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This programme contains scenes of repetitive flashing images | :00:00. | :00:00. | |
Good evening and welcome to our T in the Park coverage, day two on the | :00:00. | :00:28. | |
BBC. You may be thinking, where is she? I will tell you. I am on the | :00:29. | :00:32. | |
main stage. It's not terrifying at all. Not only is the red huge crowd | :00:33. | :00:38. | |
out front waiting in anticipation for Mr Calvin Harris, there are so | :00:39. | :00:41. | |
many people on this stage getting ready for his arrival. And we will | :00:42. | :00:46. | |
bring you that as it happens. We're going to wait here until he is ready | :00:47. | :00:51. | |
but before and after that, so much more from the day two at T in the | :00:52. | :00:55. | |
Park. So many great performances to bring you. And you will also hear | :00:56. | :00:59. | |
from Calvin Harris. But a huge crowd out here already. Waiting for him to | :01:00. | :01:05. | |
arrive on the main stage. And we will stay here until he arrives. | :01:06. | :01:12. | |
Please get in touch and tell us who you are excited to see. You might | :01:13. | :01:15. | |
have checked out some of the staff on the iPlayer or the website, using | :01:16. | :01:23. | |
the hashtag BBCTITP. So let's get some music on the way. Let's head to | :01:24. | :01:27. | |
a gentleman on the stage earlier today, tiny timbre. -- Tinie Tempah. | :01:28. | :01:50. | |
# Might take a fly out for the weekend | :01:51. | :02:03. | |
# Had a couple hits and a couple solos | :02:04. | :02:09. | |
# Now I got a couple rents and a couple more boats | :02:10. | :02:12. | |
# I was jumping off the mandem with a polo | :02:13. | :02:15. | |
# I was jumping off the mandem with a polo | :02:16. | :02:19. | |
# I could make a honey give away her last Rolo | :02:20. | :02:24. | |
# Then I say sure, yo, you know how it goes | :02:25. | :02:26. | |
# Yeah, rollie on the wrist, that's me, me | :02:27. | :02:42. | |
# I was getting blowed but few girls were putting out | :02:43. | :02:53. | |
# Told them I was gonna blow back when I was in the south | :02:54. | :02:56. | |
# Since she want me she don't want the coco | :02:57. | :03:01. | |
# So I made her send it back less she want my loco | :03:02. | :03:04. | |
# Used to have a black my piece of Roco | :03:05. | :03:08. | |
# Now everyone I go people want a photo | :03:09. | :03:10. | |
# I could make a honey give away her last Rolo | :03:11. | :03:13. | |
# Then I say sure, yo, you know how I roll | :03:14. | :03:16. | |
# I like cruising around the West End | :03:17. | :03:39. | |
# I don't need your money for my rent | :03:40. | :03:47. | |
# I'm not an eight or a nine, I'm a ten | :03:48. | :03:51. | |
# Might take a fly out for the weekend | :03:52. | :04:22. | |
# Had a couple hits and a couple solos | :04:23. | :04:27. | |
# Now I got a couple rents and a couple more boats | :04:28. | :04:30. | |
# I was jumping off the mandem with a polo | :04:31. | :04:34. | |
# I could make a honey give away her last Rolo | :04:35. | :04:39. | |
# Then I say sure, yo, you know how it goes | :04:40. | :04:41. | |
# I know you, I know you want the good thing | :04:42. | :04:53. | |
See these things, I want to know what they are. Stay with us. | :04:54. | :05:01. | |
Calvin's production will be revealed shortly as he takes to the stage. | :05:02. | :05:04. | |
Sticking to the main stage with more performances from earlier on. If you | :05:05. | :05:06. | |
want a watchful performances, head to the website. Or head to the | :05:07. | :05:09. | |
iPlayer. Earlier on we were blown away by the response to Jess Glynne. | :05:10. | :05:24. | |
# Standing in a crowded room and I can't see your face | :05:25. | :05:39. | |
# Put your arms around me Tell me everything's OK | :05:40. | :05:48. | |
# In my mind, I'm running round a cold and empty space | :05:49. | :05:53. | |
# Just put your arms around me Tell me everything's OK | :05:54. | :06:01. | |
# Break my bones but you won't see me fall, oh | :06:02. | :06:10. | |
# The rising tide will rise against them all, oh | :06:11. | :06:16. | |
# Cos I don't wanna walk on my own any more | :06:17. | :06:37. | |
# I'm ready for this There's no denying | :06:38. | :06:42. | |
# I'm ready for this You stop me falling | :06:43. | :06:44. | |
# I'm ready for this I need you all in | :06:45. | :06:47. | |
# I'm ready for this So darling, hold my hand | :06:48. | :06:49. | |
# Soul is like a melting pot when you're not next to me | :06:50. | :07:01. | |
# Tell me that you've got me and you're never gonna leave | :07:02. | :07:04. | |
# Tryna find a moment where I can find release | :07:05. | :07:07. | |
# Please tell me that you've got me and you're never gonna leave | :07:08. | :07:29. | |
# Break my bones but you won't see me fall, oh | :07:30. | :07:31. | |
# The rising tide will rise against them all, oh | :07:32. | :07:34. | |
# Cos I don't wanna walk on my own any more | :07:35. | :07:55. | |
# I'm ready for this There's no denying | :07:56. | :08:00. | |
# I'm ready for this You stop me falling | :08:01. | :08:02. | |
# I'm ready for this I need you all in | :08:03. | :08:04. | |
# I'm ready for this So darling, hold my hand | :08:05. | :08:08. | |
I want you to sing this bit. As loud as you can, come on. | :08:09. | :08:21. | |
# So please don't make me wait cos I don't wanna break | :08:22. | :08:26. | |
# That you don't make me wait and never let me break | :08:27. | :08:34. | |
# Cos I don't wanna walk on my own any more | :08:35. | :08:47. | |
# Cos I don't wanna walk on my own any more | :08:48. | :09:03. | |
# I'm ready for this There's no denying | :09:04. | :09:12. | |
# I'm ready for this You stop me falling | :09:13. | :09:25. | |
# I'm ready for this I need you all in | :09:26. | :09:27. | |
# I'm ready for this So darling, hold my hand | :09:28. | :09:30. | |
# I'm ready for this There's no denying | :09:31. | :09:32. | |
# I'm ready for this You stop me falling | :09:33. | :09:37. | |
# I'm ready for this I need you all in | :09:38. | :09:39. | |
# I'm ready for this So darling, hold my hand | :09:40. | :09:48. | |
Thank you. Thank you so much. For having me and my band. I am Jess | :09:49. | :10:00. | |
Glynne. Thank you. Come on, I couldn't let the | :10:01. | :10:43. | |
opportunity pass. Let's stay on the main stage and a band who brought | :10:44. | :10:47. | |
swagger. They were suave with amazing musicianship and eight | :10:48. | :10:52. | |
cracking white tracksuit. It is The Last Shadow Puppets. | :10:53. | :11:12. | |
# To sneak off away From your stomach | :11:13. | :11:14. | |
# And captured what seemed all unknowing and candid | :11:15. | :11:20. | |
# The boring would Warn you be careful | :11:21. | :11:33. | |
# In order to tame This relentless marauder | :11:34. | :11:39. | |
# She was walking on the tables In the glass house | :11:40. | :11:44. | |
# And she would throw A feather boa in the road | :11:45. | :12:09. | |
# If she thought that it would set the scene | :12:10. | :12:13. | |
# Unfittingly dipped Into your companions | :12:14. | :12:15. | |
# Before my mind can get too reckless | :12:16. | :13:11. | |
# Is enough to make the sweat grow cold. | :13:12. | :13:26. | |
Now, those gentlemen you can see on the balcony are a fact Calvin | :13:27. | :13:56. | |
Harris's mates, you will find out more about them and just a second. | :13:57. | :14:00. | |
Last Shadow Puppets, we will have more from them later, and the other | :14:01. | :14:07. | |
headliners, 1975, headlining on the radio one stage, and Travis, | :14:08. | :14:11. | |
headlining in King Tut's. Calvin Harris is back on the main stage, | :14:12. | :14:15. | |
headlining. He's done it before. One thing he has never done at T in the | :14:16. | :14:19. | |
Park is host a stag party. I caught up with him earlier. My best friend | :14:20. | :14:25. | |
from Dumfries runs a pub called Queen of the South. He's getting | :14:26. | :14:30. | |
married. You are best man? I'm best man. We have recreated his pub here, | :14:31. | :14:36. | |
and all of his mates I hear, everyone that goes to the pub. 50 of | :14:37. | :14:41. | |
them. What a nice thing to do. They are nice now, let's see what | :14:42. | :14:46. | |
happens. You won't be concerned about this? Well, I'll be here. You | :14:47. | :14:51. | |
are headlining, ninth time that the T in the Park? It's not. It's nine | :14:52. | :14:59. | |
years since I first played. I think I've been here seven times. I first | :15:00. | :15:05. | |
played in 2007. It's a long time since. I remember the last time, you | :15:06. | :15:10. | |
had an amazing production, it was fantastic. Is the aim to outdo the | :15:11. | :15:15. | |
previous time, make it bigger and better every time you come back? | :15:16. | :15:22. | |
Yes. It's quite simple. In terms of the records, I need to keep putting | :15:23. | :15:27. | |
out songs that are successful. Even to justify to myself that I should | :15:28. | :15:33. | |
be doing it. So, I've done that. I need to do a different production | :15:34. | :15:38. | |
every year. I tried a new thing out at Coachella. I didn't design it | :15:39. | :15:47. | |
myself. It looks out of control. Bringing it here, I know that I | :15:48. | :15:53. | |
can't visually do better than this. So, the music kind of... It's the | :15:54. | :16:01. | |
music. But as far as this goes, you can push it really far and it can | :16:02. | :16:06. | |
get really crazy. I like the idea of that. I know nobody else is doing | :16:07. | :16:09. | |
that. I remember being on a buggy with you at the old site, and we | :16:10. | :16:13. | |
went to the side stage and you are second on a stage. About 20 minutes | :16:14. | :16:22. | |
later, you could not see the back of the crowd. You thought nobody was | :16:23. | :16:27. | |
going to come. It was phenomenal. Amazing. Do you ever get time to... | :16:28. | :16:33. | |
Not reflect, but go, man, what I've achieved? I think I do that when I | :16:34. | :16:37. | |
come back to places like ear. The rest of the time it's just... You | :16:38. | :16:41. | |
are carrying on, you are in your zone. Coming back here, it resets | :16:42. | :16:50. | |
you. And you do remember times when you played the same festivals again | :16:51. | :16:55. | |
and again. You remember what happened, the situations and how | :16:56. | :16:59. | |
they were. It's like talking to yourself as well. You go, I remember | :17:00. | :17:07. | |
that buggy then, I remember Lady Gaga, she had one single out at the | :17:08. | :17:14. | |
time. Yes, it was a surprise. But it's been a fun time. We had Will | :17:15. | :17:22. | |
Smith last time. Who have we got tonight? Apart from your 60 mates | :17:23. | :17:33. | |
out there? I've brought Dizzee. I love him. It's going to go off out | :17:34. | :17:37. | |
there! That was a big turning point for both of you? Eight years since | :17:38. | :17:42. | |
we had a single out together, we just put another one out a couple of | :17:43. | :17:50. | |
weeks ago. He has come to do that. At Wireless last night, he stage | :17:51. | :17:53. | |
dived and didn't do the second verse. I told him not to do that. | :17:54. | :17:59. | |
You never know what he's going to do. You think he's going to be chill | :18:00. | :18:06. | |
and he gets excited. Thank you so much for chatting to us ahead of | :18:07. | :18:10. | |
this huge show. Have the best time with your mates. Good luck with the | :18:11. | :18:13. | |
best man speech as well. Is that more nerve wracking than headlining | :18:14. | :18:18. | |
T in the Park? Of course, it takes a lot more preparation and I'll have | :18:19. | :18:24. | |
no visuals! Maybe invite dizzy along? Good idea! Nice one. | :18:25. | :19:36. | |
T in the Park, how you feeling? If you know the words, let me hear you | :19:37. | :19:45. | |
sing this. # You're giving me such sweet | :19:46. | :20:13. | |
loving. # You're giving me such sweet | :20:14. | :20:14. | |
loving. My name is Calvin Harris. How you | :20:15. | :20:49. | |
feeling? # And it's not enough | :20:50. | :21:16. | |
to tell me that you care # When we both know | :21:17. | :21:17. | |
the words are empty air Left me see everybody's hands in | :21:18. | :21:18. | |
there. # Don't act like you forgot... I | :21:19. | :22:56. | |
want to see you jump this time. # Too afraid of your heart to let | :22:57. | :24:20. | |
you go # Feeling like we good to rise | :24:21. | :25:17. | |
# I love you, you'll never know | :25:18. | :25:45. | |
# When the daylight comes you feel so cold | :25:46. | :25:52. | |
# You know I'm too afraid of my heart to let you go | :25:53. | :25:55. | |
Be the one that makes tonight | :25:56. | :26:49. | |
T in the Park, you feeling good? Make some noise! | :26:50. | :28:46. | |
I want to see everybody's hands in the air! | :28:47. | :32:33. | |
# Lightning strikes every time she moves | :32:34. | :32:36. | |
# Lightning strikes every time she moves | :32:37. | :32:57. | |
# Who knows why it's gotta be this way | :32:58. | :33:53. | |
# Lightning strikes every time she moves | :33:54. | :34:15. | |
# Lightning strikes every time she moves | :34:16. | :35:17. | |
# Lightning strikes every time she moves | :35:18. | :35:21. | |
T in the Park, Sunday night, how are you feeling?! | :35:22. | :39:05. | |
# I need to be free with you tonight | :39:06. | :39:14. | |
Wrote I really want to see you jump this time! | :39:15. | :42:26. | |
# Sometimes I feel like throwing my hands up in the air | :42:27. | :44:43. | |
# I know I can count on you # Sometimes I feel like saying, Lord | :44:44. | :44:46. | |
I just don't care # You got the love to see me through | :44:47. | :44:53. | |
# Sometimes the road is just too rough | :44:54. | :44:57. | |
# And I failed at what I do # Sometimes it feels like life just | :44:58. | :45:00. | |
too tough # You got the Love I need to see you | :45:01. | :45:05. | |
through # When time is hard, you are my | :45:06. | :45:08. | |
Daily Mail # When the days are hard, I know my | :45:09. | :45:12. | |
saviour's love is real. # Show you what it feels like, now | :45:13. | :47:14. | |
I'm on the outside. T in the Park, Saturday night, how | :47:15. | :47:55. | |
we feeling? # Straight gassed, got | :47:56. | :48:04. | |
the whole place hype Every time I'm around there's a hype | :48:05. | :51:43. | |
Touchdown and the crowd get's hyped Straight gassed, got | :51:44. | :52:08. | |
the whole place hype I'm a bad boy and I do | :52:09. | :52:09. | |
what I like Every time I'm around there's a hype Touchdown | :52:10. | :52:11. | |
and the crowd get's hyped Straight gassed, got | :52:12. | :52:12. | |
the whole place hype Every time I'm around there's a hype | :52:13. | :52:34. | |
Touchdown and the crowd get's hyped Straight gassed, got | :52:35. | :52:35. | |
the whole place hype I'm a bad boy and I do | :52:36. | :52:36. | |
what I like Every time I'm Straight gassed, got | :52:37. | :52:38. | |
the whole place hype Scotland, I love you! Take care of | :52:39. | :53:18. | |
yourself! T in the Park, make some noise for | :53:19. | :53:40. | |
Dizzee Rascal! T in the Park, my name is Calvin | :53:41. | :53:50. | |
Harris. It's a pleasure to be here. # I feel so close to you | :53:51. | :54:21. | |
right now. # There was this DJ, and I don't know | :54:22. | :57:15. | |
what he was doing, but it was sick. And then this cat came in, not like, | :57:16. | :57:22. | |
a feline, but this guy, I don't know what he was really saying. Or he was | :57:23. | :57:33. | |
saying was eat, sleep, rave repeater. | :57:34. | :57:45. | |
Eat, sleep, rave repeat. | :57:46. | :58:37. | |
Let me see everyone with their hands in the air, right now. | :58:38. | :59:15. | |
T in the Park, let me see you jump this time! | :59:16. | :03:58. | |
Linear using. -- let me hear you saying. | :03:59. | :04:18. | |
# Hello, it's me. # They say that time is supposed to | :04:19. | :04:20. | |
heal you. I've | :04:21. | :04:46. | |
forgotten how it felt before # There's such | :04:47. | :04:48. | |
a difference between us # I must have called a thousand | :04:49. | :05:00. | |
times # To tell you I'm sorry | :05:01. | :05:12. | |
for breaking your heart # It clearly doesn't | :05:13. | :05:40. | |
tear you apart anymore T in the Park, you sound fucking | :05:41. | :05:55. | |
fantastic tonight! Make some noise for yourselves! | :05:56. | :09:55. | |
Are let me see you clap your hands. # Off with your head. | :09:56. | :10:09. | |
# Dans till you're dead. # Heads will roll. | :10:10. | :13:29. | |
# It's the way I'm feeling I just can't deny. | :13:30. | :13:40. | |
# Shine a light through an open door. | :13:41. | :14:50. | |
# It's the way I'm feeling I just can't deny. | :14:51. | :15:07. | |
Sing it! # One more time, Wagoner | :15:08. | :18:37. | |
# One more time, we're gonna celebrate | :18:38. | :18:42. | |
# I'm just feeling celebration tonight | :18:43. | :20:17. | |
# Celebrated # Don't wait too late | :20:18. | :20:28. | |
# # Ray Guy celebrated | :20:29. | :20:33. | |
# One more time... Saturday night, T in the Park! You | :20:34. | :20:47. | |
feeling good? Make some noise! If you've got a light on your phone, | :20:48. | :26:24. | |
let me see the light on your phone. Let's see how many we can get. Let's | :26:25. | :26:31. | |
see your light. # Blame it on the night. # Don't | :26:32. | :34:11. | |
blame it on me. # Blame it on the night. # Don't blame it on me. # | :34:12. | :34:16. | |
Don't blame it on me. I want to say thank you so much. My | :34:17. | :35:53. | |
name is Calvin Harris. Take care of yourselves. Thank you. | :35:54. | :36:13. | |
# I'll be better this time, I will be better this time | :36:14. | :36:16. | |
I want to see you jump one last time! | :36:17. | :38:07. | |
T in the Park, how are you feeling?! I've got a special request while I'm | :38:08. | :38:19. | |
here. I want to dedicate this to mark urban. After three, I want | :38:20. | :38:27. | |
everybody in this crowd to shout, Urban! One, two, three. Urban! One, | :38:28. | :38:35. | |
two, three, Urban! T in the Park, make some fucking | :38:36. | :39:07. | |
noise! Thank you so much. Take care of | :39:08. | :40:30. | |
yourselves. EDITH BOWMAN: When he said that he had something special | :40:31. | :40:34. | |
planned for that production, he was not joking. I don't know if you | :40:35. | :40:38. | |
noticed but those spirals that I was excited about, they got hoisted up | :40:39. | :40:43. | |
halfway through the set. And did you see them at the back of the crowd, | :40:44. | :40:47. | |
engulfing and cuddling the crowd? Phenomenal. He must've spent his | :40:48. | :40:52. | |
entire fee on all the production on that set. We have loads more to come | :40:53. | :40:58. | |
in from day two here at T in the Park on the EU for joining us. We're | :40:59. | :41:02. | |
going to get as many performances as we can now for the rest of the | :41:03. | :41:06. | |
night. And feel free to get in touch. You can use our hashtag, | :41:07. | :41:17. | |
which is #BBCTITP. Page's dad was watching Calvin on the TV, full | :41:18. | :41:22. | |
blast. But where was Page? Brian agrees that it was a brilliant set | :41:23. | :41:26. | |
and Beth is sad she was not there. Next time, maybe. But we have loads | :41:27. | :41:34. | |
more still to come. More to come from our headliners on the #BBCTITP | :41:35. | :41:43. | |
weight King Tut's stage. But more, coming from this lot, who just nail | :41:44. | :41:47. | |
it. And the crowd love it, pretty much making up of young ladies who | :41:48. | :41:53. | |
love every word, singing it all back. This is The 1975. # This is | :41:54. | :42:05. | |
called the Sound. # Well I know when you're around | :42:06. | :42:06. | |
cos I know the sound # Well, I know when you're around | :42:07. | :42:09. | |
cos I know the sound # Well I know when you're around | :42:10. | :42:14. | |
cos I know the sound # I can't believe | :42:15. | :42:22. | |
I forgot your name # She said "I've got a problem | :42:23. | :42:31. | |
with your shoes and your tunes" # And I thought you were | :42:32. | :42:37. | |
straight, now I'm wondering # What does it matter if I lie | :42:38. | :42:45. | |
to you? # I don't regret it but I'm | :42:46. | :42:53. | |
glad that we're through # So don't you tell me that | :42:54. | :42:56. | |
you just don't get it # Well I know when you're around | :42:57. | :42:59. | |
cos I know the sound # Well I know when you're around | :43:00. | :43:03. | |
cos I know the sound # A sycophantic, prophetic, | :43:04. | :43:09. | |
Socratic junkie wannabe # I can't see the difference | :43:10. | :43:22. | |
in it either way # And we left things | :43:23. | :43:36. | |
to protect my mental health # But you call me when you're bored | :43:37. | :43:45. | |
and you're playing with yourself # What does it matter if I lie | :43:46. | :43:48. | |
to you? # I don't regret it but I'm | :43:49. | :43:53. | |
glad that we're through # So don't you tell me that | :43:54. | :43:56. | |
you just don't get it # Well I know when you're around | :43:57. | :43:59. | |
cos I know the sound # Well I know when you're around | :44:00. | :44:07. | |
cos I know the sound # Well I know when you're around | :44:08. | :44:12. | |
cos I know the sound # Well I know when you're around | :44:13. | :44:18. | |
cos I know the sound T in the Park, you've got a | :44:19. | :44:41. | |
reputation for being awesome. I need you to channel that. Everybody is | :44:42. | :44:45. | |
going to jump up and down on account of four. You ready? One, two, | :44:46. | :44:51. | |
# Well I know when you're around cos I know the sound | :44:52. | :45:23. | |
# Well I know when you're around cos I know the sound | :45:24. | :45:27. | |
# Well I know when you're around cos I know the sound | :45:28. | :45:36. | |
# Well I know when you're around cos I know the sound | :45:37. | :45:43. | |
# But the grass is always greener on the other side | :45:44. | :47:42. | |
# The neighbour's got a new car that you want to drive | :47:43. | :47:44. | |
# And when time is running out you want to stay alive | :47:45. | :47:45. | |
# But the grass is always greener on the other side. | :47:46. | :48:30. | |
# The neighbour's got a new car that you wanna drive. | :48:31. | :48:32. | |
# And when time is running out you wanna stay alive. | :48:33. | :48:38. | |
# But the grass is always greener on the other side. | :48:39. | :48:50. | |
# The neighbour's got a new car that you wanna drive. | :48:51. | :48:52. | |
# And when time is running out you wanna stay alive. | :48:53. | :48:58. | |
The wonderful Travis, back headlining T in the Park. Listen... | :48:59. | :50:05. | |
You hear that? Pipes have started in the artist area. 1975 just walked | :50:06. | :50:11. | |
past and made their way back to the dressing room in the corner. | :50:12. | :50:16. | |
Including their two backing singers, who had black bags wrapped around | :50:17. | :50:18. | |
their feet to keep them clean, going through the mud. They've got to be | :50:19. | :50:25. | |
happy with that set, 1975 headlining on the radio one stage. Great to see | :50:26. | :50:30. | |
Travis back, they have a fantastic new album Everything At Once, It's | :50:31. | :50:36. | |
Out now. We have loads more coming up. We're going to bring you the | :50:37. | :50:39. | |
likes of Jack Garratt, more Last Shadow Puppets, Tom Adel to name a | :50:40. | :50:44. | |
few. If you want to see more of those sets now, there is loads | :50:45. | :50:54. | |
online. We will get more and more sets up there from T in the Park, | :50:55. | :50:58. | |
from the main stages, as quickly as they can. There are a couple of | :50:59. | :51:04. | |
them. You've got to look at their feet. See? It's brilliant! It's the | :51:05. | :51:08. | |
noise that it makes, I don't know if you can catch that as they walk | :51:09. | :51:13. | |
past. 1975 backing singers, the Little shuffle that they do. The | :51:14. | :51:19. | |
pipes! Music to my ears. Absolutely music to my ears. Right now we are | :51:20. | :51:25. | |
going to head back to the main stage, the band that have the job of | :51:26. | :51:29. | |
going on just before Calvin Harris, you know what, the crowd absolutely, | :51:30. | :51:34. | |
absolutely loved the band. They gave him such a great response. This is | :51:35. | :51:37. | |
the wonderful Bastille. So, what would you little | :51:38. | :51:47. | |
maniacs like to do first? # Now you'll be missing | :51:48. | :52:07. | |
# What's gonna be left of the world if you're not in it? | :52:08. | :52:37. | |
# Caught off guard by your favorite song | :52:38. | :53:11. | |
# It's such a shame we had to see them burn | :53:12. | :53:20. | |
# What's gonna be left of the world if you're not in it? | :53:21. | :53:27. | |
You have to learn to live in the jungle | :53:28. | :53:53. | |
# Many days fell away with nothing to show | :53:54. | :56:18. | |
# Does it almost feel like nothing changed at all? | :56:19. | :56:43. | |
# Does it almost feel like you've been here before? | :56:44. | :56:51. | |
# How am I gonna be an optimist about this? | :56:52. | :57:00. | |
# We were caught up and lost in all of our vices | :57:01. | :57:04. | |
# In your pose as the dust settled around us | :57:05. | :57:12. | |
# Does it almost feel like nothing changed at all? | :57:13. | :57:36. | |
# Does it almost feel like you've been here before? | :57:37. | :57:45. | |
# How am I gonna be an optimist about this? | :57:46. | :58:09. | |
Thank you so much! I want to see how high you guys can jump. | :58:10. | :58:17. | |
# Does it almost feel like nothing changed at all? | :58:18. | :58:54. | |
# Does it almost feel like you've been here before? | :58:55. | :59:03. | |
# How am I gonna be an optimist about this? | :59:04. | :59:08. | |
# Does it almost feel like nothing changed at all? # | :59:09. | :59:59. | |
Are thank you so, so much. Have an amazing weekend. Thank you so much | :00:00. | :00:08. | |
for coming. We will see you later, somewhere out on the field. | :00:09. | :00:13. | |
Bastille, making everybody feel so happy on the main stage. They have a | :00:14. | :00:18. | |
new album coming in October. So much energy, constantly bouncing. I think | :00:19. | :00:22. | |
the Buckfast might have helped just a little bit. We have loads more to | :00:23. | :00:27. | |
come, more The Last Shadow Puppets on the way. But heading over to the | :00:28. | :00:31. | |
King Tut's tense now, a young man who was here three years ago, and | :00:32. | :00:35. | |
only manage two songs because he lost his voice. He is an absolute | :00:36. | :00:39. | |
rule that the minute. I have been playing tracks from his new album | :00:40. | :00:44. | |
and his debut album. Tom Modell was very happy to be back at T in the | :00:45. | :00:48. | |
Park today, to revisit what he should have done three years ago. | :00:49. | :00:50. | |
Having a blinder. Here he is. # But it's so cold | :00:51. | :01:13. | |
and I don't know where # I brought you daffodils | :01:14. | :01:20. | |
in a pretty string # But they won't flower | :01:21. | :01:24. | |
like they did last spring # I'm just so tired to share | :01:25. | :01:40. | |
my nights # All my tears have been | :01:41. | :01:45. | |
used up # But I sang them | :01:46. | :02:52. | |
all to another heart # I want to sing a song | :02:53. | :03:17. | |
that'd be just ours # But I sang them all to another | :03:18. | :04:15. | |
heart He's so good, he's 25 and he is such | :04:16. | :05:36. | |
an incredible musician and singer and songwriter. Nobody is really | :05:37. | :05:40. | |
doing what he does at the minute. He really stays true to the music that | :05:41. | :05:43. | |
he wants to make and it makes me really wants to be able to play the | :05:44. | :05:47. | |
piano when I watch him play live. There is an hear of slight edginess, | :05:48. | :05:57. | |
maybe, in terms of the arrival of Calvin's stag do. If you have joined | :05:58. | :06:02. | |
us, Calvin Harris just joined us on the main stage, and he had 60 mates | :06:03. | :06:07. | |
with him, because it is his mate's stag do and they have recreated his | :06:08. | :06:12. | |
mate's Pub in his eerie over there. I can hear the sound of things on | :06:13. | :06:17. | |
the go at the moment. I'm just waiting on 60 men to arrive. We will | :06:18. | :06:25. | |
let you know when they do or maybe we want. Let's crack on with more | :06:26. | :06:30. | |
music. Jack Garrett is on the way, and more The Last Shadow Puppets but | :06:31. | :06:33. | |
right now, a band who are no stranger to T in the Park. This is | :06:34. | :06:38. | |
Kaiser Chiefs. # Know what ya doing | :06:39. | :07:08. | |
Doing to me? Ahaa-ahaa-aaaa # Ruby, Ruby, Ruby, Ruby | :07:09. | :07:41. | |
Ahaa-ahaa-aaaa # Let the clocks be reset | :07:42. | :07:51. | |
And the pendulums held # There is nothing at all | :07:52. | :08:06. | |
Except the space in-between # Do ya, do ya, do ya, do ya | :08:07. | :08:08. | |
Ahaa-ahaa-aaaa # Ruby, Ruby, Ruby, Ruby | :08:09. | :08:25. | |
Ahaa-ahaa-ahaa-aaaa # Could it be, could it be | :08:26. | :08:31. | |
That you're joking with me # And you don't really see | :08:32. | :08:36. | |
You with me-ee? # Could it be, could it be | :08:37. | :08:47. | |
That you're joking with me # And you don't really see | :08:48. | :08:50. | |
You with me? # Do ya, do ya, do ya, do ya | :08:51. | :08:52. | |
Ahaa-ahaa-aaaa I think that was the point where the | :08:53. | :09:59. | |
Biblical rain was happening. It was unbelievable. I have never seen the | :10:00. | :10:04. | |
rain like it. We were in a tent at one point and it was louder than | :10:05. | :10:07. | |
everything else going on in the tent. It was so loud. Kaiser Chiefs | :10:08. | :10:12. | |
there at this wonderful festival. Thank you to everybody getting in | :10:13. | :10:17. | |
touch. Lynne was gutted that she had to leave site earlier and missed the | :10:18. | :10:21. | |
1975. Fear not as you will be able to see all of that on the iPlayer | :10:22. | :10:25. | |
tomorrow. I will give you details of where you can see more sets and | :10:26. | :10:30. | |
extended sets. Leah and her man had been raving all night in the living | :10:31. | :10:34. | |
room. That is a great image. Keep it going. And you can see extended | :10:35. | :10:45. | |
highlights on the iPlayer or head to our website, and I can hear them, | :10:46. | :10:53. | |
they are back. The stag party is back. Be warned. Can we have | :10:54. | :10:58. | |
security, please, surrounding this whole area? They might want to run | :10:59. | :11:03. | |
on telly at any point. Let's go over to a gentleman who came offstage | :11:04. | :11:06. | |
downhearted because I think he was tired about having been at festivals | :11:07. | :11:11. | |
nonstop. The crowd loved his performance and I thought it was | :11:12. | :11:13. | |
faultless. This is the wonderful Jack Garrett. | :11:14. | :11:18. | |
# My nights are broken up by the sounds of women I'll never meet | :11:19. | :11:24. | |
# And when my eyes are closed I can start to feel you staring at me | :11:25. | :11:37. | |
# The right side of my bed always left me feeling stuck in between | :11:38. | :11:49. | |
# Everything I know and all the lies I tell myself so I can sleep | :11:50. | :11:58. | |
# Don't you worry about it Don't you worry about it | :11:59. | :12:17. | |
# And let me worry about it Let me worry about it | :12:18. | :12:23. | |
# You came around to say that you'd been away like I hadn't known | :12:24. | :12:33. | |
# As if I don't wake up every single day not seeing you go | :12:34. | :12:47. | |
# As if this moon of ours only shines a half to make me feel whole | :12:48. | :12:54. | |
# As if I haven't felt your breath in every step I take | :12:55. | :13:07. | |
# Don't you worry about it Don't you worry about it | :13:08. | :13:30. | |
# And let me worry about it Let me worry about it | :13:31. | :13:35. | |
# Don't you worry about it Don't you worry about it | :13:36. | :13:47. | |
# And let me worry about it Let me worry about it | :13:48. | :14:11. | |
# Don't you worry about it Don't you worry about it | :14:12. | :14:24. | |
It's astonishing what he's able to do, he's a phenomenal guitar player, | :14:25. | :15:33. | |
to do everything else he does, do it all himself, I think is just | :15:34. | :15:36. | |
wonderful. Absolutely brilliant. Jack Garratt, filling that huge | :15:37. | :15:43. | |
stage. And a band that do what they do so brilliantly. I was so excited | :15:44. | :15:47. | |
to hear the Last Shadow Puppets were back with a new album. Everything we | :15:48. | :15:51. | |
have come to expect and even more excited to see they were playing T | :15:52. | :15:55. | |
in the Park. They were brilliant, they came on with the swagger you | :15:56. | :15:56. | |
expect. # Gloomy conga of glum | :15:57. | :16:39. | |
looking beauties # Strolling through | :16:40. | :16:44. | |
the opening scene # Aviation in the evening | :16:45. | :16:54. | |
I can feel it coming on # Mama told me you should start | :16:55. | :17:22. | |
as you mean to go wrong # Or else you're never | :17:23. | :17:29. | |
gonna get it right # Senorita, well you need not come | :17:30. | :17:39. | |
coke head close to me # Cos I can hear you | :17:40. | :17:50. | |
perfectly clear from here # Aviation in the evening | :17:51. | :18:01. | |
I can feel it coming on # Mama told me you should start | :18:02. | :18:08. | |
as you mean to go wrong # Or else you're never | :18:09. | :18:14. | |
gonna get it right # Elementary hallelujahs | :18:15. | :18:24. | |
Annalise's dulcet tones # Aviation in the evening | :18:25. | :18:30. | |
I just can't leave it alone # I reckon I just might | :18:31. | :18:37. | |
have broke the ice # The colourama in your eyes | :18:38. | :18:46. | |
It takes me on a moonlight drive # It's the way you wing it | :18:47. | :18:58. | |
While you're figuring it out. # So good! Love what they do. I was a | :18:59. | :20:03. | |
bit concerned with the bass player's fringe, getting tangled up. That's | :20:04. | :20:08. | |
almost always got time for. We will be back tomorrow, nine o'clock on | :20:09. | :20:16. | |
BBC Four with a set from Jake Bugg. Then back again on BBC Two Scotland | :20:17. | :20:20. | |
and BBC Four at ten o'clock with highlights from Day three at T in | :20:21. | :20:24. | |
the Park, including the fabulous red hot chilli Peppers. In the meantime, | :20:25. | :20:31. | |
check out the iPlayer and the website, bbc.co.uk/tinthepark for | :20:32. | :20:37. | |
extended highlights from the first two days of this amazing festival. | :20:38. | :20:41. | |
It's been a wonderful day. We leave you with a band that played a bit | :20:42. | :20:45. | |
earlier on. Make sure you join us back here tomorrow, BBC Four, nine | :20:46. | :20:49. | |
o'clock, four Jake Bugg. We leave you with Catfish and the Bottlemen. | :20:50. | :20:51. | |
Enjoy. # There's always someone | :20:52. | :21:22. | |
to lead on with you # Evidently proved | :21:23. | :21:27. | |
that I didn't need you # She said, oh, please, | :21:28. | :21:35. | |
you're obsessed! # She said | :21:36. | :21:37. | |
I'm feeling like it's put on # But, babe | :21:38. | :21:51. | |
you know I've tried and failed # But you just don't know | :21:52. | :22:03. | |
how it feels # To lose something you never had | :22:04. | :22:07. | |
and never will # Evidently proved that | :22:08. | :22:13. | |
I don't need you or no-one # You see, I'm feeling like | :22:14. | :22:27. | |
it's put on # But, babe | :22:28. | :22:50. | |
you know I've tried and failed # But you just don't know | :22:51. | :23:08. | |
how it feels # To lose something | :23:09. | :23:09. | |
you never had and never will # But, babe | :23:10. | :23:15. | |
You know I've tried and failed # But you just don't know | :23:16. | :23:16. | |
how it feels # To lose something | :23:17. | :23:17. | |
you never had and never will # I'm a pacifier | :23:18. | :23:43. | |
Whoa-oh-oh-oh-oh-oh Thank you! T in the Park, if you've | :23:44. | :24:55. | |
not lost your voice already, this is the one called Cocoon. | :24:56. | :25:04. | |
# You'd stay and try to out-drink me | :25:05. | :25:40. | |
# And you've got that visible breathing | :25:41. | :26:16. | |
# You'd stay and try to out-drink me | :26:17. | :26:27. | |
# And if you wanna shut down and pose as positive and | :26:28. | :27:09. | |
# And if you wanna act more drunk than usual | :27:10. | :27:22. | |
# To help you get away with more than | :27:23. | :27:25. | |
# You'd stay and try to out-drink me | :27:26. | :28:39. |