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Choirmaster Gareth Malone believes | 0:00:02 | 0:00:04 | |
that singing can change the toughest of lives. | 0:00:04 | 0:00:08 | |
I know that music can bring people together | 0:00:08 | 0:00:10 | |
under really extraordinary circumstances. | 0:00:10 | 0:00:13 | |
He's come to a base in Devon to form a choir of military wives | 0:00:13 | 0:00:18 | |
while their husbands are away fighting in Afghanistan. | 0:00:18 | 0:00:21 | |
Words can't explain how much I just want him to come home. | 0:00:21 | 0:00:26 | |
This is real, it's not Action Man. This is a real stuff. | 0:00:26 | 0:00:30 | |
It's testing what a choir is for and testing it to the limit. | 0:00:30 | 0:00:35 | |
In just six weeks, he's had them singing to the local town. | 0:00:35 | 0:00:40 | |
Now, Gareth wants to expand his choir. | 0:00:40 | 0:00:43 | |
Wow, it's a good turnout. | 0:00:43 | 0:00:46 | |
-I've been in a couple of rock bands. -Rock bands. | 0:00:46 | 0:00:48 | |
-Were you happy? -I'm feeling a little bit deflated. | 0:00:48 | 0:00:52 | |
I just ballsed it up. | 0:00:52 | 0:00:54 | |
And to take them to the heart of the military establishment. | 0:00:54 | 0:00:58 | |
I want to run away, I just want to run away. | 0:00:58 | 0:01:00 | |
This is like no other gig I've ever done. | 0:01:00 | 0:01:03 | |
Gig is a wrong word, this is a ceremony. | 0:01:03 | 0:01:06 | |
May I say that you are the most beautiful choir in the UK | 0:01:06 | 0:01:10 | |
at this time. | 0:01:10 | 0:01:12 | |
They needed a voice and this is about giving them that voice | 0:01:14 | 0:01:18 | |
right now in front of these guys. | 0:01:18 | 0:01:20 | |
It's April and Gareth's military wives choir is now six weeks old. | 0:01:30 | 0:01:35 | |
The women's husbands have been away for nearly two months. | 0:01:35 | 0:01:39 | |
Gareth's arranged for his choir | 0:01:42 | 0:01:44 | |
to come to a theatre in Ilfracombe in Devon, | 0:01:44 | 0:01:46 | |
to record a song to be played to the troops on British Forces Radio. | 0:01:46 | 0:01:51 | |
Get yourself in there. | 0:01:51 | 0:01:54 | |
'This is a chance for them to sing to their men in Afghanistan.' | 0:01:54 | 0:01:58 | |
They're very excited, they want to do it | 0:01:58 | 0:02:00 | |
but when we get into those songs | 0:02:00 | 0:02:01 | |
and they know it's going to be heard in Afghanistan, | 0:02:01 | 0:02:04 | |
it's quite a powerful thing. | 0:02:04 | 0:02:06 | |
It'll be the first time many of the husbands | 0:02:06 | 0:02:08 | |
will have heard their wives sing. | 0:02:08 | 0:02:10 | |
I think all of us are choking up and trying to hold back the tears. | 0:02:10 | 0:02:14 | |
When you know your husband is going to be listening, | 0:02:14 | 0:02:17 | |
hopefully all the husbands are proud of us | 0:02:17 | 0:02:19 | |
and what we've achieved in such a short space of time. | 0:02:19 | 0:02:22 | |
My son was deployed to Afghanistan last night | 0:02:22 | 0:02:26 | |
and I'm a bit of an emotional wreck. | 0:02:26 | 0:02:29 | |
It's good to have all the girls and keep each other going. | 0:02:30 | 0:02:33 | |
You're sending a message of support and sending it through that. | 0:02:33 | 0:02:37 | |
It has to show in your faces. | 0:02:37 | 0:02:39 | |
If it shows in your faces, it'll show in the sound. | 0:02:39 | 0:02:42 | |
Wear your heart on your sleeves, you're not used to that. | 0:02:42 | 0:02:45 | |
Think of it as catharsis, | 0:02:45 | 0:02:47 | |
this is about letting it all out in this next take. | 0:02:47 | 0:02:50 | |
# When the evening shadows and the stars appear | 0:02:53 | 0:02:59 | |
# And there's no-one there to dry your tears | 0:02:59 | 0:03:06 | |
# I can hold you for a million years | 0:03:06 | 0:03:12 | |
# to make you feel my love | 0:03:12 | 0:03:19 | |
# To make you feel my love. # | 0:03:19 | 0:03:27 | |
Good, well done, that's the one. | 0:03:27 | 0:03:30 | |
Some found it difficult and emotional, standing there knowing | 0:03:30 | 0:03:35 | |
they were singing to their husbands at this time. | 0:03:35 | 0:03:37 | |
Very, very, very emotional. | 0:03:37 | 0:03:40 | |
I wish we could see the lads' reactions | 0:03:40 | 0:03:42 | |
because they'll find it amazing. | 0:03:42 | 0:03:44 | |
For me, singing with the girls is singing for all wives. | 0:03:44 | 0:03:49 | |
It's not just about us, | 0:03:49 | 0:03:51 | |
it's about all wives who've been through this, | 0:03:51 | 0:03:53 | |
who're going through this and who will go through this. It's really emotional. | 0:03:53 | 0:03:57 | |
I think this is having exactly the right effect. | 0:03:57 | 0:04:01 | |
The women are singing really well, they're being brought together | 0:04:01 | 0:04:04 | |
which is what counts. | 0:04:04 | 0:04:05 | |
This is something that could easily spread to other bases. | 0:04:05 | 0:04:08 | |
It's gone so well here in a really short space of time | 0:04:08 | 0:04:11 | |
and the women are singing well and getting so much out of it. | 0:04:11 | 0:04:14 | |
I'd like this to go further, I want to go to other bases. | 0:04:14 | 0:04:17 | |
Gareth's had an invitation to take his choir | 0:04:17 | 0:04:20 | |
to a nearby military base at Plymouth. | 0:04:20 | 0:04:23 | |
But before he arrives, news comes through from Afghanistan. | 0:04:24 | 0:04:28 | |
Colleagues of a Royal Marine based in Plymouth have paid tribute to him | 0:04:30 | 0:04:34 | |
after he was killed in southern Afghanistan. | 0:04:34 | 0:04:37 | |
A Plymouth-based Royal Marine has been killed. | 0:04:37 | 0:04:39 | |
The Marine from 42 Commando... | 0:04:39 | 0:04:43 | |
A Marine based in Plymouth has been killed by a bomb in Afghanistan. | 0:04:43 | 0:04:47 | |
For choir member Suzy, | 0:04:48 | 0:04:50 | |
the recent deaths from Plymouth have hit close to home. | 0:04:50 | 0:04:54 | |
Her 21-year-old son, Ross, has recently deployed | 0:04:54 | 0:04:57 | |
and serves with the same unit. | 0:04:57 | 0:05:00 | |
I hate the thought of my lad seeing something like that. | 0:05:01 | 0:05:04 | |
My heart breaks for them. My heart breaks for the families. | 0:05:04 | 0:05:09 | |
You wake up thinking of them, go to bed thinking of them. | 0:05:09 | 0:05:13 | |
As a mother you want to protect your children | 0:05:13 | 0:05:16 | |
and the thought of your child going to war | 0:05:16 | 0:05:20 | |
and putting his life potentially on the line, | 0:05:20 | 0:05:24 | |
is something you have no control over. | 0:05:24 | 0:05:26 | |
I've gradually become more and more emotional over each tour. | 0:05:26 | 0:05:30 | |
You hate the thought of something happening to a loved one. | 0:05:30 | 0:05:34 | |
I think that's what makes it so hard. | 0:05:34 | 0:05:38 | |
Gareth's got to decide if it's still the right time to go to Plymouth. | 0:05:42 | 0:05:46 | |
He calls a meeting with the Chivenor choir. | 0:05:46 | 0:05:49 | |
It's not a position I've been in before, it's new territory for me. | 0:05:49 | 0:05:54 | |
I'd love to go to Plymouth, it's an accident of timing that everything happened this weekend. | 0:05:54 | 0:05:59 | |
The music can't solve the problem, but I kind of have a hunch that it might be something beneficial. | 0:05:59 | 0:06:05 | |
I want to know what you think about it really. Suzy? | 0:06:05 | 0:06:08 | |
They need all the support they can get. | 0:06:08 | 0:06:10 | |
They need something to focus on. | 0:06:10 | 0:06:12 | |
I'd be lost without it, this is my distraction, | 0:06:12 | 0:06:14 | |
it keeps me going in a way and they're having a pretty rough time. | 0:06:14 | 0:06:18 | |
I can't describe to you how hard it is on a personal level. | 0:06:19 | 0:06:24 | |
It's heartbreaking. | 0:06:25 | 0:06:27 | |
The potential for upsetting people who're already incredibly upset, | 0:06:29 | 0:06:34 | |
going into a very sensitive situation | 0:06:34 | 0:06:36 | |
with something as crass as singing in a choir, | 0:06:36 | 0:06:41 | |
it's testing what a choir is for | 0:06:41 | 0:06:44 | |
and testing it to the limit. | 0:06:44 | 0:06:48 | |
Hello, ladies. Ready? | 0:06:48 | 0:06:51 | |
-Yeah. -Let's go. | 0:06:51 | 0:06:53 | |
Despite some reservations, | 0:06:55 | 0:06:56 | |
Gareth decides to go to Plymouth. | 0:06:56 | 0:06:59 | |
He takes a small group from his Chivenor choir, | 0:06:59 | 0:07:01 | |
to encourage new members to join. | 0:07:01 | 0:07:04 | |
# Ee ay ah, ee ay ah... # | 0:07:04 | 0:07:06 | |
I love how you're suddenly doing a posh phase. | 0:07:06 | 0:07:09 | |
Ladies, ladies of the Chivenor choir, | 0:07:09 | 0:07:12 | |
we're going to a place just outside Plymouth | 0:07:12 | 0:07:16 | |
which is where a lot of the women live. | 0:07:16 | 0:07:18 | |
We're going to go and flyer all their houses | 0:07:18 | 0:07:21 | |
and try and drum up some support for this evening. | 0:07:21 | 0:07:24 | |
Plymouth is the biggest military city in the South West. | 0:07:24 | 0:07:28 | |
Nearly 2,000 military families are based here. | 0:07:28 | 0:07:32 | |
Here we go. OK, ladies, make this happen. | 0:07:33 | 0:07:36 | |
It's home to the wives and loved ones | 0:07:36 | 0:07:38 | |
of some 1,300 soldiers and Marines, | 0:07:38 | 0:07:40 | |
most of whom are currently serving on the front line in Afghanistan. | 0:07:40 | 0:07:44 | |
It's about letting your hair down, doing something you've not done before. | 0:07:44 | 0:07:47 | |
My husband has been out 11 weeks and I've been stressing out, | 0:07:47 | 0:07:50 | |
the kids are stressed out and it's no good for anybody. | 0:07:50 | 0:07:54 | |
You need something for you. What you need is a choir. | 0:07:54 | 0:07:57 | |
Like Sister Act? | 0:07:57 | 0:07:58 | |
It's Sister Act. | 0:07:58 | 0:08:00 | |
Thank you very much, see you later on. | 0:08:00 | 0:08:02 | |
Mechelle, the wife of a Marine, is the kind of woman Gareth hopes | 0:08:05 | 0:08:09 | |
will turn up to tonight's singing session. | 0:08:09 | 0:08:12 | |
I've got a cat's voice, I'm terrible. | 0:08:12 | 0:08:16 | |
I'll go along, being there the first night could be really good fun. | 0:08:16 | 0:08:21 | |
Mechelle's husband, Phil, is part of 42 Commando Royal Marines | 0:08:21 | 0:08:26 | |
which has suffered several fatalities in the last month. | 0:08:26 | 0:08:29 | |
He's down by the Kandahar section. | 0:08:29 | 0:08:32 | |
He's down there at the moment | 0:08:32 | 0:08:34 | |
so I'm hoping they haven't seen much action, | 0:08:34 | 0:08:39 | |
I'm hoping they haven't, but J Company, | 0:08:39 | 0:08:42 | |
they've been very busy, shall we say. | 0:08:42 | 0:08:45 | |
There is massive injuries already, | 0:08:47 | 0:08:50 | |
quite a few fatalities which is horrific, absolutely horrific. | 0:08:50 | 0:08:55 | |
This is real, it's not Action Man here, it's real stuff. | 0:08:55 | 0:08:59 | |
At the end of the day, somebody on every single tour so far | 0:08:59 | 0:09:02 | |
has got killed. | 0:09:02 | 0:09:05 | |
Perched on the edge of Plymouth Hoe is the Royal Citadel. | 0:09:06 | 0:09:10 | |
The 17th century building is now an Army base | 0:09:10 | 0:09:12 | |
for 350 Royal Artillery soldiers. | 0:09:12 | 0:09:15 | |
It'll also be home for Gareth's choir. | 0:09:18 | 0:09:21 | |
He's arranged for potential new members to meet in the sergeants' mess | 0:09:21 | 0:09:24 | |
for this evening's impromptu singing session. | 0:09:24 | 0:09:29 | |
Great, this is where we're rehearsing, come on over. | 0:09:29 | 0:09:31 | |
I think they're going to be here soon, | 0:09:31 | 0:09:33 | |
so what will be fantastic is if we can sing to them first. | 0:09:33 | 0:09:38 | |
I think it'll be really good and it'll inspire them. | 0:09:40 | 0:09:43 | |
They'll be much more nervous than you are. | 0:09:43 | 0:09:45 | |
Now that we're here in Plymouth, I'm really, really nervous. | 0:09:45 | 0:09:50 | |
There's only a small number of us. | 0:09:50 | 0:09:51 | |
Singing in such a little number, we haven't done that before. | 0:09:51 | 0:09:55 | |
I'm just really hoping we sound good. | 0:09:55 | 0:09:57 | |
Hello, come on in. | 0:09:57 | 0:09:58 | |
-Hello. -What's your name? -Heather. -Any singing experience? | 0:09:58 | 0:10:02 | |
-Yeah, I was in the school choir. -School choir. | 0:10:02 | 0:10:04 | |
Husband? | 0:10:04 | 0:10:05 | |
-Marine. -Marine. | 0:10:05 | 0:10:07 | |
-And what does your husband do? -Royal Marines. | 0:10:07 | 0:10:09 | |
Hi, Laura. | 0:10:09 | 0:10:11 | |
Good turnout. Hi. | 0:10:11 | 0:10:12 | |
-Been in a couple of rock bands. -Rock bands. | 0:10:12 | 0:10:15 | |
I love it. I think you're our first rock singer. | 0:10:15 | 0:10:19 | |
-What does your husband do? -He's a submariner. | 0:10:19 | 0:10:21 | |
Submariner. Go on through. | 0:10:21 | 0:10:24 | |
Of course, yeah. | 0:10:24 | 0:10:26 | |
Ladies, it's really good to see so many of you here tonight. | 0:10:26 | 0:10:30 | |
We're all very aware that we've come at a sensitive time, so we wanted to acknowledge that. | 0:10:30 | 0:10:35 | |
We've come with some fun | 0:10:35 | 0:10:37 | |
and just to share our singing with you, | 0:10:37 | 0:10:39 | |
hopefully inspire you and give you something to focus on during what I know is a very difficult time. | 0:10:39 | 0:10:45 | |
-Suzy, please. -Hi, I'm Suzy. | 0:10:45 | 0:10:47 | |
I moved to Chivenor about seven months ago. | 0:10:47 | 0:10:50 | |
I knew nobody, then the flyers came through for the choir. | 0:10:50 | 0:10:53 | |
I wasn't going to do it, originally - | 0:10:53 | 0:10:55 | |
best thing I've ever done. | 0:10:55 | 0:10:57 | |
I don't regret it for a minute. I'm happy, | 0:10:57 | 0:10:59 | |
I'm smiling, | 0:10:59 | 0:11:01 | |
which is hard to do at times like this... | 0:11:01 | 0:11:04 | |
and it's getting us all through a very tough time. | 0:11:04 | 0:11:06 | |
-I'm shaking! -LAUGHTER | 0:11:06 | 0:11:09 | |
Um...but, yeah, | 0:11:09 | 0:11:11 | |
I highly recommend it, and just get stuck in | 0:11:11 | 0:11:14 | |
and enjoy it for everything it is, because it's fabulous. | 0:11:14 | 0:11:17 | |
APPLAUSE | 0:11:17 | 0:11:20 | |
PIANO STARTS UP | 0:11:21 | 0:11:23 | |
# I don't know what it is that makes me love you so | 0:11:23 | 0:11:27 | |
# I only know I never want to let you go | 0:11:27 | 0:11:30 | |
# Cos you started something, Can't you see | 0:11:30 | 0:11:34 | |
# That ever since we met You've got a hold on me | 0:11:34 | 0:11:38 | |
# It happens to be true I only want to be with you. # | 0:11:38 | 0:11:44 | |
CHEERING AND APPLAUSE | 0:11:44 | 0:11:47 | |
Very good. Now it's YOUR turn! Just sing it slightly slowly, the tune at the beginning, | 0:11:49 | 0:11:53 | |
all together now - one, two, three, four - | 0:11:53 | 0:11:56 | |
# I don't know what it is that makes me love you so | 0:11:56 | 0:12:01 | |
# I only know I never want to let you go... # | 0:12:01 | 0:12:04 | |
Stop. | 0:12:04 | 0:12:05 | |
At this point, things get more complicated - | 0:12:05 | 0:12:09 | |
# Cos you started something, Can't you see... # | 0:12:09 | 0:12:12 | |
-Sing that for me - three, four! -ALL: # Cos you started something | 0:12:12 | 0:12:15 | |
# Oh, can't you see... # | 0:12:15 | 0:12:17 | |
Two, three, and... | 0:12:17 | 0:12:18 | |
# You stopped and smiled at me | 0:12:18 | 0:12:22 | |
# Asked me if I'd care to dance | 0:12:22 | 0:12:25 | |
Lighter - # You stopped and smiled... # | 0:12:25 | 0:12:28 | |
More innocent, it's a bit... HE SINGS WITH AGGRESSIVE TONE | 0:12:28 | 0:12:31 | |
# You b... ! | 0:12:31 | 0:12:33 | |
# You left me... then you went to Afghanistan! # | 0:12:33 | 0:12:36 | |
Very innocent, OK? | 0:12:38 | 0:12:40 | |
One, two, three, four... | 0:12:40 | 0:12:42 | |
# I don't know what it is that makes me love you so | 0:12:42 | 0:12:45 | |
# I only know I never want to let you go | 0:12:45 | 0:12:48 | |
# Cos you started something Oh can't you see | 0:12:48 | 0:12:52 | |
# That ever since we met you've had a hold on me | 0:12:52 | 0:12:55 | |
# It happens to be true I only want to be with you. # | 0:12:55 | 0:13:01 | |
Round of applause. Really well done. | 0:13:01 | 0:13:05 | |
It feels to me that singing is such a necessary thing. | 0:13:05 | 0:13:07 | |
I've just had a daughter, and we sing with her all the time, | 0:13:07 | 0:13:10 | |
and she absolutely lights up, not just cos she's a genius, | 0:13:10 | 0:13:14 | |
but because... | 0:13:14 | 0:13:15 | |
because she loves singing and it's such a human thing to do. | 0:13:15 | 0:13:19 | |
That was extremely good for a first start, | 0:13:19 | 0:13:21 | |
so we'll have to notch up the difficulty level a few steps for next time. | 0:13:21 | 0:13:26 | |
Class dismissed, thank you. | 0:13:26 | 0:13:28 | |
APPLAUSE | 0:13:28 | 0:13:30 | |
I was able to forget the complications in my life | 0:13:30 | 0:13:33 | |
and just have a good night, | 0:13:33 | 0:13:34 | |
and I feel I'm doing something for myself. | 0:13:34 | 0:13:37 | |
A bit nervy, but I've got to say, | 0:13:37 | 0:13:40 | |
for a bunch of Royal Marines' wives, | 0:13:40 | 0:13:43 | |
we did quite well, but then we would do, wouldn't we(?) | 0:13:43 | 0:13:47 | |
I am actually quite scared about how good they are. | 0:13:47 | 0:13:50 | |
They are actually really amazing, | 0:13:51 | 0:13:54 | |
and that's a bit intimidating. | 0:13:54 | 0:13:56 | |
Brilliant. That was absolutely brilliant, | 0:13:56 | 0:13:58 | |
really exciting. It felt like something was really happening. | 0:13:58 | 0:14:02 | |
I was really worried about coming here and singing with them, | 0:14:02 | 0:14:07 | |
I didn't want to stir up emotions at this really difficult time. | 0:14:07 | 0:14:10 | |
Those women, especially, whose husbands are in action at the moment, and are suffering fatalities, | 0:14:10 | 0:14:16 | |
I really feel for them. | 0:14:16 | 0:14:18 | |
It's lovely to be able to do something like that, that just takes them out of it for ten minutes, | 0:14:18 | 0:14:23 | |
makes them think about something else. | 0:14:23 | 0:14:25 | |
Back at Chivenor, Gareth catches up with some of the choir after their trip to Plymouth. | 0:14:31 | 0:14:35 | |
Hello. | 0:14:35 | 0:14:37 | |
Hi, how are you? | 0:14:43 | 0:14:46 | |
I'm glad we went to Plymouth, it was really good. Were you happy? | 0:14:46 | 0:14:49 | |
We do all feel a little bit deflated. | 0:14:49 | 0:14:52 | |
When we all did the mixture of singing, | 0:14:52 | 0:14:54 | |
I felt... | 0:14:54 | 0:14:56 | |
I sat down. | 0:14:57 | 0:14:59 | |
-Really? -Yeah, I just sat down and I just thought, | 0:14:59 | 0:15:01 | |
"Actually, they just sound so good, | 0:15:01 | 0:15:04 | |
"and we're just being completely drowned out." | 0:15:04 | 0:15:07 | |
If they are so good already, after one rehearsal, | 0:15:07 | 0:15:09 | |
and there's about 80 of them - there's only a few of us! | 0:15:09 | 0:15:13 | |
I didn't expect to stand there and think, "Oh, my God, | 0:15:13 | 0:15:17 | |
"they're so much further on than we are." | 0:15:17 | 0:15:20 | |
Your singing sounds great, and it's going to sound better and better. | 0:15:20 | 0:15:23 | |
It feels like the best thing to do is to expand it and give the opportunity to other women, | 0:15:23 | 0:15:28 | |
and that's to take nothing away from you. | 0:15:28 | 0:15:30 | |
I don't want to sound like any one of us begrudges them anything, | 0:15:30 | 0:15:34 | |
because the more places across the country you could do this, | 0:15:34 | 0:15:37 | |
-the better for everyone. -Because we have come so much closer... | 0:15:37 | 0:15:40 | |
I would rather not be there on Thursday at all | 0:15:40 | 0:15:43 | |
because I think I would feel like I want to sing, | 0:15:43 | 0:15:45 | |
whereas now, I just feel like I want to get in my bed! | 0:15:45 | 0:15:48 | |
Yeah, well, I will work very hard to make sure you don't continue to feel like that. | 0:15:48 | 0:15:53 | |
It's the opposite of what I was hoping. | 0:15:53 | 0:15:56 | |
'It's not about being the best singer, | 0:15:56 | 0:15:59 | |
'about singing better than others, | 0:15:59 | 0:16:02 | |
'it's about using your voice to do something, | 0:16:02 | 0:16:04 | |
'to mean something to you and to other people.' | 0:16:04 | 0:16:07 | |
That's what was powerful about those women singing the other day, | 0:16:07 | 0:16:10 | |
it was them showing who they are through song. | 0:16:10 | 0:16:13 | |
I thought that was brilliant, I thought they were great. | 0:16:13 | 0:16:16 | |
I just ballsed it up, I think. | 0:16:16 | 0:16:21 | |
For Hayley, family life on the Chivenor base has never been tougher. | 0:16:28 | 0:16:33 | |
Husband Adrian, a staff sergeant, | 0:16:33 | 0:16:35 | |
is still only just over halfway through his tour of duty in Afghanistan. | 0:16:35 | 0:16:40 | |
My middle son, Bill, | 0:16:41 | 0:16:43 | |
he's such a daddy's boy, and he's four | 0:16:43 | 0:16:47 | |
and he REALLY struggles. He cries for Daddy | 0:16:47 | 0:16:50 | |
every single day, which is heartbreaking, | 0:16:50 | 0:16:53 | |
but it takes a while and you get on with it... | 0:16:53 | 0:16:56 | |
It's part of our life. | 0:16:56 | 0:16:58 | |
If I let my guard down and let the emotion come out, | 0:17:00 | 0:17:03 | |
I would be crying the whole day. | 0:17:03 | 0:17:06 | |
Every situation, from a flat tyre to the milk spilling, | 0:17:06 | 0:17:09 | |
would result in, "It's all because my husband's not here", | 0:17:09 | 0:17:12 | |
and you can't...you cannot survive for six months like that, | 0:17:12 | 0:17:15 | |
so you find coping mechanisms and strategies | 0:17:15 | 0:17:19 | |
and one of them is that you go, "It's fine. It's fine, | 0:17:19 | 0:17:22 | |
"it'll all be fine, | 0:17:22 | 0:17:24 | |
"tomorrow's another day, we've got through a day", | 0:17:24 | 0:17:27 | |
and that's why 99% of the girls you speak to count sleeps, | 0:17:27 | 0:17:34 | |
because one sleep down is one closer. | 0:17:34 | 0:17:37 | |
Gareth needs to find a way to pull his new expanded choir together. | 0:17:44 | 0:17:49 | |
In Plymouth, he thinks he's found the answer. | 0:17:49 | 0:17:52 | |
-Good afternoon, Gareth. -Are you Charles? | 0:17:52 | 0:17:54 | |
I am, indeed. Welcome to sunny Plymouth. | 0:17:54 | 0:17:57 | |
Charles Chrichton is the local events organiser. | 0:17:57 | 0:18:01 | |
In the last week in June, we have a wonderful festival to celebrate our armed forces. | 0:18:01 | 0:18:07 | |
Down here, we have our arena. | 0:18:07 | 0:18:09 | |
We've got a mass pipe band on parade, which will excite everyone, | 0:18:09 | 0:18:13 | |
we've got the cadets, | 0:18:13 | 0:18:15 | |
we get ready with a great parade down here... | 0:18:15 | 0:18:17 | |
Gosh, this is no small thing. | 0:18:17 | 0:18:19 | |
It is marvellous on the day. | 0:18:19 | 0:18:21 | |
-How might it work? 110 women... in this wind... -Yes. | 0:18:21 | 0:18:26 | |
Where might we put them? | 0:18:26 | 0:18:28 | |
-All things are possible down here in Plymouth. -Excellent. | 0:18:28 | 0:18:32 | |
Don't let any other voices tell you so. | 0:18:32 | 0:18:34 | |
But Armed Forces Day is only two weeks away | 0:18:35 | 0:18:39 | |
and Gareth doesn't have a song that both halves of his choir can sing. | 0:18:39 | 0:18:43 | |
PIANO PLAYS | 0:18:44 | 0:18:47 | |
HE HUMS | 0:18:47 | 0:18:50 | |
I have to come up with something that really lifts the spirits. | 0:18:52 | 0:18:56 | |
Sitting and working it out, I keep imagining | 0:18:56 | 0:18:59 | |
the women of Plymouth, and then, somehow, musically speaking, | 0:18:59 | 0:19:03 | |
the support of the Chivenor Choir. | 0:19:03 | 0:19:05 | |
I've got a mash-up of two songs, one of which is... | 0:19:05 | 0:19:08 | |
HE SINGS # I'll be there | 0:19:08 | 0:19:12 | |
# I'll be there... # | 0:19:12 | 0:19:16 | |
Jackson Five song. The other one is a song | 0:19:16 | 0:19:19 | |
by a guy called Bruno Mars. | 0:19:19 | 0:19:21 | |
# Girl, you're amazing Just the way you are. # | 0:19:21 | 0:19:26 | |
The choruses fit together really well, the verses fit together well, | 0:19:26 | 0:19:29 | |
so you'd have one verse, then another verse of a different song, | 0:19:29 | 0:19:32 | |
one chorus, then a different chorus, then the two things come together and fit like glue. | 0:19:32 | 0:19:37 | |
What's important is that this is about these women coming together, and showing support for each other, | 0:19:37 | 0:19:42 | |
not just from one base, but from one base to another base. | 0:19:42 | 0:19:46 | |
So...yeah, I've got to find a way to get Chivenor on side with this. | 0:19:46 | 0:19:50 | |
-Morning, everyone. -ALL: Morning. | 0:19:59 | 0:20:01 | |
-I've brought biscuits. -ALL: Hooray! -So come and help yourselves. | 0:20:01 | 0:20:05 | |
I wanted to talk to you about the way forward with Plymouth. | 0:20:05 | 0:20:10 | |
With that in mind, there's an event, Armed Forces Day, which seems like | 0:20:10 | 0:20:15 | |
a really perfect occasion to go down there and do something. | 0:20:15 | 0:20:19 | |
We'd have you here singing one song, and then all of those women | 0:20:19 | 0:20:26 | |
singing another song, and then the two songs would combine | 0:20:26 | 0:20:29 | |
and be somewhat stirring, hopefully with some accompaniment as well. | 0:20:29 | 0:20:33 | |
I think it could be amazingly powerful. | 0:20:33 | 0:20:36 | |
Who thinks they'd be up for it? | 0:20:36 | 0:20:38 | |
OK, that's a pretty resounding success. Fine. | 0:20:38 | 0:20:42 | |
-I think motion passed, yes? -ALL: Yes. | 0:20:42 | 0:20:45 | |
Being the whole choir, I think, is going to be brilliant. | 0:20:45 | 0:20:49 | |
And it will be a real force of women standing together | 0:20:49 | 0:20:52 | |
and showing everyone what we're made of. It's going to be brilliant, yeah, I can't wait, really excited. | 0:20:52 | 0:20:57 | |
I think joining forces with Plymouth is really good | 0:20:57 | 0:21:01 | |
because it's a stronger choir, all of us showing our solidarity. | 0:21:01 | 0:21:05 | |
It will be a really good chance to meet the other wives. Yeah, I'm really excited. | 0:21:05 | 0:21:09 | |
Hello, hello. Hi. | 0:21:17 | 0:21:20 | |
Two weeks ago, the Plymouth half of Gareth's choir didn't even exist. | 0:21:20 | 0:21:25 | |
-Good evening. -ALL: Good evening. | 0:21:27 | 0:21:29 | |
Now he's got less than 14 days to get them | 0:21:29 | 0:21:32 | |
ready for their first ever performance. | 0:21:32 | 0:21:35 | |
I think every choir, even when they are only two weeks old, | 0:21:36 | 0:21:42 | |
really needs to do a performance. | 0:21:42 | 0:21:45 | |
I propose that you, alongside the full ranks of | 0:21:45 | 0:21:48 | |
the Chivenor Ladies' Choir, will go and perform at Armed Forces Day. | 0:21:48 | 0:21:54 | |
CHORISTER SNEEZES | 0:21:54 | 0:21:55 | |
LAUGHTER | 0:21:55 | 0:21:56 | |
You are allergic to Armed Forces Day! Oh, dear! | 0:21:56 | 0:22:01 | |
I've done an arrangement... # Ooh-oo-ooh... # | 0:22:01 | 0:22:05 | |
Does anyone know what it is? | 0:22:09 | 0:22:11 | |
-Bruno Mars? -Bruno Mars, right. So, have a copy of the words. | 0:22:11 | 0:22:16 | |
You're only going to need the very first bit and the chorus. | 0:22:16 | 0:22:21 | |
Chivenor then sing I'll Be There. And it'll be really exciting. | 0:22:21 | 0:22:25 | |
The first time you hear it will be on the day. | 0:22:25 | 0:22:28 | |
LAUGHTER | 0:22:28 | 0:22:29 | |
But don't worry because I'll be there going like this: "Now!" | 0:22:29 | 0:22:32 | |
LAUGHTER | 0:22:32 | 0:22:34 | |
And you just look at me. | 0:22:34 | 0:22:35 | |
-Two, three... -# When I see your face... # | 0:22:35 | 0:22:39 | |
That's it, good. | 0:22:39 | 0:22:41 | |
Would it be ridiculous to go... | 0:22:41 | 0:22:43 | |
HE SINGS FALSETTO | 0:22:43 | 0:22:47 | |
Would it sound a bit ridiculous? Try it. One, two, three and go. | 0:22:47 | 0:22:53 | |
SINGING AND LAUGHTER | 0:22:53 | 0:23:00 | |
# She's so beautiful and I tell her every day. # | 0:23:02 | 0:23:09 | |
And there. So... Sh-sh. | 0:23:09 | 0:23:11 | |
The best thing about doing something where you don't have music | 0:23:11 | 0:23:15 | |
and it's not clear from the bits of paper, is that you don't end up | 0:23:15 | 0:23:18 | |
like this: "I love this piece of paper." | 0:23:18 | 0:23:21 | |
We don't have time for paper love, we have a performance in under two weeks. | 0:23:21 | 0:23:26 | |
This has unsettled you, I can see. It's going to be fine. | 0:23:26 | 0:23:29 | |
Take your sheets, bring them back next week. Thank you very much. You may go. | 0:23:29 | 0:23:34 | |
It was a bit nerve wracking because we don't have much time | 0:23:34 | 0:23:37 | |
to prepare, and at first we sounded quite dodgy. | 0:23:37 | 0:23:41 | |
So I hope it all comes together. | 0:23:41 | 0:23:42 | |
It's going to be scary. | 0:23:42 | 0:23:45 | |
This is the second week we've done this. | 0:23:45 | 0:23:47 | |
I'm kind of hoping that we all come together | 0:23:48 | 0:23:51 | |
and sound like we should, rather than sounding like a pack of wild dogs, | 0:23:51 | 0:23:56 | |
which is what I'm really terrified about. | 0:23:56 | 0:23:59 | |
With just three rehearsals left, | 0:23:59 | 0:24:01 | |
Gareth shuttles the 70 miles between Chivenor and Plymouth. | 0:24:01 | 0:24:06 | |
The first time they get to sing together is on the day. | 0:24:06 | 0:24:09 | |
And that's the first time that they sing with the band as well, | 0:24:09 | 0:24:12 | |
which is, although not ideal, I think it's possible. | 0:24:12 | 0:24:16 | |
But it is going to make them nervous. | 0:24:16 | 0:24:19 | |
HE SINGS FALSETTO | 0:24:21 | 0:24:22 | |
# I'll be there... # | 0:24:22 | 0:24:24 | |
LAUGHTER | 0:24:24 | 0:24:26 | |
I didn't see any knee dippers. Just try it, just humour me. | 0:24:26 | 0:24:30 | |
# I'll be there. # | 0:24:30 | 0:24:32 | |
It helps me, anyway. | 0:24:32 | 0:24:34 | |
-# I'll be there... # -That's really good. | 0:24:34 | 0:24:39 | |
We're not climbing Everest, but it's at least Ben Nevis, you know, it's not easy. | 0:24:39 | 0:24:43 | |
Don't be embarrassed. We've got to be really... Fortitude, ladies. | 0:24:46 | 0:24:50 | |
Two, three, and... | 0:24:50 | 0:24:51 | |
# Her eyes, her eyes make the stars look like they're not shining. # | 0:24:51 | 0:24:55 | |
Bit slow, there. Can we just do the words? | 0:24:55 | 0:24:57 | |
ALL: Her hair, her hair, falls perfectly without her trying. | 0:24:57 | 0:25:01 | |
You're still slowing me down. It's a bit like playing in treacle. | 0:25:01 | 0:25:04 | |
It slightly fell to pieces tonight. I wasn't expecting that to happen. | 0:25:04 | 0:25:08 | |
I've suddenly got a bit of nerves about Saturday. | 0:25:08 | 0:25:12 | |
Having two choirs in two different locations is a stress. | 0:25:12 | 0:25:18 | |
I'm getting to know this road very well indeed. | 0:25:18 | 0:25:21 | |
-# You and I... # -Yeah. | 0:25:23 | 0:25:24 | |
# ..must make a pact | 0:25:24 | 0:25:27 | |
# We must bring salvation back | 0:25:27 | 0:25:31 | |
# Where there is love # I'll be there. # | 0:25:31 | 0:25:38 | |
Fabulous. Sit down, thank you. Well done. | 0:25:38 | 0:25:41 | |
I feel like the wobbles of a couple of weeks ago are now starting | 0:25:41 | 0:25:45 | |
to dissipate. I think, once we're there, it's going to make sense. | 0:25:45 | 0:25:48 | |
This isn't about showing their vulnerability, | 0:25:48 | 0:25:51 | |
this is about showing their strength, | 0:25:51 | 0:25:52 | |
and how impressive a bunch of women they are. | 0:25:52 | 0:25:55 | |
CANNON FIRES | 0:26:06 | 0:26:07 | |
It's June 25th and Armed Forces Day. | 0:26:07 | 0:26:11 | |
CHEERING | 0:26:11 | 0:26:14 | |
For the people of Plymouth, | 0:26:14 | 0:26:16 | |
it's a chance to celebrate their military heritage. | 0:26:16 | 0:26:19 | |
Who's psyched? THEY CHEER | 0:26:24 | 0:26:26 | |
Really good. I just wanted to say a few words before we go in | 0:26:27 | 0:26:30 | |
and meet the ladies of Plymouth. | 0:26:30 | 0:26:33 | |
They're really quite nervous. Just remember they haven't done it before. | 0:26:33 | 0:26:37 | |
Is everyone ready for this? | 0:26:37 | 0:26:39 | |
-All: Yes! -Good. | 0:26:39 | 0:26:41 | |
This way, everyone. | 0:26:41 | 0:26:43 | |
For Gareth, it's the first time his new, | 0:26:44 | 0:26:46 | |
100-strong choir will sing together. | 0:26:46 | 0:26:49 | |
To mark the occasion, the Chivenor choir arrive dressed in white, | 0:26:49 | 0:26:54 | |
with their Plymouth counterparts dressed in red. | 0:26:54 | 0:26:56 | |
I really think there might be some tears in the crowd. Definitely. | 0:26:56 | 0:27:00 | |
Yeah, I think you might... and in the choir, actually. | 0:27:00 | 0:27:04 | |
Yeah, definitely! | 0:27:04 | 0:27:05 | |
OK. The massed choirs of Plymouth | 0:27:06 | 0:27:09 | |
and Chivenor are are ready for their performance. Let's go. THEY CHEER | 0:27:09 | 0:27:13 | |
MARCHING MUSIC PLAYS | 0:27:13 | 0:27:18 | |
He did phone up very quickly this morning and just wish me good luck. | 0:27:24 | 0:27:28 | |
Apparently it's spread like wildfire out there that we're all singing, | 0:27:28 | 0:27:32 | |
so it's been really nice, absolutely fantastic. | 0:27:32 | 0:27:34 | |
Even though they're not here, they're all thinking of us. | 0:27:34 | 0:27:38 | |
That's going to be really special. | 0:27:38 | 0:27:41 | |
Up for it, adrenaline's kicked in. | 0:27:41 | 0:27:43 | |
Terrified. | 0:27:43 | 0:27:45 | |
I just hope I remember all the words. | 0:27:45 | 0:27:47 | |
SHE LAUGHS | 0:27:47 | 0:27:48 | |
Good afternoon, ladies and gentlemen. | 0:27:48 | 0:27:50 | |
It gives me great pride to stand in front of the group of women behind me. | 0:27:50 | 0:27:55 | |
Whilst the troops are away in Afghanistan | 0:27:55 | 0:27:58 | |
and other parts of the world, the wives and girlfriends are | 0:27:58 | 0:28:02 | |
left behind and are doing a hugely important job. | 0:28:02 | 0:28:05 | |
Ladies and gentlemen, I am delighted to present to you | 0:28:05 | 0:28:08 | |
the Plymouth and Chivenor Military Wives and Girlfriends Choirs, | 0:28:08 | 0:28:13 | |
along with the Band of the Royal Marines. CHEERING AND APPLAUSE | 0:28:13 | 0:28:18 | |
# You and I must make a pact | 0:28:26 | 0:28:30 | |
# We must bring salvation back | 0:28:30 | 0:28:35 | |
# Where there is love I'll be there. | 0:28:35 | 0:28:41 | |
# Her eyes, her eyes make the stars look like they're not shining | 0:28:43 | 0:28:47 | |
# Her hair, her hair falls perfectly without her trying | 0:28:47 | 0:28:51 | |
# She's so beautiful and I tell her every day | 0:28:51 | 0:28:58 | |
# When I see your face | 0:28:58 | 0:29:03 | |
# There's not a thing that I would change | 0:29:03 | 0:29:08 | |
# Girl, you're amazing | 0:29:08 | 0:29:11 | |
# Just the way you are | 0:29:11 | 0:29:16 | |
# When I see your face | 0:29:16 | 0:29:19 | |
# I'll be there | 0:29:19 | 0:29:21 | |
# There's not a thing that I would change | 0:29:21 | 0:29:24 | |
# I'll be there | 0:29:24 | 0:29:26 | |
# Girl, you're amazing just the way you are | 0:29:26 | 0:29:31 | |
# I'll be there | 0:29:31 | 0:29:34 | |
# And when you smile | 0:29:34 | 0:29:36 | |
# I'll be there | 0:29:36 | 0:29:38 | |
# The whole world stops and stares for a while | 0:29:38 | 0:29:42 | |
# Girl, you're amazing just the way you are | 0:29:42 | 0:29:49 | |
# And I'll be there. # | 0:29:49 | 0:29:52 | |
CHEERING AND APPLAUSE | 0:29:52 | 0:29:55 | |
We were watching, baby! | 0:30:05 | 0:30:07 | |
Yeah, they were really good, it was really good. | 0:30:07 | 0:30:09 | |
Fantastic they are supporting their husbands and boyfriends out in Afghanistan. | 0:30:09 | 0:30:14 | |
People forget about the wives and girlfriends and what | 0:30:14 | 0:30:18 | |
they have to go through when the soldiers are going away on tour. | 0:30:18 | 0:30:21 | |
I looked over and my mum was like that! | 0:30:21 | 0:30:25 | |
-I'm not crying because it was really bad. -Did you enjoy it? -Yeah. | 0:30:25 | 0:30:30 | |
-She's crying because she's happy. -I just miss my husband. | 0:30:30 | 0:30:34 | |
It is a phenomenal feeling, I can't explain it. It's so nice. | 0:30:34 | 0:30:38 | |
All of us came together. It was awesome. | 0:30:38 | 0:30:43 | |
It's combined us all together. | 0:30:43 | 0:30:45 | |
We just feel like one big team now and it's just a really good feeling. | 0:30:45 | 0:30:48 | |
Bring on the next one! | 0:30:48 | 0:30:50 | |
You've got all these bands and all these women able to sing really well. | 0:30:50 | 0:30:55 | |
And uniting their voices, that sends a better message of support | 0:30:55 | 0:30:59 | |
to the troops than anything else I can think of. | 0:30:59 | 0:31:01 | |
It's so potent. | 0:31:01 | 0:31:03 | |
It just makes me think bigger - do more, more of this! | 0:31:03 | 0:31:06 | |
It's really, really strong. | 0:31:06 | 0:31:08 | |
It's midsummer. | 0:31:13 | 0:31:16 | |
Over the last four months, 9500 British troops have been fighting | 0:31:16 | 0:31:20 | |
in Afghanistan, leaving behind thousands of families. | 0:31:20 | 0:31:23 | |
Gareth is determined that his choir could be a voice for all of them. | 0:31:23 | 0:31:27 | |
I want the women to be heard by the upper echelons of the military. | 0:31:27 | 0:31:31 | |
Because at the moment, they support stoically and quietly | 0:31:31 | 0:31:35 | |
in the background. And I think they need the endorsement that comes | 0:31:35 | 0:31:38 | |
from being heard by people from the top ranks. | 0:31:38 | 0:31:41 | |
So I'm going somewhere where it's the perfect place for their next performance. | 0:31:41 | 0:31:47 | |
Sandhurst in Berkshire. | 0:31:47 | 0:31:49 | |
One of Britain's top military academies | 0:31:49 | 0:31:51 | |
and the place where the Army officers of the future are trained. | 0:31:51 | 0:31:55 | |
This is literally the most formal place I've ever been in my life. | 0:31:55 | 0:31:59 | |
Gareth wants his choir to sing here. | 0:31:59 | 0:32:03 | |
He's hoping it will be an opportunity to sell the idea | 0:32:03 | 0:32:05 | |
of military wives' choirs to the Army's top brass. | 0:32:05 | 0:32:10 | |
Prince Harry went to Sandhurst, Prince William went to Sandhurst, | 0:32:10 | 0:32:13 | |
It's the place in the military for the leaders of tomorrow. | 0:32:13 | 0:32:16 | |
So if they approve of what our women do and if they support it | 0:32:16 | 0:32:21 | |
and believe in it and are impressed by it, then it's job done. | 0:32:21 | 0:32:25 | |
Then they will feel like a choir of military wives. | 0:32:25 | 0:32:29 | |
I'm going to go and see the Commanding Officer of New College. | 0:32:29 | 0:32:32 | |
He's the man who has been responsible for the officers | 0:32:32 | 0:32:35 | |
for the last period while they've been training. | 0:32:35 | 0:32:39 | |
-Come in. -Hello. Lieutenant Colonel Lambert? -Hi, yes indeed. -Gareth, hello. -Good to meet you. | 0:32:41 | 0:32:46 | |
It would be good to tell you about what we've been doing. | 0:32:46 | 0:32:49 | |
The guys down at Chivenor on the base have told me | 0:32:49 | 0:32:52 | |
that they've had fewer complaints and phonecalls about welfare issues | 0:32:52 | 0:32:56 | |
while the choir's been in existence, which is great to hear. | 0:32:56 | 0:33:01 | |
The reason for performing to you at Sandhurst is trying to get the seal of approval | 0:33:01 | 0:33:05 | |
for what we've been doing and for what the women are doing. | 0:33:05 | 0:33:08 | |
This is something that they definitely want to continue. I'd love to see it continue. | 0:33:08 | 0:33:12 | |
I can't see a reason why it shouldn't. I'm not asking for money, but I'm looking to try | 0:33:12 | 0:33:18 | |
to find ways to make it continue. So this feels like our first performance for the military... | 0:33:18 | 0:33:23 | |
I don't know, let me know what you think. | 0:33:23 | 0:33:25 | |
-It's a great initiative and I'd certainly fully support it. -Good. | 0:33:25 | 0:33:29 | |
I think it is important and I think it will mean something to the cadets | 0:33:29 | 0:33:33 | |
because it's much, much, much harder for the people you leave behind when you deploy. | 0:33:33 | 0:33:37 | |
-And I think this is the message that you bring. -Yeah. | 0:33:37 | 0:33:40 | |
-And I welcome it wholeheartedly. -Thank you, that's great. | 0:33:40 | 0:33:43 | |
I was really scared about coming here but this is absolutely appropriate. | 0:33:43 | 0:33:48 | |
This is the heart of the Army. | 0:33:48 | 0:33:49 | |
This is the perfect place for us to perform. | 0:33:49 | 0:33:52 | |
If we get this right, I think this will send ripples, | 0:33:52 | 0:33:54 | |
people will talk about it. We have to do a good job. | 0:33:54 | 0:33:58 | |
In Chivenor, rehearsals are back in full swing. | 0:34:09 | 0:34:14 | |
-Good morning, ladies. -Morning. | 0:34:14 | 0:34:16 | |
But Gareth's choir has no idea what he has in store for them. | 0:34:16 | 0:34:21 | |
I've been talking a lot about getting you the recognition... | 0:34:21 | 0:34:24 | |
Look, you are all holding hands. Oh, gosh! What's he going to do?! | 0:34:24 | 0:34:28 | |
I think this is really good. | 0:34:28 | 0:34:30 | |
We are going to go and perform at a final dinner | 0:34:30 | 0:34:34 | |
as all of the officers pass out of Sandhurst. | 0:34:34 | 0:34:37 | |
Oh, wow! | 0:34:37 | 0:34:39 | |
I know. I'm glad that was your reaction. | 0:34:39 | 0:34:42 | |
It's going to be a kind of black tie and uniforms event. | 0:34:42 | 0:34:47 | |
It means posh frocks. | 0:34:47 | 0:34:49 | |
If we can do that, if we can stand up | 0:34:49 | 0:34:51 | |
on the stage in front of those people, get the approval | 0:34:51 | 0:34:53 | |
of the people who ultimately are the leaders of the army of tomorrow, | 0:34:53 | 0:34:57 | |
-it'll be really fantastic. -Wow. -Yes. | 0:34:57 | 0:34:59 | |
Sandhurst! My dream has come true. I've always wanted to go there. | 0:35:00 | 0:35:06 | |
It's just going to be amazing. | 0:35:06 | 0:35:08 | |
Really, really fab. Brilliant news. | 0:35:08 | 0:35:11 | |
It's quite a big occasion with the officers passing out. | 0:35:11 | 0:35:15 | |
It's really quite a grand occasion. | 0:35:15 | 0:35:17 | |
So we are going to have to be pretty top-notch, I think, to pull it off. | 0:35:17 | 0:35:22 | |
We will do a couple of numbers, but the most important thing | 0:35:22 | 0:35:25 | |
is we are going to be singing a classical choral piece. | 0:35:25 | 0:35:29 | |
It's in Latin, which you'll really enjoy. | 0:35:29 | 0:35:34 | |
Pange lingua gloriosi. | 0:35:34 | 0:35:36 | |
# Pange lingua gloriosi | 0:35:37 | 0:35:44 | |
# Corporis mysterium... # | 0:35:44 | 0:35:51 | |
Well done! | 0:35:51 | 0:35:53 | |
It's not quite the sound I'm looking for, but we'll get there. | 0:35:53 | 0:35:57 | |
They feel embarrassed about singing classical music, and it sounds like it. | 0:35:57 | 0:36:02 | |
There's no room for embarrassment at Sandhurst. | 0:36:02 | 0:36:04 | |
They've got to sell it. | 0:36:04 | 0:36:08 | |
Yeah, there's a little way to go. | 0:36:08 | 0:36:11 | |
For Sandhurst to be a success, Gareth needs to get the women singing confidently. | 0:36:12 | 0:36:19 | |
They are struggling with classical singing. | 0:36:19 | 0:36:21 | |
If you've never done it before, it's a totally different way of singing. | 0:36:21 | 0:36:25 | |
I need to work with them individually. | 0:36:25 | 0:36:27 | |
There's no way to do that en masse, you need really hear their voices. | 0:36:27 | 0:36:31 | |
What I want to do is build up the confidence of each section. I think it's really important. | 0:36:31 | 0:36:37 | |
To a certain degree, this might be shock therapy. | 0:36:37 | 0:36:40 | |
By the end of the morning, everyone will have sung one line on their own. | 0:36:40 | 0:36:44 | |
No way! | 0:36:44 | 0:36:45 | |
Emma. Hiding behind the pillar. It's your turn. | 0:36:45 | 0:36:49 | |
I really don't mind if it goes badly wrong. | 0:36:49 | 0:36:52 | |
# The storm shall not wake thee... # | 0:36:52 | 0:36:57 | |
That's a really good soprano-y sound. That's really good. | 0:36:57 | 0:36:59 | |
# ..At thy knees | 0:36:59 | 0:37:02 | |
# The storm shall not wake thee... # | 0:37:02 | 0:37:06 | |
Don't worry, just go for it and let the sound out. There's a really good voice in there. | 0:37:06 | 0:37:10 | |
# Asleep in the arms... # | 0:37:10 | 0:37:14 | |
Really nice instrument. Lovely voice. | 0:37:14 | 0:37:18 | |
# And black are the waters... # | 0:37:18 | 0:37:21 | |
# That sparkled so green... # | 0:37:21 | 0:37:26 | |
Well done, that's really brave. That's quite choirboyish, your voice. Rather lovely. | 0:37:26 | 0:37:30 | |
-Jo, ready? Here we go. -No, I'm not ready. | 0:37:30 | 0:37:34 | |
Here we go. One... Do you want to do it in twos? | 0:37:34 | 0:37:38 | |
Do it in a two. Do it in a three. | 0:37:38 | 0:37:41 | |
-I'm totally tone-deaf. I know I am. -Jo, I'll sing it with you. | 0:37:41 | 0:37:45 | |
You're not, you're not. | 0:37:45 | 0:37:46 | |
I speak like a man so I know what I'm like. | 0:37:46 | 0:37:49 | |
No, you don't, you have a beautiful voice. | 0:37:49 | 0:37:52 | |
Your parents have bequeathed you an instrument. | 0:37:52 | 0:37:54 | |
And it's not you, it's your voice, it's an instrument. | 0:37:54 | 0:37:57 | |
You have to play it like an instrument. Detach it from yourself. | 0:37:57 | 0:38:02 | |
It's the way that singers get through it. | 0:38:02 | 0:38:04 | |
You make a mistake, you go, "I don't know what happened to my voice there!" | 0:38:04 | 0:38:08 | |
It wasn't me, I was fine, but my voice messed it up. That's what you need to think about. | 0:38:08 | 0:38:12 | |
It isn't your personality that's on the line here. | 0:38:12 | 0:38:14 | |
Hold my hand. We'll sing it together. Here we go. | 0:38:14 | 0:38:17 | |
# A weary... # | 0:38:17 | 0:38:19 | |
You'll be fine, you'll be fine. | 0:38:19 | 0:38:21 | |
We'll sing it together. One, two, three. | 0:38:21 | 0:38:24 | |
# A weary flipperling | 0:38:24 | 0:38:29 | |
# Curl at thy... # | 0:38:29 | 0:38:33 | |
Do it again. # Our weary... # | 0:38:33 | 0:38:35 | |
-With me. -Sorry! -One, two, three. | 0:38:35 | 0:38:38 | |
# A weary flipperling | 0:38:38 | 0:38:43 | |
# Curl at thy knee. # | 0:38:43 | 0:38:49 | |
There, that's you. | 0:38:49 | 0:38:50 | |
The thing is, that was really good, you are concentrating on me | 0:38:50 | 0:38:53 | |
and not worrying about yourself and what people think. | 0:38:53 | 0:38:57 | |
And then you are making music and not just in yourself. | 0:38:57 | 0:39:00 | |
The torture is over. Well done. | 0:39:00 | 0:39:02 | |
I'm still shaking, | 0:39:02 | 0:39:03 | |
but I do feel I've moved on a little bit from it. | 0:39:03 | 0:39:08 | |
I don't feel so manly now. | 0:39:08 | 0:39:10 | |
Yeah, it was definitely worth it. | 0:39:10 | 0:39:13 | |
It was great. I thought it was really good. | 0:39:13 | 0:39:16 | |
Gosh, they were frightened, but so worth doing. | 0:39:16 | 0:39:18 | |
Because now that we can do that, I think the sky's the limit. | 0:39:18 | 0:39:22 | |
They are a good group of women, they really are. | 0:39:22 | 0:39:24 | |
And they are finding their voices. | 0:39:24 | 0:39:26 | |
The whole point of this is to give voice to these women | 0:39:26 | 0:39:30 | |
and make people hear them. | 0:39:30 | 0:39:31 | |
And it's amazing how much some of them hide and are terrified | 0:39:31 | 0:39:35 | |
of just being heard. They can't make a sound because they hide in their houses | 0:39:35 | 0:39:40 | |
and don't come out. This is forcing them to do it, and I think it's a really positive thing. | 0:39:40 | 0:39:45 | |
All of Gareth's choir are starting to progress, | 0:39:45 | 0:39:48 | |
but one singer in particular has caught his eye. | 0:39:48 | 0:39:52 | |
OK, on your feet. Here we go. | 0:39:52 | 0:39:56 | |
It's not a chance for a chat, have a chat later. | 0:39:56 | 0:39:58 | |
Ready, and... | 0:39:58 | 0:40:00 | |
# Fructus ventris generosi | 0:40:00 | 0:40:05 | |
# Rex effudit gentium. # | 0:40:05 | 0:40:11 | |
Sam, do you mind singing it on your own? | 0:40:11 | 0:40:14 | |
I can hear you really confidently, it sounds fantastic. Would you mind? | 0:40:14 | 0:40:19 | |
-No, I do mind. -Give it a go. -No! | 0:40:19 | 0:40:22 | |
Since they first met four months ago, Gareth's been struggling to get Sam | 0:40:22 | 0:40:26 | |
to sing in front of the rest of the choir. | 0:40:26 | 0:40:29 | |
-Sam, what's your singing experience? -I was in a choir. | 0:40:29 | 0:40:33 | |
-Can I hear you sing on your own at some point? -Right now? | 0:40:33 | 0:40:36 | |
-Not in front of people. -No, when people have gone away. | 0:40:36 | 0:40:39 | |
Yeah, yeah, sorry. | 0:40:39 | 0:40:40 | |
# When the rain is blowing in your face... # | 0:40:40 | 0:40:47 | |
-Crap, sorry. -It wasn't crap. -No, I can't do it. | 0:40:47 | 0:40:49 | |
-# Before I put on my make-up... # -Sorry. | 0:40:49 | 0:40:53 | |
-What are you apologising for? -I don't know, I apologise for everything. -Yes. -Sorry. Sorry! | 0:40:53 | 0:40:58 | |
I'm sorry for saying sorry. | 0:40:58 | 0:41:00 | |
-Do it on your own. -What? No, no. -Sam, please. Go on. | 0:41:00 | 0:41:04 | |
Here we go. Ready? # Pange... # And - | 0:41:04 | 0:41:06 | |
# Pange lingua gloriosi | 0:41:06 | 0:41:12 | |
# Corporis mysterium | 0:41:12 | 0:41:18 | |
# Rex effudit gentium. # | 0:41:18 | 0:41:23 | |
APPLAUSE | 0:41:23 | 0:41:27 | |
I can safely say I've waited for a moment like that. | 0:41:27 | 0:41:32 | |
I really have. Thank you very much, it was absolutely beautiful. Brilliant singing. | 0:41:32 | 0:41:37 | |
That's how you do it. | 0:41:37 | 0:41:38 | |
I just wanted the world to eat me up, | 0:41:38 | 0:41:40 | |
I was so embarrassed to be singing in front of everybody. | 0:41:40 | 0:41:45 | |
But obviously, they liked it, but... My legs were like jelly. | 0:41:45 | 0:41:49 | |
Sam I thought was brilliant today, absolutely fantastic. | 0:41:49 | 0:41:53 | |
I knew she could sing, but I was really impressed with that. | 0:41:53 | 0:41:56 | |
That was a great... It was just a great moment. She can really sing. | 0:41:56 | 0:42:00 | |
It's a lovely voice. It's a lovely instrument, she's got the experience. | 0:42:00 | 0:42:03 | |
She's exactly what the choir needs. We need a leader. | 0:42:03 | 0:42:07 | |
We're going to the park. | 0:42:07 | 0:42:10 | |
But Sam's feeling the pressure of this tour of duty. | 0:42:10 | 0:42:13 | |
It's her husband's first deployment to Afghanistan | 0:42:13 | 0:42:16 | |
and the first time she's been on her own with the children. | 0:42:16 | 0:42:20 | |
Words can't explain how much I just want him to come home | 0:42:20 | 0:42:26 | |
and it to be all over and us to be just a family again. | 0:42:26 | 0:42:30 | |
Having him here every day... | 0:42:30 | 0:42:32 | |
I mean, you don't want to wish time away | 0:42:32 | 0:42:35 | |
but I really want time to go as quick as it can. | 0:42:35 | 0:42:39 | |
When Osama Bin Laden got shot... | 0:42:40 | 0:42:44 | |
This sound so naive and stupid and childlike. | 0:42:44 | 0:42:49 | |
I thought, he's been shot, | 0:42:49 | 0:42:50 | |
does that mean my husband gets to come home now? | 0:42:50 | 0:42:53 | |
You have a glimmer of hope, the tiniest bit of hope | 0:42:53 | 0:42:56 | |
that that's it over with, but then you put the reality on the other side of it. | 0:42:56 | 0:43:01 | |
That certainly isn't the case. | 0:43:01 | 0:43:04 | |
-Hi. -Hello. That looks heavy. -I've brought my keyboard, yes. How are you? | 0:43:11 | 0:43:15 | |
With the Sandhurst performance looming, | 0:43:15 | 0:43:18 | |
Gareth believes Sam is finally ready to face her fears. | 0:43:18 | 0:43:22 | |
# Pange lingua gloriosi... # | 0:43:23 | 0:43:28 | |
This is like a different Sam from the one... | 0:43:28 | 0:43:31 | |
I sat there and you went, "No, no, I can't, I'm sorry, I'm sorry." | 0:43:31 | 0:43:36 | |
Just the sound that I'm at seeing in rehearsals now. Totally different. | 0:43:36 | 0:43:41 | |
-Oh. -It's really good. | 0:43:41 | 0:43:42 | |
-We seem to have found your thing, really, haven't we? -What, music wise? | 0:43:42 | 0:43:47 | |
-Yeah. -For my voice? Yeah. -It suits you so well. | 0:43:47 | 0:43:51 | |
-I was going to go to uni to study music in Edinburgh. -Really? | 0:43:51 | 0:43:55 | |
-What happened? -I met by husband. | 0:43:55 | 0:43:57 | |
-Really? So you sort of... -Gave it all up for love. | 0:43:57 | 0:44:01 | |
-Gave it up. -For love. -Wow! | 0:44:01 | 0:44:03 | |
-Which... Quite rightly so. -No regrets? -No regrets. | 0:44:03 | 0:44:05 | |
But I feel as though it's my time to shine a little bit. | 0:44:05 | 0:44:09 | |
I think it is, I really do. I've been cooking up a plan. | 0:44:09 | 0:44:12 | |
I'd like to ask you to do a solo at Sandhurst. | 0:44:12 | 0:44:16 | |
It's going to be a square of real kind of top brass, | 0:44:16 | 0:44:20 | |
so they'll have loads of medals. I want you to walk out on your own | 0:44:20 | 0:44:24 | |
and then all the other women will join you from around. | 0:44:24 | 0:44:27 | |
Are you OK with that? | 0:44:27 | 0:44:28 | |
-I suppose! -Yeah? -I suppose so. | 0:44:30 | 0:44:33 | |
-Bye, Sam. Thank you. -Thank you for coming round, Gareth. -That was great. Well done. | 0:44:33 | 0:44:37 | |
-See you later. -And you. Bye. | 0:44:37 | 0:44:40 | |
I'm really chuffed that he's offered me a solo. | 0:44:40 | 0:44:43 | |
I feel a little bit privileged. | 0:44:43 | 0:44:46 | |
Especially singing a solo at Sandhurst. | 0:44:46 | 0:44:49 | |
It's a bit nerve-racking, but I'm looking forward | 0:44:49 | 0:44:53 | |
to the challenge of it, so it should be really good. | 0:44:53 | 0:44:57 | |
I think the choir's had a bigger impact on Sam than anyone else. | 0:44:57 | 0:45:00 | |
It's restored her to life, I think. | 0:45:00 | 0:45:02 | |
She was really not in a good place when I first met her, | 0:45:02 | 0:45:05 | |
incredibly vulnerable, incredibly nervous, especially about singing, | 0:45:05 | 0:45:09 | |
and now she's necessary here. | 0:45:09 | 0:45:10 | |
The other women are relying on her because she's so confident. | 0:45:10 | 0:45:14 | |
But that's only returning to her now | 0:45:14 | 0:45:16 | |
and I think it's really good to see that she's not going to let that go. | 0:45:16 | 0:45:20 | |
She needs to sing, this woman, and it's really good to have helped her. | 0:45:20 | 0:45:25 | |
Both the Chivenor and Plymouth halves of Gareth's choir will sing at Sandhurst | 0:45:29 | 0:45:33 | |
and getting up to scratch is a challenge. | 0:45:33 | 0:45:37 | |
'Now we're running into our last couple of rehearsals, | 0:45:37 | 0:45:40 | |
'everyone's started to do rehearsals on their own and meet together' | 0:45:40 | 0:45:44 | |
and I think there's a little bit of terror. | 0:45:44 | 0:45:47 | |
I had a massive "Yeah!" from some and nothing from others. | 0:45:47 | 0:45:50 | |
'This has to be a big splash. At Sandhurst, it's got to be something amazing. | 0:45:53 | 0:45:58 | |
'This is an incredible place. The uniforms, the grandeur, the event, the formality of it.' | 0:45:58 | 0:46:02 | |
Don't under sing this. | 0:46:02 | 0:46:04 | |
'It's got to be theatrical, really amazing. | 0:46:04 | 0:46:06 | |
'I want those guys to go home and say, "Remember that event where those women sang?" | 0:46:06 | 0:46:10 | |
'That's what I'm looking for. Anything less than that will fail to send the message to the military.' | 0:46:10 | 0:46:18 | |
We're going to do that again. | 0:46:18 | 0:46:20 | |
# The boogie woogie bugle boy of company B. # | 0:46:20 | 0:46:23 | |
Well done. | 0:46:23 | 0:46:24 | |
She looks absolutely amazing. Love it! | 0:46:24 | 0:46:27 | |
That's good! That was really, really good. | 0:46:33 | 0:46:35 | |
'I think that they are doing really well. | 0:46:37 | 0:46:39 | |
'I'm just incredibly nervous about it.' | 0:46:39 | 0:46:42 | |
'This feels like the one to get right.' | 0:46:45 | 0:46:48 | |
It's the morning of the Sandhurst performance | 0:46:51 | 0:46:54 | |
and Gareth has a surprise for his choir. | 0:46:54 | 0:46:57 | |
Morning. Thank you very much for coming. Do you know what you're doing? | 0:46:57 | 0:47:00 | |
Right, OK. I'm afraid it's singing. | 0:47:00 | 0:47:04 | |
Good reaction. Excellent. Come on. It won't be as bad as you think it's going to be. | 0:47:05 | 0:47:10 | |
If you wait round the corner, they won't see. I'll keep this door shut. | 0:47:10 | 0:47:14 | |
Right. OK. Good morning, ladies. | 0:47:16 | 0:47:20 | |
We are going to go and do a very, very scary thing today. | 0:47:20 | 0:47:25 | |
I felt like the mood has been extremely serious in the last few rehearsals | 0:47:25 | 0:47:29 | |
so I felt like you needed something to lighten the mood a little bit. | 0:47:29 | 0:47:34 | |
So I had a little word with Colonel Brown | 0:47:34 | 0:47:36 | |
and I've organised for something... I think it's got to be a first, | 0:47:36 | 0:47:41 | |
I really think it's got to be a first, because, for you, as a gesture of goodwill, | 0:47:41 | 0:47:45 | |
you've sung for them, now they're going to sing for you. | 0:47:45 | 0:47:50 | |
It's the Rear Party! | 0:47:50 | 0:47:53 | |
CHEERING | 0:47:53 | 0:47:55 | |
# I've got sunshine | 0:48:05 | 0:48:07 | |
# On a cloudy day | 0:48:07 | 0:48:10 | |
# When it's cold outside | 0:48:12 | 0:48:15 | |
# I've got the month of May | 0:48:15 | 0:48:19 | |
# I guess you'll say | 0:48:21 | 0:48:25 | |
# What can make me feel this way? | 0:48:25 | 0:48:30 | |
# My girl, my girl, my girl | 0:48:30 | 0:48:33 | |
# Talking 'bout my girl | 0:48:33 | 0:48:36 | |
# My girl | 0:48:36 | 0:48:38 | |
# I've got so much honey... # | 0:48:38 | 0:48:41 | |
CHEERING | 0:48:41 | 0:48:43 | |
# Do do do do do | 0:48:43 | 0:48:46 | |
# I've got a sweeter song | 0:48:46 | 0:48:50 | |
# Than the birds in the trees | 0:48:50 | 0:48:52 | |
# Do do do do do | 0:48:52 | 0:48:55 | |
# I guess you'll say | 0:48:55 | 0:48:59 | |
# What can make me feel this way? | 0:48:59 | 0:49:03 | |
# My girl | 0:49:03 | 0:49:05 | |
# My girl, my girl | 0:49:05 | 0:49:07 | |
# Talking 'bout my girl | 0:49:07 | 0:49:09 | |
# My girl. # | 0:49:09 | 0:49:11 | |
CHEERING AND APPLAUSE | 0:49:11 | 0:49:17 | |
It was all right, yeah. A good thing to do, really. | 0:49:17 | 0:49:20 | |
It's got them psyched up, so it's for them, the end of the day. | 0:49:20 | 0:49:24 | |
Ladies, are we ready for Sandhurst? | 0:49:24 | 0:49:28 | |
-ALL: -Yes! | 0:49:28 | 0:49:29 | |
OK. Off you go. Let's go. | 0:49:29 | 0:49:32 | |
APPLAUSE | 0:49:32 | 0:49:35 | |
Shoulder... | 0:49:43 | 0:49:45 | |
arms! | 0:49:45 | 0:49:46 | |
It's the biggest event of the Sandhurst calendar. | 0:49:50 | 0:49:54 | |
Today, 260 cadets will receive their commissions in a grand passing out ceremony. | 0:49:57 | 0:50:03 | |
Gareth's choir will sing at a formal dinner to mark the end of months of training | 0:50:08 | 0:50:13 | |
and the beginning of their careers as army officers. | 0:50:13 | 0:50:17 | |
With the parade over, the Plymouth and Chivenor choirs arrive | 0:50:17 | 0:50:20 | |
to prepare for their evening performance. | 0:50:20 | 0:50:23 | |
Welcome to Sandhurst! | 0:50:23 | 0:50:25 | |
-Everyone all right? -Yes! | 0:50:25 | 0:50:27 | |
It is massive. I didn't expect it to be this big. | 0:50:27 | 0:50:31 | |
'It looks absolutely fabulous so everyone's got butterflies now.' | 0:50:31 | 0:50:34 | |
Everything's getting all excited. | 0:50:34 | 0:50:36 | |
It's looking really good though, I must admit. | 0:50:36 | 0:50:38 | |
'Scared. Really scared.' | 0:50:38 | 0:50:40 | |
Nerves have definitely kicked in. | 0:50:40 | 0:50:43 | |
My stomach is going 100 mph and I want to run away. | 0:50:43 | 0:50:47 | |
I just want to run away. I'm not feeling good right now. | 0:50:47 | 0:50:50 | |
This is like no other gig I have ever done. | 0:50:50 | 0:50:53 | |
Gig is the wrong word. This is a ceremony. | 0:50:53 | 0:50:56 | |
This is the real deal and it's so formal here | 0:50:56 | 0:50:59 | |
and the women are all putting their hair in rollers and their lipstick... | 0:50:59 | 0:51:04 | |
I see now why they've gone to such an effort because it's so formal. | 0:51:04 | 0:51:08 | |
The uniforms and the table covered in silverware. It's just astonishing. | 0:51:08 | 0:51:13 | |
Ooh! | 0:51:15 | 0:51:16 | |
Pretty nervous. I feel like it's a responsibility... | 0:51:23 | 0:51:28 | |
..because they needed a voice and this is about giving them | 0:51:30 | 0:51:33 | |
that voice right now in front of these guys. | 0:51:33 | 0:51:37 | |
Ladies, just gather a bit closer. | 0:51:38 | 0:51:41 | |
May I say, you are the most beautiful choir in the UK at this time. | 0:51:41 | 0:51:45 | |
-All: -Awwwww. | 0:51:45 | 0:51:47 | |
Try and hold it together. | 0:51:47 | 0:51:49 | |
Focus on all the things we've done in rehearsal. | 0:51:49 | 0:51:51 | |
The posture, the breathing, the singing... | 0:51:51 | 0:51:55 | |
THEY LAUGH | 0:51:55 | 0:51:57 | |
Stay strong, be really positive | 0:51:57 | 0:51:59 | |
and just sing your socks off. Good luck. | 0:51:59 | 0:52:03 | |
-Ready? -Yes. -Good. | 0:52:03 | 0:52:06 | |
General, ladies and gentlemen, can I introduce, please, | 0:52:06 | 0:52:09 | |
Gareth Malone and the Military Wives Choir. | 0:52:09 | 0:52:12 | |
General, ladies and gentlemen, we are going to sing a small selection | 0:52:30 | 0:52:35 | |
starting with a piece of plainsong from 1263. | 0:52:35 | 0:52:39 | |
Can I say, congratulations on your achievements and it's a real honour to be here as part of this. | 0:52:39 | 0:52:45 | |
I know this is a very important dinner for you, so thank you very much for having us this evening. | 0:52:45 | 0:52:50 | |
# Pange lingua | 0:53:01 | 0:53:04 | |
# Gloriosi | 0:53:04 | 0:53:07 | |
# Corporis | 0:53:07 | 0:53:09 | |
# Mysterium | 0:53:09 | 0:53:13 | |
# Sanguinisque pretiosi | 0:53:13 | 0:53:17 | |
# Quem in mundi pretium | 0:53:17 | 0:53:21 | |
# Fructus ventris generosi | 0:53:21 | 0:53:27 | |
# Rex effudit gentium | 0:53:27 | 0:53:33 | |
-CHOIR SINGS: -# Nobis datus | 0:53:33 | 0:53:37 | |
# Nobis natus | 0:53:37 | 0:53:40 | |
# Ex intacta virgine | 0:53:40 | 0:53:46 | |
# Et in mundo conversatus | 0:53:46 | 0:53:53 | |
# Miro clausit ordine. # | 0:53:53 | 0:54:00 | |
APPLAUSE | 0:54:01 | 0:54:06 | |
There is a slight ulterior motive to coming here tonight, | 0:54:10 | 0:54:15 | |
which is to persuade you, the military in general, | 0:54:15 | 0:54:19 | |
of the importance of singing, and hopefully I would love to see | 0:54:19 | 0:54:24 | |
choirs like this continuing and springing up long into the future. I think there is a great need for it. | 0:54:24 | 0:54:30 | |
In order to start to spread this a little further, | 0:54:30 | 0:54:34 | |
I went to Plymouth to create the second part of this growing choir | 0:54:34 | 0:54:40 | |
so I'm delighted now to invite the women | 0:54:40 | 0:54:43 | |
of the Plymouth Military Wives Choir to come and join us. Here they come. | 0:54:43 | 0:54:47 | |
APPLAUSE | 0:54:47 | 0:54:51 | |
One, two, one, two, three, four. | 0:54:54 | 0:54:56 | |
PIANO STARTS UP | 0:54:56 | 0:54:59 | |
# He was a famous trumpet man from out Chicago way | 0:55:01 | 0:55:05 | |
# He had a boogie style that no-one else could play | 0:55:05 | 0:55:07 | |
# He was the top man of his craft | 0:55:07 | 0:55:10 | |
# But then his number came up | 0:55:10 | 0:55:11 | |
# And he was gone with the draft | 0:55:11 | 0:55:13 | |
# He's in the army now, he's blowing reveille | 0:55:13 | 0:55:15 | |
# He's the boogie woogie bugle boy of company B | 0:55:15 | 0:55:18 | |
# They made him blow a bugle For his Uncle Sam | 0:55:18 | 0:55:21 | |
# It really brought him down because he couldn't jam | 0:55:21 | 0:55:24 | |
# The captain seemed to understand | 0:55:24 | 0:55:27 | |
# Because the next day the cap' went out and drafted a band | 0:55:27 | 0:55:30 | |
# And now the company jumps when he plays reveille | 0:55:30 | 0:55:33 | |
# He's the boogie woogie bugle boy of Company B | 0:55:33 | 0:55:37 | |
# Toot toot he blows it eight to the bar | 0:55:37 | 0:55:40 | |
# He can't play a note | 0:55:40 | 0:55:42 | |
# If the bass and guitar isn't with him | 0:55:42 | 0:55:45 | |
# He makes the company jump when he plays reveille | 0:55:45 | 0:55:49 | |
# He's the boogie woogie bugle boy of company B. # | 0:55:49 | 0:55:53 | |
APPLAUSE AND WHISTLING | 0:55:53 | 0:55:59 | |
That was the first time I've seen a military wives' choir and they were amazing. | 0:56:08 | 0:56:13 | |
I think we've got a genuine respect for what they do. | 0:56:13 | 0:56:17 | |
They take a lot on while the lads are away so it's really nice to see. | 0:56:17 | 0:56:20 | |
The girlfriends and wives are the real unsung heroes when we go away. | 0:56:20 | 0:56:23 | |
They're the strength behind us. They keep us doing what we do. | 0:56:23 | 0:56:27 | |
Inspirational. Really, really inspirational. | 0:56:27 | 0:56:30 | |
The fact that when they're singing, they're pretty emotional about it | 0:56:30 | 0:56:33 | |
proves to those of us who've been away and not really understood | 0:56:33 | 0:56:37 | |
what it's like to be left behind, it brings it home, really. | 0:56:37 | 0:56:41 | |
Was that a good reaction? | 0:56:41 | 0:56:43 | |
I've not seen it before, so it must have been pretty good. | 0:56:43 | 0:56:46 | |
So you hit the spot. | 0:56:46 | 0:56:48 | |
CHEERING | 0:56:48 | 0:56:51 | |
Ladies, that was absolutely fantastic, absolutely great. | 0:56:51 | 0:56:54 | |
It sounded really accomplished. It had gravitas, grandeur and it had a great dose of fun at the end. | 0:56:54 | 0:56:59 | |
It was brilliant. Really well done. Great job. Sandhurst accomplished! | 0:56:59 | 0:57:04 | |
CHEERING | 0:57:04 | 0:57:07 | |
I tell you what, that was awesome. | 0:57:08 | 0:57:10 | |
To stand there and see all the lads... | 0:57:10 | 0:57:15 | |
I can't even describe the feeling. | 0:57:15 | 0:57:17 | |
-Very proud. -I'm proud of you. -I'm proud of you! | 0:57:17 | 0:57:20 | |
We showed what we're made of, you know. We're strong, | 0:57:20 | 0:57:24 | |
we're gutsy and we like a challenge. | 0:57:24 | 0:57:27 | |
Oh, man, I feel so good now. I want to go back and do it again. | 0:57:27 | 0:57:32 | |
It was amazing. | 0:57:32 | 0:57:34 | |
I feel so much more confident now and I can just take on anything. | 0:57:34 | 0:57:37 | |
I feel really good. | 0:57:37 | 0:57:39 | |
I'm really proud of them. | 0:57:47 | 0:57:49 | |
It was really good. | 0:57:49 | 0:57:52 | |
Scariest gig of my life. | 0:57:53 | 0:57:56 | |
Next time... After six long months of waiting for their loved ones, | 0:58:00 | 0:58:04 | |
the men finally return home from Afghanistan. | 0:58:04 | 0:58:08 | |
Daddy! | 0:58:08 | 0:58:09 | |
It's like Christmas morning as a kid, that kind of feeling. | 0:58:09 | 0:58:15 | |
In a grand finale, Gareth's choir will perform at the Royal Albert Hall | 0:58:15 | 0:58:19 | |
in the Royal British Legion's Festival of Remembrance. | 0:58:19 | 0:58:22 | |
I want this to be the best thing you've ever done, a very proud moment. | 0:58:22 | 0:58:26 | |
It's so exciting. I can't put into words. It's such a shock. | 0:58:26 | 0:58:30 | |
E-mail [email protected] | 0:58:40 | 0:58:44 | |
Subtitles by Red Bee Media Ltd | 0:58:44 | 0:58:48 |