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Two, three and... Are you going to be the best choir? Yeah! Apparently so. Come on then! | 0:00:02 | 0:00:06 | |
Choirmaster Gareth Malone wants to help Britain's workers find their voice. | 0:00:06 | 0:00:10 | |
This is Gareth Malone here. | 0:00:10 | 0:00:12 | |
TANNOY: I'm here to start a choir. | 0:00:12 | 0:00:15 | |
Are you interested in joining a choir? | 0:00:15 | 0:00:17 | |
Maybe, yeah. | 0:00:17 | 0:00:18 | |
In search of hidden talent, he's creating choirs in five | 0:00:18 | 0:00:22 | |
of Britain's biggest workplaces. | 0:00:22 | 0:00:24 | |
I would like you to be in the choir, please. Yeah! | 0:00:24 | 0:00:26 | |
Whoa! | 0:00:26 | 0:00:28 | |
Yay! | 0:00:28 | 0:00:30 | |
Course we can! This proves that bankers can rock! | 0:00:30 | 0:00:32 | |
If you were ever going to have a fire-fighting calendar, | 0:00:32 | 0:00:35 | |
we've got them in the choir. | 0:00:35 | 0:00:37 | |
As they compete to be this year's best workplace choir, | 0:00:37 | 0:00:40 | |
Gareth's demanding musical excellence. | 0:00:40 | 0:00:43 | |
Going to sing real music! | 0:00:43 | 0:00:45 | |
Crescendo. Diminuendo. | 0:00:45 | 0:00:47 | |
La-la-la. | 0:00:47 | 0:00:48 | |
Mmm! | 0:00:48 | 0:00:49 | |
# Where are you going to run to? # | 0:00:49 | 0:00:51 | |
If they're going to do justice to music, it's got to just pour out of them. | 0:00:51 | 0:00:54 | |
# Power to the Lord! # | 0:00:54 | 0:00:55 | |
Singing brings people together spiritually, socially. | 0:00:55 | 0:00:59 | |
It's vital. It's vital! | 0:00:59 | 0:01:02 | |
I have to tap into that part of my mind where | 0:01:02 | 0:01:05 | |
all those horrible things that I see at work are kept. | 0:01:05 | 0:01:09 | |
You've got to step it up one notch. | 0:01:09 | 0:01:11 | |
The choirs will face huge public audiences... | 0:01:11 | 0:01:14 | |
The appetite to win is now on. | 0:01:14 | 0:01:17 | |
Bricking it at the moment. | 0:01:17 | 0:01:18 | |
..and be judged by three world-class musicians. | 0:01:18 | 0:01:21 | |
You are never together. | 0:01:21 | 0:01:23 | |
Wonderful, wonderful tuning. | 0:01:23 | 0:01:25 | |
Judgment day is coming. | 0:01:25 | 0:01:26 | |
This means that I will sing for the rest of my life. | 0:01:26 | 0:01:28 | |
Other than getting married, it is one of the best experiences in my life. | 0:01:28 | 0:01:32 | |
The Workplace Choir Of The Year is... | 0:01:32 | 0:01:35 | |
I can't say I'm thrilled about the prospect of going to a supermarket. | 0:01:45 | 0:01:49 | |
It's not my favourite place to go. I mean, everyone's got to shop, we all need to live and eat | 0:01:49 | 0:01:53 | |
and run houses, but nobody goes there for fun, do they? | 0:01:53 | 0:01:57 | |
Gareth's heading to Sainsbury's to create the third workplace | 0:01:57 | 0:02:00 | |
choir of this year's contest. | 0:02:00 | 0:02:03 | |
I can't imagine what it must be like to work in a supermarket | 0:02:04 | 0:02:06 | |
stacking shelves or, er, dealing with irate customers. | 0:02:06 | 0:02:10 | |
It must be a fairly soul-destroying experience. | 0:02:10 | 0:02:13 | |
There it is, here we are, Sainsbury's. Can't really miss it. | 0:02:14 | 0:02:18 | |
Absolutely enormous. | 0:02:18 | 0:02:19 | |
Gareth will be based here at the Low Hall superstore in Essex. | 0:02:22 | 0:02:26 | |
It's one of the company's 600 supermarkets nationwide | 0:02:26 | 0:02:30 | |
and employs almost 400 people. | 0:02:30 | 0:02:32 | |
We understand it's hard, you're dealing with customers, it can be irritating at times. | 0:02:33 | 0:02:37 | |
But, you know, we work together and we do what we do. | 0:02:37 | 0:02:40 | |
To keep the shelves stocked, | 0:02:42 | 0:02:43 | |
the store is continually | 0:02:43 | 0:02:45 | |
replenished by the Waltham Point distribution centre. | 0:02:45 | 0:02:48 | |
Gareth has appealed to its workforce to try out for the choir. | 0:02:52 | 0:02:56 | |
I'm really excited. | 0:02:56 | 0:02:58 | |
I think it's an experience that comes up once in a lifetime | 0:02:58 | 0:03:01 | |
so I'm looking to... and hoping to embrace it, yeah. | 0:03:01 | 0:03:04 | |
12 miles away in Central London are the corporate headquarters. | 0:03:06 | 0:03:10 | |
Management and company executives have also been invited to join. | 0:03:10 | 0:03:15 | |
Absolutely terrified! | 0:03:15 | 0:03:17 | |
I've not been able to sleep all weekend. | 0:03:17 | 0:03:20 | |
I'm stupidly terrified. | 0:03:20 | 0:03:21 | |
I'm a 40-year-old mother, I shouldn't be like this. | 0:03:21 | 0:03:25 | |
Here we are, Sainsbury's. | 0:03:28 | 0:03:31 | |
Pharmacy, cafe, garden and home. | 0:03:31 | 0:03:33 | |
This is vast. This is a mega-store. | 0:03:33 | 0:03:37 | |
Right, let's shop! | 0:03:37 | 0:03:40 | |
Gareth wants his choir to represent the three different parts | 0:03:40 | 0:03:43 | |
of the business. | 0:03:43 | 0:03:45 | |
Employees from the store, depot and London HQ | 0:03:45 | 0:03:48 | |
gather to audition. | 0:03:48 | 0:03:50 | |
I have always wanted to come backstage at a Sainsbury's. | 0:03:50 | 0:03:53 | |
Gareth must now select up to 24 | 0:03:53 | 0:03:55 | |
of the best singers to represent the company in the contest. | 0:03:55 | 0:03:59 | |
Hello! Hello! | 0:04:02 | 0:04:04 | |
Hooray! | 0:04:04 | 0:04:06 | |
All right! | 0:04:06 | 0:04:09 | |
Well, you seem excited! | 0:04:09 | 0:04:12 | |
Right, are you ready? Yes! | 0:04:12 | 0:04:15 | |
Is Sainsbury's going to be the best choir? Yeah! | 0:04:15 | 0:04:18 | |
Apparently so. Come on, then! | 0:04:18 | 0:04:20 | |
Blimey! | 0:04:20 | 0:04:21 | |
They're excited! | 0:04:21 | 0:04:23 | |
That's it, fill up all the spaces, please, don't be shy! | 0:04:23 | 0:04:26 | |
So, today is your audition for the Sainsbury's Choir. | 0:04:26 | 0:04:29 | |
The song that we are going to do for this audition is one that | 0:04:29 | 0:04:33 | |
you will all know and love and hold dear to your hearts. | 0:04:33 | 0:04:36 | |
It is, of course... | 0:04:36 | 0:04:38 | |
Food, Glorious Food. | 0:04:38 | 0:04:39 | |
Yes, it's Food, Glorious Food. | 0:04:39 | 0:04:41 | |
Yeah, it is. Well done, Rebecca. | 0:04:41 | 0:04:43 | |
You can have... There isn't a prize. | 0:04:43 | 0:04:45 | |
All right, let's hear it. | 0:04:45 | 0:04:46 | |
Two, three and... | 0:04:46 | 0:04:48 | |
# Food glorious... | 0:04:48 | 0:04:50 | |
# Food... Cold... | 0:04:50 | 0:04:53 | |
# Jelly and custard. # | 0:04:53 | 0:04:55 | |
Do you have a cold or...? | 0:04:55 | 0:04:56 | |
No. | 0:04:56 | 0:04:58 | |
Chris, hello. | 0:04:58 | 0:04:59 | |
Hi, you all right? | 0:04:59 | 0:05:00 | |
I am very well, thank you. How are you? I'm fine. | 0:05:00 | 0:05:03 | |
Chris Tesaga works on the shop floor of the superstore. | 0:05:03 | 0:05:06 | |
Here we go. And... | 0:05:06 | 0:05:09 | |
# Food, glorious food | 0:05:09 | 0:05:11 | |
# Cold jelly and custard... # | 0:05:11 | 0:05:14 | |
Good. Tell me, what's the best part of your job? | 0:05:14 | 0:05:17 | |
The best part of my job? | 0:05:17 | 0:05:18 | |
Mmm. | 0:05:18 | 0:05:19 | |
Um...the end of the day. | 0:05:19 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:23 | |
Fair enough. Same here. | 0:05:23 | 0:05:25 | |
No, all of it's fine, you know, every aspect of it. | 0:05:25 | 0:05:27 | |
When you help people and the customers say, "You're so helpful. | 0:05:27 | 0:05:30 | |
"We don't like the other guys across the road," | 0:05:30 | 0:05:33 | |
then you know that you're doing your job well. | 0:05:33 | 0:05:35 | |
Chris has been at the company for six months. | 0:05:35 | 0:05:37 | |
He got his job via a placement scheme for people who struggle to find work. | 0:05:37 | 0:05:41 | |
I've done many jobs. | 0:05:41 | 0:05:44 | |
I was a bus conductor. I worked in a bank. | 0:05:44 | 0:05:46 | |
That was... These are years ago, you know. I'm older than you think. | 0:05:46 | 0:05:50 | |
So we've got eight aisles just down here on the right. | 0:05:50 | 0:05:53 | |
This job gave me the kind of direction I needed instantly. | 0:05:53 | 0:05:59 | |
# Food, glorious food | 0:05:59 | 0:06:01 | |
# Cold jelly and custard... # | 0:06:01 | 0:06:04 | |
Great. Thank you. You may sit down. | 0:06:04 | 0:06:06 | |
Well done. | 0:06:06 | 0:06:08 | |
Over two days, Gareth auditions over 120 staff, | 0:06:08 | 0:06:12 | |
from confident executives... | 0:06:12 | 0:06:13 | |
# Food, glorious food... # | 0:06:13 | 0:06:16 | |
# Cold jelly and custard... # | 0:06:16 | 0:06:19 | |
Hello! OK. | 0:06:19 | 0:06:21 | |
..to quieter store and depot staff. | 0:06:21 | 0:06:23 | |
# Food glorious food... Cold jelly and custard. # | 0:06:23 | 0:06:27 | |
Good. It's not an enormous voice but it's a sweet voice, is it not? | 0:06:27 | 0:06:30 | |
I could see a lot of people going... | 0:06:30 | 0:06:32 | |
LAUGHTER | 0:06:32 | 0:06:34 | |
Did you go "ah"? | 0:06:34 | 0:06:36 | |
It's a nice voice. Good. Well done. | 0:06:36 | 0:06:40 | |
OK, hello, Alex. Hi. | 0:06:40 | 0:06:42 | |
Alex Peal is based at head office. | 0:06:42 | 0:06:44 | |
I'll take my shoes off. | 0:06:44 | 0:06:46 | |
You can take off whatever you like! | 0:06:46 | 0:06:48 | |
LAUGHTER | 0:06:48 | 0:06:50 | |
Well, Alex, we've only just met! | 0:06:50 | 0:06:53 | |
Good Lord. | 0:06:53 | 0:06:54 | |
What do you do? | 0:06:54 | 0:06:56 | |
I'm a Senior Planning and Analysis Manager, | 0:06:56 | 0:06:59 | |
or SPAM for short. | 0:06:59 | 0:07:01 | |
OK. You're a SPAM. What does that mean? | 0:07:01 | 0:07:05 | |
I look after our loyalty programme, | 0:07:05 | 0:07:07 | |
so the Nectar card and things like Brand Match. | 0:07:07 | 0:07:10 | |
Do you do much singing? | 0:07:10 | 0:07:11 | |
I used to do an enormous amount. I haven't done for the last couple of years. | 0:07:11 | 0:07:15 | |
Why not? | 0:07:15 | 0:07:17 | |
Slightly dramatic, I had an accident | 0:07:17 | 0:07:19 | |
and had to have emergency intubation and damaged my vocal cords, so... | 0:07:19 | 0:07:23 | |
Oh! Oh, gosh! | 0:07:23 | 0:07:24 | |
Didn't really mean to bring it up because my voice really is not what it was at all, so... | 0:07:24 | 0:07:28 | |
Well, I think we're all very excited, aren't we? | 0:07:28 | 0:07:30 | |
No, it's really, really not. Well, here she is, Alex the singer. | 0:07:30 | 0:07:34 | |
LAUGHTER | 0:07:34 | 0:07:36 | |
Three and... | 0:07:36 | 0:07:37 | |
SQUEAKILY: # Food... # Ooh! | 0:07:37 | 0:07:39 | |
There it is. Yeah, it's good. | 0:07:39 | 0:07:40 | |
# Food, glorious food | 0:07:40 | 0:07:44 | |
# Cold jelly and custard. # | 0:07:44 | 0:07:47 | |
It sort of reminds me of when my voice changed. | 0:07:47 | 0:07:50 | |
It's just like that. | 0:07:50 | 0:07:51 | |
OK, you can put your shoes back on now. | 0:07:51 | 0:07:54 | |
Jonathan. | 0:07:54 | 0:07:55 | |
Hello. Hello. What do you do? | 0:07:55 | 0:07:57 | |
I'm the Commercial Manager here. OK, Jonathan, can I hear you sing, please? | 0:07:57 | 0:08:02 | |
# Food, glorious food... # | 0:08:02 | 0:08:04 | |
Gareth needs a range of voices. | 0:08:04 | 0:08:07 | |
He just touched a low D? | 0:08:07 | 0:08:09 | |
From deep basses... | 0:08:09 | 0:08:10 | |
Thank you. Have a seat. Well done. | 0:08:10 | 0:08:12 | |
..to super-high sopranos. | 0:08:12 | 0:08:14 | |
# Food, glorious food | 0:08:14 | 0:08:17 | |
# Cold jelly and custard. # | 0:08:17 | 0:08:19 | |
Michelle! | 0:08:19 | 0:08:21 | |
Are you surprised? | 0:08:21 | 0:08:23 | |
LAUGHTER | 0:08:23 | 0:08:25 | |
Let's be honest, you didn't think she'd be any good, did you? | 0:08:25 | 0:08:28 | |
No! | 0:08:28 | 0:08:30 | |
Shirley, I think we might get one more! | 0:08:30 | 0:08:33 | |
Here's the note. | 0:08:35 | 0:08:36 | |
# Food, glorious food | 0:08:38 | 0:08:40 | |
# Cold jelly and custard. # | 0:08:40 | 0:08:42 | |
Are you standing on your toes? | 0:08:42 | 0:08:44 | |
Oh, I don't think so. | 0:08:44 | 0:08:46 | |
Well done. That's the highest note of the day. Thank you. | 0:08:46 | 0:08:48 | |
That's it. | 0:08:59 | 0:09:01 | |
Some good singing in there. | 0:09:04 | 0:09:06 | |
Good singing. That's great. | 0:09:06 | 0:09:08 | |
The number of people that auditioned at head office was just crazy, | 0:09:12 | 0:09:15 | |
just droves of them, and very few from the depot. | 0:09:15 | 0:09:19 | |
Gareth wants his choir to represent the entire Sainsbury's | 0:09:19 | 0:09:23 | |
workforce, wherever they're based in the company. | 0:09:23 | 0:09:28 | |
It's difficult, this is a difficult choir to balance, | 0:09:28 | 0:09:31 | |
because this business is... | 0:09:31 | 0:09:33 | |
It's so spread out - head office, depot and store. | 0:09:33 | 0:09:36 | |
And they're all different types of people | 0:09:36 | 0:09:39 | |
and they all have very different singing experience | 0:09:39 | 0:09:42 | |
and they all have very different personalities. | 0:09:42 | 0:09:44 | |
The depot's much more withdrawn, the store is quite outgoing and bubbly | 0:09:44 | 0:09:48 | |
and the head office is an office. | 0:09:48 | 0:09:50 | |
They're going to struggle, I think, to come together socially | 0:09:50 | 0:09:53 | |
as much as they'll struggle to come together vocally. | 0:09:53 | 0:09:56 | |
Gareth's up early to deliver the good news | 0:09:59 | 0:10:02 | |
to his successful candidates. First stop, London HQ. | 0:10:02 | 0:10:05 | |
I'm tracking you down. Are you? | 0:10:06 | 0:10:08 | |
I am. With good news? | 0:10:08 | 0:10:10 | |
Well, it's news. OK. You're in. Oh, fantastic! | 0:10:10 | 0:10:13 | |
Well done. | 0:10:13 | 0:10:14 | |
I'm just over the moon. | 0:10:16 | 0:10:17 | |
Absolutely, absolutely so ecstatic. | 0:10:17 | 0:10:20 | |
Oh, my God! | 0:10:20 | 0:10:22 | |
Next stop, the superstore. | 0:10:23 | 0:10:25 | |
I would really like you to be in the choir. Seriously? | 0:10:25 | 0:10:28 | |
Yes. Wow! OK. Been in a choir before? No, I haven't been... | 0:10:28 | 0:10:31 | |
Well, I told you in primary school, but... Primary school. Been a while. | 0:10:31 | 0:10:34 | |
Yeah. Er, thank you, man. | 0:10:34 | 0:10:36 | |
Congratulations. Yeah, man, congratulations to me. | 0:10:36 | 0:10:38 | |
Yeah, congratulations to you. Well done. That's really good. | 0:10:38 | 0:10:41 | |
Yeah, man, I'm happy, I'm happy. This is a good opportunity. | 0:10:41 | 0:10:43 | |
I knew I was going to get in anyway, but I can't... | 0:10:43 | 0:10:45 | |
But, yeah, definitely, yeah, I'm over the moon, man. | 0:10:45 | 0:10:48 | |
Hello. Oh. | 0:10:48 | 0:10:50 | |
Knock-knock-knock. | 0:10:50 | 0:10:51 | |
Hello! Shirley, you did get extremely high. | 0:10:51 | 0:10:54 | |
I know I did! | 0:10:54 | 0:10:55 | |
Very good and I think I could use a high voice in my choir. | 0:10:55 | 0:10:59 | |
Oh, my God! | 0:10:59 | 0:11:01 | |
Would you like to be in it? Yes! | 0:11:01 | 0:11:04 | |
Yeah? Fantastic. Congratulations. | 0:11:04 | 0:11:06 | |
Thank you! Thank you! Well done. | 0:11:06 | 0:11:09 | |
Ah! She's getting higher and higher and higher! | 0:11:09 | 0:11:11 | |
I also need low voices in the choir so... | 0:11:11 | 0:11:15 | |
I'd like you in the choir, as well. | 0:11:15 | 0:11:17 | |
I'm like so red. | 0:11:19 | 0:11:21 | |
I don't know whether to cry, laugh, scream, undress or whatever. | 0:11:22 | 0:11:25 | |
Do it all! Go for it! | 0:11:25 | 0:11:27 | |
Ah-h! | 0:11:27 | 0:11:29 | |
Gareth's last port of call is the Waltham Point depot. | 0:11:40 | 0:11:44 | |
It's a part of the business the public never get to see - | 0:11:44 | 0:11:47 | |
the engine room that powers the entire supermarket chain. | 0:11:47 | 0:11:50 | |
Wow! Oh, my gosh! | 0:11:55 | 0:11:59 | |
Oh, my goodness! | 0:12:00 | 0:12:01 | |
It's mind-boggling. | 0:12:06 | 0:12:07 | |
Look how much stock there is! | 0:12:07 | 0:12:09 | |
If there's a nuclear holocaust, I want to come here. | 0:12:11 | 0:12:14 | |
Ah, there he is! Hello! Hello. | 0:12:15 | 0:12:17 | |
You're a difficult man to find. How are you doing? | 0:12:17 | 0:12:19 | |
Ben Hodgson tried out for the tenor section. | 0:12:19 | 0:12:21 | |
I wanted to talk about your audition. OK, excellent. | 0:12:21 | 0:12:24 | |
What do you think? I don't know. I really haven't got a clue. | 0:12:24 | 0:12:28 | |
Got no idea? Can't remember much about it. Really? | 0:12:28 | 0:12:30 | |
I was so nervous, it was all a blur. Excellent experience, though, | 0:12:30 | 0:12:33 | |
it was so good. Yeah, I really enjoyed it. | 0:12:33 | 0:12:35 | |
Well, the experience is going to continue | 0:12:35 | 0:12:37 | |
cos I'd really like you to be in the choir. Excellent. | 0:12:37 | 0:12:39 | |
Congratulations. Thank you very much! Thank you! | 0:12:39 | 0:12:41 | |
Ben's one of 1,200 employees at the depot. | 0:12:47 | 0:12:50 | |
Today, he's based in the giant refrigeration hall. | 0:12:50 | 0:12:54 | |
Basically, we have the sorter up there where the products come from, | 0:12:54 | 0:12:59 | |
come down the end of the chute... Yeah. | 0:12:59 | 0:13:01 | |
..we pick 'em into the rollers. Simple as that, yeah? | 0:13:01 | 0:13:03 | |
Simple. Right. Yoghurts today. | 0:13:03 | 0:13:05 | |
Yoghurts today. And a lot of it. | 0:13:05 | 0:13:06 | |
The start of the day. Plenty of it. | 0:13:06 | 0:13:08 | |
We're doing about two million cases a week comes through this warehouse. | 0:13:08 | 0:13:11 | |
So not you and I just now? Not you and I. | 0:13:11 | 0:13:13 | |
We can't do it without the rest of the team. Yeah. Let's do it! | 0:13:13 | 0:13:15 | |
So if you want to pick that up and chuck it into | 0:13:15 | 0:13:17 | |
a roller. Put it at the back there? | 0:13:17 | 0:13:19 | |
The scale of this place is just mind-boggling. | 0:13:19 | 0:13:22 | |
84 stores are served by that one huge conveyor belt system, | 0:13:22 | 0:13:26 | |
and you're standing on this conveyor with just one store's stuff | 0:13:26 | 0:13:31 | |
and there's cage after cage after cage of yoghurts. | 0:13:31 | 0:13:34 | |
I've never seen so many yoghurts. | 0:13:34 | 0:13:37 | |
And then presumably in a place like this, | 0:13:37 | 0:13:39 | |
you know roughly what tomorrow is going to look like? | 0:13:39 | 0:13:41 | |
It's groundhog day. Is it? | 0:13:41 | 0:13:43 | |
Every day is the same. | 0:13:43 | 0:13:44 | |
Yeah, it's dirty work and the thing is, I think, ultimately | 0:13:44 | 0:13:47 | |
everyone in this warehouse, it doesn't matter what they're doing, | 0:13:47 | 0:13:50 | |
what role they've got, they all play a part. | 0:13:50 | 0:13:51 | |
It might seem monotonous chucking this in, but... Yeah. | 0:13:51 | 0:13:54 | |
..without that we're not going to get that to the store | 0:13:54 | 0:13:56 | |
and that's our goal at the end of the day. | 0:13:56 | 0:13:58 | |
I suppose it's easy just to see this as just me | 0:13:58 | 0:14:01 | |
shoving stuff from here to there, but this is somebody's yoghurt... | 0:14:01 | 0:14:04 | |
Exactly! ..and they're going to eat that and enjoy it tonight. | 0:14:04 | 0:14:07 | |
Yeah! Exactly! | 0:14:07 | 0:14:08 | |
It's freezing. It's really, really, really cold in there. | 0:14:08 | 0:14:12 | |
I don't know how they do it. | 0:14:12 | 0:14:13 | |
It's monotonous, it's cold, it's dark. | 0:14:13 | 0:14:16 | |
That bloke had short sleeves on. | 0:14:18 | 0:14:21 | |
They are hard, these men. | 0:14:21 | 0:14:23 | |
They are... They are men. I feel pathetic. | 0:14:23 | 0:14:26 | |
I could only take it for 20 minutes. | 0:14:26 | 0:14:28 | |
Gareth's chosen choir members from the supermarket, depot | 0:14:30 | 0:14:34 | |
and head office are gathering at the store. | 0:14:34 | 0:14:37 | |
Hello! I'm Kimberley! Hiya. I'm Starr. Nice to meet you. | 0:14:37 | 0:14:39 | |
Where do you work? I work in the GM department. | 0:14:39 | 0:14:41 | |
I'm a lorry driver. | 0:14:41 | 0:14:42 | |
It's time for their first rehearsal. | 0:14:42 | 0:14:45 | |
It's just like, "Oh, my God!" | 0:14:45 | 0:14:46 | |
This is like now the start of a massive journey. | 0:14:46 | 0:14:49 | |
Hello! | 0:14:50 | 0:14:51 | |
Hi! Are you my choir? ALL: Yeah! | 0:14:53 | 0:14:56 | |
Very good. Hello. | 0:14:56 | 0:14:57 | |
Ready to do some singing? | 0:14:57 | 0:14:58 | |
OK, follow me, let's go! | 0:15:00 | 0:15:02 | |
The countdown to the choir performing to the contest's | 0:15:02 | 0:15:04 | |
internationally recognised judges has begun. | 0:15:04 | 0:15:07 | |
Most of them have never sung in public before. | 0:15:07 | 0:15:10 | |
Well, have I got some fun in store for you. | 0:15:12 | 0:15:15 | |
There are people from head office here, | 0:15:17 | 0:15:19 | |
so, you know, if you have any problems... Sorry? | 0:15:19 | 0:15:23 | |
No head office at all. | 0:15:23 | 0:15:24 | |
Oh, Store Support! Is it not called head office? | 0:15:24 | 0:15:27 | |
ALL: No. | 0:15:27 | 0:15:28 | |
I love it! | 0:15:28 | 0:15:30 | |
Well, people from Store Support, | 0:15:30 | 0:15:32 | |
there's people from the stores here... | 0:15:32 | 0:15:35 | |
for you to support. | 0:15:35 | 0:15:36 | |
Right, so, as a choir, you need something to sing | 0:15:36 | 0:15:39 | |
and I would like to choose a song that represents your business | 0:15:39 | 0:15:43 | |
and I'd like that decision to be made by you. | 0:15:43 | 0:15:46 | |
Any ideas? Yes, Chris? | 0:15:46 | 0:15:49 | |
Simply The Best. | 0:15:49 | 0:15:50 | |
# Simply the best! # | 0:15:50 | 0:15:52 | |
Do we all know that? Let's hear it. | 0:15:52 | 0:15:53 | |
# Simply the best | 0:15:53 | 0:15:55 | |
# Doo-doo-doo | 0:15:55 | 0:15:58 | |
# Better than all the rest. # | 0:15:58 | 0:16:00 | |
Do you think it's at all big-headed? | 0:16:01 | 0:16:03 | |
LAUGHTER | 0:16:03 | 0:16:05 | |
Cheese lady Alison? | 0:16:05 | 0:16:07 | |
Yeah, it's not a song that represents Sainsbury's, | 0:16:07 | 0:16:09 | |
but I do like Windmills Of Your Mind, but it's not really... | 0:16:09 | 0:16:11 | |
It's a little bit trippy. It is, yeah. | 0:16:11 | 0:16:13 | |
# Round like a window in a circle like a wheel within a wheel | 0:16:13 | 0:16:17 | |
# Never ending or beginning like a na-na-na-na-na... # | 0:16:17 | 0:16:19 | |
Yeah, but it could be slow. | 0:16:19 | 0:16:20 | |
Like you're going round the aisles forever... | 0:16:20 | 0:16:23 | |
Hallucinating. You've maybe had too much cheese. | 0:16:23 | 0:16:27 | |
A little bit... | 0:16:27 | 0:16:29 | |
You've been to see the wine department, yeah. | 0:16:29 | 0:16:32 | |
Anyone else? | 0:16:32 | 0:16:33 | |
What about Spice Girls Spice Up Your Life? | 0:16:33 | 0:16:36 | |
Spice Up Your Life is actually quite a fun suggestion! | 0:16:36 | 0:16:40 | |
Wicked words here. | 0:16:40 | 0:16:42 | |
"La-la-la-la-la-la-la. | 0:16:42 | 0:16:44 | |
"La-la-la-la-la." There's a lot of la's. | 0:16:44 | 0:16:47 | |
Shall we have a go at Spice Up Your Life? | 0:16:47 | 0:16:49 | |
La-la-la... | 0:16:49 | 0:16:50 | |
HE PLAYS "Spice Up Your Life" ON THE PIANO | 0:16:50 | 0:16:52 | |
One, two, three and... | 0:16:54 | 0:16:55 | |
# La-la-la-la-la-la-la | 0:16:55 | 0:17:00 | |
# La-la-la-la-la-la-la-la... # | 0:17:00 | 0:17:03 | |
It sounds dreadful at the moment, if I'm honest, | 0:17:04 | 0:17:07 | |
but I, you know, I mean it's fun! | 0:17:07 | 0:17:11 | |
Hands up for Spice Girls? | 0:17:11 | 0:17:13 | |
Good God. OK. | 0:17:13 | 0:17:15 | |
I think this is a really fun choice. Pass those round. | 0:17:17 | 0:17:21 | |
Let's try a sing-through. One, two, three and... | 0:17:21 | 0:17:24 | |
# When you're feeling | 0:17:24 | 0:17:26 | |
# Sad and low | 0:17:26 | 0:17:28 | |
# We will take you | 0:17:28 | 0:17:30 | |
# Where you gotta go | 0:17:30 | 0:17:32 | |
# Smiling dancing | 0:17:32 | 0:17:34 | |
# Everything is free | 0:17:34 | 0:17:36 | |
# All you need is positivity... # | 0:17:36 | 0:17:38 | |
Maybe bring in the sopranos here and... | 0:17:38 | 0:17:40 | |
# Colours of the world! | 0:17:40 | 0:17:41 | |
# Every boy and every girl. # | 0:17:41 | 0:17:42 | |
Yeah, now there is a note. Thank you Kimberley, bravely done. | 0:17:42 | 0:17:45 | |
Well, why...? | 0:17:45 | 0:17:46 | |
Why be embarrassed about the Spice Girls? | 0:17:46 | 0:17:48 | |
It's fine. You've got it in your record collection, obviously. | 0:17:48 | 0:17:51 | |
At first, I wasn't expecting it at all. | 0:17:51 | 0:17:53 | |
I didn't think I'd be singing Spice Girls today at choir practice. | 0:17:53 | 0:17:57 | |
Cos I had my reservations about Spice Girls. Yeah. | 0:17:57 | 0:18:00 | |
But he makes it sound amazing, even after half an hour, so brilliant. | 0:18:00 | 0:18:04 | |
I knew it was going to be fun, | 0:18:04 | 0:18:05 | |
but it was better fun than I thought it would be so, yeah. | 0:18:05 | 0:18:08 | |
May I encourage you to work extremely hard | 0:18:08 | 0:18:11 | |
and get the notes learnt for the next time I see you? | 0:18:11 | 0:18:13 | |
I want to refine it and that's what's going to count | 0:18:13 | 0:18:15 | |
when we get to the competitive stage of this contest. | 0:18:15 | 0:18:18 | |
I will see you next time! Good, good, good start! | 0:18:18 | 0:18:21 | |
All right. | 0:18:21 | 0:18:23 | |
There are some belters in there | 0:18:24 | 0:18:26 | |
and that'll be something to watch for me. | 0:18:26 | 0:18:29 | |
There's a balance to be struck between having a great time, | 0:18:29 | 0:18:31 | |
which they were today, and actually making something that's musical | 0:18:31 | 0:18:34 | |
and feels like a performance, | 0:18:34 | 0:18:36 | |
and we're quite far from that at the moment. | 0:18:36 | 0:18:38 | |
Can honestly say I'd never sung a Spice Girls song? | 0:18:43 | 0:18:46 | |
What are you doing, John? | 0:18:46 | 0:18:47 | |
Don't tap your hand to the Spice Girls! | 0:18:47 | 0:18:49 | |
With his time split across five companies in the contest, | 0:18:52 | 0:18:55 | |
Gareth calls in a local choirmaster to bring their singing to | 0:18:55 | 0:18:59 | |
competition standard. | 0:18:59 | 0:19:00 | |
# La-la-la-la-la-la-la | 0:19:02 | 0:19:05 | |
# When you're feeling, sad and low | 0:19:05 | 0:19:09 | |
# We will take you where you gotta go | 0:19:09 | 0:19:13 | |
# Smiling, dancing, everything is free... # | 0:19:13 | 0:19:16 | |
There's 157,000 colleagues that work for the company. | 0:19:16 | 0:19:21 | |
To be one of 23 in a choir, it's mind-blowing, it's amazing. | 0:19:21 | 0:19:27 | |
Before the next rehearsal, Gareth wants to get a sense of the | 0:19:29 | 0:19:32 | |
different roles the members of his choir perform for the company. | 0:19:32 | 0:19:36 | |
He's come to meet Chris. | 0:19:37 | 0:19:38 | |
So which department do you work in? General merchandising. OK. | 0:19:40 | 0:19:42 | |
And that's...to you that's like the home department from TVs... | 0:19:42 | 0:19:45 | |
Oh, great. ..to DVDs, everything, bedding. Oh, this is fun! | 0:19:45 | 0:19:48 | |
Yeah. The boys' toys department. | 0:19:48 | 0:19:49 | |
Boys' toys. I love it. So six months you've been here? | 0:19:49 | 0:19:52 | |
Yeah, just over six months, yeah. And what were you doing before that? | 0:19:52 | 0:19:55 | |
I was serving some time, yeah. Prison? | 0:19:55 | 0:19:57 | |
In prison, yes. | 0:19:57 | 0:19:59 | |
For what, may I ask? | 0:19:59 | 0:20:00 | |
I don't know, erm... | 0:20:00 | 0:20:04 | |
Yeah, well, basically possession with intent to supply, class A. | 0:20:04 | 0:20:08 | |
Class A. Yeah. | 0:20:08 | 0:20:09 | |
I wasn't no bad person | 0:20:09 | 0:20:11 | |
but it's just I got caught up with the wrong crowd. | 0:20:11 | 0:20:13 | |
Yeah. How was it inside? | 0:20:13 | 0:20:14 | |
It's what goes on in your mind when you're inside, | 0:20:14 | 0:20:16 | |
that's the main thing, because like obviously I've got a family | 0:20:16 | 0:20:19 | |
and stuff like that so... Yeah. Have you got children or...? | 0:20:19 | 0:20:22 | |
Yeah, I've got children. I've got two boys. | 0:20:22 | 0:20:24 | |
You look at your whole life, you look at everything about yourself | 0:20:24 | 0:20:27 | |
and you make your assessments, your judgments, soul-searching. | 0:20:27 | 0:20:29 | |
You must be very grateful to have a job? | 0:20:29 | 0:20:31 | |
Course I'm grateful to have a job. | 0:20:31 | 0:20:33 | |
They've gave me a second chance, so, you know. | 0:20:33 | 0:20:34 | |
That's got to buy some loyalty, right? Of course! Yeah. | 0:20:34 | 0:20:37 | |
Definitely. I buy my shopping here, that's the loyalty. | 0:20:37 | 0:20:39 | |
I bet you do. Yeah. | 0:20:39 | 0:20:40 | |
I really appreciate that Sainsbury's have given somebody like Chris | 0:20:40 | 0:20:44 | |
a chance and it's like socially responsible. | 0:20:44 | 0:20:46 | |
And he was caught for something that is serious but, | 0:20:46 | 0:20:49 | |
in the grand scheme of things, you know, a young man like him, | 0:20:49 | 0:20:52 | |
he could turn it round. | 0:20:52 | 0:20:54 | |
Of the 23 members of the choir, more than half work in head office. | 0:20:56 | 0:21:01 | |
But company executives are encouraged | 0:21:01 | 0:21:03 | |
to get away from their desks. | 0:21:03 | 0:21:05 | |
Kimberly Davenport is visiting a local supplier. | 0:21:05 | 0:21:08 | |
I feel like we're in France. I know. | 0:21:08 | 0:21:10 | |
Bonjour. Bonjour, bonjour! Ca va? | 0:21:10 | 0:21:12 | |
Oui. Oui. | 0:21:12 | 0:21:13 | |
Kimberley's been with the company for nearly 20 years. | 0:21:13 | 0:21:16 | |
It's not a mundane job by any stretch. | 0:21:16 | 0:21:19 | |
I have so much to do, so much to try and fit into my day, | 0:21:19 | 0:21:23 | |
and nice things as well like wine tasting and creative writing, | 0:21:23 | 0:21:28 | |
so it's great to be able to do something that is so varied. | 0:21:28 | 0:21:32 | |
If I buy a bottle of wine from Sainsbury's... Yes. | 0:21:32 | 0:21:34 | |
..it's probably you that's written what's on the back? | 0:21:34 | 0:21:36 | |
It's definitely me that's written what's... Every time. | 0:21:36 | 0:21:39 | |
That's exciting. Yes. | 0:21:39 | 0:21:40 | |
What does it taste like? | 0:21:40 | 0:21:42 | |
Want to come and taste some? Well, if we must, yeah. Let's go. | 0:21:42 | 0:21:45 | |
Yeah, I'll twist your arm. OK. | 0:21:45 | 0:21:46 | |
There's just so many different jobs in Sainsbury's, | 0:21:46 | 0:21:49 | |
it's such a diverse company. | 0:21:49 | 0:21:51 | |
And to be there, having been in the cooler in the depot, | 0:21:51 | 0:21:55 | |
it's just an... It's another universe, it really is. | 0:21:55 | 0:21:59 | |
Ah, what is that? Tell me. | 0:21:59 | 0:22:01 | |
Let me lead you to a French bakery. | 0:22:01 | 0:22:03 | |
People from the depot, people from the stores, | 0:22:03 | 0:22:05 | |
people from head office coming out and being round vineyards, it's... | 0:22:05 | 0:22:09 | |
Everyone seems to have their role within Sainsbury's, | 0:22:09 | 0:22:12 | |
but I wonder how much they're aware of each other's roles. | 0:22:12 | 0:22:15 | |
It's been five days since the choir first met. | 0:22:21 | 0:22:24 | |
We've only been together a few days. Yeah. | 0:22:27 | 0:22:28 | |
This don't sound too bad at all so... | 0:22:28 | 0:22:30 | |
No. We sounded like a choir, I thought. | 0:22:30 | 0:22:32 | |
I'm nervous today because... Cos it's... | 0:22:32 | 0:22:35 | |
Of what he's, you know, expecting from us? Yeah. Yeah. | 0:22:35 | 0:22:37 | |
You find yourself singing it constantly throughout the day, | 0:22:37 | 0:22:40 | |
so at my desk I've been singing it and humming it, yeah, | 0:22:40 | 0:22:43 | |
getting some strange looks off of my colleagues. | 0:22:43 | 0:22:45 | |
I'm looking forward to seeing them because they are fun. | 0:22:45 | 0:22:48 | |
I like them a lot. | 0:22:48 | 0:22:49 | |
I can't wait to hear what they sound like. | 0:22:50 | 0:22:52 | |
Hi, Josh, how are you? Yeah, good. | 0:22:52 | 0:22:55 | |
Have you decided who's who from the Spice Girls? | 0:22:55 | 0:22:57 | |
Have you got a...? | 0:22:57 | 0:22:58 | |
Ginger Spice. | 0:22:58 | 0:23:00 | |
Yeah. I can be Old Spice. | 0:23:00 | 0:23:02 | |
Yeah, Old Spice. | 0:23:02 | 0:23:03 | |
Hey! | 0:23:03 | 0:23:05 | |
Hey! Every one a winner! | 0:23:05 | 0:23:07 | |
Good, OK, so sheets down, let's get ready to sing. | 0:23:07 | 0:23:09 | |
One, two, three, four. | 0:23:09 | 0:23:11 | |
# Aaah | 0:23:11 | 0:23:13 | |
# Ba-rum ba-ba | 0:23:13 | 0:23:15 | |
# Aaah | 0:23:15 | 0:23:17 | |
# Ba-rum ba-ba | 0:23:17 | 0:23:19 | |
# La-la-la-la-la-la-la | 0:23:19 | 0:23:23 | |
# La-la-la-la-la-la-la-la | 0:23:23 | 0:23:27 | |
# When you're feeling sad and low | 0:23:27 | 0:23:31 | |
# We will take you where you gotta go | 0:23:31 | 0:23:35 | |
# Colours of the world Spice up your life | 0:23:35 | 0:23:37 | |
# Every boy and every girl Spice up your life | 0:23:37 | 0:23:39 | |
# People of the world Spice up your life | 0:23:39 | 0:23:41 | |
# Hai, si, ja, hold tight. # | 0:23:41 | 0:23:43 | |
Well, it's loud! | 0:23:43 | 0:23:45 | |
Well done! OK, good. | 0:23:45 | 0:23:47 | |
Have a seat and I'll give you some feedback. | 0:23:47 | 0:23:49 | |
What's that bit, colours of the world, SPICE UP YOUR LIFE! | 0:23:52 | 0:23:55 | |
SPICE UP YOUR LIFE! | 0:23:55 | 0:23:56 | |
It's like, "I'm so," you know, "I'm sorry! | 0:23:56 | 0:23:59 | |
"Am I not spicy enough for you?" | 0:23:59 | 0:24:01 | |
Generally, we've gone into lots and lots of solos, | 0:24:02 | 0:24:06 | |
because you've probably been practising on your own | 0:24:06 | 0:24:08 | |
and you get your own part. It's a choir not a karaoke. | 0:24:08 | 0:24:11 | |
Let's have those notes again. So bass, | 0:24:11 | 0:24:13 | |
# Ah-ah-dah-dah. # | 0:24:13 | 0:24:17 | |
One, two, three. | 0:24:17 | 0:24:19 | |
# Aaaah. # | 0:24:19 | 0:24:21 | |
I didn't feel the excitement in your breath. One. | 0:24:21 | 0:24:23 | |
It's before you're even singing. | 0:24:23 | 0:24:25 | |
I want to see excited eyebrows, I want to hear, you know... | 0:24:25 | 0:24:28 | |
You're the Spice Girls and you're performing to Wembley Stadium. | 0:24:28 | 0:24:31 | |
One, two... | 0:24:31 | 0:24:33 | |
# Slam it to the left. # | 0:24:33 | 0:24:34 | |
Yeah, that's too long and it's not in tune, | 0:24:34 | 0:24:36 | |
apart from that it's wonderful. | 0:24:36 | 0:24:38 | |
One, two, three and... | 0:24:38 | 0:24:39 | |
# Slam it to the left. # | 0:24:39 | 0:24:41 | |
With the song coming together, | 0:24:41 | 0:24:42 | |
Gareth wants to step up the pressure. | 0:24:42 | 0:24:45 | |
Good. Right, well, now you've got your heads round the song, | 0:24:45 | 0:24:48 | |
I think it's time to put it to the test. | 0:24:48 | 0:24:50 | |
I think it's time you performed it. | 0:24:50 | 0:24:53 | |
We're going to go and perform this song, where better, than in store... | 0:24:54 | 0:24:59 | |
..welcoming customers into Sainsbury's? | 0:25:00 | 0:25:03 | |
OK? I'm excited! | 0:25:04 | 0:25:06 | |
You're excited? Just look around. | 0:25:06 | 0:25:09 | |
LAUGHTER | 0:25:09 | 0:25:10 | |
Are you ready? Follow me. | 0:25:13 | 0:25:16 | |
I thought that Gareth was an all-right bloke | 0:25:16 | 0:25:19 | |
when I first met him, but I'm doubting it now. | 0:25:19 | 0:25:21 | |
It's very daunting, actually, just singing in front of actually | 0:25:21 | 0:25:24 | |
an audience, but they're just strangers walking in and out. | 0:25:24 | 0:25:28 | |
But we'll see. | 0:25:28 | 0:25:29 | |
It's very hard to pull this song off. | 0:25:29 | 0:25:31 | |
I don't think it's going to be chorally beautiful, | 0:25:31 | 0:25:33 | |
I think it's going to be a bit shouty. | 0:25:33 | 0:25:34 | |
But I would like it to be of a good musical level. | 0:25:34 | 0:25:37 | |
I don't know if I can expect that today. | 0:25:37 | 0:25:39 | |
OK, roll up, roll up, come and have a listen! I have one thing to do. | 0:25:51 | 0:25:54 | |
No! | 0:25:57 | 0:25:58 | |
Hello. Good afternoon, ladies and gentlemen. | 0:26:01 | 0:26:04 | |
The Sainsbury's choir will be performing | 0:26:04 | 0:26:06 | |
at the front of the store in approximately 30 seconds. | 0:26:06 | 0:26:08 | |
Please come and enjoy the performance. Thank you! | 0:26:08 | 0:26:10 | |
Let's have an audience! Come and be an audience! | 0:26:12 | 0:26:14 | |
Come and listen! | 0:26:14 | 0:26:16 | |
Lots of staff. | 0:26:16 | 0:26:18 | |
Customers not so interested. | 0:26:18 | 0:26:20 | |
If you're over there, do come and be an audience over here. | 0:26:21 | 0:26:24 | |
Thank you. | 0:26:24 | 0:26:25 | |
# Aaah! Ba-rum ba-ba | 0:26:30 | 0:26:32 | |
# Aaah! Ba-rum ba-ba Aaah! Ba-rum ba-ba | 0:26:32 | 0:26:36 | |
# Aaah! Ba-rum ba-ba | 0:26:36 | 0:26:38 | |
# # La-la-la-la-la-la-la | 0:26:38 | 0:26:42 | |
# La-la-la-la-la-la-la-la | 0:26:42 | 0:26:46 | |
# When you're feeling sad and low | 0:26:46 | 0:26:50 | |
# We will take you where you gotta go | 0:26:50 | 0:26:54 | |
# Smiling dancing | 0:26:54 | 0:26:56 | |
# Everything is free | 0:26:56 | 0:26:58 | |
# All you need is positivity | 0:26:58 | 0:27:02 | |
# Colours of the world Spice up your life | 0:27:02 | 0:27:04 | |
# Every boy and girl Spice up your life | 0:27:04 | 0:27:05 | |
# People of the world Spice up your life | 0:27:05 | 0:27:08 | |
# Aaaaah | 0:27:08 | 0:27:09 | |
# Slam it to the left If you're having a good time | 0:27:09 | 0:27:12 | |
# Shake it to the right If you know that you feel fine | 0:27:12 | 0:27:14 | |
# Chicas to the front! Uh! Uh! | 0:27:14 | 0:27:15 | |
# Go round | 0:27:15 | 0:27:17 | |
# Slam it to the left If you're having a good time | 0:27:17 | 0:27:19 | |
# Shake it to the right If you know that you feel fine | 0:27:19 | 0:27:21 | |
# Chicas to the front! Uh! Uh! | 0:27:21 | 0:27:23 | |
# Hai, si, ja, hold tight. # | 0:27:23 | 0:27:25 | |
The Sainsbury choir's got groupies! | 0:27:31 | 0:27:33 | |
I've not had many people waving their Nectar cards at me before! | 0:27:33 | 0:27:37 | |
I think we did a really good performance! | 0:27:37 | 0:27:39 | |
You know, for a choir that was put together a week ago, | 0:27:39 | 0:27:41 | |
I think we're not bad at all. | 0:27:41 | 0:27:43 | |
And I loved seeing John dancing away to the Spice Girls. | 0:27:43 | 0:27:46 | |
I know! It was hilarious. With his hands in his pockets going... | 0:27:46 | 0:27:51 | |
So, well done! You've done your first performance. | 0:27:51 | 0:27:53 | |
How did it feel? | 0:27:53 | 0:27:54 | |
Did you love it or was it...? | 0:27:54 | 0:27:56 | |
Yeah? Love it. Want to do it again and again and again. | 0:27:56 | 0:27:59 | |
You want to do it again and again? | 0:27:59 | 0:28:01 | |
Good, I'm glad. We will be doing a lot more. | 0:28:01 | 0:28:04 | |
So I thought that it almost felt like a choir. | 0:28:04 | 0:28:08 | |
You know, there were moments where it absolutely came together | 0:28:08 | 0:28:12 | |
and then, ooh, just sort of kind of slightly, slightly came apart. | 0:28:12 | 0:28:16 | |
You're going to have to make sure that all your future performances | 0:28:16 | 0:28:20 | |
are a notch up from that, a notch more together, | 0:28:20 | 0:28:24 | |
because this is your last free pass, this is your last dress rehearsal. | 0:28:24 | 0:28:29 | |
Everything you now do is going to be assessed and judged by the judges. | 0:28:29 | 0:28:34 | |
I actually feel quite scared now... | 0:28:35 | 0:28:37 | |
Mmm. ..because Gareth made it sound like we were good, | 0:28:37 | 0:28:42 | |
but not really good. Not good enough. | 0:28:42 | 0:28:44 | |
It's just a reality check that... | 0:28:44 | 0:28:46 | |
a reminder that we're in a competition | 0:28:46 | 0:28:48 | |
and that there are other choirs who might be working harder than us | 0:28:48 | 0:28:50 | |
and giving more than we might be. | 0:28:50 | 0:28:52 | |
One or two of them looked a little bit sheepish. | 0:28:52 | 0:28:55 | |
I'd say Chris on the front row looked utterly embarrassed, | 0:28:55 | 0:28:57 | |
which is not great, but some of them were really getting into the vibe. | 0:28:57 | 0:29:01 | |
And it's the sort of song where it really lives or dies by how much | 0:29:01 | 0:29:05 | |
you believe in it, and I think some of them really got that | 0:29:05 | 0:29:07 | |
and some didn't. | 0:29:07 | 0:29:08 | |
A day later, the choir gather for their next rehearsal. | 0:29:15 | 0:29:19 | |
From now on, everything they do will be focused on the contest. | 0:29:19 | 0:29:23 | |
Hello, everyone! | 0:29:24 | 0:29:26 | |
Right, come along, let's get on with it! | 0:29:27 | 0:29:29 | |
There's singing to be done! | 0:29:29 | 0:29:31 | |
In less than two months, they'll be performing to an invited audience | 0:29:31 | 0:29:35 | |
and the contest judges. | 0:29:35 | 0:29:37 | |
So you've done a really upbeat, jolly, out there song. | 0:29:37 | 0:29:40 | |
I wanted to do a song that was emotionally very, | 0:29:40 | 0:29:43 | |
very different from the one that you've just done. | 0:29:43 | 0:29:46 | |
How would you feel about something by Dolly Parton? | 0:29:46 | 0:29:50 | |
I don't know if you'll know it, it's not as famous as some of her others. | 0:29:50 | 0:29:53 | |
The song that we're going to do is called Bargain Store. | 0:29:53 | 0:29:55 | |
So next time you sing, there will be judges present, | 0:29:57 | 0:30:00 | |
so it needs to be really, really good. | 0:30:00 | 0:30:04 | |
Shall we have a go at it? | 0:30:04 | 0:30:06 | |
# My life is like unto a bargain store... # | 0:30:06 | 0:30:09 | |
Two, three, four. | 0:30:09 | 0:30:11 | |
# My life is like unto a bargain store... # | 0:30:11 | 0:30:15 | |
Three, four. | 0:30:17 | 0:30:18 | |
# And I may have just what you're looking for... # | 0:30:18 | 0:30:22 | |
We've got to get a little bit of style into there. | 0:30:22 | 0:30:25 | |
We're not hitting the note, we're going "nnn-ever." | 0:30:25 | 0:30:27 | |
So I need na-na-na. | 0:30:27 | 0:30:30 | |
# Never | 0:30:30 | 0:30:31 | |
# Never. # | 0:30:31 | 0:30:32 | |
No, you're on the wrong note. | 0:30:32 | 0:30:33 | |
Something's happened to them. The spirit's gone out of them. | 0:30:33 | 0:30:36 | |
I don't know what's going on. | 0:30:36 | 0:30:37 | |
There's just a sort of lack of oomph in them. | 0:30:37 | 0:30:40 | |
I don't know if I've crushed them or whether they've crushed themselves. | 0:30:40 | 0:30:44 | |
# Never | 0:30:44 | 0:30:45 | |
# Never. # | 0:30:45 | 0:30:46 | |
Not together, is it? | 0:30:46 | 0:30:47 | |
I get one thing and then we lose the other thing and then I get this | 0:30:47 | 0:30:50 | |
and then we lose that, so really what I'm trying to do is build. | 0:30:50 | 0:30:54 | |
Just sing me... | 0:30:54 | 0:30:55 | |
# Ah-ah. # | 0:30:55 | 0:30:56 | |
Together, three and... | 0:30:56 | 0:30:58 | |
# Ah-ah. # | 0:30:58 | 0:31:00 | |
A lot of them are very inhibited, and some of the depot staff | 0:31:00 | 0:31:04 | |
are just sitting there like mice and not really going for it, | 0:31:04 | 0:31:08 | |
not making much of a contribution and I think that's a real shame. | 0:31:08 | 0:31:12 | |
It's not really what it's about. | 0:31:12 | 0:31:14 | |
It's not the head office choir with a couple of token support men, | 0:31:14 | 0:31:16 | |
support staff members. | 0:31:16 | 0:31:18 | |
That's not the idea. | 0:31:18 | 0:31:20 | |
Despite the slump in confidence, | 0:31:20 | 0:31:22 | |
Gareth must push ahead with the contest schedule. | 0:31:22 | 0:31:25 | |
Importantly, when I next see you, I'm going to come back | 0:31:25 | 0:31:29 | |
and I'm going to audition for a solo. | 0:31:29 | 0:31:32 | |
So who thinks they should be doing a solo? | 0:31:32 | 0:31:35 | |
I think Laura should do a solo. | 0:31:35 | 0:31:37 | |
Do you, Nav? Anyone else? | 0:31:37 | 0:31:39 | |
Is it really just literally just you, Laura? | 0:31:39 | 0:31:41 | |
That's going to be a very short audition. | 0:31:41 | 0:31:43 | |
Look, have a think about it, put your name forward | 0:31:43 | 0:31:45 | |
and I will see as many of you as would like, you know, | 0:31:45 | 0:31:49 | |
would seriously like to be the soloist. | 0:31:49 | 0:31:51 | |
It's clear there's a really big divide in this choir | 0:31:51 | 0:31:53 | |
between the head office people and the people from stores and depots. | 0:31:53 | 0:31:56 | |
It's just plain as the nose on your face. | 0:31:56 | 0:31:58 | |
It's my responsibility to build them up. | 0:31:58 | 0:32:00 | |
I've got to get them out of this | 0:32:00 | 0:32:01 | |
and I've got to make the team start to work. | 0:32:01 | 0:32:04 | |
Lorry driver John Eustace | 0:32:07 | 0:32:09 | |
has been working out of the Waltham Point depot for 27 years. | 0:32:09 | 0:32:13 | |
That's mine, that one there. That's yours? | 0:32:13 | 0:32:15 | |
That one is mine. | 0:32:15 | 0:32:16 | |
Gareth wants to get his take on the choir's confidence levels. | 0:32:16 | 0:32:20 | |
So how's the choir going? Really good. Yeah? | 0:32:23 | 0:32:26 | |
So is that making you think you might like to go for the solo? | 0:32:26 | 0:32:29 | |
If I'm honest, it's not on my mind. | 0:32:31 | 0:32:33 | |
You don't see yourself as a Dolly Parton? | 0:32:33 | 0:32:35 | |
A Dolly Parton. No, I don't see myself as a Dolly Parton, no. | 0:32:35 | 0:32:38 | |
Are any of the other guys from the depot going for the solo, | 0:32:38 | 0:32:40 | |
do you think? The depot colleagues seem to be under the impression that | 0:32:40 | 0:32:43 | |
it's sort of...there are stronger, more confident people | 0:32:43 | 0:32:47 | |
that sort of... That want that role | 0:32:47 | 0:32:49 | |
and take it forward and it's sort of... Yeah. | 0:32:49 | 0:32:52 | |
Well, it's not a case of... Office types. | 0:32:52 | 0:32:55 | |
Yeah. Yeah. Basically, yeah. | 0:32:55 | 0:32:57 | |
We've always seen them as being sort of, erm... | 0:32:57 | 0:33:00 | |
I don't mean it disrespectfully, | 0:33:00 | 0:33:02 | |
but they're sort of stuck away in their ivory tower. | 0:33:02 | 0:33:04 | |
I love that it's called the Store Support Centre | 0:33:04 | 0:33:06 | |
instead of head office. | 0:33:06 | 0:33:07 | |
Unfortunately, I've always known it as head office so... Yeah. | 0:33:07 | 0:33:10 | |
I've only started calling it that recently because I was... | 0:33:10 | 0:33:13 | |
Because of these guys. ..cos I've been corrected. | 0:33:13 | 0:33:15 | |
It's interesting that John doesn't feel comfortable in the choir yet. | 0:33:15 | 0:33:20 | |
He's definitely feeling like he's on the back foot. | 0:33:20 | 0:33:23 | |
Head office rule the roost in any business and this is no exception. | 0:33:23 | 0:33:27 | |
Despite all their efforts to be colleagues and not bosses, | 0:33:27 | 0:33:32 | |
I think there is a difference between the people that run the thing | 0:33:32 | 0:33:35 | |
and the people that do the work. | 0:33:35 | 0:33:36 | |
The next rehearsal is at company headquarters. | 0:33:42 | 0:33:46 | |
Gareth needs his choir to overcome their inhibitions | 0:33:46 | 0:33:49 | |
and sing with one voice. | 0:33:49 | 0:33:51 | |
I don't think it's anything that the head office staff are doing, | 0:33:52 | 0:33:55 | |
it's that the workers from the depot and the store perceive | 0:33:55 | 0:33:59 | |
the head office as being more confident, more experienced, | 0:33:59 | 0:34:03 | |
go-getters, more competitive, and therefore they're shrinking! | 0:34:03 | 0:34:07 | |
Hello! | 0:34:10 | 0:34:11 | |
How are we doing? | 0:34:11 | 0:34:13 | |
As you know, I'm going around lots of different companies, | 0:34:13 | 0:34:15 | |
so I'm seeing lots of different workplaces, | 0:34:15 | 0:34:17 | |
and I think you have a problem, | 0:34:17 | 0:34:19 | |
which is that you've got people from here in head office, | 0:34:19 | 0:34:22 | |
you've got people from the depot and you've got people in the stores. | 0:34:22 | 0:34:25 | |
And I know that you're all like, you know, part of the great monolith | 0:34:25 | 0:34:28 | |
that is the Sainsbury's family, | 0:34:28 | 0:34:31 | |
but you don't really know each other very well | 0:34:31 | 0:34:34 | |
and you're not yet, I don't think, one team. | 0:34:34 | 0:34:38 | |
Is this a fair comment? A fair comment, yeah. | 0:34:38 | 0:34:41 | |
Maybe it's...just speaking for myself, it's the fear of when | 0:34:41 | 0:34:43 | |
you stand up singing dud notes and looking stupid, | 0:34:43 | 0:34:45 | |
I think that's what it is. | 0:34:45 | 0:34:47 | |
It's exactly the same for me. | 0:34:47 | 0:34:48 | |
My confidence is, like, you need to believe. | 0:34:48 | 0:34:50 | |
And for me, cos I've always had this deep, husky voice, | 0:34:50 | 0:34:53 | |
I've never ever believed that I could do anything like this. | 0:34:53 | 0:34:56 | |
So for me to get up, in front of everyone with this voice, | 0:34:56 | 0:34:58 | |
even speaking now, I'm just like, "Everyone's hearing my voice." | 0:34:58 | 0:35:02 | |
I mean, look, this is the first time you've spoken in a rehearsal, Starr, | 0:35:02 | 0:35:06 | |
it's the first time I've heard your voice, | 0:35:06 | 0:35:08 | |
and this is... It's as important that you feel like your voice is | 0:35:08 | 0:35:12 | |
contributing just as much as anyone else's, | 0:35:12 | 0:35:14 | |
that's going to show in your singing, | 0:35:14 | 0:35:17 | |
because it'll show in your face and it'll show in the sound. | 0:35:17 | 0:35:20 | |
You've got to take care of everyone and you've got to take | 0:35:20 | 0:35:22 | |
the entire team with you, so I think you need to come together. | 0:35:22 | 0:35:26 | |
Shirley and Jodi, would you come out the front and do it together, please? | 0:35:26 | 0:35:30 | |
Would you mind? | 0:35:30 | 0:35:33 | |
Yeah, is that OK? No. | 0:35:33 | 0:35:34 | |
No? It's going to be all right. | 0:35:34 | 0:35:37 | |
Do you want to hold my hand? It's not. I'm shaking. | 0:35:37 | 0:35:40 | |
Really? No, this is... It's going to be good! | 0:35:40 | 0:35:42 | |
Come on, ready, three... | 0:35:42 | 0:35:44 | |
Three and one. | 0:35:44 | 0:35:46 | |
# Ooh-ooh-ooh-ooh-ooh-ooh-ooh... # | 0:35:46 | 0:35:50 | |
Section by section, Gareth brings his singers together. | 0:35:50 | 0:35:54 | |
# Love is all you need to purchase all the merchandise... # | 0:35:54 | 0:35:59 | |
Rah! Now that I like! | 0:35:59 | 0:36:02 | |
# The bargain store is open | 0:36:02 | 0:36:04 | |
# Come inside. # | 0:36:04 | 0:36:10 | |
I love how the back row just ignored it and just watched them. | 0:36:10 | 0:36:14 | |
I meant all of you! | 0:36:14 | 0:36:15 | |
But for Starr, being put on the spot is unnerving. | 0:36:15 | 0:36:19 | |
# My life is like unto a bargain store | 0:36:19 | 0:36:25 | |
# And I may have just... | 0:36:25 | 0:36:26 | |
Now look, Starr, I know you've... | 0:36:26 | 0:36:28 | |
I am so nervous right now. Are you? Why? | 0:36:28 | 0:36:30 | |
It's all right. | 0:36:31 | 0:36:32 | |
She didn't join the choir to be in the limelight. | 0:36:32 | 0:36:35 | |
When I came to say you were in the choir, you were screaming! | 0:36:35 | 0:36:39 | |
Where's that Starr gone? | 0:36:39 | 0:36:41 | |
She's still here. She really is. | 0:36:42 | 0:36:44 | |
Where? Where? | 0:36:44 | 0:36:46 | |
You're worthy of being in this choir, you deserve your place, | 0:36:46 | 0:36:49 | |
you really do! | 0:36:49 | 0:36:50 | |
It's like believing is hard. It's so hard to believe in yourself. | 0:36:50 | 0:36:53 | |
You might believe in yourself but for me... | 0:36:53 | 0:36:55 | |
Yeah, I do. ..it's so hard. | 0:36:55 | 0:36:56 | |
Yeah, I know. I don't know, I don't understand why. | 0:36:56 | 0:36:58 | |
I've always had that problem. Yeah. I don't think you're alone. | 0:36:58 | 0:37:02 | |
I just don't feel like I've got there with this choir. | 0:37:02 | 0:37:05 | |
What I don't know is whether it was wise to bring up all the problems | 0:37:05 | 0:37:09 | |
that the choir clearly have... | 0:37:09 | 0:37:11 | |
..or whether it was actually foolish. | 0:37:12 | 0:37:14 | |
Gareth decides there's only one thing for it - | 0:37:18 | 0:37:21 | |
a good old-fashioned bonding session is in order. | 0:37:21 | 0:37:24 | |
We're all going to the pub and this will be the most-needed pint | 0:37:24 | 0:37:28 | |
in the history of choral music, and that's saying something. | 0:37:28 | 0:37:32 | |
Hello! | 0:37:32 | 0:37:33 | |
Are you drunk already? | 0:37:35 | 0:37:37 | |
Right, what's happening, Kimberley? | 0:37:38 | 0:37:40 | |
Are you talking us through some cheese and wine? | 0:37:40 | 0:37:43 | |
Going to do some cheese and wine matching. | 0:37:43 | 0:37:45 | |
Can I just interrupt proceedings just to say one thing which is this, | 0:37:45 | 0:37:49 | |
apart from Ben over there and Alex over here, | 0:37:49 | 0:37:52 | |
we do have everyone from head office over there | 0:37:52 | 0:37:57 | |
and everyone from the stores and the depots over here? | 0:37:57 | 0:38:00 | |
Can we mix everyone up, please? | 0:38:00 | 0:38:01 | |
Go and sit next to someone you haven't chatted to before, please. | 0:38:01 | 0:38:04 | |
But there's one person missing From the festivities. | 0:38:05 | 0:38:08 | |
Yes! | 0:38:08 | 0:38:10 | |
The deepest male voice in the choir has his own plan to boost his | 0:38:10 | 0:38:14 | |
colleagues' morale... Oh, way-woo-woo. | 0:38:14 | 0:38:16 | |
..and she goes by the name of Candy. | 0:38:16 | 0:38:19 | |
Hello, everyone! You all right? | 0:38:20 | 0:38:24 | |
Oh, my God! | 0:38:24 | 0:38:26 | |
Oh, my God! | 0:38:27 | 0:38:29 | |
I'm sorry, who are you? | 0:38:29 | 0:38:30 | |
Who am I? Your worst nightmare, Gareth. | 0:38:30 | 0:38:33 | |
I know. I mean, the voice is still quite deep. | 0:38:33 | 0:38:35 | |
It's cos they're not quite tucked away. | 0:38:35 | 0:38:38 | |
Well, I think we're all bonded now, aren't we? | 0:38:38 | 0:38:40 | |
Yeah, cracking. | 0:38:40 | 0:38:41 | |
Candy... Yes. ..could we have a bit of Bargain Store? | 0:38:41 | 0:38:44 | |
# The bargain store is open, come inside | 0:38:44 | 0:38:50 | |
# You can easily afford the price. # | 0:38:50 | 0:38:57 | |
'Unbelievable. I mean, I asked for them to bond. | 0:38:57 | 0:39:00 | |
'I did not expect that. That was amazing.' | 0:39:00 | 0:39:04 | |
I think that's perfect. | 0:39:04 | 0:39:05 | |
I think everyone's had a really rip-roaring night. | 0:39:05 | 0:39:08 | |
It was raucous, it was naughty, it was great fun. | 0:39:08 | 0:39:12 | |
Really good. Slightly tipsy. | 0:39:12 | 0:39:14 | |
It was amazing. It was a great night, yeah. | 0:39:18 | 0:39:20 | |
Candy, what an act. Ah! Candy. What an act. | 0:39:20 | 0:39:23 | |
Ah, it was so funny. It was really funny. | 0:39:23 | 0:39:25 | |
And such a surprise seeing Jonathan come out. | 0:39:25 | 0:39:29 | |
Well, is it Jonathan? We still don't know. | 0:39:29 | 0:39:31 | |
It is Jon. Candy. | 0:39:31 | 0:39:33 | |
It's good cos it just loosens everyone up and... | 0:39:33 | 0:39:35 | |
Yeah. | 0:39:35 | 0:39:36 | |
If that doesn't bring them together, then I don't know what will. | 0:39:41 | 0:39:44 | |
# That's the wonder | 0:39:44 | 0:39:47 | |
# The wonder of you. # | 0:39:47 | 0:39:51 | |
# My life is like unto a bargain store... # | 0:39:56 | 0:40:03 | |
It's just seven days until the big performance. | 0:40:03 | 0:40:06 | |
More than half of the choir have stepped up to audition for the solo, | 0:40:06 | 0:40:10 | |
including Ben from the depot and Chris from the superstore. | 0:40:10 | 0:40:14 | |
You saying Dolly Parton ain't soulful? | 0:40:14 | 0:40:15 | |
You need to listen to her and then, you know, | 0:40:15 | 0:40:18 | |
come back and tell me that. | 0:40:18 | 0:40:19 | |
I love Dolly, man, she's good. | 0:40:19 | 0:40:21 | |
I haven't done many songs before in a minor key. | 0:40:24 | 0:40:27 | |
And this is very solemn, and very moving, I think, | 0:40:27 | 0:40:30 | |
which is extremely different from their last song | 0:40:30 | 0:40:33 | |
which was the Spice Girls. | 0:40:33 | 0:40:35 | |
It's a beautiful song, but it requires a solo with emotion, | 0:40:35 | 0:40:38 | |
it requires somebody who can connect with the lyrics, which are all about | 0:40:38 | 0:40:41 | |
the past and moving on from disappointment and broken dreams. | 0:40:41 | 0:40:46 | |
First up, it's Kimberley from beers, wines and spirits. | 0:40:48 | 0:40:52 | |
Hello! Hello, Kimberley. Hello. How are you? | 0:40:52 | 0:40:54 | |
Good, thank you. Good. | 0:40:54 | 0:40:56 | |
Yes, not thinking about it. | 0:40:56 | 0:40:58 | |
Don't think about it. | 0:40:58 | 0:40:59 | |
No, I'm just going to look at all the lovely clothes. | 0:40:59 | 0:41:01 | |
# Take these old used memories from the past | 0:41:01 | 0:41:06 | |
# And these | 0:41:07 | 0:41:08 | |
# Broken dreams and plans that didn't last | 0:41:08 | 0:41:14 | |
# I'll trade them for a future | 0:41:14 | 0:41:17 | |
# I can't use them any more | 0:41:17 | 0:41:20 | |
# I've wasted love but I still have some more. # | 0:41:20 | 0:41:26 | |
You're just beaming. Ha! It's still the sunshine. | 0:41:26 | 0:41:30 | |
It's the sunshine. | 0:41:30 | 0:41:31 | |
You're just so full of vitamin D, you're too happy for this song. | 0:41:31 | 0:41:34 | |
So full of it! Bye. | 0:41:34 | 0:41:35 | |
It's just not there. No, if you don't read those lyrics, | 0:41:35 | 0:41:38 | |
"take these old used memories from the past, | 0:41:38 | 0:41:40 | |
"and these broken dreams and plans that didn't last, | 0:41:40 | 0:41:43 | |
"and think there was a time when..." | 0:41:43 | 0:41:46 | |
If you can't connect with that, then, you know, it's just not there, is it? | 0:41:46 | 0:41:50 | |
Next! | 0:41:50 | 0:41:51 | |
Hello, Chris. You all right? | 0:41:54 | 0:41:56 | |
Very well. Really what I'm looking for is somebody that has | 0:41:56 | 0:41:59 | |
some life experience, | 0:41:59 | 0:42:01 | |
and I think you of all people have got life experience, right? | 0:42:01 | 0:42:05 | |
Right. Yeah. | 0:42:05 | 0:42:06 | |
Could you try and...open up that little compartment of your heart | 0:42:06 | 0:42:12 | |
and put a bit of that into the song? OK. | 0:42:12 | 0:42:15 | |
# Take these old used memories from the past | 0:42:18 | 0:42:25 | |
# And these broken dreams and plans that didn't last... # | 0:42:25 | 0:42:31 | |
Breathe. | 0:42:31 | 0:42:32 | |
# I'll trade them for a future I won't waste them any more | 0:42:32 | 0:42:39 | |
# I've wasted love but I still have some more... # | 0:42:39 | 0:42:44 | |
I kind of expected Chris to be able to relate to this song | 0:42:44 | 0:42:47 | |
knowing what he's been through. | 0:42:47 | 0:42:49 | |
He's been in prison, he's, you know, obviously had quite | 0:42:49 | 0:42:52 | |
an interesting life, and I got some of that when he was singing. | 0:42:52 | 0:42:56 | |
He just, he has that... | 0:42:56 | 0:42:58 | |
It's like there's a backline of experience | 0:42:58 | 0:43:00 | |
that he's able to push against, | 0:43:00 | 0:43:01 | |
so I think that's the best one so far, definitely. | 0:43:01 | 0:43:03 | |
The last audition of the day is Alex Peal. | 0:43:07 | 0:43:10 | |
In her teens, Alex was training to become an opera singer, | 0:43:10 | 0:43:13 | |
but her hopes were dashed at a critical stage. | 0:43:13 | 0:43:16 | |
Tell me about your singing. | 0:43:16 | 0:43:18 | |
Sang a lot till I was 18 and then lost my voice completely | 0:43:18 | 0:43:22 | |
and have just sort of started to get it back. | 0:43:22 | 0:43:25 | |
How did your voice go? I was in a house fire, | 0:43:25 | 0:43:27 | |
and I was very lucky not to be worse injured | 0:43:27 | 0:43:31 | |
but I had to jump out of a second-storey window, | 0:43:31 | 0:43:33 | |
but I lost my speaking voice. | 0:43:33 | 0:43:35 | |
Well, you seem to have dealt with what was potentially... | 0:43:35 | 0:43:38 | |
would, for me, be the biggest loss of my entire life! | 0:43:38 | 0:43:41 | |
You seem to be dealing with it very well. | 0:43:41 | 0:43:43 | |
Probably quite a lot of not letting myself | 0:43:43 | 0:43:46 | |
go down certain emotional avenues. | 0:43:46 | 0:43:49 | |
Shall we have a listen? | 0:43:49 | 0:43:50 | |
# Take these old used memories from the past | 0:43:51 | 0:43:55 | |
# And these broken dreams and plans that didn't last | 0:43:57 | 0:44:04 | |
# I'll trade them for a future I can't use them any more | 0:44:04 | 0:44:11 | |
# I've wasted love but I still have some more. # | 0:44:11 | 0:44:16 | |
Thank you. Thanks, Alex. See you later. | 0:44:19 | 0:44:22 | |
It's so powerful what she said. | 0:44:22 | 0:44:24 | |
It's so powerful for me, and I think for her... | 0:44:24 | 0:44:27 | |
it's almost too... | 0:44:27 | 0:44:29 | |
I think it's too painful for her to really describe to me. | 0:44:29 | 0:44:33 | |
I think that's it. You know, I think it's almost too much. | 0:44:33 | 0:44:35 | |
After five hours of auditions and 14 singers to choose from, | 0:44:39 | 0:44:43 | |
Gareth is ready to announce who will open the performance. | 0:44:43 | 0:44:48 | |
So, you probably want to know who's doing the solo, don't you? | 0:44:48 | 0:44:51 | |
Is that tense enough? | 0:44:52 | 0:44:54 | |
I would like the soloist to be... | 0:44:55 | 0:44:57 | |
..Alex. | 0:44:59 | 0:45:00 | |
What? | 0:45:00 | 0:45:01 | |
..I'd like you as the soloist. | 0:45:02 | 0:45:04 | |
Will you come out, please, out to the front? | 0:45:05 | 0:45:07 | |
Come and stand here next to me. | 0:45:07 | 0:45:09 | |
My God! I'm really worried everyone's going to think I'm crap. | 0:45:09 | 0:45:12 | |
Don't be silly! | 0:45:12 | 0:45:14 | |
Does everybody know what happened to Alex's voice? No. | 0:45:14 | 0:45:17 | |
Alex, tell the choir. | 0:45:17 | 0:45:18 | |
I used to do a lot of singing till I was 18. | 0:45:18 | 0:45:20 | |
I was in a house fire and, erm... | 0:45:20 | 0:45:24 | |
I'm sorry, I said I was going to cry today. | 0:45:24 | 0:45:26 | |
And I haven't been able to sing really since. | 0:45:26 | 0:45:29 | |
I had an operation three years ago | 0:45:29 | 0:45:32 | |
that reconstructed all my vocal cords | 0:45:32 | 0:45:34 | |
and now I've started being able to sing again, so... | 0:45:34 | 0:45:37 | |
I've tried really hard never to lose the belief that I would | 0:45:38 | 0:45:41 | |
sing again, erm... | 0:45:41 | 0:45:44 | |
but it didn't look very likely. | 0:45:44 | 0:45:46 | |
Oh, sorry. | 0:45:48 | 0:45:49 | |
So, no, it's just... | 0:45:54 | 0:45:56 | |
It's wonderful. | 0:45:56 | 0:45:57 | |
The clock is ticking towards the performance in front of the judges. | 0:46:01 | 0:46:05 | |
I just can't express in such a short time what a great experience | 0:46:10 | 0:46:13 | |
it's been. Everything just feels positive about it. | 0:46:13 | 0:46:18 | |
# The bargain store is open... | 0:46:18 | 0:46:20 | |
# Come inside. # | 0:46:20 | 0:46:25 | |
These people you never really get to see, you know, | 0:46:25 | 0:46:27 | |
we work different departments, different areas, | 0:46:27 | 0:46:30 | |
and that experience of working with people that you... | 0:46:30 | 0:46:32 | |
that are part of your company, | 0:46:32 | 0:46:35 | |
but a different aspect, is really good. | 0:46:35 | 0:46:37 | |
After weeks of preparation, the moment of truth has arrived. | 0:46:39 | 0:46:43 | |
And Store Support have set the stage for a spectacular show. | 0:46:43 | 0:46:48 | |
Wow! | 0:46:48 | 0:46:49 | |
What? There's my name! | 0:46:53 | 0:46:56 | |
The name board, man, I feel like I'm famous. | 0:46:56 | 0:46:58 | |
I'm on the top line, you know? | 0:46:58 | 0:47:00 | |
It shows that even head office and all that, they're backing us | 0:47:00 | 0:47:03 | |
100% and want us to go on and do well. | 0:47:03 | 0:47:06 | |
Really nervous. Yeah. | 0:47:06 | 0:47:07 | |
Really nervous. I've never sang in front of anybody... | 0:47:07 | 0:47:10 | |
and then this is like overwhelming seeing this! | 0:47:10 | 0:47:13 | |
It's amazing. It's giving me goose bumps! | 0:47:13 | 0:47:15 | |
Just amazing. Just I'm generally... And then I think that's just... | 0:47:15 | 0:47:20 | |
that's definitely put a lump in my throat so... | 0:47:20 | 0:47:23 | |
For those who don't work in head office, which is half of the choir, | 0:47:23 | 0:47:26 | |
to come here in the first place is intimidating, | 0:47:26 | 0:47:28 | |
never mind stand up in front of half the workforce and sing like this. | 0:47:28 | 0:47:32 | |
That's a big thing. | 0:47:32 | 0:47:33 | |
So I hope that they're going to rise to that challenge | 0:47:33 | 0:47:36 | |
and that their personality will come out and they don't sort of | 0:47:36 | 0:47:38 | |
get squashed by fear. It can easily happen. | 0:47:38 | 0:47:41 | |
So, this is Sainsbury's! | 0:47:49 | 0:47:51 | |
It is! Look at this, here are the trolleys! Whoo-hoo! | 0:47:51 | 0:47:53 | |
Judging the contest are three highly distinguished figures | 0:47:53 | 0:47:56 | |
of the musical establishment. | 0:47:56 | 0:47:58 | |
What do you make of this acoustic, though? | 0:47:58 | 0:48:00 | |
I think it could be quite good. | 0:48:00 | 0:48:02 | |
The first judge is Sarah Fox, | 0:48:02 | 0:48:04 | |
one of Britain's most successful sopranos... | 0:48:04 | 0:48:06 | |
I think if it's your first time performing | 0:48:06 | 0:48:08 | |
and it's somewhere like this, I think this is a great acoustic | 0:48:08 | 0:48:11 | |
for first time. | 0:48:11 | 0:48:13 | |
..Professor Paul Mealor, | 0:48:13 | 0:48:14 | |
recently voted the nation's favourite living composer... | 0:48:14 | 0:48:18 | |
I'm slightly worried about the middle voices, | 0:48:18 | 0:48:20 | |
because it's great... | 0:48:20 | 0:48:22 | |
Top soprano notes can come through, low notes can kind of be heard, | 0:48:22 | 0:48:25 | |
it's those middle voices and there's a lot of tenor in this. | 0:48:25 | 0:48:28 | |
They could get lost. They might struggle getting the words across. | 0:48:28 | 0:48:30 | |
..and finally, award-winning gospel composer, performer and conductor, | 0:48:30 | 0:48:34 | |
Ken Burton. | 0:48:34 | 0:48:35 | |
Going to have people from really different parts of the company, | 0:48:35 | 0:48:38 | |
so those who might feel very confident in terms of their | 0:48:38 | 0:48:40 | |
singing voices, those who might feel quite timid, | 0:48:40 | 0:48:43 | |
and just to see how that all, you know, all meshes together. | 0:48:43 | 0:48:48 | |
The choir's performance today will be taken into consideration | 0:48:49 | 0:48:53 | |
as the contest progresses to the knockout phases. | 0:48:53 | 0:48:57 | |
The audience of 300 colleagues, friends and family await. | 0:48:57 | 0:49:01 | |
Hello! | 0:49:05 | 0:49:06 | |
Is there a sense of excitement in the air? | 0:49:06 | 0:49:09 | |
Is there a sense of nerves? | 0:49:09 | 0:49:11 | |
Yeah? It's going to be great, I think. This is a home crowd. | 0:49:11 | 0:49:13 | |
Remember, they're on your side, they want you to do well. | 0:49:13 | 0:49:17 | |
If you have got a little bit of magic in your back pocket, | 0:49:17 | 0:49:21 | |
this is the time to deploy it. | 0:49:21 | 0:49:23 | |
Get into the feeling of the song, the heartbreak, the triumph. | 0:49:23 | 0:49:28 | |
If you can show a bit of that grit... | 0:49:28 | 0:49:31 | |
Yes, that would be really, really beneficial. | 0:49:31 | 0:49:33 | |
Be yourselves, enjoy it and let your personality shine. | 0:49:33 | 0:49:36 | |
It's going to be great. Shall we go for it? | 0:49:36 | 0:49:39 | |
Come on, let's go! | 0:49:39 | 0:49:40 | |
APPLAUSE | 0:49:56 | 0:49:58 | |
Hello. | 0:50:01 | 0:50:02 | |
Good evening! | 0:50:04 | 0:50:06 | |
It is wonderful to be here in this absolutely incredible room. | 0:50:06 | 0:50:12 | |
Babe, she's going to be great. | 0:50:12 | 0:50:14 | |
You're going to be fab. Thanks, babe. | 0:50:15 | 0:50:17 | |
EXCITED CHATTER | 0:50:19 | 0:50:21 | |
Calm. Calm thoughts. Calm. | 0:50:24 | 0:50:27 | |
Relaxed. Shake it all out. | 0:50:27 | 0:50:28 | |
I'm just going to go and have a shower and sing in the shower. | 0:50:28 | 0:50:32 | |
That's all I'm doing. | 0:50:32 | 0:50:33 | |
Yes. Just going to sing in the shower. | 0:50:33 | 0:50:35 | |
It's been quite an amazing experience for me, | 0:50:35 | 0:50:40 | |
going somewhere that I thought I knew everything about | 0:50:40 | 0:50:43 | |
and actually I didn't. | 0:50:43 | 0:50:44 | |
Without further ado, | 0:50:48 | 0:50:50 | |
it gives me great pleasure to introduce you to | 0:50:50 | 0:50:53 | |
the Sainsbury's Choir! | 0:50:53 | 0:50:54 | |
Here we are, the Sainsbury's Choir, | 0:51:03 | 0:51:05 | |
performing Dolly Parton's Bargain Store. | 0:51:05 | 0:51:08 | |
# My life is like unto a bargain store | 0:51:21 | 0:51:27 | |
# And I may have just what you're looking for | 0:51:27 | 0:51:33 | |
# You would be surprised to find how good it really is | 0:51:33 | 0:51:40 | |
# Take it and you never will be sorry that you did | 0:51:40 | 0:51:47 | |
# Take these old used memories from the past | 0:51:47 | 0:51:53 | |
# And these broken dreams and plans that didn't last | 0:51:53 | 0:52:00 | |
# I'll trade them for a future | 0:52:00 | 0:52:03 | |
# I can't use them any more | 0:52:03 | 0:52:06 | |
# I've wasted love but I still have some more | 0:52:06 | 0:52:12 | |
# The bargain store is open, come inside | 0:52:13 | 0:52:19 | |
# You can easily afford the price | 0:52:19 | 0:52:24 | |
# Love is all you need to purchase all the merchandise | 0:52:26 | 0:52:31 | |
# And I will guarantee | 0:52:31 | 0:52:34 | |
# You'll be completely satisfied | 0:52:34 | 0:52:39 | |
# The bargain store is open Come inside | 0:52:39 | 0:52:45 | |
# You can easily afford the price | 0:52:45 | 0:52:51 | |
# Love is all you need to purchase all the merchandise | 0:52:51 | 0:52:57 | |
# And I will guarantee you'll be completely satisfied | 0:52:57 | 0:53:05 | |
# Oooooh | 0:53:05 | 0:53:08 | |
# Oooooh. # | 0:53:09 | 0:53:14 | |
There they are! | 0:53:32 | 0:53:33 | |
Ladies and gentlemen, please welcome back our judges! | 0:53:33 | 0:53:36 | |
First of all, congratulations, we all loved it. | 0:53:38 | 0:53:42 | |
I think your performance was magnificent and I really mean that. | 0:53:42 | 0:53:46 | |
You captured the mood of the song for me brilliantly. | 0:53:46 | 0:53:50 | |
I was very moved by it. | 0:53:50 | 0:53:51 | |
The only thing that spoilt it, | 0:53:51 | 0:53:53 | |
and I am going to sound quite critical now because it was so good, | 0:53:53 | 0:53:57 | |
there were a few of you who just didn't look at Gareth all the time. | 0:53:57 | 0:54:02 | |
I'm looking at the technical side of your singing. | 0:54:02 | 0:54:05 | |
My first point is soloist. Alex, fabulous singing. | 0:54:05 | 0:54:11 | |
Real emotional intelligence. | 0:54:11 | 0:54:13 | |
I was moved by your singing, | 0:54:13 | 0:54:14 | |
in fact, we were all moved by your singing, it was beautiful. | 0:54:14 | 0:54:17 | |
My main criticism was, when the full choir comes in together | 0:54:22 | 0:54:25 | |
singing at the same time, you are never together. | 0:54:25 | 0:54:29 | |
When Gareth gives a very solid downbeat, which he does, | 0:54:29 | 0:54:31 | |
you don't sing on it, it goes daga-daga-daga | 0:54:31 | 0:54:33 | |
and we hear lots of different starts. | 0:54:33 | 0:54:35 | |
And that is such a basic, basic aspect of singing | 0:54:35 | 0:54:38 | |
and I would not like to see a choir of this calibre go out | 0:54:38 | 0:54:41 | |
on something as basic as that. | 0:54:41 | 0:54:43 | |
So besides that, I really enjoyed myself! | 0:54:43 | 0:54:47 | |
Your sound was really very attractive | 0:54:47 | 0:54:48 | |
and specifically the alto sound, for me, was extremely attractive. | 0:54:48 | 0:54:54 | |
It wasn't just strong and confident, but there was something about it. | 0:54:54 | 0:54:57 | |
Now that is going to go to their heads! | 0:54:57 | 0:55:00 | |
APPLAUSE | 0:55:00 | 0:55:02 | |
But I must say, there's something in choirs, | 0:55:07 | 0:55:09 | |
we're always talking about we never have enough men. | 0:55:09 | 0:55:12 | |
The male sound was absolutely terrific | 0:55:12 | 0:55:16 | |
so give it up to the males as well. | 0:55:16 | 0:55:18 | |
APPLAUSE | 0:55:18 | 0:55:22 | |
Thank you very much to the judges. | 0:55:22 | 0:55:23 | |
Well done, Raul. Good man. Thank you. | 0:55:25 | 0:55:28 | |
That was so much better than I thought it was going to be. | 0:55:32 | 0:55:35 | |
It was so good! It was really good! | 0:55:35 | 0:55:38 | |
We just want to go out and do it again! | 0:55:38 | 0:55:40 | |
And again and again. | 0:55:40 | 0:55:41 | |
It's given us a really, really big lift. | 0:55:41 | 0:55:43 | |
I can't ask for any more so. | 0:55:43 | 0:55:45 | |
We done good. Everyone, look at everyone, you know, all excited. | 0:55:45 | 0:55:48 | |
Yeah, man, come on, bring it on, bring on this whole competition. | 0:55:48 | 0:55:52 | |
We're ready, we're ready. | 0:55:52 | 0:55:53 | |
We were awesome. We was awesome. | 0:55:53 | 0:55:55 | |
We were...we were a proper choir. We were. We were awesome. | 0:55:55 | 0:55:58 | |
For me this is the gateway that means that I will sing | 0:55:58 | 0:56:01 | |
for the rest of my life and it will just be a part of my life again, | 0:56:01 | 0:56:04 | |
which is wonderful. | 0:56:04 | 0:56:06 | |
So how did she do? What did you think? | 0:56:06 | 0:56:08 | |
Yeah, good. Yes. | 0:56:08 | 0:56:09 | |
Oh, well, it was just fabulous to hear her singing again! | 0:56:09 | 0:56:12 | |
I thought she was amazing. | 0:56:12 | 0:56:13 | |
Honestly, I didn't know she could sing like that! | 0:56:13 | 0:56:16 | |
What did you do to her? I just... | 0:56:16 | 0:56:18 | |
Nothing, it was there! | 0:56:18 | 0:56:19 | |
Well, your husband in a choir! Fantastic! | 0:56:19 | 0:56:21 | |
What have you done to him, eh? I turned him into a chorister. | 0:56:21 | 0:56:24 | |
A new man! | 0:56:24 | 0:56:25 | |
I thought it was amazing and I'm really proud of Christopher! | 0:56:25 | 0:56:29 | |
Yeah, like I said, fruits of our labour, you know, so... Yeah. | 0:56:29 | 0:56:32 | |
Well done. Good job. Are you happy? Yes, definitely. | 0:56:32 | 0:56:34 | |
Yeah, really good. | 0:56:34 | 0:56:36 | |
Hello! | 0:56:36 | 0:56:37 | |
Ah! Well done. What did you think? | 0:56:37 | 0:56:40 | |
Yeah, good. | 0:56:40 | 0:56:41 | |
That's good. Yeah. I thought it was great. | 0:56:41 | 0:56:43 | |
That was really excellent feedback from the judges | 0:56:43 | 0:56:46 | |
and well deserved, I thought. | 0:56:46 | 0:56:47 | |
You have come a long way since your first Spice Girls performance. | 0:56:47 | 0:56:50 | |
That was a good, mature, solid sound that you made in there. | 0:56:50 | 0:56:54 | |
Well done, Alex. | 0:56:54 | 0:56:57 | |
Really good. | 0:56:57 | 0:56:58 | |
We talked about getting the emotional side of the performance, | 0:56:59 | 0:57:03 | |
I thought you really did! I thought it was beautiful. | 0:57:03 | 0:57:06 | |
Nothing like terror to get emotional. Yeah. | 0:57:06 | 0:57:09 | |
Yeah, that's an emotion too, so... | 0:57:09 | 0:57:10 | |
No, but it was full of everything we said | 0:57:10 | 0:57:12 | |
and that really applies to the whole choir. | 0:57:12 | 0:57:14 | |
I felt like you didn't look like a lot of separate people | 0:57:14 | 0:57:18 | |
and that was always my worry with this choir, | 0:57:18 | 0:57:20 | |
that you were going to be a little bit splintered. | 0:57:20 | 0:57:23 | |
You've got one in the tank now, | 0:57:23 | 0:57:25 | |
you've got one really successful performance. | 0:57:25 | 0:57:27 | |
That's going to stand you in great stead, | 0:57:27 | 0:57:29 | |
because that will be considered at the next stage, | 0:57:29 | 0:57:32 | |
which is the knockout stage. | 0:57:32 | 0:57:33 | |
So, good, well done everyone! Round of applause, Sainsbury's Choir! | 0:57:33 | 0:57:38 | |
There were some moments in the rehearsals where they felt | 0:57:38 | 0:57:41 | |
so divided and I wondered if we'd get over that, | 0:57:41 | 0:57:44 | |
and it feels very satisfying to have got to the point where | 0:57:44 | 0:57:47 | |
they actually looked like a unit on stage tonight. | 0:57:47 | 0:57:49 | |
But I think they can go further. | 0:57:49 | 0:57:51 | |
They've got a good, solid sound and... | 0:57:51 | 0:57:54 | |
..there's more work, there's more work to be done but I think | 0:57:54 | 0:57:57 | |
that was a very solid start for them. | 0:57:57 | 0:57:59 | |
Next time, Gareth feels the heat... | 0:58:00 | 0:58:03 | |
That's my choir! Don't look like choristers, do they? | 0:58:03 | 0:58:06 | |
..when he heads to Cheshire to get the fire service singing... | 0:58:06 | 0:58:10 | |
# Fire, fire. # | 0:58:10 | 0:58:11 | |
ALARM RINGS | 0:58:11 | 0:58:12 | |
There's a fire! | 0:58:12 | 0:58:13 | |
..where the fire-fighters have big voices... | 0:58:13 | 0:58:15 | |
# And about to give up... # | 0:58:15 | 0:58:17 | |
..but the support staff can't be heard. | 0:58:17 | 0:58:19 | |
Doesn't sound confident. They are the weak link in this choir. | 0:58:19 | 0:58:22 | |
And the song that unites them stirs everyone's emotions. | 0:58:24 | 0:58:29 | |
Yeah, I feel really quite choked up. | 0:58:29 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:38 |