Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Choirmaster Gareth Malone believes that singing | 0:00:02 | 0:00:06 | |
can change the toughest of lives. | 0:00:06 | 0:00:08 | |
I know that music can bring people together | 0:00:08 | 0:00:10 | |
under really extraordinary circumstances. | 0:00:10 | 0:00:13 | |
In three weeks' time, | 0:00:13 | 0:00:14 | |
these soldiers will be fighting for their country in Afghanistan. | 0:00:14 | 0:00:19 | |
Three, two, one! | 0:00:19 | 0:00:20 | |
They'll be leaving behind more than 120 women and their children. | 0:00:20 | 0:00:25 | |
Been quite a few fatalities, which is horrific. | 0:00:25 | 0:00:28 | |
This is real. It's not Action Man here. This is real stuff. | 0:00:28 | 0:00:32 | |
These people are separated from their husbands. | 0:00:32 | 0:00:35 | |
There's a real danger that they could be injured. | 0:00:35 | 0:00:38 | |
They might not even come back. | 0:00:38 | 0:00:40 | |
Gareth will pull these women together | 0:00:40 | 0:00:42 | |
into a choir of military wives. | 0:00:42 | 0:00:44 | |
I am here to lift your spirits, hopefully. | 0:00:44 | 0:00:47 | |
Pick you up and bring your voices together to be heard. | 0:00:47 | 0:00:50 | |
Words can't explain how much... | 0:00:50 | 0:00:54 | |
How much I just want him to come home. | 0:00:54 | 0:00:56 | |
If I let my guard down and let the emotion come out, | 0:00:56 | 0:00:59 | |
I would be crying the whole day! | 0:00:59 | 0:01:00 | |
The whole point of this is to give voice to these women | 0:01:00 | 0:01:04 | |
and make people hear them | 0:01:04 | 0:01:05 | |
and it's amazing how much some of them hide. | 0:01:05 | 0:01:09 | |
You wanted to play with the big girls, you drink like the big girls. | 0:01:09 | 0:01:12 | |
In less than eight months, | 0:01:12 | 0:01:13 | |
Gareth will take his choir from obscurity... | 0:01:13 | 0:01:16 | |
This lot are going to absolutely rip us to pieces. | 0:01:16 | 0:01:20 | |
..up through the ranks of the military establishment. | 0:01:20 | 0:01:23 | |
It's about boosting morale. | 0:01:23 | 0:01:25 | |
It's about finding pride in yourselves. | 0:01:25 | 0:01:27 | |
I want to run away. I just want to run away! | 0:01:27 | 0:01:29 | |
And right to the heart of the nation's tribute to the troops, | 0:01:29 | 0:01:34 | |
with a grand performance at the Royal Albert Hall. | 0:01:34 | 0:01:36 | |
This is like no other gig I have ever done. | 0:01:36 | 0:01:39 | |
Gig is the wrong word. This is a ceremony. | 0:01:39 | 0:01:41 | |
It does get you. | 0:01:41 | 0:01:43 | |
Going into a very sensitive situation with something as ridiculous | 0:01:43 | 0:01:46 | |
and as crass as singing in a choir. | 0:01:46 | 0:01:49 | |
It's testing what a choir is for | 0:01:49 | 0:01:52 | |
and really testing it to the limit. | 0:01:52 | 0:01:54 | |
It's early spring and Gareth is moving to Devon, | 0:02:05 | 0:02:09 | |
where he'll be staying for the next eight months. | 0:02:09 | 0:02:11 | |
He'll start a choir with the wives of soldiers and marines | 0:02:11 | 0:02:14 | |
based nearby, who are about to deploy to Afghanistan. | 0:02:14 | 0:02:17 | |
It's a time where the military is just in everyone's minds. | 0:02:19 | 0:02:23 | |
Every time I open the newspaper, | 0:02:23 | 0:02:25 | |
there's been a new awful story from Afghanistan, | 0:02:25 | 0:02:28 | |
but we don't think about who's left at home | 0:02:28 | 0:02:31 | |
and we only ever hear about military wives | 0:02:31 | 0:02:34 | |
when they're on the news and when something's gone wrong. | 0:02:34 | 0:02:38 | |
When the chips are down | 0:02:38 | 0:02:39 | |
and you haven't got anything else to get you through, | 0:02:39 | 0:02:42 | |
I think that's what singing was invented for. | 0:02:42 | 0:02:44 | |
It's for bringing people together - even when things are bad. | 0:02:44 | 0:02:47 | |
I know nothing about the military. | 0:02:55 | 0:02:57 | |
Absolutely nothing, other than what I've been told, | 0:02:57 | 0:03:00 | |
what I've seen on the news. | 0:03:00 | 0:03:01 | |
I've never spent time on a military base | 0:03:01 | 0:03:04 | |
and I know very little about military life. | 0:03:04 | 0:03:07 | |
I really don't know what to expect. | 0:03:08 | 0:03:10 | |
Gareth will be choirmaster at the Royal Marine Barracks | 0:03:12 | 0:03:14 | |
at Chivenor, a remote spot in north Devon. | 0:03:14 | 0:03:18 | |
Your name is? | 0:03:18 | 0:03:19 | |
Gareth Malone. | 0:03:19 | 0:03:20 | |
I think this is the most intimidating place | 0:03:20 | 0:03:24 | |
I've ever been in my life. | 0:03:24 | 0:03:25 | |
Do you get used to it? | 0:03:25 | 0:03:27 | |
Yeah, you do, yeah. | 0:03:27 | 0:03:29 | |
There's been a base at Chivenor since before the Second World War. | 0:03:31 | 0:03:35 | |
Three, two, one! | 0:03:37 | 0:03:38 | |
Now it's a training base for nearly 1,200 men | 0:03:38 | 0:03:42 | |
from the Royal Marines, the Army and the RAF. | 0:03:42 | 0:03:44 | |
I'd like to introduce you to the OC. | 0:03:46 | 0:03:49 | |
In just three weeks, these men will deploy to Afghanistan. | 0:03:49 | 0:03:52 | |
How's the mood? | 0:03:53 | 0:03:54 | |
The mood is good. We've spent a lot of time training. | 0:03:54 | 0:03:57 | |
Although you can't train too much, we're at the point now | 0:03:57 | 0:04:00 | |
where we've done enough and we're ready to go. | 0:04:00 | 0:04:02 | |
Do you mind me asking how old you are? | 0:04:02 | 0:04:04 | |
-22. -25. | 0:04:04 | 0:04:07 | |
I'm 28. I just had an easy paper round. Look young. | 0:04:07 | 0:04:10 | |
How does your wife feel? | 0:04:10 | 0:04:12 | |
We think that it's a bit harder for our families actually | 0:04:12 | 0:04:16 | |
than us when we're deployed, | 0:04:16 | 0:04:17 | |
cos they've still got to deal with normal day-to-day life. | 0:04:17 | 0:04:21 | |
Gareth's joining Family Day on the base. | 0:04:25 | 0:04:29 | |
A chance for everyone to get together | 0:04:29 | 0:04:31 | |
for the last time before the troops leave. | 0:04:31 | 0:04:34 | |
Morning. Hi. | 0:04:34 | 0:04:36 | |
Good afternoon, everyone! | 0:04:38 | 0:04:40 | |
My name is Gareth Malone | 0:04:40 | 0:04:41 | |
and I'm going to be here for the next eight months. | 0:04:41 | 0:04:45 | |
I want to invite anyone to come and join a choir. | 0:04:45 | 0:04:50 | |
You don't need to be a brilliant singer but I'm around. | 0:04:52 | 0:04:55 | |
Come and speak to me if you're at all interested, | 0:04:55 | 0:04:57 | |
if you've ever thought about singing, | 0:04:57 | 0:04:59 | |
if you sing in the shower, it's about bringing everyone together. | 0:04:59 | 0:05:03 | |
Tumbleweed. | 0:05:07 | 0:05:08 | |
I'm starting a choir. | 0:05:10 | 0:05:11 | |
Good luck with that one. | 0:05:11 | 0:05:13 | |
Thanks. | 0:05:13 | 0:05:15 | |
I'm starting a choir. | 0:05:15 | 0:05:16 | |
Oh, right! | 0:05:16 | 0:05:18 | |
For the wives and girlfriends... and anyone who's left behind | 0:05:18 | 0:05:22 | |
while the troops are away. | 0:05:22 | 0:05:23 | |
Do you sing? | 0:05:23 | 0:05:24 | |
No. | 0:05:24 | 0:05:25 | |
You're deploying in three weeks? | 0:05:25 | 0:05:27 | |
Yes. Roughly three weeks. | 0:05:27 | 0:05:30 | |
How are you feeling? | 0:05:30 | 0:05:31 | |
Not so good about it. | 0:05:31 | 0:05:33 | |
-Is it the first time? -Yeah. | 0:05:33 | 0:05:35 | |
Big deal. | 0:05:35 | 0:05:36 | |
Yeah, it is. | 0:05:36 | 0:05:37 | |
So the whole purpose of me being here is to offer you something to do, | 0:05:37 | 0:05:41 | |
something to take your mind off of what's going on while they're away. | 0:05:41 | 0:05:46 | |
Would you be interested? | 0:05:46 | 0:05:47 | |
-Definitely. -Good. | 0:05:47 | 0:05:49 | |
Have you heard that I'm here to start a choir? | 0:05:49 | 0:05:51 | |
-Yes. -Word travels fast. | 0:05:51 | 0:05:53 | |
Are you interested? | 0:05:53 | 0:05:54 | |
Yes. | 0:05:54 | 0:05:55 | |
Good! Yeses! | 0:05:55 | 0:05:56 | |
Hello, George. Hello, Nicola. | 0:05:56 | 0:05:59 | |
Do you sing? | 0:05:59 | 0:06:00 | |
Do I sing? | 0:06:00 | 0:06:02 | |
What does she sing? | 0:06:02 | 0:06:03 | |
Everything! | 0:06:03 | 0:06:05 | |
-So you'd be interested? -Oh, most definitely. | 0:06:05 | 0:06:07 | |
I like "Oh, most definitely". That's the most positive response I've had. | 0:06:07 | 0:06:12 | |
Are you interested? | 0:06:12 | 0:06:14 | |
Well, yes, but you haven't heard me sing yet! | 0:06:14 | 0:06:17 | |
What do you rate her chances? | 0:06:17 | 0:06:21 | |
I think she's going to be outstanding. Absolutely. | 0:06:21 | 0:06:25 | |
'I don't envy anybody to pull these individuals into a choir.' | 0:06:25 | 0:06:29 | |
Soldiers are soldiers and they are trained | 0:06:29 | 0:06:33 | |
and do obey orders for good reason. | 0:06:33 | 0:06:35 | |
Wives don't fall into that category | 0:06:35 | 0:06:38 | |
and rightly so, and they never should. | 0:06:38 | 0:06:40 | |
They will have their own views on issues, | 0:06:40 | 0:06:43 | |
the ways that they want to do things, | 0:06:43 | 0:06:45 | |
which I think will add to the challenge | 0:06:45 | 0:06:47 | |
of trying to form them into a choir. | 0:06:47 | 0:06:49 | |
It's so strange that here we are, drinking cups of tea and coffee, | 0:06:49 | 0:06:53 | |
enjoying the weather and having a nice fete, | 0:06:53 | 0:06:56 | |
and these guys are going to war in three weeks | 0:06:56 | 0:06:58 | |
and they'll be in Afghanistan and everyone will be worried about them. | 0:06:58 | 0:07:02 | |
So, it will just be such a strange atmosphere on the base after that. | 0:07:02 | 0:07:07 | |
It's the calm before the storm. | 0:07:07 | 0:07:09 | |
280 houses make up the married quarters, known as "the patch". | 0:07:16 | 0:07:20 | |
Standing on the perimeter of the base, | 0:07:20 | 0:07:22 | |
it's where the majority of troops live with their families. | 0:07:22 | 0:07:26 | |
It's quite a dull place. | 0:07:27 | 0:07:29 | |
There's nothing apart from all the houses, | 0:07:29 | 0:07:31 | |
and the houses seem to vary depending on what rank you are. | 0:07:31 | 0:07:36 | |
It does feel very remote from the rest of the world. | 0:07:36 | 0:07:38 | |
We're only about half a mile from Barnstable | 0:07:38 | 0:07:41 | |
and yet we're in a little enclave. | 0:07:41 | 0:07:43 | |
I wonder if they have any interaction with the outside world. | 0:07:43 | 0:07:47 | |
It's very claustrophobic, | 0:07:47 | 0:07:49 | |
so you're right on top of everyone that your husband works with. | 0:07:49 | 0:07:53 | |
There's no getting away from them. | 0:07:53 | 0:07:55 | |
Soldier's wife Nicky and her family moved to Chivenor a few months ago. | 0:07:55 | 0:07:59 | |
It's her fifth base in ten years. | 0:07:59 | 0:08:01 | |
She thinks Gareth's choir could make all the difference. | 0:08:01 | 0:08:04 | |
It's hard to meet people I think | 0:08:04 | 0:08:06 | |
because there is a big, big cross-section of all the services. | 0:08:06 | 0:08:12 | |
There's cliques of people. | 0:08:12 | 0:08:14 | |
What happens is you get parties, mess functions, | 0:08:14 | 0:08:18 | |
and those wives go to them. | 0:08:18 | 0:08:19 | |
The other wives don't because they are another regiment or something. | 0:08:19 | 0:08:25 | |
You make acquaintances, not friends. | 0:08:25 | 0:08:28 | |
And you need things to bring people together. You do need things. | 0:08:28 | 0:08:31 | |
Having a choir here is going to be brilliant. | 0:08:31 | 0:08:35 | |
I can't say that I've ever seen the commanding officer's wife | 0:08:35 | 0:08:40 | |
so I don't know who she is, to be honest with you! | 0:08:40 | 0:08:43 | |
I know where she lives and I hear people say she's a lovely lady. | 0:08:43 | 0:08:47 | |
I'm sure she is. | 0:08:47 | 0:08:49 | |
Gareth wants to spread the word on the patch | 0:08:51 | 0:08:53 | |
that his first choir rehearsals are about to get under way. | 0:08:53 | 0:08:57 | |
Hello. | 0:08:57 | 0:08:59 | |
Hi. I'm not a mum and I haven't got a baby. | 0:08:59 | 0:09:02 | |
-Hello. -Stacey. | 0:09:02 | 0:09:03 | |
Hi, Stacey. Hello. | 0:09:03 | 0:09:05 | |
Hi, I'm Gareth. Local choirmaster. Hello. | 0:09:05 | 0:09:09 | |
So what is there to do for you while your husbands are away? Nothing? | 0:09:09 | 0:09:15 | |
Really? | 0:09:15 | 0:09:17 | |
Nothing whatsoever. | 0:09:17 | 0:09:20 | |
Just counting the long days. | 0:09:20 | 0:09:21 | |
What about singing? I'm starting a choir. | 0:09:21 | 0:09:25 | |
My dream is to be able to sing. | 0:09:25 | 0:09:27 | |
Your dream? | 0:09:27 | 0:09:28 | |
I'm going to make that dream come true. I hope. He said! | 0:09:28 | 0:09:32 | |
I used to be in a choir. | 0:09:32 | 0:09:34 | |
Oh, great! When? | 0:09:34 | 0:09:36 | |
When I was, like, from 12 to 17. | 0:09:36 | 0:09:38 | |
Brilliant. So you know what you're doing. | 0:09:38 | 0:09:41 | |
Nice to meet you. Can I hear your voice? | 0:09:41 | 0:09:44 | |
-No! -OK. | 0:09:44 | 0:09:45 | |
Well, it's really nice to meet you all and I will let you know. | 0:09:45 | 0:09:48 | |
I will put a notice up. | 0:09:48 | 0:09:50 | |
-See you again. -Bye! | 0:09:50 | 0:09:52 | |
'Ah! What's in here?' | 0:09:52 | 0:09:54 | |
Sam's husband John is in the Royal Engineers. | 0:09:54 | 0:09:59 | |
At 27, he's about to deploy to Afghanistan for the first time. | 0:09:59 | 0:10:04 | |
It's a mixture of emotions. | 0:10:04 | 0:10:06 | |
You feel guilt because you think, | 0:10:06 | 0:10:08 | |
"Have I forced you into the Army to give us a better life?" | 0:10:08 | 0:10:11 | |
And then you're angry that they're going. | 0:10:11 | 0:10:13 | |
Everything just feels so tense. | 0:10:13 | 0:10:15 | |
Sam will be left to look after their two young children. | 0:10:15 | 0:10:19 | |
Brodie has autistic spectrum disorder. | 0:10:19 | 0:10:23 | |
He's not developed at his age. | 0:10:23 | 0:10:25 | |
He's seven but he's more at a four-year-old level. | 0:10:25 | 0:10:28 | |
Life can be difficult | 0:10:30 | 0:10:31 | |
because Brodie's behaviour can be really challenging at times. | 0:10:31 | 0:10:36 | |
But I wouldn't change it though. | 0:10:36 | 0:10:39 | |
I am really up for the choir. I love singing. | 0:10:39 | 0:10:42 | |
I think my husband will have a bit more peace of mind | 0:10:42 | 0:10:45 | |
that I'll be occupied and kept busy. | 0:10:45 | 0:10:48 | |
So if you're kept busy, the time will hopefully go quicker as well. | 0:10:48 | 0:10:52 | |
So, yeah, I'm really looking forward to it. | 0:10:52 | 0:10:54 | |
It's March and after months of preparation and training, | 0:11:03 | 0:11:06 | |
deployment day has arrived. | 0:11:06 | 0:11:08 | |
Some 600 men will say goodbye to their families | 0:11:11 | 0:11:14 | |
and leave the barracks for six months in Afghanistan. | 0:11:14 | 0:11:17 | |
For Nicky, it's the fifth time husband George has been deployed. | 0:11:24 | 0:11:29 | |
We've done it before. But it's always different. | 0:11:31 | 0:11:34 | |
All the feelings. | 0:11:34 | 0:11:35 | |
Cos the children are older. | 0:11:35 | 0:11:38 | |
They know what's going on, yeah. | 0:11:38 | 0:11:41 | |
I thought he wouldn't have had to go again, because he's done... | 0:11:42 | 0:11:47 | |
What, George? | 0:11:47 | 0:11:48 | |
Just over 21 years. | 0:11:48 | 0:11:51 | |
21 years. I thought he'd done his bit. | 0:11:51 | 0:11:55 | |
But you have to get on with it. | 0:11:55 | 0:11:57 | |
We've chosen this lifestyle, and that's how it is. | 0:11:57 | 0:12:02 | |
Here you go, chicken. Which one's yours? That one? | 0:12:08 | 0:12:11 | |
-My stomach's churning. How many hours have we got? -Erm...three. | 0:12:11 | 0:12:16 | |
-Three hours to go. -Three hours to go. | 0:12:16 | 0:12:19 | |
-Sapper Leak. -Sir. -Major Williams. | 0:12:19 | 0:12:23 | |
Corporal Thompson. Sapper Maitland. | 0:12:25 | 0:12:30 | |
The build-up to going is just... | 0:12:30 | 0:12:33 | |
is just horrendous, to be honest with you. | 0:12:33 | 0:12:36 | |
-Captain Pearce. -It never gets any easier. | 0:12:38 | 0:12:42 | |
You still have that worry, "What if?" | 0:12:42 | 0:12:45 | |
You know, you dread that fear of the knock on the door. | 0:12:45 | 0:12:48 | |
Staff Sergeant Bowe. | 0:12:48 | 0:12:51 | |
-Sir. -Major Wilson. | 0:12:51 | 0:12:52 | |
Being told, "Right, OK, you're going off," | 0:12:52 | 0:12:55 | |
it frightens him, really frightens him. | 0:12:55 | 0:12:57 | |
And he goes through a lot of emotions because of it. | 0:12:58 | 0:13:02 | |
Captain Grant. | 0:13:02 | 0:13:03 | |
Sapper Maddocks. | 0:13:04 | 0:13:06 | |
When he says goodbye to me, is that going to be his last goodbye? | 0:13:06 | 0:13:10 | |
Oh, I'm sorry. | 0:13:10 | 0:13:12 | |
It's like a ghost town, there's nothing going on. | 0:13:30 | 0:13:32 | |
Last week there were soldiers around and people driving about, | 0:13:32 | 0:13:37 | |
now it's just really quiet. | 0:13:37 | 0:13:39 | |
Today is Gareth's first rehearsal for his military wives' choir. | 0:13:42 | 0:13:48 | |
The chapel on the edge of the barracks will be their base | 0:13:49 | 0:13:52 | |
for the next few months. | 0:13:52 | 0:13:54 | |
They're in a real low point, their husbands have just gone, | 0:13:56 | 0:13:59 | |
literally last weekend, | 0:13:59 | 0:14:00 | |
and I think a few of them probably | 0:14:00 | 0:14:02 | |
haven't ventured out of the house very much, | 0:14:02 | 0:14:05 | |
so this is the time to be having fun, getting them going. | 0:14:05 | 0:14:09 | |
I don't know how they're going to react to that, as well. | 0:14:09 | 0:14:12 | |
You know, whether they feel it's appropriate | 0:14:12 | 0:14:14 | |
while their husbands are away | 0:14:14 | 0:14:16 | |
for them just to be having a nice time doing some singing. | 0:14:16 | 0:14:19 | |
Ten minutes to go. | 0:14:21 | 0:14:22 | |
There's nobody coming yet. It's a bit worrying. | 0:14:27 | 0:14:31 | |
It actually hadn't occurred to me | 0:14:31 | 0:14:33 | |
that I wouldn't have people turning up. | 0:14:33 | 0:14:36 | |
I'm just going to guess you're here for the choir | 0:14:41 | 0:14:44 | |
and not going to the military base. | 0:14:44 | 0:14:46 | |
You're here for the choir? Brilliant. | 0:14:46 | 0:14:48 | |
-Thanks for coming, Susie. Who's this? -This is Jack. -Hi, Jack. | 0:14:50 | 0:14:53 | |
-Hello. -Hi. -I take it you're here for the choir? -Yeah. -Hello, come on in. | 0:14:53 | 0:14:57 | |
-Hello, hi. What's your name? -Jodie. -Hello, Jodie. | 0:14:57 | 0:15:01 | |
Welcome, welcome to the choir. Go on in. | 0:15:02 | 0:15:05 | |
-Hello! -Hello! -Hello. Really, really good to see so many of you here. | 0:15:05 | 0:15:12 | |
I'm going to do a head count. One, two, three, four, five, six, seven... | 0:15:12 | 0:15:15 | |
Gareth's first rehearsal has attracted wives | 0:15:15 | 0:15:18 | |
from across the ranks, | 0:15:18 | 0:15:19 | |
right up to the commanding officer's wife. | 0:15:19 | 0:15:22 | |
..38, 39, 40! | 0:15:22 | 0:15:23 | |
CHEERING | 0:15:23 | 0:15:24 | |
I think that's really good. I just wanted you to feel welcome today | 0:15:24 | 0:15:27 | |
and that you could come | 0:15:27 | 0:15:29 | |
whatever the circumstances of your exceedingly complicated lives are. | 0:15:29 | 0:15:33 | |
41! Hello! Brilliant. | 0:15:33 | 0:15:37 | |
I am here to lift your spirits, hopefully, | 0:15:37 | 0:15:39 | |
pick you up and actually, the most important thing, | 0:15:39 | 0:15:43 | |
to have an opportunity to bring your voices together to be heard. | 0:15:43 | 0:15:47 | |
What I need to do is find out roughly where your voices lie. | 0:15:47 | 0:15:51 | |
And I'd like you all to get to that end of the room. Now, go. | 0:15:51 | 0:15:55 | |
Gareth starts by splitting the choir into different sections. | 0:15:55 | 0:15:59 | |
When we get too high for you, I want you to drift | 0:15:59 | 0:16:02 | |
towards the organ over there. | 0:16:02 | 0:16:04 | |
OK, so, and... | 0:16:04 | 0:16:05 | |
THEY SING A SCALE | 0:16:05 | 0:16:08 | |
Let's do that again with confidence. Go. And... | 0:16:08 | 0:16:11 | |
THEY SING A SCALE | 0:16:11 | 0:16:15 | |
Great, good. Another, "I'm out, I'm out!" | 0:16:15 | 0:16:17 | |
THEY LAUGH It's like, "Oh, stop!" | 0:16:17 | 0:16:19 | |
Now, hold on. Don't all leave! | 0:16:19 | 0:16:21 | |
So you lot, Soprano One. | 0:16:21 | 0:16:24 | |
Right, now, you, we've got the lower-voiced ladies. | 0:16:24 | 0:16:28 | |
We're going to call you Altos. Middle, we've got Soprano Two. | 0:16:28 | 0:16:33 | |
The first song that we're going to sing | 0:16:33 | 0:16:36 | |
is a real favourite of mine from back in...I think it was 1989. | 0:16:36 | 0:16:41 | |
It's Guns N' Roses' well-known choral classic, | 0:16:41 | 0:16:44 | |
Sweet Child Of Mine. | 0:16:44 | 0:16:46 | |
Here's the introduction. | 0:16:46 | 0:16:48 | |
INTRO IS PLAYED ON KEYBOARD | 0:16:48 | 0:16:51 | |
We're going to do it quite energised. Shall we stand up? | 0:16:51 | 0:16:54 | |
I'm assuming you just know it, so give it a go. | 0:16:54 | 0:16:57 | |
# She's got a smile that it seems to me | 0:16:57 | 0:17:00 | |
# Reminds me of childhood memories | 0:17:00 | 0:17:04 | |
# Where everything was as fresh as the bright blue sky... # | 0:17:04 | 0:17:10 | |
And stop. Now, if we can do that together then we will have a choir. | 0:17:10 | 0:17:14 | |
What I'd like you to do is... I've got a special present for you all, | 0:17:14 | 0:17:18 | |
it is the magical hat of confidence, and there's one each. | 0:17:18 | 0:17:24 | |
So catch, there you all are! | 0:17:24 | 0:17:25 | |
Put your magical hat of confidence on, and pretend | 0:17:25 | 0:17:29 | |
that you're really great singers and you're just going to do it! | 0:17:29 | 0:17:33 | |
OK, here we go. | 0:17:33 | 0:17:34 | |
# She's got a smile that it seems to me | 0:17:34 | 0:17:37 | |
# Reminds me of childhood memories | 0:17:37 | 0:17:42 | |
# Where everything was as fresh as the bright blue sky... # | 0:17:42 | 0:17:49 | |
Stop. Can you just sing me that last note together? | 0:17:49 | 0:17:51 | |
THEY SING THE NOTE | 0:17:51 | 0:17:54 | |
# You should have, "Ah!" # | 0:17:54 | 0:17:56 | |
-Thank you very much. How was that? -Hard. -Hard? | 0:17:56 | 0:18:00 | |
Once your confidence is up, this is going to be brilliant. | 0:18:00 | 0:18:04 | |
Fantastic, thank you. | 0:18:04 | 0:18:05 | |
I'm not used to hearing people beside me sing, | 0:18:05 | 0:18:08 | |
and then you can hear yourself as well. | 0:18:08 | 0:18:11 | |
And to me it sounds horrendous! | 0:18:11 | 0:18:13 | |
That was quite stressful. | 0:18:13 | 0:18:15 | |
I didn't enjoy that, so I'm a bit all flustered! I need a drink! | 0:18:15 | 0:18:20 | |
Not singing I'm used to. | 0:18:20 | 0:18:21 | |
I wanted to just tap my feet and sing like I would normally, | 0:18:21 | 0:18:24 | |
but I think I've got to learn a new way of singing. | 0:18:24 | 0:18:27 | |
We'll see what the future brings, won't we? | 0:18:27 | 0:18:30 | |
See how many turn up next week! | 0:18:30 | 0:18:32 | |
'There is a really good basic sound there. Masses of potential.' | 0:18:32 | 0:18:37 | |
But what has really surprised me is I thought they'd be really gutsy, | 0:18:37 | 0:18:40 | |
and some of them were quite timid. | 0:18:40 | 0:18:42 | |
I think they lack the ability to express themselves, | 0:18:42 | 0:18:45 | |
to just really let their hair down and... | 0:18:45 | 0:18:48 | |
They don't have a voice. They really, genuinely, don't have a voice. | 0:18:48 | 0:18:52 | |
They're not heard, they're not listened to. | 0:18:52 | 0:18:54 | |
This is all about listening to them, | 0:18:54 | 0:18:57 | |
really, genuinely, listening to their voices, | 0:18:57 | 0:18:59 | |
and that takes confidence, and they haven't got it at the moment. | 0:18:59 | 0:19:03 | |
To bolster confidence, | 0:19:05 | 0:19:07 | |
Gareth wants to single out the choir's strongest singers. | 0:19:07 | 0:19:11 | |
-Hello, Sam. -Hello. -How are you? | 0:19:11 | 0:19:14 | |
He's come to see Sam, who's sung in a choir before. | 0:19:14 | 0:19:17 | |
I thought it would be nice to have a little listen to you singing. | 0:19:17 | 0:19:22 | |
-How does that sound? Like lots of fun? -No! -No. | 0:19:22 | 0:19:24 | |
Come on, let's give it a go! | 0:19:24 | 0:19:26 | |
# The moment I wake up... # | 0:19:26 | 0:19:29 | |
Good. | 0:19:29 | 0:19:30 | |
# Before I put on... # | 0:19:30 | 0:19:32 | |
-Oh, sorry! -No, it's fine, that's good. -Sorry, sorry, sorry. | 0:19:32 | 0:19:35 | |
Collect yourself, and here we go. Good breath. And... | 0:19:35 | 0:19:38 | |
# The moment I wake up... # | 0:19:38 | 0:19:41 | |
Good. | 0:19:41 | 0:19:42 | |
Oh, sorry. | 0:19:42 | 0:19:43 | |
# Before I... | 0:19:43 | 0:19:45 | |
# Before I put on my make-up... # | 0:19:45 | 0:19:48 | |
-Sorry. -That's all right. What are you apologising for? | 0:19:48 | 0:19:50 | |
-I don't know, cos I apologise for everything! -Yes. -Sorry. Sorry! | 0:19:50 | 0:19:54 | |
-Sorry for saying sorry! -Take a deep breath. | 0:19:54 | 0:19:56 | |
# And while combing my hair now... # | 0:19:57 | 0:19:59 | |
And one... | 0:19:59 | 0:20:00 | |
# And wondering what dress to wear now... # | 0:20:00 | 0:20:05 | |
-Sorry! I... Sorry! -It's good. | 0:20:05 | 0:20:07 | |
# ..dress to wear now... # | 0:20:07 | 0:20:09 | |
Yep. | 0:20:09 | 0:20:10 | |
# I say a little prayer for you... # | 0:20:10 | 0:20:12 | |
And... | 0:20:12 | 0:20:13 | |
# For ever And ever | 0:20:13 | 0:20:14 | |
# You'll stay... # | 0:20:14 | 0:20:16 | |
I'm sorry! Sorry, sorry, sorry. | 0:20:16 | 0:20:18 | |
That's really good. You've got a nice voice. | 0:20:18 | 0:20:20 | |
-Hmm, I wouldn't say that. -No, but I would. | 0:20:20 | 0:20:23 | |
SHE LAUGHS | 0:20:23 | 0:20:24 | |
I know you wouldn't! | 0:20:24 | 0:20:26 | |
It's a really nice voice, so the apologies have got to stop. | 0:20:26 | 0:20:29 | |
Honestly, we need to find some confidence, | 0:20:29 | 0:20:31 | |
cos I think this is what this is all about. | 0:20:31 | 0:20:33 | |
I get the strong impression that all of you, actually, | 0:20:33 | 0:20:37 | |
are a little bit less confident than I thought you were. | 0:20:37 | 0:20:40 | |
I know we're army wives, but we do have a bit of a... A timid side. | 0:20:40 | 0:20:45 | |
A timid side, yeah. Why is that? | 0:20:45 | 0:20:48 | |
It's been, like, 11 years since I was in a choir, | 0:20:48 | 0:20:51 | |
so it's a long time ago. I've just been a mummy, and moving about, | 0:20:51 | 0:20:55 | |
so everything sort of takes a back burner. | 0:20:55 | 0:20:58 | |
-But singing is my first love, and being in a choir. -Yeah. | 0:20:58 | 0:21:01 | |
BABY CRIES IN BACKGROUND | 0:21:01 | 0:21:03 | |
Kids are kicking off. Stop thinking about choir. | 0:21:03 | 0:21:05 | |
-Don't think about singing! -Sorry, my baby comes first! | 0:21:05 | 0:21:08 | |
-Thank you. -See you later. -Bye. | 0:21:08 | 0:21:10 | |
Sam's got loads of talent but very little confidence, | 0:21:10 | 0:21:13 | |
I don't know if that's because her husband's deployed | 0:21:13 | 0:21:16 | |
or if that goes deeper, | 0:21:16 | 0:21:17 | |
but either way I've got to find a way to get that confidence up. | 0:21:17 | 0:21:20 | |
She's a very good singer. | 0:21:20 | 0:21:21 | |
Though deployment is mainly over, | 0:21:25 | 0:21:27 | |
some 400 soldiers and marines remain on the base, | 0:21:27 | 0:21:31 | |
some acting as back-up for those killed or injured in Afghanistan. | 0:21:31 | 0:21:34 | |
Gareth's been invited to join them. | 0:21:36 | 0:21:40 | |
I've cut myself on the uniform. | 0:21:40 | 0:21:43 | |
I'm a bit out of shape. | 0:21:43 | 0:21:45 | |
MUSIC: Theme from The Great Escape | 0:21:45 | 0:21:49 | |
Yeah, I've got that. Ah! | 0:21:50 | 0:21:54 | |
We'll be covering nine miles in 90 minutes. | 0:21:54 | 0:21:57 | |
You're nodding, Gareth, you all right? | 0:21:57 | 0:21:59 | |
-Yep, absolutely, yes, sir. -OK. Let's go. | 0:21:59 | 0:22:01 | |
You're a soldier, you train to go out to war, | 0:22:04 | 0:22:06 | |
and then some of them don't deploy. | 0:22:06 | 0:22:09 | |
Battle replacement people. | 0:22:09 | 0:22:12 | |
Jump, right turn. Good. | 0:22:12 | 0:22:14 | |
They're a resource that I should be using, because I want this | 0:22:14 | 0:22:18 | |
to be a military choir, this is a military wives' choir. | 0:22:18 | 0:22:21 | |
I want them to be inspired by the military and to have that discipline. | 0:22:21 | 0:22:24 | |
Left, right, left, right, left. | 0:22:24 | 0:22:27 | |
And I think there must be a role for these guys. | 0:22:27 | 0:22:30 | |
Stand by. Go! | 0:22:36 | 0:22:38 | |
I'm glad I'm a choirmaster! These guys... I mean, they're incredible. | 0:22:40 | 0:22:45 | |
That's it, get out, lads. | 0:22:45 | 0:22:47 | |
Go on in, go on in. Hello, morning, Emma. | 0:22:51 | 0:22:55 | |
It's more than two weeks since the soldiers left, | 0:22:55 | 0:22:58 | |
and Gareth's keen to boost the morale of his new choir. | 0:22:58 | 0:23:02 | |
Right, big announcement. | 0:23:04 | 0:23:06 | |
I think first off, I want you to approve something. | 0:23:06 | 0:23:10 | |
It's rather a long and complicated name, | 0:23:10 | 0:23:12 | |
but I think it is the right name. | 0:23:12 | 0:23:14 | |
The RMB Chivenor Military Wives' Choir. | 0:23:14 | 0:23:17 | |
Now, I know that some of you aren't wives, | 0:23:17 | 0:23:20 | |
but if we have the RMB Military WAGS' choir, | 0:23:20 | 0:23:27 | |
it says something very different, I think. | 0:23:27 | 0:23:29 | |
Do we all feel like that's the right title for the choir? | 0:23:29 | 0:23:32 | |
-All those in favour say aye. ALL: -Aye. | 0:23:32 | 0:23:34 | |
You are now the RMB Chivenor Military Wives' Choir, congratulations. | 0:23:34 | 0:23:38 | |
CHEERING AND APPLAUSE We have a lot of work to do. | 0:23:38 | 0:23:40 | |
Shall we start singing? OK. | 0:23:40 | 0:23:43 | |
Sweet Child O' Mine, then. | 0:23:43 | 0:23:44 | |
Here we go. Standing up, let's go right through. | 0:23:44 | 0:23:46 | |
Sorry? | 0:23:46 | 0:23:48 | |
# She's got a smile... # | 0:23:48 | 0:23:50 | |
OK, that's not really selling it to me. | 0:23:50 | 0:23:52 | |
# She's got... # I want the eyes up. You know what the first word. # She's got a smile... # | 0:23:52 | 0:23:57 | |
That's fine, but this isn't fine. # She's got a smile... # | 0:23:57 | 0:23:59 | |
I always say to people, sing before you're singing. | 0:23:59 | 0:24:02 | |
# She's got a smile...# THEY LAUGH | 0:24:02 | 0:24:05 | |
Let's have the introduction. | 0:24:05 | 0:24:08 | |
You've got to look alive. If you're not singing | 0:24:08 | 0:24:10 | |
at the beginning, you've got to look like you might, yeah? | 0:24:10 | 0:24:12 | |
People are like this... "What's going to happen?" | 0:24:12 | 0:24:15 | |
"Who's going to sing?" | 0:24:15 | 0:24:16 | |
You are. | 0:24:16 | 0:24:17 | |
# She's got a smile and it seems to me | 0:24:17 | 0:24:20 | |
# It reminds me of childhood memories | 0:24:20 | 0:24:24 | |
# When everything was as fresh as the bright, blue... # | 0:24:24 | 0:24:28 | |
# Bright, blue sky. # | 0:24:28 | 0:24:29 | |
# Sky... # | 0:24:29 | 0:24:32 | |
CHOIR SING OUT OF TIME | 0:24:32 | 0:24:35 | |
Shall we go back over it? Have a seat. Thank you, well done. | 0:24:39 | 0:24:41 | |
Really go for it. It doesn't matter if it's wrong. It's easier, actually, for me | 0:24:41 | 0:24:45 | |
to correct mistakes, if I can hear them. | 0:24:45 | 0:24:47 | |
Whereas, if you're so like this, it's very, sort of, bewildering. | 0:24:47 | 0:24:51 | |
"What's going on? Are they getting it right or not?" | 0:24:51 | 0:24:53 | |
Be wrong and strong. That's what rehearsals are for. | 0:24:53 | 0:24:55 | |
So this should be, | 0:24:55 | 0:24:57 | |
# Hair reminds of a warm, safe place Where as a child I'd hide | 0:24:57 | 0:25:03 | |
# And pray for the thunder and the rain to quietly... # | 0:25:03 | 0:25:07 | |
Whatever it is, yeah? Really strong. One, two, three, and... | 0:25:07 | 0:25:11 | |
-# It reminds of a warm... # -OK. | 0:25:11 | 0:25:13 | |
Can I get a bit more chest from you, ladies... | 0:25:13 | 0:25:15 | |
LAUGHTER | 0:25:15 | 0:25:17 | |
..as it were? | 0:25:17 | 0:25:18 | |
What's your D, sorry? | 0:25:18 | 0:25:20 | |
# Hair reminds me of... # | 0:25:20 | 0:25:22 | |
You cannot sing passively. | 0:25:22 | 0:25:23 | |
It's got to be engaged, all the time. | 0:25:23 | 0:25:26 | |
# Her hair reminds... # Energised. | 0:25:26 | 0:25:27 | |
One, two, three... | 0:25:27 | 0:25:29 | |
# Her hair reminds of a warm, safe place where as a child I'd hide | 0:25:29 | 0:25:36 | |
# And pray for the thunder and the rain to quietly pass me by. # | 0:25:36 | 0:25:43 | |
Sit down. Well done. | 0:25:43 | 0:25:44 | |
Thank you. That was really, really good. | 0:25:44 | 0:25:47 | |
That was brilliant! I'm really taken aback. | 0:25:47 | 0:25:49 | |
That was really good, wasn't it? | 0:25:49 | 0:25:51 | |
Everyone out! Come on, out! Thank you! Well done! | 0:25:51 | 0:25:56 | |
It went a lot better this week, I think. I felt a lot... | 0:25:56 | 0:26:01 | |
A bit more confident and stuff, | 0:26:01 | 0:26:03 | |
although I did quite a big batch of it wrong, | 0:26:03 | 0:26:05 | |
got it all mixed up. | 0:26:05 | 0:26:06 | |
The first-week nerves have gone a little bit. | 0:26:06 | 0:26:09 | |
We are all beginning to relax a bit more. | 0:26:09 | 0:26:11 | |
Everyone's starting to feel a bit more comfortable. | 0:26:11 | 0:26:14 | |
Good morale boost, actually, getting everyone together. | 0:26:14 | 0:26:17 | |
Oh, brilliant. | 0:26:17 | 0:26:19 | |
I've just got to try and get on top of my voice not going. | 0:26:19 | 0:26:21 | |
These women can sing and they can sing well. | 0:26:21 | 0:26:24 | |
In fact, they can sing a lot better than many of the choirs I've started. | 0:26:24 | 0:26:28 | |
But they don't do, is put emotion into their singing, because they're too frightened to. | 0:26:28 | 0:26:32 | |
For good reasons, they've clammed up. | 0:26:32 | 0:26:34 | |
I think that's what I want to change. That's my job here. | 0:26:34 | 0:26:37 | |
It's to get them to be emotional, to have pride in themselves, | 0:26:37 | 0:26:41 | |
and just to be singers, to be a proper choir. | 0:26:41 | 0:26:46 | |
It's about expressing your emotion. | 0:26:46 | 0:26:47 | |
And I think they are going to find that quite hard. | 0:26:47 | 0:26:50 | |
To mark the launch of the military wives' choir, | 0:26:58 | 0:27:00 | |
the women have organised a surprise for Gareth. | 0:27:00 | 0:27:04 | |
This is the first choir social | 0:27:04 | 0:27:06 | |
and the girls have organised to have a big drink | 0:27:06 | 0:27:09 | |
at the sergeants' mess. | 0:27:09 | 0:27:13 | |
It's a chance for Gareth to get to know the women on their own territory. | 0:27:13 | 0:27:16 | |
By reputation, they go large, so it could be an interesting evening. | 0:27:16 | 0:27:20 | |
-Hi! -Hi, Gareth. | 0:27:22 | 0:27:23 | |
-Hello, Penny, how are you? All right? -Bloody marvellous. -Good. | 0:27:23 | 0:27:26 | |
-When you are a visitor, in any mess, you have to ring the bell. -Really? | 0:27:26 | 0:27:31 | |
-Yes, just to tell everybody you are here. -OK. | 0:27:31 | 0:27:34 | |
Ring the bell. | 0:27:34 | 0:27:35 | |
BELL RINGS | 0:27:35 | 0:27:36 | |
ALL: Hooray! | 0:27:36 | 0:27:39 | |
Sergeants' mess tradition dictates that whoever rings the bell | 0:27:41 | 0:27:44 | |
has to buy drinks for everyone in the bar. | 0:27:44 | 0:27:47 | |
-Look at you! -Cheers, everyone! | 0:27:47 | 0:27:49 | |
The rule also states that if anyone refuses a drink, Gareth has to drink for them. | 0:27:49 | 0:27:55 | |
-You've got to drink it, please! -No. -Penny will make me drink one. | 0:27:55 | 0:28:00 | |
-You should have done your homework. -I should have done. I should have known a bit more. -There's one. | 0:28:00 | 0:28:05 | |
Oh, no! | 0:28:05 | 0:28:06 | |
OK, all right. That is horrible. | 0:28:06 | 0:28:11 | |
It's like drinking aftershave. | 0:28:11 | 0:28:13 | |
-Hello. I've come to say hello. -Hi, Gareth. | 0:28:13 | 0:28:15 | |
How are you getting on with the choir? | 0:28:15 | 0:28:17 | |
OK, but when we came yesterday, | 0:28:17 | 0:28:19 | |
you were singing stuff we'd never even done before | 0:28:19 | 0:28:22 | |
and I kind of stood there | 0:28:22 | 0:28:23 | |
and went, "Oh... I'll just join in." | 0:28:23 | 0:28:25 | |
Would you... | 0:28:25 | 0:28:27 | |
-Do you want... Would you be prepared to sing on your own? -No! | 0:28:27 | 0:28:30 | |
No. What about... What about... | 0:28:30 | 0:28:34 | |
No, I'd be happy to give you a lesson, | 0:28:34 | 0:28:37 | |
to improve, to get better, to feel more confident within the choir. | 0:28:37 | 0:28:42 | |
-I can't sing. -Would you do some karaoke later? -No. | 0:28:42 | 0:28:46 | |
-Do you know what? -Have you heard her sing? | 0:28:46 | 0:28:48 | |
I know how much I can't sing | 0:28:48 | 0:28:50 | |
that even when I've drank my weight in alcohol, | 0:28:50 | 0:28:52 | |
I still would not sing. I won't. I don't. | 0:28:52 | 0:28:56 | |
I'm determined to crack this. You must, you must. | 0:28:56 | 0:28:59 | |
The whole point of the choir is about bringing you together to sing. | 0:28:59 | 0:29:03 | |
One, two, three! | 0:29:03 | 0:29:05 | |
Yes! Ha-ha-ha! | 0:29:08 | 0:29:10 | |
You wanted to play with the big girls. | 0:29:11 | 0:29:14 | |
You've got to drink like the big girls. | 0:29:14 | 0:29:16 | |
# I'm having a ball Don't stop me now. # | 0:29:16 | 0:29:20 | |
'They are a force waiting to be unleashed.' | 0:29:20 | 0:29:24 | |
They really are! They are just... They are trapped, really. | 0:29:24 | 0:29:27 | |
They are trapped by their situation and actually need this choir | 0:29:27 | 0:29:30 | |
to give them a focus, because otherwise they are just in there, | 0:29:30 | 0:29:33 | |
drinking flaming sambucas and preying on unsuspecting choirmasters, | 0:29:33 | 0:29:40 | |
who have just come past. | 0:29:40 | 0:29:41 | |
No, seriously, they need this, they really do. | 0:29:41 | 0:29:44 | |
# We're just dancing in the dark. # | 0:29:44 | 0:29:47 | |
-Hey, baby! -Go away, baby! | 0:29:47 | 0:29:50 | |
Though it is still early days for Gareth's choir, slowly but surely, | 0:29:58 | 0:30:02 | |
singing is starting to take hold on the patch. | 0:30:02 | 0:30:05 | |
Someone's practising. | 0:30:07 | 0:30:09 | |
# If I lived every night... # | 0:30:09 | 0:30:15 | |
Oh, my God! | 0:30:15 | 0:30:17 | |
Ooh! Jesus Christ! | 0:30:17 | 0:30:18 | |
HE LAUGHS | 0:30:18 | 0:30:19 | |
Hello, that sounded nice. Are you all right? | 0:30:19 | 0:30:22 | |
I'm so embarrassed. | 0:30:24 | 0:30:26 | |
I heard the whole thing. It sounded very good. | 0:30:26 | 0:30:29 | |
-It really didn't, but thanks. -It was good. | 0:30:29 | 0:30:31 | |
-Hello. -Hi, Gareth. -Hi, can I come in? -Yes. | 0:30:34 | 0:30:37 | |
Gareth's finally persuaded Sarah to have a singing lesson. | 0:30:37 | 0:30:40 | |
-Have you done much singing before? -Never. -Never? -Ever. | 0:30:40 | 0:30:45 | |
But if you can get over the hurdle of singing on your own, | 0:30:45 | 0:30:48 | |
I think it's a real help when you come to sing in the choir and sing in rehearsals, honestly. | 0:30:48 | 0:30:53 | |
Let's try it. (PLAYS SCALE) # Ah-ah-ah-ah. # | 0:30:53 | 0:30:55 | |
-Don't think about it. -I can't, you're freaking me out. | 0:30:55 | 0:30:58 | |
-Why are you so scared of singing? -Because I can't. -Really? -Yeah. | 0:30:58 | 0:31:03 | |
What songs do you sing? I mean, do you ever sing? | 0:31:03 | 0:31:06 | |
The only time I ever sing is when the music is on so loud | 0:31:06 | 0:31:10 | |
that it might burst your ears and I'm hoovering. | 0:31:10 | 0:31:13 | |
I bet you I can make you feel more confident about your singing, I really do. | 0:31:13 | 0:31:17 | |
Give it a go. Take the plunge. Shall we just try... | 0:31:17 | 0:31:20 | |
# Ah-ah-ah-ah-ah. # Just try that. | 0:31:20 | 0:31:24 | |
Oh, I can't. Jesus. | 0:31:24 | 0:31:26 | |
-I can't. It's making me have funny cheeks now. -Funny cheeks?! | 0:31:26 | 0:31:29 | |
Come on, with me, and... # Ah-ah-ah-ah-ah. # | 0:31:29 | 0:31:33 | |
It's like taking me driving test. I feel sick now. | 0:31:33 | 0:31:36 | |
You're going to be fine. We'll be over in no time. Ready? | 0:31:36 | 0:31:39 | |
And... The first note's the worst. Here we go. And... | 0:31:39 | 0:31:43 | |
I'm getting a hot sweat. | 0:31:43 | 0:31:45 | |
Another one? | 0:31:45 | 0:31:46 | |
# Ooh-ooh-ooh-ooh-ooh. # | 0:31:46 | 0:31:49 | |
It was less painful giving birth. | 0:31:49 | 0:31:52 | |
-Surely, surely childbirth must be worse than this? -It's not. | 0:31:52 | 0:31:55 | |
# Ah-ah-ah-ah-ah. # Go on. | 0:31:55 | 0:31:59 | |
-# Ooh-ooh-ooh-ooh-ooh. # -Great. Keep going. | 0:32:01 | 0:32:04 | |
-# Ooh-ooh-ooh-ooh-ooh. # -Bit louder. | 0:32:04 | 0:32:07 | |
# Ooh-ooh-ooh-ooh-ooh. # | 0:32:07 | 0:32:10 | |
Try now to sing Ah. # Ah-ah-ah-ah-ah. # | 0:32:10 | 0:32:15 | |
-# Ah-ah-ah-ah-ah. # -That's really good. And... | 0:32:15 | 0:32:19 | |
-# Ah-ah-ah-ah-ah. # -Good, deep breath. | 0:32:19 | 0:32:23 | |
# Ah-ah-ah-ah-ah. # | 0:32:23 | 0:32:26 | |
Good. | 0:32:26 | 0:32:27 | |
It's a nice voice, honestly. There's nothing wrong with your voice. | 0:32:27 | 0:32:30 | |
-I feel like I'm torturing you. -You are torturing me! | 0:32:30 | 0:32:34 | |
That's what it feels like. Send YOU out to Afghan! | 0:32:34 | 0:32:37 | |
-You get the information. Make them sing! -Good idea. | 0:32:37 | 0:32:40 | |
Sarah and her two children are living through husband John's third tour of duty to Afghanistan. | 0:32:43 | 0:32:49 | |
When your husband's away, it's like life almost is put on pause. | 0:32:49 | 0:32:55 | |
You don't want to do things because you feel guilty | 0:32:55 | 0:32:58 | |
that you are having fun with your children or with your family. | 0:32:58 | 0:33:01 | |
You feel instant guilt, that they are out there working hard, | 0:33:01 | 0:33:07 | |
missing us, and we are having fun. | 0:33:07 | 0:33:09 | |
'We actually found Callum one night in his bedroom crying.' | 0:33:11 | 0:33:16 | |
We had to ask him, "What's wrong, why are you upset?" And he just says he keeps getting | 0:33:16 | 0:33:20 | |
these horrible thoughts in his head. He said that he thought two men would be coming to the house, | 0:33:20 | 0:33:25 | |
to knock on the door and tell him that his dad had died. It's just hard. Generally hard. | 0:33:25 | 0:33:31 | |
You get through it and just count your days down and wait for until it gets to the end. | 0:33:31 | 0:33:35 | |
Come in and have a drink and a biscuit. | 0:33:35 | 0:33:37 | |
Dad said when he was away | 0:33:41 | 0:33:42 | |
I had to look after mum and Owen, and these two, as well. | 0:33:42 | 0:33:47 | |
-And... -Be good. -..and be good, | 0:33:47 | 0:33:50 | |
because I'm the man of the house now. | 0:33:50 | 0:33:52 | |
This is a message on my phone that my dad sent me. | 0:33:52 | 0:33:57 | |
'Hello, Callum, it's Dad here. Just wanted to say hello. OK, I love you, bye-bye.' | 0:33:57 | 0:34:03 | |
In my letter to my dad, I said | 0:34:03 | 0:34:06 | |
that I would send him lots more letters. | 0:34:06 | 0:34:10 | |
And I said, "I hope that you don't get hurt." | 0:34:10 | 0:34:13 | |
And then I said," I love you, Bye." | 0:34:13 | 0:34:15 | |
Despite her reservations about singing, Sarah thinks the choir | 0:34:15 | 0:34:21 | |
could make a world of difference. | 0:34:21 | 0:34:23 | |
A choir is a great focus for people. | 0:34:23 | 0:34:27 | |
A few hours of just release and a bit of fun. | 0:34:27 | 0:34:31 | |
And also, it's getting together. We're meeting new people | 0:34:31 | 0:34:34 | |
Who are in the same situation. If you have had a bad day, | 0:34:34 | 0:34:37 | |
you can sound off at them and they will know exactly what you are talking about. | 0:34:37 | 0:34:41 | |
It's late March and back on the base, | 0:34:51 | 0:34:53 | |
Gareth has been hatching a plan for his choir. | 0:34:53 | 0:34:55 | |
The women don't know it yet, | 0:34:55 | 0:34:57 | |
but there is going to be 200 hundred men from the rear party, the troops that stay behind. | 0:34:57 | 0:35:02 | |
We're going to perform to them. I want them to feel like a military choir | 0:35:02 | 0:35:06 | |
and I think that means performing for the military. This is a big test for them. | 0:35:06 | 0:35:10 | |
I'm interested to see how they react to being thrown in at the deep end. | 0:35:10 | 0:35:13 | |
I'm hoping that this is going to accelerate our progress and not just terrify them. | 0:35:13 | 0:35:17 | |
Right, big announcement. | 0:35:17 | 0:35:19 | |
I've organised for your first informal performance... | 0:35:19 | 0:35:26 | |
in about half an hour. | 0:35:26 | 0:35:27 | |
And we're going to do that | 0:35:29 | 0:35:30 | |
on the base. | 0:35:30 | 0:35:32 | |
It's going to feel scary, exciting. It's about putting ourselves on the line and going for it. | 0:35:34 | 0:35:39 | |
MUSIC PLAYS | 0:35:39 | 0:35:42 | |
Gareth has arranged for nearly 300 members of the rear guard | 0:35:45 | 0:35:49 | |
to assemble in a hangar on the base for the choir's first performance. | 0:35:49 | 0:35:54 | |
This is going to be scary. There is quite a large audience in there. | 0:35:57 | 0:36:02 | |
How can we be a military choir if we haven't performed to the military? | 0:36:02 | 0:36:05 | |
This is where we're getting our stripes. | 0:36:05 | 0:36:08 | |
I'm really nervous. My stomach is going round 80 mph. | 0:36:08 | 0:36:11 | |
I'm not looking forward to this at all. | 0:36:11 | 0:36:13 | |
It will be good. We'll be all right. | 0:36:13 | 0:36:16 | |
This lot are going to absolutely rip us to pieces. Totally. | 0:36:18 | 0:36:22 | |
Right, make me proud. Come on. | 0:36:22 | 0:36:26 | |
APPLAUSE Oh my god. | 0:36:30 | 0:36:33 | |
I've seen some intimidating audiences in my time. | 0:36:42 | 0:36:45 | |
But this really takes the biscuit. | 0:36:45 | 0:36:47 | |
Good morning. We are the RMB Chivenor Military Wives Choir. | 0:36:47 | 0:36:54 | |
This is our first performance. Please be kind. I sprung it on them 25 minutes ago. | 0:36:54 | 0:36:59 | |
They didn't know they were going to do it. | 0:36:59 | 0:37:02 | |
Here we go. Their first ever performance. We... | 0:37:02 | 0:37:06 | |
I'm really nervous. | 0:37:06 | 0:37:08 | |
Here we go. It's Sweet Child Of Mine by Guns N' Roses. | 0:37:08 | 0:37:13 | |
MUSIC STARTS | 0:37:20 | 0:37:22 | |
HE MOUTHS | 0:37:22 | 0:37:24 | |
# She's got a smile that it seems to me | 0:37:32 | 0:37:35 | |
# Reminds me of childhood memories | 0:37:35 | 0:37:38 | |
# Where everything was as fresh | 0:37:38 | 0:37:42 | |
# As the bright blue sky | 0:37:42 | 0:37:45 | |
# Now and then when I see her face | 0:37:45 | 0:37:48 | |
# She takes me away to that special place | 0:37:48 | 0:37:52 | |
# And if I stare too long | 0:37:52 | 0:37:54 | |
# I'd probably break down and cry | 0:37:54 | 0:37:59 | |
# Whoa, sweet child of mine | 0:37:59 | 0:38:04 | |
# Whoa, sweet love of mine | 0:38:04 | 0:38:09 | |
# Her hair reminds me of a warm safe place | 0:38:11 | 0:38:15 | |
# Where as a child I'd hide | 0:38:15 | 0:38:18 | |
# And pray for the thunder and the rain to quietly pass me by | 0:38:18 | 0:38:25 | |
# And pray for the thunder and the rain to quietly pass me by | 0:38:25 | 0:38:34 | |
# Whoa, sweet child o' mine | 0:38:34 | 0:38:41 | |
-# Whoa, sweet love of mine. -# | 0:38:41 | 0:38:48 | |
CHEERING AND APPLAUSE | 0:38:51 | 0:38:54 | |
Proper brilliant. They were right good. They should be very proud of themselves. | 0:39:08 | 0:39:12 | |
It was really good. | 0:39:12 | 0:39:14 | |
Yeah. I want to see less clothes next time and more bikinis and that. | 0:39:14 | 0:39:18 | |
That would be amazing. | 0:39:18 | 0:39:19 | |
I was absolutely amazed at how good they were. | 0:39:19 | 0:39:22 | |
I wasn't expecting it to be that good. | 0:39:22 | 0:39:26 | |
It was extraordinary. Something really happened. It was very exciting | 0:39:26 | 0:39:30 | |
and I think from the opening notes, you | 0:39:30 | 0:39:33 | |
could sense that everyone thought, "They're good." | 0:39:33 | 0:39:37 | |
I think you know how well that went. | 0:39:37 | 0:39:39 | |
That was an awesome achievement on very few rehearsals. | 0:39:39 | 0:39:43 | |
It was much better than I thought it was going to be. I'm really happy. | 0:39:43 | 0:39:46 | |
LAUGHTER | 0:39:46 | 0:39:48 | |
Genuinely, what was great was that we found out | 0:39:48 | 0:39:51 | |
what spirit there is here and you really stepped up. | 0:39:51 | 0:39:53 | |
Let's have a huge round of applause. Well done. | 0:39:53 | 0:39:55 | |
CHEERING AND APPLAUSE Well done. | 0:39:55 | 0:39:58 | |
MUSIC PLAYS | 0:40:02 | 0:40:05 | |
I've been here several weeks now and there is a sense of camaraderie developing. | 0:40:08 | 0:40:15 | |
The women are really coming together as a choir and it's bringing them out of their houses. | 0:40:15 | 0:40:19 | |
There's a sense of community about this. | 0:40:19 | 0:40:22 | |
But it's a very isolated community. | 0:40:22 | 0:40:25 | |
It doesn't seem to go beyond the walls of the patch, beyond Chivenor. That's what I want to tackle. | 0:40:25 | 0:40:31 | |
That's what I want to change. | 0:40:31 | 0:40:33 | |
I think these women need to start reaching out | 0:40:33 | 0:40:35 | |
beyond their military lives and making people aware of what they go through. | 0:40:35 | 0:40:39 | |
HE SINGS | 0:40:39 | 0:40:42 | |
Gareth's determined to tackle his choir's sense of isolation. | 0:40:46 | 0:40:50 | |
He heads to Barnstaple, a busy market town just five minutes from the base. | 0:40:50 | 0:40:54 | |
Excuse me, could I ask you a question? | 0:40:54 | 0:40:57 | |
-Yes. -Do you know anything about RMB Chivenor? | 0:40:57 | 0:41:00 | |
It's down there. | 0:41:00 | 0:41:02 | |
-Yes. Do you know nothing else? -No. | 0:41:02 | 0:41:04 | |
-Have you ever been there? -No. | 0:41:04 | 0:41:06 | |
-Do you know anyone who lives over there on that little patch of houses? -No. | 0:41:06 | 0:41:10 | |
-Do you know anything about RMB Chivenor? -Not really. | 0:41:10 | 0:41:13 | |
Do you know anything about the troops at all and what they're doing? | 0:41:13 | 0:41:16 | |
-No. -No, nothing. | 0:41:16 | 0:41:18 | |
What about the women who are left behind while the troops are away? Do you know any of those? | 0:41:18 | 0:41:23 | |
-No. -You haven't had much contact with them? -No. | 0:41:23 | 0:41:25 | |
-I don't see much of them at all. -OK. | 0:41:25 | 0:41:27 | |
-It would be nice to see more of them. -Yes. | 0:41:27 | 0:41:29 | |
-Because they do a great job. -They're a friendly bunch. | 0:41:29 | 0:41:31 | |
-Yes. -Thanks very much. -OK. -Bye. | 0:41:31 | 0:41:33 | |
Just universally people don't know that they're there or | 0:41:33 | 0:41:37 | |
if they do know it's there they don't know anyone on the base | 0:41:37 | 0:41:40 | |
and I don't think there is much integration. | 0:41:40 | 0:41:42 | |
If we're to give these women a voice, they need an audience. | 0:41:42 | 0:41:46 | |
They need people to hear them. | 0:41:46 | 0:41:47 | |
I think Barnstaple's the right place to start because it is the local town. | 0:41:47 | 0:41:51 | |
I'd like people to say, "We know them. They're the ones that sing. | 0:41:51 | 0:41:55 | |
"They're the ones that have a choir, that speak for all military wives". | 0:41:55 | 0:41:58 | |
That would be fantastic. | 0:41:58 | 0:42:00 | |
In the heart of Barnstaple is an old Victorian market place. | 0:42:05 | 0:42:09 | |
Gareth's come to the meet the manager. | 0:42:09 | 0:42:12 | |
-Hello, you're John? -Hello, Gareth? -Yes. Hi. -How are you? -This is amazing. What a great place. | 0:42:12 | 0:42:19 | |
I'm after somewhere to perform for my choir of military wives. | 0:42:19 | 0:42:23 | |
Somewhere really central in Barnstaple. I think this would be a perfect venue. | 0:42:23 | 0:42:27 | |
-Yes. The acoustics are good in here. -Perfect for sound. | 0:42:27 | 0:42:31 | |
Where would we do it? | 0:42:31 | 0:42:32 | |
-How about a space sort of like we have here? -Yeah. | 0:42:32 | 0:42:37 | |
That's great. If I was... | 0:42:37 | 0:42:38 | |
If I had an audience there and I stood about here with them there... | 0:42:38 | 0:42:42 | |
Yeah. We could work out a different layout for you. | 0:42:42 | 0:42:45 | |
-You could gather over there. -Yeah. -Yeah. -We could do that. -That's really good. | 0:42:45 | 0:42:49 | |
-Thank you. -Good. -All right. | 0:42:49 | 0:42:52 | |
Back at Chivenor, communications with Afghanistan have been shut down, | 0:42:56 | 0:43:01 | |
which only happens when a soldier has been killed or seriously injured. | 0:43:01 | 0:43:06 | |
"I love you. We really miss you. We want you to come home. Lots of love." | 0:43:09 | 0:43:16 | |
Choir member Nicky has been expecting a call from husband George for more than two days. | 0:43:16 | 0:43:22 | |
PHONE RINGS | 0:43:22 | 0:43:25 | |
Hello. Had something happened? Is that what it...? | 0:43:25 | 0:43:30 | |
Something else obviously had happened. Yes, or no. Just say Yes or no. | 0:43:30 | 0:43:34 | |
Yeah. Oh, god. | 0:43:36 | 0:43:39 | |
You be careful. OK. Bye-bye. | 0:43:39 | 0:43:44 | |
He was OK. | 0:43:45 | 0:43:46 | |
That's all I want to know. It sounds really selfish and really horrible. | 0:43:46 | 0:43:52 | |
Every time I see it, it's like "He's OK, let's carry on now." | 0:43:52 | 0:43:55 | |
We've got to plod on. | 0:43:55 | 0:43:58 | |
It's always at the back of my mind. "Oh dear | 0:43:58 | 0:44:01 | |
"Who's the rest of the people that we need to think about now." | 0:44:01 | 0:44:06 | |
'Then you feel exhausted at the end of the day because you've got' | 0:44:07 | 0:44:12 | |
to do everything - and that worry at the back of your mind. | 0:44:12 | 0:44:15 | |
He'll be home soon, I hope. | 0:44:17 | 0:44:19 | |
It does get you. | 0:44:19 | 0:44:22 | |
Silly, isn't it? | 0:44:22 | 0:44:25 | |
I'm talking about it. It's mad. | 0:44:25 | 0:44:28 | |
Oh dear. | 0:44:28 | 0:44:30 | |
At his next rehearsal, Gareth wants to report back on his trip to Barnstaple. | 0:44:35 | 0:44:40 | |
I spoke to the good people of Barnstaple. | 0:44:40 | 0:44:43 | |
I went and asked them what they knew about you, about Chivenor, about how much | 0:44:43 | 0:44:48 | |
integration there is between the patch and the rest of the town. | 0:44:48 | 0:44:53 | |
And most of them just went, "There's a base, there's a helicopter". | 0:44:53 | 0:44:59 | |
LAUGHTER | 0:44:59 | 0:45:01 | |
"Do you know any of the women?" "No." | 0:45:01 | 0:45:02 | |
"Where are the men?" "Afghanistan?" | 0:45:02 | 0:45:07 | |
There was a real sense that they just didn't know you were here, | 0:45:07 | 0:45:09 | |
didn't know what was going on and I think one of the main | 0:45:09 | 0:45:13 | |
purposes of this choir is giving you a voice. | 0:45:13 | 0:45:16 | |
And I think that means speaking to the rest of the world so today | 0:45:16 | 0:45:21 | |
I want to announce you are going to perform at the Pannier Market. | 0:45:21 | 0:45:25 | |
LAUGHTER | 0:45:25 | 0:45:28 | |
Yes! It'll be awesome, won't it? | 0:45:28 | 0:45:31 | |
ALL: Yes! | 0:45:31 | 0:45:33 | |
It doesn't get more exciting and edgy than the Pannier Market. | 0:45:33 | 0:45:37 | |
I went there yesterday. They've got some massive pants on sale. | 0:45:37 | 0:45:40 | |
My goodness! When is it? Here's the rub. It's in two weeks. | 0:45:40 | 0:45:47 | |
CHATTER | 0:45:47 | 0:45:52 | |
This is the shortest rehearsal period I've ever done for anything, | 0:45:52 | 0:45:56 | |
but I've done it very deliberately because I want to get them on stream. | 0:45:56 | 0:46:01 | |
We haven't got months and months, so it means getting them in gear. | 0:46:01 | 0:46:04 | |
It's a jolt, a big shock. | 0:46:04 | 0:46:07 | |
The Pannier Market on a Thursday! Whoo! | 0:46:07 | 0:46:10 | |
Yeah, scary, very, very scary. | 0:46:10 | 0:46:14 | |
It will be something for the local people just to know | 0:46:14 | 0:46:17 | |
what's going on | 0:46:17 | 0:46:19 | |
'and to show that we do exist.' | 0:46:19 | 0:46:22 | |
For the Barnstaple performance, | 0:46:26 | 0:46:29 | |
Gareth has a chosen a song he hopes will draw out the women's emotions. | 0:46:29 | 0:46:33 | |
The next song is Adele, Make You Feel My Love. | 0:46:33 | 0:46:37 | |
Adele. There is a solo. | 0:46:39 | 0:46:41 | |
There's a solo in this piece and I would like to start to hear people. | 0:46:41 | 0:46:45 | |
If you are going to do the solo, you have to be prepared to stand | 0:46:45 | 0:46:48 | |
up in front of the group and sing it. | 0:46:48 | 0:46:50 | |
Because if you can't do it in front of the group then how are you | 0:46:50 | 0:46:53 | |
going to do it in front of an audience? | 0:46:53 | 0:46:54 | |
Who'd like to have a go at the solo? No? | 0:46:54 | 0:46:58 | |
CHATTER | 0:46:58 | 0:47:02 | |
-No. -She's gone a very different colour, everyone. Sam? No? | 0:47:02 | 0:47:06 | |
Definitely not? Why not? | 0:47:06 | 0:47:09 | |
-I don't want to do it. -Don't want to do it. | 0:47:09 | 0:47:11 | |
-Sure? End of? -Yep. | 0:47:11 | 0:47:13 | |
OK. Right. Anyone else? Just give it a go. | 0:47:13 | 0:47:18 | |
Kelly. | 0:47:18 | 0:47:20 | |
# When the rain is blowing in your face | 0:47:30 | 0:47:35 | |
# And the whole world is on your case... # | 0:47:35 | 0:47:40 | |
Emma. | 0:47:40 | 0:47:42 | |
# I could offer you a warm embrace... | 0:47:42 | 0:47:49 | |
# To make you feel my love. # | 0:47:49 | 0:47:53 | |
Beth! | 0:47:53 | 0:47:55 | |
# I could offer you a warm embrace | 0:47:55 | 0:47:59 | |
-# To make you feel my love. -# | 0:47:59 | 0:48:04 | |
Emma. | 0:48:04 | 0:48:06 | |
# I could offer you a warm embrace | 0:48:06 | 0:48:11 | |
# To make you feel my love. # | 0:48:11 | 0:48:15 | |
Nicky. | 0:48:16 | 0:48:18 | |
# And the whole world is on your case | 0:48:18 | 0:48:24 | |
# I could offer you a warm embrace | 0:48:25 | 0:48:32 | |
# To make you feel my love... # | 0:48:32 | 0:48:36 | |
Brilliant. # When the... # | 0:48:36 | 0:48:38 | |
That's it. Fantastic morning. | 0:48:38 | 0:48:40 | |
Round of applause to everyone, I think. APPLAUSE | 0:48:40 | 0:48:42 | |
With the solo auditions drawing to a close, Sam has a last minute change of heart. | 0:48:42 | 0:48:47 | |
It takes quite a lot to stand up, | 0:48:47 | 0:48:50 | |
do you want to just sing it for me now - once everyone's gone? Yeah? | 0:48:50 | 0:48:54 | |
That's different with one person. | 0:48:54 | 0:48:57 | |
OK, yeah, go on. Come on, let's do it. | 0:48:57 | 0:49:00 | |
Can we just hear Sam? | 0:49:00 | 0:49:01 | |
PIANO PLAYS | 0:49:01 | 0:49:04 | |
# When the rain is blowing in your face | 0:49:04 | 0:49:10 | |
# And the whole world is on your case... | 0:49:10 | 0:49:16 | |
# I could offer you a warm embrace | 0:49:16 | 0:49:23 | |
# To make you fee... # Oh, sorry. I'm crap, sorry. | 0:49:23 | 0:49:27 | |
-No, you're not. Do it again. -No, I don't want to do it. | 0:49:27 | 0:49:31 | |
-It was crap. -It wasn't crap. -No, I can't do it. -OK. | 0:49:31 | 0:49:35 | |
I hate how everyone looks. I feel so self-conscious. | 0:49:35 | 0:49:37 | |
-Everyone wants to support you. -I know but I don't want people to. | 0:49:37 | 0:49:41 | |
Well done, well done. | 0:49:41 | 0:49:43 | |
It's people, like, they're still there and they're looking at you. | 0:49:44 | 0:49:48 | |
You think, "What are they thinking?" | 0:49:48 | 0:49:50 | |
Do they think you're rubbish or, | 0:49:50 | 0:49:52 | |
can they hear what I hear, which is absolute rubbish! | 0:49:52 | 0:49:54 | |
'I just didn't enjoy it.' | 0:49:54 | 0:49:56 | |
OK...tomorrow. | 0:49:56 | 0:49:59 | |
'It takes someone with real courage to be able to sing a moving song | 0:49:59 | 0:50:02 | |
'like that and show a bit of themselves.' | 0:50:02 | 0:50:06 | |
Sam failed to sing in front of everyone else. | 0:50:06 | 0:50:09 | |
She's super-nervous. Really under-confident, and under-confident in front of the rest | 0:50:09 | 0:50:14 | |
of the group which is a shame cos she's actually got a good voice. | 0:50:14 | 0:50:18 | |
I want it to be someone who can sing with heart, and guts. Because that's what the choir needs. | 0:50:18 | 0:50:23 | |
Over the last few days leading up to the Barnstaple performance, | 0:50:25 | 0:50:30 | |
Choir members themselves organise last minute get-togethers at each other's houses. | 0:50:30 | 0:50:34 | |
And even Sarah is starting to enjoy singing. | 0:50:36 | 0:50:38 | |
'I never for one moment thought I would ever sing in a choir.' | 0:50:40 | 0:50:43 | |
Choirs are stuffy old ladies singing strange songs and wearing odd | 0:50:43 | 0:50:47 | |
clothes, pulling these crazy faces while they're singing. | 0:50:47 | 0:50:52 | |
The thing I like most is the camaraderie between all the women. | 0:50:52 | 0:50:56 | |
We feel like sisters now, just helping each other out. | 0:50:56 | 0:51:01 | |
I think we're so keen to do it, we will really try our best. | 0:51:01 | 0:51:05 | |
We are standing together as a group of girls going, | 0:51:05 | 0:51:08 | |
"I'll be there for you and you'll be there for me." | 0:51:08 | 0:51:11 | |
We'll all get through this - together. | 0:51:11 | 0:51:13 | |
No, no, you've got to breathe and be ready. | 0:51:16 | 0:51:19 | |
# I know you haven't... # | 0:51:19 | 0:51:21 | |
'We've got to do it no matter what, so we can either go and make complete idiots of ourselves,' | 0:51:21 | 0:51:26 | |
or we can just go and belt it out and hope it sounds good. | 0:51:26 | 0:51:29 | |
Come on, you've got more than that! Good, that's getting there! | 0:51:29 | 0:51:33 | |
It's just days before the Barnstaple performance and | 0:51:41 | 0:51:44 | |
Gareth's finally made his decision over who will sing the solo. | 0:51:44 | 0:51:48 | |
It's good news. I'd like you to do a solo. | 0:51:53 | 0:51:55 | |
Oh, my goodness! | 0:51:55 | 0:51:57 | |
-Honestly? -Yeah, honestly. Yeah. | 0:51:57 | 0:51:59 | |
Wow! I dunno if I'm ready for that this time of the morning. | 0:51:59 | 0:52:05 | |
I picked you because under pressure I think you'll be fine. | 0:52:05 | 0:52:08 | |
Some of the others, I think it's a bit too soon. | 0:52:08 | 0:52:10 | |
I think they might've crumbled but I don't think you're going to, are you? | 0:52:10 | 0:52:14 | |
No, nah, I promise you I won't. | 0:52:14 | 0:52:18 | |
'I just think it's brilliant.' | 0:52:18 | 0:52:20 | |
I'm so happy that he's chosen me. | 0:52:20 | 0:52:23 | |
I'll be singing it to George. He'll appreciate it. | 0:52:23 | 0:52:27 | |
It's D-Day for Gareth's choir. | 0:52:29 | 0:52:32 | |
-Hi! -All right? -You all right? -Yes. -Nervous? -Yes! | 0:52:39 | 0:52:44 | |
-Your chariot awaits. -Thank you. | 0:52:44 | 0:52:46 | |
'I really hope, for them, that they feel like they've become a choir.' | 0:52:46 | 0:52:51 | |
It's very different when you're in front of a public audience, | 0:52:51 | 0:52:55 | |
there's expectation, it's been advertised, it's a big moment. | 0:52:55 | 0:52:59 | |
I'm beginning to understand what giving these women a voice means. | 0:53:02 | 0:53:06 | |
Its' about singing to the outside world, about getting outside this military environment, | 0:53:06 | 0:53:12 | |
and being heard. | 0:53:12 | 0:53:14 | |
Follow me! | 0:53:14 | 0:53:16 | |
CHEERING Left, right, left, right. | 0:53:16 | 0:53:18 | |
'Up till now they've just supported their husbands stoically | 0:53:18 | 0:53:21 | |
'while they're away and I want them to be proud of who they are, | 0:53:21 | 0:53:25 | |
'proud of their singing, and sing to all those people out there.' | 0:53:25 | 0:53:29 | |
Ladies! Just sing your hearts out. | 0:53:29 | 0:53:32 | |
Use your faces. Really, wear your heart on your sleeve with this one. | 0:53:32 | 0:53:37 | |
We'll pick up the pieces later, OK? LAUGHTER | 0:53:37 | 0:53:40 | |
Thank you very much. Let's do it. CHEERING | 0:53:40 | 0:53:43 | |
More than 500 people have packed into the Pannier Market. | 0:53:54 | 0:53:59 | |
CHEERS AND APPLAUSE | 0:53:59 | 0:54:04 | |
Hello, Barnstaple! | 0:54:10 | 0:54:12 | |
AUDIENCE CHEERS | 0:54:12 | 0:54:13 | |
Ladies and gentlemen, | 0:54:13 | 0:54:16 | |
it gives me enormous pleasure to introduce to you, | 0:54:16 | 0:54:20 | |
The RMB Chivenor Military Wives' Choir. | 0:54:20 | 0:54:23 | |
CHEERING AND APPLAUSE | 0:54:23 | 0:54:27 | |
I think it's worth you knowing that every single person | 0:54:30 | 0:54:34 | |
you're about to hear sing, | 0:54:34 | 0:54:36 | |
has a partner in the Forces. | 0:54:36 | 0:54:38 | |
Many of them at this moment are in Afghanistan, | 0:54:38 | 0:54:41 | |
they do have a very hard time and they are incredibly stoic. | 0:54:41 | 0:54:45 | |
They just get on with it. | 0:54:45 | 0:54:47 | |
In true British spirit, I think. | 0:54:47 | 0:54:49 | |
But here's a song I think shows you how much feeling there is. | 0:54:49 | 0:54:53 | |
This is a beautiful song by Bob Dylan, Make You Feel My Love. | 0:54:53 | 0:54:57 | |
# Ooh, ooh | 0:55:03 | 0:55:06 | |
# Ooh, ooh | 0:55:06 | 0:55:12 | |
# When the rain is falling in your face | 0:55:12 | 0:55:19 | |
# And the whole world is on your case | 0:55:19 | 0:55:24 | |
# I would offer you a warm embrace | 0:55:24 | 0:55:31 | |
# To make you feel my love | 0:55:31 | 0:55:38 | |
# Ahh, ahh | 0:55:38 | 0:55:41 | |
# When the evening shadows and the stars appear | 0:55:41 | 0:55:46 | |
# And there's no one there to dry your tears | 0:55:46 | 0:55:50 | |
# Ahh, ahh | 0:55:50 | 0:55:53 | |
# I could hold you for a million years | 0:55:53 | 0:55:58 | |
# To make you feel my lo-ove | 0:55:58 | 0:56:04 | |
# Though storms are raging on the rolling sea | 0:56:04 | 0:56:11 | |
# And on the highway of regrets | 0:56:11 | 0:56:16 | |
# Though winds of change are blowing wild and free | 0:56:16 | 0:56:23 | |
# You ain't seen nothing like me yet | 0:56:23 | 0:56:29 | |
# You ain't seen nothing like me | 0:56:29 | 0:56:31 | |
# I could make you happy, make your dreams come true | 0:56:31 | 0:56:36 | |
# Nothing that I wouldn't do | 0:56:36 | 0:56:42 | |
# Go to the ends of the Earth for you | 0:56:42 | 0:56:49 | |
# To make you feel my love | 0:56:49 | 0:56:55 | |
# To make you | 0:56:55 | 0:56:59 | |
# feel my love. # | 0:56:59 | 0:57:04 | |
APPLAUSE | 0:57:04 | 0:57:08 | |
It was so inspiring. I've come away and I feel really good now cos that was so lovely. | 0:57:25 | 0:57:30 | |
It brings it home when you see them singing like that. | 0:57:30 | 0:57:33 | |
What they actually go through, it's fantastic. It was a great sound they made as well. | 0:57:33 | 0:57:37 | |
To anybody that can get up and sing when their husbands are in danger, | 0:57:37 | 0:57:41 | |
I don't know how they do it. | 0:57:41 | 0:57:42 | |
Brilliant, well done! | 0:57:42 | 0:57:45 | |
Really good. So proud of you. | 0:57:45 | 0:57:46 | |
You really blossomed on stage today. Very, very well done. | 0:57:46 | 0:57:50 | |
Unbelievable. | 0:57:50 | 0:57:52 | |
That feeling... just couldn't control the emotion. | 0:57:52 | 0:57:56 | |
You just had to let it go. | 0:57:56 | 0:57:58 | |
'Oh, that was amazing. Really good. | 0:57:58 | 0:58:00 | |
'I really felt part of the choir this time.' | 0:58:00 | 0:58:03 | |
Surprisingly upbeat and as you can see, a big smile on the face. | 0:58:03 | 0:58:06 | |
'When I was on stage I definitely felt the confidence coming back.' | 0:58:06 | 0:58:11 | |
I think it was just the whole adrenaline rush. I didn't notice 500 plus people, or tried not to anyway. | 0:58:11 | 0:58:17 | |
So, yeah, so... I thought we were really good. | 0:58:17 | 0:58:20 | |
They're proud to be in the choir and that's the first step. | 0:58:20 | 0:58:24 | |
There's a real sense of purpose and mission about the whole thing. | 0:58:24 | 0:58:27 | |
It's great. You can see it in their eyes. | 0:58:27 | 0:58:30 | |
They sang with real fervour. It was great. | 0:58:30 | 0:58:33 | |
Next time... | 0:58:33 | 0:58:35 | |
A professional sound engineer is coming from British Forces Radio | 0:58:35 | 0:58:39 | |
and we are going to be played out to all of the troops in Afghanistan. | 0:58:39 | 0:58:45 | |
CHEERING AND WHOOPING | 0:58:45 | 0:58:47 | |
It's completely appropriate to do that. And you're ready. | 0:58:47 | 0:58:50 | |
Subtitles by Red Bee Media Ltd | 0:59:02 | 0:59:05 | |
E-mail [email protected] | 0:59:05 | 0:59:08 |