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Ten years ago, choirmaster Gareth Malone set out on a mission | 0:00:02 | 0:00:06 | |
to get Britain singing. | 0:00:06 | 0:00:07 | |
THEY SING | 0:00:07 | 0:00:08 | |
-I want to turn this school into a singing school. -Well, you won't. | 0:00:08 | 0:00:11 | |
What have I taken on? | 0:00:11 | 0:00:13 | |
Since then, he's inspired hundreds of people... | 0:00:13 | 0:00:15 | |
APPLAUSE | 0:00:15 | 0:00:17 | |
Singing brings people together spiritually, socially, it's vital. | 0:00:17 | 0:00:21 | |
..and created 14 very different choirs across the country. | 0:00:21 | 0:00:25 | |
THEY SING | 0:00:25 | 0:00:27 | |
Now Gareth's got a new idea. | 0:00:30 | 0:00:32 | |
To mark the tenth anniversary of The Choir, he's tracking down members | 0:00:32 | 0:00:35 | |
from all the choirs he has formed over the years for a huge reunion. | 0:00:35 | 0:00:40 | |
What I really want is everyone to sing together in one | 0:00:40 | 0:00:43 | |
giant performance, that will be beautiful. | 0:00:43 | 0:00:45 | |
And along the way, he's discovering how being in one of his choirs | 0:00:45 | 0:00:49 | |
has changed people's lives. | 0:00:49 | 0:00:51 | |
Music was definitely a dream for me. Gareth just realised it. | 0:00:51 | 0:00:55 | |
It was just a moment in my life. I'll thank him for ever for that. | 0:00:55 | 0:00:59 | |
If I can sing in front of the Queen | 0:00:59 | 0:01:01 | |
on live telly, then I can pretty much do anything in my life. | 0:01:01 | 0:01:04 | |
But now, he's got two weeks left | 0:01:04 | 0:01:05 | |
to pull off his most ambitious challenge. | 0:01:05 | 0:01:08 | |
This is The Choir times 100. | 0:01:08 | 0:01:10 | |
Can he gather all his choirs together for one final | 0:01:10 | 0:01:13 | |
celebratory performance? | 0:01:13 | 0:01:15 | |
It's like holding a birthday party. | 0:01:15 | 0:01:17 | |
And I haven't got enough canapes. | 0:01:17 | 0:01:19 | |
Over the past two weeks, | 0:01:25 | 0:01:26 | |
Gareth's caught up with members from the first two choirs he created. | 0:01:26 | 0:01:30 | |
Ah! Mate. | 0:01:30 | 0:01:32 | |
Ex-pupils from Northolt High School. | 0:01:32 | 0:01:34 | |
I plan to have a reunion. | 0:01:34 | 0:01:36 | |
-Why not? -Let's do it. | 0:01:36 | 0:01:38 | |
And those from The Lancaster School. | 0:01:38 | 0:01:40 | |
Boston, how are you? | 0:01:40 | 0:01:42 | |
Is that you? | 0:01:42 | 0:01:43 | |
But for his big reunion to truly represent the past decade, | 0:01:45 | 0:01:49 | |
there are still singers from the 12 remaining choirs to locate. | 0:01:49 | 0:01:52 | |
And he wants to create a super choir of the very best voices | 0:01:52 | 0:01:56 | |
to perform a song his first choir sang ten years ago - | 0:01:56 | 0:02:00 | |
Bridge Over Troubled Water. | 0:02:00 | 0:02:02 | |
At the heart of this reunion I want a fantastic performance. | 0:02:02 | 0:02:05 | |
So I want to contact all the stand-out people from each choir | 0:02:05 | 0:02:08 | |
and bring them together to make one choir of choirs, | 0:02:08 | 0:02:11 | |
something really special. | 0:02:11 | 0:02:13 | |
This is a performance representing ten years of my life. | 0:02:13 | 0:02:16 | |
It has to be fantastic, has to be memorable, | 0:02:16 | 0:02:18 | |
it has to be musically sound, it has to be...it has to be good. | 0:02:18 | 0:02:21 | |
So with just a fortnight to go, | 0:02:24 | 0:02:26 | |
Gareth's search continues with the third choir he created. | 0:02:26 | 0:02:29 | |
Back in 2008, Gareth set off to South Oxhey, | 0:02:35 | 0:02:39 | |
a working-class town in Hertfordshire, | 0:02:39 | 0:02:42 | |
for his biggest challenge to date. | 0:02:42 | 0:02:44 | |
South Oxhey this way. | 0:02:44 | 0:02:46 | |
I had wind in my sails, I'd had two successful projects in schools | 0:02:46 | 0:02:50 | |
and now it was time to take on a town, something bigger. | 0:02:50 | 0:02:53 | |
He spent eight months here trying to get the entire town singing, | 0:02:53 | 0:02:57 | |
after receiving a heartfelt invitation from the local vicar, | 0:02:57 | 0:03:00 | |
Pam Wise. | 0:03:00 | 0:03:02 | |
This is the precinct and you can see it used to be a main road. | 0:03:02 | 0:03:07 | |
It was a bustling high street. | 0:03:07 | 0:03:09 | |
-It's certainly not bustling at the moment. -No. | 0:03:09 | 0:03:11 | |
The feeling is having been abandoned. | 0:03:11 | 0:03:14 | |
People have been abandoned. | 0:03:14 | 0:03:15 | |
This estate needs a boost. | 0:03:17 | 0:03:19 | |
I came here in 1948 and it's year 2008, right, | 0:03:19 | 0:03:22 | |
nothing's happened yet. | 0:03:22 | 0:03:24 | |
We just need someone or something to get hold of and pull us up. | 0:03:24 | 0:03:28 | |
Gareth's idea was to bring all parts of the community | 0:03:30 | 0:03:33 | |
together by forming one enormous choir that would put the town on | 0:03:33 | 0:03:37 | |
the map and give the people of South Oxhey something to be proud of. | 0:03:37 | 0:03:41 | |
As usual, he had his work cut out. | 0:03:41 | 0:03:44 | |
Can I interest any of you in singing at all? | 0:03:44 | 0:03:47 | |
No? No? No. | 0:03:47 | 0:03:50 | |
Are you interested in being in the community choir? | 0:03:50 | 0:03:52 | |
-No, definitely not. -Absolutely no way? | 0:03:52 | 0:03:55 | |
-Not at all? -Not at all. -You hate singing? -Yeah. | 0:03:55 | 0:03:58 | |
This is quite depressing. | 0:03:58 | 0:04:00 | |
There was quite a lot of suspicion when I arrived. | 0:04:00 | 0:04:03 | |
It took a little bit of time to wear them down and persuade them | 0:04:03 | 0:04:06 | |
that I was not going to make them look like fools. | 0:04:06 | 0:04:09 | |
Anyone interested in singing? | 0:04:09 | 0:04:11 | |
Anyone at all from South Oxhey interested in singing? | 0:04:12 | 0:04:15 | |
Even one person would be brilliant. | 0:04:15 | 0:04:17 | |
But after ten days of pounding the streets, | 0:04:17 | 0:04:20 | |
his dogged determination began to pay off. | 0:04:20 | 0:04:23 | |
-That's a yes. -Yes, it is. | 0:04:23 | 0:04:24 | |
A yes! Woo! | 0:04:24 | 0:04:26 | |
I remember Gareth saying to me before the very first session, | 0:04:28 | 0:04:32 | |
"How many do you think would come?" | 0:04:32 | 0:04:33 | |
We were all taking bets beforehand. | 0:04:33 | 0:04:35 | |
I know I think I said about 75 people, hoping for 100. | 0:04:35 | 0:04:39 | |
That should be OK for now. | 0:04:39 | 0:04:41 | |
-LAUGHING: -Over 300 turned up. | 0:04:41 | 0:04:45 | |
Oh, my goodness! | 0:04:45 | 0:04:47 | |
Good evening. | 0:04:54 | 0:04:55 | |
-Don't... -THEY APPLAUD | 0:04:55 | 0:04:57 | |
-We're going to need a bigger boat. -LAUGHTER | 0:04:59 | 0:05:03 | |
Discovering I had one of the biggest choirs in the country. | 0:05:03 | 0:05:05 | |
This will be the tune, this will be the harmony. | 0:05:05 | 0:05:09 | |
I'd never dealt with a choir of that size before. | 0:05:09 | 0:05:12 | |
It was exhilarating but it was daunting. | 0:05:12 | 0:05:15 | |
Two, three and... | 0:05:15 | 0:05:16 | |
# Ba ba ba ba Barbara Ann | 0:05:16 | 0:05:18 | |
Tenors. | 0:05:18 | 0:05:19 | |
# Ba ba ba ba Barbara Ann | 0:05:19 | 0:05:21 | |
-# Ba ba ba ba Barbara Ann -Oh, Barbara Ann, take my hand | 0:05:21 | 0:05:26 | |
# Barbara Ann | 0:05:26 | 0:05:28 | |
And... | 0:05:28 | 0:05:30 | |
-ALL: -# You got me rockin' and a rollin' | 0:05:30 | 0:05:31 | |
# Rockin' and a reelin', Barbara Ann | 0:05:31 | 0:05:33 | |
# Ba ba ba ba Barbara Ann. # | 0:05:33 | 0:05:36 | |
We're a choir. Almost. | 0:05:36 | 0:05:37 | |
APPLAUSE | 0:05:37 | 0:05:39 | |
That first session with Gareth, it would be difficult to | 0:05:40 | 0:05:45 | |
exaggerate the buzz at the end of that. | 0:05:45 | 0:05:48 | |
Something quite magical had happened that evening | 0:05:48 | 0:05:52 | |
From then on, the choir met every week. | 0:05:55 | 0:05:59 | |
# Higher and higher. # | 0:05:59 | 0:06:01 | |
You've got to get into that slightly, woo, gospel feel to it. | 0:06:01 | 0:06:05 | |
Ready? Two, three and one. | 0:06:05 | 0:06:08 | |
After a month, Gareth was ready to showcase his new choir to | 0:06:08 | 0:06:12 | |
the rest of the community, but he needed a soloist. | 0:06:12 | 0:06:16 | |
I'd spotted somebody quite early on who I thought could possibly | 0:06:16 | 0:06:19 | |
fit the bill. | 0:06:19 | 0:06:20 | |
Dee was very much on the fringes. You could sense she felt isolated. | 0:06:20 | 0:06:24 | |
She was one of the few black people in South Oxhey | 0:06:24 | 0:06:27 | |
and she was just very much on her own. | 0:06:27 | 0:06:29 | |
-Hello. I saw you skulking at the back. -Hello. | 0:06:29 | 0:06:31 | |
-Hello, what's your name? -I'm Dee. -Hello. | 0:06:31 | 0:06:33 | |
Have you done any singing before? | 0:06:33 | 0:06:35 | |
Yeah, I sing in a church choir. | 0:06:35 | 0:06:37 | |
I strongly urge you to go and sit at that end | 0:06:37 | 0:06:39 | |
-because you'll be lost down this end. -I am lost. | 0:06:39 | 0:06:42 | |
-Yeah. -I really regret not being here now. | 0:06:42 | 0:06:44 | |
Come with me. I'll introduce you to someone. | 0:06:44 | 0:06:46 | |
Dee had recently moved into the area with her three children, | 0:06:52 | 0:06:56 | |
and events had left her feeling vulnerable. | 0:06:56 | 0:06:59 | |
I didn't know racism actually occurred until | 0:06:59 | 0:07:01 | |
I lived in South Oxhey. | 0:07:01 | 0:07:02 | |
The first year was just a nightmare. | 0:07:02 | 0:07:06 | |
It was more the teenagers at the back, | 0:07:06 | 0:07:09 | |
congregating at the back of my house, | 0:07:09 | 0:07:11 | |
throwing stones up at my window. | 0:07:11 | 0:07:13 | |
So yeah, not really enjoying living in South Oxhey. | 0:07:13 | 0:07:17 | |
-Thanks, Mummy. -You're welcome. | 0:07:17 | 0:07:20 | |
I'm not saying everyone in South Oxhey is like that. | 0:07:20 | 0:07:22 | |
I know that's just a small minority. | 0:07:22 | 0:07:24 | |
I like to feel that if I needed to talk to someone, | 0:07:24 | 0:07:29 | |
I needed someone's help, I would like to think there would be someone | 0:07:29 | 0:07:32 | |
around here who I could do that with, that would be nice. | 0:07:32 | 0:07:35 | |
Everyone wants to be liked, don't they? | 0:07:36 | 0:07:39 | |
So, yeah. | 0:07:39 | 0:07:41 | |
I'd seen Dee come to rehearsal after rehearsal and not really | 0:07:42 | 0:07:45 | |
integrate with choir. I wanted her to join in more. | 0:07:45 | 0:07:48 | |
And I felt like the solo was a really good opportunity, | 0:07:48 | 0:07:51 | |
plus she could really sing it well. | 0:07:51 | 0:07:52 | |
-Do you want to have a go at it? -I'll have a go. | 0:07:52 | 0:07:55 | |
Ladies and gentlemen, Dee. | 0:07:55 | 0:07:57 | |
APPLAUSE | 0:07:57 | 0:08:00 | |
# You know your love | 0:08:03 | 0:08:05 | |
-# Your love keeps lifting me -Keeps on | 0:08:05 | 0:08:07 | |
# Love keeps lifting me | 0:08:07 | 0:08:08 | |
-# Lifting me -Lifting me | 0:08:08 | 0:08:09 | |
# Higher and higher | 0:08:09 | 0:08:12 | |
# Now once I was down hearted | 0:08:12 | 0:08:16 | |
# Disappointment was my closest friend... # | 0:08:16 | 0:08:20 | |
My hunch was proved correct because she absolutely had the right style, | 0:08:20 | 0:08:23 | |
the kind of soul, gospel voice. | 0:08:23 | 0:08:25 | |
# And you know he never | 0:08:25 | 0:08:27 | |
-ALL: -# Showed his face again. # | 0:08:27 | 0:08:28 | |
APPLAUSE | 0:08:28 | 0:08:30 | |
Everybody knew it was right, there was no question it was her. | 0:08:30 | 0:08:33 | |
-Are we in consensus that feels like the solo? -ALL: -Yes. | 0:08:33 | 0:08:35 | |
Very good. | 0:08:35 | 0:08:37 | |
APPLAUSE | 0:08:37 | 0:08:39 | |
For the choir's debut performance | 0:08:41 | 0:08:43 | |
Gareth chose the South Oxhey precinct. | 0:08:43 | 0:08:46 | |
It felt absolutely right that we should stand up and claim | 0:08:46 | 0:08:49 | |
the precinct as our rightful place to perform. | 0:08:49 | 0:08:52 | |
I wanted to make everyone in that choir feel a sense of like, | 0:08:52 | 0:08:55 | |
we live...this is our place. | 0:08:55 | 0:08:56 | |
Whatever happens, we keep going. | 0:08:56 | 0:09:00 | |
Even if somebody tries to take me out, OK. | 0:09:00 | 0:09:03 | |
LAUGHTER | 0:09:03 | 0:09:05 | |
Well, just you keep singing. | 0:09:05 | 0:09:07 | |
I knew Dee would be nervous because | 0:09:07 | 0:09:09 | |
she'd had a really difficult time in South Oxhey. | 0:09:09 | 0:09:12 | |
# Higher and higher and higher | 0:09:12 | 0:09:15 | |
-# Now once I was down hearted -Ooh-ooh-ooh | 0:09:15 | 0:09:19 | |
-# Disappointment was my closest friend -Ooh-ooh-ooh | 0:09:19 | 0:09:23 | |
-# But then you came and he soon departed -Ooh-ooh-ooh | 0:09:23 | 0:09:27 | |
# And he never showed his face again... # | 0:09:27 | 0:09:32 | |
-Brilliant, absolutely brilliant. -It was good, very good. | 0:09:32 | 0:09:35 | |
-Never seen so many people round South Oxhey. -Yeah. | 0:09:35 | 0:09:38 | |
South Oxhey has got a community, I see now. | 0:09:38 | 0:09:41 | |
This is probably the longest time I've spent in this precinct as well. | 0:09:41 | 0:09:45 | |
Seven years after Dee sang her solo, | 0:09:47 | 0:09:50 | |
Gareth's heading back to South Oxhey. | 0:09:50 | 0:09:52 | |
I'm off to see Dee, | 0:09:52 | 0:09:54 | |
see if the choir made a difference to her feelings about the area. | 0:09:54 | 0:09:58 | |
And I'd like to persuade her to come and join my choir of choirs. | 0:09:58 | 0:10:02 | |
I think she was a great singer. Really good voice. She'll be good. | 0:10:02 | 0:10:06 | |
-Hello, you're still here. -Hello! I am still here. | 0:10:10 | 0:10:13 | |
-Still in South Oxhey? -Nice to see you. | 0:10:13 | 0:10:15 | |
-I'm still in South Oxhey, still here. -Good, nice to see you. | 0:10:15 | 0:10:18 | |
-Come in, come in. -Thank you. | 0:10:18 | 0:10:20 | |
How's it been? What have you been up to? | 0:10:21 | 0:10:23 | |
Still doing my gospel singing. | 0:10:23 | 0:10:25 | |
Going around to events, church events. | 0:10:25 | 0:10:27 | |
-Oh, right, really doing it? -Proper - leading it. | 0:10:27 | 0:10:31 | |
-Leading? -Yeah. | 0:10:31 | 0:10:32 | |
You seem a lot more confident now. | 0:10:32 | 0:10:34 | |
When I first met you, I don't think you were in a | 0:10:34 | 0:10:36 | |
terribly happy place, were you? | 0:10:36 | 0:10:37 | |
I think appearing in The Choir made me feel | 0:10:37 | 0:10:40 | |
more confident about the community. | 0:10:40 | 0:10:42 | |
Like, being around 150 people from South Oxhey... | 0:10:42 | 0:10:46 | |
-Who were OK. -Exactly. | 0:10:46 | 0:10:48 | |
They embracing me for who I was gave me the confidence. | 0:10:48 | 0:10:52 | |
Now I know that I'm not alone. | 0:10:52 | 0:10:55 | |
That's good, that's nice to hear. | 0:10:55 | 0:10:57 | |
The racial harassment did gradually get better. | 0:10:57 | 0:11:00 | |
-That's why I'm still here. -Fine, OK. | 0:11:00 | 0:11:02 | |
-It's getting better. -Yeah. Good. | 0:11:02 | 0:11:04 | |
What I'm planning is to put together a choir of choirs. | 0:11:04 | 0:11:09 | |
I would love to have you come and sing with this super choir. | 0:11:09 | 0:11:13 | |
Would you be up for doing some singing as part of that choir? | 0:11:13 | 0:11:16 | |
-Sounds fun. -Great, OK. | 0:11:16 | 0:11:17 | |
BOTH: # I'll be there. # | 0:11:17 | 0:11:20 | |
-Oh. We're singing a different one. -What one are you singing? | 0:11:20 | 0:11:23 | |
I'm singing... | 0:11:23 | 0:11:24 | |
# I'll be there with a love... # Four Tops. | 0:11:24 | 0:11:26 | |
I've not heard of that one. | 0:11:26 | 0:11:27 | |
What? | 0:11:27 | 0:11:29 | |
OK, well, come along and I'll educate you. | 0:11:29 | 0:11:31 | |
Dee seems happy and that's not something I really saw before. | 0:11:33 | 0:11:36 | |
I wouldn't like to claim that The Choir changed her life, | 0:11:36 | 0:11:38 | |
but I think it had an impact on Dee. | 0:11:38 | 0:11:41 | |
And it set things in motion for her. | 0:11:41 | 0:11:43 | |
And that's great, that's all you can ask for. | 0:11:43 | 0:11:46 | |
For Gareth, it was important that every part of the community | 0:11:48 | 0:11:52 | |
was represented in the South Oxhey Choir. | 0:11:52 | 0:11:55 | |
Next, he turned his attention to the town's children. | 0:11:55 | 0:11:58 | |
He started at Colnbrook - a special-needs school. | 0:11:58 | 0:12:02 | |
Hello. We're picking up people. Hi, how are you? | 0:12:02 | 0:12:06 | |
I've never been so popular. | 0:12:06 | 0:12:07 | |
# Under the sea | 0:12:07 | 0:12:09 | |
# In an octopus' garden | 0:12:09 | 0:12:11 | |
# In a... # | 0:12:11 | 0:12:12 | |
The children had a range of learning difficulties, | 0:12:12 | 0:12:15 | |
from speech and language problems to autism. | 0:12:15 | 0:12:19 | |
It was here that he met a promising young singer - Sibel. | 0:12:19 | 0:12:23 | |
I liked Sibel immediately, because she had a nice voice, | 0:12:23 | 0:12:25 | |
she sang well, she obviously got a lot from it. | 0:12:25 | 0:12:28 | |
Ready, here we go. Let's go together. And... | 0:12:28 | 0:12:31 | |
# I'll ask my friends to come and see. # | 0:12:31 | 0:12:36 | |
Well done! | 0:12:36 | 0:12:37 | |
I remember having this lovely honest conversation about how | 0:12:37 | 0:12:41 | |
she felt about school, how she felt about learning. | 0:12:41 | 0:12:44 | |
-How old are you, Sibel? -Ten. | 0:12:44 | 0:12:45 | |
And what sort of things do you find difficult? | 0:12:45 | 0:12:47 | |
A little bit of speech and language problem. | 0:12:47 | 0:12:50 | |
Really? Hmm, you don't sound like it. | 0:12:50 | 0:12:53 | |
No, but my mum says I don't... You know, I don't understand, I think. | 0:12:53 | 0:12:57 | |
-Long sentences. -Yeah. | 0:12:57 | 0:12:58 | |
But you understand me asking a question. | 0:12:58 | 0:13:01 | |
Yeah, I understand. | 0:13:01 | 0:13:02 | |
But if I start telling you something very complicated | 0:13:02 | 0:13:04 | |
-and long, involved and difficult, you don't... -Just like that. | 0:13:04 | 0:13:07 | |
-And what happens in your brain? -Oooooh! I get mixed up. | 0:13:07 | 0:13:10 | |
-What would you like to do when you grow up? -Be a doctor. | 0:13:10 | 0:13:13 | |
He was a person I could, like, express my feelings to. | 0:13:13 | 0:13:16 | |
How confident I was, what I want to do in the future, | 0:13:16 | 0:13:20 | |
what I want to become. | 0:13:20 | 0:13:21 | |
'Like talking to a complete stranger | 0:13:21 | 0:13:23 | |
'but they can understand where you're coming from as well.' | 0:13:23 | 0:13:26 | |
You know there's a choir that I started? | 0:13:26 | 0:13:29 | |
Does that sound like something you would be interested in? | 0:13:29 | 0:13:32 | |
I'll see you soon. | 0:13:32 | 0:13:34 | |
Yeah, I'll speak to you soon. | 0:13:34 | 0:13:35 | |
-Bye, Sibel. -Bye. | 0:13:35 | 0:13:37 | |
After recruiting 80 children from across six schools, | 0:13:42 | 0:13:45 | |
Gareth created a children's choir. | 0:13:45 | 0:13:48 | |
And over the next few weeks, the kids from the different schools | 0:13:48 | 0:13:51 | |
began to get to know each other. | 0:13:51 | 0:13:52 | |
# Shake your mama | 0:13:52 | 0:13:54 | |
# Shake, shake your mama | 0:13:54 | 0:13:56 | |
# Gareth, he touches the ground | 0:13:56 | 0:13:57 | |
# Gareth, he turns around | 0:13:57 | 0:13:59 | |
# Gareth, he shakes his hips | 0:13:59 | 0:14:00 | |
# And he parties. # | 0:14:00 | 0:14:02 | |
Really fantastic. | 0:14:02 | 0:14:03 | |
They've got so much spirit and so much enjoyment. | 0:14:03 | 0:14:06 | |
They're really starting to bond together. | 0:14:06 | 0:14:08 | |
And you've got to have that as a choir. | 0:14:08 | 0:14:10 | |
# Sibel, she's off the ground | 0:14:10 | 0:14:12 | |
# Sibel, she turns around. # | 0:14:12 | 0:14:13 | |
It was like one big family really to me. | 0:14:13 | 0:14:17 | |
You could socialise with other people as well, | 0:14:17 | 0:14:19 | |
that you don't know. | 0:14:19 | 0:14:20 | |
I wanted Sibel to be the soloist in the children's first performance, | 0:14:22 | 0:14:25 | |
but I didn't know how she would react to that sort of pressure. | 0:14:25 | 0:14:29 | |
-Hello. Hi. -I've brought Sibel. -Brilliant. | 0:14:29 | 0:14:31 | |
Sibel, come over here. How are you? Thank you, Richard. | 0:14:31 | 0:14:34 | |
Do you mind singing in front of lots of other people on your own | 0:14:34 | 0:14:37 | |
or do you not get nervous? | 0:14:37 | 0:14:38 | |
I sometimes get nervous but I don't mind. | 0:14:38 | 0:14:40 | |
-What makes you nervous? -Sometimes I'm a little bit scared. | 0:14:40 | 0:14:43 | |
But if you get scared, do you do it anyway or do you...? | 0:14:43 | 0:14:46 | |
If I get scared, I will still do it. | 0:14:46 | 0:14:48 | |
That's very impressive. Excellent. Thank you, Sibel. | 0:14:48 | 0:14:52 | |
You can go back to your class. Do you need to be taken back? | 0:14:52 | 0:14:55 | |
-No, no, I know my way. -You know where you're going? OK. | 0:14:55 | 0:14:57 | |
See ya. | 0:14:57 | 0:14:58 | |
She's a lovely kid. She is getting a lot out of this. | 0:14:58 | 0:15:02 | |
I think she could do the solo. | 0:15:02 | 0:15:05 | |
When he chose me that day to sing a solo, | 0:15:05 | 0:15:09 | |
it was an amazing thing in my life. | 0:15:09 | 0:15:10 | |
I mean, I've never been chosen to actually sing | 0:15:10 | 0:15:14 | |
a solo in front of a lot of people. | 0:15:14 | 0:15:16 | |
I was nervous for the kids on that first performance | 0:15:18 | 0:15:21 | |
because there were 250 people in the audience | 0:15:21 | 0:15:23 | |
and I didn't know how they were going to react. | 0:15:23 | 0:15:25 | |
But all those doubts went out of my mind as soon as Sibel sang, | 0:15:25 | 0:15:28 | |
because she was incredibly confident | 0:15:28 | 0:15:30 | |
and I think she showed the other kids how to be confident too. | 0:15:30 | 0:15:33 | |
# Would you know my name | 0:15:33 | 0:15:38 | |
# If I saw you in Heaven? # | 0:15:39 | 0:15:42 | |
It was a really amazing experience to have on stage | 0:15:44 | 0:15:48 | |
with all those audience just looking at me. | 0:15:48 | 0:15:51 | |
# I carry on | 0:15:51 | 0:15:53 | |
# Cos I know I don't belong | 0:15:53 | 0:15:58 | |
# Here in Heaven. # | 0:15:58 | 0:16:01 | |
Today, Sibel is 17 and studying childcare at college. | 0:16:04 | 0:16:09 | |
Being in the choir, it helped me to gain confidence, | 0:16:09 | 0:16:12 | |
which I didn't have. | 0:16:12 | 0:16:13 | |
It helped me a lot in class. I gained a lot and I progressed a lot. | 0:16:13 | 0:16:18 | |
And with Sibel agreeing to sing at his reunion, | 0:16:20 | 0:16:22 | |
Gareth's clocked up another member for his super choir. | 0:16:22 | 0:16:25 | |
Shhhh! | 0:16:27 | 0:16:29 | |
This is a really, really exciting rehearsal. | 0:16:29 | 0:16:32 | |
By the spring of 2009, Gareth was ready to pull all | 0:16:32 | 0:16:36 | |
the sections of his choir together for the first time. | 0:16:36 | 0:16:39 | |
OK, you happy? Yeah. | 0:16:39 | 0:16:41 | |
Next can I have the tenors from the choir, tenors. | 0:16:42 | 0:16:46 | |
Not in a blue seat, that way. | 0:16:46 | 0:16:49 | |
The children's choir, follow me. | 0:16:49 | 0:16:52 | |
With 250 members, it was one of the biggest community choirs in Britain. | 0:16:54 | 0:16:58 | |
This is my South Oxhey choir, this is the dream, | 0:16:58 | 0:17:02 | |
and this is the vision. | 0:17:02 | 0:17:04 | |
When I looked out at that choir, | 0:17:04 | 0:17:05 | |
it was a huge cross section of that community. | 0:17:05 | 0:17:08 | |
I really wanted to celebrate that because I felt very proud of it. | 0:17:08 | 0:17:11 | |
And I wanted all of South Oxhey to be able to see it. | 0:17:11 | 0:17:14 | |
And that meant having a festival where you could get thousands | 0:17:14 | 0:17:17 | |
of people to come and be an audience. | 0:17:17 | 0:17:19 | |
And on the day of the festival, the locals turned up | 0:17:27 | 0:17:30 | |
in their hundreds to support their community choir. | 0:17:30 | 0:17:33 | |
There's a great atmosphere out there. | 0:17:33 | 0:17:36 | |
People want this to work. | 0:17:36 | 0:17:37 | |
South Oxhey wants this to work, because if they didn't, | 0:17:37 | 0:17:40 | |
they wouldn't have turned up. | 0:17:40 | 0:17:42 | |
And they're all out there. | 0:17:42 | 0:17:44 | |
There's a lot of people out there. | 0:17:44 | 0:17:45 | |
SHE LAUGHS | 0:17:45 | 0:17:47 | |
Have you seen the crowd? | 0:17:47 | 0:17:48 | |
-SHE LAUGHS -That's like, OK! | 0:17:48 | 0:17:52 | |
APPLAUSE | 0:17:52 | 0:17:55 | |
Hello! | 0:17:55 | 0:17:56 | |
CHEERING | 0:17:56 | 0:17:59 | |
Ladies and gentleman, the South Oxhey Community Choir. | 0:17:59 | 0:18:03 | |
CHEERING AND APPLAUSE | 0:18:03 | 0:18:06 | |
MUSIC: Walking On Sunshine | 0:18:06 | 0:18:11 | |
# I used to think maybe you loved me Now, baby, I'm sure | 0:18:16 | 0:18:21 | |
# Doo-doo-doo-doo-doo-doo | 0:18:21 | 0:18:24 | |
# And I don't want to spend my whole life just a-waiting for you | 0:18:24 | 0:18:29 | |
THEY HARMONISE | 0:18:29 | 0:18:33 | |
# Now, I don't want you back for the weekend, not back for a day | 0:18:33 | 0:18:38 | |
# All right now... # | 0:18:38 | 0:18:41 | |
That day was awesome. Like, everyone was on such a high. | 0:18:41 | 0:18:44 | |
# And I want you to stay... # | 0:18:44 | 0:18:48 | |
We went out there and we just had fun. We just had pure, pure fun. | 0:18:48 | 0:18:52 | |
# I'm walking on sunshine, whoa | 0:18:52 | 0:18:57 | |
# I'm walking on sunshine, whoa | 0:18:57 | 0:19:01 | |
# And don't it feel good. # | 0:19:01 | 0:19:04 | |
Six years later, the South Oxhey Community Choir is still thriving. | 0:19:04 | 0:19:09 | |
Still very strong, very active. | 0:19:09 | 0:19:11 | |
It's a huge, wonderful legacy from Gareth really. | 0:19:11 | 0:19:15 | |
CHEERING AND APPLAUSE MUSIC CONTINUES | 0:19:15 | 0:19:20 | |
OK, South Oxhey, put your hands in the air! | 0:19:20 | 0:19:23 | |
That was a great moment. | 0:19:24 | 0:19:25 | |
There was the choir, there was the community, | 0:19:25 | 0:19:28 | |
everybody clapping along, everyone singing, it felt joyous. | 0:19:28 | 0:19:31 | |
# I'm walking on sunshine, whoa | 0:19:31 | 0:19:35 | |
# I'm walking on sunshine, whoa | 0:19:35 | 0:19:39 | |
# And don't it feel good. # | 0:19:39 | 0:19:46 | |
That was community. It felt like I'd done it. | 0:19:48 | 0:19:51 | |
CHEERING AND APPLAUSE | 0:19:51 | 0:19:54 | |
Thank you very much, South Oxhey. Goodbye. | 0:19:54 | 0:19:57 | |
CHEERING AND APPLAUSE | 0:19:57 | 0:20:00 | |
With his big reunion drawing closer, | 0:20:00 | 0:20:03 | |
Gareth's choir of choirs is slowly coming together. | 0:20:03 | 0:20:07 | |
Today, he's meeting perhaps his most famous soloist - Sam Stevenson. | 0:20:07 | 0:20:11 | |
Sam was somebody who had always sung though her life and | 0:20:13 | 0:20:16 | |
really reconnected with it though doing the Military Wives Choir. | 0:20:16 | 0:20:19 | |
And then had this unbelievable exposure. | 0:20:19 | 0:20:23 | |
Everyone knew who Sam was - the one with the tattoos. | 0:20:23 | 0:20:26 | |
I hope she's still singing and that sort of started something. | 0:20:26 | 0:20:31 | |
-Hello! -Hello. | 0:20:34 | 0:20:36 | |
-Bring it in, bring it in. -Aww, hello! | 0:20:36 | 0:20:39 | |
-Long time no see. -Three years. | 0:20:39 | 0:20:41 | |
You've got new tattoos. | 0:20:42 | 0:20:43 | |
-I've got new tattoos. -How many? | 0:20:43 | 0:20:45 | |
-Please don't ask. -Hundreds. -Too many, too many to count. | 0:20:45 | 0:20:48 | |
-You look well. -You too! You look better without the beard. | 0:20:48 | 0:20:51 | |
-No beard. Yeah, let's not talk about the beard. -Yeah. | 0:20:51 | 0:20:54 | |
The burning question for me is, how's the singing? | 0:20:54 | 0:20:57 | |
-I'm still singing. -Phew! | 0:20:57 | 0:20:58 | |
I didn't put you off? | 0:20:58 | 0:21:00 | |
SHE LAUGHS | 0:21:00 | 0:21:02 | |
No, no, no. I'm still singing in a military wives choir. | 0:21:02 | 0:21:05 | |
Up in Lossiemouth. | 0:21:05 | 0:21:06 | |
Will you come and sing with my reunion choir? | 0:21:06 | 0:21:08 | |
-Of course I will. -Good. -I can't say no to you. | 0:21:08 | 0:21:10 | |
Shall we sing Wherever You Are for old time's sake? | 0:21:10 | 0:21:13 | |
My Lord. I've not sung this for years. | 0:21:13 | 0:21:17 | |
I can't remember it! | 0:21:17 | 0:21:18 | |
You remember this bit. | 0:21:18 | 0:21:21 | |
SHE VOCALISES | 0:21:21 | 0:21:26 | |
SHE LAUGHS | 0:21:26 | 0:21:28 | |
THEY VOCALISE | 0:21:28 | 0:21:31 | |
That's it. | 0:21:31 | 0:21:33 | |
# Wherever you are | 0:21:36 | 0:21:39 | |
# My love will keep you safe | 0:21:39 | 0:21:43 | |
# My heart will build a bridge of light | 0:21:43 | 0:21:46 | |
# Across both time and space... # | 0:21:46 | 0:21:48 | |
Gareth first met Sam four years ago when he became choir master | 0:21:48 | 0:21:52 | |
at the Royal Marines Barracks at Chivenor, Devon. | 0:21:52 | 0:21:56 | |
Five, four, three, two, one. | 0:21:56 | 0:21:59 | |
It was a training base for the Royal Marines, the Army, and the RAF. | 0:21:59 | 0:22:04 | |
Major Williams... | 0:22:04 | 0:22:07 | |
But within three weeks of his arrival, 600 men left on a | 0:22:07 | 0:22:11 | |
six-month tour of duty in Afghanistan, | 0:22:11 | 0:22:14 | |
including Sam's husband, John, a Royal Engineer, | 0:22:14 | 0:22:17 | |
leaving her in charge of their two young children. | 0:22:17 | 0:22:21 | |
-Words cannot explain how much... -SHE SIGHS | 0:22:21 | 0:22:24 | |
How much I just want him to come home and it to be all over | 0:22:24 | 0:22:28 | |
and us to be just a family again. | 0:22:28 | 0:22:30 | |
I really want time to go as quick as it can. | 0:22:30 | 0:22:33 | |
The Afghanistan war was in its tenth year, and stories were coming | 0:22:33 | 0:22:37 | |
back all the time about people being injured or dying. | 0:22:37 | 0:22:41 | |
And these women had their husbands out there. | 0:22:41 | 0:22:44 | |
You can imagine what fear existed in that place. | 0:22:44 | 0:22:48 | |
Shall we go to the park? | 0:22:48 | 0:22:50 | |
I wanted to shine a light on military wives, | 0:22:50 | 0:22:52 | |
and show what they were going through. | 0:22:52 | 0:22:54 | |
Give them a voice, give them a chance to sing | 0:22:54 | 0:22:57 | |
and actually just lift their spirits. | 0:22:57 | 0:22:59 | |
I'm here to pick you up and the most important thing, | 0:23:01 | 0:23:05 | |
to have an opportunity to bring your voices together to be heard. | 0:23:05 | 0:23:09 | |
First song that we're going to sing is Guns N' Roses well-known | 0:23:09 | 0:23:13 | |
choral classic Sweet Child O' Mine. | 0:23:13 | 0:23:16 | |
PIANO PLAYS INTRO | 0:23:16 | 0:23:18 | |
We're going to do it quite energised. Shall we stand up? | 0:23:18 | 0:23:21 | |
I'm assuming you just know it, so give it a go. | 0:23:21 | 0:23:24 | |
# She's got a smile that it seems to me | 0:23:24 | 0:23:27 | |
# Reminds me of childhood memories... # | 0:23:27 | 0:23:30 | |
I could hear potential, but I could also hear vulnerability | 0:23:30 | 0:23:33 | |
and a lack of confidence. | 0:23:33 | 0:23:35 | |
Their husbands were away at that very moment, | 0:23:35 | 0:23:38 | |
so of course they were emotionally vulnerable, | 0:23:38 | 0:23:40 | |
which made singing all the more difficult. | 0:23:40 | 0:23:43 | |
# As fresh as the bright blue sky | 0:23:43 | 0:23:45 | |
# Bright blue, bright blue sky. # | 0:23:45 | 0:23:48 | |
Stop. Can you just sing me that last note together? Go. | 0:23:48 | 0:23:51 | |
THEY VOCALISE | 0:23:51 | 0:23:53 | |
They should have, "Aaaaa!" | 0:23:53 | 0:23:56 | |
Thank you very much. How was that? | 0:23:56 | 0:23:57 | |
-INDISTINCT MURMURING -Hard? | 0:23:57 | 0:23:59 | |
That was quite stressful. Didn't enjoy that. | 0:23:59 | 0:24:02 | |
So I'm a bit flustered and I need a drink. | 0:24:02 | 0:24:05 | |
Go on in. Go on in. Hello. Morning, Emma. | 0:24:08 | 0:24:09 | |
But the women persevered and the weekly rehearsals soon became | 0:24:09 | 0:24:13 | |
an important fixture in their routines. | 0:24:13 | 0:24:16 | |
Right, you've got to look alive. | 0:24:16 | 0:24:17 | |
And if you're not singing at the beginning, | 0:24:17 | 0:24:19 | |
-you've got to look like you might. -LAUGHTER | 0:24:19 | 0:24:21 | |
People are like this, "What's going to happen? Who's going to sing?" | 0:24:21 | 0:24:25 | |
You are. | 0:24:25 | 0:24:27 | |
# She's got a smile that it seems to me | 0:24:27 | 0:24:29 | |
# Reminds me of childhood... # | 0:24:29 | 0:24:30 | |
I think people dismiss singing too easily as being something | 0:24:30 | 0:24:33 | |
rather frivolous. Singing's really important. | 0:24:33 | 0:24:35 | |
You tell those women that it's frivolous. | 0:24:35 | 0:24:38 | |
It was the thing that held them together. | 0:24:38 | 0:24:39 | |
One, two, three. | 0:24:39 | 0:24:41 | |
# Her hair reminds me of a warm safe place... # | 0:24:41 | 0:24:44 | |
As the weeks went on, I think we all let our guard down, | 0:24:44 | 0:24:48 | |
and we became so close that you would trust each other | 0:24:48 | 0:24:55 | |
and you would just speak about anything that was going on. | 0:24:55 | 0:24:58 | |
It was almost like an extension of family. | 0:24:58 | 0:25:01 | |
# ..pass me by. # | 0:25:01 | 0:25:02 | |
Sit down, well done. | 0:25:02 | 0:25:04 | |
APPLAUSE | 0:25:04 | 0:25:05 | |
After a month of rehearsals, the choir was ready to | 0:25:05 | 0:25:08 | |
give their first public performance in the Pannier Market, | 0:25:08 | 0:25:12 | |
in the local town of Barnstaple. | 0:25:12 | 0:25:15 | |
Ladies and gentlemen, it gives me enormous pleasure to | 0:25:15 | 0:25:18 | |
introduce you the RMB Chivenor Military Wives Choir. | 0:25:18 | 0:25:24 | |
CHEERING AND APPLAUSE | 0:25:24 | 0:25:26 | |
And it was Nicky, a Royal Engineer's wife, who sang the opening solo. | 0:25:26 | 0:25:31 | |
# When the rain is falling in your face | 0:25:31 | 0:25:38 | |
# And the whole world is on your case | 0:25:38 | 0:25:43 | |
# I would offer you a warm embrace | 0:25:45 | 0:25:51 | |
# To make you feel my love. # | 0:25:51 | 0:25:56 | |
It was just a moment in my history, in my life, that I'll just, | 0:25:56 | 0:26:00 | |
I'll thank him for ever for that. | 0:26:00 | 0:26:02 | |
It was a proud, proud moment, that was. | 0:26:02 | 0:26:05 | |
# And there's no-one there to dry your tears | 0:26:05 | 0:26:11 | |
# I could hold you for a million years... # | 0:26:11 | 0:26:15 | |
That day, in front of that audience, they realised... | 0:26:15 | 0:26:19 | |
They literally found their voice in front of me. | 0:26:19 | 0:26:21 | |
I've never experienced anything like it. | 0:26:21 | 0:26:24 | |
# Go to the ends of the earth... # | 0:26:24 | 0:26:26 | |
People were crying in front of them. | 0:26:26 | 0:26:30 | |
# To make you feel my love | 0:26:30 | 0:26:37 | |
# To make you feel my love. # | 0:26:37 | 0:26:44 | |
APPLAUSE | 0:26:45 | 0:26:47 | |
The reaction from that crowd really gave me | 0:26:47 | 0:26:49 | |
a sense that the British public were going to love this choir. | 0:26:49 | 0:26:53 | |
But Gareth's mission was for the whole country to hear | 0:26:55 | 0:26:58 | |
the military wives' voices, and by the autumn he'd found | 0:26:58 | 0:27:01 | |
the perfect event for their national debut. | 0:27:01 | 0:27:04 | |
You need to keep Saturday 12th November free because you are going, | 0:27:04 | 0:27:09 | |
and it gives me huge excitement to tell you, we are going to perform | 0:27:09 | 0:27:14 | |
-at the Festival of Remembrance... -THEY CHEER | 0:27:14 | 0:27:17 | |
..which is at the Royal Albert Hall. | 0:27:17 | 0:27:19 | |
Oh, my God! | 0:27:19 | 0:27:21 | |
More than that, it's in front of the royal family. | 0:27:21 | 0:27:24 | |
SQUEALING | 0:27:24 | 0:27:27 | |
I've heard myself saying this is the biggest thing I've ever done so | 0:27:27 | 0:27:30 | |
many times, but this is the biggest thing I've ever done in my life. | 0:27:30 | 0:27:33 | |
This is absolutely huge because, | 0:27:33 | 0:27:35 | |
in terms of getting their message across and getting them understood, | 0:27:35 | 0:27:40 | |
I can't think of anything better. | 0:27:40 | 0:27:43 | |
The wives were to perform a newly composed song, and for the lyrics, | 0:27:43 | 0:27:47 | |
Gareth asked the women to offer up lines from their husbands' letters. | 0:27:47 | 0:27:51 | |
-Any others? -I don't want to read mine out. | 0:27:51 | 0:27:54 | |
You can't read it out. | 0:27:54 | 0:27:55 | |
"Keep my heart safe, my love, for I send it away with you. | 0:27:55 | 0:27:58 | |
"Hold it close, know I'm with you always." | 0:27:58 | 0:28:01 | |
Thank you very much. | 0:28:01 | 0:28:03 | |
I didn't know whether the song would work until I sang it to them. | 0:28:03 | 0:28:06 | |
# Wherever you are | 0:28:09 | 0:28:12 | |
# My love will keep you safe... # | 0:28:12 | 0:28:16 | |
They brought the words together so that it meant something. | 0:28:16 | 0:28:22 | |
# Across both time and space | 0:28:22 | 0:28:25 | |
And it hit me like a hammer on the head. | 0:28:25 | 0:28:29 | |
Wherever You Are. | 0:28:29 | 0:28:31 | |
I didn't know where my husband was. I was like, pff, bloody Nora! | 0:28:31 | 0:28:36 | |
With the royal performance just three weeks away, | 0:28:37 | 0:28:40 | |
Gareth held auditions to find his soloist. | 0:28:40 | 0:28:43 | |
Massive gig, massive. | 0:28:43 | 0:28:46 | |
I would struggle to stand up and sing in front of | 0:28:46 | 0:28:49 | |
that number of people, I really would. | 0:28:49 | 0:28:51 | |
# Wherever you are | 0:28:51 | 0:28:55 | |
# My love will keep you safe. # | 0:28:55 | 0:28:57 | |
I've now heard nine. Next! | 0:28:57 | 0:28:59 | |
SHE VOCALISES | 0:28:59 | 0:29:02 | |
-Sorry, sorry, sorry. -Sing the next bit for me. | 0:29:06 | 0:29:09 | |
Oh. | 0:29:09 | 0:29:10 | |
# Wherever you are | 0:29:12 | 0:29:16 | |
# My heart... # | 0:29:16 | 0:29:17 | |
I don't even know the words. Sorry. | 0:29:17 | 0:29:20 | |
-It's OK. -I shouldn't even be doing this. | 0:29:20 | 0:29:22 | |
-Yes, you should. -Why? | 0:29:22 | 0:29:24 | |
Because you have a great voice. | 0:29:24 | 0:29:25 | |
I really need to compose myself. | 0:29:25 | 0:29:27 | |
Take a minute. You'll come back? | 0:29:27 | 0:29:30 | |
Sam? | 0:29:30 | 0:29:31 | |
-TEARFULLY: -Just totally messed it up. | 0:29:35 | 0:29:38 | |
I just felt like I kept fluffing it up, and just thought, | 0:29:38 | 0:29:42 | |
"I can't do this, I'm rubbish at this. This is horrendous." | 0:29:42 | 0:29:46 | |
You OK? | 0:29:46 | 0:29:47 | |
-SHE SOBS -It's all right. | 0:29:47 | 0:29:49 | |
When she sings those words | 0:29:49 | 0:29:50 | |
she sings them simply and from the heart, | 0:29:50 | 0:29:53 | |
because she understands the meaning. | 0:29:53 | 0:29:55 | |
It's so right when she does it, but I'm so worried, | 0:29:55 | 0:30:00 | |
so worried for her. | 0:30:00 | 0:30:03 | |
I had to just go away and compose myself. | 0:30:03 | 0:30:07 | |
-Sam. -Yes. | 0:30:07 | 0:30:08 | |
Take two. | 0:30:08 | 0:30:10 | |
# Wherever you are... # | 0:30:13 | 0:30:16 | |
Sam got the solo. And on the 12th November 2011, | 0:30:16 | 0:30:21 | |
100 military wives arrived to perform at the Royal Albert Hall. | 0:30:21 | 0:30:26 | |
-This is it! -CHEERING | 0:30:26 | 0:30:28 | |
The Royal Albert Hall! | 0:30:28 | 0:30:29 | |
Four years later, and Sam has returned to | 0:30:32 | 0:30:34 | |
London for rehearsals for Gareth's reunion. | 0:30:34 | 0:30:37 | |
But first, she's revisiting the scene | 0:30:37 | 0:30:39 | |
of one of the most extraordinary days of her life. | 0:30:39 | 0:30:43 | |
You totally forget how big it is. | 0:30:43 | 0:30:45 | |
I just keep remembering we came off the bus with Gareth, | 0:30:46 | 0:30:50 | |
we're sort of tooting across the road, | 0:30:50 | 0:30:52 | |
just thinking we've got to sing here and just, like, how big it is. | 0:30:52 | 0:30:56 | |
You do, like, literally, forget it's such a massive building. | 0:30:56 | 0:31:00 | |
Also in London for the reunion is Sam's old friend Nicky. | 0:31:01 | 0:31:06 | |
Don't cry. Oh, sweetheart. | 0:31:06 | 0:31:09 | |
Oh, it's so good to see you! | 0:31:09 | 0:31:11 | |
They both still sing in military wives choirs, | 0:31:11 | 0:31:14 | |
but they haven't seen each other for two years, as Sam moved to Scotland. | 0:31:14 | 0:31:18 | |
That's just bringing back so many memories, that. | 0:31:18 | 0:31:21 | |
-We had no idea. -It just feels like really nice to be back here though. | 0:31:21 | 0:31:25 | |
-It does. -It feels really special. And I'm back here with you! | 0:31:25 | 0:31:27 | |
APPLAUSE | 0:31:29 | 0:31:30 | |
Ladies and gentlemen, welcome to the Royal Albert Hall | 0:31:30 | 0:31:34 | |
for the Festival of Remembrance of 2011. | 0:31:34 | 0:31:37 | |
I feel that weight of, you know, history and occasion | 0:31:37 | 0:31:42 | |
and responsibility really pressing down on this one. | 0:31:42 | 0:31:45 | |
The Queen's in, the royal family are in. | 0:31:46 | 0:31:48 | |
And as soon as this finishes, it's me and the ladies. | 0:31:48 | 0:31:53 | |
We'd come on stage. | 0:31:55 | 0:31:57 | |
I took a massive gulp because you're just like, "Oh, my Lord." | 0:31:57 | 0:32:02 | |
SHE VOCALISES | 0:32:02 | 0:32:05 | |
# Wherever you are | 0:32:15 | 0:32:19 | |
# My love will keep you safe | 0:32:19 | 0:32:22 | |
# My heart will build a bridge of light | 0:32:22 | 0:32:25 | |
# Across both time and space | 0:32:25 | 0:32:28 | |
# Wherever you are... # | 0:32:28 | 0:32:30 | |
Even though you had 100 women behind you, | 0:32:30 | 0:32:32 | |
supporting you and singing, | 0:32:32 | 0:32:34 | |
you sort of felt like, "I'm at the front here so I'm literally | 0:32:34 | 0:32:38 | |
"representing all these women, and representing Gareth as well." | 0:32:38 | 0:32:41 | |
# Light up the darkness | 0:32:41 | 0:32:45 | |
# My prince of peace | 0:32:45 | 0:32:48 | |
# May the stars shine all around you | 0:32:48 | 0:32:51 | |
# May your courage... # | 0:32:51 | 0:32:53 | |
We'd grown together from this little choir in Chivenor | 0:32:53 | 0:32:58 | |
to stand in the Royal Albert Hall. | 0:32:58 | 0:33:01 | |
How much strength was in that group at that moment | 0:33:01 | 0:33:06 | |
I couldn't tell you, it was like electricity. | 0:33:06 | 0:33:09 | |
# Along the dark, dark way | 0:33:09 | 0:33:12 | |
# Wherever you are... # | 0:33:12 | 0:33:14 | |
Their performance that day changed the world's perception | 0:33:14 | 0:33:17 | |
of military wives and triggered a choir revolution. | 0:33:17 | 0:33:21 | |
Today, there are 75 military wives choirs around the globe | 0:33:21 | 0:33:25 | |
with over 2,000 members. | 0:33:25 | 0:33:27 | |
# ..darkness my wondrous star... # | 0:33:27 | 0:33:31 | |
Something amazing happened that day, it was incredible | 0:33:31 | 0:33:34 | |
and I put a lot of that down to Sam's amazing solo. | 0:33:34 | 0:33:37 | |
Her vulnerability, her strength, her determination, her voice. | 0:33:37 | 0:33:42 | |
SHE VOCALISES | 0:33:42 | 0:33:45 | |
APPLAUSE | 0:33:48 | 0:33:51 | |
You did so well. That took real spine. | 0:33:56 | 0:33:58 | |
-It's a real, a real triumph. -Thank you. | 0:33:58 | 0:34:02 | |
Real triumph. | 0:34:02 | 0:34:05 | |
-Well done, you. -Thank you. | 0:34:05 | 0:34:06 | |
Today, Gareth will finally bring together 33 of his most | 0:34:09 | 0:34:13 | |
gifted singers under one roof. | 0:34:13 | 0:34:15 | |
They're to perform at his big reunion party | 0:34:15 | 0:34:18 | |
and he's got just 24 hours to turn them into his choir of choirs. | 0:34:18 | 0:34:23 | |
I'm expecting this to sound not just all right but actually great. | 0:34:23 | 0:34:27 | |
Like, musically, I'm hoping this will be something really special. | 0:34:27 | 0:34:32 | |
The best voices from his school choirs, the town of South Oxhey, | 0:34:32 | 0:34:35 | |
and the military wives are gathering for rehearsal. | 0:34:35 | 0:34:39 | |
I honestly can't believe there are so many people here. | 0:34:39 | 0:34:42 | |
Yeah, he's done a lot of work actually. I can't believe it myself. | 0:34:42 | 0:34:45 | |
Joining them are singers from Gareth's widest ranging project. | 0:34:45 | 0:34:49 | |
Over two years, he formed choirs | 0:34:49 | 0:34:51 | |
in nine of the country's busiest workplaces, | 0:34:51 | 0:34:54 | |
from the Cheshire Fire and Rescue Service | 0:34:54 | 0:34:56 | |
to the Royal Mail. | 0:34:56 | 0:34:57 | |
I met some more friends I'm just reminiscing about what | 0:34:59 | 0:35:02 | |
we done a few years back now. It's been years. | 0:35:02 | 0:35:04 | |
Good morning, everyone. | 0:35:04 | 0:35:06 | |
I am here to start a choir. | 0:35:06 | 0:35:07 | |
If you are at all interested, make yourself known to me. | 0:35:07 | 0:35:10 | |
The reason I started going to workplaces to start choirs | 0:35:10 | 0:35:13 | |
was because I felt it could bring people together | 0:35:13 | 0:35:15 | |
in a way that it had in other choirs, | 0:35:15 | 0:35:17 | |
but it also could just make you feel better about your daily grind. | 0:35:17 | 0:35:20 | |
You know, we'd had this recession. | 0:35:20 | 0:35:21 | |
I think the British workforce needed a boost | 0:35:21 | 0:35:24 | |
and I felt singing was the perfect thing to do it. | 0:35:24 | 0:35:27 | |
This is Gareth Malone here. | 0:35:27 | 0:35:29 | |
'And I'm here to start a choir.' | 0:35:29 | 0:35:31 | |
Are you interested in joining a choir? | 0:35:31 | 0:35:32 | |
Maybe, yeah. | 0:35:32 | 0:35:34 | |
# Everybody hurts... # | 0:35:34 | 0:35:36 | |
Unlike Gareth's previous choir projects, | 0:35:36 | 0:35:38 | |
Sing While You Work was a contest to find Britain's best workplace choir. | 0:35:38 | 0:35:43 | |
It was always through competing with other people that I got better | 0:35:43 | 0:35:47 | |
and I want that for these choirs. | 0:35:47 | 0:35:49 | |
I want them to feel the pressure and get better. | 0:35:49 | 0:35:51 | |
# Try to see it my way | 0:35:52 | 0:35:55 | |
# Do I have to keep on talking till I can't go on? # | 0:35:55 | 0:35:58 | |
I think because it was a contest | 0:35:58 | 0:36:00 | |
it made everybody work harder. | 0:36:00 | 0:36:02 | |
So, consequently, the standard was incredibly high, | 0:36:02 | 0:36:05 | |
some of those performances were terrific. | 0:36:05 | 0:36:07 | |
# I was blind | 0:36:08 | 0:36:11 | |
# But now I see... # | 0:36:11 | 0:36:13 | |
Across the choirs, Gareth discovered outstanding singers | 0:36:13 | 0:36:15 | |
from all walks of life. | 0:36:15 | 0:36:17 | |
# When the day is long. # | 0:36:17 | 0:36:20 | |
# And I'm feeling good | 0:36:20 | 0:36:22 | |
# Feeling good, feeling good. # | 0:36:22 | 0:36:25 | |
# You've got someone to blame. # | 0:36:25 | 0:36:28 | |
But it was at P&O he came across his most unlikely stars. | 0:36:30 | 0:36:34 | |
-Wow. Hello, Gareth. -Gareth. -Thanks for having me. | 0:36:35 | 0:36:38 | |
In the middle of the English Channel, Gareth met quartermaster Grant... | 0:36:38 | 0:36:42 | |
Have you done any singing before? Just give me a la. | 0:36:42 | 0:36:45 | |
-DEEP VOICE: -Laaaa. | 0:36:45 | 0:36:46 | |
I'm a little bit nervous. | 0:36:46 | 0:36:47 | |
It's like a drain. | 0:36:47 | 0:36:49 | |
And his brother, Jeff. | 0:36:49 | 0:36:51 | |
# We are sailing | 0:36:51 | 0:36:54 | |
# We are sailing... # | 0:36:54 | 0:36:56 | |
They were both clearly basses, | 0:36:56 | 0:36:57 | |
albeit rough and a bit gravelly. | 0:36:57 | 0:37:00 | |
But they both had a good tone. | 0:37:00 | 0:37:02 | |
Can I hear the basses? Two, three and... | 0:37:02 | 0:37:04 | |
# Rock the boat. # | 0:37:04 | 0:37:05 | |
It's a bit football crowd. | 0:37:05 | 0:37:07 | |
-Way-ay! -LAUGHTER | 0:37:07 | 0:37:09 | |
Grant and Jeff were obviously blokey blokes | 0:37:09 | 0:37:11 | |
and they were not always enthusiastic about my song choices. | 0:37:11 | 0:37:14 | |
# ..know if you've got the notion. # | 0:37:14 | 0:37:18 | |
Interesting. | 0:37:18 | 0:37:19 | |
-The song choices of some of them are a little... -Painful. | 0:37:19 | 0:37:22 | |
Some of them were painful. | 0:37:22 | 0:37:23 | |
But as the contest progressed, they started to loosen up. | 0:37:23 | 0:37:26 | |
BOTH: # Beyond the sea. # | 0:37:26 | 0:37:30 | |
Getting a little stodgy. | 0:37:30 | 0:37:31 | |
Light. | 0:37:31 | 0:37:34 | |
-# Somewhere beyond the sea... # -So much better. | 0:37:34 | 0:37:37 | |
And actually, despite themselves, they started to enjoy it. | 0:37:37 | 0:37:40 | |
# Somewhere waiting for me. # | 0:37:40 | 0:37:42 | |
And when P&O got through to the final, | 0:37:42 | 0:37:44 | |
it was the brothers who sang the opening duet. | 0:37:44 | 0:37:46 | |
# When I'm an island | 0:37:46 | 0:37:49 | |
# And I just stand alone | 0:37:49 | 0:37:53 | |
# No land is my land | 0:37:53 | 0:37:56 | |
# And nothing's all.... # | 0:37:56 | 0:37:58 | |
For two such burly blokes, | 0:37:58 | 0:38:00 | |
I think they sang with surprising tenderness. | 0:38:00 | 0:38:03 | |
I think that's part of the secret to the success of P&O. | 0:38:03 | 0:38:06 | |
And I think it helped them to win. | 0:38:06 | 0:38:08 | |
APPLAUSE | 0:38:08 | 0:38:10 | |
Sometimes you just need a little push | 0:38:10 | 0:38:11 | |
and a little persuasion to do something out of your comfort zone. | 0:38:11 | 0:38:14 | |
-And you get something amazing from it. -Yeah. | 0:38:14 | 0:38:17 | |
APPLAUSE | 0:38:17 | 0:38:19 | |
Of all the choirs, | 0:38:21 | 0:38:23 | |
this should be the one that can produce the best result. | 0:38:23 | 0:38:26 | |
That's fighting talk, isn't it? | 0:38:26 | 0:38:29 | |
Oh, I've lost count again. One, two, three, four, five, six. | 0:38:29 | 0:38:32 | |
I wonder if he's aged. | 0:38:32 | 0:38:34 | |
-No, he's for ever young, that man, isn't he? Yeah. -Probably. | 0:38:34 | 0:38:37 | |
Ah! Hello! | 0:38:38 | 0:38:40 | |
CHEERING AND APPLAUSE | 0:38:40 | 0:38:43 | |
So good to see you all. You excited? | 0:38:43 | 0:38:45 | |
ALL: Yes! | 0:38:45 | 0:38:46 | |
Should we get on with it, shall we do some singing? | 0:38:46 | 0:38:48 | |
-ALL: Yes! -Come on, let's go. | 0:38:48 | 0:38:50 | |
-Hello, Jo. -How are you? | 0:38:52 | 0:38:54 | |
-I'm all right. How is the city? -All good. -Good. | 0:38:54 | 0:38:58 | |
-Hello, Chika, how are you? -Oh, I'm good. | 0:38:58 | 0:39:00 | |
You're singing tenor? | 0:39:00 | 0:39:01 | |
Oh, good. Excellent. | 0:39:01 | 0:39:03 | |
-Hello, Matt, how are you? -I'm really well. How are you? | 0:39:03 | 0:39:06 | |
Thank you very, very much for agreeing to be part of this, | 0:39:08 | 0:39:12 | |
my super choir, my choir of choirs. | 0:39:12 | 0:39:15 | |
And I think this choir should sound absolutely incredible. | 0:39:15 | 0:39:18 | |
You know the rules. | 0:39:18 | 0:39:20 | |
Somebody makes a mistake, you just look at the person | 0:39:20 | 0:39:22 | |
next to you and go... | 0:39:22 | 0:39:23 | |
LAUGHTER | 0:39:23 | 0:39:25 | |
The song that we're going to sing is the song | 0:39:25 | 0:39:27 | |
that started the whole adventure. | 0:39:27 | 0:39:29 | |
Great song about being there for people. | 0:39:29 | 0:39:32 | |
We will be singing Bridge Over Troubled Water, | 0:39:32 | 0:39:35 | |
in 24 hours. | 0:39:35 | 0:39:36 | |
For an audience of over 200 people, who you all know | 0:39:36 | 0:39:39 | |
because they're members of the choirs I've worked with | 0:39:39 | 0:39:42 | |
over the last ten years. | 0:39:42 | 0:39:43 | |
GASPS | 0:39:43 | 0:39:45 | |
So I think the first thing we have to do is have a quick sing through | 0:39:45 | 0:39:48 | |
and see where we're at. Up we get. | 0:39:48 | 0:39:50 | |
MUSIC: Bridge Over Troubled Water | 0:39:52 | 0:39:56 | |
# When you're down and out | 0:39:56 | 0:40:02 | |
# When you're on the street | 0:40:02 | 0:40:07 | |
# When evening falls so hard... # | 0:40:07 | 0:40:14 | |
So good to see so many familiar faces. | 0:40:14 | 0:40:18 | |
All my stand-out singers from all my choirs. Great. | 0:40:18 | 0:40:21 | |
# I will ease your mind | 0:40:21 | 0:40:27 | |
And... | 0:40:30 | 0:40:32 | |
# I will ease your mind. # | 0:40:32 | 0:40:40 | |
We've got a lot work to do. | 0:40:41 | 0:40:43 | |
OK, shall we take a break? Thank you, everyone. | 0:40:45 | 0:40:48 | |
INDISTINCT CHATTER | 0:40:48 | 0:40:51 | |
It's good to see you guys. How's your brother? | 0:40:51 | 0:40:53 | |
I've made a personal connection with all these people | 0:40:53 | 0:40:56 | |
so it feels really nice to reconnect with them. | 0:40:56 | 0:40:59 | |
This feels much more personal than anything I've done in a while. | 0:40:59 | 0:41:03 | |
Is the choir still going in Birmingham? | 0:41:05 | 0:41:07 | |
Oh, yeah. Absolutely. Yeah, we practise every single week. | 0:41:07 | 0:41:10 | |
Gareth met Siobhan when he formed choir with Birmingham City Council. | 0:41:10 | 0:41:15 | |
She was a social worker in Children's Services. | 0:41:15 | 0:41:18 | |
My job, in a way, is standing between the perpetrators of abuse | 0:41:18 | 0:41:23 | |
and the child. | 0:41:23 | 0:41:25 | |
So you're going to... | 0:41:25 | 0:41:27 | |
absorb all the bullets, I suppose, aren't you? | 0:41:27 | 0:41:30 | |
Siobhan was working on the front line of social care, | 0:41:30 | 0:41:32 | |
working with some very difficult and sensitive situations | 0:41:32 | 0:41:35 | |
to do with children. Really tough job. | 0:41:35 | 0:41:37 | |
# We'll just move somewhere else | 0:41:37 | 0:41:42 | |
# And still carry on. # | 0:41:42 | 0:41:45 | |
That's good. | 0:41:46 | 0:41:47 | |
It's not making enough impact, is that what you mean? | 0:41:47 | 0:41:50 | |
Not really. Look, what does this song mean to you? | 0:41:50 | 0:41:53 | |
I think it means, you know, the families that I work with. | 0:41:53 | 0:41:57 | |
I think the song is about asking them to trust me | 0:41:57 | 0:42:00 | |
and everyone in the council to, you know, | 0:42:00 | 0:42:02 | |
there are better times, you've got to come with us. | 0:42:02 | 0:42:05 | |
It's definitely worth having something to latch on to, | 0:42:05 | 0:42:07 | |
like a moment that you're going to use in that song. | 0:42:07 | 0:42:11 | |
-I have lots of moments. -Do you? -Yeah. | 0:42:11 | 0:42:14 | |
What's your moment? | 0:42:14 | 0:42:15 | |
Um... | 0:42:15 | 0:42:16 | |
I have lots of moments at work. | 0:42:21 | 0:42:24 | |
Yeah. | 0:42:24 | 0:42:25 | |
Sorry. | 0:42:28 | 0:42:29 | |
You know, you can save children just before death really. | 0:42:31 | 0:42:36 | |
I'm not exaggerating when I say that. | 0:42:36 | 0:42:38 | |
We see some horrible things. | 0:42:38 | 0:42:40 | |
And its very, very upsetting, | 0:42:40 | 0:42:42 | |
but you haven't got time to deal with those emotions. | 0:42:42 | 0:42:45 | |
So, you know, you have to stand there in hospitals when | 0:42:45 | 0:42:48 | |
there's children with broken limbs. | 0:42:48 | 0:42:50 | |
And, you know, you have to fill out forms | 0:42:50 | 0:42:52 | |
and you have to liaise with all these professionals, | 0:42:52 | 0:42:54 | |
you have to have meetings, you have to all listen. | 0:42:54 | 0:42:57 | |
There's that child lying there and you haven't time to have a good cry | 0:42:57 | 0:43:00 | |
because you can't. | 0:43:00 | 0:43:01 | |
I think for it really to work... | 0:43:01 | 0:43:04 | |
-you've got to wear your heart on your sleeve a bit. -Yeah. | 0:43:04 | 0:43:07 | |
MUSIC: The Only Way Is Up | 0:43:08 | 0:43:11 | |
# We've been broken down | 0:43:11 | 0:43:15 | |
# To the lowest turn | 0:43:17 | 0:43:19 | |
# And being on the bottom line | 0:43:21 | 0:43:26 | |
# Sure ain't no fun | 0:43:26 | 0:43:28 | |
# But if we should be evicted | 0:43:30 | 0:43:34 | |
# From our homes | 0:43:34 | 0:43:37 | |
# We'll just move somewhere else | 0:43:37 | 0:43:42 | |
# And still carry on... # | 0:43:42 | 0:43:45 | |
To me, music should always communicate something. | 0:43:45 | 0:43:47 | |
And I think Siobhan did that in abundance, she was able to | 0:43:47 | 0:43:50 | |
sing about herself, about each other, | 0:43:50 | 0:43:54 | |
and do it in a way that was just beautiful. | 0:43:54 | 0:43:56 | |
BOTH: # We'll just move somewhere else | 0:43:56 | 0:44:00 | |
# And still carry on. # | 0:44:00 | 0:44:02 | |
It was a great solo. | 0:44:02 | 0:44:04 | |
It was a stand-out moment for me. That and that whole song. | 0:44:04 | 0:44:07 | |
How's Birmingham? What are you doing, you still a social worker? | 0:44:07 | 0:44:10 | |
-I got promoted. -Did you? | 0:44:10 | 0:44:11 | |
-Cos of you. No, not true. -Cos of your wonderful solo. | 0:44:11 | 0:44:14 | |
Yep. Well, actually, you did so much because obviously following me | 0:44:14 | 0:44:18 | |
round and that being on the television, no-one had ever, | 0:44:18 | 0:44:22 | |
I think, seen social workers in a positive light. | 0:44:22 | 0:44:25 | |
It was just fantastic, yeah. | 0:44:25 | 0:44:27 | |
I got a really, really good response. Not just for me, for... | 0:44:27 | 0:44:30 | |
-For the whole group? -Social work. | 0:44:30 | 0:44:31 | |
-Oh, that's nice. -I'm really grateful. | 0:44:31 | 0:44:33 | |
THEY SING | 0:44:33 | 0:44:36 | |
For me, it's incredible to watch people blossom. | 0:44:36 | 0:44:38 | |
And now they've come back | 0:44:38 | 0:44:40 | |
and there's such a sense of joy and happiness. | 0:44:40 | 0:44:42 | |
# But I don't believe... # | 0:44:42 | 0:44:44 | |
They all seem, I think, happier for having joined choirs. | 0:44:44 | 0:44:49 | |
THEY VOCALISE | 0:44:49 | 0:44:50 | |
It's now halfway through the rehearsal day. | 0:44:50 | 0:44:53 | |
This afternoon is just about slog now. | 0:44:53 | 0:44:55 | |
In 24 hours' time, they'll be on stage in front a lot of people | 0:44:55 | 0:44:59 | |
who know whether it's going to be good or not. | 0:44:59 | 0:45:01 | |
So, slog. | 0:45:03 | 0:45:05 | |
It's time to kick the proverbial. | 0:45:06 | 0:45:09 | |
OK! Everyone, back in. | 0:45:10 | 0:45:12 | |
Let's go. Quick, quick, quick. | 0:45:12 | 0:45:14 | |
You're going the wrong way, Marisa. This way. | 0:45:14 | 0:45:16 | |
-THEY LAUGH -In you go, in you go. Come on. | 0:45:16 | 0:45:18 | |
That's it! Hup, hup, hup! | 0:45:18 | 0:45:20 | |
I'm about to put it together for the first time | 0:45:22 | 0:45:24 | |
now that they all know their notes. | 0:45:24 | 0:45:26 | |
-Come on. -I was eating a banana. I'm sorry. | 0:45:26 | 0:45:28 | |
No time for bananas, no time for bananas, Hayley. | 0:45:28 | 0:45:30 | |
Come on. It's going to be fine. | 0:45:30 | 0:45:32 | |
We have lots of work to do before 5.30. | 0:45:33 | 0:45:35 | |
We also have to, I think, pick a couple of soloists. | 0:45:35 | 0:45:39 | |
I'd like to just hear a few people sing some bits | 0:45:39 | 0:45:41 | |
and then I'm going to make some decisions. | 0:45:41 | 0:45:43 | |
-BOTH: -# When you're down and out | 0:45:43 | 0:45:48 | |
# When you're on the street. # | 0:45:48 | 0:45:53 | |
Chloe. | 0:45:53 | 0:45:54 | |
# When you're down and out... # | 0:45:55 | 0:45:59 | |
# When you're on the street. # | 0:46:00 | 0:46:05 | |
Good. Good. OK, fine. | 0:46:05 | 0:46:07 | |
While I'm here... | 0:46:07 | 0:46:08 | |
-IN HIGH-PITCHED VOICE: -# See how they shine. # | 0:46:08 | 0:46:11 | |
Go for it. Two, three, and Jenna. | 0:46:11 | 0:46:14 | |
# See how they shine. # | 0:46:14 | 0:46:19 | |
# See how they shine. # | 0:46:20 | 0:46:26 | |
# See how they shine. # | 0:46:26 | 0:46:30 | |
Nice. | 0:46:30 | 0:46:32 | |
# See how they shine. # | 0:46:32 | 0:46:37 | |
-IN HIGH-PITCHED VOICES: -# See how they shine... # | 0:46:37 | 0:46:40 | |
LAUGHTER AND CHEERING | 0:46:40 | 0:46:42 | |
OK. Erm... | 0:46:50 | 0:46:53 | |
OK. Go and have a seat. Well done, everyone. Thank you. | 0:46:53 | 0:46:55 | |
THEY APPLAUD | 0:46:55 | 0:46:58 | |
OK! | 0:47:03 | 0:47:04 | |
I've made some very, very quick decisions. | 0:47:04 | 0:47:07 | |
So, listen very carefully. | 0:47:07 | 0:47:08 | |
Siobhan, I'd like you to do the first two lines, | 0:47:08 | 0:47:11 | |
but I'd like you then to either be joined by, or taken over by... | 0:47:11 | 0:47:15 | |
I think Sam. | 0:47:15 | 0:47:16 | |
Sail on, Silvergirl, for me, | 0:47:16 | 0:47:19 | |
there's only one person who can do this | 0:47:19 | 0:47:20 | |
and that's Chloe Sullivan | 0:47:20 | 0:47:22 | |
-cos you did it the first time. Is that OK? -Yes. | 0:47:22 | 0:47:25 | |
So, Chloe... | 0:47:25 | 0:47:27 | |
for old times' sake, | 0:47:27 | 0:47:29 | |
you're going to do that as a solo. | 0:47:29 | 0:47:31 | |
Let's see how that works. Let's go from the beginning. | 0:47:31 | 0:47:34 | |
# When you're down and out | 0:47:37 | 0:47:41 | |
# When you're on the street | 0:47:43 | 0:47:46 | |
# When evening falls so hard | 0:47:48 | 0:47:55 | |
-BOTH: -# I will comfort you... # | 0:47:55 | 0:47:58 | |
-Shall we have everyone go... -ALL: -# Ooh... # | 0:47:58 | 0:48:01 | |
Everyone in. | 0:48:01 | 0:48:03 | |
# I'll take your part... # | 0:48:03 | 0:48:06 | |
OK. What I'm getting is, "Wah, wah, wah, wah..." | 0:48:06 | 0:48:10 | |
And I want brr, brr, brr-brr, is what I'm looking for. | 0:48:10 | 0:48:14 | |
-THEY LAUGH -Two, three and one. | 0:48:14 | 0:48:17 | |
# I'll take your part. # | 0:48:17 | 0:48:21 | |
You've got to be able to do that quietly. | 0:48:21 | 0:48:24 | |
Thank you very much. I will see you tomorrow for showtime! | 0:48:24 | 0:48:26 | |
THEY CHEER AND APPLAUD | 0:48:26 | 0:48:28 | |
One or two of them don't know the parts as well as I was hoping, | 0:48:28 | 0:48:31 | |
but actually, on balance... just great. | 0:48:31 | 0:48:34 | |
-Whey! -See you tomorrow! | 0:48:35 | 0:48:38 | |
-No drinking! -ALL: -Bye! | 0:48:38 | 0:48:41 | |
It doesn't always come together, it doesn't always work...perfectly | 0:48:41 | 0:48:45 | |
and I'm hoping that tomorrow is going to be perfect. | 0:48:45 | 0:48:47 | |
Please. | 0:48:49 | 0:48:50 | |
MUSIC: Water Music, Alla Hornpipe by George Frideric Handel | 0:48:50 | 0:48:53 | |
The day of Gareth's big choir reunion has finally arrived. | 0:48:53 | 0:48:57 | |
STAGE CREWMAN HAMMERS | 0:49:01 | 0:49:03 | |
That noise means it's real. | 0:49:05 | 0:49:07 | |
It's lovely, but it's also making me nervous | 0:49:10 | 0:49:12 | |
cos it's like holding a birthday party | 0:49:12 | 0:49:15 | |
and I haven't got enough canapes. | 0:49:15 | 0:49:17 | |
The centrepiece of the reunion | 0:49:18 | 0:49:20 | |
will be a performance by his choir of choirs. | 0:49:20 | 0:49:23 | |
It's a big deal. There's a lot of people coming | 0:49:23 | 0:49:25 | |
and a lot of people that I know, | 0:49:25 | 0:49:27 | |
and I want it to be excellent. | 0:49:27 | 0:49:28 | |
I don't want it to be all right, I want it to be really stunning. | 0:49:28 | 0:49:31 | |
-We've got a visitor. -Oh. Gareth Malone. | 0:49:42 | 0:49:44 | |
-Hello! Hey. How are we all? -CHOIR CHEER | 0:49:44 | 0:49:48 | |
-ALL: -Good. -Oh, you look nervous. -THEY LAUGH | 0:49:48 | 0:49:51 | |
-Are you nervous? -No. -No, you're cool. | 0:49:51 | 0:49:54 | |
Dump your stuff on the floor. | 0:49:54 | 0:49:56 | |
Let's warm up here and let's get ready. | 0:49:56 | 0:49:58 | |
Good. | 0:49:58 | 0:49:59 | |
THEY DO VOCAL EXERCISES | 0:49:59 | 0:50:02 | |
-Ah! -Ah! | 0:50:02 | 0:50:03 | |
Outside, members of Gareth's choirs from the past decade | 0:50:05 | 0:50:08 | |
are gathering for the reunion. | 0:50:08 | 0:50:11 | |
# Doo-doo, doo-doo, doo | 0:50:11 | 0:50:12 | |
# Goodnight, sweetheart, well, it's time to go | 0:50:12 | 0:50:16 | |
# Doo-doo, doo-doo, doo... # | 0:50:16 | 0:50:17 | |
We are one of the original choirs, one of the first choirs and...yeah. | 0:50:17 | 0:50:20 | |
Arguably the best choir. | 0:50:20 | 0:50:22 | |
-Yeah, arguably. -We set it off. | 0:50:22 | 0:50:24 | |
-# Bella mama, bella mama, ay -# Bella mama, bella mama | 0:50:24 | 0:50:29 | |
# Bella mama, bella mama, ay... # | 0:50:29 | 0:50:32 | |
We decided we missed Gareth that much | 0:50:32 | 0:50:34 | |
we'd come up and we'd come dressed as Gareth Malone today. | 0:50:34 | 0:50:37 | |
We're all dressed as Gareth Malone. | 0:50:37 | 0:50:38 | |
MUSIC: The Marriage of Figaro by Wolfgang Amadeus Mozart | 0:50:38 | 0:50:42 | |
-How are you? -I'm all right. You? | 0:50:42 | 0:50:44 | |
Oh, the atmosphere is great, | 0:50:44 | 0:50:46 | |
seeing faces I recognise from the other choirs, | 0:50:46 | 0:50:49 | |
hearing people singing - just such fun. | 0:50:49 | 0:50:51 | |
Even though people don't know each other from different choirs, | 0:50:51 | 0:50:54 | |
we're all kind of giving each other smiles and stuff. | 0:50:54 | 0:50:56 | |
Like, it's kind of a community, I think. | 0:50:56 | 0:50:58 | |
We've all got Gareth. | 0:50:58 | 0:51:00 | |
Gareth is that little point of connection | 0:51:00 | 0:51:02 | |
in all of our universe. | 0:51:02 | 0:51:03 | |
It's just Gareth, that little spot right there. | 0:51:03 | 0:51:05 | |
I was younger ten years ago - I think I looked about 13. | 0:51:07 | 0:51:10 | |
And now, I think I've sort of grown into myself now. | 0:51:10 | 0:51:12 | |
Definitely got a few more greys. | 0:51:12 | 0:51:15 | |
I think, for me, the last ten years have been a struggle, | 0:51:15 | 0:51:18 | |
have been an adventure, | 0:51:18 | 0:51:19 | |
but they've been full of heart, | 0:51:19 | 0:51:22 | |
full of music and full of joy. | 0:51:22 | 0:51:24 | |
Did that sound cheesy? | 0:51:25 | 0:51:26 | |
AUDIENCE CHEER AND APPLAUD | 0:51:27 | 0:51:30 | |
Hello! Hello! | 0:51:30 | 0:51:32 | |
Ladies and gentlemen, friends, | 0:51:32 | 0:51:35 | |
it is fantastic to see so many of you here. | 0:51:35 | 0:51:38 | |
Thank you for making the journey to be here today | 0:51:38 | 0:51:40 | |
to celebrate ten years of The Choir. | 0:51:40 | 0:51:42 | |
So many rehearsals, so many wonderful experiences. | 0:51:42 | 0:51:45 | |
Today is a celebration. | 0:51:45 | 0:51:47 | |
It's about celebrating, I think, something wonderful that's happened | 0:51:47 | 0:51:50 | |
for choirs in this country. | 0:51:50 | 0:51:52 | |
It now feels OK for a lot more people to sing. | 0:51:52 | 0:51:54 | |
Before Gareth's choir of choirs takes to the stage, | 0:51:59 | 0:52:02 | |
he's asked singers from his school choirs to open the show. | 0:52:02 | 0:52:05 | |
Ladies and gentleman, | 0:52:05 | 0:52:06 | |
the members of, what I'm calling, the School Reunion Choir. | 0:52:06 | 0:52:09 | |
# Tried to keep you close to me | 0:52:10 | 0:52:17 | |
# But life got in between | 0:52:17 | 0:52:22 | |
-ALL: -# Tried to square not being there | 0:52:25 | 0:52:32 | |
# But think that I should have been | 0:52:32 | 0:52:38 | |
# Hold back the river, let me look in your eyes | 0:52:40 | 0:52:44 | |
# Hold back the river so I | 0:52:44 | 0:52:47 | |
# Can stop for a minute and see where you hide | 0:52:47 | 0:52:51 | |
# Hold back the river, hold back... # | 0:52:51 | 0:52:55 | |
Backstage are Gareth's choir of choirs, | 0:52:55 | 0:52:57 | |
and they're beginning to feel the pressure. | 0:52:57 | 0:52:59 | |
# See how they shine... # | 0:52:59 | 0:53:03 | |
We need all the practice we can get. We don't want to let anyone down. | 0:53:03 | 0:53:06 | |
It is big for Gareth and we want to make sure that | 0:53:06 | 0:53:09 | |
we give him the best as we can. | 0:53:09 | 0:53:11 | |
This is the culmination of everything he's done over the years | 0:53:11 | 0:53:13 | |
so it would be horrendous if I got it wrong, wouldn't it? | 0:53:13 | 0:53:16 | |
# Hold back the river so I | 0:53:16 | 0:53:19 | |
# Can stop for a minute and see where you hide | 0:53:19 | 0:53:23 | |
# Hold back the river, hold back | 0:53:23 | 0:53:27 | |
# Oh, oh-oh, oh-oh, oh-oh. | 0:53:27 | 0:53:33 | |
# Oh-oh, oh-oh. # | 0:53:33 | 0:53:38 | |
AUDIENCE CHEER AND APPLAUD | 0:53:40 | 0:53:42 | |
Without question, the oldest school choir in the country. | 0:53:48 | 0:53:53 | |
Well, ladies and gentlemen, | 0:53:58 | 0:53:59 | |
I have a wonderful, wonderful treat in store for you | 0:53:59 | 0:54:02 | |
because waiting in the wings backstage | 0:54:02 | 0:54:05 | |
are a group of people that you all know and I know very well. | 0:54:05 | 0:54:09 | |
This is the choir of choirs. | 0:54:09 | 0:54:11 | |
Please welcome, ladies and gentleman, | 0:54:11 | 0:54:13 | |
soloists from all of your choirs from the last ten years. | 0:54:13 | 0:54:18 | |
AUDIENCE CHEER AND APPLAUD | 0:54:18 | 0:54:20 | |
Feast your eyes! | 0:54:30 | 0:54:32 | |
PIANO PLAYS | 0:54:36 | 0:54:38 | |
# When you're down and out | 0:54:41 | 0:54:44 | |
# When you're on the street | 0:54:46 | 0:54:50 | |
# When evening falls so hard | 0:54:51 | 0:54:58 | |
BOTH: # I will comfort you-oo | 0:54:58 | 0:55:05 | |
-ALL: -# I'll take your part | 0:55:05 | 0:55:10 | |
# Oh, when darkness comes | 0:55:10 | 0:55:17 | |
# And pain is all around | 0:55:17 | 0:55:23 | |
# Like a bridge | 0:55:23 | 0:55:26 | |
# Over troubled water | 0:55:26 | 0:55:32 | |
-# I will lay me down -I will lay me down | 0:55:32 | 0:55:39 | |
# Ooh-oh | 0:55:39 | 0:55:43 | |
-# Sail on, Silvergirl -Ooh, ooh, ooh | 0:55:45 | 0:55:49 | |
-# Sail on by -Ooh, ooh, ooh | 0:55:49 | 0:55:55 | |
# Your time has come to shine | 0:55:55 | 0:56:02 | |
-WOMEN: -# All your dreams are on their way | 0:56:02 | 0:56:05 | |
# Ooh, ooh | 0:56:05 | 0:56:06 | |
# Ah, ah-ah-ah | 0:56:06 | 0:56:09 | |
-# See how they shine -See how they shine | 0:56:09 | 0:56:15 | |
-# Oh, if you need a friend -If you need a friend | 0:56:15 | 0:56:20 | |
# I'm sailing right behind | 0:56:20 | 0:56:27 | |
-AUDIENCE JOINS: -# Like a bridge over troubled water | 0:56:27 | 0:56:34 | |
# I will ease your mind | 0:56:34 | 0:56:38 | |
# Like a bridge over troubled water | 0:56:38 | 0:56:45 | |
# I will ease your mi-i-ind | 0:56:45 | 0:56:53 | |
-CHOIR ONLY: -# I will ease -I will ease | 0:56:55 | 0:56:59 | |
-# Your mind. -Your mind. # | 0:56:59 | 0:57:06 | |
AUDIENCE CHEER AND APPLAUD | 0:57:08 | 0:57:10 | |
MUSIC: The Marriage of Figaro by Wolfgang Amadeus Mozart | 0:57:14 | 0:57:18 | |
APPLAUSE DROWNS OUT SPEECH | 0:57:26 | 0:57:28 | |
It was ridiculously emotional, actually. | 0:57:45 | 0:57:48 | |
-Woo! Yay! -SHE LAUGHS | 0:57:48 | 0:57:52 | |
Singing has an incredible effect on people | 0:57:52 | 0:57:54 | |
and I've witnessed that over the last ten years. | 0:57:54 | 0:57:56 | |
Hello! | 0:58:00 | 0:58:01 | |
I feel like we are a singing nation, and we always have been. | 0:58:01 | 0:58:04 | |
You know, this proves it. | 0:58:04 | 0:58:05 | |
These are ordinary people doing ordinary jobs from ordinary schools | 0:58:05 | 0:58:09 | |
who have learnt to love singing and accept it into their lives. | 0:58:09 | 0:58:12 | |
-Hello, military wives! -THEY CHEER | 0:58:12 | 0:58:15 | |
-Are you crying? -Yes, I am. -Aw. | 0:58:15 | 0:58:18 | |
-Yay, I'm happy. -Mwah. -Do it again, do it again, do a kiss. | 0:58:18 | 0:58:21 | |
I don't know what the next ten years are going to hold, | 0:58:23 | 0:58:25 | |
but there'll definitely be choirs, there'll definitely be music | 0:58:25 | 0:58:28 | |
and there'll most assuredly be singing. | 0:58:28 | 0:58:30 | |
MUSIC: The Nutcracker Op 71 by Tchaikovsky | 0:58:30 | 0:58:32 |