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This programme contains flashing images. | :00:17. | :00:23. | |
Wasn't the news brilliant. Congratulations to Andy Murray. He | :00:23. | :00:29. | |
is in the final. I reckon there will be a lot of Murray masks being | :00:29. | :00:35. | |
worn in the crowd tomorrow. When a place to be when a Scot gets to | :00:35. | :00:40. | |
Wimbledon. In the show we will have Example and we will get his live | :00:40. | :00:47. | |
music in a minute and plus Florence and the Machine. I can hear her now. | :00:47. | :00:50. | |
And also an acoustic from King Charles. | :00:50. | :00:55. | |
If you want to get questions in, we have got good ones coming in | :00:55. | :01:02. | |
already, you can do that by Twitter or on the Facebook page or you can | :01:02. | :01:05. | |
check out some more of the great performances that we have had on | :01:05. | :01:10. | |
day one of T in the Park on the website. | :01:10. | :01:14. | |
There is so much to remember, isn't there? Oh man. | :01:14. | :01:19. | |
I will warn you it is 9am and Example is not only a big fan of | :01:19. | :01:23. | |
strobe lights, he is a fan of swearing. So this next bit, lock up | :01:24. | :01:33. | |
:01:34. | :01:34. | ||
Apology for the loss of subtitles for 54 seconds | :01:34. | :02:28. | |
your nans because there is flashing T in the Park let's go. Everybody | :02:28. | :02:38. | |
:02:38. | :02:38. | ||
from the front to the back. Let me see you. | :02:39. | :02:48. | |
:02:49. | :02:52. | ||
This programme # Will they believe us | :02:52. | :02:56. | |
# Did we chase the rabbit into Wonderland? | :02:56. | :02:59. | |
# There's 100 grand Would they understand | :02:59. | :03:03. | |
# It was all to stay away for the longest | :03:03. | :03:06. | |
# Longest, longest longest, longest...? | :03:06. | :03:12. | |
# March on, always after us Lost troops half the class of us | :03:12. | :03:14. | |
# You've likely seen the last of us | :03:15. | :03:16. | |
# Stick around Yeah, like Elastoplast | :03:16. | :03:18. | |
# Not half-mast, raise a flag | :03:18. | :03:20. | |
# Keep the sign to let you know that we're coming | :03:20. | :03:22. | |
# And we're nasty, man | :03:22. | :03:25. | |
# Don't need Sleeping Beauty No, it's what you do to me | :03:25. | :03:29. | |
# Come midnight and daybreak Yes, please go find me a namesake | :03:29. | :03:32. | |
# We got faith but don't need Bibles Take the Michael, hear my recital | :03:32. | :03:36. | |
# Right holds the title, quite vital | :03:36. | :03:37. | |
# We get high on the opposite of night, all | :03:37. | :03:41. | |
# Told to stay away for the longest time | :03:41. | :03:43. | |
# It was long, it was wrong But it felt so right | :03:43. | :03:50. | |
# See you at the finish line See you at the finish line | :03:50. | :03:51. | |
# If you've got the heart to join us | :03:51. | :03:53. | |
# If we don't kill ourselves | :03:53. | :03:55. | |
# We'll be the leaders of a messed-up generation | :03:55. | :03:59. | |
# If we don't kid ourselves | :03:59. | :04:02. | |
# Will they believe us if we tell them the reasons why | :04:02. | :04:08. | |
# Do we take it too far? Take it too far? | :04:08. | :04:10. | |
# Did we chase the rabbit into Wonderland | :04:10. | :04:14. | |
# There's 100 grand Will they understand | :04:14. | :04:17. | |
# It was all to stay away for the longest, longest, longest | :04:17. | :04:27. | |
:04:27. | :04:33. | ||
# March on, always after us Lost troops, half the class of us | :04:33. | :04:36. | |
# You've likely seen the last of us | :04:36. | :04:38. | |
# Stick around Yeah, like Elastoplast | :04:38. | :04:40. | |
# Not half-mast raise a flag | :04:40. | :04:42. | |
# Kick the sign to let you know that we're coming | :04:42. | :04:44. | |
# And we're nasty, man | :04:44. | :04:47. | |
# Don't need Sleeping Beauty No, it's what you do to me | :04:47. | :04:50. | |
# Come midnight and daybreak Yes, please go find me a namesake | :04:50. | :04:54. | |
# We got faith but don't need Bibles Take the Michael, hear my recital | :04:54. | :04:57. | |
# Right holds the title, quite vital | :04:57. | :04:59. | |
# We get high on the opposite of night, all | :04:59. | :05:01. | |
# We just grow If it's late then we'll show | :05:01. | :05:04. | |
# We don't wait, we just grow | :05:04. | :05:05. | |
# If you hate, we don't show | :05:06. | :05:08. | |
# We don't wait, we just grow | :05:08. | :05:09. | |
# If it's late then we'll show | :05:09. | :05:11. | |
# We don't wait, we just grow | :05:11. | :05:12. | |
# If we know... | :05:12. | :05:16. | |
# If we don't kill ourselves | :05:16. | :05:17. | |
# We'll be the leaders of a messed-up generation | :05:17. | :05:22. | |
# If we don't kid ourselves | :05:22. | :05:24. | |
# Will they believe us if we tell them the reasons why? | :05:24. | :05:29. | |
# Do we take it too far? Take it too far? | :05:29. | :05:33. | |
# Did we chase the rabbit into Wonderland? | :05:33. | :05:36. | |
# There's 100 grand Would they understand | :05:36. | :05:40. | |
# It was all to stay away for the longest | :05:40. | :05:45. | |
CHEERING AND APPLAUSE | :05:45. | :05:55. | |
:05:55. | :06:04. | ||
# I needed more than just a kiss good night | :06:04. | :06:06. | |
# Had to go get something out my system | :06:06. | :06:09. | |
# I ignored the warnings | :06:09. | :06:11. | |
# Bit the fruit She might have tasted good | :06:11. | :06:13. | |
# But, man, she was my kryptonite | :06:13. | :06:17. | |
# Shoulda known she was trouble from the start | :06:17. | :06:19. | |
# I knew she'd broken hearts I thought I'd take that chance | :06:19. | :06:23. | |
# Danced with the devil in the pale moonlight | :06:23. | :06:25. | |
# Alarm bells rang but I loved the drama | :06:25. | :06:29. | |
# In a dark place but I loved the karma sutra | :06:29. | :06:30. | |
# Should have closed that door but I kept going back for more | :06:30. | :06:33. | |
# She's electric | :06:33. | :06:34. | |
# She's the current running through my veins | :06:34. | :06:39. | |
# She's a siren Hearing voices that I can't explain | :06:39. | :06:46. | |
# Now I should be thinking it over Instead I'm calling her over | :06:46. | :06:55. | |
# Now she's here and she won't go quietly | :06:55. | :06:56. | |
# I should be thinking it over Instead I'm calling her over | :06:56. | :06:59. | |
# Now she's here and she won't go quietly | :06:59. | :07:03. | |
# I needed more than just a cheap thrill ride | :07:03. | :07:05. | |
# See, I need something that ran deep inside | :07:05. | :07:09. | |
# Ignored the warnings | :07:09. | :07:10. | |
# Bit the fruit She might have tasted good | :07:11. | :07:13. | |
# But, man, she was my kryptonite | :07:13. | :07:18. | |
# Should have known it wouldn't last for a year | :07:18. | :07:19. | |
# I knew it'd all end in tears I cracked | :07:19. | :07:22. | |
# She was mind addictive Never felt scripted, unpredictable | :07:22. | :07:25. | |
# Tied up but no strings attached Left scratch marks on my back | :07:25. | :07:28. | |
# Her cold eyes got me excited and I can't hide the truth | :07:28. | :07:32. | |
# She's electric | :07:32. | :07:34. | |
# She's the current running through my veins | :07:34. | :07:37. | |
# I just can't kick the habit Kick, kick, kick, kick the habit | :07:37. | :07:40. | |
# She's a siren Hearing voices that I can't explain | :07:40. | :07:44. | |
# I just can't kick the habit | :07:44. | :07:46. | |
# Now I should be thinking it over Instead I'm calling her over | :07:46. | :07:52. | |
# Now she's here and she won't go quietly | :07:52. | :07:56. | |
# I should be thinking it over Instead I'm calling her over | :07:56. | :07:59. | |
# Now she's here and she won't go quietly | :07:59. | :08:09. | |
:08:09. | :08:16. | ||
We | :08:16. | :08:17. | |
We are | :08:17. | :08:17. | |
We are going | :08:17. | :08:19. | |
We are going to see who can bounce # It's just another case | :08:19. | :08:25. | |
# It's just another case of Another case of | :08:25. | :08:35. | |
:08:35. | :08:35. | ||
Apology for the loss of subtitles for 54 seconds | :08:35. | :09:15. | |
# It's just another case of do or die | :09:15. | :09:18. | |
# Can't see the end of this or who survives | :09:18. | :09:22. | |
# It's just another case of do or die | :09:22. | :09:28. | |
CHEERING AND APPLAUSE | :09:28. | :09:35. | |
Thank | :09:35. | :09:35. | |
Thank you. | :09:35. | :09:36. | |
Thank you. I'm | :09:36. | :09:40. | |
Thank you. I'm going to count to three and I want everybody in this | :09:40. | :09:47. | |
field to shout, "hey good morning." One, two, three. | :09:47. | :09:57. | |
:09:57. | :09:58. | ||
# How can I explain it # How can ten hours | :09:58. | :09:59. | |
# I cry ten men's tears as it disappears | :09:59. | :10:01. | |
# With the passionate atmosphere | :10:01. | :10:02. | |
# Took your glove as a souvenir | :10:02. | :10:03. | |
# Left the other on the pillow as I stroked your ear | :10:03. | :10:04. | |
# One last breath of your hair | :10:04. | :10:05. | |
# Stared for a second Then the doorway beckoned | :10:05. | :10:07. | |
# See, I'm a lover not a fighter | :10:07. | :10:08. | |
# So I didn't fight the fact that I more than liked ya | :10:08. | :10:09. | |
# Didn't matter we were under influence | :10:09. | :10:12. | |
# Made sense this was more than lust | :10:12. | :10:14. | |
# I don't own you, you don't own me One night only, if only | :10:14. | :10:18. | |
# I could take you back and just show you off | :10:18. | :10:20. | |
# But I guess if I did that The magic is lost | :10:20. | :10:23. | |
# Believe me, I wanna stay | :10:23. | :10:26. | |
# But I'm off and away | :10:26. | :10:31. | |
# Hey, good morning | :10:31. | :10:34. | |
# We watch the sun come up | :10:34. | :10:40. | |
# It's calling | :10:40. | :10:41. | |
# I want another day with you | :10:41. | :10:48. | |
# You and that red dress What a pairing | :10:48. | :10:49. | |
# I kept staring You couldn't have said less | :10:49. | :10:51. | |
# Can't let my head rest Thinking about ya | :10:51. | :10:53. | |
# Really wanna look into your Catwoman eyes | :10:53. | :10:55. | |
# Turn back time, cos it flies by You know, them Marty McFly vibes | :10:55. | :11:00. | |
# See, I can picture the bright lights. sights and night skies | :11:00. | :11:03. | |
# And boats go by | :11:03. | :11:05. | |
# I don't why it happened so fast | :11:05. | :11:06. | |
# When I tried to speak your language, I'm happy you laughed | :11:06. | :11:08. | |
# Cos I'm hardly a linguist | :11:08. | :11:09. | |
# Spoke through kisses cos you didn't speak English | :11:09. | :11:12. | |
# And it was hard to distinguish | :11:12. | :11:14. | |
# Love at first sight or holiday romance? | :11:14. | :11:16. | |
# Don't care I was lost in the moment | :11:17. | :11:18. | |
# I really shoulda missed that flight | :11:18. | :11:23. | |
# Believe me, I wanna stay But I'm going away | :11:23. | :11:28. | |
# Hey, good morning | :11:29. | :11:32. | |
# We watch the sun come up It's calling | :11:32. | :11:41. | |
# I want another day with you | :11:41. | :11:49. | |
# We watch the sun come up It's calling | :11:50. | :11:51. | |
# Hey, good morning | :11:51. | :11:53. | |
# We watch the sun come up It's calling | :11:53. | :11:55. | |
# It's calling | :11:55. | :11:57. | |
# I want another day with you | :11:57. | :12:06. | |
# I don't think I could be dreaming I felt your touch | :12:06. | :12:07. | |
# No, I remember you breathing when I woke up | :12:07. | :12:11. | |
# Now all I have are these memories I can't trust | :12:11. | :12:14. | |
# Just one day won't be enough | :12:15. | :12:19. | |
# Hey, good morning | :12:19. | :12:27. | |
# Hey, good morning | :12:27. | :12:30. | |
# We watch the sun come up | :12:30. | :12:36. | |
# It's calling | :12:36. | :12:38. | |
# I want another day with you | :12:38. | :12:44. | |
# Hey, good morning | :12:44. | :12:46. | |
# We watch the sun come up | :12:46. | :12:51. | |
# It's calling | :12:51. | :12:55. | |
# I want just one more day with you. # | :12:55. | :13:02. | |
CHEERING AND APPLAUSE | :13:02. | :13:12. | |
:13:12. | :13:20. | ||
I | :13:20. | :13:20. | |
I can't | :13:20. | :13:21. | |
I can't hear | :13:21. | :13:31. | |
:13:31. | :14:02. | ||
# I want I want everybody here to put the | :14:02. | :14:06. | |
arms around the person next to you. Everybody grab hold of the person | :14:06. | :14:16. | |
:14:16. | :14:51. | ||
# I want T in the Park, I want to get a | :14:51. | :15:01. | |
:15:01. | :15:28. | ||
picture of all you beautiful people. # You want me to come over | :15:28. | :15:32. | |
# Go to talk, then we choke It's like our neck's in a noose | :15:32. | :15:35. | |
# Avoid the obvious We should be facing the truth | :15:35. | :15:40. | |
# Start to think it could be fizzling out | :15:40. | :15:43. | |
# Kinda shocked because I never really had any doubts | :15:43. | :15:47. | |
# Look into your eyes Imagine life without ya | :15:47. | :15:54. | |
# And the love kickstarts again | :15:54. | :15:59. | |
# Starts again | :15:59. | :16:01. | |
# And the love kickstarts again | :16:01. | :16:06. | |
# Starts again | :16:06. | :16:12. | |
# It's the same old you The same old me | :16:12. | :16:13. | |
# You get bored and I get cold feet | :16:13. | :16:15. | |
# Get high, get wandering eyes Forget I've never had it so sweet | :16:15. | :16:19. | |
# I realise what I've got when I'm outta town | :16:19. | :16:21. | |
# Cos deep down You're my girl in a golden crown | :16:21. | :16:23. | |
# My princess And I don't wanna let you down | :16:23. | :16:25. | |
# No, I don't want to let you down | :16:25. | :16:27. | |
# Down, down, down, down, down, down | :16:27. | :16:31. | |
# You want me to come over I got an excuse | :16:31. | :16:35. | |
# Might be holding your hand but I'm holding it loose | :16:35. | :16:38. | |
# Go to talk, then we choke It's like our neck's in a noose | :16:38. | :16:42. | |
# Avoid the obvious We should be facing the truth | :16:42. | :16:47. | |
# Start to think it could be fizzling out | :16:47. | :16:50. | |
# Kinda shocked because I never really had any doubts | :16:50. | :16:54. | |
# Look into your eyes Imagine life without ya | :16:54. | :16:59. | |
# Kick-kickstarts again | :17:00. | :17:02. | |
# Start to think it could be fizzling out | :17:02. | :17:05. | |
# Kinda shocked because I never really had any doubts | :17:05. | :17:09. | |
# Look into your eyes Imagine life without ya | :17:09. | :17:14. | |
# Imagine life without ya Without ya, without ya | :17:14. | :17:20. | |
# And the love kickstarts again | :17:20. | :17:23. | |
# Starts again | :17:23. | :17:26. | |
# And the love kickstarts again | :17:26. | :17:30. | |
# Starts again | :17:30. | :17:34. | |
# Kick-kickstarts | :17:34. | :17:37. | |
# It's the same old you The same old me | :17:37. | :17:39. | |
# You get bored and I get cold feet | :17:39. | :17:41. | |
# Get high, get wandering eyes | :17:41. | :17:43. | |
# Forget I've never ever had it so sweet | :17:43. | :17:45. | |
# I realise what I've got when I'm outta town | :17:45. | :17:47. | |
# Cos deep down You're my girl in a golden crown | :17:47. | :17:49. | |
# My princess I don't wanna let you down | :17:49. | :17:51. | |
# Kick-kickstarts again | :17:51. | :17:53. | |
# Start to think it could be fizzling out | :17:53. | :17:56. | |
# Kinda shocked because I never really had any doubts | :17:56. | :18:01. | |
# Look into your eyes Imagine life without ya | :18:01. | :18:05. | |
# And the love kickstarts again | :18:05. | :18:11. | |
# Start to think it could be fizzling out | :18:11. | :18:12. | |
# Kinda shocked because I never really had any doubts | :18:12. | :18:16. | |
# Look into your eyes Imagine life without ya | :18:16. | :18:22. | |
# And the love kickstarts again | :18:23. | :18:25. | |
CHEERING AND APPLAUSE | :18:25. | :18:27. | |
Scanned, | :18:27. | :18:27. | |
Scanned, thank | :18:27. | :18:28. | |
Scanned, thank you. | :18:28. | :18:32. | |
Scanned, thank you. -- Scotland, thank you. | :18:32. | :18:37. | |
It was some experience watching an Example performance with Example | :18:38. | :18:40. | |
sitting next to you. I can't let this slide. | :18:40. | :18:43. | |
Some of the quotes have been amazing. | :18:43. | :18:49. | |
He had to hush the crew and say, "Listen to this bit here." You have | :18:49. | :18:54. | |
got to be your own worst critic. You are your own best fan. | :18:54. | :18:59. | |
listen, listen Greg, you have got to be your own best fan and your | :18:59. | :19:05. | |
own worst critic. I was watching that and saying the symbols need to | :19:05. | :19:11. | |
be quieter and the guitar needs to be louder. You have got to assess | :19:11. | :19:17. | |
it. And then he comes out with, "This is the best job in the | :19:17. | :19:22. | |
world." Seeing those people smiling, how can you possibly want to stop | :19:22. | :19:29. | |
this? How has that that compared to what has gone before? As it got | :19:29. | :19:32. | |
bigger and bigger, every time we played to a crowd whether in a | :19:32. | :19:39. | |
small dance tent. Two years ago we played to 4 four or 5,000 people, | :19:39. | :19:45. | |
every time you set a new new bar for you have, you want to raise and | :19:45. | :19:49. | |
raise and I watched loads of bands I respect and I take different | :19:49. | :19:56. | |
things, you catch catch Coldplay and you go, I want their lights and | :19:56. | :20:06. | |
you watch Dizzy and go, "I want their sound.". You watch watch | :20:06. | :20:09. | |
watch Florence and you want her hair. | :20:09. | :20:14. | |
I tried to take it off her. The Scottish crowd are the best in | :20:14. | :20:19. | |
the world. How does this crowd compare? Honestly, honestly, so the | :20:19. | :20:24. | |
best gig this year, the top three when I did the Arena tour. | :20:24. | :20:30. | |
I think it was sold out every night? It was sold out. Thanks for | :20:30. | :20:36. | |
that. The best gigs were Aberdeen, Glasgow and MEN. I always know you | :20:36. | :20:40. | |
come north of the border, there is something in the air. They're just | :20:40. | :20:46. | |
crazy. Tonight set the bar. It set the bar. | :20:46. | :20:51. | |
I'm like wondering what gig this year could possibly be bigger than | :20:51. | :20:56. | |
that? In terms of your band as well, having that full set-up behind you, | :20:56. | :21:01. | |
it just works so well. When we perform like obviously, you | :21:01. | :21:06. | |
know, me being me, I love the attention! No, really? No, really! | :21:06. | :21:11. | |
But at the same time I want to portray what I do like as a band. | :21:11. | :21:17. | |
Even people know me as Example, I regularly get tweets or people on | :21:17. | :21:24. | |
Facebook, "Example are the best band." I don't mind being a band. A | :21:24. | :21:29. | |
front man in front of a DJ and a load of people who don't care. I | :21:29. | :21:32. | |
encourage my band to get out there and just behave how they want and | :21:32. | :21:35. | |
that adds a real element to the show that's lacking because there | :21:35. | :21:39. | |
is not many live bands performing as these festivals. | :21:39. | :21:46. | |
You are one of my favourite live acts to watch. You know I take the | :21:46. | :21:51. | |
mickey out of you for selling out the Arena tour. He has done that | :21:51. | :21:56. | |
all night. It has got huge over the last few years. I know you write | :21:56. | :22:01. | |
all the time. I'm not really stopping. Five or ten years ago, | :22:01. | :22:05. | |
there was a safety net, if you had a massive album that sold millions | :22:05. | :22:10. | |
of copies, you go afford to go away. It is a harsh industry, you can be | :22:10. | :22:14. | |
massive one year and have a load of number ones and I'm not going to | :22:14. | :22:18. | |
name names and there are people who had number ones and they have | :22:18. | :22:23. | |
disappeared. You can't afford to get put in with that crowd. I want | :22:23. | :22:27. | |
to keep releasing and bettering my last single and that's the plan. It | :22:27. | :22:31. | |
is up to the public to decide whether they think the new single | :22:31. | :22:37. | |
is better than the last one. After we did the arenas which I wanted to | :22:37. | :22:41. | |
do, but never knew if I would get there. After the arenas and it is | :22:41. | :22:47. | |
stadiums. A few year when we were playing in Camden and I said I'm | :22:47. | :22:51. | |
going to do arenas and everyone laughed and now I want to do | :22:51. | :22:55. | |
stadiums, the great thing is having Ed Sheeran and good mates, but | :22:55. | :22:59. | |
people I respect hugely and take things from their show and what | :22:59. | :23:03. | |
they are doing career wise and they are watching and come up to me | :23:03. | :23:08. | |
afterwards and say, "You can get to that stadium level and go and do | :23:08. | :23:14. | |
it.". There was a load of people... I hope so. | :23:14. | :23:17. | |
Would you like to watch, it is a silly question, would you like to | :23:17. | :23:22. | |
watch some more of your set set? Don't. I'm coming across really | :23:22. | :23:27. | |
badly here. You were both singing along. You | :23:27. | :23:31. | |
were trying to outrap him. I will probably watch that and go | :23:31. | :23:36. | |
back to my keyboard player and go, "What are you doing? Why are you | :23:36. | :23:39. | |
looking like that?" I have got to assess it. | :23:39. | :23:49. | |
:23:49. | :23:51. | ||
This is some more Example. This is a brand-new song. I want | :23:51. | :23:56. | |
everyone to pretend they know the words already. | :23:56. | :24:04. | |
# I been feeling some weight # I been carrying | :24:04. | :24:06. | |
# If we carry this through you're a soldier | :24:06. | :24:10. | |
# Now you make them cringe for the damage | :24:10. | :24:13. | |
# Together, forever, something We've said enough | :24:14. | :24:21. | |
# The pressure, will test ya So here's the best that I can do | :24:21. | :24:25. | |
# Heading up to the unknown It goes at daylight pace | :24:25. | :24:35. | |
:24:35. | :24:40. | ||
# It go-wo-oh-wo-oh-es | :24:40. | :24:44. | |
# Someone tell me where did the sun go? | :24:44. | :24:51. | |
# Someone tell me where did the sun go? | :24:51. | :24:58. | |
# Someone tell me where did the sun go? | :24:58. | :24:59. | |
# Let me tell you how it exactly is So hard, hard to find happiness | :24:59. | :25:03. | |
# Too many things here act as acting is | :25:03. | :25:05. | |
# Don't let them back in Stop the tracking here | :25:05. | :25:06. | |
# One day everything's immaculate Next day someone took your Capulet | :25:06. | :25:12. | |
# Another day I'm gonna feel miraculous | :25:12. | :25:13. | |
# In the sun by now, I'm an activist | :25:13. | :25:15. | |
# Someone tell me where did the sun go? | :25:15. | :25:25. | |
:25:25. | :25:38. | ||
# Don't let them back in Stop the tracking here | :25:38. | :25:48. | |
# Someone tell me where did the sun go? | :25:48. | :25:49. | |
# Someone tell me where did the sun go? | :25:49. | :25:54. | |
# Someone tell me where did the sun go? | :25:54. | :26:02. | |
# Someone tell me where did the sun go? | :26:02. | :26:09. | |
# Someone tell me where did the sun go? | :26:09. | :26:19. | |
:26:19. | :26:20. | ||
# Taking the parking ticket too far | :26:21. | :26:22. | |
# Rabbit in the wedding, man Zippidy do-da | :26:22. | :26:23. | |
# In the classroom Last man standing | :26:23. | :26:26. | |
# Hustling, gambling Putting ma hands in | :26:26. | :26:27. | |
# Probably shouldn't mess up my heartbeat | :26:27. | :26:29. | |
# It all starts quick Then it gets dark quick | :26:29. | :26:32. | |
# I know I keep chancing | :26:32. | :26:33. | |
# There's always gonna be another girl on the market | :26:33. | :26:43. | |
:26:43. | :26:46. | ||
Everybody | :26:46. | :26:47. | |
Everybody show | :26:47. | :26:47. | |
Everybody show me | :26:47. | :26:54. | |
# Someone tell me # Someone tell me where did | :26:54. | :27:02. | |
# Someone tell me where did the sun go? | :27:02. | :27:09. | |
# Someone tell me where did the sun go? | :27:09. | :27:17. | |
# Someone tell me where did the sun go? # | :27:17. | :27:22. | |
APPLAUSE AND CHEERING | :27:22. | :27:30. | |
Everybody | :27:30. | :27:30. | |
Everybody point | :27:30. | :27:31. | |
Everybody point to | :27:31. | :27:41. | |
:27:41. | :27:44. | ||
# I've never been afraid # I have never been afraid | :27:44. | :27:54. | |
:27:54. | :27:59. | ||
# But now I want off this ride # I need a new funfair | :27:59. | :28:09. | |
:28:09. | :28:33. | ||
# Cos you changed the way # Cos you changed the way | :28:33. | :28:37. | |
# We used to be so, so soulful Al Green on the background vocals | :28:37. | :28:40. | |
# Teetotal on the next high | :28:40. | :28:42. | |
# We get by with a so-called soul mate | :28:42. | :28:44. | |
# Made for each other chit-chat But that | :28:44. | :28:46. | |
# Dried up, wise up to the cutting-edge facts | :28:46. | :28:48. | |
# Now I'm chilling on my jack jones | :28:48. | :28:50. | |
# Looking for a way back home But I can't get back | :28:50. | :28:52. | |
# Our love feels wrong Please wind it back | :28:52. | :28:55. | |
Can't hide the cracks | :28:55. | :28:59. | |
# I guarantee you'll miss me | :28:59. | :29:03. | |
# Cos you changed the way you kiss me | :29:03. | :29:07. | |
# I've never been afraid of the highest heights | :29:07. | :29:17. | |
:29:17. | :29:17. | ||
# I've never been afraid of the highest heights | :29:17. | :29:20. | |
# Or afraid of flying now | :29:20. | :29:23. | |
# I've never been afraid of the wildest fights | :29:23. | :29:28. | |
# Not afraid of dying | :29:28. | :29:32. | |
# I need a new funfair cos you're scaring me | :29:32. | :29:36. | |
# And I don't like where we're going | :29:36. | :29:39. | |
# I guarantee you'll miss me | :29:39. | :29:41. | |
# Cos you changed the way you kiss me | :29:41. | :29:51. | |
:29:51. | :29:56. | ||
All | :29:56. | :29:56. | |
All right | :29:56. | :29:56. | |
All right Scotland | :29:56. | :30:05. | |
All right Scotland let's have it. # Cos you changed the way | :30:05. | :30:15. | |
:30:15. | :30:15. | ||
# Our love feels wrong # Cos you changed the way | :30:15. | :30:25. | |
:30:25. | :30:48. | ||
# Cos you changed the way # I've never been afraid | :30:48. | :30:58. | |
# I've never been afraid # I need a new funfair | :30:58. | :31:08. | |
:31:08. | :31:08. | ||
Apology for the loss of subtitles for 54 seconds | :31:08. | :31:51. | |
# Cos you changed the way Ladies and gentlemen, one last time. | :31:51. | :31:58. | |
Make some noise for me. # Cos you changed the way | :31:59. | :32:08. | |
:32:09. | :32:11. | ||
I have got a few changes I want to make. | :32:11. | :32:17. | |
We will get you that DVD of it. My mum mum lives in Australia and | :32:17. | :32:25. | |
when I say I've done a gig, I don't know if she believes me. | :32:25. | :32:29. | |
That is pretty special. Thank you for letting me sit here and enjoy | :32:29. | :32:39. | |
:32:39. | :32:43. | ||
it. We had no choice! Fred says is Greg getting bigger or | :32:43. | :32:50. | |
it just me? He hasn't jumped around as much as you have. That was an | :32:50. | :32:57. | |
amazing experience to watch examp examp Example with Example. | :32:57. | :33:02. | |
When I did the Isle of Wight the other week, I watched the DVD and | :33:02. | :33:07. | |
made notes on my way home! I need a haircut. This is awful. | :33:07. | :33:13. | |
We are going to let you celebrate. If you want to get into a festival, | :33:13. | :33:20. | |
you need... Passes. Go and celebrate with your girlfriend who | :33:20. | :33:23. | |
has come across from Australia. I love you. | :33:23. | :33:28. | |
It is going to be a nice night. All right. There you go. | :33:28. | :33:33. | |
We are going to take it down a notch. | :33:33. | :33:43. | |
:33:43. | :33:48. | ||
. We are going to watch King # The brightest lights | :33:48. | :33:58. | |
:33:58. | :34:07. | ||
# Will be chased # Oh, the dawn light | :34:07. | :34:17. | |
:34:17. | :34:20. | ||
# Hang the villains and the crooks # Oh the moonlight shadows | :34:20. | :34:25. | |
# Only the moment you're in can delight in sin | :34:25. | :34:27. | |
# So forget your regrets and pains | :34:27. | :34:30. | |
# The brightest lights cast the darkest shadows | :34:30. | :34:35. | |
# And that's where I'll be found | :34:35. | :34:40. | |
# For what's hiding by the morning | :34:40. | :34:46. | |
# Will be chased by daylight's hounds | :34:46. | :34:56. | |
:34:56. | :34:56. | ||
# Well, the twilight shivers as darkness is risen | :34:56. | :34:59. | |
# Cold ash poured over the sun | :34:59. | :35:02. | |
# For the sun to rise again he must go through hell | :35:02. | :35:04. | |
# To see what the darkness has done | :35:04. | :35:08. | |
# The depraved are tamed Caught in pleasures chains | :35:08. | :35:11. | |
# Are willingly surrendering | :35:11. | :35:13. | |
# There's a song to your soul while you bow to gold | :35:13. | :35:16. | |
# This song the angels sing | :35:16. | :35:22. | |
# The brightest lights cast the darkest shadows | :35:22. | :35:26. | |
# And that's where I'll be found | :35:26. | :35:33. | |
# For what's hiding by the morning | :35:33. | :35:38. | |
# Will be chased by daylight's hounds | :35:38. | :35:44. | |
# The brightest lights cast the darkest shadows | :35:44. | :35:49. | |
# And that's where I'll be found | :35:49. | :35:55. | |
# For what's hiding by the morning | :35:55. | :36:01. | |
# Will be chased by daylight's hounds | :36:01. | :36:10. | |
# The brightest lights cast the darkest shadows | :36:10. | :36:15. | |
# And that's where I'll be found | :36:15. | :36:22. | |
# For what's hiding by the morning | :36:22. | :36:28. | |
# Will be chased by daylight's hounds. # | :36:28. | :36:38. | |
:36:38. | :36:41. | ||
We | :36:41. | :36:41. | |
We missed | :36:41. | :36:41. | |
We missed a | :36:41. | :36:45. | |
We missed a trick, that's how we should have dressed tonight. | :36:45. | :36:51. | |
It did look like us. It would look like us if we had a breakdown. | :36:51. | :36:56. | |
I can't stop laughing after that. Been on tour with Mumford and Sons. | :36:56. | :37:02. | |
They are the same folky family. The Mumford, the single version has | :37:02. | :37:07. | |
Mumford and Sons doing the vocals. We are going to check out a band | :37:07. | :37:17. | |
:37:17. | :37:18. | ||
Apology for the loss of subtitles for 54 seconds | :37:18. | :38:02. | |
who were on today on the Radio One # A better night sleep at home | :38:02. | :38:12. | |
:38:12. | :38:12. | ||
Apology for the loss of subtitles for 54 seconds | :38:12. | :40:14. | |
# While the angels walk with # That was nice that. | :40:14. | :40:17. | |
The Red Button has started as well so there is loads of stuff that you | :40:17. | :40:21. | |
can check on and the website for lots of performances from T in the | :40:21. | :40:25. | |
Park and keep your questions coming in. Professor Green is coming in | :40:25. | :40:26. | |
later on. He is. | :40:26. | :40:36. | |
:40:36. | :40:38. | ||
We have got his performance coming Tinie Tempah. Yes. I think it is | :40:38. | :40:44. | |
her third time back at T in the Park. She has an effortless | :40:44. | :40:49. | |
brilliance. This is her first main stage at the | :40:49. | :40:53. | |
T in the Park. She was at Hackney. The sun was out, it was great in | :40:53. | :40:56. | |
the sun, but it was good in the dark as well. | :40:56. | :41:06. | |
:41:06. | :41:06. | ||
Apology for the loss of subtitles for 54 seconds | :41:06. | :42:40. | |
Well, here she is on the main stage # Each breath screaming | :42:40. | :42:50. | |
:42:50. | :43:12. | ||
# The breath that passed # That slipped from your mouth | :43:12. | :43:22. | |
:43:22. | :43:24. | ||
# The breath that passed # That slipped from your mouth | :43:24. | :43:34. | |
:43:34. | :44:10. | ||
# I have this breath # And I keep it in my chest | :44:10. | :44:14. | |
# I pray to God this breath will last | :44:14. | :44:17. | |
# As it pushes past my lips | :44:17. | :44:19. | |
# As I... # | :44:19. | :44:29. | |
:44:29. | :44:35. | ||
# Ah ah ah ah ah | :44:35. | :44:45. | |
:44:45. | :44:52. | ||
# Oooh oooh ooh | :44:52. | :44:56. | |
# Oooh oooh ooh | :44:56. | :45:06. | |
:45:06. | :45:14. | ||
CHEERING AND APPLAUSE | :45:14. | :45:17. | |
Thank | :45:17. | :45:17. | |
Thank you. | :45:18. | :45:27. | |
# The looking glass so shiny and new | :45:27. | :45:31. | |
# How quickly the glamour fades | :45:31. | :45:34. | |
# I start spinning slipping out of time | :45:34. | :45:38. | |
# Was that the wrong pill to take | :45:38. | :45:42. | |
# Raise it up | :45:42. | :45:43. | |
# You made a deal and now it seems you have to offer up | :45:43. | :45:46. | |
# But will it ever be enough | :45:46. | :45:50. | |
# Raise it up, raise it up | :45:50. | :45:53. | |
# It's not enough | :45:53. | :45:55. | |
# Raise it up, raise it up | :45:55. | :45:58. | |
# Here I am a rabbit-hearted girl | :45:58. | :46:01. | |
# Frozen in the headlights | :46:01. | :46:06. | |
# It seems I've made the final sacrifice | :46:06. | :46:15. | |
# We raise it up this offering | :46:15. | :46:25. | |
# We raise it up | :46:25. | :46:31. | |
# This is a gift It comes with a price | :46:31. | :46:34. | |
# Who is the lamb and who is the knife | :46:34. | :46:38. | |
# Midas is king and he holds me so tight | :46:38. | :46:42. | |
# And turns me to gold in the sunlight | :46:42. | :46:45. | |
# I look around but I can't find you | :46:45. | :46:51. | |
# Raise it up | :46:51. | :46:52. | |
# If only I could see your face | :46:52. | :46:54. | |
# Raise it up | :46:54. | :46:56. | |
# Instead of rushing towards the skyline | :46:56. | :46:59. | |
# Raise it up | :46:59. | :47:01. | |
# I wish that I could just be brave | :47:01. | :47:03. | |
# I must become a lion-hearted girl | :47:03. | :47:06. | |
# Ready for a fight | :47:06. | :47:12. | |
# Before I make the final sacrifice | :47:12. | :47:22. | |
:47:22. | :47:28. | ||
# We raise it up this offering | :47:28. | :47:33. | |
# We raise it up | :47:33. | :47:39. | |
# This is a gift It comes with a price | :47:39. | :47:41. | |
# Who is the lamb and who is the knife | :47:41. | :47:42. | |
# Midas is king and he holds me so tight | :47:42. | :47:45. | |
# And turns me to gold in the sunlight | :47:45. | :47:55. | |
:47:55. | :47:56. | ||
# Raise it up, raise it up | :47:56. | :48:01. | |
# Raise it up, raise it up | :48:01. | :48:03. | |
# And in the spring | :48:03. | :48:09. | |
# And it blows away with the changing wind | :48:09. | :48:17. | |
# The waters turn from blue to red | :48:17. | :48:19. | |
# As towards the sky I offer it | :48:19. | :48:29. | |
:48:29. | :48:29. | ||
Apology for the loss of subtitles for 54 seconds | :48:29. | :49:40. | |
# Who is the lamb and who is the knife | :49:40. | :49:42. | |
# Midas is king and he holds me so tight | :49:42. | :49:48. | |
# And turns me to gold in the sunlight | :49:48. | :49:55. | |
# This is a gift it comes with a price | :49:55. | :49:56. | |
# Who is the lamb and who is the knife | :49:56. | :49:58. | |
# Midas is king and he holds me so tight | :49:58. | :50:03. | |
# And turns me to gold in the sunlight | :50:03. | :50:12. | |
CHEERING AND APPLAUSE | :50:12. | :50:22. | |
:50:22. | :50:35. | ||
It | :50:35. | :50:35. | |
It is | :50:35. | :50:36. | |
It is so | :50:36. | :50:46. | |
:50:46. | :50:54. | ||
It is so nice to see you all. You # This is a gift | :50:54. | :50:57. | |
# Midas is king and he holds me so tight | :50:57. | :51:07. | |
:51:07. | :51:08. | ||
# And turns me to gold in the sunlight | :51:08. | :51:16. | |
CHEERING AND APPLAUSE | :51:16. | :51:26. | |
:51:26. | :51:48. | ||
# When we first came here we were cold and we were clear | :51:48. | :51:49. | |
# With no colours in our skin we were light and paper thin | :51:49. | :51:55. | |
# And when we first came here we were cold and we were clear | :51:55. | :52:02. | |
# With no colours in our skin till we let the spectrum in | :52:02. | :52:12. | |
:52:12. | :52:12. | ||
# Say my name and every colour illuminates | :52:12. | :52:16. | |
# We are shining and we will never be afraid again | :52:16. | :52:24. | |
# Say my name as every colour illuminates | :52:24. | :52:32. | |
# We are shining and we will never be afraid again | :52:32. | :52:40. | |
# Say my name as every colour illuminates | :52:40. | :52:50. | |
:52:50. | :52:55. | ||
Let's | :52:55. | :52:55. | |
Let's see | :52:55. | :52:56. | |
Let's see you | :52:56. | :53:02. | |
Let's see you girls on the # And when we come for you | :53:02. | :53:11. | |
# And when it's time to pray dressed up all in gray | :53:11. | :53:20. | |
# With metal on our tongues and silver in our lungs | :53:20. | :53:27. | |
# Say my name and every colour illuminates | :53:27. | :53:33. | |
# We are shining and we will never be afraid again | :53:33. | :53:40. | |
# Say my name as every colour illuminates | :53:40. | :53:49. | |
# We are shining and we will never be afraid again | :53:49. | :53:59. | |
:53:59. | :53:59. | ||
# Say my name as every colour illuminates | :53:59. | :54:06. | |
# We are shining and we will never be afraid again | :54:06. | :54:16. | |
:54:16. | :54:18. | ||
# And when we come back we'll be dressed in black | :54:18. | :54:19. | |
# And you'll scream my name aloud | :54:20. | :54:23. | |
# And we won't eat and we won't sleep | :54:23. | :54:26. | |
# We'll drag bodies from a ground | :54:26. | :54:36. | |
:54:36. | :54:41. | ||
# So say my name and every colour illuminates | :54:41. | :54:51. | |
I | :54:51. | :54:51. | |
I will | :54:51. | :54:51. | |
I will see | :54:51. | :55:01. | |
:55:01. | :55:05. | ||
I will see you at the back and the # So say my name | :55:06. | :55:15. | |
:55:16. | :55:18. | ||
# Say my name as every colour illuminates | :55:18. | :55:28. | |
:55:28. | :55:35. | ||
# We are shining and we will never be afraid again | :55:35. | :55:38. | |
# Say my name as every colour illuminates | :55:38. | :55:48. | |
:55:48. | :55:53. | ||
# Say my name, we are shining | :55:53. | :56:00. | |
# Say my name, say my name | :56:00. | :56:08. | |
# And we will never be afraid again. # | :56:08. | :56:18. | |
:56:18. | :56:24. | ||
Absolutely | :56:24. | :56:24. | |
Absolutely one | :56:24. | :56:25. | |
Absolutely one of | :56:25. | :56:30. | |
Absolutely one of my favourite live performers. Whenever Florence sings, | :56:30. | :56:34. | |
the sun comes out. Yes! It feels like you are hearing | :56:34. | :56:38. | |
the songs for the first time. There is something magical about her | :56:39. | :56:44. |