Example & Florence + the Machine T in the Park


Example & Florence + the Machine

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Transcript


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This programme contains flashing images.

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Wasn't the news brilliant. Congratulations to Andy Murray. He

:00:23.:00:29.

is in the final. I reckon there will be a lot of Murray masks being

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worn in the crowd tomorrow. When a place to be when a Scot gets to

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Wimbledon. In the show we will have Example and we will get his live

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music in a minute and plus Florence and the Machine. I can hear her now.

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And also an acoustic from King Charles.

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If you want to get questions in, we have got good ones coming in

:00:55.:01:02.

already, you can do that by Twitter or on the Facebook page or you can

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check out some more of the great performances that we have had on

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day one of T in the Park on the website.

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There is so much to remember, isn't there? Oh man.

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I will warn you it is 9am and Example is not only a big fan of

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strobe lights, he is a fan of swearing. So this next bit, lock up

:01:24.:01:33.
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Apology for the loss of subtitles for 54 seconds

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your nans because there is flashing T in the Park let's go. Everybody

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from the front to the back. Let me see you.

:02:39.:02:48.
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This programme # Will they believe us

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# Did we chase the rabbit into Wonderland?

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# There's 100 grand Would they understand

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# It was all to stay away for the longest

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# Longest, longest longest, longest...?

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# March on, always after us Lost troops half the class of us

:03:12.:03:14.

# You've likely seen the last of us

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# Stick around Yeah, like Elastoplast

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# Not half-mast, raise a flag

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# Keep the sign to let you know that we're coming

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# And we're nasty, man

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# Don't need Sleeping Beauty No, it's what you do to me

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# Come midnight and daybreak Yes, please go find me a namesake

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# We got faith but don't need Bibles Take the Michael, hear my recital

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# Right holds the title, quite vital

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# We get high on the opposite of night, all

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# Told to stay away for the longest time

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# It was long, it was wrong But it felt so right

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# See you at the finish line See you at the finish line

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# If you've got the heart to join us

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# If we don't kill ourselves

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# We'll be the leaders of a messed-up generation

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# If we don't kid ourselves

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# Will they believe us if we tell them the reasons why

:04:02.:04:08.

# Do we take it too far? Take it too far?

:04:08.:04:10.

# Did we chase the rabbit into Wonderland

:04:10.:04:14.

# There's 100 grand Will they understand

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# It was all to stay away for the longest, longest, longest

:04:17.:04:27.
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# March on, always after us Lost troops, half the class of us

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# You've likely seen the last of us

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# Stick around Yeah, like Elastoplast

:04:38.:04:40.

# Not half-mast raise a flag

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# Kick the sign to let you know that we're coming

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# And we're nasty, man

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# Don't need Sleeping Beauty No, it's what you do to me

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# Come midnight and daybreak Yes, please go find me a namesake

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# We got faith but don't need Bibles Take the Michael, hear my recital

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# Right holds the title, quite vital

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# We get high on the opposite of night, all

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# We just grow If it's late then we'll show

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# We don't wait, we just grow

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# If you hate, we don't show

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# We don't wait, we just grow

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# If it's late then we'll show

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# We don't wait, we just grow

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# If we know...

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# If we don't kill ourselves

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# We'll be the leaders of a messed-up generation

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# If we don't kid ourselves

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# Will they believe us if we tell them the reasons why?

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# Do we take it too far? Take it too far?

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# Did we chase the rabbit into Wonderland?

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# There's 100 grand Would they understand

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# It was all to stay away for the longest

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CHEERING AND APPLAUSE

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# I needed more than just a kiss good night

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# Had to go get something out my system

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# I ignored the warnings

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# Bit the fruit She might have tasted good

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# But, man, she was my kryptonite

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# Shoulda known she was trouble from the start

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# I knew she'd broken hearts I thought I'd take that chance

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# Danced with the devil in the pale moonlight

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# Alarm bells rang but I loved the drama

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# In a dark place but I loved the karma sutra

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# Should have closed that door but I kept going back for more

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# She's electric

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# She's the current running through my veins

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# She's a siren Hearing voices that I can't explain

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# Now I should be thinking it over Instead I'm calling her over

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# Now she's here and she won't go quietly

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# I should be thinking it over Instead I'm calling her over

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# Now she's here and she won't go quietly

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# I needed more than just a cheap thrill ride

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# See, I need something that ran deep inside

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# Ignored the warnings

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# Bit the fruit She might have tasted good

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# But, man, she was my kryptonite

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# Should have known it wouldn't last for a year

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# I knew it'd all end in tears I cracked

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# She was mind addictive Never felt scripted, unpredictable

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# Tied up but no strings attached Left scratch marks on my back

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# Her cold eyes got me excited and I can't hide the truth

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# She's electric

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# She's the current running through my veins

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# I just can't kick the habit Kick, kick, kick, kick the habit

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# She's a siren Hearing voices that I can't explain

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# I just can't kick the habit

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# Now I should be thinking it over Instead I'm calling her over

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# Now she's here and she won't go quietly

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# I should be thinking it over Instead I'm calling her over

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# Now she's here and she won't go quietly

:07:59.:08:09.
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We

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We are

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We are going

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We are going to see who can bounce # It's just another case

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# It's just another case of Another case of

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Apology for the loss of subtitles for 54 seconds

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# It's just another case of do or die

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# Can't see the end of this or who survives

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# It's just another case of do or die

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CHEERING AND APPLAUSE

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Thank

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Thank you.

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Thank you. I'm

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Thank you. I'm going to count to three and I want everybody in this

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field to shout, "hey good morning." One, two, three.

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# How can I explain it # How can ten hours

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# I cry ten men's tears as it disappears

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# With the passionate atmosphere

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# Took your glove as a souvenir

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# Left the other on the pillow as I stroked your ear

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# One last breath of your hair

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# Stared for a second Then the doorway beckoned

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# See, I'm a lover not a fighter

:10:07.:10:08.

# So I didn't fight the fact that I more than liked ya

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# Didn't matter we were under influence

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# Made sense this was more than lust

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# I don't own you, you don't own me One night only, if only

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# I could take you back and just show you off

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# But I guess if I did that The magic is lost

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# Believe me, I wanna stay

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# But I'm off and away

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# Hey, good morning

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# We watch the sun come up

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# It's calling

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# I want another day with you

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# You and that red dress What a pairing

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# I kept staring You couldn't have said less

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# Can't let my head rest Thinking about ya

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# Really wanna look into your Catwoman eyes

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# Turn back time, cos it flies by You know, them Marty McFly vibes

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# See, I can picture the bright lights. sights and night skies

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# And boats go by

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# I don't why it happened so fast

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# When I tried to speak your language, I'm happy you laughed

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# Cos I'm hardly a linguist

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# Spoke through kisses cos you didn't speak English

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# And it was hard to distinguish

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# Love at first sight or holiday romance?

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# Don't care I was lost in the moment

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# I really shoulda missed that flight

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# Believe me, I wanna stay But I'm going away

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# Hey, good morning

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# We watch the sun come up It's calling

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# I want another day with you

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# We watch the sun come up It's calling

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# Hey, good morning

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# We watch the sun come up It's calling

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# It's calling

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# I want another day with you

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# I don't think I could be dreaming I felt your touch

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# No, I remember you breathing when I woke up

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# Now all I have are these memories I can't trust

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# Just one day won't be enough

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# Hey, good morning

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# Hey, good morning

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# We watch the sun come up

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# It's calling

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# I want another day with you

:12:38.:12:44.

# Hey, good morning

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# We watch the sun come up

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# It's calling

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# I want just one more day with you. #

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CHEERING AND APPLAUSE

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I

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I can't

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I can't hear

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# I want I want everybody here to put the

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arms around the person next to you. Everybody grab hold of the person

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# I want T in the Park, I want to get a

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picture of all you beautiful people. # You want me to come over

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# Go to talk, then we choke It's like our neck's in a noose

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# Avoid the obvious We should be facing the truth

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# Start to think it could be fizzling out

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# Kinda shocked because I never really had any doubts

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# Look into your eyes Imagine life without ya

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# And the love kickstarts again

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# Starts again

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# And the love kickstarts again

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# Starts again

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# It's the same old you The same old me

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# You get bored and I get cold feet

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# Get high, get wandering eyes Forget I've never had it so sweet

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# I realise what I've got when I'm outta town

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# Cos deep down You're my girl in a golden crown

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# My princess And I don't wanna let you down

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# No, I don't want to let you down

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# Down, down, down, down, down, down

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# You want me to come over I got an excuse

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# Might be holding your hand but I'm holding it loose

:16:35.:16:38.

# Go to talk, then we choke It's like our neck's in a noose

:16:38.:16:42.

# Avoid the obvious We should be facing the truth

:16:42.:16:47.

# Start to think it could be fizzling out

:16:47.:16:50.

# Kinda shocked because I never really had any doubts

:16:50.:16:54.

# Look into your eyes Imagine life without ya

:16:54.:16:59.

# Kick-kickstarts again

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# Start to think it could be fizzling out

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# Kinda shocked because I never really had any doubts

:17:05.:17:09.

# Look into your eyes Imagine life without ya

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# Imagine life without ya Without ya, without ya

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# And the love kickstarts again

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# Starts again

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# And the love kickstarts again

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# Starts again

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# Kick-kickstarts

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# It's the same old you The same old me

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# You get bored and I get cold feet

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# Get high, get wandering eyes

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# Forget I've never ever had it so sweet

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# I realise what I've got when I'm outta town

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# Cos deep down You're my girl in a golden crown

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# My princess I don't wanna let you down

:17:49.:17:51.

# Kick-kickstarts again

:17:51.:17:53.

# Start to think it could be fizzling out

:17:53.:17:56.

# Kinda shocked because I never really had any doubts

:17:56.:18:01.

# Look into your eyes Imagine life without ya

:18:01.:18:05.

# And the love kickstarts again

:18:05.:18:11.

# Start to think it could be fizzling out

:18:11.:18:12.

# Kinda shocked because I never really had any doubts

:18:12.:18:16.

# Look into your eyes Imagine life without ya

:18:16.:18:22.

# And the love kickstarts again

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CHEERING AND APPLAUSE

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Scanned,

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Scanned, thank

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Scanned, thank you.

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Scanned, thank you. -- Scotland, thank you.

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It was some experience watching an Example performance with Example

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sitting next to you. I can't let this slide.

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Some of the quotes have been amazing.

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He had to hush the crew and say, "Listen to this bit here." You have

:18:49.:18:54.

got to be your own worst critic. You are your own best fan.

:18:54.:18:59.

listen, listen Greg, you have got to be your own best fan and your

:18:59.:19:05.

own worst critic. I was watching that and saying the symbols need to

:19:05.:19:11.

be quieter and the guitar needs to be louder. You have got to assess

:19:11.:19:17.

it. And then he comes out with, "This is the best job in the

:19:17.:19:22.

world." Seeing those people smiling, how can you possibly want to stop

:19:22.:19:29.

this? How has that that compared to what has gone before? As it got

:19:29.:19:32.

bigger and bigger, every time we played to a crowd whether in a

:19:32.:19:39.

small dance tent. Two years ago we played to 4 four or 5,000 people,

:19:39.:19:45.

every time you set a new new bar for you have, you want to raise and

:19:45.:19:49.

raise and I watched loads of bands I respect and I take different

:19:49.:19:56.

things, you catch catch Coldplay and you go, I want their lights and

:19:56.:20:06.

you watch Dizzy and go, "I want their sound.". You watch watch

:20:06.:20:09.

watch Florence and you want her hair.

:20:09.:20:14.

I tried to take it off her. The Scottish crowd are the best in

:20:14.:20:19.

the world. How does this crowd compare? Honestly, honestly, so the

:20:19.:20:24.

best gig this year, the top three when I did the Arena tour.

:20:24.:20:30.

I think it was sold out every night? It was sold out. Thanks for

:20:30.:20:36.

that. The best gigs were Aberdeen, Glasgow and MEN. I always know you

:20:36.:20:40.

come north of the border, there is something in the air. They're just

:20:40.:20:46.

crazy. Tonight set the bar. It set the bar.

:20:46.:20:51.

I'm like wondering what gig this year could possibly be bigger than

:20:51.:20:56.

that? In terms of your band as well, having that full set-up behind you,

:20:56.:21:01.

it just works so well. When we perform like obviously, you

:21:01.:21:06.

know, me being me, I love the attention! No, really? No, really!

:21:06.:21:11.

But at the same time I want to portray what I do like as a band.

:21:11.:21:17.

Even people know me as Example, I regularly get tweets or people on

:21:17.:21:24.

Facebook, "Example are the best band." I don't mind being a band. A

:21:24.:21:29.

front man in front of a DJ and a load of people who don't care. I

:21:29.:21:32.

encourage my band to get out there and just behave how they want and

:21:32.:21:35.

that adds a real element to the show that's lacking because there

:21:35.:21:39.

is not many live bands performing as these festivals.

:21:39.:21:46.

You are one of my favourite live acts to watch. You know I take the

:21:46.:21:51.

mickey out of you for selling out the Arena tour. He has done that

:21:51.:21:56.

all night. It has got huge over the last few years. I know you write

:21:56.:22:01.

all the time. I'm not really stopping. Five or ten years ago,

:22:01.:22:05.

there was a safety net, if you had a massive album that sold millions

:22:05.:22:10.

of copies, you go afford to go away. It is a harsh industry, you can be

:22:10.:22:14.

massive one year and have a load of number ones and I'm not going to

:22:14.:22:18.

name names and there are people who had number ones and they have

:22:18.:22:23.

disappeared. You can't afford to get put in with that crowd. I want

:22:23.:22:27.

to keep releasing and bettering my last single and that's the plan. It

:22:27.:22:31.

is up to the public to decide whether they think the new single

:22:31.:22:37.

is better than the last one. After we did the arenas which I wanted to

:22:37.:22:41.

do, but never knew if I would get there. After the arenas and it is

:22:41.:22:47.

stadiums. A few year when we were playing in Camden and I said I'm

:22:47.:22:51.

going to do arenas and everyone laughed and now I want to do

:22:51.:22:55.

stadiums, the great thing is having Ed Sheeran and good mates, but

:22:55.:22:59.

people I respect hugely and take things from their show and what

:22:59.:23:03.

they are doing career wise and they are watching and come up to me

:23:03.:23:08.

afterwards and say, "You can get to that stadium level and go and do

:23:08.:23:14.

it.". There was a load of people... I hope so.

:23:14.:23:17.

Would you like to watch, it is a silly question, would you like to

:23:17.:23:22.

watch some more of your set set? Don't. I'm coming across really

:23:22.:23:27.

badly here. You were both singing along. You

:23:27.:23:31.

were trying to outrap him. I will probably watch that and go

:23:31.:23:36.

back to my keyboard player and go, "What are you doing? Why are you

:23:36.:23:39.

looking like that?" I have got to assess it.

:23:39.:23:49.
:23:49.:23:51.

This is some more Example. This is a brand-new song. I want

:23:51.:23:56.

everyone to pretend they know the words already.

:23:56.:24:04.

# I been feeling some weight # I been carrying

:24:04.:24:06.

# If we carry this through you're a soldier

:24:06.:24:10.

# Now you make them cringe for the damage

:24:10.:24:13.

# Together, forever, something We've said enough

:24:14.:24:21.

# The pressure, will test ya So here's the best that I can do

:24:21.:24:25.

# Heading up to the unknown It goes at daylight pace

:24:25.:24:35.
:24:35.:24:40.

# It go-wo-oh-wo-oh-es

:24:40.:24:44.

# Someone tell me where did the sun go?

:24:44.:24:51.

# Someone tell me where did the sun go?

:24:51.:24:58.

# Someone tell me where did the sun go?

:24:58.:24:59.

# Let me tell you how it exactly is So hard, hard to find happiness

:24:59.:25:03.

# Too many things here act as acting is

:25:03.:25:05.

# Don't let them back in Stop the tracking here

:25:05.:25:06.

# One day everything's immaculate Next day someone took your Capulet

:25:06.:25:12.

# Another day I'm gonna feel miraculous

:25:12.:25:13.

# In the sun by now, I'm an activist

:25:13.:25:15.

# Someone tell me where did the sun go?

:25:15.:25:25.
:25:25.:25:38.

# Don't let them back in Stop the tracking here

:25:38.:25:48.

# Someone tell me where did the sun go?

:25:48.:25:49.

# Someone tell me where did the sun go?

:25:49.:25:54.

# Someone tell me where did the sun go?

:25:54.:26:02.

# Someone tell me where did the sun go?

:26:02.:26:09.

# Someone tell me where did the sun go?

:26:09.:26:19.
:26:19.:26:20.

# Taking the parking ticket too far

:26:21.:26:22.

# Rabbit in the wedding, man Zippidy do-da

:26:22.:26:23.

# In the classroom Last man standing

:26:23.:26:26.

# Hustling, gambling Putting ma hands in

:26:26.:26:27.

# Probably shouldn't mess up my heartbeat

:26:27.:26:29.

# It all starts quick Then it gets dark quick

:26:29.:26:32.

# I know I keep chancing

:26:32.:26:33.

# There's always gonna be another girl on the market

:26:33.:26:43.
:26:43.:26:46.

Everybody

:26:46.:26:47.

Everybody show

:26:47.:26:47.

Everybody show me

:26:47.:26:54.

# Someone tell me # Someone tell me where did

:26:54.:27:02.

# Someone tell me where did the sun go?

:27:02.:27:09.

# Someone tell me where did the sun go?

:27:09.:27:17.

# Someone tell me where did the sun go? #

:27:17.:27:22.

APPLAUSE AND CHEERING

:27:22.:27:30.

Everybody

:27:30.:27:30.

Everybody point

:27:30.:27:31.

Everybody point to

:27:31.:27:41.
:27:41.:27:44.

# I've never been afraid # I have never been afraid

:27:44.:27:54.
:27:54.:27:59.

# But now I want off this ride # I need a new funfair

:27:59.:28:09.
:28:09.:28:33.

# Cos you changed the way # Cos you changed the way

:28:33.:28:37.

# We used to be so, so soulful Al Green on the background vocals

:28:37.:28:40.

# Teetotal on the next high

:28:40.:28:42.

# We get by with a so-called soul mate

:28:42.:28:44.

# Made for each other chit-chat But that

:28:44.:28:46.

# Dried up, wise up to the cutting-edge facts

:28:46.:28:48.

# Now I'm chilling on my jack jones

:28:48.:28:50.

# Looking for a way back home But I can't get back

:28:50.:28:52.

# Our love feels wrong Please wind it back

:28:52.:28:55.

Can't hide the cracks

:28:55.:28:59.

# I guarantee you'll miss me

:28:59.:29:03.

# Cos you changed the way you kiss me

:29:03.:29:07.

# I've never been afraid of the highest heights

:29:07.:29:17.
:29:17.:29:17.

# I've never been afraid of the highest heights

:29:17.:29:20.

# Or afraid of flying now

:29:20.:29:23.

# I've never been afraid of the wildest fights

:29:23.:29:28.

# Not afraid of dying

:29:28.:29:32.

# I need a new funfair cos you're scaring me

:29:32.:29:36.

# And I don't like where we're going

:29:36.:29:39.

# I guarantee you'll miss me

:29:39.:29:41.

# Cos you changed the way you kiss me

:29:41.:29:51.
:29:51.:29:56.

All

:29:56.:29:56.

All right

:29:56.:29:56.

All right Scotland

:29:56.:30:05.

All right Scotland let's have it. # Cos you changed the way

:30:05.:30:15.
:30:15.:30:15.

# Our love feels wrong # Cos you changed the way

:30:15.:30:25.
:30:25.:30:48.

# Cos you changed the way # I've never been afraid

:30:48.:30:58.

# I've never been afraid # I need a new funfair

:30:58.:31:08.
:31:08.:31:08.

Apology for the loss of subtitles for 54 seconds

:31:08.:31:51.

# Cos you changed the way Ladies and gentlemen, one last time.

:31:51.:31:58.

Make some noise for me. # Cos you changed the way

:31:59.:32:08.
:32:09.:32:11.

I have got a few changes I want to make.

:32:11.:32:17.

We will get you that DVD of it. My mum mum lives in Australia and

:32:17.:32:25.

when I say I've done a gig, I don't know if she believes me.

:32:25.:32:29.

That is pretty special. Thank you for letting me sit here and enjoy

:32:29.:32:39.
:32:39.:32:43.

it. We had no choice! Fred says is Greg getting bigger or

:32:43.:32:50.

it just me? He hasn't jumped around as much as you have. That was an

:32:50.:32:57.

amazing experience to watch examp examp Example with Example.

:32:57.:33:02.

When I did the Isle of Wight the other week, I watched the DVD and

:33:02.:33:07.

made notes on my way home! I need a haircut. This is awful.

:33:07.:33:13.

We are going to let you celebrate. If you want to get into a festival,

:33:13.:33:20.

you need... Passes. Go and celebrate with your girlfriend who

:33:20.:33:23.

has come across from Australia. I love you.

:33:23.:33:28.

It is going to be a nice night. All right. There you go.

:33:28.:33:33.

We are going to take it down a notch.

:33:33.:33:43.
:33:43.:33:48.

. We are going to watch King # The brightest lights

:33:48.:33:58.
:33:58.:34:07.

# Will be chased # Oh, the dawn light

:34:07.:34:17.
:34:17.:34:20.

# Hang the villains and the crooks # Oh the moonlight shadows

:34:20.:34:25.

# Only the moment you're in can delight in sin

:34:25.:34:27.

# So forget your regrets and pains

:34:27.:34:30.

# The brightest lights cast the darkest shadows

:34:30.:34:35.

# And that's where I'll be found

:34:35.:34:40.

# For what's hiding by the morning

:34:40.:34:46.

# Will be chased by daylight's hounds

:34:46.:34:56.
:34:56.:34:56.

# Well, the twilight shivers as darkness is risen

:34:56.:34:59.

# Cold ash poured over the sun

:34:59.:35:02.

# For the sun to rise again he must go through hell

:35:02.:35:04.

# To see what the darkness has done

:35:04.:35:08.

# The depraved are tamed Caught in pleasures chains

:35:08.:35:11.

# Are willingly surrendering

:35:11.:35:13.

# There's a song to your soul while you bow to gold

:35:13.:35:16.

# This song the angels sing

:35:16.:35:22.

# The brightest lights cast the darkest shadows

:35:22.:35:26.

# And that's where I'll be found

:35:26.:35:33.

# For what's hiding by the morning

:35:33.:35:38.

# Will be chased by daylight's hounds

:35:38.:35:44.

# The brightest lights cast the darkest shadows

:35:44.:35:49.

# And that's where I'll be found

:35:49.:35:55.

# For what's hiding by the morning

:35:55.:36:01.

# Will be chased by daylight's hounds

:36:01.:36:10.

# The brightest lights cast the darkest shadows

:36:10.:36:15.

# And that's where I'll be found

:36:15.:36:22.

# For what's hiding by the morning

:36:22.:36:28.

# Will be chased by daylight's hounds. #

:36:28.:36:38.
:36:38.:36:41.

We

:36:41.:36:41.

We missed

:36:41.:36:41.

We missed a

:36:41.:36:45.

We missed a trick, that's how we should have dressed tonight.

:36:45.:36:51.

It did look like us. It would look like us if we had a breakdown.

:36:51.:36:56.

I can't stop laughing after that. Been on tour with Mumford and Sons.

:36:56.:37:02.

They are the same folky family. The Mumford, the single version has

:37:02.:37:07.

Mumford and Sons doing the vocals. We are going to check out a band

:37:07.:37:17.
:37:17.:37:18.

Apology for the loss of subtitles for 54 seconds

:37:18.:38:02.

who were on today on the Radio One # A better night sleep at home

:38:02.:38:12.
:38:12.:38:12.

Apology for the loss of subtitles for 54 seconds

:38:12.:40:14.

# While the angels walk with # That was nice that.

:40:14.:40:17.

The Red Button has started as well so there is loads of stuff that you

:40:17.:40:21.

can check on and the website for lots of performances from T in the

:40:21.:40:25.

Park and keep your questions coming in. Professor Green is coming in

:40:25.:40:26.

later on. He is.

:40:26.:40:36.
:40:36.:40:38.

We have got his performance coming Tinie Tempah. Yes. I think it is

:40:38.:40:44.

her third time back at T in the Park. She has an effortless

:40:44.:40:49.

brilliance. This is her first main stage at the

:40:49.:40:53.

T in the Park. She was at Hackney. The sun was out, it was great in

:40:53.:40:56.

the sun, but it was good in the dark as well.

:40:56.:41:06.
:41:06.:41:06.

Apology for the loss of subtitles for 54 seconds

:41:06.:42:40.

Well, here she is on the main stage # Each breath screaming

:42:40.:42:50.
:42:50.:43:12.

# The breath that passed # That slipped from your mouth

:43:12.:43:22.
:43:22.:43:24.

# The breath that passed # That slipped from your mouth

:43:24.:43:34.
:43:34.:44:10.

# I have this breath # And I keep it in my chest

:44:10.:44:14.

# I pray to God this breath will last

:44:14.:44:17.

# As it pushes past my lips

:44:17.:44:19.

# As I... #

:44:19.:44:29.
:44:29.:44:35.

# Ah ah ah ah ah

:44:35.:44:45.
:44:45.:44:52.

# Oooh oooh ooh

:44:52.:44:56.

# Oooh oooh ooh

:44:56.:45:06.
:45:06.:45:14.

CHEERING AND APPLAUSE

:45:14.:45:17.

Thank

:45:17.:45:17.

Thank you.

:45:18.:45:27.

# The looking glass so shiny and new

:45:27.:45:31.

# How quickly the glamour fades

:45:31.:45:34.

# I start spinning slipping out of time

:45:34.:45:38.

# Was that the wrong pill to take

:45:38.:45:42.

# Raise it up

:45:42.:45:43.

# You made a deal and now it seems you have to offer up

:45:43.:45:46.

# But will it ever be enough

:45:46.:45:50.

# Raise it up, raise it up

:45:50.:45:53.

# It's not enough

:45:53.:45:55.

# Raise it up, raise it up

:45:55.:45:58.

# Here I am a rabbit-hearted girl

:45:58.:46:01.

# Frozen in the headlights

:46:01.:46:06.

# It seems I've made the final sacrifice

:46:06.:46:15.

# We raise it up this offering

:46:15.:46:25.

# We raise it up

:46:25.:46:31.

# This is a gift It comes with a price

:46:31.:46:34.

# Who is the lamb and who is the knife

:46:34.:46:38.

# Midas is king and he holds me so tight

:46:38.:46:42.

# And turns me to gold in the sunlight

:46:42.:46:45.

# I look around but I can't find you

:46:45.:46:51.

# Raise it up

:46:51.:46:52.

# If only I could see your face

:46:52.:46:54.

# Raise it up

:46:54.:46:56.

# Instead of rushing towards the skyline

:46:56.:46:59.

# Raise it up

:46:59.:47:01.

# I wish that I could just be brave

:47:01.:47:03.

# I must become a lion-hearted girl

:47:03.:47:06.

# Ready for a fight

:47:06.:47:12.

# Before I make the final sacrifice

:47:12.:47:22.
:47:22.:47:28.

# We raise it up this offering

:47:28.:47:33.

# We raise it up

:47:33.:47:39.

# This is a gift It comes with a price

:47:39.:47:41.

# Who is the lamb and who is the knife

:47:41.:47:42.

# Midas is king and he holds me so tight

:47:42.:47:45.

# And turns me to gold in the sunlight

:47:45.:47:55.
:47:55.:47:56.

# Raise it up, raise it up

:47:56.:48:01.

# Raise it up, raise it up

:48:01.:48:03.

# And in the spring

:48:03.:48:09.

# And it blows away with the changing wind

:48:09.:48:17.

# The waters turn from blue to red

:48:17.:48:19.

# As towards the sky I offer it

:48:19.:48:29.
:48:29.:48:29.

Apology for the loss of subtitles for 54 seconds

:48:29.:49:40.

# Who is the lamb and who is the knife

:49:40.:49:42.

# Midas is king and he holds me so tight

:49:42.:49:48.

# And turns me to gold in the sunlight

:49:48.:49:55.

# This is a gift it comes with a price

:49:55.:49:56.

# Who is the lamb and who is the knife

:49:56.:49:58.

# Midas is king and he holds me so tight

:49:58.:50:03.

# And turns me to gold in the sunlight

:50:03.:50:12.

CHEERING AND APPLAUSE

:50:12.:50:22.
:50:22.:50:35.

It

:50:35.:50:35.

It is

:50:35.:50:36.

It is so

:50:36.:50:46.
:50:46.:50:54.

It is so nice to see you all. You # This is a gift

:50:54.:50:57.

# Midas is king and he holds me so tight

:50:57.:51:07.
:51:07.:51:08.

# And turns me to gold in the sunlight

:51:08.:51:16.

CHEERING AND APPLAUSE

:51:16.:51:26.
:51:26.:51:48.

# When we first came here we were cold and we were clear

:51:48.:51:49.

# With no colours in our skin we were light and paper thin

:51:49.:51:55.

# And when we first came here we were cold and we were clear

:51:55.:52:02.

# With no colours in our skin till we let the spectrum in

:52:02.:52:12.
:52:12.:52:12.

# Say my name and every colour illuminates

:52:12.:52:16.

# We are shining and we will never be afraid again

:52:16.:52:24.

# Say my name as every colour illuminates

:52:24.:52:32.

# We are shining and we will never be afraid again

:52:32.:52:40.

# Say my name as every colour illuminates

:52:40.:52:50.
:52:50.:52:55.

Let's

:52:55.:52:55.

Let's see

:52:55.:52:56.

Let's see you

:52:56.:53:02.

Let's see you girls on the # And when we come for you

:53:02.:53:11.

# And when it's time to pray dressed up all in gray

:53:11.:53:20.

# With metal on our tongues and silver in our lungs

:53:20.:53:27.

# Say my name and every colour illuminates

:53:27.:53:33.

# We are shining and we will never be afraid again

:53:33.:53:40.

# Say my name as every colour illuminates

:53:40.:53:49.

# We are shining and we will never be afraid again

:53:49.:53:59.
:53:59.:53:59.

# Say my name as every colour illuminates

:53:59.:54:06.

# We are shining and we will never be afraid again

:54:06.:54:16.
:54:16.:54:18.

# And when we come back we'll be dressed in black

:54:18.:54:19.

# And you'll scream my name aloud

:54:20.:54:23.

# And we won't eat and we won't sleep

:54:23.:54:26.

# We'll drag bodies from a ground

:54:26.:54:36.
:54:36.:54:41.

# So say my name and every colour illuminates

:54:41.:54:51.

I

:54:51.:54:51.

I will

:54:51.:54:51.

I will see

:54:51.:55:01.
:55:01.:55:05.

I will see you at the back and the # So say my name

:55:06.:55:15.
:55:16.:55:18.

# Say my name as every colour illuminates

:55:18.:55:28.
:55:28.:55:35.

# We are shining and we will never be afraid again

:55:35.:55:38.

# Say my name as every colour illuminates

:55:38.:55:48.
:55:48.:55:53.

# Say my name, we are shining

:55:53.:56:00.

# Say my name, say my name

:56:00.:56:08.

# And we will never be afraid again. #

:56:08.:56:18.
:56:18.:56:24.

Absolutely

:56:24.:56:24.

Absolutely one

:56:24.:56:25.

Absolutely one of

:56:25.:56:30.

Absolutely one of my favourite live performers. Whenever Florence sings,

:56:30.:56:34.

the sun comes out. Yes! It feels like you are hearing

:56:34.:56:38.

the songs for the first time. There is something magical about her

:56:39.:56:44.

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