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-One, two, three and... -Ten years ago, choirmaster Gareth Malone | 0:00:02 | 0:00:05 | |
set out on a mission to get Britain singing. | 0:00:05 | 0:00:08 | |
-I want to turn this school into a singing school. -Well, you won't. | 0:00:08 | 0:00:11 | |
-But I won't, did you say? -Yes. | 0:00:11 | 0:00:13 | |
-What have I taken on? -HE LAUGHS | 0:00:13 | 0:00:15 | |
Since then, he's inspired hundreds of people... | 0:00:15 | 0:00:18 | |
CHEERING | 0:00:18 | 0:00:19 | |
Singing brings people together spiritually, socially - it's vital! | 0:00:19 | 0:00:23 | |
..and created 14 very different choirs across the country. | 0:00:23 | 0:00:26 | |
# Light after darkness! My wondrous star... # | 0:00:26 | 0:00:32 | |
Now, to mark the tenth anniversary of The Choir, | 0:00:32 | 0:00:36 | |
Gareth wants to track down members | 0:00:36 | 0:00:38 | |
from all the choirs he's formed over the years for a huge reunion. | 0:00:38 | 0:00:42 | |
What I really want is everyone to sing together | 0:00:42 | 0:00:45 | |
in one giant performance - that would be beautiful. | 0:00:45 | 0:00:48 | |
And along the way, he hopes to discover | 0:00:48 | 0:00:50 | |
how being in one of his choirs has changed people's lives. | 0:00:50 | 0:00:54 | |
Music was definitely a dream for me. Gareth just realised it. | 0:00:54 | 0:00:58 | |
It was just a moment in my life. I'll thank him forever for that. | 0:00:58 | 0:01:02 | |
If I can sing in front of the Queen on live telly, | 0:01:02 | 0:01:05 | |
then I can pretty much do anything in my life. | 0:01:05 | 0:01:07 | |
But with just four short weeks to pull off his ambitious plan... | 0:01:07 | 0:01:11 | |
This is The Choir times 100. | 0:01:11 | 0:01:13 | |
..can he gather all his choirs together | 0:01:13 | 0:01:15 | |
for one final celebratory performance? | 0:01:15 | 0:01:17 | |
It's like holding a birthday party... | 0:01:17 | 0:01:20 | |
and I haven't got enough canapes! | 0:01:20 | 0:01:22 | |
# And all the people rejoice | 0:01:25 | 0:01:31 | |
# Rejoice! # | 0:01:31 | 0:01:33 | |
A decade ago, 30-year-old Gareth Malone | 0:01:33 | 0:01:36 | |
was an unknown community choirmaster. | 0:01:36 | 0:01:38 | |
I was fresh out of music college, I was hungry for a big challenge, | 0:01:40 | 0:01:43 | |
and this came up - this opportunity to make people sing - | 0:01:43 | 0:01:47 | |
and it felt absolutely right. I just... I leapt at it | 0:01:47 | 0:01:50 | |
Gareth's mission was | 0:01:52 | 0:01:53 | |
to go into a typical secondary school | 0:01:53 | 0:01:55 | |
with no tradition of singing and set up a choir. | 0:01:55 | 0:01:59 | |
BELL RINGS | 0:01:59 | 0:02:01 | |
LOUD OVERLAPPING CHATTER | 0:02:01 | 0:02:03 | |
He settled on Northolt High School in North West London. | 0:02:03 | 0:02:07 | |
We're just waiting for one or two | 0:02:07 | 0:02:09 | |
to please come to silence, so we can make a start. | 0:02:09 | 0:02:12 | |
But this wasn't to be ANY choir. | 0:02:12 | 0:02:14 | |
Gareth was determined it would hold its own with the very best. | 0:02:14 | 0:02:18 | |
We plan to take part in not just a sort of, like, local competition, | 0:02:18 | 0:02:23 | |
but a Choir Olympics - it's the World Choir Olympics 2006 to China. | 0:02:23 | 0:02:30 | |
Are we cool? Are we ready to go? I think we are. | 0:02:30 | 0:02:33 | |
'Walking into that school on that first day, with so much at stake.' | 0:02:33 | 0:02:37 | |
Excuse me, excuse me, excuse me. I need to get through. | 0:02:37 | 0:02:41 | |
Can I get these kids to sing at an international level? | 0:02:41 | 0:02:45 | |
'The fact that it was going to be on television | 0:02:45 | 0:02:47 | |
'made it much more risky for me.' | 0:02:47 | 0:02:50 | |
-We are in an area of relative social deprivation. -Mm-hm. | 0:02:50 | 0:02:53 | |
That would include a fair sprinkling of kids | 0:02:53 | 0:02:55 | |
with some of the disadvantages | 0:02:55 | 0:02:57 | |
-that can... -Yeah. -..trip them up later in life. | 0:02:57 | 0:02:59 | |
-We don't have a formal musical tradition. -Yeah. | 0:02:59 | 0:03:03 | |
So I hope you're coming into some fertile | 0:03:03 | 0:03:06 | |
-but as yet unploughed ground. -HE LAUGHS | 0:03:06 | 0:03:09 | |
'I felt like I didn't really know what I was doing.' | 0:03:09 | 0:03:11 | |
If I'm honest. | 0:03:11 | 0:03:13 | |
'It's slightly alarming that there's no history of music making.' | 0:03:13 | 0:03:18 | |
They're not going to know what I'm talking about. | 0:03:18 | 0:03:20 | |
I'm going to say, "mezzo forte," | 0:03:20 | 0:03:22 | |
and they will be just giving me the blankest looks. | 0:03:22 | 0:03:25 | |
MUSIC: Rhapsody in Blue by George Gershwin | 0:03:25 | 0:03:29 | |
Not unsurprisingly for a school with no musical tradition, | 0:03:29 | 0:03:33 | |
auditions to join the choir were hit and miss. | 0:03:33 | 0:03:35 | |
Can you sing this note? | 0:03:35 | 0:03:37 | |
FLAT NOTE | 0:03:37 | 0:03:38 | |
FLAT SCALES, HE LAUGHS | 0:03:38 | 0:03:40 | |
WHEEZY NOTE | 0:03:40 | 0:03:41 | |
NOTE DISAPPEARS, HE COUGHS | 0:03:41 | 0:03:43 | |
'And I was having to weed out who's actually interested in singing? | 0:03:43 | 0:03:46 | |
'Who'll be passionate about this? Who's got the potential?' | 0:03:46 | 0:03:49 | |
And very few of them actually did | 0:03:49 | 0:03:51 | |
have the potential to get all the way to China. | 0:03:51 | 0:03:54 | |
# Tainted love! | 0:03:54 | 0:03:56 | |
# Don't touch me, please! | 0:03:56 | 0:03:58 | |
# I cannot stand the way you tease! # | 0:03:58 | 0:04:02 | |
That took balls to come in here and do a dance. Ha-ha! | 0:04:02 | 0:04:06 | |
# Tainted love! | 0:04:06 | 0:04:09 | |
# Don't touch me, please! # | 0:04:09 | 0:04:11 | |
Rhonda's audition - I thought... I just... | 0:04:11 | 0:04:14 | |
That really stood out for me, as somebody who had personality, | 0:04:14 | 0:04:18 | |
who wasn't afraid, and she was, immediately, | 0:04:18 | 0:04:21 | |
as soon as she started dancing, | 0:04:21 | 0:04:23 | |
I felt like that was the kind of person I wanted in the choir. | 0:04:23 | 0:04:26 | |
# Say 'em loud, say 'em clear... # | 0:04:26 | 0:04:30 | |
'She was on side from day one.' | 0:04:30 | 0:04:33 | |
For me, she was the team leader. | 0:04:33 | 0:04:35 | |
-Let's do it for England. -CHILDREN: Yay! | 0:04:35 | 0:04:36 | |
-Do it for Northolt. -CHILDREN: Yay! | 0:04:36 | 0:04:38 | |
-Do it for our friends, our family. -CHILDREN: Yay! | 0:04:38 | 0:04:41 | |
-Let's do it for Gareth. -APPLAUSE AND CHEERING | 0:04:41 | 0:04:44 | |
That's much better than I could've done. | 0:04:45 | 0:04:47 | |
She practically brought me an apple. | 0:04:47 | 0:04:50 | |
TUNEFUL SINGING | 0:04:50 | 0:04:53 | |
Eventually, Gareth recruited | 0:04:56 | 0:04:57 | |
25 of the school's best singers for his choir. | 0:04:57 | 0:05:01 | |
But it wasn't plain sailing - the pupils struggled | 0:05:05 | 0:05:08 | |
with the technical challenges of choral singing. | 0:05:08 | 0:05:11 | |
Let me tell you, it is worlds away from where it's got to be by July. | 0:05:12 | 0:05:16 | |
It is nowhere near good enough at the moment to win anything. | 0:05:16 | 0:05:20 | |
There were so many points where I just thought, | 0:05:20 | 0:05:22 | |
"This is not working!" and in particular the tenors. | 0:05:22 | 0:05:25 | |
LOW SINGING | 0:05:25 | 0:05:29 | |
OK... | 0:05:29 | 0:05:30 | |
OTHERS BEGIN, SOME OUT OF TUNE | 0:05:30 | 0:05:32 | |
OK, hang on, what's your first note, tenors? | 0:05:32 | 0:05:34 | |
-SOME SING THE NOTE -Can you all sing it? | 0:05:34 | 0:05:36 | |
-ALL SING THE NOTE -One, two... | 0:05:36 | 0:05:39 | |
Ahmed, can you sit up and look like you're in a rehearsal, | 0:05:39 | 0:05:42 | |
not like you're watching EastEnders?! Here we go. | 0:05:42 | 0:05:44 | |
Pathetic! Wasting my time! You're wasting my time. | 0:05:44 | 0:05:47 | |
Frankly, I feel like walking out and going home. | 0:05:47 | 0:05:50 | |
I was under massive pressure and I was putting that pressure on them. | 0:05:50 | 0:05:54 | |
I can't believe we're in this position | 0:05:54 | 0:05:57 | |
where people don't know their part. | 0:05:57 | 0:05:59 | |
I had to kind of go now and again, | 0:05:59 | 0:06:00 | |
"This is real! You need to learn this stuff! | 0:06:00 | 0:06:03 | |
"You need to know what you're doing! You are on stage! | 0:06:03 | 0:06:05 | |
"You will look like idiots and so will I!" | 0:06:05 | 0:06:08 | |
And, sometimes, that pressure just exploded | 0:06:08 | 0:06:11 | |
and, when it exploded, it was Kodi. | 0:06:11 | 0:06:14 | |
-HE SIGHS LOUDLY -I'm at a loss! | 0:06:14 | 0:06:17 | |
You're just sitting there being quiet, yeah? | 0:06:17 | 0:06:19 | |
Then why did you audition for this, then?! | 0:06:19 | 0:06:21 | |
-Cool, I'm going out. -BOY: Sit down, man. | 0:06:21 | 0:06:24 | |
Kodi, please don't... | 0:06:24 | 0:06:26 | |
Kodi! Kodi! | 0:06:26 | 0:06:28 | |
-Kodi, come back! -DOOR CRASHES | 0:06:28 | 0:06:31 | |
'Everyone's been kind of stressed for a few weeks,' | 0:06:31 | 0:06:34 | |
but they haven't really been saying anything, | 0:06:34 | 0:06:36 | |
for fear of causing arguments, so everyone just exploded today. | 0:06:36 | 0:06:41 | |
Oh, this is a really nightmarish situation! | 0:06:41 | 0:06:44 | |
Today, with just four weeks until his great choir reunion, | 0:06:49 | 0:06:52 | |
Gareth urgently needs to spread the word. | 0:06:52 | 0:06:55 | |
And the ex-pupils of Northolt are first on his list. | 0:06:55 | 0:06:58 | |
Of all the people in the choir who I would call on, | 0:06:58 | 0:07:01 | |
I think Rhonda's a good place to start. | 0:07:01 | 0:07:03 | |
She was always a group leader, so I'm going to give her a call. | 0:07:03 | 0:07:06 | |
RINGING | 0:07:06 | 0:07:07 | |
Ah, hello! | 0:07:07 | 0:07:09 | |
-Hello, how are you? -I'm all right. Let me turn this up. | 0:07:09 | 0:07:11 | |
-Hey, how are you doing? -I'm very well. How are you? | 0:07:11 | 0:07:14 | |
I'm extremely well. Nice to see your face! | 0:07:14 | 0:07:17 | |
So I'm getting the choir back together. | 0:07:17 | 0:07:20 | |
That sounds amazing! | 0:07:20 | 0:07:22 | |
Are you, are you keen? | 0:07:22 | 0:07:24 | |
I'm overly keen! | 0:07:24 | 0:07:25 | |
MUSIC: Eine Kleine Nachtmusik by Mozart | 0:07:25 | 0:07:29 | |
Gareth's heading back to Northolt, where Rhonda still lives. | 0:07:32 | 0:07:36 | |
Really excited to see her. We spent so much time together | 0:07:36 | 0:07:39 | |
at such an important stage in their lives. | 0:07:39 | 0:07:42 | |
But unbeknownst to Gareth, Rhonda's not alone. | 0:07:42 | 0:07:46 | |
-Ah! Look! -LAUGHTER | 0:07:46 | 0:07:49 | |
Aw! | 0:07:49 | 0:07:50 | |
-Mate, how are you? -I'm great! -Surprise! -I'm really well... | 0:07:50 | 0:07:54 | |
Tenor Kodi has also turned up. | 0:07:54 | 0:07:56 | |
-Hello! -Hello! -How are you? That is a nice surprise. -I'm glad! | 0:07:56 | 0:08:00 | |
Aw, I'm so pleased to see you! | 0:08:00 | 0:08:02 | |
-So how are you? How have you been? -I'm very well. | 0:08:03 | 0:08:05 | |
-Very good. -What are you doing? -I'm doing design at the moment, | 0:08:05 | 0:08:08 | |
-just doing roadworks and things like that. -Roadworks? -Yeah. | 0:08:08 | 0:08:12 | |
-You're designing roadworks? -I know, it's very interesting. | 0:08:12 | 0:08:15 | |
# All of me... # | 0:08:15 | 0:08:17 | |
But music is still a big part of Rhonda's life. | 0:08:17 | 0:08:21 | |
'I sing in a few jazz bands and...' | 0:08:21 | 0:08:25 | |
I've done a few gigs. | 0:08:25 | 0:08:27 | |
I've always wanted to perform. | 0:08:27 | 0:08:29 | |
That's why the choir was a stepping stone for that, | 0:08:29 | 0:08:31 | |
because it made me realise this is what I want to do. | 0:08:31 | 0:08:34 | |
# All of me! # | 0:08:34 | 0:08:39 | |
Kodi, what impact did the choir have on you? | 0:08:39 | 0:08:41 | |
The choir had a massive impact on my life personally, um, | 0:08:41 | 0:08:45 | |
as you probably can tell, back then, I was a bit of a troubled teen. | 0:08:45 | 0:08:48 | |
I had some definite issues. | 0:08:48 | 0:08:49 | |
It was a famous thing and everyone calls me "Door Slammer Kodi" still! | 0:08:49 | 0:08:53 | |
-My Christmas cards, I still get DSK. -DSK?! -Absolutely, absolutely! | 0:08:53 | 0:08:57 | |
-I'm so sorry! -Watching myself back and seeing how I carried myself, | 0:08:57 | 0:09:00 | |
and you were the first adult that had said that music | 0:09:00 | 0:09:03 | |
wasn't a complete waste of time and it was a plausible option to pursue. | 0:09:03 | 0:09:07 | |
It was a massive, massive change for me, the choir, | 0:09:07 | 0:09:10 | |
-it stemmed who I am now, pretty much. -Hmm, wow. | 0:09:10 | 0:09:13 | |
LOUD DRUMMING | 0:09:13 | 0:09:15 | |
Kodi now works in the music industry. | 0:09:15 | 0:09:18 | |
I've been drum teching | 0:09:18 | 0:09:19 | |
for artists such as Laura Mvula and, in the last 18 months, Paolo Nutini. | 0:09:19 | 0:09:23 | |
I've been touring with them around the world | 0:09:23 | 0:09:26 | |
and doing festivals like this. | 0:09:26 | 0:09:27 | |
Music was definitely a dream for me. Gareth just realised it. | 0:09:27 | 0:09:31 | |
So I plan to have a reunion, not just of your choir, | 0:09:31 | 0:09:36 | |
-but of all the choirs that I've been involved in... -Brilliant. | 0:09:36 | 0:09:39 | |
-..for the last ten years. -Wow, OK! -And I think it would not be right | 0:09:39 | 0:09:43 | |
if you didn't make an appearance there. | 0:09:43 | 0:09:45 | |
-Let's do it! -Yeah. -Why not? -Yeah, let's do it! | 0:09:45 | 0:09:48 | |
-Good! Oh, well, that's good, so I've got two! -Yes. | 0:09:48 | 0:09:50 | |
-OK, well, will you help me find all the others? -Yes. -Absolutely! | 0:09:50 | 0:09:53 | |
Next on Gareth's hit list - | 0:09:55 | 0:09:57 | |
one of his most challenging choir members ever. | 0:09:57 | 0:10:00 | |
# At night, I think of you | 0:10:00 | 0:10:04 | |
# I want to be your lady, baby! # | 0:10:04 | 0:10:08 | |
The student that really stands out in my memory is Chloe Sullivan, | 0:10:08 | 0:10:12 | |
with whom I had my ups and downs. | 0:10:12 | 0:10:15 | |
I don't think I'm naughty compared to some people that I know, | 0:10:15 | 0:10:19 | |
but I don't think I'm completely obedient either. | 0:10:19 | 0:10:23 | |
You're about there, between those two. | 0:10:23 | 0:10:25 | |
MUSIC: Theme from Carmen by Georges Bizet | 0:10:25 | 0:10:29 | |
-Interesting choice! -Yeah. | 0:10:29 | 0:10:31 | |
I have to say that she's one of the girls in Year 11 that we are | 0:10:31 | 0:10:33 | |
-most concerned about... -Right. -..in terms of academic outcomes. | 0:10:33 | 0:10:37 | |
Not unable, but, um, her disaffection is | 0:10:37 | 0:10:40 | |
shown typically, I'm afraid, in lateness to school, | 0:10:40 | 0:10:44 | |
-so you might want to think about commitment. -Uh-huh? | 0:10:44 | 0:10:48 | |
Is she genuinely committed to attending and to turning up on time | 0:10:48 | 0:10:51 | |
-and all those sort of things? -Uh-huh. | 0:10:51 | 0:10:54 | |
Ashley Mills. Yes. Cathy Surrey? Charlie? Yes. Chloe Sullivan? | 0:10:54 | 0:10:59 | |
And answer came there none. Any idea where Chloe Sullivan is? | 0:11:01 | 0:11:07 | |
She was late, she wouldn't answer the phone, | 0:11:07 | 0:11:10 | |
so I couldn't get hold of her | 0:11:10 | 0:11:11 | |
and, at one stage, I did think she would leave. | 0:11:11 | 0:11:14 | |
-Hello? -MUSIC ON THE LINE | 0:11:14 | 0:11:17 | |
Hmm, I'm going to try again. | 0:11:17 | 0:11:18 | |
-She said hello and then... -PHONE BEEPS | 0:11:18 | 0:11:21 | |
She probably heard my voice and then went, "Oh!" | 0:11:21 | 0:11:24 | |
'It ran out of battery when he called.' | 0:11:24 | 0:11:27 | |
Just as he said, "Hello, is that Chloe?" it cut out. | 0:11:27 | 0:11:31 | |
If you can't engage a girl like Chloe | 0:11:36 | 0:11:39 | |
with a musical activity like this, | 0:11:39 | 0:11:41 | |
then what hope is there for her? And I felt like, if I gave up on her, | 0:11:41 | 0:11:44 | |
then it's kind of like the last line of defence. If the arts fail... | 0:11:44 | 0:11:47 | |
you know, she's got no chance! | 0:11:47 | 0:11:49 | |
Gareth's patience eventually paid off. | 0:11:49 | 0:11:53 | |
-Give her a clap, everyone. -APPLAUSE AND CHEERS | 0:11:53 | 0:11:56 | |
# There's a calm surrender to the rush of day... # Here we go, ready? | 0:11:56 | 0:12:00 | |
-SOULFUL SINGING: -# There's a calm surrender | 0:12:05 | 0:12:09 | |
# To the rush of day | 0:12:09 | 0:12:12 | |
# When the heat of the rolling wind | 0:12:12 | 0:12:16 | |
# Can be turned away | 0:12:16 | 0:12:19 | |
# An enchanted moment | 0:12:20 | 0:12:24 | |
# And it sees me through | 0:12:24 | 0:12:27 | |
# It's enough for this restless warrior | 0:12:27 | 0:12:31 | |
# Just to be with you. # | 0:12:31 | 0:12:34 | |
SHE LAUGHS, HUGE CHEERS AND APPLAUSE | 0:12:36 | 0:12:39 | |
Well done, Chloe. That was great. | 0:12:45 | 0:12:47 | |
That took...that took a lot of nerve. Well done. | 0:12:47 | 0:12:49 | |
That was a massive change and I felt like actually rewarding that effort. | 0:12:49 | 0:12:54 | |
So Gareth decided she should have a leading role | 0:12:54 | 0:12:57 | |
at the World Choir Olympics. | 0:12:57 | 0:12:59 | |
There's a long solo on page nine. | 0:12:59 | 0:13:02 | |
I think... Chloe? | 0:13:02 | 0:13:04 | |
Well done. | 0:13:04 | 0:13:05 | |
CHEERING | 0:13:05 | 0:13:08 | |
'I'd love her to be part of this reunion,' | 0:13:08 | 0:13:10 | |
because she was a huge part of Northolt. | 0:13:10 | 0:13:13 | |
-'Hello?' -Hello, Chloe, it's Gareth. -'Oh, hi, Gareth, how are you doing?' | 0:13:13 | 0:13:17 | |
-I'm really well, how are you? -'Yeah, I'm good, thank you.' | 0:13:17 | 0:13:21 | |
I remember all the days of phoning you | 0:13:21 | 0:13:22 | |
-and just getting your answerphone. -SHE LAUGHS | 0:13:22 | 0:13:25 | |
Since leaving school, | 0:13:27 | 0:13:28 | |
Chloe's been forging a career as a development worker | 0:13:28 | 0:13:32 | |
as well as studying for a degree | 0:13:32 | 0:13:34 | |
and Gareth's gone to meet her after work. | 0:13:34 | 0:13:36 | |
How is singing in your life? | 0:13:36 | 0:13:38 | |
-Have you been doing any? -Um, no, not really. | 0:13:38 | 0:13:40 | |
I went through patches of singing in, like, a church choir | 0:13:40 | 0:13:43 | |
and then, um, I helped out on some, like, singing classes as well. | 0:13:43 | 0:13:48 | |
-So you became the teacher? -Yeah! -How was that? | 0:13:48 | 0:13:51 | |
-It was OK. The young people were nice, so... -Right. | 0:13:51 | 0:13:53 | |
..they wanted to be there and, yeah, they got on with it. | 0:13:53 | 0:13:56 | |
-Just like you(!) -SHE LAUGHS: -Yeah! | 0:13:56 | 0:13:58 | |
How does it feel, looking back to that time? | 0:13:58 | 0:14:01 | |
It's really strange! I don't recognise who... | 0:14:01 | 0:14:03 | |
-I can't identify with who I was then. -Really? | 0:14:03 | 0:14:06 | |
So what...what changed in your life to get to where you are now? | 0:14:06 | 0:14:10 | |
Um, probably, to start with, | 0:14:10 | 0:14:12 | |
-the experience of being in the choir. -Really? | 0:14:12 | 0:14:15 | |
It kind of broadened my perspective of what's achievable and, also, | 0:14:15 | 0:14:20 | |
when I looked back on how I was, I wanted to change that, | 0:14:20 | 0:14:24 | |
-so I took responsibility of changing that. -Yeah. | 0:14:24 | 0:14:26 | |
-Did it make a difference going to China? -Yeah. | 0:14:26 | 0:14:28 | |
It opened up a broader perspective of the world. | 0:14:28 | 0:14:32 | |
-The world is bigger than Northolt. -Yeah, it's huge, yeah! | 0:14:32 | 0:14:35 | |
Well, look, I'm having a reunion and there's a rehearsal next Tuesday. | 0:14:35 | 0:14:39 | |
-Can't do that! -Can't do Tuesday? -No. -Oh, no! | 0:14:39 | 0:14:42 | |
-I'm in Portugal next Tuesday. -Portugal? Oh, no! -Yeah. | 0:14:42 | 0:14:45 | |
-If I send you some notes, will you learn them? -Yes. | 0:14:45 | 0:14:48 | |
-You're diligent now? -Yeah. | 0:14:48 | 0:14:50 | |
-I'll be in the sea and the pool... -This is Chloe 2.0. -Yeah! | 0:14:50 | 0:14:53 | |
Well, um, if you can't come to the one on Tuesday, | 0:14:53 | 0:14:55 | |
-will you come to the next rehearsal? -Yeah. | 0:14:55 | 0:14:57 | |
-And I'll send you some stuff. -OK. -I'll see you soon! -Yeah. -Bye. | 0:14:57 | 0:15:01 | |
-I'm really glad you're doing it. -Great to see you. | 0:15:01 | 0:15:03 | |
-You too, bye-bye. -See you. | 0:15:03 | 0:15:04 | |
Back in July 2006, Gareth's Northolt choir jetted nearly 5,000 miles | 0:15:07 | 0:15:12 | |
round the world to China to compete in the World Choir Olympics. | 0:15:12 | 0:15:17 | |
Welcome to China. | 0:15:17 | 0:15:20 | |
I was elated. What 15-year-old goes to China? Unbelievable! | 0:15:20 | 0:15:25 | |
It's really different. It's, like, mad. | 0:15:26 | 0:15:29 | |
I had only ever been abroad once before, | 0:15:31 | 0:15:33 | |
so it was quite strange being in a new culture that we had to learn | 0:15:33 | 0:15:38 | |
and everyone kept bowing around us and things like that, | 0:15:38 | 0:15:40 | |
'so it was an eye-opening experience.' | 0:15:40 | 0:15:43 | |
It's very different from Wembley market. | 0:15:43 | 0:15:46 | |
This was huge! The biggest thing that had ever happened to them! | 0:15:46 | 0:15:49 | |
And I felt like aspiration was something that was | 0:15:49 | 0:15:51 | |
missing in some of their lives and here was a chance to excite and | 0:15:51 | 0:15:55 | |
to make them aspire to do something that they'd never done before. | 0:15:55 | 0:15:59 | |
The contest was attended by 400 rival choirs. | 0:16:01 | 0:16:06 | |
And, for the pupils of Northolt, | 0:16:06 | 0:16:08 | |
who nine months previously had never sung in a choir, | 0:16:08 | 0:16:11 | |
just being there felt like a monumental achievement. | 0:16:11 | 0:16:14 | |
-# Sail on, silver girl -Sail on, silver girl | 0:16:17 | 0:16:21 | |
-# Sail on by -Sail on by | 0:16:21 | 0:16:26 | |
# Your time has come to shine! | 0:16:26 | 0:16:31 | |
# All your dreams are on their way | 0:16:31 | 0:16:35 | |
-ALL: -# See how they shine! # | 0:16:35 | 0:16:39 | |
'I was very proud of the choir's achievements and what we did -' | 0:16:39 | 0:16:43 | |
how we worked together and how we improved over the time. | 0:16:43 | 0:16:47 | |
# Like a bridge over troubled water | 0:16:47 | 0:16:53 | |
# I will ease your mind. # | 0:16:53 | 0:16:58 | |
MUSIC STOPS, APPLAUSE | 0:16:58 | 0:17:01 | |
Well done! Yey! | 0:17:02 | 0:17:04 | |
To get from there, when we've never sung in a classical choir before, | 0:17:04 | 0:17:07 | |
to this point now, is just amazing. | 0:17:07 | 0:17:11 | |
-Really good. ..Come here. -It was beautiful! -It was beautiful! | 0:17:11 | 0:17:14 | |
The Northolt choir didn't bag a medal at the Choir Olympics. | 0:17:14 | 0:17:18 | |
But the pupils all returned home with a new sense of self-confidence. | 0:17:18 | 0:17:22 | |
I look back with such fond memories about how, over a course of a year, | 0:17:22 | 0:17:26 | |
all of us could change so much in regards to the confidence | 0:17:26 | 0:17:31 | |
and just wanting to sing and having this dedication to do | 0:17:31 | 0:17:37 | |
something completely different to what we would've done normally. | 0:17:37 | 0:17:41 | |
I'm really going to miss them. | 0:17:41 | 0:17:43 | |
This is what being in a choir's about. | 0:17:43 | 0:17:44 | |
It's the most moving thing, to stand up with a group of people like this | 0:17:44 | 0:17:48 | |
and you get to know them, you get to know them in a wonderful sense, | 0:17:48 | 0:17:52 | |
in a sense that you don't get to know people, everyday people. | 0:17:52 | 0:17:55 | |
I think, in those kids' minds, | 0:17:55 | 0:17:57 | |
choir was something that happened in other schools. Not for them. | 0:17:57 | 0:18:00 | |
And I absolutely proved that it could be for them, | 0:18:00 | 0:18:03 | |
that it could matter to them, that they could get all the way to China | 0:18:03 | 0:18:06 | |
and they could stand on that stage with integrity, | 0:18:06 | 0:18:09 | |
and it would mean something... to them. | 0:18:09 | 0:18:13 | |
MUSIC: Concerto For Two Pianos & Orchestra by Karl Brazda | 0:18:13 | 0:18:16 | |
It's just over three weeks now until the big event and, so far, Gareth's | 0:18:19 | 0:18:23 | |
only managed to persuade three old faces to come and sing. | 0:18:23 | 0:18:27 | |
It feels a bit thin on the ground. | 0:18:27 | 0:18:29 | |
I don't really have enough people to warrant calling it a choir. | 0:18:29 | 0:18:32 | |
Um, I've got a few numbers to phone. | 0:18:32 | 0:18:34 | |
I'm going to see if I can gather people together. | 0:18:34 | 0:18:36 | |
RINGING | 0:18:36 | 0:18:38 | |
Hello, can you hear me? | 0:18:38 | 0:18:39 | |
-RINGING -Come on! | 0:18:39 | 0:18:41 | |
-'Hello?' -Hello, can you hear me? | 0:18:41 | 0:18:43 | |
-'Welcome to the EE voicemail...' -Argh! ..Hello?! | 0:18:43 | 0:18:46 | |
FAST-PACED VOICEMAIL GREETING | 0:18:46 | 0:18:48 | |
-Hello? -'..is not available.' -Argh! | 0:18:48 | 0:18:53 | |
-'Yes?' -Hello, it's Gareth Malone. -HE LAUGHS: -'Oh, hello, Gareth!' | 0:18:53 | 0:18:57 | |
Just checking you're up for coming and having a reunion | 0:18:57 | 0:19:00 | |
-and doing some singing? -'Yeah, absolutely.' | 0:19:00 | 0:19:02 | |
Yes! | 0:19:02 | 0:19:03 | |
-Are you coming tomorrow to the rehearsal? -'Yes, I am, I am coming.' | 0:19:03 | 0:19:07 | |
I think I've got about nine now. | 0:19:08 | 0:19:11 | |
Nine is... It's too small. | 0:19:11 | 0:19:13 | |
With the reunion looming, and only a handful of singers signed up, | 0:19:15 | 0:19:19 | |
Gareth now plans to track down one of his most challenging choirs. | 0:19:19 | 0:19:22 | |
I'm off to Lancaster School for Boys, | 0:19:22 | 0:19:26 | |
which is where I formed a choir of 100 boys. | 0:19:26 | 0:19:30 | |
I'll be very interested to see whether the atmosphere | 0:19:30 | 0:19:33 | |
around singing is the same as it was when I left. | 0:19:33 | 0:19:37 | |
I hope it hasn't gone back to the one that... | 0:19:37 | 0:19:39 | |
to what it was like when I arrived. It was very negative. | 0:19:39 | 0:19:42 | |
MUSIC: William Tell Overture by Rossini | 0:19:42 | 0:19:45 | |
In 2007, Gareth chose the Lancaster School - | 0:19:45 | 0:19:49 | |
one of the biggest single-sex comprehensives in the country - | 0:19:49 | 0:19:52 | |
to confront a serious image problem he'd identified with singing. | 0:19:52 | 0:19:56 | |
It's not really kind of a boys' thing, | 0:19:58 | 0:20:00 | |
cos boys prefer, like, football and sports. | 0:20:00 | 0:20:03 | |
Singing is for girls. | 0:20:03 | 0:20:04 | |
Boys are a problem in choirs. | 0:20:04 | 0:20:06 | |
They were when I was at school and they certainly were | 0:20:06 | 0:20:08 | |
when I turned up in Lancaster School for Boys in Leicester. | 0:20:08 | 0:20:11 | |
-I want to turn this school into a singing school. -Well, you won't. | 0:20:11 | 0:20:14 | |
-I won't, did you say? -Yes! | 0:20:14 | 0:20:16 | |
They did not want to sing! | 0:20:16 | 0:20:18 | |
-I tell you now, I ain't singing. -Flat refusals! | 0:20:18 | 0:20:20 | |
Choir singings boring, innit? | 0:20:20 | 0:20:22 | |
It's like church singing! | 0:20:22 | 0:20:25 | |
Church singing's boring as well! | 0:20:25 | 0:20:26 | |
Gareth needed to grab their attention from the off. | 0:20:36 | 0:20:39 | |
# She's like the swallow that flies so high | 0:20:39 | 0:20:44 | |
# She's like the river that never runs dry...# | 0:20:44 | 0:20:49 | |
It was a last-minute decision to stand up and sing a song. | 0:20:49 | 0:20:52 | |
'You've got to lead from the front, | 0:20:52 | 0:20:54 | |
'and so, I stood up in that assembly hall and I sang' | 0:20:54 | 0:20:57 | |
possibly the girliest song ever, um, totally unashamed. | 0:20:57 | 0:21:01 | |
# I love my love | 0:21:01 | 0:21:04 | |
# But love is no more. # | 0:21:04 | 0:21:08 | |
There was no red on his face or anything! | 0:21:14 | 0:21:17 | |
I mean, I saw a few boys laughing and that, | 0:21:17 | 0:21:19 | |
but I thought it was very good. | 0:21:19 | 0:21:20 | |
I just thought it was good. It wasn't funny, it was just good. | 0:21:20 | 0:21:23 | |
Eight years later, Gareth has returned to Leicester | 0:21:28 | 0:21:31 | |
in the hope the school can put him in touch with some of its ex-pupils. | 0:21:31 | 0:21:35 | |
I can hear singing - that's encouraging. | 0:21:35 | 0:21:37 | |
SCHOOL CHOIR PERFORM | 0:21:37 | 0:21:39 | |
SINGING AND LOUD DRUMMING | 0:21:41 | 0:21:45 | |
SINGING AND PLAYING STOPS, CHEERING | 0:21:50 | 0:21:52 | |
Sweet. | 0:21:52 | 0:21:55 | |
Sweet. The gutsy singing! | 0:21:55 | 0:21:57 | |
Just quickly, we have a very special visitor. | 0:21:57 | 0:22:00 | |
-Good morning, Mr Malone. -Morning. | 0:22:00 | 0:22:02 | |
-Morning, boys. -ALL: Morning. | 0:22:02 | 0:22:04 | |
And thank you very much, gentlemen. That was really lovely. | 0:22:04 | 0:22:08 | |
Um, it feels very strange to be back here. I think you should all sing. | 0:22:08 | 0:22:13 | |
-Would you all like to sing a song? -ALL: Yeah! -Yeah! | 0:22:13 | 0:22:16 | |
Right, let's try it! Here we go, one, two, three... | 0:22:16 | 0:22:19 | |
-# And darling... -Darling, stand by me | 0:22:19 | 0:22:24 | |
# Oh-oh, stand by me | 0:22:24 | 0:22:28 | |
# Oh, stand... | 0:22:28 | 0:22:31 | |
# Stand by me. # | 0:22:31 | 0:22:34 | |
APPLAUSE | 0:22:34 | 0:22:35 | |
Thank you very much, boys. | 0:22:36 | 0:22:38 | |
I really enjoy singing. | 0:22:43 | 0:22:44 | |
I've been doing it for, like, a good couple of years. | 0:22:44 | 0:22:47 | |
Boys can sing and we've proven it today. | 0:22:47 | 0:22:49 | |
It is not just a girl's thing. | 0:22:49 | 0:22:51 | |
Singing is for all genders and all people. | 0:22:51 | 0:22:54 | |
It does feel very different now. | 0:22:54 | 0:22:56 | |
I felt this morning singing in that assembly that you... | 0:22:56 | 0:22:59 | |
that it was sort of OK and there were 20 boys on stage | 0:22:59 | 0:23:03 | |
and they were all singing and no-one really minded | 0:23:03 | 0:23:05 | |
and that is so different. | 0:23:05 | 0:23:07 | |
That would not have happened when I arrived. | 0:23:07 | 0:23:09 | |
BELL RINGS | 0:23:09 | 0:23:11 | |
Back in 2007, when Gareth became choirmaster for nine months, | 0:23:11 | 0:23:15 | |
his vision was to create a huge boys choir | 0:23:15 | 0:23:18 | |
capable of performing at the Royal Albert Hall, | 0:23:18 | 0:23:21 | |
one of the world's most iconic stages. | 0:23:21 | 0:23:24 | |
Don't throw it at me. Come over here, pick it up | 0:23:24 | 0:23:26 | |
But it proved an uphill struggle. | 0:23:26 | 0:23:29 | |
It was systemic! | 0:23:29 | 0:23:31 | |
Everyone had this attitude in that school that singing was toxic. | 0:23:31 | 0:23:34 | |
Even the boys that sang didn't want to sing. | 0:23:34 | 0:23:37 | |
You know, there were boys that sang in the local churches or cathedrals. | 0:23:37 | 0:23:40 | |
Would they sing within school? Not a chance. | 0:23:40 | 0:23:43 | |
Even the GCSE music students were reticent to let loose. | 0:23:44 | 0:23:48 | |
UNENTHUSIASTIC SINGING | 0:23:48 | 0:23:51 | |
SINGING GETS QUIETER | 0:23:54 | 0:23:57 | |
'They need a lot of cajoling, a lot of persuading,' | 0:24:00 | 0:24:02 | |
a lot of, um, a lot of praise, I need to... | 0:24:02 | 0:24:05 | |
"You're very good, you're doing very well, | 0:24:05 | 0:24:07 | |
"let's do it again just a little bit better." | 0:24:07 | 0:24:09 | |
It's going to be a softly-softly approach with this lot, I think. | 0:24:09 | 0:24:12 | |
He's got a very positive attitude. | 0:24:12 | 0:24:13 | |
He's not just like, "OK, now, I know no-one wants to, | 0:24:13 | 0:24:16 | |
"but we're going to do some choir singing." | 0:24:16 | 0:24:19 | |
MORE ENTHUSIASTIC SINGING | 0:24:19 | 0:24:21 | |
After weeks of intensive group teaching and one-on-one lessons, | 0:24:23 | 0:24:27 | |
slowly the school started to sing. | 0:24:27 | 0:24:30 | |
-ALL: -# Sometimes in our lives -GARETH SINGS LOUDLY | 0:24:30 | 0:24:33 | |
# We all have pain | 0:24:33 | 0:24:36 | |
# We all have sorrow | 0:24:36 | 0:24:39 | |
# But if we are wise | 0:24:39 | 0:24:42 | |
# We know that there's always tomorrow... # | 0:24:42 | 0:24:46 | |
Eventually, Gareth assembled a choir | 0:24:46 | 0:24:49 | |
and the first recruits started to practise. | 0:24:49 | 0:24:52 | |
One, two, three... | 0:24:52 | 0:24:54 | |
-Oh... -HE SLAMS THE KEYBOARD | 0:24:54 | 0:24:56 | |
I'm a stickler for the first word. | 0:24:56 | 0:24:58 | |
I need to hear "It's been a..." or else... | 0:24:58 | 0:25:01 | |
-HE MUMBLES: -"It's been a hard..." ..doesn't make any sense. | 0:25:01 | 0:25:03 | |
One, two, three... | 0:25:03 | 0:25:04 | |
# It's been a hard day's night | 0:25:04 | 0:25:08 | |
# And I've been working like a dog... # | 0:25:08 | 0:25:12 | |
Back at the Lancaster School today, Gareth's trying to and find out | 0:25:15 | 0:25:19 | |
what happened to some of his former choir members, | 0:25:19 | 0:25:21 | |
with the help of headmaster Mr Kennedy. | 0:25:21 | 0:25:25 | |
To jog their memories, | 0:25:25 | 0:25:26 | |
Gareth's brought a picture of the entire choir | 0:25:26 | 0:25:29 | |
at their final performance at the Royal Albert Hall. | 0:25:29 | 0:25:32 | |
-TUNEFUL SINGING -Three... | 0:25:32 | 0:25:37 | |
I'd love to find Tojan. Do you know where he is? | 0:25:37 | 0:25:39 | |
Tojan is touring at the moment with a cruise liner. | 0:25:39 | 0:25:44 | |
-# When the night has come... # -'What about Whachi?' | 0:25:44 | 0:25:47 | |
I don't know where he is, but I understand family | 0:25:47 | 0:25:50 | |
have still got a business in the locality. | 0:25:50 | 0:25:52 | |
-We could find out from there. -It was a chippy? -Yeah. | 0:25:52 | 0:25:54 | |
# Another day has gone... # | 0:25:54 | 0:25:57 | |
-Imran - do you know where Imran is? -No. -No. | 0:25:57 | 0:26:00 | |
-He's disappeared. -In Leicester? | 0:26:00 | 0:26:02 | |
-# What would you think...? # -'There's Lewis Meagor.' | 0:26:02 | 0:26:05 | |
Do you know what he's doing? | 0:26:05 | 0:26:07 | |
-Studying. I understand. -Studying. | 0:26:07 | 0:26:10 | |
Lewis, can I have a quick word? | 0:26:13 | 0:26:15 | |
Gareth awarded 13-year-old Lewis | 0:26:15 | 0:26:18 | |
with a solo at the choir's first ever public performance. | 0:26:18 | 0:26:21 | |
-Oh, thank you. -Well done. | 0:26:21 | 0:26:23 | |
'I'm very, very happy!' | 0:26:23 | 0:26:24 | |
I just can't believe it, cos there were so many good singers! | 0:26:26 | 0:26:28 | |
# You'll forget the sun... # | 0:26:28 | 0:26:31 | |
'Fields Of Gold is a very important song to me, | 0:26:31 | 0:26:35 | |
'because it's my nan's favourite song' | 0:26:35 | 0:26:37 | |
and my mum knows it very well as well and she likes it. | 0:26:37 | 0:26:41 | |
SINGING CONTINUES | 0:26:41 | 0:26:43 | |
I've been singing around the house, when mum isn't here, | 0:26:43 | 0:26:46 | |
cos I just want to surprise her. | 0:26:46 | 0:26:48 | |
He must know that he's got something good going on, | 0:26:48 | 0:26:51 | |
because he's desperate to show me, but wants it to be when he's ready. | 0:26:51 | 0:26:54 | |
I love my mum to bits and, um... | 0:26:54 | 0:26:58 | |
I'd be really proud if she thought I could sing really good. | 0:26:58 | 0:27:01 | |
Eight years on and Lewis is studying for a degree in acting. | 0:27:03 | 0:27:07 | |
-Hello! -Oh, hey there. -How are you? | 0:27:09 | 0:27:11 | |
So Gareth's counting on him to come and sing at his big choir reunion. | 0:27:11 | 0:27:15 | |
What difference did being in the choir make to you? | 0:27:15 | 0:27:17 | |
It made a massive difference, | 0:27:17 | 0:27:18 | |
because, like, actually going on stage was just like that moment | 0:27:18 | 0:27:23 | |
where you realise, "That's what I want to do!" | 0:27:23 | 0:27:26 | |
So was that your first experience of performing on a big stage, then? | 0:27:26 | 0:27:29 | |
Properly, yeah, like a proper big stage, | 0:27:29 | 0:27:31 | |
-and that's the scariest moment of my life. -Really? -I think. | 0:27:31 | 0:27:34 | |
Lewis' solo opened the choir's first performance at the school. | 0:27:35 | 0:27:39 | |
# You'll remember me when the west wind moves | 0:27:41 | 0:27:45 | |
-# Upon the fields of barley... # -CHOIR HARMONISES | 0:27:45 | 0:27:49 | |
# You'll forget the sun in his jealous sky | 0:27:49 | 0:27:53 | |
# As we walk in fields of gold | 0:27:53 | 0:27:58 | |
ALL: # When we walked in fields of gold. # | 0:27:58 | 0:28:06 | |
CHEERING | 0:28:06 | 0:28:08 | |
Are you still singing? | 0:28:10 | 0:28:11 | |
Yeah, we do choral stuff and then we do solo stuff. | 0:28:11 | 0:28:14 | |
-Great, so actually studying it? -Yeah, four hours a week. | 0:28:14 | 0:28:17 | |
# Oh, I get by with a little help from my friends... # | 0:28:17 | 0:28:21 | |
'The choir's changed my life. I wanted to be a sportsman' | 0:28:21 | 0:28:24 | |
and I still carry on my sport, I'm a really keen cricketer, | 0:28:24 | 0:28:26 | |
but I actually genuinely see a career in performing | 0:28:26 | 0:28:30 | |
and acting and singing. | 0:28:30 | 0:28:31 | |
People get their moments different times in life - I got mine early. | 0:28:31 | 0:28:35 | |
-It's good to see you. -Good to see you. | 0:28:35 | 0:28:36 | |
It's nice to know that the choir had such an impact on him. | 0:28:36 | 0:28:39 | |
That's the thing - put the stage in front of somebody at that age | 0:28:39 | 0:28:42 | |
and, if they're right for it, you just get the bug for life. | 0:28:42 | 0:28:46 | |
Another Lancaster boy profoundly affected by joining Gareth's choir | 0:28:48 | 0:28:52 | |
was 11-year-old Michael. | 0:28:52 | 0:28:53 | |
He has been bullied quite badly. | 0:28:53 | 0:28:56 | |
He'd come home, he'd been punched on the way down the corridor. | 0:28:56 | 0:28:59 | |
One day, he'd been kicked in the stomach. | 0:28:59 | 0:29:01 | |
That's fine. | 0:29:01 | 0:29:02 | |
'A very tearful little boy coming home sometimes, confused.' | 0:29:02 | 0:29:06 | |
At the time, I was going through a difficult time period in school. | 0:29:06 | 0:29:09 | |
Um, the choir was really kind of my outlet | 0:29:09 | 0:29:11 | |
from that difficult time period. | 0:29:11 | 0:29:12 | |
And... | 0:29:12 | 0:29:14 | |
HE HARMONISES | 0:29:14 | 0:29:16 | |
-And mah... -# Mah-ah-ah-ah... # | 0:29:16 | 0:29:18 | |
'I'd wake up in mornings, I wouldn't want to go into school, | 0:29:18 | 0:29:20 | |
'but the only reason I went in was knowing, | 0:29:20 | 0:29:22 | |
'at the end of the day, I had a choir rehearsal' | 0:29:22 | 0:29:24 | |
and actually that was going to be a positive thing. | 0:29:24 | 0:29:26 | |
# The rain in the mountains... # | 0:29:26 | 0:29:29 | |
'Gareth, yeah, he really helped me, he spent a lot of time with me.' | 0:29:29 | 0:29:31 | |
He was always a very kind of a positive person | 0:29:31 | 0:29:33 | |
'and, as such, you know, it kind of helped you to believe in yourself.' | 0:29:33 | 0:29:37 | |
-Good! -'He built your confidence up and helped you to believe' | 0:29:37 | 0:29:40 | |
that, actually, if you want to do it, you can do it. | 0:29:40 | 0:29:42 | |
That's good, that's coming on well. | 0:29:42 | 0:29:44 | |
-See you, sir. -'I think Michael blossomed in the choir,' | 0:29:44 | 0:29:46 | |
because he started, having been somebody bullied in the past, | 0:29:46 | 0:29:49 | |
and was under-confident, but lovely, | 0:29:49 | 0:29:52 | |
like really full of personality, and I saw him just become a bit happier. | 0:29:52 | 0:29:58 | |
I've just dug out my old memory box with all the newspaper clippings | 0:29:59 | 0:30:03 | |
and everything from all the local press and everything | 0:30:03 | 0:30:06 | |
to do with the choir. | 0:30:06 | 0:30:08 | |
Michael enjoyed a career in recruitment before going on | 0:30:08 | 0:30:11 | |
to become a team leader in a busy pub kitchen. | 0:30:11 | 0:30:14 | |
I listen to music all day, everyday, working in a kitchen. | 0:30:14 | 0:30:17 | |
Music's a big part of my life, music gets you through tough situations, | 0:30:17 | 0:30:20 | |
it gets you through times where you're just low as a person. | 0:30:20 | 0:30:23 | |
I stayed in the choir throughout my school years | 0:30:23 | 0:30:25 | |
and then community choir after that. | 0:30:25 | 0:30:27 | |
I do miss part of the choir, it was something that, you know, | 0:30:27 | 0:30:31 | |
was a big part of my life. | 0:30:31 | 0:30:32 | |
To motivate the boys' choir, | 0:30:38 | 0:30:40 | |
Gareth decided to set them an ambitious goal. | 0:30:40 | 0:30:42 | |
He applied for a place at the prestigious School Prom | 0:30:42 | 0:30:46 | |
at the Royal Albert Hall. | 0:30:46 | 0:30:47 | |
But first they would need the approval of the | 0:30:47 | 0:30:50 | |
School Prom assessor Leonora Davies. | 0:30:50 | 0:30:52 | |
This is the Lancaster School Choir. | 0:30:52 | 0:30:55 | |
Very nice to see you all. I'm looking forward to listening. | 0:30:55 | 0:30:59 | |
I'd known Leonora Davies for many years | 0:30:59 | 0:31:01 | |
and she's got a formidable reputation as somebody | 0:31:01 | 0:31:03 | |
from the music education world, she knows whether it's good or not. | 0:31:03 | 0:31:07 | |
BOYS' CHOIR SING | 0:31:07 | 0:31:10 | |
I can remember the build-up of going to the Royal Albert Hall | 0:31:15 | 0:31:17 | |
and having that woman come in and we all realised the enormity. | 0:31:17 | 0:31:22 | |
The more it came down the line, we realised how big this was. | 0:31:22 | 0:31:25 | |
It's not perfect, it takes a long time to get to that, | 0:31:28 | 0:31:33 | |
but I think you are ready to go and showcase your work | 0:31:33 | 0:31:39 | |
at the Albert Hall. | 0:31:39 | 0:31:41 | |
Those boys like Michael and Lewis who had joined me in this, | 0:31:44 | 0:31:47 | |
they deserved to be on that stage in London because of what | 0:31:47 | 0:31:51 | |
they'd risked in front of all the other boys in the school. | 0:31:51 | 0:31:54 | |
-HE RAPS: -I warned you, don't step out of line, son, | 0:31:54 | 0:31:57 | |
out of the limelight, step to the side... | 0:31:57 | 0:31:59 | |
But one group of boys who steadfastly refused to get involved | 0:31:59 | 0:32:02 | |
in Gareth's choir were the playground MCs. | 0:32:02 | 0:32:05 | |
THEY RAP AND BEATBOX | 0:32:05 | 0:32:11 | |
They are a group of people who really are hugely passionate | 0:32:11 | 0:32:15 | |
about music and yet they're not in the choir and that's crazy | 0:32:15 | 0:32:17 | |
and it's all because they think it's "a choir" and they think | 0:32:17 | 0:32:20 | |
it's for someone else, it's not for them. | 0:32:20 | 0:32:23 | |
And I've got to get them in! | 0:32:23 | 0:32:25 | |
Guys, can I have a quick, quick chat? | 0:32:25 | 0:32:27 | |
Hello... | 0:32:30 | 0:32:32 | |
Oh, dear, what a shame, they're running away. | 0:32:32 | 0:32:36 | |
They thought they knew everything there is about music and | 0:32:36 | 0:32:39 | |
"What is this idiot coming in from the outside? He's a teacher, | 0:32:39 | 0:32:41 | |
"what can he possibly know about music?" | 0:32:41 | 0:32:44 | |
And I had to kind of... I had to prove them wrong. | 0:32:44 | 0:32:47 | |
HE RAPS | 0:32:47 | 0:32:49 | |
'The chief amongst those was Imran. | 0:32:49 | 0:32:53 | |
'He just wouldn't come anywhere near a choir rehearsal' | 0:32:53 | 0:32:56 | |
and I knew that he was talented, I'd heard him sing a couple of times | 0:32:56 | 0:33:00 | |
and everyone said he sang and so I went all out to try and win him over | 0:33:00 | 0:33:06 | |
and get him in into the choir. | 0:33:06 | 0:33:09 | |
But Imran had a problem with authority. | 0:33:09 | 0:33:12 | |
I don't respect any of my teachers. | 0:33:12 | 0:33:14 | |
I do my own thing, I don't follow no-one. | 0:33:14 | 0:33:16 | |
Can I have the keyboards off? | 0:33:16 | 0:33:18 | |
That's the third time of asking. | 0:33:18 | 0:33:20 | |
I'm just going to, I think, make this a little simpler for you | 0:33:20 | 0:33:23 | |
by unplugging it. The next one of you that talks is going outside. | 0:33:23 | 0:33:28 | |
'And he'd be a little so-and-so, he was so difficult to deal with' | 0:33:28 | 0:33:33 | |
because I was a teacher and he felt like he had to show he was "the man". | 0:33:33 | 0:33:37 | |
It was very, very frustrating. | 0:33:37 | 0:33:39 | |
Imran, the hoodie. The hoodie's got to go. | 0:33:39 | 0:33:42 | |
So can you stay behind, Imran? | 0:33:42 | 0:33:44 | |
Imran, wait. Imran! | 0:33:44 | 0:33:47 | |
HE SIGHS ANGRILY BLEEP. | 0:33:47 | 0:33:49 | |
-I could -BLEEP -scream! | 0:33:51 | 0:33:54 | |
I was not going to be bested by a group of 14, 15-year-olds. | 0:33:54 | 0:33:56 | |
You know, I thought, "I've got to have a trick up my sleeve | 0:33:56 | 0:33:59 | |
"that is going to win them over." | 0:33:59 | 0:34:01 | |
I'm very disappointed in you, Imran. | 0:34:01 | 0:34:03 | |
'And finally the way I did it was by getting in a group that were | 0:34:03 | 0:34:07 | |
'better than them at what they felt they were good at.# | 0:34:07 | 0:34:12 | |
A cappella beatbox group Sense of Sound | 0:34:12 | 0:34:15 | |
showcased Gareth's vision of choral cool. | 0:34:15 | 0:34:18 | |
You could see that it was a penny-dropping moment of him going, | 0:34:21 | 0:34:25 | |
"Oh, this is actually really good, | 0:34:25 | 0:34:27 | |
"this is actually something that I can be involved in, this is cool." | 0:34:27 | 0:34:30 | |
# Darling, darling, stand by me | 0:34:30 | 0:34:34 | |
# Oh, stand by me. # | 0:34:34 | 0:34:37 | |
I felt that today was...really seismic for Imran. | 0:34:40 | 0:34:46 | |
He started by beatboxing and not really wanting to sing | 0:34:46 | 0:34:50 | |
and by the end of the day he had been drawn into the singing group | 0:34:50 | 0:34:53 | |
and he was singing his heart out. | 0:34:53 | 0:34:56 | |
It was good cos I don't think I ever heard anything like that. | 0:34:56 | 0:34:59 | |
I want to learn how to do that cos I'd actually prefer doing that | 0:34:59 | 0:35:02 | |
than doing the beatboxing thing. | 0:35:02 | 0:35:04 | |
I feel like this could be the beginning of something very exciting. | 0:35:04 | 0:35:08 | |
After seven months in the school, | 0:35:08 | 0:35:09 | |
Gareth had finally persuaded the MCs to collaborate with his choir. | 0:35:09 | 0:35:15 | |
This is it, this is the first rehearsal | 0:35:15 | 0:35:17 | |
where everyone comes together. | 0:35:17 | 0:35:19 | |
Upper voice choir, lower voice choir, say hello to beatboxers. | 0:35:19 | 0:35:23 | |
ALL: Hello, beatboxers! | 0:35:23 | 0:35:25 | |
Beatboxers, say hello to the upper voice and lower voice choirs. | 0:35:25 | 0:35:30 | |
One, two, three, four. | 0:35:30 | 0:35:32 | |
Imran may have joined the choir, but Gareth now faced a new issue | 0:35:36 | 0:35:40 | |
if he wanted to him to show off his talents in front a 5,000-strong | 0:35:40 | 0:35:44 | |
audience at the Royal Albert Hall. | 0:35:44 | 0:35:47 | |
I promise we'll help you. | 0:35:47 | 0:35:49 | |
'I think there's a lot of fear for Imran.' | 0:35:49 | 0:35:52 | |
He gets this sort of rabbit-caught-in-the-headlights look | 0:35:52 | 0:35:55 | |
and, yeah, I think he's afraid of looking like an idiot | 0:35:55 | 0:35:59 | |
and afraid of looking, you know, looking bad in front of his mates. | 0:35:59 | 0:36:03 | |
But there was more to Imran's reluctance to sing | 0:36:03 | 0:36:06 | |
than Gareth realised. | 0:36:06 | 0:36:07 | |
I'm not scared of it, er... | 0:36:07 | 0:36:09 | |
Well, I am in a way cos once...ages ago, | 0:36:12 | 0:36:16 | |
I went with my dad to karaoke and I sang a song | 0:36:16 | 0:36:22 | |
by R Kelly and then when I went out, | 0:36:22 | 0:36:25 | |
my dad said, "Hmm, nah, that weren't that good." | 0:36:25 | 0:36:28 | |
I think it was just that comment and I just, like, thought, | 0:36:28 | 0:36:31 | |
"No, I'm sticking to what I can do." | 0:36:31 | 0:36:34 | |
I think it was just that cos before, I thought I could sing, | 0:36:34 | 0:36:38 | |
I kind of took singing quite seriously. | 0:36:38 | 0:36:41 | |
If Mr Malone could take that fear away where I wasn't scared | 0:36:41 | 0:36:45 | |
of singing, I thought I could sing, I probably would do it. | 0:36:45 | 0:36:48 | |
Hey, Imran. | 0:36:50 | 0:36:51 | |
Gareth put in the hours in a bid to boost Imran's confidence. | 0:36:51 | 0:36:56 | |
Why don't we try singing Beautiful Girl? | 0:36:56 | 0:36:59 | |
-HE SINGS: -You're way too... | 0:36:59 | 0:37:00 | |
That bit. | 0:37:00 | 0:37:02 | |
Let's give it a go - ready? | 0:37:02 | 0:37:04 | |
# You're way too beautiful, girl | 0:37:04 | 0:37:09 | |
# That's why it'll never work | 0:37:09 | 0:37:11 | |
# You'll have me suicidal, suicidal | 0:37:11 | 0:37:16 | |
# When they say it's over. # | 0:37:16 | 0:37:20 | |
OK, can I lay my cards on the table? | 0:37:20 | 0:37:23 | |
What I think is that you should... | 0:37:23 | 0:37:26 | |
As part of the beatbox choir, | 0:37:26 | 0:37:30 | |
I think you should do that and do it as a solo. | 0:37:30 | 0:37:35 | |
Do you think you could do that at the Albert Hall? | 0:37:35 | 0:37:37 | |
-Yeah. -I think that's a plan, then. Right. | 0:37:40 | 0:37:44 | |
Having gone through so much to win Imran's trust eight years ago, | 0:37:44 | 0:37:48 | |
it's important to Gareth that he tracks him down. | 0:37:48 | 0:37:51 | |
I'd love him to be in this, because he's a great singer, | 0:37:51 | 0:37:54 | |
he's really musical, had a nice voice... | 0:37:54 | 0:37:57 | |
People really responded to his singing and he was such a huge part | 0:37:57 | 0:38:01 | |
of everything I did at Lancaster School. | 0:38:01 | 0:38:04 | |
Gareth's discovered his former pupil is now making music on the internet. | 0:38:04 | 0:38:08 | |
Oh, he's going loads of YouTube stuff! | 0:38:08 | 0:38:10 | |
HE BEATBOXES | 0:38:10 | 0:38:13 | |
That's great! | 0:38:14 | 0:38:16 | |
# I was a poor wayfaring stranger... # | 0:38:16 | 0:38:20 | |
I'm so happy about this. | 0:38:20 | 0:38:21 | |
# Travelling through... # | 0:38:21 | 0:38:24 | |
He's singing and it's sort of choral. | 0:38:24 | 0:38:27 | |
I might just send him an e-mail. | 0:38:27 | 0:38:28 | |
"Hi, just watched your video. Hope you're well. | 0:38:28 | 0:38:31 | |
"I'd love to be in touch. Best, Gareth." | 0:38:31 | 0:38:33 | |
In November 2007, the Lancaster Boys' Choir arrived in London | 0:38:37 | 0:38:42 | |
to face the musical challenge of their lives... | 0:38:42 | 0:38:47 | |
performing at the Royal Albert Hall School Prom in front of an audience | 0:38:47 | 0:38:51 | |
of 5,000 and alongside some of the country's best choral talent. | 0:38:51 | 0:38:56 | |
First reactions were, "Wow!" | 0:38:56 | 0:38:58 | |
It's a bit scary, in a sense, | 0:38:58 | 0:39:00 | |
to be singing in front of all of those people. | 0:39:00 | 0:39:02 | |
I need to calm down cos I'm getting a bit too excited. | 0:39:02 | 0:39:05 | |
-ANNOUNCER: -'They are the young men of Lancaster School in Leicester.' | 0:39:05 | 0:39:09 | |
(I'm actually slightly lost for words!) | 0:39:09 | 0:39:12 | |
AUDIENCE APPLAUDS | 0:39:12 | 0:39:15 | |
I'd never performed at the Albert Hall before. | 0:39:15 | 0:39:18 | |
It was really exhilarating but a very frightening thing to do. | 0:39:18 | 0:39:24 | |
-MOUTHS: -(This is it!) | 0:39:24 | 0:39:26 | |
BOYS: Da-da-dum-dum, da-da-dum-dum... | 0:39:28 | 0:39:31 | |
# You're way too beautiful, girl | 0:39:31 | 0:39:35 | |
# That's why it'll never work | 0:39:35 | 0:39:37 | |
# You'll have me suicidal, suicidal | 0:39:37 | 0:39:42 | |
# When you say it's over | 0:39:42 | 0:39:45 | |
# Damn, all these beautiful girls... # | 0:39:45 | 0:39:48 | |
There's a look in Imran's eye during that solo that just says, | 0:39:48 | 0:39:51 | |
"I love this" and that makes me so proud. | 0:39:51 | 0:39:55 | |
# Stand by me | 0:39:55 | 0:39:59 | |
# If ever you're in trouble won't you | 0:39:59 | 0:40:01 | |
# Stand by me | 0:40:01 | 0:40:05 | |
# Stand by me... # | 0:40:05 | 0:40:09 | |
All I wanted was for them to say, "We love singing and it's OK," | 0:40:09 | 0:40:13 | |
and I finally got that. | 0:40:13 | 0:40:14 | |
CHEERING AND APPLAUSE | 0:40:17 | 0:40:19 | |
Whoo! | 0:40:31 | 0:40:34 | |
You were fantastic. You really were. | 0:40:34 | 0:40:37 | |
To see them sing and really want to sing well | 0:40:38 | 0:40:41 | |
that means so much. | 0:40:41 | 0:40:43 | |
Really, really incredible. | 0:40:43 | 0:40:46 | |
Nothing so far that I've done in my life could beat this. | 0:40:46 | 0:40:50 | |
It's something I'm going to remember for a long time. | 0:40:50 | 0:40:53 | |
It was a career highlight to be in the Royal Albert Hall | 0:40:55 | 0:40:58 | |
on stage with those boys and to prove to those boys | 0:40:58 | 0:41:00 | |
that they could do it and it could feel good | 0:41:00 | 0:41:02 | |
and it could be acceptable. That was an amazing achievement. | 0:41:02 | 0:41:05 | |
Gareth's Great Choir Reunion is less than two weeks away. | 0:41:15 | 0:41:19 | |
He's still on the hunt for members from 12 of the 14 choirs | 0:41:19 | 0:41:23 | |
he's created in the last decade. | 0:41:23 | 0:41:25 | |
But today he's starting rehearsals with the singers he has contacted | 0:41:26 | 0:41:30 | |
from his two school choirs. | 0:41:30 | 0:41:33 | |
Members of the Northolt choir are the first to arrive, | 0:41:33 | 0:41:36 | |
led by Gareth's former right-hand woman, Rhonda. | 0:41:36 | 0:41:39 | |
Hey! | 0:41:39 | 0:41:40 | |
Of course you're first. | 0:41:40 | 0:41:42 | |
Oh, Cathy! Hello! How are you? | 0:41:42 | 0:41:43 | |
For some, this is the first time they've seen each other | 0:41:43 | 0:41:46 | |
since school. | 0:41:46 | 0:41:47 | |
-I can't believe it's been ten years. -Neither can I. | 0:41:47 | 0:41:51 | |
-Hello, Sophie! How are you? -I'm really good, thank you. | 0:41:51 | 0:41:54 | |
-What are you up to? What are you doing? -I teach dancing. | 0:41:54 | 0:41:56 | |
Good, glad to hear it. | 0:41:56 | 0:41:58 | |
So we've got three people working in music from this choir. | 0:41:58 | 0:42:01 | |
And you're teaching dance. Anyone else? | 0:42:01 | 0:42:04 | |
You're a scientist. | 0:42:04 | 0:42:05 | |
-And you... Do you do primary or secondary? -Primary. | 0:42:05 | 0:42:08 | |
Well, that's basically a music teacher. | 0:42:08 | 0:42:12 | |
Next in are the Lancaster boys who can make tonight's rehearsal. | 0:42:12 | 0:42:15 | |
Hello! Welcome, welcome. | 0:42:15 | 0:42:18 | |
Welcome, please, everyone, | 0:42:18 | 0:42:19 | |
the boys from the Lancaster School in Leicester. | 0:42:19 | 0:42:22 | |
Hello! | 0:42:22 | 0:42:23 | |
Boston! Mate, how are you? Oh, my God! You are changed, as well. | 0:42:23 | 0:42:27 | |
-Hello, Wahchi. -How are you? Good? | 0:42:27 | 0:42:30 | |
I'm very well. Michael, look at you! | 0:42:30 | 0:42:32 | |
Good to see you. How are you? | 0:42:32 | 0:42:33 | |
Extremely grown-up. Say hello to the Northolt Phoenix Choir. | 0:42:33 | 0:42:37 | |
-ALL: -Hello! -And this is... These are some of the members of the choir | 0:42:37 | 0:42:42 | |
from Lancaster School, which was my second one | 0:42:42 | 0:42:44 | |
that I did straight after you and I thought, probably, | 0:42:44 | 0:42:46 | |
we were struggling a bit for boys so here you all are. | 0:42:46 | 0:42:49 | |
-So, Neel, what are you up to? -I'm studying medicine at the moment. | 0:42:49 | 0:42:53 | |
OK. Dr Neel. What are you doing? | 0:42:53 | 0:42:55 | |
I just finished uni. | 0:42:55 | 0:42:56 | |
I'm just dancing now and trying to get my creativity on, I guess. | 0:42:56 | 0:42:59 | |
-What sort of dance? -Street dance. -Can you do us some moves? | 0:42:59 | 0:43:02 | |
-Maybe. -OK. | 0:43:02 | 0:43:03 | |
LAUGHTER | 0:43:03 | 0:43:05 | |
HE BEATBOXES | 0:43:05 | 0:43:06 | |
I'm out of breath. | 0:43:16 | 0:43:17 | |
CHEERING AND APPLAUSE | 0:43:17 | 0:43:19 | |
Very nice. Love that. | 0:43:20 | 0:43:24 | |
-Shall we put a choir together? -ALL: -Yes. -Good. | 0:43:24 | 0:43:26 | |
All right. Let's do it. | 0:43:26 | 0:43:27 | |
This will be the first time these kids have sung together in ten years | 0:43:27 | 0:43:31 | |
so I don't know what this is going to sound like | 0:43:31 | 0:43:33 | |
but I can't wait to find out. | 0:43:33 | 0:43:34 | |
We're going to start with a song. | 0:43:34 | 0:43:36 | |
It is by James Bay | 0:43:36 | 0:43:38 | |
and it's called Hold Back the River. | 0:43:38 | 0:43:41 | |
Good choice. | 0:43:41 | 0:43:43 | |
The other thing is that this is a wonderful song | 0:43:43 | 0:43:45 | |
because it's only got six notes in it and they go like this. | 0:43:45 | 0:43:48 | |
# Ah ah ah ah ah ah. # | 0:43:48 | 0:43:51 | |
Ready? Two, three... | 0:43:51 | 0:43:53 | |
# Ah ah ah ah ah ah. # | 0:43:53 | 0:44:00 | |
We've now got an enviable position of having more men than women, | 0:44:00 | 0:44:05 | |
which is a rarity for choirs. | 0:44:05 | 0:44:07 | |
Shall we have a little sight-read of it? | 0:44:07 | 0:44:09 | |
Let's do the soprano line first, so just sopranos. | 0:44:09 | 0:44:13 | |
One, two, three and... | 0:44:13 | 0:44:15 | |
# Try to keep you close to me | 0:44:15 | 0:44:22 | |
# But life got in between... # | 0:44:22 | 0:44:28 | |
We are going to have so much rhythmic fun with this, aren't we? | 0:44:28 | 0:44:30 | |
Good. Good start. Let's go altos. Three, and... | 0:44:30 | 0:44:34 | |
# Tried to square not... # | 0:44:34 | 0:44:38 | |
That's the only one that goes down. "There" stays up. | 0:44:38 | 0:44:41 | |
# Think I should have been... # | 0:44:41 | 0:44:46 | |
OK, let's have a look at... We're going to call you baritones. | 0:44:46 | 0:44:50 | |
One, two, three, and... | 0:44:50 | 0:44:51 | |
# Tried to square... # | 0:44:51 | 0:44:54 | |
Oh! That's the tune. | 0:44:54 | 0:44:56 | |
So it's "Tried to square..." So don't float up to the soprano part. | 0:44:56 | 0:45:00 | |
Two, three, and... | 0:45:00 | 0:45:02 | |
# Tried to... # | 0:45:02 | 0:45:03 | |
No! That's the tune. Here's the note. | 0:45:03 | 0:45:06 | |
# Tried. # | 0:45:06 | 0:45:07 | |
One, two... That's it, Michael. Very nice. Two, three, and... | 0:45:07 | 0:45:10 | |
# Tried to square | 0:45:10 | 0:45:14 | |
# Not being there | 0:45:14 | 0:45:17 | |
# But think that I should have been... # | 0:45:17 | 0:45:23 | |
A sound any choir would be proud of. | 0:45:24 | 0:45:26 | |
On your feet. | 0:45:26 | 0:45:27 | |
Good. OK, this is going to be great. Let's layer it back up. And... | 0:45:27 | 0:45:31 | |
# Tried to keep you close to me | 0:45:31 | 0:45:37 | |
# But life got in between... # | 0:45:37 | 0:45:42 | |
Good. | 0:45:42 | 0:45:44 | |
Got your note? | 0:45:44 | 0:45:45 | |
# Tried to square not being there | 0:45:45 | 0:45:52 | |
# But think that I should have been. # | 0:45:52 | 0:45:57 | |
First rehearsals are terrible because you're learning notes | 0:45:57 | 0:45:59 | |
but there were some really warm moments. | 0:45:59 | 0:46:01 | |
They started to make a good sound. | 0:46:01 | 0:46:03 | |
They looked up and they were enjoying it. | 0:46:03 | 0:46:05 | |
# Hold back the river Let me look in your eyes | 0:46:05 | 0:46:08 | |
# Hold back the river so I... # | 0:46:08 | 0:46:11 | |
It's really nice to hear everyone's blended together again | 0:46:11 | 0:46:15 | |
and especially now that we've got boys as well. We never had boys. | 0:46:15 | 0:46:17 | |
I was about to say that. I'm really enjoying hearing some boys. | 0:46:17 | 0:46:21 | |
# Hold back the river Hold back | 0:46:21 | 0:46:24 | |
# Lonely water... # | 0:46:24 | 0:46:27 | |
Singing together ten years ago was very different | 0:46:27 | 0:46:29 | |
because your coolness had to come first. | 0:46:29 | 0:46:31 | |
Now everyone knows who they are, | 0:46:31 | 0:46:32 | |
they're not trying to be anyone else, so it's much easier. | 0:46:32 | 0:46:35 | |
# Hold back the river so I | 0:46:35 | 0:46:38 | |
# Can stop for a minute and see where you hide... # | 0:46:38 | 0:46:41 | |
It's really nice sharing the floor with Gareth again | 0:46:41 | 0:46:43 | |
and hearing him sing and just seeing him in his element. | 0:46:43 | 0:46:46 | |
# Let us hold each other | 0:46:46 | 0:46:49 | |
# Oh | 0:46:49 | 0:46:50 | |
# Oh-oh | 0:46:50 | 0:46:52 | |
# Oh-oh... # | 0:46:52 | 0:46:53 | |
It's going to be so good! OK, great. | 0:46:53 | 0:46:55 | |
If you want to go up the octave on that. | 0:46:55 | 0:46:58 | |
# Lonely water! # | 0:46:58 | 0:47:00 | |
You can totally do that. Any tenors, go for it. | 0:47:00 | 0:47:03 | |
We've got a couple of guys going a bit lower than needed but not bad. | 0:47:03 | 0:47:07 | |
With everyone feeling so inspired to be back in the rehearsal room, | 0:47:09 | 0:47:13 | |
Gareth throws them a surprise. | 0:47:13 | 0:47:15 | |
May I suggest that, as a little warm-up to our actual performance | 0:47:15 | 0:47:20 | |
in front of the massed groups of choirs, | 0:47:20 | 0:47:23 | |
that we have our own little reunion here | 0:47:23 | 0:47:27 | |
and that we invite friends and family along | 0:47:27 | 0:47:29 | |
and anyone, teachers or people that were involved along the way. | 0:47:29 | 0:47:33 | |
-So, do think that's a good idea? -ALL: -Yes. | 0:47:33 | 0:47:37 | |
All right. See you next time. | 0:47:37 | 0:47:39 | |
I'm glad we're having a performance in here | 0:47:39 | 0:47:41 | |
in front of their friends and family. I think it'll be great. | 0:47:41 | 0:47:44 | |
Get them back in the zone. | 0:47:44 | 0:47:45 | |
They haven't performed, some of them, for years, | 0:47:45 | 0:47:47 | |
since they were at school so this will be a good chance | 0:47:47 | 0:47:50 | |
to get back into it. | 0:47:50 | 0:47:51 | |
Rehearsal over, Gareth gets a message | 0:47:51 | 0:47:53 | |
from one of his missing Lancaster soloists, Imran. | 0:47:53 | 0:47:56 | |
He's given me a mobile number. | 0:47:56 | 0:47:58 | |
If you could call around 8pm I would love to chat. | 0:47:58 | 0:48:02 | |
Give him a call. | 0:48:02 | 0:48:03 | |
-'Hello?' -Hi, it's Gareth Malone. | 0:48:03 | 0:48:06 | |
-'Oh, wow!' -Hello, how are you? | 0:48:06 | 0:48:09 | |
'I haven't heard from you in a while.' | 0:48:09 | 0:48:10 | |
I just wanted to say how moved I was by your singing | 0:48:10 | 0:48:13 | |
-and I just found it... -'Thank you.' | 0:48:13 | 0:48:15 | |
I found it really, really wonderful. | 0:48:15 | 0:48:17 | |
What have you been up to? | 0:48:17 | 0:48:19 | |
Now 23 and a senior care officer, | 0:48:22 | 0:48:25 | |
Imran has changed his name to Khaled. | 0:48:25 | 0:48:28 | |
A devout Muslim, | 0:48:28 | 0:48:30 | |
his faith has helped him leave his troubled schooldays behind him. | 0:48:30 | 0:48:33 | |
I feel like I became a better person | 0:48:33 | 0:48:35 | |
so, when I was 16, I wanted to kind of | 0:48:35 | 0:48:37 | |
give that better person a new name. | 0:48:37 | 0:48:40 | |
I didn't feel like I was Imran any more. | 0:48:40 | 0:48:43 | |
I wanted to become Khaled. | 0:48:43 | 0:48:45 | |
So it was a really big transition, | 0:48:45 | 0:48:46 | |
being so caught up in my ego to where I think I'm at now, | 0:48:46 | 0:48:51 | |
where I'm just kind of focused on spirituality and God | 0:48:51 | 0:48:55 | |
and things like that. | 0:48:55 | 0:48:56 | |
# How could this be? # | 0:48:56 | 0:48:59 | |
But Khaled has never forgotten his time with Gareth. | 0:48:59 | 0:49:03 | |
# For you are not alone. # | 0:49:03 | 0:49:06 | |
-Good, Imran. Are you American? -No. | 0:49:06 | 0:49:09 | |
Good. Don't sing with an American accent. | 0:49:09 | 0:49:11 | |
See if you can do it in an English accent. | 0:49:11 | 0:49:14 | |
# Another day is gone... # | 0:49:14 | 0:49:16 | |
Good, it's much better. | 0:49:16 | 0:49:18 | |
You could see that I was just a teenager | 0:49:18 | 0:49:20 | |
working out where I fitted in life | 0:49:20 | 0:49:21 | |
so his role that he played in me embracing singing more | 0:49:21 | 0:49:24 | |
was definitely a vital one and who knows if I'd still be singing today | 0:49:24 | 0:49:28 | |
if it wasn't for what he did? | 0:49:28 | 0:49:30 | |
# You're not here with me... # | 0:49:30 | 0:49:32 | |
# You're nat here! # | 0:49:32 | 0:49:34 | |
It was really good. It was really English and then you went, | 0:49:34 | 0:49:38 | |
"You're nat here with me!" | 0:49:38 | 0:49:40 | |
Boy, you're nat here, OK? | 0:49:40 | 0:49:43 | |
Despite his enduring love of music, | 0:49:43 | 0:49:46 | |
Khaled's beliefs mean he doesn't feel he can sing | 0:49:46 | 0:49:49 | |
in the reunion choir. | 0:49:49 | 0:49:50 | |
Choirs doesn't come from Islam. They come from Christianity. | 0:49:50 | 0:49:54 | |
Most choirs sing in churches. | 0:49:54 | 0:49:56 | |
Not all of them but the majority, that's kind of where it stems from. | 0:49:56 | 0:49:59 | |
'Unfortunately, I don't think, um, I'd want to be...' | 0:49:59 | 0:50:03 | |
-That's absolutely fine. -'I wanted you to know, you know...' -Yes. | 0:50:03 | 0:50:05 | |
'I wish you the best, but it's not something that I'd want to do.' | 0:50:05 | 0:50:08 | |
-All right, all the best. It's so lovely to hear your voice. Bye-bye, Khaled. -'All right.' -Bye. | 0:50:08 | 0:50:13 | |
PHONE BEEPS | 0:50:13 | 0:50:14 | |
Wow, my goodness. | 0:50:14 | 0:50:16 | |
That is not, that's not the boy that I knew | 0:50:16 | 0:50:19 | |
and that is the most dramatic change of everyone. | 0:50:19 | 0:50:22 | |
I know some of them have grown beards and cut their hair | 0:50:22 | 0:50:24 | |
and got muscly, | 0:50:24 | 0:50:27 | |
but he has changed to the, to the core, | 0:50:27 | 0:50:29 | |
and you could see it there and I'm so happy that he's gone down, | 0:50:29 | 0:50:33 | |
that he's going down a positive route. | 0:50:33 | 0:50:35 | |
He's found religion and it's given him something | 0:50:35 | 0:50:37 | |
that's going to be the focus in his life. | 0:50:37 | 0:50:39 | |
# Tried to keep... | 0:50:50 | 0:50:53 | |
To make sure they're up to scratch for their first performance, | 0:50:53 | 0:50:56 | |
the choir organise extra rehearsals on their own. | 0:50:56 | 0:51:01 | |
# Tried to square... | 0:51:01 | 0:51:03 | |
To see that they're all giving up their time | 0:51:03 | 0:51:05 | |
and that they've come back... | 0:51:05 | 0:51:07 | |
is wonderful, because it's, | 0:51:07 | 0:51:09 | |
it's because of those friendships that they formed | 0:51:09 | 0:51:11 | |
and that music that they sang, | 0:51:11 | 0:51:13 | |
those experiences they had on stage, | 0:51:13 | 0:51:15 | |
it's meant something to them | 0:51:15 | 0:51:16 | |
and I think it will mean something to them for the rest of their lives, | 0:51:16 | 0:51:19 | |
I don't think you forget being in a choir, | 0:51:19 | 0:51:22 | |
Especially not when you're young. | 0:51:22 | 0:51:24 | |
It's going to be brilliant. Can you see the audience going, hurray? | 0:51:24 | 0:51:27 | |
And you being like, yeah? That's going to be. I know it is, OK? | 0:51:27 | 0:51:31 | |
He taught me to be confident and expressive | 0:51:31 | 0:51:34 | |
in a way that isn't sort of, maybe cool, when you're a younger lad. | 0:51:34 | 0:51:38 | |
APPLAUSE | 0:51:38 | 0:51:40 | |
We are the Lancaster School choir and we are here to sing you a song. | 0:51:40 | 0:51:44 | |
It should be a great piece. | 0:51:44 | 0:51:46 | |
I hope you enjoy it. | 0:51:46 | 0:51:47 | |
'Being a part of the choir, it really helped me, you know, | 0:51:47 | 0:51:50 | |
'as well as to communicate better,' | 0:51:50 | 0:51:52 | |
it helped me with my confidence, just to believe in myself. | 0:51:52 | 0:51:54 | |
# Like a bridge... # | 0:51:54 | 0:51:56 | |
If you look back on to when music started to get serious for me, | 0:51:56 | 0:52:00 | |
that's it, right there. | 0:52:00 | 0:52:03 | |
I'm so proud, come here. | 0:52:03 | 0:52:04 | |
-It was beautiful. -It was beautiful. | 0:52:04 | 0:52:06 | |
I have the most amazing feeling whenever I think about what we did. | 0:52:06 | 0:52:11 | |
All those memories I have will stay with me for a very long time. | 0:52:11 | 0:52:16 | |
Gareth's attempts to track down his other choirs continue, | 0:52:20 | 0:52:24 | |
but in the meantime, | 0:52:24 | 0:52:25 | |
he's persuaded old boys and girls of Northolt High | 0:52:25 | 0:52:28 | |
and the Lancaster School | 0:52:28 | 0:52:30 | |
to stage their own mini concert for friends and family. | 0:52:30 | 0:52:33 | |
I'm really looking forward to this performance, I think it'll be lovely. | 0:52:33 | 0:52:36 | |
It'll just be a great atmosphere, everyone wants to do it | 0:52:36 | 0:52:39 | |
and it's a lovely way to mark something that was so special to everyone. | 0:52:39 | 0:52:42 | |
I am the person I am today because of that experience. | 0:52:42 | 0:52:45 | |
It completely changed my life. | 0:52:45 | 0:52:47 | |
Being with those people, performing, | 0:52:47 | 0:52:49 | |
teaching people, um, intensively for, over months, that was... | 0:52:49 | 0:52:54 | |
that was an amazing experience and one that I really treasure | 0:52:54 | 0:52:57 | |
and one that I'm really happy to be able to mark with a performance. | 0:52:57 | 0:53:01 | |
Look, that's you. | 0:53:01 | 0:53:03 | |
Oh, my God! | 0:53:03 | 0:53:04 | |
Ah, hello. Bunting! | 0:53:06 | 0:53:08 | |
CHEERING | 0:53:08 | 0:53:09 | |
-I love bunting. -Buzzing. Absolutely buzzing, the atmosphere is buzzing. | 0:53:09 | 0:53:13 | |
-Is that you? -LAUGHTER | 0:53:13 | 0:53:16 | |
Seeing all our young, fresh faces, it's like, oh, my God, | 0:53:16 | 0:53:19 | |
you can't believe it's been so long. | 0:53:19 | 0:53:22 | |
I think it's emotional being a choir again, | 0:53:22 | 0:53:24 | |
because we know that we've all kind of moved on in life | 0:53:24 | 0:53:28 | |
and this will be just a brief moment in time | 0:53:28 | 0:53:31 | |
where we get to be... a choir and sing. | 0:53:31 | 0:53:34 | |
The audience start to arrive for the first outing | 0:53:34 | 0:53:37 | |
of Gareth's school choirs in a decade. | 0:53:37 | 0:53:40 | |
You don't need to cry this time. | 0:53:43 | 0:53:45 | |
I shall try not to. I'm used to it now. | 0:53:45 | 0:53:47 | |
In your mind's eye, | 0:53:51 | 0:53:52 | |
they're still year eight, year nine, year ten | 0:53:52 | 0:53:55 | |
and then you come and they're like...grown-up men, you know! | 0:53:55 | 0:53:59 | |
It may not be the Royal Albert Hall or the Choir Olympics, | 0:54:03 | 0:54:06 | |
but it's still a public performance. | 0:54:06 | 0:54:08 | |
Nervous. | 0:54:09 | 0:54:10 | |
Er, it's been a long time since I've sang in front of an audience. | 0:54:10 | 0:54:13 | |
Last time it was, 5,000 people? | 0:54:13 | 0:54:16 | |
And this one will be more intimate, more personal, | 0:54:16 | 0:54:19 | |
so I think this one will be more scary for me, actually. | 0:54:19 | 0:54:22 | |
I'd like to hope that we can pull it off. | 0:54:22 | 0:54:23 | |
SHE LAUGHS | 0:54:23 | 0:54:24 | |
Hello, everyone! | 0:54:24 | 0:54:26 | |
It's time for the performance, please take your seats. | 0:54:26 | 0:54:29 | |
Choir to the front, please. | 0:54:29 | 0:54:31 | |
-Hello, everyone. Good evening. -ALL: -Hello! | 0:54:36 | 0:54:39 | |
Hello, welcome, welcome to the school reunion choir. | 0:54:39 | 0:54:42 | |
It really means a lot to me to know that you | 0:54:42 | 0:54:45 | |
care about what happened in your schools | 0:54:45 | 0:54:48 | |
enough to come here today and celebrate | 0:54:48 | 0:54:50 | |
what we did almost ten years ago. | 0:54:50 | 0:54:52 | |
-So, would you like to hear them sing? -ALL: -Yes! | 0:54:52 | 0:54:55 | |
Good. We have a song for you, it is called Hold Back The River, | 0:54:55 | 0:54:58 | |
and it's by James Bay. | 0:54:58 | 0:55:00 | |
PIANO | 0:55:00 | 0:55:02 | |
# Tried to keep | 0:55:11 | 0:55:14 | |
# You close to me | 0:55:14 | 0:55:18 | |
# But life got in between | 0:55:18 | 0:55:22 | |
# Hold back the river Let me look in your eyes | 0:55:26 | 0:55:29 | |
# Hold back the river so I... | 0:55:29 | 0:55:33 | |
# Can stop for a minute | 0:55:33 | 0:55:35 | |
# And see where you hide | 0:55:35 | 0:55:37 | |
# Hold back the river, hold back... | 0:55:37 | 0:55:40 | |
# Lonely water | 0:55:40 | 0:55:43 | |
# Lonely water | 0:55:44 | 0:55:46 | |
# Won't you let us wander? | 0:55:46 | 0:55:50 | |
# Let us hold each other! | 0:55:50 | 0:55:54 | |
# Lonely water | 0:55:54 | 0:55:56 | |
# Lonely water | 0:55:58 | 0:56:00 | |
# Won't you let us wander? | 0:56:00 | 0:56:04 | |
# Let us hold each other! | 0:56:04 | 0:56:08 | |
# Oh, oh, oh... | 0:56:08 | 0:56:10 | |
# Oh-ho, oh-ho... | 0:56:10 | 0:56:13 | |
# Oh-ho... | 0:56:13 | 0:56:17 | |
# Oh-ho, oh-ho... | 0:56:17 | 0:56:19 | |
# Hold back the river Let me look in your eyes | 0:56:21 | 0:56:24 | |
-SLOW HAND CLAP -# Hold back the river so I... | 0:56:24 | 0:56:27 | |
# Can stop for a minute And see where you hide | 0:56:27 | 0:56:31 | |
# Hold back the river, hold back... | 0:56:31 | 0:56:34 | |
# Oh, oh, oh... | 0:56:34 | 0:56:36 | |
# Oh-ho, oh-ho... | 0:56:36 | 0:56:40 | |
# Oh-ho, oh-ho... | 0:56:40 | 0:56:44 | |
# Oh... # | 0:56:44 | 0:56:48 | |
They didn't sound like that before, did they? | 0:56:50 | 0:56:53 | |
CHEERING AND APPLAUSE | 0:56:53 | 0:56:54 | |
WHISTLING | 0:56:58 | 0:56:59 | |
It was amazing, it was absolutely fantastic, | 0:56:59 | 0:57:02 | |
it went really well, I'm really proud of everybody. | 0:57:02 | 0:57:04 | |
It's actually a very, very touching moment. | 0:57:04 | 0:57:07 | |
-I think we've achieved so much in a short space of time. -Yeah. | 0:57:07 | 0:57:10 | |
And you know with the boys, it feels like we've known them forever. | 0:57:10 | 0:57:13 | |
It's just wonderful that the joy of singing is still there | 0:57:13 | 0:57:17 | |
and there's this sort of bond that Gareth has | 0:57:17 | 0:57:19 | |
sort of brought these people together | 0:57:19 | 0:57:21 | |
and I think they'll always be like that. | 0:57:21 | 0:57:24 | |
Love them. They're so lovely. | 0:57:27 | 0:57:29 | |
It was really...it was everything I hoped for. | 0:57:29 | 0:57:32 | |
So far, Gareth has reunited two of the 14 choirs | 0:57:32 | 0:57:35 | |
he's set up over the past decade. | 0:57:35 | 0:57:38 | |
It's just made me feel very excited about the big choir reunion, | 0:57:38 | 0:57:40 | |
where I get EVERYONE together. What's that going to sound like? | 0:57:40 | 0:57:44 | |
Next time, Gareth tracks down the rest... | 0:57:44 | 0:57:47 | |
-Hello. -Hello! | 0:57:47 | 0:57:49 | |
..and creates a choir of choirs from his very best singers | 0:57:49 | 0:57:53 | |
as a centrepiece for the big reunion. | 0:57:53 | 0:57:55 | |
This is a performance representing ten years of my life. | 0:57:55 | 0:57:58 | |
-It would be horrendous if I got it wrong, wouldn't it? -OK! | 0:57:58 | 0:58:01 | |
Everyone, back here, let's go! | 0:58:01 | 0:58:03 | |
We need all the practice we can get. | 0:58:03 | 0:58:05 | |
I want this performance to be the best it can possibly be, | 0:58:05 | 0:58:07 | |
just for my own professional pride. | 0:58:07 | 0:58:10 | |
We've got a lot of work to do! | 0:58:11 | 0:58:13 | |
LAUGHTER | 0:58:13 | 0:58:14 |