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Choirmaster Gareth Malone | 0:00:02 | 0:00:04 | |
believes that music can change the toughest of lives. | 0:00:04 | 0:00:08 | |
I know that music can bring people together | 0:00:08 | 0:00:11 | |
under really extraordinary circumstances. | 0:00:11 | 0:00:13 | |
He's spent five months at two bases in Devon, | 0:00:13 | 0:00:16 | |
leading a choir of military wives | 0:00:16 | 0:00:19 | |
while their husbands are away fighting in Afghanistan. | 0:00:19 | 0:00:23 | |
If I let my guard down, let the emotion come out, | 0:00:23 | 0:00:25 | |
I would be crying the whole day. | 0:00:25 | 0:00:27 | |
Let's turn on the pizzazz right now. | 0:00:27 | 0:00:29 | |
With the men soon coming home, Gareth has just eight weeks | 0:00:29 | 0:00:33 | |
to prepare his choir for the performance of a lifetime. | 0:00:33 | 0:00:37 | |
This is it, the Albert Hall. | 0:00:37 | 0:00:41 | |
I'm sorry for getting you into this, | 0:00:41 | 0:00:44 | |
but listen, we're up to our necks in it now. | 0:00:44 | 0:00:46 | |
Hip hip! CROWD: Hooray! | 0:00:46 | 0:00:48 | |
I'm petrified. | 0:00:48 | 0:00:49 | |
Butterflies, I can hear the music. It's happening. | 0:00:49 | 0:00:52 | |
It all comes down to this. | 0:00:52 | 0:00:53 | |
It's late summer | 0:01:04 | 0:01:07 | |
and for the women of the RMB Chivenor Military Wives Choir, | 0:01:07 | 0:01:10 | |
there are still two months before their husbands come home. | 0:01:10 | 0:01:15 | |
Stand up, please. | 0:01:15 | 0:01:16 | |
WOMEN SING | 0:01:17 | 0:01:20 | |
Good, well done. | 0:01:31 | 0:01:33 | |
Simple. | 0:01:34 | 0:01:35 | |
'It's really moving to hear how far they've come for me, | 0:01:38 | 0:01:41 | |
'because they're investing so much energy in this | 0:01:41 | 0:01:43 | |
'and there's emotion in their singing now.' | 0:01:43 | 0:01:46 | |
Well done, absolutely astonishing. | 0:01:53 | 0:01:56 | |
'It's a very emotional time for them.' | 0:01:56 | 0:01:59 | |
We can see the end but there's still a long way to go. | 0:01:59 | 0:02:02 | |
For many of the choir members, | 0:02:02 | 0:02:04 | |
this final stretch before the men come home is the longest. | 0:02:04 | 0:02:09 | |
You're frustrated because you want them home now. | 0:02:09 | 0:02:11 | |
It's like that last bit of your pregnancy when you're miserable | 0:02:11 | 0:02:14 | |
and you want the baby to come and that's what it's like. | 0:02:14 | 0:02:17 | |
I don't even know what I'm going to say to him. | 0:02:18 | 0:02:21 | |
Probably just how much I love him. | 0:02:21 | 0:02:24 | |
Tired now, bored, we need Daddy now. | 0:02:25 | 0:02:29 | |
The girls, they've done really well, they have. | 0:02:29 | 0:02:34 | |
We've had our moments, like every family going through this. | 0:02:34 | 0:02:40 | |
It's the uncertainty. | 0:02:42 | 0:02:44 | |
It's so hard to go through this kind of thing | 0:02:44 | 0:02:47 | |
when you have no control over the situation. | 0:02:47 | 0:02:50 | |
You can't relax until they're on that plane, | 0:02:50 | 0:02:52 | |
till you know they've left that country. | 0:02:52 | 0:02:54 | |
To get the women through this last stage, | 0:03:04 | 0:03:06 | |
Gareth has pulled out all the stops. | 0:03:06 | 0:03:09 | |
It's announcement time. This is quite a big announcement. | 0:03:09 | 0:03:13 | |
It goes to the very heart of why I'm here. | 0:03:13 | 0:03:17 | |
You need to keep Saturday 12th November free, | 0:03:17 | 0:03:21 | |
because you're going, and it gives me huge excitement to tell you, | 0:03:21 | 0:03:25 | |
we're going to perform at the Festival of Remembrance. | 0:03:25 | 0:03:30 | |
It's at the Royal Albert Hall. | 0:03:30 | 0:03:33 | |
More than that, it's live on BBC One. | 0:03:33 | 0:03:37 | |
More than that... | 0:03:38 | 0:03:39 | |
Take That are coming. | 0:03:39 | 0:03:42 | |
It's not Take That. | 0:03:42 | 0:03:44 | |
It's in front of the Royal Family. | 0:03:45 | 0:03:47 | |
This is as big as it gets. | 0:03:50 | 0:03:53 | |
The guys will be back and we'll be able to celebrate, remember, | 0:03:53 | 0:03:57 | |
it's an entirely appropriate platform for us. | 0:03:57 | 0:03:59 | |
It could be tough but it's going to be brilliant to do. | 0:03:59 | 0:04:02 | |
I want this to be the best thing you've ever done. | 0:04:02 | 0:04:05 | |
It would be a very, very proud moment. | 0:04:05 | 0:04:07 | |
So we're going to have to work hard. | 0:04:07 | 0:04:09 | |
-Everybody happy with that? -ALL: Yes. | 0:04:09 | 0:04:11 | |
I'm done. Over and out. Well done, very good rehearsal. | 0:04:11 | 0:04:14 | |
It's so exciting, I can't put it into words, and such a shock. | 0:04:17 | 0:04:22 | |
I'm not a crier but it brought tears to my eyes! | 0:04:22 | 0:04:26 | |
I think a lot of us are quite emotional about it | 0:04:26 | 0:04:28 | |
cos it means so much and it's such a personal thing to us... | 0:04:28 | 0:04:33 | |
Sorry! | 0:04:33 | 0:04:35 | |
It's quite gobsmacking. | 0:04:35 | 0:04:36 | |
You don't know what to say cos it's such a privilege and an honour. | 0:04:36 | 0:04:40 | |
I've said, "This is the biggest thing I've ever done" so many times, | 0:04:40 | 0:04:43 | |
but this is the biggest thing I've ever done in my life. | 0:04:43 | 0:04:46 | |
This is absolutely huge. | 0:04:46 | 0:04:48 | |
It's of national importance and national significance. | 0:04:48 | 0:04:51 | |
Nothing else I've done has felt like that. | 0:04:51 | 0:04:53 | |
In terms of getting their message across and getting them understood, | 0:04:53 | 0:04:57 | |
I can't think of anything better. | 0:04:57 | 0:04:59 | |
For Gareth, it's essential to have the right piece | 0:05:07 | 0:05:09 | |
for the Royal Albert Hall. | 0:05:09 | 0:05:11 | |
He's decided he wants to have something specially composed. | 0:05:11 | 0:05:15 | |
I'm going to see Paul Mealor, who's a really wonderful composer. | 0:05:15 | 0:05:18 | |
He composed one of the stand-out pieces | 0:05:18 | 0:05:20 | |
from Kate and William's Royal Wedding recently. | 0:05:20 | 0:05:23 | |
He's prepared to write something for the women, for the Royal Albert Hall, | 0:05:23 | 0:05:27 | |
which is really exciting. | 0:05:27 | 0:05:29 | |
It's working out what he's going to write and how it's going to work. | 0:05:29 | 0:05:34 | |
-Hello Paul. -Hi, how are you, Gareth? -Very well, how are you? | 0:05:34 | 0:05:38 | |
I'm all right, welcome. | 0:05:38 | 0:05:39 | |
The reason I contacted you | 0:05:39 | 0:05:42 | |
was because I couldn't find the right piece | 0:05:42 | 0:05:44 | |
that really speaks about their courage and their strength | 0:05:44 | 0:05:47 | |
and vulnerability and gets to nub of them. | 0:05:47 | 0:05:50 | |
It's trying to find that line | 0:05:50 | 0:05:51 | |
between something that's moving and does speak and is about remembrance | 0:05:51 | 0:05:55 | |
but also about celebration. They have something to celebrate. | 0:05:55 | 0:05:58 | |
At this point, touching wood, their husbands should be home | 0:05:58 | 0:06:01 | |
so it's a bit more major key than minor key, perhaps. | 0:06:01 | 0:06:05 | |
I can do major key. | 0:06:05 | 0:06:06 | |
You can do major key? Good. That's great. | 0:06:06 | 0:06:08 | |
You're the easiest composer to work with that I've ever met. | 0:06:08 | 0:06:11 | |
I wondered about getting letters | 0:06:11 | 0:06:15 | |
because they all write a lot of letters. | 0:06:15 | 0:06:17 | |
I've never done it before. | 0:06:17 | 0:06:20 | |
They may write poetry themselves, they may write lyrics. | 0:06:20 | 0:06:23 | |
Ask them. | 0:06:23 | 0:06:25 | |
Thank you very much. I'll be in touch with some text. | 0:06:25 | 0:06:29 | |
I'm seriously excited about this. It's brilliant. | 0:06:29 | 0:06:31 | |
It's every choir masters dream to have somebody right stuff for you. | 0:06:31 | 0:06:35 | |
The news has spread that Gareth needs letters for the song. | 0:06:37 | 0:06:41 | |
Catherine is married to Sergeant Andrew Catchpole | 0:06:43 | 0:06:47 | |
who's currently in Afghanistan on his third tour of duty. | 0:06:47 | 0:06:50 | |
The couple have been married for 10 years | 0:06:50 | 0:06:52 | |
and have a five-year old son, Freddie. | 0:06:52 | 0:06:54 | |
We always have our own little things. | 0:06:54 | 0:06:56 | |
He'll always put a kiss on the back and I'll always do three. | 0:06:56 | 0:07:01 | |
A big one and two little ones. | 0:07:01 | 0:07:03 | |
They're old fashioned now but the same as the perfume, | 0:07:03 | 0:07:06 | |
I'll put perfume on the letters and parcels and put lipstick on. | 0:07:06 | 0:07:09 | |
I'll kiss the back. | 0:07:09 | 0:07:10 | |
A million more kisses, the longer the time goes, | 0:07:10 | 0:07:13 | |
the kisses get longer at the end of the letter. | 0:07:13 | 0:07:16 | |
At the Royal Albert Hall... | 0:07:16 | 0:07:19 | |
it's going to be... | 0:07:19 | 0:07:21 | |
really... Yeah, mind-blowing is the only word I can think of. | 0:07:21 | 0:07:25 | |
Anyone hearing it would hopefully | 0:07:25 | 0:07:28 | |
get a snippet of a window of our life. | 0:07:28 | 0:07:31 | |
We're the other half to them. | 0:07:31 | 0:07:33 | |
That's what he says, "I couldn't do this without you." | 0:07:33 | 0:07:35 | |
I want to make him proud by something we're achieving | 0:07:35 | 0:07:38 | |
cos he's achieving that. | 0:07:38 | 0:07:40 | |
Yeah, I hope we smash it. | 0:07:40 | 0:07:42 | |
"Miss you, today, tomorrow and always. | 0:07:44 | 0:07:47 | |
"I miss you with each passing second and I count every single one | 0:07:47 | 0:07:50 | |
"knowing that as each one passes me by, | 0:07:50 | 0:07:53 | |
"it brings me another second closer to you. I love you more." | 0:07:53 | 0:07:57 | |
Any others? | 0:07:59 | 0:08:01 | |
-I don't want to read mine out. -You can't read it out? | 0:08:01 | 0:08:04 | |
"Keep my heart safe, my love, for I send it away with you. | 0:08:04 | 0:08:07 | |
"Hold it close and now I'm with you always." | 0:08:07 | 0:08:09 | |
Thank you very much. | 0:08:09 | 0:08:11 | |
"There are no goodbyes for us. | 0:08:12 | 0:08:14 | |
"Wherever you are, you're always in my heart." | 0:08:14 | 0:08:16 | |
It's on my bracelet my husband got me for my birthday. | 0:08:16 | 0:08:19 | |
That's lovely. Great. Thank you. | 0:08:19 | 0:08:21 | |
The letters that the women have given me are so personal | 0:08:24 | 0:08:27 | |
and I've given them to Paul Mealor to make something out of. | 0:08:27 | 0:08:30 | |
It's very exciting waiting for him to write a composition. | 0:08:30 | 0:08:34 | |
It's all becoming very real and very immediate | 0:08:34 | 0:08:37 | |
because the guys are coming home now. | 0:08:37 | 0:08:39 | |
Six months they've been away and in just a matter of weeks, | 0:08:39 | 0:08:42 | |
they'll be parading through these streets. | 0:08:42 | 0:08:45 | |
There's going to be a huge celebratory homecoming parade | 0:08:45 | 0:08:47 | |
with flags and everyone cheering | 0:08:47 | 0:08:49 | |
and that's where I think our next performance should be. | 0:08:49 | 0:08:52 | |
That's a perfect build up to the Royal Albert Hall. | 0:08:52 | 0:08:55 | |
So, the men are coming home very shortly | 0:08:58 | 0:09:00 | |
and I can now reveal, | 0:09:00 | 0:09:02 | |
that we are going to be singing at the homecoming parade. | 0:09:02 | 0:09:05 | |
No song is ever going to quite do justice to the fact | 0:09:09 | 0:09:12 | |
that your men have been away for all this time | 0:09:12 | 0:09:15 | |
and you've shown amazing resilience through all of that. | 0:09:15 | 0:09:18 | |
I've come up with what I think is a really good solution | 0:09:18 | 0:09:21 | |
although it's not an obvious choral classic. | 0:09:21 | 0:09:24 | |
It is, I Want To Dance With Somebody by Whitney Houston. | 0:09:24 | 0:09:29 | |
Is that good? Oh, good. Shall we try it? | 0:09:29 | 0:09:33 | |
I want this to be a bit all singing, all dancing. | 0:09:34 | 0:09:37 | |
A bit of a show number. We've not got long to put it on. | 0:09:37 | 0:09:39 | |
# Do do do do do do ah. # | 0:09:39 | 0:09:41 | |
Can you sing that for three, and one. | 0:09:41 | 0:09:44 | |
# Do do do do do do ah. # | 0:09:44 | 0:09:46 | |
Let's have it for the second. | 0:09:46 | 0:09:48 | |
# Do do do do do do ah. | 0:09:48 | 0:09:51 | |
# Do do do do do do ah. # | 0:09:51 | 0:09:54 | |
Great, that's a good sound. Can we spring off? | 0:09:54 | 0:09:57 | |
# Do do do do do do ah. # | 0:09:57 | 0:09:58 | |
Two, three and one. | 0:09:58 | 0:10:00 | |
# Do do do do do do ah. # | 0:10:00 | 0:10:01 | |
OK, if you think that bit's difficult, let's just look at the next bit. | 0:10:01 | 0:10:05 | |
LAUGHTER | 0:10:05 | 0:10:07 | |
So... | 0:10:07 | 0:10:08 | |
HE SINGS TUNE | 0:10:08 | 0:10:11 | |
# Da-da-da, ah. # | 0:10:14 | 0:10:17 | |
Second part, you're on the offbeat. | 0:10:17 | 0:10:20 | |
Now, the complexity is, that it goes... | 0:10:20 | 0:10:22 | |
HE SINGS TUNE | 0:10:22 | 0:10:23 | |
Like that. | 0:10:23 | 0:10:24 | |
Are you excited? | 0:10:24 | 0:10:26 | |
They're excited, you're not so! | 0:10:26 | 0:10:28 | |
2, 3, and 1. | 0:10:28 | 0:10:30 | |
THEY SING | 0:10:30 | 0:10:33 | |
# Da, da, da, da, da... | 0:10:33 | 0:10:35 | |
# Da, da, da, da, da... # | 0:10:35 | 0:10:37 | |
No! | 0:10:37 | 0:10:38 | |
THEY LAUGH | 0:10:38 | 0:10:41 | |
There's a sort of universal symbol of choral failure, | 0:10:43 | 0:10:46 | |
which is when you just go... | 0:10:46 | 0:10:49 | |
LAUGHTER | 0:10:49 | 0:10:51 | |
Every choir does it. "I can't sing this! You're a lunatic!" | 0:10:51 | 0:10:56 | |
You can! You can. | 0:10:56 | 0:10:59 | |
All right, I know you have to go and pick up your kids, so let's call it a day. | 0:10:59 | 0:11:03 | |
This is what we've been doing it for, for them, to keep them happy, | 0:11:03 | 0:11:08 | |
they know that we're happy - "Here we go, this is what we've done. | 0:11:08 | 0:11:12 | |
"What do you think?" | 0:11:12 | 0:11:14 | |
When they are marching down the streets or around camp, | 0:11:14 | 0:11:16 | |
we have that lump in our throat, | 0:11:16 | 0:11:19 | |
and it would be nice to switch it a little bit, them to have a lump in their throat and feel proud of us. | 0:11:19 | 0:11:24 | |
They're really keen. They're really excited about the homecoming parade, and so am I, | 0:11:24 | 0:11:28 | |
I think it's really good. It's the right place for us to perform, and it's what this is all about. | 0:11:28 | 0:11:34 | |
Now they're coming home, it feels right to sing, and to sing something celebratory. | 0:11:34 | 0:11:38 | |
It's not only the wives who have been missing the men during the six-month tour to Afghanistan. | 0:11:40 | 0:11:44 | |
The dads being away affects the entire family, | 0:11:46 | 0:11:49 | |
it's not just the mums, it's the kids as well. And I can't leave them out of this. | 0:11:49 | 0:11:53 | |
This is the school where a lot of the military children go to. | 0:11:53 | 0:11:56 | |
Hello. Hi, could I see Miss Gillett? | 0:11:57 | 0:12:01 | |
This is where the youngest children are. | 0:12:04 | 0:12:06 | |
What percentage would you say are from a military background? | 0:12:06 | 0:12:09 | |
We've got 40% at the moment. | 0:12:09 | 0:12:11 | |
-Hello! -Is your daddy... where is he? | 0:12:11 | 0:12:15 | |
-In "Afsghanidan". -Is he? Afghanistan! | 0:12:15 | 0:12:18 | |
The 4-year-olds are incredible, | 0:12:18 | 0:12:21 | |
and they're coming to us with specific questions or comments about the importance, | 0:12:21 | 0:12:28 | |
not making Mummy feel sad, and making sure that they are brave, | 0:12:28 | 0:12:33 | |
and making sure that they help out around the house. | 0:12:33 | 0:12:35 | |
Put your hand up if your Daddy's away at the moment. | 0:12:35 | 0:12:39 | |
-That's quite a lot of you. -That's right. | 0:12:39 | 0:12:41 | |
'They're hearing things on the news about soldiers being shot,' | 0:12:41 | 0:12:44 | |
and not being identified, and that's quite scary. Even the young ones pick up on it. | 0:12:44 | 0:12:49 | |
How many people have heard from their family this week, | 0:12:49 | 0:12:53 | |
if you've got someone in Afghanistan? | 0:12:53 | 0:12:55 | |
-CJ. -I heard said Dad had his birthday in Afghanistan a week ago. | 0:12:55 | 0:13:01 | |
-What did you send him? -Um... | 0:13:01 | 0:13:03 | |
I sent him some sweets, and a mug, | 0:13:03 | 0:13:06 | |
saying "You're the best dad in the world." | 0:13:06 | 0:13:09 | |
Aw! | 0:13:09 | 0:13:11 | |
10-year-old CJ lives with his mum, Danni. | 0:13:11 | 0:13:14 | |
His dad is a vehicle repair engineer | 0:13:14 | 0:13:17 | |
and has been in Afghanistan for the past five months. | 0:13:17 | 0:13:19 | |
This one is of my dad, I think when he was in Afghanistan two years ago. | 0:13:21 | 0:13:27 | |
And he was, like, helping. | 0:13:27 | 0:13:28 | |
My dad's been away four times, so I'm quite used to it, | 0:13:28 | 0:13:33 | |
but my mum still cries when he goes away. | 0:13:33 | 0:13:36 | |
The first time Dad went out, it was really slow, it just kept on going. | 0:13:38 | 0:13:43 | |
Sometimes when I think at night, | 0:13:43 | 0:13:45 | |
I don't think Dad's going to make it back, but then he does, | 0:13:45 | 0:13:49 | |
he actually gets back and when he does get back, it's really exciting. | 0:13:49 | 0:13:54 | |
I think for the children it's possibly even more difficult than it is for the women, | 0:14:02 | 0:14:07 | |
because that's six months of their lives, | 0:14:07 | 0:14:09 | |
and I want them to be there at the end, I want them there for the homecoming parade, | 0:14:09 | 0:14:14 | |
and I think that'll mean a lot to them, they'll want to do that. | 0:14:14 | 0:14:18 | |
Gareth organises a rehearsal for the children. | 0:14:18 | 0:14:21 | |
Hello. | 0:14:21 | 0:14:22 | |
-CHILDREN: -Hello. | 0:14:22 | 0:14:24 | |
Hi. Very good to see you all. | 0:14:24 | 0:14:26 | |
I would like for you to come and sing to the dads | 0:14:26 | 0:14:32 | |
-as part of the homecoming parade, would you like that? -Yeah! | 0:14:32 | 0:14:36 | |
And I'd like you to sing with the mum's choir, I'd like you to stand alongside them and sing. | 0:14:36 | 0:14:41 | |
You've got the coolest bit of the whole song. We go... | 0:14:41 | 0:14:46 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:14:46 | 0:14:50 | |
-Don't you wanna dance. -Don't you wanna dance. | 0:14:50 | 0:14:53 | |
-Say you wanna dance. -Say you wanna dance. | 0:14:53 | 0:14:55 | |
-Don't you wanna dance. -Don't you wanna dance. | 0:14:55 | 0:14:58 | |
HE SINGS HIGH NOTE | 0:14:58 | 0:14:59 | |
# Can you sing that for me? Laaa... # | 0:14:59 | 0:15:02 | |
# Laaaa. | 0:15:02 | 0:15:04 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:15:04 | 0:15:08 | |
Three, go. | 0:15:08 | 0:15:09 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:15:09 | 0:15:13 | |
But what I don't want is... HE SINGS FEEBLY | 0:15:13 | 0:15:15 | |
(LOUDLY) # Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:15:15 | 0:15:20 | |
Fun and funky and really upbeat. | 0:15:20 | 0:15:22 | |
Two, three, and. | 0:15:22 | 0:15:23 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:15:23 | 0:15:27 | |
What's your name with the glasses there? | 0:15:27 | 0:15:30 | |
Pardon? Erin. | 0:15:30 | 0:15:32 | |
I could hear your voice all the way over here. | 0:15:32 | 0:15:35 | |
It sounded really good, really good sound from Erin there. | 0:15:35 | 0:15:38 | |
Let's all put that amount of effort in. Really go for it. | 0:15:38 | 0:15:41 | |
Two, three, and. | 0:15:41 | 0:15:43 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:15:43 | 0:15:47 | |
-# Don't you wanna dance Say you wanna dance Don't you wanna dance. -# | 0:15:47 | 0:15:52 | |
# With somebody who loves me | 0:15:52 | 0:15:55 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance | 0:15:55 | 0:15:59 | |
# Do do do do. # | 0:15:59 | 0:16:02 | |
It's going to be a little bit nervous, but I'll be very brave, | 0:16:05 | 0:16:09 | |
and I'll tell my dad before we start, "You rock." | 0:16:09 | 0:16:13 | |
It'll be a good surprise as well, because they won't really expect it. | 0:16:13 | 0:16:18 | |
I really enjoyed that, it was really fun. | 0:16:18 | 0:16:20 | |
It doesn't need to be the greatest quality singing, it's for their dads, it's going to be a lovely event. | 0:16:20 | 0:16:26 | |
It's September. | 0:16:30 | 0:16:31 | |
The homecoming dates are getting closer. | 0:16:31 | 0:16:34 | |
We're counting down the days | 0:16:34 | 0:16:37 | |
and there's seven more days, so it's a week, | 0:16:37 | 0:16:42 | |
and we're just so excited and can't wait. | 0:16:42 | 0:16:45 | |
We're all like little hens, we're all preparing, | 0:16:45 | 0:16:49 | |
tidying up, cleaning, cutting the grass, it's like a nesting thing! | 0:16:49 | 0:16:53 | |
With most of the men now due back in less than a week, | 0:16:57 | 0:17:01 | |
Gareth turns on the pressure. | 0:17:01 | 0:17:03 | |
# Yeah I wanna dance with somebody. # | 0:17:03 | 0:17:07 | |
Good, can you spit it out, ladies, it's marked "forte". | 0:17:07 | 0:17:11 | |
Two, three, and one. | 0:17:11 | 0:17:13 | |
-But the Whitney song is proving difficult to master. -Two, three, and. | 0:17:13 | 0:17:18 | |
# Yeah I wanna dance with somebody. # | 0:17:18 | 0:17:21 | |
I think on the word "dance" I heard somebody go up, or am I hearing things now? | 0:17:21 | 0:17:26 | |
Was it Hayley? | 0:17:26 | 0:17:27 | |
-I've got no clue. -Got no clue! Course you have! | 0:17:27 | 0:17:30 | |
Gareth crams in the rehearsals. | 0:17:32 | 0:17:35 | |
Here we go. Two, three, and one. | 0:17:35 | 0:17:37 | |
THEY SING | 0:17:37 | 0:17:39 | |
No, you've got to wait for them to do their first thing, that's all I can say. | 0:17:39 | 0:17:44 | |
THEY SING | 0:17:44 | 0:17:48 | |
No, you wait and then come straight in. | 0:17:48 | 0:17:50 | |
The progress is slow. | 0:17:50 | 0:17:52 | |
And one. | 0:17:52 | 0:17:53 | |
THEY SING | 0:17:53 | 0:17:58 | |
Yeah, yeah, you were right, you just stopped. | 0:18:01 | 0:18:04 | |
No, you were right, you were right. | 0:18:05 | 0:18:09 | |
THEY SING | 0:18:09 | 0:18:12 | |
THEY CLAP THEIR HANDS | 0:18:12 | 0:18:13 | |
OK, right. | 0:18:13 | 0:18:14 | |
Let's turn on the pizzazz right now. One, two, three and one. | 0:18:14 | 0:18:18 | |
THEY SING | 0:18:18 | 0:18:20 | |
No, that is not pizzazz! | 0:18:20 | 0:18:22 | |
# Ah. | 0:18:22 | 0:18:23 | |
# Ah. # | 0:18:23 | 0:18:24 | |
Which do you prefer? | 0:18:24 | 0:18:25 | |
Effort, effort, effort, commitment, commitment, commitment. | 0:18:25 | 0:18:29 | |
There are some very awkward moments. | 0:18:31 | 0:18:33 | |
Not impressed! | 0:18:33 | 0:18:36 | |
Hey ho, keep smiling, I know. | 0:18:36 | 0:18:38 | |
That was hard. | 0:18:38 | 0:18:40 | |
I'm kicking myself, | 0:18:40 | 0:18:42 | |
it's making me really angry with myself, | 0:18:42 | 0:18:45 | |
just trying to get it right. | 0:18:45 | 0:18:47 | |
There's quite a lot of stress. We're going to do an extra rehearsal. | 0:19:02 | 0:19:06 | |
So how are we all feeling? | 0:19:06 | 0:19:08 | |
-Unprepared. -Unprepared? -Massively. | 0:19:08 | 0:19:11 | |
OK. Well, let's have an emergency rehearsal. | 0:19:11 | 0:19:14 | |
I think that might be useful. Two, three, four. | 0:19:14 | 0:19:19 | |
# But when the night falls Loneliness calls... # | 0:19:19 | 0:19:24 | |
And one. | 0:19:24 | 0:19:25 | |
# Oh, I want to dance with somebody... # | 0:19:25 | 0:19:28 | |
Who's playing the tambourine? | 0:19:28 | 0:19:30 | |
You weren't in time! | 0:19:30 | 0:19:32 | |
That's it. One, two, three, and... | 0:19:32 | 0:19:35 | |
# I've been in love and lost my senses | 0:19:35 | 0:19:39 | |
# Spinning through the town | 0:19:39 | 0:19:42 | |
# Do do-dee-do-dee-doo ahhh | 0:19:42 | 0:19:43 | |
-# Da-dah da-dah da-dah da-dah -Sooner or later the fever ends | 0:19:43 | 0:19:46 | |
-# Da-dah da-dah da-dah da-dah -And I wind up feeling down... # | 0:19:46 | 0:19:50 | |
Yeah, good, all right. That's great. Catherine, sing that on your own. | 0:19:50 | 0:19:54 | |
# I've been in love I've lost my senses. # | 0:19:54 | 0:19:56 | |
-Shall I do the line? -I've been in love and I've lost my senses. | 0:19:56 | 0:20:00 | |
Do the first verse, the clock strikes. One, two, three, and. | 0:20:00 | 0:20:04 | |
# Clock strikes upon the hour | 0:20:04 | 0:20:07 | |
# And the sun begins to fade. # | 0:20:07 | 0:20:10 | |
# Been in love, la-la-la-la-la... # | 0:20:10 | 0:20:15 | |
LAUGHTER AND APPLAUSE | 0:20:15 | 0:20:18 | |
All those who think Catherine ought to do that first verse as a solo? | 0:20:18 | 0:20:21 | |
CHEERING | 0:20:21 | 0:20:24 | |
It feels right. | 0:20:28 | 0:20:30 | |
Sorry, Catherine, it's just one of those moments where talent outs. | 0:20:30 | 0:20:33 | |
-Yeah, it just... -As does my blood pressure. | 0:20:33 | 0:20:36 | |
Listen, I am powerless to resist the charms of your voice. | 0:20:36 | 0:20:38 | |
It sounds great. Thank you very much, that's great. Good. | 0:20:38 | 0:20:42 | |
I just like the song, so there's me belting it out, you know, | 0:20:42 | 0:20:46 | |
enjoying it, not thinking that I can... No. Oh, well. I'll try! | 0:20:46 | 0:20:51 | |
I hope I don't croak it. My throat goes all tight when I panic. | 0:20:52 | 0:20:57 | |
Catherine is exactly the right person for that solo. | 0:20:59 | 0:21:02 | |
It's Whitney Houston, you need a voice like hers, somebody quite poppy. | 0:21:02 | 0:21:06 | |
And I think that voice will inspire everyone else to sing in the right way. | 0:21:06 | 0:21:10 | |
And I haven't found a place for her before, but this is it. | 0:21:10 | 0:21:14 | |
The majority of the men are now due back within the next few days. | 0:21:16 | 0:21:20 | |
But precise arrival times are not known. | 0:21:20 | 0:21:23 | |
Hayley has just heard from her husband Adrian | 0:21:26 | 0:21:29 | |
that he's reached the stopover base in Cyprus. | 0:21:29 | 0:21:31 | |
-Ooh! -Ooh! -He's been gone 28 weeks tomorrow. | 0:21:33 | 0:21:38 | |
So, yeah, that's our little chart there of... | 0:21:38 | 0:21:41 | |
of how long he's been gone. | 0:21:41 | 0:21:43 | |
We're in limbo at the moment because we're just... | 0:21:43 | 0:21:47 | |
I'm waiting for definite news of what time he'll be home. | 0:21:47 | 0:21:51 | |
-Try again, shall we? -Yeah. | 0:21:51 | 0:21:54 | |
I can't wait till he comes back, to start life again. | 0:21:54 | 0:21:56 | |
It's not until they're on the way home that you realise | 0:21:56 | 0:22:00 | |
you've been on pause for the last six months. | 0:22:00 | 0:22:02 | |
Sarah's heard that her husband David has now arrived in Britain. | 0:22:04 | 0:22:07 | |
I thought it'd be easier, cos it's not the first time he's been away. | 0:22:07 | 0:22:13 | |
But, I don't know, maybe the feelings get stronger. | 0:22:13 | 0:22:16 | |
I've just missed him immensely. | 0:22:16 | 0:22:19 | |
It's like, um, a really good excitement | 0:22:19 | 0:22:21 | |
but also a bit nervy, butterflies in your tummy. | 0:22:21 | 0:22:25 | |
Just general excitement, like Christmas morning as a kid. | 0:22:25 | 0:22:28 | |
It's that kind of feeling. | 0:22:28 | 0:22:30 | |
The blues is the weeks he's been away. | 0:22:31 | 0:22:35 | |
Today, Thursday, when he comes back, home will be written right there. | 0:22:35 | 0:22:40 | |
193...days. | 0:22:40 | 0:22:43 | |
Over the next few days, 250 Chivenor men | 0:22:49 | 0:22:54 | |
will return home from Afghanistan | 0:22:54 | 0:22:56 | |
to be reunited with their loved ones after a six month tour of duty. | 0:22:56 | 0:23:01 | |
Families and friends and children are through there. | 0:23:18 | 0:23:21 | |
Thank you, welcome back, you are now released. | 0:23:21 | 0:23:24 | |
Daddy! | 0:23:39 | 0:23:41 | |
Daddy! | 0:23:41 | 0:23:42 | |
Always good to be home. | 0:23:54 | 0:23:56 | |
Especially after a tour that's been this long. | 0:23:56 | 0:23:59 | |
It's probably the longest, hardest tour I've done. | 0:23:59 | 0:24:02 | |
So it's always good to get home. | 0:24:02 | 0:24:05 | |
Let's take Daddy home! | 0:24:08 | 0:24:10 | |
I was going to look through the book and see what there is. | 0:24:17 | 0:24:21 | |
We had a quite lucky, or successful tour if you put it that way. | 0:24:21 | 0:24:25 | |
As in, we had a few scrapes, | 0:24:25 | 0:24:28 | |
but I think that's about as close as we got. | 0:24:28 | 0:24:31 | |
'It's finished, and six months has gone.' | 0:24:31 | 0:24:34 | |
You wouldn't believe it, we've missed Easter, we've missed summer. | 0:24:34 | 0:24:37 | |
It is hard, it's hard to be separated from your family. | 0:24:37 | 0:24:42 | |
He's here now, and he's safe. And we can just get on with our life now. | 0:24:42 | 0:24:48 | |
Sometimes when I cuddle him | 0:24:49 | 0:24:51 | |
he squeezes me so hard, I can't breathe. | 0:24:51 | 0:24:54 | |
To make up for all the cuddles he's missed! | 0:24:55 | 0:24:58 | |
Every other conversation with Nicola was the choir. | 0:24:59 | 0:25:03 | |
It'd be really good to actually hear what the choir | 0:25:03 | 0:25:06 | |
has produced in six months. | 0:25:06 | 0:25:08 | |
I'm really looking forward to it. | 0:25:08 | 0:25:10 | |
It's the day of the homecoming parade. | 0:25:17 | 0:25:20 | |
Before they're officially released from their tour of duty | 0:25:21 | 0:25:26 | |
at the barracks, 250 men from 24 Commando Royal Engineer Regiment | 0:25:26 | 0:25:31 | |
march through the town centre. | 0:25:31 | 0:25:32 | |
This is a big day, you can feel the emotion in the air | 0:25:32 | 0:25:35 | |
and the significance of this. | 0:25:35 | 0:25:37 | |
The women are so proud to have their husbands home. It's really important. | 0:25:37 | 0:25:41 | |
It matters to the women, and the women matter to me. | 0:25:41 | 0:25:45 | |
For Chivenor, the celebrations are particularly special, | 0:25:47 | 0:25:51 | |
as all the men returned home from Afghanistan safely. | 0:25:51 | 0:25:55 | |
Fall out! | 0:25:55 | 0:25:56 | |
APPLAUSE | 0:26:01 | 0:26:04 | |
Ladies! Hello, hey. All right, it's show time. | 0:26:06 | 0:26:11 | |
-Is everyone feeling all right? ALL: -Yeah. | 0:26:11 | 0:26:14 | |
Where's Catherine Catchpole? | 0:26:14 | 0:26:16 | |
-Is she in the toilet? -No. -She's not here? -She might be out there. -Yeah. | 0:26:17 | 0:26:21 | |
Hello! Oh! Am I glad to see you! | 0:26:23 | 0:26:27 | |
Catherine, did you have a moment? | 0:26:29 | 0:26:31 | |
-I did. -Are you with us? Yes. Good, right. | 0:26:31 | 0:26:34 | |
Good afternoon, everyone. I just want to say one thing, welcome home. | 0:26:44 | 0:26:48 | |
This means a huge amount to us and I hope we make you proud today. | 0:26:48 | 0:26:52 | |
I'm delighted to present the children and the women of RMB Chivenor, | 0:26:52 | 0:26:58 | |
with soloist Catherine Catchpole, and the Royal Engineers band. | 0:26:58 | 0:27:01 | |
# The clock strikes upon the hour | 0:27:12 | 0:27:14 | |
# And the sun begins to fade | 0:27:14 | 0:27:18 | |
# Do-do-do-do-do do-ah | 0:27:18 | 0:27:20 | |
# Still enough time to figure out | 0:27:20 | 0:27:23 | |
# How to chase my blues away | 0:27:23 | 0:27:26 | |
# Ahh-ahh | 0:27:26 | 0:27:27 | |
# I've done all right up to now | 0:27:27 | 0:27:30 | |
# It's the light of day that shows me how | 0:27:30 | 0:27:34 | |
# But when the night falls | 0:27:34 | 0:27:38 | |
# Loneliness calls | 0:27:38 | 0:27:40 | |
# Oh, I wanna dance with somebody | 0:27:40 | 0:27:44 | |
# I wanna feel the heat with somebody | 0:27:44 | 0:27:48 | |
# Yeah, I wanna dance with somebody | 0:27:48 | 0:27:52 | |
# With somebody who loves me | 0:27:52 | 0:27:55 | |
-# Somebody who -Somebody who | 0:27:55 | 0:27:59 | |
-# Ahhh-ahhh -Somebody to love me | 0:27:59 | 0:28:01 | |
-# Somebody who, somebody who -Ahh-ah-ah-ah | 0:28:01 | 0:28:05 | |
-# Somebody who, somebody who -Ahh-ah-ah-ah | 0:28:05 | 0:28:08 | |
# Somebody to want me | 0:28:08 | 0:28:10 | |
# I've done all right up till now | 0:28:10 | 0:28:14 | |
# It's the light that shows me how | 0:28:14 | 0:28:17 | |
# When the night falls | 0:28:17 | 0:28:20 | |
# When the night falls | 0:28:20 | 0:28:22 | |
# When the night falls | 0:28:22 | 0:28:23 | |
# When the night falls | 0:28:23 | 0:28:26 | |
-# When the night falls -When the night falls | 0:28:26 | 0:28:29 | |
# Don't you wanna dance, say you wanna dance, don't you wanna dance | 0:28:29 | 0:28:32 | |
# Don't you wanna dance, say you wanna dance, don't you wanna dance | 0:28:32 | 0:28:36 | |
# Don't you wanna dance, say you wanna dance, don't you wanna dance | 0:28:36 | 0:28:41 | |
# With somebody who loves me | 0:28:41 | 0:28:45 | |
# Don't you wanna dance, say you wanna dance, don't you wanna dance | 0:28:45 | 0:28:48 | |
# Whooo! # | 0:28:48 | 0:28:50 | |
APPLAUSE | 0:28:50 | 0:28:53 | |
I thought she was absolutely fantastic. So proud of her. | 0:29:15 | 0:29:18 | |
I know she was getting really nervous before the start. | 0:29:18 | 0:29:21 | |
It didn't sound like it, she looked like she really enjoyed it, | 0:29:21 | 0:29:24 | |
I thought it was absolutely amazing. Made me so proud, she's brilliant. | 0:29:24 | 0:29:28 | |
Really, really, really good. | 0:29:30 | 0:29:32 | |
All the effort they put into it has come to fruition. | 0:29:32 | 0:29:35 | |
It was a really good performance. Brilliant. | 0:29:35 | 0:29:39 | |
Far easier for me to command soldiers in Afghanistan | 0:29:39 | 0:29:42 | |
than try and coordinate that. | 0:29:42 | 0:29:44 | |
Actually I think you're right. It probably was! | 0:29:44 | 0:29:47 | |
-Welcome home. -Thanks. | 0:29:47 | 0:29:49 | |
Well done. That is mission accomplished. | 0:29:49 | 0:29:51 | |
I'm going to give you medals. Really, really well done. | 0:29:51 | 0:29:56 | |
The homecoming parade was fantastic. It was exactly what I wanted. | 0:29:58 | 0:30:02 | |
We now have to focus on the Royal Albert Hall, | 0:30:02 | 0:30:05 | |
which is an infinitely bigger challenge. | 0:30:05 | 0:30:07 | |
I've got the Paul Mealor piece now, which is brilliant. | 0:30:07 | 0:30:10 | |
It's exactly the right piece for the women | 0:30:10 | 0:30:12 | |
and I'm going to start it at rehearsal tonight. | 0:30:12 | 0:30:15 | |
I think they'll love it. | 0:30:15 | 0:30:16 | |
In Plymouth, home to the other half of Gareth's military choir, | 0:30:21 | 0:30:24 | |
many of the husbands are Royal Marines | 0:30:24 | 0:30:28 | |
still on frontline duty in Afghanistan. | 0:30:28 | 0:30:31 | |
During this tour, they've been hit hard with many casualties | 0:30:31 | 0:30:34 | |
and several fatalities. | 0:30:34 | 0:30:36 | |
Before I came here, this was just a news story and a statistic, | 0:30:40 | 0:30:45 | |
but it's seven guys from here that have died | 0:30:45 | 0:30:49 | |
and many more injured. | 0:30:49 | 0:30:52 | |
It's families and it's people and it's people now | 0:30:54 | 0:30:57 | |
that are just one or two people away from me in the choir. | 0:30:57 | 0:31:00 | |
There's quite a few to the guy that died just a week or two ago who had a young family. | 0:31:04 | 0:31:09 | |
It's really painful to look at. | 0:31:09 | 0:31:11 | |
Today, Gareth is ready to unveil the specially composed | 0:31:20 | 0:31:23 | |
piece that the choir will sing at the Royal Albert Hall. | 0:31:23 | 0:31:27 | |
I've got here a document that I sent to Paul Mealor. | 0:31:27 | 0:31:32 | |
It's all your letters typed up. He read them. | 0:31:32 | 0:31:36 | |
He then created a poem out of them, | 0:31:36 | 0:31:39 | |
out of the sentiments and out of lots of the words. | 0:31:39 | 0:31:42 | |
In particular, the title of it comes from a bracelet that one of | 0:31:42 | 0:31:45 | |
the women at Chivenor has round her wrist | 0:31:45 | 0:31:48 | |
that was given to her by her husband. | 0:31:48 | 0:31:50 | |
It says, "Wherever you are, you are always in my heart." | 0:31:50 | 0:31:53 | |
The title of the piece is Wherever You Are. | 0:31:53 | 0:31:58 | |
-He's done a brilliant job. Shall I sing you a bit of it? -Yeah. -Right. | 0:31:58 | 0:32:02 | |
# Wherever you are, my love will keep you safe | 0:32:09 | 0:32:16 | |
# My heart will build a bridge of light | 0:32:16 | 0:32:22 | |
# Across both time and space... # | 0:32:22 | 0:32:25 | |
I'm going to let you take over in a minute... | 0:32:25 | 0:32:28 | |
We've got one in tears already! Two in tears. I'm so sorry. | 0:32:28 | 0:32:32 | |
Listen... Three in tears, I'm so sorry. | 0:32:32 | 0:32:36 | |
It is a very, very emotional piece. | 0:32:36 | 0:32:38 | |
It sounds like it's from everyone's hearts | 0:32:38 | 0:32:41 | |
and it brings everything into perspective. | 0:32:41 | 0:32:44 | |
It doesn't matter what you're doing during the day, | 0:32:44 | 0:32:47 | |
someone's loved one is out in this war | 0:32:47 | 0:32:51 | |
when they should be at home with their families and they're not. | 0:32:51 | 0:32:55 | |
One, two, three, four... | 0:32:55 | 0:32:58 | |
-# Wherever you are... # -Soft here. | 0:32:58 | 0:33:03 | |
-Very light as we go down. -# Our hearts still beat as one | 0:33:03 | 0:33:07 | |
# I'd hold you in my dreams each night... # | 0:33:07 | 0:33:13 | |
That's where it gets complicated. | 0:33:13 | 0:33:15 | |
# I hold you in my dreams each night until your task is done. # | 0:33:15 | 0:33:21 | |
The hardest thing about this song is we go from # Wherever...# Disney | 0:33:21 | 0:33:26 | |
to # Light up the dark... # choral, | 0:33:26 | 0:33:28 | |
big old big big. | 0:33:28 | 0:33:31 | |
So it's tough to pull that off, I think. | 0:33:31 | 0:33:33 | |
But if anyone can do it, you can. | 0:33:33 | 0:33:37 | |
# Light up the darkness, my wondrous star! # | 0:33:37 | 0:33:41 | |
It's my favourite bit! | 0:33:41 | 0:33:46 | |
So... Sshh. | 0:33:46 | 0:33:49 | |
One, two... | 0:33:49 | 0:33:53 | |
HIGH-PITCHED: # Light up the darkness my prince of peace... # | 0:33:53 | 0:34:00 | |
Yes! Almost! | 0:34:00 | 0:34:02 | |
Almost, not quite. | 0:34:02 | 0:34:05 | |
You know what the problem was? | 0:34:05 | 0:34:08 | |
You showed it fear. So you went, # Light up the da-arkness! # | 0:34:08 | 0:34:13 | |
Just go, # Light up the dark... # Grab it by the horns and sing it. | 0:34:13 | 0:34:18 | |
It's going to take a while | 0:34:18 | 0:34:19 | |
because it's not a walk in the park, this. | 0:34:19 | 0:34:22 | |
Those of you who can, homework please and do it this week, | 0:34:22 | 0:34:25 | |
rather than in five weeks. | 0:34:25 | 0:34:28 | |
Start learning it now. | 0:34:28 | 0:34:29 | |
The Royal Albert Hall performance is now just three weeks away. | 0:34:35 | 0:34:39 | |
But for Gareth, there's still one thing missing. | 0:34:39 | 0:34:43 | |
I want it to start with a solo because I think | 0:34:43 | 0:34:46 | |
if you start small with one voice, you draw in the audience | 0:34:46 | 0:34:50 | |
and then you take them along with you as you bring in more and more voices. | 0:34:50 | 0:34:56 | |
I think that's more emotional, which is really what I want. | 0:34:56 | 0:34:59 | |
I want this to really speak about these women's experiences | 0:34:59 | 0:35:05 | |
and I feel like a solo voice at the beginning does that | 0:35:05 | 0:35:07 | |
more effectively than just hearing them all. | 0:35:07 | 0:35:10 | |
Altos can you shunt up a bit. | 0:35:10 | 0:35:12 | |
This week is a very important week | 0:35:14 | 0:35:18 | |
because I'm going to be doing auditions in the Officers' Mess. | 0:35:18 | 0:35:22 | |
The person that does this has to be able to | 0:35:22 | 0:35:25 | |
stand up on that stage and deliver. | 0:35:25 | 0:35:27 | |
How many people are going for it? | 0:35:27 | 0:35:29 | |
One, two...ten... | 0:35:29 | 0:35:32 | |
11, 12, 13, 14...15. Great. | 0:35:32 | 0:35:37 | |
But for choir member, Sam, | 0:35:40 | 0:35:41 | |
the solo auditions couldn't be coming at a worse time. | 0:35:41 | 0:35:45 | |
My mum was recently involved in an accident with a car. | 0:35:45 | 0:35:50 | |
She's now in the high dependency unit and she's suffered | 0:35:50 | 0:35:56 | |
quite a lot of fractures and she has brain injuries. | 0:35:56 | 0:36:00 | |
It's like one of the worst situations. | 0:36:00 | 0:36:02 | |
Your husband is in Afghan for six, seven months | 0:36:02 | 0:36:05 | |
and you worry constantly about them because they are on hell on earth | 0:36:05 | 0:36:08 | |
and he comes back totally fine | 0:36:08 | 0:36:10 | |
and then my mum's involved in a nasty accident. | 0:36:10 | 0:36:14 | |
It just feels like there's one thing after another, | 0:36:14 | 0:36:18 | |
and, you know, going for the solo. | 0:36:18 | 0:36:21 | |
I really want it because I know I can do it | 0:36:21 | 0:36:24 | |
but I just feel like my confidence has been totally knocked down. | 0:36:24 | 0:36:30 | |
The women are coming to audition for the solo for the Royal Albert Hall. | 0:36:40 | 0:36:44 | |
The Officers' Mess is somewhere unfamiliar | 0:36:44 | 0:36:46 | |
because that's what they're going to have to do at the Royal Albert Hall. | 0:36:46 | 0:36:50 | |
This is like the pinnacle of nervousness at the moment. | 0:36:50 | 0:36:53 | |
I can't put my hands anywhere because they're shaking so much. | 0:36:53 | 0:36:58 | |
It's a massive gig. Massive. | 0:36:58 | 0:37:02 | |
I would struggle to stand up and sing in front of that number of people. | 0:37:02 | 0:37:05 | |
I really would. So for someone who's a complete amateur... | 0:37:05 | 0:37:09 | |
Bring in the troops. | 0:37:11 | 0:37:13 | |
Good luck, Donna. | 0:37:13 | 0:37:15 | |
Two, three... | 0:37:20 | 0:37:22 | |
# Wherever you are | 0:37:22 | 0:37:25 | |
# My love will keep you safe | 0:37:25 | 0:37:29 | |
# My heart will build a bridge of light | 0:37:29 | 0:37:33 | |
# Across both time and space. # | 0:37:33 | 0:37:36 | |
Good. | 0:37:36 | 0:37:38 | |
# Wherever I am... # | 0:37:38 | 0:37:43 | |
I've forgotten the bloody words! | 0:37:43 | 0:37:45 | |
Seven, eight, nine. | 0:37:45 | 0:37:48 | |
I've now heard nine and no-one is ready for the Queen. | 0:37:48 | 0:37:52 | |
Next! | 0:37:52 | 0:37:54 | |
# Aah-aah-aah-ahh aah-aah-ahh | 0:37:54 | 0:38:00 | |
# Aah-aah-aah-aah-aah | 0:38:00 | 0:38:03 | |
# Aa-a-ah. # | 0:38:03 | 0:38:07 | |
# Aah-aah-aah aah-aah-aah | 0:38:07 | 0:38:09 | |
# Aah-aah-aah-aah-aah Aah-aah-aah... # | 0:38:09 | 0:38:16 | |
# Aah-aah-aah-aah aah-aah-aah-aah | 0:38:16 | 0:38:20 | |
# Aah-aah-aah-aah-aah Aah. # | 0:38:20 | 0:38:26 | |
# Aah-aah-aah-aah aah-aah-aah | 0:38:27 | 0:38:32 | |
# Aah-aah-aah... # | 0:38:32 | 0:38:35 | |
Sorry, sorry, sorry. | 0:38:35 | 0:38:37 | |
Sing the next bit for me. | 0:38:37 | 0:38:39 | |
# Wherever you are, my heart... # | 0:38:41 | 0:38:46 | |
-Oh, I don't even know the words, sorry. -It's OK. -No, sorry. | 0:38:46 | 0:38:50 | |
-Use the music, do it again. -No, but this is so bad. -It's not bad. | 0:38:50 | 0:38:54 | |
-It's not bad. -I shouldn't even be doing this. -Yes, you should. -Why? | 0:38:54 | 0:38:58 | |
-Because you have a great voice. -I really need to compose myself. | 0:38:58 | 0:39:02 | |
Take a minute. But you'll come back? | 0:39:02 | 0:39:04 | |
Sam? | 0:39:04 | 0:39:06 | |
I just totally messed it up. | 0:39:08 | 0:39:12 | |
How did it go, Sam? | 0:39:12 | 0:39:14 | |
Are you OK? It's all right. | 0:39:17 | 0:39:20 | |
'When she sings those words, she sings them simply and from the heart | 0:39:20 | 0:39:24 | |
'because she understands the meaning. | 0:39:24 | 0:39:26 | |
'It's so right when she does it.' | 0:39:27 | 0:39:29 | |
But I am so worried, SO worried for her. | 0:39:29 | 0:39:34 | |
-Sam? -Yeah? -Take two. -Yeah, take two. -All is forgiven. It's all fine. | 0:39:34 | 0:39:40 | |
-I've composed myself now. -I want you to get through this. | 0:39:40 | 0:39:43 | |
# Wherever you are | 0:39:47 | 0:39:50 | |
# My love will keep you safe | 0:39:50 | 0:39:53 | |
# My heart will build a bridge of light across both time and space. # | 0:39:53 | 0:40:01 | |
Good. Sam, look, my only worry is just... Is your current predicament. | 0:40:01 | 0:40:06 | |
Could you handle the pressure? | 0:40:06 | 0:40:07 | |
I mean, personally, I have my reasons for wanting it. I'm sorry. | 0:40:07 | 0:40:14 | |
-It's all right. -I want to do it for my mum | 0:40:14 | 0:40:16 | |
cos I know she'd be so proud of me. And that's... | 0:40:16 | 0:40:19 | |
-Yeah, look. -Sorry. -That's all right. Here, come on. | 0:40:19 | 0:40:23 | |
-Look... -Sorry. -No, no. Don't worry, don't worry. | 0:40:27 | 0:40:31 | |
I mean, I am going through a very stressful situation. | 0:40:31 | 0:40:34 | |
I know that you can perform under pressure cos you did Sandhurst | 0:40:34 | 0:40:37 | |
and you aced that one. | 0:40:37 | 0:40:39 | |
So I know you want to do it, so let me think about it. | 0:40:39 | 0:40:43 | |
-I have got others to consider as well. -I'm not keeping my breath held. | 0:40:43 | 0:40:47 | |
All right. | 0:40:47 | 0:40:48 | |
We have a very important announcement today and I know you all know | 0:40:59 | 0:41:02 | |
and you're all expecting it. This is the announcement of the solo. | 0:41:02 | 0:41:05 | |
So I'm not going to beat around the bush too much | 0:41:05 | 0:41:09 | |
but I'm going to get straight to it. | 0:41:09 | 0:41:12 | |
I'd like to give a very special mention to Kelly who absolutely | 0:41:12 | 0:41:15 | |
nailed it, it was rock solid... | 0:41:15 | 0:41:17 | |
APPLAUSE | 0:41:17 | 0:41:19 | |
..but I have made the final decision, I would like the soloist to be Sam. | 0:41:19 | 0:41:27 | |
CHEERING AND APPLAUSE | 0:41:27 | 0:41:30 | |
Very well done to Sam. | 0:41:33 | 0:41:34 | |
So, so proud of Sam. I think she's the right choice, she's... | 0:41:36 | 0:41:40 | |
You know, emotional rollercoaster for all of us, but a lot more | 0:41:40 | 0:41:44 | |
for her for many reasons and so I'm really, really proud. | 0:41:44 | 0:41:48 | |
'God bless her. She did brilliant.' | 0:41:48 | 0:41:51 | |
She'll just pull one out the bag on the day | 0:41:51 | 0:41:54 | |
cos she's got an amazing voice. | 0:41:54 | 0:41:56 | |
What an opportunity | 0:41:56 | 0:41:58 | |
and what a privilege to be asked to do something like that. | 0:41:58 | 0:42:01 | |
Sorry. It's just... | 0:42:01 | 0:42:04 | |
I really didn't think I was going to get it. | 0:42:04 | 0:42:06 | |
This is the ultimate test of what the choir can do. | 0:42:06 | 0:42:10 | |
And I hope that the women are going to rally round her | 0:42:10 | 0:42:12 | |
and give her a boost and get her on that stage. | 0:42:12 | 0:42:14 | |
I'm delighted for her. | 0:42:14 | 0:42:17 | |
It's going to be really hard work to sing this. | 0:42:22 | 0:42:25 | |
You should be knackered by the end of the rehearsals. | 0:42:25 | 0:42:28 | |
With a week and a half to go, | 0:42:28 | 0:42:31 | |
Gareth wants the whole choir to give it their all. | 0:42:31 | 0:42:33 | |
# My love will... # | 0:42:33 | 0:42:35 | |
You know, you're not a pirate, Michelle. | 0:42:35 | 0:42:38 | |
You're, you know, you're a beautiful woman. | 0:42:38 | 0:42:41 | |
# I hold you in my dreams each night Until your task is done... # | 0:42:41 | 0:42:47 | |
-Good, it sounded like you were starting to enjoy it a bit more. -No! | 0:42:47 | 0:42:51 | |
SINGING | 0:42:51 | 0:42:53 | |
No, come on, come on. We've done this 16 times. Ready, two... | 0:42:53 | 0:42:56 | |
# Wherever... # Where were you? That could happen, you've got to be there anywhere. | 0:42:56 | 0:43:01 | |
Shh, shh, please stop talking. Thank you. | 0:43:01 | 0:43:05 | |
Now that all the poppies are going on sale in the local shops, it's all getting very real. | 0:43:05 | 0:43:09 | |
Light up the DARKness. Because these are lyrics about you. | 0:43:09 | 0:43:14 | |
This is where I just don't believe you at the moment. | 0:43:14 | 0:43:16 | |
'They've got to mean it, they've got to access the words | 0:43:16 | 0:43:20 | |
'and that is really difficult, it requires a huge amount of energy.' | 0:43:20 | 0:43:23 | |
-ALL: -Light up the darkness, my wondrous star. -Whose wondrous star is it? | 0:43:23 | 0:43:27 | |
-ALL: Mine. -Yes! | 0:43:27 | 0:43:29 | |
With just two rehearsals left, | 0:43:29 | 0:43:32 | |
the words are really starting to sink in. | 0:43:32 | 0:43:34 | |
One, two, three. | 0:43:34 | 0:43:35 | |
# Greater love | 0:43:35 | 0:43:39 | |
# Hath no man than this... # | 0:43:39 | 0:43:41 | |
Good. | 0:43:41 | 0:43:42 | |
# ..Greater love... # | 0:43:42 | 0:43:44 | |
'The meaning of the text here is so poignant, | 0:43:44 | 0:43:47 | |
'and suddenly, today, it just all clicked for them.' | 0:43:47 | 0:43:52 | |
# ..lay down his life... # | 0:43:53 | 0:43:56 | |
'I mean, Nikki is an absolute stalwart. | 0:43:56 | 0:43:59 | |
'She is so strong, she's got a rod of steel up her spine.' | 0:43:59 | 0:44:03 | |
But she's finding this really difficult. | 0:44:03 | 0:44:06 | |
..two, three. | 0:44:06 | 0:44:08 | |
# ..That a man lay down... | 0:44:08 | 0:44:12 | |
'I'm glad that we've had all these tears now, | 0:44:12 | 0:44:14 | |
'because what I'm concerned about is when we get to the Royal Albert Hall, | 0:44:14 | 0:44:18 | |
'that they'll all be completely incapable of singing.' | 0:44:18 | 0:44:20 | |
Well done. Shall we stop before this turns into a massive sob-fest? | 0:44:20 | 0:44:25 | |
One of the lines, the very last line, | 0:44:25 | 0:44:28 | |
if I say it, I'm going to go again. | 0:44:28 | 0:44:30 | |
It just, sort of, hits home, I think, why we've done this. | 0:44:30 | 0:44:36 | |
Sorry, I'm going to go again. | 0:44:36 | 0:44:37 | |
Me, personally, I know I've got to get my head round it somehow. | 0:44:37 | 0:44:41 | |
And just have the steel to be able to go on there. | 0:44:41 | 0:44:45 | |
I can't practice it without a tear coming to my eye. | 0:44:45 | 0:44:47 | |
Really difficult, it's just that bit, "wherever you are", | 0:44:47 | 0:44:51 | |
and even though my husband's back, you put yourself in that position again and you really feel the words | 0:44:51 | 0:44:56 | |
and you really feel where you was at and that doesn't leave you, you know. | 0:44:56 | 0:45:00 | |
-Can we do it from... Yes? -Can I just stop you there a second? | 0:45:00 | 0:45:02 | |
-Can you just go and sit there? -Yeah. -Thanks. | 0:45:02 | 0:45:05 | |
As Chivenor rehearsals draw to a close, | 0:45:05 | 0:45:08 | |
the women have a surprise for Gareth. | 0:45:08 | 0:45:10 | |
Just sit down. I just have to stop you cos I won't... | 0:45:10 | 0:45:13 | |
Oh no! | 0:45:13 | 0:45:16 | |
It's all right, Jodie... | 0:45:16 | 0:45:17 | |
HE LAUGHS | 0:45:18 | 0:45:19 | |
I've got a little speech prepared. | 0:45:20 | 0:45:22 | |
Gareth, we want to show you our appreciation for all of your hard work | 0:45:22 | 0:45:27 | |
and dedication over the past nine months. | 0:45:27 | 0:45:30 | |
You've changed our lives and given us something to focus on while the guys have been away. | 0:45:30 | 0:45:34 | |
Who would've thought you could have changed so many women's lives by teaching us how to sing? | 0:45:34 | 0:45:39 | |
This has been an unforgettable experience of which we are all so proud to be a part of. | 0:45:39 | 0:45:44 | |
So here is our thank you to you and we hope you enjoy it. | 0:45:44 | 0:45:47 | |
APPLAUSE | 0:45:47 | 0:45:49 | |
# You're nothing special | 0:45:53 | 0:45:55 | |
# In fact you're a bit of a bore | 0:45:55 | 0:45:59 | |
# You're just a bit of a bore You know | 0:45:59 | 0:46:02 | |
# When you tell a joke | 0:46:02 | 0:46:05 | |
# We've probably heard it before | 0:46:05 | 0:46:09 | |
# We must have heard it before Oh yeah | 0:46:09 | 0:46:14 | |
# But we have a talent | 0:46:14 | 0:46:17 | |
# A wonderful thing | 0:46:17 | 0:46:19 | |
# Cos everyone listens when we start to sing | 0:46:19 | 0:46:25 | |
# So, Gareth, thank you for the music | 0:46:25 | 0:46:29 | |
# For giving it to... | 0:46:30 | 0:46:36 | |
# Me | 0:46:36 | 0:46:44 | |
# Me. # | 0:46:44 | 0:46:49 | |
Oh, thank you. | 0:46:49 | 0:46:50 | |
Thank YOU for the music. It's been an honour to be part of your lives | 0:46:51 | 0:46:55 | |
and I've said it before, but I do find you all very inspiring, because it's a very tough thing you do. | 0:46:55 | 0:47:00 | |
And yeah, you cry all the time... | 0:47:00 | 0:47:02 | |
So do you! | 0:47:02 | 0:47:04 | |
So do I! Who wouldn't? And actually, do you know what? | 0:47:04 | 0:47:08 | |
There's no shame in it. Anyway, it's not over yet. Thank you! | 0:47:08 | 0:47:12 | |
Can I have a hug? | 0:47:12 | 0:47:14 | |
-ALL: -Ahh. | 0:47:14 | 0:47:16 | |
That was really lovely. | 0:47:16 | 0:47:18 | |
I can't do any more rehearsing after that. I'm done. | 0:47:18 | 0:47:20 | |
It's November the 12th | 0:47:25 | 0:47:27 | |
and the morning of the Remembrance Day Festival. | 0:47:27 | 0:47:30 | |
They're here! They're here, this is it. | 0:47:30 | 0:47:33 | |
-Hi! ALL: -Hello! | 0:47:33 | 0:47:34 | |
-Are we excited? ALL: -Yes! | 0:47:34 | 0:47:37 | |
Come on, let's go. | 0:47:37 | 0:47:38 | |
The annual event, organised by the Royal British Legion, | 0:47:38 | 0:47:41 | |
is held to honour all those who have died in past and present conflicts. | 0:47:41 | 0:47:46 | |
This year celebrates 90 years of the charity's support | 0:47:47 | 0:47:50 | |
for the nation's armed forces. | 0:47:50 | 0:47:53 | |
And Gareth's combined choir from Chivenor and Plymouth | 0:47:53 | 0:47:55 | |
are the opening act. | 0:47:55 | 0:47:57 | |
This is eight months of preparation | 0:47:57 | 0:47:59 | |
and it all comes down to two minutes and 30 seconds in front of the Queen. | 0:47:59 | 0:48:03 | |
This is it! | 0:48:03 | 0:48:05 | |
THEY CHEER The Albert Hall! | 0:48:05 | 0:48:07 | |
-It's quite big, isn't it? -I'll say! | 0:48:07 | 0:48:09 | |
Let's go, ladies. | 0:48:14 | 0:48:16 | |
Oh, my God! | 0:48:21 | 0:48:23 | |
It's quite scary. | 0:48:23 | 0:48:24 | |
It's so exciting. Listen to it! | 0:48:24 | 0:48:28 | |
I can't believe we are here. | 0:48:28 | 0:48:31 | |
In just one hour, Gareth's choir face the biggest performance of their lives - | 0:48:34 | 0:48:38 | |
singing in front of the Queen and the Royal Family, | 0:48:38 | 0:48:42 | |
an audience of 5,000 | 0:48:42 | 0:48:43 | |
and millions watching at home on television. | 0:48:43 | 0:48:47 | |
We're thinking about the people watching us | 0:48:47 | 0:48:49 | |
and what it means to us and our husbands and our family. | 0:48:49 | 0:48:52 | |
But actually, it's what we stand for all over the place, | 0:48:52 | 0:48:55 | |
so that's really... It really fills your heart. | 0:48:55 | 0:48:57 | |
I've had loads of messages from friends I've not seen for years, | 0:48:59 | 0:49:02 | |
saying, "You're doing this for all of us, military wives everywhere." | 0:49:02 | 0:49:06 | |
And it is - that's what we want to purvey. This is us. | 0:49:06 | 0:49:09 | |
You know, all of us standing together. | 0:49:09 | 0:49:11 | |
You all right? | 0:49:11 | 0:49:13 | |
Words can't even express what is going through my head, | 0:49:13 | 0:49:16 | |
how nervous I am. | 0:49:16 | 0:49:17 | |
Ladies, what can I say? | 0:49:17 | 0:49:20 | |
We're one choir tonight, and it's one choir that speaks much more broadly | 0:49:20 | 0:49:26 | |
to all the military wives in the country, | 0:49:26 | 0:49:28 | |
and very well done for being able to do that. | 0:49:28 | 0:49:31 | |
It's something in your eyes, something in the way you sing. | 0:49:31 | 0:49:35 | |
The energy you give to these words, this song, it really speaks | 0:49:35 | 0:49:39 | |
so brilliantly. | 0:49:39 | 0:49:40 | |
Just enjoy it, this is it. | 0:49:40 | 0:49:43 | |
I'm sorry for getting you into this, but listen, | 0:49:43 | 0:49:47 | |
we're up to our necks in it now. | 0:49:47 | 0:49:49 | |
-Butterflies? -Yeah! -Yeah, yeah. Fine. Just breathe, enjoy. | 0:49:49 | 0:49:54 | |
-It's going to be great. Yes? -ALL: Yeah! -Fantastic. | 0:49:54 | 0:49:57 | |
APPLAUSE | 0:49:57 | 0:50:00 | |
APPLAUSE | 0:50:06 | 0:50:07 | |
Ladies and gentlemen, welcome to the Royal Albert Hall for the Festival of Remembrance of 2011. | 0:50:07 | 0:50:14 | |
TRUMPET FANFARE | 0:50:14 | 0:50:18 | |
It's going to be great, see you up there. | 0:50:18 | 0:50:21 | |
This is the moment when military wives sing to the Royal Family. | 0:50:21 | 0:50:24 | |
It's of such significance for them. | 0:50:24 | 0:50:28 | |
I feel that weight of history, occasion, | 0:50:28 | 0:50:31 | |
and responsibility really pressing down in this one. | 0:50:31 | 0:50:34 | |
# God save our gracious Queen | 0:50:45 | 0:50:50 | |
# Long live our noble Queen... # | 0:50:50 | 0:50:55 | |
The Queen's in, the Royal Family are in, as soon as this finishes, | 0:50:55 | 0:50:59 | |
it's me and the ladies. | 0:50:59 | 0:51:03 | |
The nerves, you can hear it's started, | 0:51:03 | 0:51:05 | |
and kind of like, the butterflies are going now. | 0:51:05 | 0:51:08 | |
-This is like Christmas morning! -It's better than Christmas! | 0:51:08 | 0:51:11 | |
Can't wait. I'm so excited. Never felt this excited in my life. | 0:51:20 | 0:51:26 | |
I can't wait! | 0:51:26 | 0:51:28 | |
There's only 5,000 people in there. | 0:51:28 | 0:51:31 | |
And 6 million on TV! | 0:51:32 | 0:51:35 | |
Petrified! Absolutely petrified. | 0:51:41 | 0:51:44 | |
Think I'm going to fall over or something. | 0:51:44 | 0:51:47 | |
And I keep forgetting the words! | 0:51:47 | 0:51:49 | |
We're ready. Ladies, standby. | 0:51:49 | 0:51:51 | |
It all comes down to this. | 0:51:54 | 0:51:56 | |
# Ah, ah, ah, ah | 0:52:17 | 0:52:21 | |
# Aah | 0:52:24 | 0:52:27 | |
# Wherever you are | 0:52:31 | 0:52:34 | |
# My love will keep you safe | 0:52:34 | 0:52:37 | |
# My heart will build a bridge of light across both time and space | 0:52:37 | 0:52:43 | |
# Wherever you are Our hearts will beat as one | 0:52:43 | 0:52:50 | |
# I hold you in my dreams each night Until your task is done | 0:52:50 | 0:52:56 | |
# Light up the darkness My wondrous star | 0:52:56 | 0:53:02 | |
# Our hopes and dreams My heart and yours | 0:53:04 | 0:53:07 | |
# Forever shining far | 0:53:07 | 0:53:10 | |
# Light up the darkness My prince of peace | 0:53:10 | 0:53:18 | |
# May the stars shine all around you | 0:53:18 | 0:53:21 | |
# May your courage never cease | 0:53:21 | 0:53:26 | |
# Oh, oh | 0:53:29 | 0:53:32 | |
-# Wherever I am -Greater love | 0:53:32 | 0:53:35 | |
-# I'll love you day by day -Hath no man | 0:53:35 | 0:53:38 | |
-# I will keep you safe Cling on to faith -Than this | 0:53:38 | 0:53:42 | |
-# Greater love -Along the dark, dark way | 0:53:42 | 0:53:44 | |
-# Wherever I am -That a man | 0:53:44 | 0:53:48 | |
-# I will hold on through the night -Lay down his life | 0:53:48 | 0:53:52 | |
-# I will pray each day a safe return -For his friends | 0:53:52 | 0:53:57 | |
# Light up the darkness My wondrous star | 0:53:57 | 0:54:04 | |
# Our hopes and dreams | 0:54:04 | 0:54:07 | |
# My heart and yours Forever shining far | 0:54:07 | 0:54:11 | |
# Light up the darkness My prince of peace | 0:54:11 | 0:54:17 | |
# May the stars shine all around you | 0:54:17 | 0:54:21 | |
# May your courage never cease | 0:54:21 | 0:54:29 | |
# Ah, ah, ah, ah | 0:54:29 | 0:54:33 | |
# May your courage never cease. # | 0:54:33 | 0:54:40 | |
APPLAUSE | 0:54:46 | 0:54:50 | |
BAND PLAYS INSTRUMENTAL VERSION OF THE SONG | 0:55:08 | 0:55:12 | |
THEY LAUGH | 0:55:15 | 0:55:18 | |
I thought the emotion of it was quite extraordinary | 0:55:21 | 0:55:25 | |
and second to none. | 0:55:25 | 0:55:26 | |
Actually, I don't think there was a dry eye in the house. | 0:55:26 | 0:55:29 | |
Absolutely magnificent. | 0:55:29 | 0:55:30 | |
I was brought to tears. It was extremely moving. | 0:55:30 | 0:55:34 | |
For that one solo singer to sing on her own, | 0:55:34 | 0:55:36 | |
I thought that was incredible, cos that takes nerves of steel. | 0:55:36 | 0:55:40 | |
In the rehearsal I was crying my eyes out, and it got me even | 0:55:40 | 0:55:43 | |
more in the concert, and I turned round and everybody was crying! | 0:55:43 | 0:55:47 | |
You did so well, that took real spine. | 0:55:47 | 0:55:50 | |
With everything going on for you, I don't know how you did it. | 0:55:50 | 0:55:53 | |
-Absolutely loved it. -Good, it's a real triumph. | 0:55:53 | 0:55:56 | |
Well done, you. Well done. | 0:56:01 | 0:56:03 | |
I thought it was amazing, absolutely amazing, | 0:56:09 | 0:56:12 | |
and I thought they did themselves proud and all military wives proud. | 0:56:12 | 0:56:17 | |
Very proud of them all. | 0:56:17 | 0:56:18 | |
On the way down the stairs from my seat, an old woman peered over | 0:56:18 | 0:56:22 | |
the balcony and said, "Tell your wife they were brilliant." | 0:56:22 | 0:56:26 | |
I thought that summed it up. It was fantastic. | 0:56:26 | 0:56:29 | |
When they started singing, it was just amazing. | 0:56:29 | 0:56:31 | |
You could see everybody around us just thought they were brilliant. | 0:56:31 | 0:56:36 | |
APPLAUSE | 0:56:36 | 0:56:38 | |
It's been an honour to help you find the voice you so clearly had tonight. | 0:56:39 | 0:56:45 | |
It was loud, it was strong, and it made most of Great Britain cry. | 0:56:45 | 0:56:48 | |
-Wahey! -Yes! So very well done for that. | 0:56:48 | 0:56:53 | |
I'm so proud of you all. It was beautiful. Very many congratulations. | 0:56:53 | 0:56:58 | |
APPLAUSE | 0:56:58 | 0:57:01 | |
Can I just say, this is the most emotional, joyous, | 0:57:02 | 0:57:06 | |
absolutely fantastic experience of my life. | 0:57:06 | 0:57:08 | |
And I just want to say from all of the choir, | 0:57:08 | 0:57:10 | |
thank you from the bottom of our hearts. | 0:57:10 | 0:57:12 | |
APPLAUSE AND CHEERING | 0:57:12 | 0:57:14 | |
Never would we have thought seven months ago, whatever, | 0:57:20 | 0:57:25 | |
when we started this on a cold February morning, | 0:57:25 | 0:57:28 | |
that we would've been here, of all places, | 0:57:28 | 0:57:31 | |
in front of our Royal Family. It's absolutely astounding. | 0:57:31 | 0:57:35 | |
An experience of a lifetime. Nothing more, nothing less. | 0:57:35 | 0:57:38 | |
Was an experience of a lifetime, I'll treasure it forever, it'll be | 0:57:38 | 0:57:42 | |
stored up in here until I'm whatever age and watching it as an OAP. | 0:57:42 | 0:57:47 | |
Before, we were just military wives stuck at home with the kids. | 0:57:47 | 0:57:52 | |
People are actually hearing us now, and we've got a voice. | 0:57:52 | 0:57:56 | |
That's it, isn't it, really? We have a voice now. | 0:57:56 | 0:57:58 | |
These are women who, cos of their natural tendency to get on with it | 0:58:00 | 0:58:04 | |
stoically, hide their light under a bushel. That's a terrible shame. | 0:58:04 | 0:58:08 | |
They have so much to be proud of, so much to celebrate. | 0:58:08 | 0:58:11 | |
I don't think there has ever been a forum to celebrate military wives before, | 0:58:11 | 0:58:15 | |
and we just made one. | 0:58:15 | 0:58:18 | |
It felt really fantastic, an honour to be part of that. | 0:58:18 | 0:58:22 | |
And music did that. Not me, not them, music did it for them. | 0:58:22 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:38 | 0:58:41 | |
E-mail [email protected] | 0:58:41 | 0:58:44 |