Episode 2 The Choir


Episode 2

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Ten years ago, choirmaster Gareth Malone set out on a mission

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to get Britain singing.

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THEY SING

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-I want to turn this school into a singing school.

-Well, you won't.

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What have I taken on?

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Since then, he's inspired hundreds of people...

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APPLAUSE

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Singing brings people together spiritually, socially, it's vital.

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..and created 14 very different choirs across the country.

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THEY SING

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Now Gareth's got a new idea.

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To mark the tenth anniversary of The Choir, he's tracking down members

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from all the choirs he has formed over the years for a huge reunion.

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What I really want is everyone to sing together in one

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giant performance, that will be beautiful.

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And along the way, he's discovering how being in one of his choirs

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has changed people's lives.

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Music was definitely a dream for me. Gareth just realised it.

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It was just a moment in my life. I'll thank him for ever for that.

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If I can sing in front of the Queen

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on live telly, then I can pretty much do anything in my life.

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But now, he's got two weeks left

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to pull off his most ambitious challenge.

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This is The Choir times 100.

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Can he gather all his choirs together for one final

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celebratory performance?

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It's like holding a birthday party.

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And I haven't got enough canapes.

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Over the past two weeks,

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Gareth's caught up with members from the first two choirs he created.

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Ah! Mate.

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Ex-pupils from Northolt High School.

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I plan to have a reunion.

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-Why not?

-Let's do it.

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And those from The Lancaster School.

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Boston, how are you?

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Is that you?

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But for his big reunion to truly represent the past decade,

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there are still singers from the 12 remaining choirs to locate.

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And he wants to create a super choir of the very best voices

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to perform a song his first choir sang ten years ago -

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Bridge Over Troubled Water.

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At the heart of this reunion I want a fantastic performance.

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So I want to contact all the stand-out people from each choir

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and bring them together to make one choir of choirs,

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something really special.

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This is a performance representing ten years of my life.

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It has to be fantastic, has to be memorable,

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it has to be musically sound, it has to be...it has to be good.

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So with just a fortnight to go,

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Gareth's search continues with the third choir he created.

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Back in 2008, Gareth set off to South Oxhey,

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a working-class town in Hertfordshire,

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for his biggest challenge to date.

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South Oxhey this way.

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I had wind in my sails, I'd had two successful projects in schools

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and now it was time to take on a town, something bigger.

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He spent eight months here trying to get the entire town singing,

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after receiving a heartfelt invitation from the local vicar,

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Pam Wise.

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This is the precinct and you can see it used to be a main road.

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It was a bustling high street.

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-It's certainly not bustling at the moment.

-No.

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The feeling is having been abandoned.

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People have been abandoned.

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This estate needs a boost.

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I came here in 1948 and it's year 2008, right,

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nothing's happened yet.

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We just need someone or something to get hold of and pull us up.

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Gareth's idea was to bring all parts of the community

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together by forming one enormous choir that would put the town on

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the map and give the people of South Oxhey something to be proud of.

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As usual, he had his work cut out.

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Can I interest any of you in singing at all?

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No? No? No.

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Are you interested in being in the community choir?

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-No, definitely not.

-Absolutely no way?

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-Not at all?

-Not at all.

-You hate singing?

-Yeah.

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This is quite depressing.

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There was quite a lot of suspicion when I arrived.

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It took a little bit of time to wear them down and persuade them

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that I was not going to make them look like fools.

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Anyone interested in singing?

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Anyone at all from South Oxhey interested in singing?

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Even one person would be brilliant.

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But after ten days of pounding the streets,

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his dogged determination began to pay off.

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-That's a yes.

-Yes, it is.

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A yes! Woo!

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I remember Gareth saying to me before the very first session,

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"How many do you think would come?"

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We were all taking bets beforehand.

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I know I think I said about 75 people, hoping for 100.

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That should be OK for now.

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-LAUGHING:

-Over 300 turned up.

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Oh, my goodness!

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Good evening.

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-Don't...

-THEY APPLAUD

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-We're going to need a bigger boat.

-LAUGHTER

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Discovering I had one of the biggest choirs in the country.

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This will be the tune, this will be the harmony.

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I'd never dealt with a choir of that size before.

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It was exhilarating but it was daunting.

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Two, three and...

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# Ba ba ba ba Barbara Ann

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Tenors.

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# Ba ba ba ba Barbara Ann

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-# Ba ba ba ba Barbara Ann

-Oh, Barbara Ann, take my hand

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# Barbara Ann

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And...

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-ALL:

-# You got me rockin' and a rollin'

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# Rockin' and a reelin', Barbara Ann

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# Ba ba ba ba Barbara Ann. #

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We're a choir. Almost.

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APPLAUSE

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That first session with Gareth, it would be difficult to

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exaggerate the buzz at the end of that.

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Something quite magical had happened that evening

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From then on, the choir met every week.

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# Higher and higher. #

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You've got to get into that slightly, woo, gospel feel to it.

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Ready? Two, three and one.

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After a month, Gareth was ready to showcase his new choir to

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the rest of the community, but he needed a soloist.

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I'd spotted somebody quite early on who I thought could possibly

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fit the bill.

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Dee was very much on the fringes. You could sense she felt isolated.

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She was one of the few black people in South Oxhey

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and she was just very much on her own.

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-Hello. I saw you skulking at the back.

-Hello.

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-Hello, what's your name?

-I'm Dee.

-Hello.

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Have you done any singing before?

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Yeah, I sing in a church choir.

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I strongly urge you to go and sit at that end

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-because you'll be lost down this end.

-I am lost.

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-Yeah.

-I really regret not being here now.

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Come with me. I'll introduce you to someone.

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Dee had recently moved into the area with her three children,

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and events had left her feeling vulnerable.

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I didn't know racism actually occurred until

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I lived in South Oxhey.

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The first year was just a nightmare.

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It was more the teenagers at the back,

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congregating at the back of my house,

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throwing stones up at my window.

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So yeah, not really enjoying living in South Oxhey.

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-Thanks, Mummy.

-You're welcome.

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I'm not saying everyone in South Oxhey is like that.

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I know that's just a small minority.

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I like to feel that if I needed to talk to someone,

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I needed someone's help, I would like to think there would be someone

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around here who I could do that with, that would be nice.

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Everyone wants to be liked, don't they?

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So, yeah.

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I'd seen Dee come to rehearsal after rehearsal and not really

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integrate with choir. I wanted her to join in more.

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And I felt like the solo was a really good opportunity,

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plus she could really sing it well.

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-Do you want to have a go at it?

-I'll have a go.

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Ladies and gentlemen, Dee.

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APPLAUSE

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# You know your love

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-# Your love keeps lifting me

-Keeps on

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# Love keeps lifting me

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-# Lifting me

-Lifting me

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# Higher and higher

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# Now once I was down hearted

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# Disappointment was my closest friend... #

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My hunch was proved correct because she absolutely had the right style,

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the kind of soul, gospel voice.

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# And you know he never

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-ALL:

-# Showed his face again. #

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APPLAUSE

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Everybody knew it was right, there was no question it was her.

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-Are we in consensus that feels like the solo?

-ALL:

-Yes.

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Very good.

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APPLAUSE

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For the choir's debut performance

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Gareth chose the South Oxhey precinct.

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It felt absolutely right that we should stand up and claim

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the precinct as our rightful place to perform.

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I wanted to make everyone in that choir feel a sense of like,

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we live...this is our place.

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Whatever happens, we keep going.

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Even if somebody tries to take me out, OK.

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LAUGHTER

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Well, just you keep singing.

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I knew Dee would be nervous because

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she'd had a really difficult time in South Oxhey.

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# Higher and higher and higher

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-# Now once I was down hearted

-Ooh-ooh-ooh

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-# Disappointment was my closest friend

-Ooh-ooh-ooh

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-# But then you came and he soon departed

-Ooh-ooh-ooh

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# And he never showed his face again... #

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-Brilliant, absolutely brilliant.

-It was good, very good.

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-Never seen so many people round South Oxhey.

-Yeah.

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South Oxhey has got a community, I see now.

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This is probably the longest time I've spent in this precinct as well.

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Seven years after Dee sang her solo,

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Gareth's heading back to South Oxhey.

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I'm off to see Dee,

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see if the choir made a difference to her feelings about the area.

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And I'd like to persuade her to come and join my choir of choirs.

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I think she was a great singer. Really good voice. She'll be good.

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-Hello, you're still here.

-Hello! I am still here.

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-Still in South Oxhey?

-Nice to see you.

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-I'm still in South Oxhey, still here.

-Good, nice to see you.

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-Come in, come in.

-Thank you.

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How's it been? What have you been up to?

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Still doing my gospel singing.

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Going around to events, church events.

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-Oh, right, really doing it?

-Proper - leading it.

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-Leading?

-Yeah.

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You seem a lot more confident now.

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When I first met you, I don't think you were in a

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terribly happy place, were you?

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I think appearing in The Choir made me feel

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more confident about the community.

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Like, being around 150 people from South Oxhey...

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-Who were OK.

-Exactly.

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They embracing me for who I was gave me the confidence.

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Now I know that I'm not alone.

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That's good, that's nice to hear.

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The racial harassment did gradually get better.

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-That's why I'm still here.

-Fine, OK.

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-It's getting better.

-Yeah. Good.

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What I'm planning is to put together a choir of choirs.

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I would love to have you come and sing with this super choir.

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Would you be up for doing some singing as part of that choir?

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-Sounds fun.

-Great, OK.

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BOTH: # I'll be there. #

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-Oh. We're singing a different one.

-What one are you singing?

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I'm singing...

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# I'll be there with a love... # Four Tops.

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I've not heard of that one.

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What?

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OK, well, come along and I'll educate you.

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Dee seems happy and that's not something I really saw before.

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I wouldn't like to claim that The Choir changed her life,

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but I think it had an impact on Dee.

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And it set things in motion for her.

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And that's great, that's all you can ask for.

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For Gareth, it was important that every part of the community

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was represented in the South Oxhey Choir.

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Next, he turned his attention to the town's children.

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He started at Colnbrook - a special-needs school.

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Hello. We're picking up people. Hi, how are you?

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I've never been so popular.

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# Under the sea

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# In an octopus' garden

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# In a... #

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The children had a range of learning difficulties,

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from speech and language problems to autism.

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It was here that he met a promising young singer - Sibel.

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I liked Sibel immediately, because she had a nice voice,

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she sang well, she obviously got a lot from it.

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Ready, here we go. Let's go together. And...

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# I'll ask my friends to come and see. #

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Well done!

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I remember having this lovely honest conversation about how

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she felt about school, how she felt about learning.

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-How old are you, Sibel?

-Ten.

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And what sort of things do you find difficult?

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A little bit of speech and language problem.

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Really? Hmm, you don't sound like it.

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No, but my mum says I don't... You know, I don't understand, I think.

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-Long sentences.

-Yeah.

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But you understand me asking a question.

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Yeah, I understand.

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But if I start telling you something very complicated

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-and long, involved and difficult, you don't...

-Just like that.

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-And what happens in your brain?

-Oooooh! I get mixed up.

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-What would you like to do when you grow up?

-Be a doctor.

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He was a person I could, like, express my feelings to.

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How confident I was, what I want to do in the future,

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what I want to become.

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'Like talking to a complete stranger

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'but they can understand where you're coming from as well.'

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You know there's a choir that I started?

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Does that sound like something you would be interested in?

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I'll see you soon.

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Yeah, I'll speak to you soon.

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-Bye, Sibel.

-Bye.

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After recruiting 80 children from across six schools,

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Gareth created a children's choir.

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And over the next few weeks, the kids from the different schools

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began to get to know each other.

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# Shake your mama

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# Shake, shake your mama

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# Gareth, he touches the ground

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# Gareth, he turns around

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# Gareth, he shakes his hips

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# And he parties. #

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Really fantastic.

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They've got so much spirit and so much enjoyment.

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They're really starting to bond together.

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And you've got to have that as a choir.

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# Sibel, she's off the ground

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# Sibel, she turns around. #

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It was like one big family really to me.

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You could socialise with other people as well,

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that you don't know.

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I wanted Sibel to be the soloist in the children's first performance,

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but I didn't know how she would react to that sort of pressure.

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-Hello. Hi.

-I've brought Sibel.

-Brilliant.

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Sibel, come over here. How are you? Thank you, Richard.

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Do you mind singing in front of lots of other people on your own

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or do you not get nervous?

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I sometimes get nervous but I don't mind.

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-What makes you nervous?

-Sometimes I'm a little bit scared.

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But if you get scared, do you do it anyway or do you...?

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If I get scared, I will still do it.

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That's very impressive. Excellent. Thank you, Sibel.

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You can go back to your class. Do you need to be taken back?

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-No, no, I know my way.

-You know where you're going? OK.

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See ya.

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She's a lovely kid. She is getting a lot out of this.

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I think she could do the solo.

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When he chose me that day to sing a solo,

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it was an amazing thing in my life.

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I mean, I've never been chosen to actually sing

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a solo in front of a lot of people.

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I was nervous for the kids on that first performance

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because there were 250 people in the audience

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and I didn't know how they were going to react.

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But all those doubts went out of my mind as soon as Sibel sang,

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because she was incredibly confident

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and I think she showed the other kids how to be confident too.

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# Would you know my name

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# If I saw you in Heaven? #

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It was a really amazing experience to have on stage

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with all those audience just looking at me.

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# I carry on

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# Cos I know I don't belong

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# Here in Heaven. #

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Today, Sibel is 17 and studying childcare at college.

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Being in the choir, it helped me to gain confidence,

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which I didn't have.

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It helped me a lot in class. I gained a lot and I progressed a lot.

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And with Sibel agreeing to sing at his reunion,

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Gareth's clocked up another member for his super choir.

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Shhhh!

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This is a really, really exciting rehearsal.

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By the spring of 2009, Gareth was ready to pull all

0:16:320:16:36

the sections of his choir together for the first time.

0:16:360:16:39

OK, you happy? Yeah.

0:16:390:16:41

Next can I have the tenors from the choir, tenors.

0:16:420:16:46

Not in a blue seat, that way.

0:16:460:16:49

The children's choir, follow me.

0:16:490:16:52

With 250 members, it was one of the biggest community choirs in Britain.

0:16:540:16:58

This is my South Oxhey choir, this is the dream,

0:16:580:17:02

and this is the vision.

0:17:020:17:04

When I looked out at that choir,

0:17:040:17:05

it was a huge cross section of that community.

0:17:050:17:08

I really wanted to celebrate that because I felt very proud of it.

0:17:080:17:11

And I wanted all of South Oxhey to be able to see it.

0:17:110:17:14

And that meant having a festival where you could get thousands

0:17:140:17:17

of people to come and be an audience.

0:17:170:17:19

And on the day of the festival, the locals turned up

0:17:270:17:30

in their hundreds to support their community choir.

0:17:300:17:33

There's a great atmosphere out there.

0:17:330:17:36

People want this to work.

0:17:360:17:37

South Oxhey wants this to work, because if they didn't,

0:17:370:17:40

they wouldn't have turned up.

0:17:400:17:42

And they're all out there.

0:17:420:17:44

There's a lot of people out there.

0:17:440:17:45

SHE LAUGHS

0:17:450:17:47

Have you seen the crowd?

0:17:470:17:48

-SHE LAUGHS

-That's like, OK!

0:17:480:17:52

APPLAUSE

0:17:520:17:55

Hello!

0:17:550:17:56

CHEERING

0:17:560:17:59

Ladies and gentleman, the South Oxhey Community Choir.

0:17:590:18:03

CHEERING AND APPLAUSE

0:18:030:18:06

MUSIC: Walking On Sunshine

0:18:060:18:11

# I used to think maybe you loved me Now, baby, I'm sure

0:18:160:18:21

# Doo-doo-doo-doo-doo-doo

0:18:210:18:24

# And I don't want to spend my whole life just a-waiting for you

0:18:240:18:29

THEY HARMONISE

0:18:290:18:33

# Now, I don't want you back for the weekend, not back for a day

0:18:330:18:38

# All right now... #

0:18:380:18:41

That day was awesome. Like, everyone was on such a high.

0:18:410:18:44

# And I want you to stay... #

0:18:440:18:48

We went out there and we just had fun. We just had pure, pure fun.

0:18:480:18:52

# I'm walking on sunshine, whoa

0:18:520:18:57

# I'm walking on sunshine, whoa

0:18:570:19:01

# And don't it feel good. #

0:19:010:19:04

Six years later, the South Oxhey Community Choir is still thriving.

0:19:040:19:09

Still very strong, very active.

0:19:090:19:11

It's a huge, wonderful legacy from Gareth really.

0:19:110:19:15

CHEERING AND APPLAUSE MUSIC CONTINUES

0:19:150:19:20

OK, South Oxhey, put your hands in the air!

0:19:200:19:23

That was a great moment.

0:19:240:19:25

There was the choir, there was the community,

0:19:250:19:28

everybody clapping along, everyone singing, it felt joyous.

0:19:280:19:31

# I'm walking on sunshine, whoa

0:19:310:19:35

# I'm walking on sunshine, whoa

0:19:350:19:39

# And don't it feel good. #

0:19:390:19:46

That was community. It felt like I'd done it.

0:19:480:19:51

CHEERING AND APPLAUSE

0:19:510:19:54

Thank you very much, South Oxhey. Goodbye.

0:19:540:19:57

CHEERING AND APPLAUSE

0:19:570:20:00

With his big reunion drawing closer,

0:20:000:20:03

Gareth's choir of choirs is slowly coming together.

0:20:030:20:07

Today, he's meeting perhaps his most famous soloist - Sam Stevenson.

0:20:070:20:11

Sam was somebody who had always sung though her life and

0:20:130:20:16

really reconnected with it though doing the Military Wives Choir.

0:20:160:20:19

And then had this unbelievable exposure.

0:20:190:20:23

Everyone knew who Sam was - the one with the tattoos.

0:20:230:20:26

I hope she's still singing and that sort of started something.

0:20:260:20:31

-Hello!

-Hello.

0:20:340:20:36

-Bring it in, bring it in.

-Aww, hello!

0:20:360:20:39

-Long time no see.

-Three years.

0:20:390:20:41

You've got new tattoos.

0:20:420:20:43

-I've got new tattoos.

-How many?

0:20:430:20:45

-Please don't ask.

-Hundreds.

-Too many, too many to count.

0:20:450:20:48

-You look well.

-You too! You look better without the beard.

0:20:480:20:51

-No beard. Yeah, let's not talk about the beard.

-Yeah.

0:20:510:20:54

The burning question for me is, how's the singing?

0:20:540:20:57

-I'm still singing.

-Phew!

0:20:570:20:58

I didn't put you off?

0:20:580:21:00

SHE LAUGHS

0:21:000:21:02

No, no, no. I'm still singing in a military wives choir.

0:21:020:21:05

Up in Lossiemouth.

0:21:050:21:06

Will you come and sing with my reunion choir?

0:21:060:21:08

-Of course I will.

-Good.

-I can't say no to you.

0:21:080:21:10

Shall we sing Wherever You Are for old time's sake?

0:21:100:21:13

My Lord. I've not sung this for years.

0:21:130:21:17

I can't remember it!

0:21:170:21:18

You remember this bit.

0:21:180:21:21

SHE VOCALISES

0:21:210:21:26

SHE LAUGHS

0:21:260:21:28

THEY VOCALISE

0:21:280:21:31

That's it.

0:21:310:21:33

# Wherever you are

0:21:360:21:39

# My love will keep you safe

0:21:390:21:43

# My heart will build a bridge of light

0:21:430:21:46

# Across both time and space... #

0:21:460:21:48

Gareth first met Sam four years ago when he became choir master

0:21:480:21:52

at the Royal Marines Barracks at Chivenor, Devon.

0:21:520:21:56

Five, four, three, two, one.

0:21:560:21:59

It was a training base for the Royal Marines, the Army, and the RAF.

0:21:590:22:04

Major Williams...

0:22:040:22:07

But within three weeks of his arrival, 600 men left on a

0:22:070:22:11

six-month tour of duty in Afghanistan,

0:22:110:22:14

including Sam's husband, John, a Royal Engineer,

0:22:140:22:17

leaving her in charge of their two young children.

0:22:170:22:21

-Words cannot explain how much...

-SHE SIGHS

0:22:210:22:24

How much I just want him to come home and it to be all over

0:22:240:22:28

and us to be just a family again.

0:22:280:22:30

I really want time to go as quick as it can.

0:22:300:22:33

The Afghanistan war was in its tenth year, and stories were coming

0:22:330:22:37

back all the time about people being injured or dying.

0:22:370:22:41

And these women had their husbands out there.

0:22:410:22:44

You can imagine what fear existed in that place.

0:22:440:22:48

Shall we go to the park?

0:22:480:22:50

I wanted to shine a light on military wives,

0:22:500:22:52

and show what they were going through.

0:22:520:22:54

Give them a voice, give them a chance to sing

0:22:540:22:57

and actually just lift their spirits.

0:22:570:22:59

I'm here to pick you up and the most important thing,

0:23:010:23:05

to have an opportunity to bring your voices together to be heard.

0:23:050:23:09

First song that we're going to sing is Guns N' Roses well-known

0:23:090:23:13

choral classic Sweet Child O' Mine.

0:23:130:23:16

PIANO PLAYS INTRO

0:23:160:23:18

We're going to do it quite energised. Shall we stand up?

0:23:180:23:21

I'm assuming you just know it, so give it a go.

0:23:210:23:24

# She's got a smile that it seems to me

0:23:240:23:27

# Reminds me of childhood memories... #

0:23:270:23:30

I could hear potential, but I could also hear vulnerability

0:23:300:23:33

and a lack of confidence.

0:23:330:23:35

Their husbands were away at that very moment,

0:23:350:23:38

so of course they were emotionally vulnerable,

0:23:380:23:40

which made singing all the more difficult.

0:23:400:23:43

# As fresh as the bright blue sky

0:23:430:23:45

# Bright blue, bright blue sky. #

0:23:450:23:48

Stop. Can you just sing me that last note together? Go.

0:23:480:23:51

THEY VOCALISE

0:23:510:23:53

They should have, "Aaaaa!"

0:23:530:23:56

Thank you very much. How was that?

0:23:560:23:57

-INDISTINCT MURMURING

-Hard?

0:23:570:23:59

That was quite stressful. Didn't enjoy that.

0:23:590:24:02

So I'm a bit flustered and I need a drink.

0:24:020:24:05

Go on in. Go on in. Hello. Morning, Emma.

0:24:080:24:09

But the women persevered and the weekly rehearsals soon became

0:24:090:24:13

an important fixture in their routines.

0:24:130:24:16

Right, you've got to look alive.

0:24:160:24:17

And if you're not singing at the beginning,

0:24:170:24:19

-you've got to look like you might.

-LAUGHTER

0:24:190:24:21

People are like this, "What's going to happen? Who's going to sing?"

0:24:210:24:25

You are.

0:24:250:24:27

# She's got a smile that it seems to me

0:24:270:24:29

# Reminds me of childhood... #

0:24:290:24:30

I think people dismiss singing too easily as being something

0:24:300:24:33

rather frivolous. Singing's really important.

0:24:330:24:35

You tell those women that it's frivolous.

0:24:350:24:38

It was the thing that held them together.

0:24:380:24:39

One, two, three.

0:24:390:24:41

# Her hair reminds me of a warm safe place... #

0:24:410:24:44

As the weeks went on, I think we all let our guard down,

0:24:440:24:48

and we became so close that you would trust each other

0:24:480:24:55

and you would just speak about anything that was going on.

0:24:550:24:58

It was almost like an extension of family.

0:24:580:25:01

# ..pass me by. #

0:25:010:25:02

Sit down, well done.

0:25:020:25:04

APPLAUSE

0:25:040:25:05

After a month of rehearsals, the choir was ready to

0:25:050:25:08

give their first public performance in the Pannier Market,

0:25:080:25:12

in the local town of Barnstaple.

0:25:120:25:15

Ladies and gentlemen, it gives me enormous pleasure to

0:25:150:25:18

introduce you the RMB Chivenor Military Wives Choir.

0:25:180:25:24

CHEERING AND APPLAUSE

0:25:240:25:26

And it was Nicky, a Royal Engineer's wife, who sang the opening solo.

0:25:260:25:31

# When the rain is falling in your face

0:25:310:25:38

# And the whole world is on your case

0:25:380:25:43

# I would offer you a warm embrace

0:25:450:25:51

# To make you feel my love. #

0:25:510:25:56

It was just a moment in my history, in my life, that I'll just,

0:25:560:26:00

I'll thank him for ever for that.

0:26:000:26:02

It was a proud, proud moment, that was.

0:26:020:26:05

# And there's no-one there to dry your tears

0:26:050:26:11

# I could hold you for a million years... #

0:26:110:26:15

That day, in front of that audience, they realised...

0:26:150:26:19

They literally found their voice in front of me.

0:26:190:26:21

I've never experienced anything like it.

0:26:210:26:24

# Go to the ends of the earth... #

0:26:240:26:26

People were crying in front of them.

0:26:260:26:30

# To make you feel my love

0:26:300:26:37

# To make you feel my love. #

0:26:370:26:44

APPLAUSE

0:26:450:26:47

The reaction from that crowd really gave me

0:26:470:26:49

a sense that the British public were going to love this choir.

0:26:490:26:53

But Gareth's mission was for the whole country to hear

0:26:550:26:58

the military wives' voices, and by the autumn he'd found

0:26:580:27:01

the perfect event for their national debut.

0:27:010:27:04

You need to keep Saturday 12th November free because you are going,

0:27:040:27:09

and it gives me huge excitement to tell you, we are going to perform

0:27:090:27:14

-at the Festival of Remembrance...

-THEY CHEER

0:27:140:27:17

..which is at the Royal Albert Hall.

0:27:170:27:19

Oh, my God!

0:27:190:27:21

More than that, it's in front of the royal family.

0:27:210:27:24

SQUEALING

0:27:240:27:27

I've heard myself saying this is the biggest thing I've ever done so

0:27:270:27:30

many times, but this is the biggest thing I've ever done in my life.

0:27:300:27:33

This is absolutely huge because,

0:27:330:27:35

in terms of getting their message across and getting them understood,

0:27:350:27:40

I can't think of anything better.

0:27:400:27:43

The wives were to perform a newly composed song, and for the lyrics,

0:27:430:27:47

Gareth asked the women to offer up lines from their husbands' letters.

0:27:470:27:51

-Any others?

-I don't want to read mine out.

0:27:510:27:54

You can't read it out.

0:27:540:27:55

"Keep my heart safe, my love, for I send it away with you.

0:27:550:27:58

"Hold it close, know I'm with you always."

0:27:580:28:01

Thank you very much.

0:28:010:28:03

I didn't know whether the song would work until I sang it to them.

0:28:030:28:06

# Wherever you are

0:28:090:28:12

# My love will keep you safe... #

0:28:120:28:16

They brought the words together so that it meant something.

0:28:160:28:22

# Across both time and space

0:28:220:28:25

And it hit me like a hammer on the head.

0:28:250:28:29

Wherever You Are.

0:28:290:28:31

I didn't know where my husband was. I was like, pff, bloody Nora!

0:28:310:28:36

With the royal performance just three weeks away,

0:28:370:28:40

Gareth held auditions to find his soloist.

0:28:400:28:43

Massive gig, massive.

0:28:430:28:46

I would struggle to stand up and sing in front of

0:28:460:28:49

that number of people, I really would.

0:28:490:28:51

# Wherever you are

0:28:510:28:55

# My love will keep you safe. #

0:28:550:28:57

I've now heard nine. Next!

0:28:570:28:59

SHE VOCALISES

0:28:590:29:02

-Sorry, sorry, sorry.

-Sing the next bit for me.

0:29:060:29:09

Oh.

0:29:090:29:10

# Wherever you are

0:29:120:29:16

# My heart... #

0:29:160:29:17

I don't even know the words. Sorry.

0:29:170:29:20

-It's OK.

-I shouldn't even be doing this.

0:29:200:29:22

-Yes, you should.

-Why?

0:29:220:29:24

Because you have a great voice.

0:29:240:29:25

I really need to compose myself.

0:29:250:29:27

Take a minute. You'll come back?

0:29:270:29:30

Sam?

0:29:300:29:31

-TEARFULLY:

-Just totally messed it up.

0:29:350:29:38

I just felt like I kept fluffing it up, and just thought,

0:29:380:29:42

"I can't do this, I'm rubbish at this. This is horrendous."

0:29:420:29:46

You OK?

0:29:460:29:47

-SHE SOBS

-It's all right.

0:29:470:29:49

When she sings those words

0:29:490:29:50

she sings them simply and from the heart,

0:29:500:29:53

because she understands the meaning.

0:29:530:29:55

It's so right when she does it, but I'm so worried,

0:29:550:30:00

so worried for her.

0:30:000:30:03

I had to just go away and compose myself.

0:30:030:30:07

-Sam.

-Yes.

0:30:070:30:08

Take two.

0:30:080:30:10

# Wherever you are... #

0:30:130:30:16

Sam got the solo. And on the 12th November 2011,

0:30:160:30:21

100 military wives arrived to perform at the Royal Albert Hall.

0:30:210:30:26

-This is it!

-CHEERING

0:30:260:30:28

The Royal Albert Hall!

0:30:280:30:29

Four years later, and Sam has returned to

0:30:320:30:34

London for rehearsals for Gareth's reunion.

0:30:340:30:37

But first, she's revisiting the scene

0:30:370:30:39

of one of the most extraordinary days of her life.

0:30:390:30:43

You totally forget how big it is.

0:30:430:30:45

I just keep remembering we came off the bus with Gareth,

0:30:460:30:50

we're sort of tooting across the road,

0:30:500:30:52

just thinking we've got to sing here and just, like, how big it is.

0:30:520:30:56

You do, like, literally, forget it's such a massive building.

0:30:560:31:00

Also in London for the reunion is Sam's old friend Nicky.

0:31:010:31:06

Don't cry. Oh, sweetheart.

0:31:060:31:09

Oh, it's so good to see you!

0:31:090:31:11

They both still sing in military wives choirs,

0:31:110:31:14

but they haven't seen each other for two years, as Sam moved to Scotland.

0:31:140:31:18

That's just bringing back so many memories, that.

0:31:180:31:21

-We had no idea.

-It just feels like really nice to be back here though.

0:31:210:31:25

-It does.

-It feels really special. And I'm back here with you!

0:31:250:31:27

APPLAUSE

0:31:290:31:30

Ladies and gentlemen, welcome to the Royal Albert Hall

0:31:300:31:34

for the Festival of Remembrance of 2011.

0:31:340:31:37

I feel that weight of, you know, history and occasion

0:31:370:31:42

and responsibility really pressing down on this one.

0:31:420:31:45

The Queen's in, the royal family are in.

0:31:460:31:48

And as soon as this finishes, it's me and the ladies.

0:31:480:31:53

We'd come on stage.

0:31:550:31:57

I took a massive gulp because you're just like, "Oh, my Lord."

0:31:570:32:02

SHE VOCALISES

0:32:020:32:05

# Wherever you are

0:32:150:32:19

# My love will keep you safe

0:32:190:32:22

# My heart will build a bridge of light

0:32:220:32:25

# Across both time and space

0:32:250:32:28

# Wherever you are... #

0:32:280:32:30

Even though you had 100 women behind you,

0:32:300:32:32

supporting you and singing,

0:32:320:32:34

you sort of felt like, "I'm at the front here so I'm literally

0:32:340:32:38

"representing all these women, and representing Gareth as well."

0:32:380:32:41

# Light up the darkness

0:32:410:32:45

# My prince of peace

0:32:450:32:48

# May the stars shine all around you

0:32:480:32:51

# May your courage... #

0:32:510:32:53

We'd grown together from this little choir in Chivenor

0:32:530:32:58

to stand in the Royal Albert Hall.

0:32:580:33:01

How much strength was in that group at that moment

0:33:010:33:06

I couldn't tell you, it was like electricity.

0:33:060:33:09

# Along the dark, dark way

0:33:090:33:12

# Wherever you are... #

0:33:120:33:14

Their performance that day changed the world's perception

0:33:140:33:17

of military wives and triggered a choir revolution.

0:33:170:33:21

Today, there are 75 military wives choirs around the globe

0:33:210:33:25

with over 2,000 members.

0:33:250:33:27

# ..darkness my wondrous star... #

0:33:270:33:31

Something amazing happened that day, it was incredible

0:33:310:33:34

and I put a lot of that down to Sam's amazing solo.

0:33:340:33:37

Her vulnerability, her strength, her determination, her voice.

0:33:370:33:42

SHE VOCALISES

0:33:420:33:45

APPLAUSE

0:33:480:33:51

You did so well. That took real spine.

0:33:560:33:58

-It's a real, a real triumph.

-Thank you.

0:33:580:34:02

Real triumph.

0:34:020:34:05

-Well done, you.

-Thank you.

0:34:050:34:06

Today, Gareth will finally bring together 33 of his most

0:34:090:34:13

gifted singers under one roof.

0:34:130:34:15

They're to perform at his big reunion party

0:34:150:34:18

and he's got just 24 hours to turn them into his choir of choirs.

0:34:180:34:23

I'm expecting this to sound not just all right but actually great.

0:34:230:34:27

Like, musically, I'm hoping this will be something really special.

0:34:270:34:32

The best voices from his school choirs, the town of South Oxhey,

0:34:320:34:35

and the military wives are gathering for rehearsal.

0:34:350:34:39

I honestly can't believe there are so many people here.

0:34:390:34:42

Yeah, he's done a lot of work actually. I can't believe it myself.

0:34:420:34:45

Joining them are singers from Gareth's widest ranging project.

0:34:450:34:49

Over two years, he formed choirs

0:34:490:34:51

in nine of the country's busiest workplaces,

0:34:510:34:54

from the Cheshire Fire and Rescue Service

0:34:540:34:56

to the Royal Mail.

0:34:560:34:57

I met some more friends I'm just reminiscing about what

0:34:590:35:02

we done a few years back now. It's been years.

0:35:020:35:04

Good morning, everyone.

0:35:040:35:06

I am here to start a choir.

0:35:060:35:07

If you are at all interested, make yourself known to me.

0:35:070:35:10

The reason I started going to workplaces to start choirs

0:35:100:35:13

was because I felt it could bring people together

0:35:130:35:15

in a way that it had in other choirs,

0:35:150:35:17

but it also could just make you feel better about your daily grind.

0:35:170:35:20

You know, we'd had this recession.

0:35:200:35:21

I think the British workforce needed a boost

0:35:210:35:24

and I felt singing was the perfect thing to do it.

0:35:240:35:27

This is Gareth Malone here.

0:35:270:35:29

'And I'm here to start a choir.'

0:35:290:35:31

Are you interested in joining a choir?

0:35:310:35:32

Maybe, yeah.

0:35:320:35:34

# Everybody hurts... #

0:35:340:35:36

Unlike Gareth's previous choir projects,

0:35:360:35:38

Sing While You Work was a contest to find Britain's best workplace choir.

0:35:380:35:43

It was always through competing with other people that I got better

0:35:430:35:47

and I want that for these choirs.

0:35:470:35:49

I want them to feel the pressure and get better.

0:35:490:35:51

# Try to see it my way

0:35:520:35:55

# Do I have to keep on talking till I can't go on? #

0:35:550:35:58

I think because it was a contest

0:35:580:36:00

it made everybody work harder.

0:36:000:36:02

So, consequently, the standard was incredibly high,

0:36:020:36:05

some of those performances were terrific.

0:36:050:36:07

# I was blind

0:36:080:36:11

# But now I see... #

0:36:110:36:13

Across the choirs, Gareth discovered outstanding singers

0:36:130:36:15

from all walks of life.

0:36:150:36:17

# When the day is long. #

0:36:170:36:20

# And I'm feeling good

0:36:200:36:22

# Feeling good, feeling good. #

0:36:220:36:25

# You've got someone to blame. #

0:36:250:36:28

But it was at P&O he came across his most unlikely stars.

0:36:300:36:34

-Wow. Hello, Gareth.

-Gareth.

-Thanks for having me.

0:36:350:36:38

In the middle of the English Channel, Gareth met quartermaster Grant...

0:36:380:36:42

Have you done any singing before? Just give me a la.

0:36:420:36:45

-DEEP VOICE:

-Laaaa.

0:36:450:36:46

I'm a little bit nervous.

0:36:460:36:47

It's like a drain.

0:36:470:36:49

And his brother, Jeff.

0:36:490:36:51

# We are sailing

0:36:510:36:54

# We are sailing... #

0:36:540:36:56

They were both clearly basses,

0:36:560:36:57

albeit rough and a bit gravelly.

0:36:570:37:00

But they both had a good tone.

0:37:000:37:02

Can I hear the basses? Two, three and...

0:37:020:37:04

# Rock the boat. #

0:37:040:37:05

It's a bit football crowd.

0:37:050:37:07

-Way-ay!

-LAUGHTER

0:37:070:37:09

Grant and Jeff were obviously blokey blokes

0:37:090:37:11

and they were not always enthusiastic about my song choices.

0:37:110:37:14

# ..know if you've got the notion. #

0:37:140:37:18

Interesting.

0:37:180:37:19

-The song choices of some of them are a little...

-Painful.

0:37:190:37:22

Some of them were painful.

0:37:220:37:23

But as the contest progressed, they started to loosen up.

0:37:230:37:26

BOTH: # Beyond the sea. #

0:37:260:37:30

Getting a little stodgy.

0:37:300:37:31

Light.

0:37:310:37:34

-# Somewhere beyond the sea... #

-So much better.

0:37:340:37:37

And actually, despite themselves, they started to enjoy it.

0:37:370:37:40

# Somewhere waiting for me. #

0:37:400:37:42

And when P&O got through to the final,

0:37:420:37:44

it was the brothers who sang the opening duet.

0:37:440:37:46

# When I'm an island

0:37:460:37:49

# And I just stand alone

0:37:490:37:53

# No land is my land

0:37:530:37:56

# And nothing's all.... #

0:37:560:37:58

For two such burly blokes,

0:37:580:38:00

I think they sang with surprising tenderness.

0:38:000:38:03

I think that's part of the secret to the success of P&O.

0:38:030:38:06

And I think it helped them to win.

0:38:060:38:08

APPLAUSE

0:38:080:38:10

Sometimes you just need a little push

0:38:100:38:11

and a little persuasion to do something out of your comfort zone.

0:38:110:38:14

-And you get something amazing from it.

-Yeah.

0:38:140:38:17

APPLAUSE

0:38:170:38:19

Of all the choirs,

0:38:210:38:23

this should be the one that can produce the best result.

0:38:230:38:26

That's fighting talk, isn't it?

0:38:260:38:29

Oh, I've lost count again. One, two, three, four, five, six.

0:38:290:38:32

I wonder if he's aged.

0:38:320:38:34

-No, he's for ever young, that man, isn't he? Yeah.

-Probably.

0:38:340:38:37

Ah! Hello!

0:38:380:38:40

CHEERING AND APPLAUSE

0:38:400:38:43

So good to see you all. You excited?

0:38:430:38:45

ALL: Yes!

0:38:450:38:46

Should we get on with it, shall we do some singing?

0:38:460:38:48

-ALL: Yes!

-Come on, let's go.

0:38:480:38:50

-Hello, Jo.

-How are you?

0:38:520:38:54

-I'm all right. How is the city?

-All good.

-Good.

0:38:540:38:58

-Hello, Chika, how are you?

-Oh, I'm good.

0:38:580:39:00

You're singing tenor?

0:39:000:39:01

Oh, good. Excellent.

0:39:010:39:03

-Hello, Matt, how are you?

-I'm really well. How are you?

0:39:030:39:06

Thank you very, very much for agreeing to be part of this,

0:39:080:39:12

my super choir, my choir of choirs.

0:39:120:39:15

And I think this choir should sound absolutely incredible.

0:39:150:39:18

You know the rules.

0:39:180:39:20

Somebody makes a mistake, you just look at the person

0:39:200:39:22

next to you and go...

0:39:220:39:23

LAUGHTER

0:39:230:39:25

The song that we're going to sing is the song

0:39:250:39:27

that started the whole adventure.

0:39:270:39:29

Great song about being there for people.

0:39:290:39:32

We will be singing Bridge Over Troubled Water,

0:39:320:39:35

in 24 hours.

0:39:350:39:36

For an audience of over 200 people, who you all know

0:39:360:39:39

because they're members of the choirs I've worked with

0:39:390:39:42

over the last ten years.

0:39:420:39:43

GASPS

0:39:430:39:45

So I think the first thing we have to do is have a quick sing through

0:39:450:39:48

and see where we're at. Up we get.

0:39:480:39:50

MUSIC: Bridge Over Troubled Water

0:39:520:39:56

# When you're down and out

0:39:560:40:02

# When you're on the street

0:40:020:40:07

# When evening falls so hard... #

0:40:070:40:14

So good to see so many familiar faces.

0:40:140:40:18

All my stand-out singers from all my choirs. Great.

0:40:180:40:21

# I will ease your mind

0:40:210:40:27

And...

0:40:300:40:32

# I will ease your mind. #

0:40:320:40:40

We've got a lot work to do.

0:40:410:40:43

OK, shall we take a break? Thank you, everyone.

0:40:450:40:48

INDISTINCT CHATTER

0:40:480:40:51

It's good to see you guys. How's your brother?

0:40:510:40:53

I've made a personal connection with all these people

0:40:530:40:56

so it feels really nice to reconnect with them.

0:40:560:40:59

This feels much more personal than anything I've done in a while.

0:40:590:41:03

Is the choir still going in Birmingham?

0:41:050:41:07

Oh, yeah. Absolutely. Yeah, we practise every single week.

0:41:070:41:10

Gareth met Siobhan when he formed choir with Birmingham City Council.

0:41:100:41:15

She was a social worker in Children's Services.

0:41:150:41:18

My job, in a way, is standing between the perpetrators of abuse

0:41:180:41:23

and the child.

0:41:230:41:25

So you're going to...

0:41:250:41:27

absorb all the bullets, I suppose, aren't you?

0:41:270:41:30

Siobhan was working on the front line of social care,

0:41:300:41:32

working with some very difficult and sensitive situations

0:41:320:41:35

to do with children. Really tough job.

0:41:350:41:37

# We'll just move somewhere else

0:41:370:41:42

# And still carry on. #

0:41:420:41:45

That's good.

0:41:460:41:47

It's not making enough impact, is that what you mean?

0:41:470:41:50

Not really. Look, what does this song mean to you?

0:41:500:41:53

I think it means, you know, the families that I work with.

0:41:530:41:57

I think the song is about asking them to trust me

0:41:570:42:00

and everyone in the council to, you know,

0:42:000:42:02

there are better times, you've got to come with us.

0:42:020:42:05

It's definitely worth having something to latch on to,

0:42:050:42:07

like a moment that you're going to use in that song.

0:42:070:42:11

-I have lots of moments.

-Do you?

-Yeah.

0:42:110:42:14

What's your moment?

0:42:140:42:15

Um...

0:42:150:42:16

I have lots of moments at work.

0:42:210:42:24

Yeah.

0:42:240:42:25

Sorry.

0:42:280:42:29

You know, you can save children just before death really.

0:42:310:42:36

I'm not exaggerating when I say that.

0:42:360:42:38

We see some horrible things.

0:42:380:42:40

And its very, very upsetting,

0:42:400:42:42

but you haven't got time to deal with those emotions.

0:42:420:42:45

So, you know, you have to stand there in hospitals when

0:42:450:42:48

there's children with broken limbs.

0:42:480:42:50

And, you know, you have to fill out forms

0:42:500:42:52

and you have to liaise with all these professionals,

0:42:520:42:54

you have to have meetings, you have to all listen.

0:42:540:42:57

There's that child lying there and you haven't time to have a good cry

0:42:570:43:00

because you can't.

0:43:000:43:01

I think for it really to work...

0:43:010:43:04

-you've got to wear your heart on your sleeve a bit.

-Yeah.

0:43:040:43:07

MUSIC: The Only Way Is Up

0:43:080:43:11

# We've been broken down

0:43:110:43:15

# To the lowest turn

0:43:170:43:19

# And being on the bottom line

0:43:210:43:26

# Sure ain't no fun

0:43:260:43:28

# But if we should be evicted

0:43:300:43:34

# From our homes

0:43:340:43:37

# We'll just move somewhere else

0:43:370:43:42

# And still carry on... #

0:43:420:43:45

To me, music should always communicate something.

0:43:450:43:47

And I think Siobhan did that in abundance, she was able to

0:43:470:43:50

sing about herself, about each other,

0:43:500:43:54

and do it in a way that was just beautiful.

0:43:540:43:56

BOTH: # We'll just move somewhere else

0:43:560:44:00

# And still carry on. #

0:44:000:44:02

It was a great solo.

0:44:020:44:04

It was a stand-out moment for me. That and that whole song.

0:44:040:44:07

How's Birmingham? What are you doing, you still a social worker?

0:44:070:44:10

-I got promoted.

-Did you?

0:44:100:44:11

-Cos of you. No, not true.

-Cos of your wonderful solo.

0:44:110:44:14

Yep. Well, actually, you did so much because obviously following me

0:44:140:44:18

round and that being on the television, no-one had ever,

0:44:180:44:22

I think, seen social workers in a positive light.

0:44:220:44:25

It was just fantastic, yeah.

0:44:250:44:27

I got a really, really good response. Not just for me, for...

0:44:270:44:30

-For the whole group?

-Social work.

0:44:300:44:31

-Oh, that's nice.

-I'm really grateful.

0:44:310:44:33

THEY SING

0:44:330:44:36

For me, it's incredible to watch people blossom.

0:44:360:44:38

And now they've come back

0:44:380:44:40

and there's such a sense of joy and happiness.

0:44:400:44:42

# But I don't believe... #

0:44:420:44:44

They all seem, I think, happier for having joined choirs.

0:44:440:44:49

THEY VOCALISE

0:44:490:44:50

It's now halfway through the rehearsal day.

0:44:500:44:53

This afternoon is just about slog now.

0:44:530:44:55

In 24 hours' time, they'll be on stage in front a lot of people

0:44:550:44:59

who know whether it's going to be good or not.

0:44:590:45:01

So, slog.

0:45:030:45:05

It's time to kick the proverbial.

0:45:060:45:09

OK! Everyone, back in.

0:45:100:45:12

Let's go. Quick, quick, quick.

0:45:120:45:14

You're going the wrong way, Marisa. This way.

0:45:140:45:16

-THEY LAUGH

-In you go, in you go. Come on.

0:45:160:45:18

That's it! Hup, hup, hup!

0:45:180:45:20

I'm about to put it together for the first time

0:45:220:45:24

now that they all know their notes.

0:45:240:45:26

-Come on.

-I was eating a banana. I'm sorry.

0:45:260:45:28

No time for bananas, no time for bananas, Hayley.

0:45:280:45:30

Come on. It's going to be fine.

0:45:300:45:32

We have lots of work to do before 5.30.

0:45:330:45:35

We also have to, I think, pick a couple of soloists.

0:45:350:45:39

I'd like to just hear a few people sing some bits

0:45:390:45:41

and then I'm going to make some decisions.

0:45:410:45:43

-BOTH:

-# When you're down and out

0:45:430:45:48

# When you're on the street. #

0:45:480:45:53

Chloe.

0:45:530:45:54

# When you're down and out... #

0:45:550:45:59

# When you're on the street. #

0:46:000:46:05

Good. Good. OK, fine.

0:46:050:46:07

While I'm here...

0:46:070:46:08

-IN HIGH-PITCHED VOICE:

-# See how they shine. #

0:46:080:46:11

Go for it. Two, three, and Jenna.

0:46:110:46:14

# See how they shine. #

0:46:140:46:19

# See how they shine. #

0:46:200:46:26

# See how they shine. #

0:46:260:46:30

Nice.

0:46:300:46:32

# See how they shine. #

0:46:320:46:37

-IN HIGH-PITCHED VOICES:

-# See how they shine... #

0:46:370:46:40

LAUGHTER AND CHEERING

0:46:400:46:42

OK. Erm...

0:46:500:46:53

OK. Go and have a seat. Well done, everyone. Thank you.

0:46:530:46:55

THEY APPLAUD

0:46:550:46:58

OK!

0:47:030:47:04

I've made some very, very quick decisions.

0:47:040:47:07

So, listen very carefully.

0:47:070:47:08

Siobhan, I'd like you to do the first two lines,

0:47:080:47:11

but I'd like you then to either be joined by, or taken over by...

0:47:110:47:15

I think Sam.

0:47:150:47:16

Sail on, Silvergirl, for me,

0:47:160:47:19

there's only one person who can do this

0:47:190:47:20

and that's Chloe Sullivan

0:47:200:47:22

-cos you did it the first time. Is that OK?

-Yes.

0:47:220:47:25

So, Chloe...

0:47:250:47:27

for old times' sake,

0:47:270:47:29

you're going to do that as a solo.

0:47:290:47:31

Let's see how that works. Let's go from the beginning.

0:47:310:47:34

# When you're down and out

0:47:370:47:41

# When you're on the street

0:47:430:47:46

# When evening falls so hard

0:47:480:47:55

-BOTH:

-# I will comfort you... #

0:47:550:47:58

-Shall we have everyone go...

-ALL:

-# Ooh... #

0:47:580:48:01

Everyone in.

0:48:010:48:03

# I'll take your part... #

0:48:030:48:06

OK. What I'm getting is, "Wah, wah, wah, wah..."

0:48:060:48:10

And I want brr, brr, brr-brr, is what I'm looking for.

0:48:100:48:14

-THEY LAUGH

-Two, three and one.

0:48:140:48:17

# I'll take your part. #

0:48:170:48:21

You've got to be able to do that quietly.

0:48:210:48:24

Thank you very much. I will see you tomorrow for showtime!

0:48:240:48:26

THEY CHEER AND APPLAUD

0:48:260:48:28

One or two of them don't know the parts as well as I was hoping,

0:48:280:48:31

but actually, on balance... just great.

0:48:310:48:34

-Whey!

-See you tomorrow!

0:48:350:48:38

-No drinking!

-ALL:

-Bye!

0:48:380:48:41

It doesn't always come together, it doesn't always work...perfectly

0:48:410:48:45

and I'm hoping that tomorrow is going to be perfect.

0:48:450:48:47

Please.

0:48:490:48:50

MUSIC: Water Music, Alla Hornpipe by George Frideric Handel

0:48:500:48:53

The day of Gareth's big choir reunion has finally arrived.

0:48:530:48:57

STAGE CREWMAN HAMMERS

0:49:010:49:03

That noise means it's real.

0:49:050:49:07

It's lovely, but it's also making me nervous

0:49:100:49:12

cos it's like holding a birthday party

0:49:120:49:15

and I haven't got enough canapes.

0:49:150:49:17

The centrepiece of the reunion

0:49:180:49:20

will be a performance by his choir of choirs.

0:49:200:49:23

It's a big deal. There's a lot of people coming

0:49:230:49:25

and a lot of people that I know,

0:49:250:49:27

and I want it to be excellent.

0:49:270:49:28

I don't want it to be all right, I want it to be really stunning.

0:49:280:49:31

-We've got a visitor.

-Oh. Gareth Malone.

0:49:420:49:44

-Hello! Hey. How are we all?

-CHOIR CHEER

0:49:440:49:48

-ALL:

-Good.

-Oh, you look nervous.

-THEY LAUGH

0:49:480:49:51

-Are you nervous?

-No.

-No, you're cool.

0:49:510:49:54

Dump your stuff on the floor.

0:49:540:49:56

Let's warm up here and let's get ready.

0:49:560:49:58

Good.

0:49:580:49:59

THEY DO VOCAL EXERCISES

0:49:590:50:02

-Ah!

-Ah!

0:50:020:50:03

Outside, members of Gareth's choirs from the past decade

0:50:050:50:08

are gathering for the reunion.

0:50:080:50:11

# Doo-doo, doo-doo, doo

0:50:110:50:12

# Goodnight, sweetheart, well, it's time to go

0:50:120:50:16

# Doo-doo, doo-doo, doo... #

0:50:160:50:17

We are one of the original choirs, one of the first choirs and...yeah.

0:50:170:50:20

Arguably the best choir.

0:50:200:50:22

-Yeah, arguably.

-We set it off.

0:50:220:50:24

-# Bella mama, bella mama, ay

-# Bella mama, bella mama

0:50:240:50:29

# Bella mama, bella mama, ay... #

0:50:290:50:32

We decided we missed Gareth that much

0:50:320:50:34

we'd come up and we'd come dressed as Gareth Malone today.

0:50:340:50:37

We're all dressed as Gareth Malone.

0:50:370:50:38

MUSIC: The Marriage of Figaro by Wolfgang Amadeus Mozart

0:50:380:50:42

-How are you?

-I'm all right. You?

0:50:420:50:44

Oh, the atmosphere is great,

0:50:440:50:46

seeing faces I recognise from the other choirs,

0:50:460:50:49

hearing people singing - just such fun.

0:50:490:50:51

Even though people don't know each other from different choirs,

0:50:510:50:54

we're all kind of giving each other smiles and stuff.

0:50:540:50:56

Like, it's kind of a community, I think.

0:50:560:50:58

We've all got Gareth.

0:50:580:51:00

Gareth is that little point of connection

0:51:000:51:02

in all of our universe.

0:51:020:51:03

It's just Gareth, that little spot right there.

0:51:030:51:05

I was younger ten years ago - I think I looked about 13.

0:51:070:51:10

And now, I think I've sort of grown into myself now.

0:51:100:51:12

Definitely got a few more greys.

0:51:120:51:15

I think, for me, the last ten years have been a struggle,

0:51:150:51:18

have been an adventure,

0:51:180:51:19

but they've been full of heart,

0:51:190:51:22

full of music and full of joy.

0:51:220:51:24

Did that sound cheesy?

0:51:250:51:26

AUDIENCE CHEER AND APPLAUD

0:51:270:51:30

Hello! Hello!

0:51:300:51:32

Ladies and gentlemen, friends,

0:51:320:51:35

it is fantastic to see so many of you here.

0:51:350:51:38

Thank you for making the journey to be here today

0:51:380:51:40

to celebrate ten years of The Choir.

0:51:400:51:42

So many rehearsals, so many wonderful experiences.

0:51:420:51:45

Today is a celebration.

0:51:450:51:47

It's about celebrating, I think, something wonderful that's happened

0:51:470:51:50

for choirs in this country.

0:51:500:51:52

It now feels OK for a lot more people to sing.

0:51:520:51:54

Before Gareth's choir of choirs takes to the stage,

0:51:590:52:02

he's asked singers from his school choirs to open the show.

0:52:020:52:05

Ladies and gentleman,

0:52:050:52:06

the members of, what I'm calling, the School Reunion Choir.

0:52:060:52:09

# Tried to keep you close to me

0:52:100:52:17

# But life got in between

0:52:170:52:22

-ALL:

-# Tried to square not being there

0:52:250:52:32

# But think that I should have been

0:52:320:52:38

# Hold back the river, let me look in your eyes

0:52:400:52:44

# Hold back the river so I

0:52:440:52:47

# Can stop for a minute and see where you hide

0:52:470:52:51

# Hold back the river, hold back... #

0:52:510:52:55

Backstage are Gareth's choir of choirs,

0:52:550:52:57

and they're beginning to feel the pressure.

0:52:570:52:59

# See how they shine... #

0:52:590:53:03

We need all the practice we can get. We don't want to let anyone down.

0:53:030:53:06

It is big for Gareth and we want to make sure that

0:53:060:53:09

we give him the best as we can.

0:53:090:53:11

This is the culmination of everything he's done over the years

0:53:110:53:13

so it would be horrendous if I got it wrong, wouldn't it?

0:53:130:53:16

# Hold back the river so I

0:53:160:53:19

# Can stop for a minute and see where you hide

0:53:190:53:23

# Hold back the river, hold back

0:53:230:53:27

# Oh, oh-oh, oh-oh, oh-oh.

0:53:270:53:33

# Oh-oh, oh-oh. #

0:53:330:53:38

AUDIENCE CHEER AND APPLAUD

0:53:400:53:42

Without question, the oldest school choir in the country.

0:53:480:53:53

Well, ladies and gentlemen,

0:53:580:53:59

I have a wonderful, wonderful treat in store for you

0:53:590:54:02

because waiting in the wings backstage

0:54:020:54:05

are a group of people that you all know and I know very well.

0:54:050:54:09

This is the choir of choirs.

0:54:090:54:11

Please welcome, ladies and gentleman,

0:54:110:54:13

soloists from all of your choirs from the last ten years.

0:54:130:54:18

AUDIENCE CHEER AND APPLAUD

0:54:180:54:20

Feast your eyes!

0:54:300:54:32

PIANO PLAYS

0:54:360:54:38

# When you're down and out

0:54:410:54:44

# When you're on the street

0:54:460:54:50

# When evening falls so hard

0:54:510:54:58

BOTH: # I will comfort you-oo

0:54:580:55:05

-ALL:

-# I'll take your part

0:55:050:55:10

# Oh, when darkness comes

0:55:100:55:17

# And pain is all around

0:55:170:55:23

# Like a bridge

0:55:230:55:26

# Over troubled water

0:55:260:55:32

-# I will lay me down

-I will lay me down

0:55:320:55:39

# Ooh-oh

0:55:390:55:43

-# Sail on, Silvergirl

-Ooh, ooh, ooh

0:55:450:55:49

-# Sail on by

-Ooh, ooh, ooh

0:55:490:55:55

# Your time has come to shine

0:55:550:56:02

-WOMEN:

-# All your dreams are on their way

0:56:020:56:05

# Ooh, ooh

0:56:050:56:06

# Ah, ah-ah-ah

0:56:060:56:09

-# See how they shine

-See how they shine

0:56:090:56:15

-# Oh, if you need a friend

-If you need a friend

0:56:150:56:20

# I'm sailing right behind

0:56:200:56:27

-AUDIENCE JOINS:

-# Like a bridge over troubled water

0:56:270:56:34

# I will ease your mind

0:56:340:56:38

# Like a bridge over troubled water

0:56:380:56:45

# I will ease your mi-i-ind

0:56:450:56:53

-CHOIR ONLY:

-# I will ease

-I will ease

0:56:550:56:59

-# Your mind.

-Your mind. #

0:56:590:57:06

AUDIENCE CHEER AND APPLAUD

0:57:080:57:10

MUSIC: The Marriage of Figaro by Wolfgang Amadeus Mozart

0:57:140:57:18

APPLAUSE DROWNS OUT SPEECH

0:57:260:57:28

It was ridiculously emotional, actually.

0:57:450:57:48

-Woo! Yay!

-SHE LAUGHS

0:57:480:57:52

Singing has an incredible effect on people

0:57:520:57:54

and I've witnessed that over the last ten years.

0:57:540:57:56

Hello!

0:58:000:58:01

I feel like we are a singing nation, and we always have been.

0:58:010:58:04

You know, this proves it.

0:58:040:58:05

These are ordinary people doing ordinary jobs from ordinary schools

0:58:050:58:09

who have learnt to love singing and accept it into their lives.

0:58:090:58:12

-Hello, military wives!

-THEY CHEER

0:58:120:58:15

-Are you crying?

-Yes, I am.

-Aw.

0:58:150:58:18

-Yay, I'm happy.

-Mwah.

-Do it again, do it again, do a kiss.

0:58:180:58:21

I don't know what the next ten years are going to hold,

0:58:230:58:25

but there'll definitely be choirs, there'll definitely be music

0:58:250:58:28

and there'll most assuredly be singing.

0:58:280:58:30

MUSIC: The Nutcracker Op 71 by Tchaikovsky

0:58:300:58:32

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