | 0:11:57 | 0:11:59 | |
-There's more from John Nicholas, -HMS Morris... | 0:12:03 | 0:12:06 | |
-..and Cowbois Rhos Botwnnog -after the break. | 0:12:06 | 0:12:09 | |
-. | 0:12:13 | 0:12:13 | |
-Subtitles | 0:12:16 | 0:12:16 | |
-Subtitles - -Subtitles | 0:12:16 | 0:12:18 | |
-# Your eyes are weak | 0:12:43 | 0:12:46 | |
-# Your confidence is shattered | 0:12:47 | 0:12:50 | |
-# Lift your spirits | 0:12:50 | 0:12:53 | |
-# Amass brave, strong, neutral men | 0:12:54 | 0:12:58 | |
-# The ocean is black | 0:13:04 | 0:13:07 | |
-# It's relentless, coming to get you | 0:13:08 | 0:13:12 | |
-# You'd better be strong | 0:13:18 | 0:13:21 | |
-# Strong in faith, -when you come back | 0:13:22 | 0:13:27 | |
-# If you come back | 0:13:28 | 0:13:35 | |
-# Oh-ooo-ooo | 0:13:36 | 0:13:39 | |
-# Oh-ooo-ooo-ooo | 0:13:39 | 0:13:42 | |
-# Oh-ooo-ooo | 0:13:42 | 0:13:46 | |
-# Oh-ooo-ooo-ooo | 0:13:46 | 0:13:49 | |
-# Oh-ooo-ooo | 0:13:49 | 0:13:52 | |
-# Oh-ooo-ooo | 0:13:53 | 0:13:56 | |
-# Oh-ooo-ooo-ooo | 0:13:56 | 0:13:59 | |
-# Oh-ooo-ooo | 0:14:00 | 0:14:04 | |
-# This isn't a holiday | 0:14:09 | 0:14:12 | |
-# It's a lesson to the weak -and foolish men | 0:14:13 | 0:14:18 | |
-# Take care | 0:14:18 | 0:14:20 | |
-# You can't control the flow | 0:14:23 | 0:14:26 | |
-# The beast will get you | 0:14:26 | 0:14:32 | |
-# Before long | 0:14:33 | 0:14:38 | |
-INSTRUMENTAL | 0:14:50 | 0:14:52 | |
-# Ah-ooo-ooo | 0:14:58 | 0:15:01 | |
-# Ooo-ooo-ooo-ooo | 0:15:01 | 0:15:04 | |
-# Ah-ooo-ooo | 0:15:05 | 0:15:08 | |
-# Ooo-ooo-ooo-ooo | 0:15:08 | 0:15:11 | |
-# Ah-ooo-ooo | 0:15:11 | 0:15:14 | |
-# Ah-ah-ah-ah | 0:15:15 | 0:15:18 | |
-# Ah-ah-ah-ah | 0:15:18 | 0:15:22 | |
-# Ah-ah-ah-ah | 0:15:22 | 0:15:26 | |
-# The ocean is black | 0:15:32 | 0:15:35 | |
-# It's relentless, -coming to get you # | 0:15:36 | 0:15:46 | |
-APPLAUSE | 0:15:47 | 0:15:49 | |
-Thanks, HMS Morris. -You sound great tonight. | 0:15:54 | 0:15:57 | |
-What can we expect -from the rest of the album? | 0:15:57 | 0:16:00 | |
-The other tracks sound very similar | 0:16:00 | 0:16:03 | |
-They're cinematic -with strong melodies. | 0:16:03 | 0:16:07 | |
-We recorded the album a year ago, -so we look forward to its release. | 0:16:07 | 0:16:13 | |
-It's out later this year. | 0:16:13 | 0:16:16 | |
-Album two is in the pipeline, but -tell us about your creative process. | 0:16:16 | 0:16:21 | |
-It varies but we all offer -something quite different. | 0:16:21 | 0:16:25 | |
-I start with simple melodies -and chords. | 0:16:25 | 0:16:29 | |
-I hand them over to Sam and Wil -who jazz it up! | 0:16:29 | 0:16:34 | |
-I can't wait to hear your album, -Interior Design later this year. | 0:16:34 | 0:16:39 | |
-Let's hear John Nicholas -performing Rhedeg. | 0:16:40 | 0:16:44 | |
-# She's the kind of girl -that makes you want to sing | 0:16:51 | 0:16:56 | |
-# Forget about everything | 0:16:58 | 0:17:01 | |
-# Forget about everything | 0:17:01 | 0:17:05 | |
-# As the night slips away, -daylight warms the street | 0:17:05 | 0:17:11 | |
-# The truth unfolds | 0:17:12 | 0:17:15 | |
-# The truth unfolds | 0:17:16 | 0:17:19 | |
-# Oh, oh, oh | 0:17:20 | 0:17:22 | |
-# The sun is about shine now | 0:17:22 | 0:17:25 | |
-# Oh-ooo-oh-ooo-oh | 0:17:27 | 0:17:29 | |
-# There's something in the air | 0:17:29 | 0:17:33 | |
-# Won't you run away with me | 0:17:33 | 0:17:38 | |
-# Lay down our troubles | 0:17:40 | 0:17:42 | |
-# And be set free? | 0:17:42 | 0:17:45 | |
-# Won't you run away with me? | 0:17:47 | 0:17:52 | |
-# Back to where we both belong? | 0:17:54 | 0:17:58 | |
-# When the rain is pouring down, -she shelters me | 0:18:02 | 0:18:08 | |
-# Our hearts beat as one | 0:18:09 | 0:18:12 | |
-# Our hearts beat as one | 0:18:12 | 0:18:15 | |
-# Oh, oh, oh | 0:18:17 | 0:18:19 | |
-# The sun is about to shine now | 0:18:19 | 0:18:23 | |
-# Oh-ooo-oh-ooo-oh | 0:18:24 | 0:18:26 | |
-# There's something in the air | 0:18:27 | 0:18:30 | |
-# Won't you run away with me | 0:18:31 | 0:18:35 | |
-# Lay down our troubles | 0:18:36 | 0:18:39 | |
-# And be set free? | 0:18:39 | 0:18:42 | |
-# Won't you run away with me | 0:18:44 | 0:18:49 | |
-# Back to wear we both belong? | 0:18:52 | 0:18:55 | |
-# Ooo-ooo-ooo | 0:19:13 | 0:19:16 | |
-# Ooo-ooo-ooo | 0:19:20 | 0:19:24 | |
-# Ooo-ooo-ooo | 0:19:27 | 0:19:31 | |
-# Ooo-ooo-ooo | 0:19:34 | 0:19:38 | |
-# Won't you run away with me | 0:19:40 | 0:19:45 | |
-# Lay down our troubles | 0:19:47 | 0:19:49 | |
-# And be set free? | 0:19:49 | 0:19:53 | |
-# Won't you run away with me | 0:19:54 | 0:19:59 | |
-# Back to where we both belong? # | 0:20:02 | 0:20:07 | |
-APPLAUSE | 0:20:12 | 0:20:14 | |
-Thanks to tonight's performers -including John Nicholas... | 0:20:17 | 0:20:22 | |
-..HMS Morris -and Cowbois Rhos Botwnnog. | 0:20:22 | 0:20:25 | |
-They close the evening with a track -from the latest album, IV. | 0:20:25 | 0:20:29 | |
-Goodnight. | 0:20:29 | 0:20:31 | |
-# Dark days are disappearing | 0:20:35 | 0:20:38 | |
-# The scent of tomorrow in the wind | 0:20:42 | 0:20:45 | |
-# Ah-ah-ah | 0:20:45 | 0:20:47 | |
-# I've got a car that's ready to go | 0:20:47 | 0:20:51 | |
-# It's been waiting -since you came back | 0:20:51 | 0:20:55 | |
-# But with sadness in your eyes | 0:20:57 | 0:21:00 | |
-# And whatever lies in the heart | 0:21:03 | 0:21:07 | |
-# Ah-ah-ah | 0:21:07 | 0:21:09 | |
-# We'll feel wonderful for once | 0:21:09 | 0:21:13 | |
-# For once, just for once | 0:21:14 | 0:21:17 | |
-# When the street lamps light up | 0:21:19 | 0:21:22 | |
-# Across hostile streets | 0:21:25 | 0:21:29 | |
-# Just leave the world sleeping | 0:21:31 | 0:21:35 | |
-# And we'll abscond together | 0:21:37 | 0:21:42 | |
-# I'm not excited as I should be | 0:21:51 | 0:21:54 | |
-# And I'm not as fit as I should be | 0:21:57 | 0:22:01 | |
-# Ah-ah-ah | 0:22:01 | 0:22:03 | |
-# I was weak from birth | 0:22:03 | 0:22:06 | |
-# I like cigarettes and butter | 0:22:06 | 0:22:11 | |
-# Don't worry about me | 0:22:13 | 0:22:16 | |
-# I've got a way -and I'm stronger than you think | 0:22:18 | 0:22:23 | |
-# The floor is a sea of stars | 0:22:24 | 0:22:28 | |
-# For the blazing road ahead | 0:22:28 | 0:22:33 | |
-# When the street lamps light up | 0:22:35 | 0:22:38 | |
-# Across hostile streets | 0:22:41 | 0:22:44 | |
-# Just leave the world sleeping | 0:22:47 | 0:22:51 | |
-# And we'll abscond together | 0:22:54 | 0:22:58 | |
-# Leave room for me | 0:23:04 | 0:23:06 | |
-# Leave room for me | 0:23:10 | 0:23:12 | |
-# Leave room for me | 0:23:16 | 0:23:19 | |
-# For me | 0:23:21 | 0:23:24 | |
-# For me # | 0:23:24 | 0:23:28 | |
-APPLAUSE | 0:23:31 | 0:23:33 | |
-S4C Subtitling by Tinopolis | 0:23:52 | 0:23:54 | |
-. | 0:23:54 | 0:23:54 |