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This programme This programme contains scenes of | :00:06. | :00:16. | |
:00:16. | :00:43. | ||
Ladies and gentleman, welcome to the MOBO Awards 2012 live from the | :00:44. | :00:53. | |
:00:54. | :00:54. | ||
Apology for the loss of subtitles for 42 seconds | :00:54. | :01:36. | |
# Yeah, we can make an earthquake up in here. | :01:36. | :01:40. | |
# We know you're only in it because it's hot right now, turn it up | :01:40. | :01:43. | |
right now # Put your hands in the air, if you | :01:43. | :01:46. | |
want it right now # Hot right now | :01:46. | :01:56. | |
:01:56. | :01:56. | ||
Apology for the loss of subtitles for 42 seconds | :01:56. | :02:44. | |
# Put your hands up # I'm definitely in my zone # | :02:44. | :02:48. | |
It's time to introduce your hosts from the evening. Liverpool, let's | :02:48. | :02:53. | |
hear you rip the roof off for Miquita Oliver and Adam Deacon. | :02:53. | :02:59. | |
Hello Liverpool! Wow, quite a lot of you. Quite a lot of people. Hi, | :02:59. | :03:09. | |
everyone. We have to say a big thank you to project G. Thank you. | :03:09. | :03:11. | |
Make some noise for project G in the house. | :03:11. | :03:16. | |
APPLAUSE Yeah, yeah. This is actually quite | :03:16. | :03:24. | |
intense. Is everyone pumped for the MOBOs? We're ready? Yeah. Are you | :03:24. | :03:28. | |
ready? I think I'm ready. I think I'm ready. Welcome to the MOBO | :03:28. | :03:32. | |
Awards 2012. CHEERING | :03:32. | :03:37. | |
That's right. You know what, it's about to get real up in here, man. | :03:37. | :03:41. | |
This is actually quite exciting. Very exciting. I grew up watching | :03:41. | :03:45. | |
this show on TV. It's one of those shows that you always remember. | :03:45. | :03:51. | |
Everyone who's anyone has been on it like Jay-Z, Rihanna. Yeah, woop | :03:51. | :03:58. | |
all you want, Winehouse, Jessie J, neo-. And me. You haven't performed | :03:58. | :04:03. | |
at the MOBOs. I think you'll find MOBOs 2011, I gave out an award and | :04:03. | :04:07. | |
it went very well. You killed it. Tonight, we have performances from | :04:07. | :04:16. | |
Labrinth. Yeah. Misha B, Stooshe. We have JLS in the house! I love | :04:16. | :04:26. | |
that. We have Angel. We have Trey Songz. OK. Wiley is performing on | :04:26. | :04:31. | |
stage tonight. We have Conor Maynard. | :04:31. | :04:36. | |
Pretty big. Plus awards for best male, best female, Best Album, Best | :04:36. | :04:41. | |
Song, best video and a whole lot more, including the legendary TLC | :04:41. | :04:45. | |
will be right here in this actual room. Wow. It's time for the first | :04:45. | :04:49. | |
performance of the night. What better place to start than with a | :04:49. | :04:54. | |
lady that this year stormed not one, just two Olympic ceremonies. Hit | :04:54. | :05:00. | |
the top spot, yeah, with her album, our version of events and got | :05:00. | :05:07. | |
herself five nominations at the MOBOs 2012. With my kind of love | :05:07. | :05:17. | |
:05:17. | :05:32. | ||
# I can't buy your love # Sometimes the truth | :05:32. | :05:42. | |
:05:42. | :05:47. | ||
# But don't ever question # Know I'm far from perfect | :05:47. | :05:57. | |
:05:57. | :05:59. | ||
# But don't ever question if my heart beats only for you | :05:59. | :06:04. | |
# It beats only for you | :06:04. | :06:08. | |
# Cos when you've given up | :06:08. | :06:14. | |
# When no matter what you do It's never good enough | :06:14. | :06:16. | |
# When you never thought that it could ever get this tough | :06:16. | :06:20. | |
# That's when you feel my kind of love | :06:20. | :06:26. | |
# And when you're cryin' out | :06:26. | :06:33. | |
# When you've fallen and can't pick your head up off the ground | :06:33. | :06:37. | |
# When the friends you thought you had haven't stuck around | :06:37. | :06:42. | |
# That's when you feel my kind of love | :06:43. | :06:46. | |
# You won't see me at the parties I guess I'm just no fun | :06:46. | :06:56. | |
:06:56. | :06:57. | ||
# I won't be turning up the radio singing, baby, you're the one | :06:57. | :07:03. | |
# But don't ever question if my heart beats only for you | :07:03. | :07:08. | |
# It beats only for you | :07:08. | :07:12. | |
# I know sometimes I get angry and I say what I don't mean | :07:12. | :07:17. | |
# I know I keep my heart protected far away from my sleeve | :07:18. | :07:22. | |
# But don't ever question if my heart beats only for you | :07:22. | :07:28. | |
# It beats only for you | :07:28. | :07:31. | |
# Cos when you've given it up | :07:31. | :07:36. | |
# When no matter what you do it's never good enough | :07:36. | :07:39. | |
# When you never thought that it could ever get this tough | :07:39. | :07:44. | |
# That's when you feel my kind of love | :07:44. | :07:49. | |
# And when you're cryin' out | :07:49. | :07:57. | |
# When you've fallen and can't pick your head up off the ground | :07:57. | :08:01. | |
# When the friends you thought you had haven't stuck around | :08:01. | :08:05. | |
# That's when you feel my kind of love | :08:05. | :08:11. | |
# Cos when you've given up | :08:11. | :08:18. | |
# When no matter what you do it's never good enough | :08:18. | :08:28. | |
# When the friends you thought you had haven't stuck around | :08:28. | :08:31. | |
# That's when you feel my kind of love | :08:31. | :08:40. | |
APPLAUSE AND CHEERING | :08:40. | :08:49. | |
Still | :08:49. | :08:51. | |
Still to | :08:51. | :08:51. | |
Still to come: | :08:51. | :08:55. | |
Still to come: Rita Ora presents the award for best hip-hop grime. | :08:55. | :08:59. | |
Labrinth will be performing two of his hits and JLS tell us who the | :08:59. | :09:06. | |
hottest girl in the world is. Rickie, this is great and | :09:06. | :09:10. | |
everything, but we need to be in front and get a taste of the famous | :09:10. | :09:14. | |
MOBO atmosphere. How long till we're out next? About 20 minutes. | :09:14. | :09:24. | |
:09:24. | :09:28. | ||
Great, let's get out and have a Emeli Sande was amazing. Her hair | :09:28. | :09:34. | |
was a treat as well. Labrinth is on soon. Passes please. Passs? | :09:34. | :09:37. | |
know, I think we actually left it in the voiceover booth. I don't | :09:37. | :09:41. | |
know if you know about this, but we're the voiceover for this event. | :09:41. | :09:47. | |
You could call us the voice of the MOBO. I don't care if you're the | :09:47. | :09:56. | |
voice of Celine Dion. You're not coming in without a pass. We're | :09:56. | :10:02. | |
JLS's backing singer. We can prove it. I'll dot falsetto and you do | :10:02. | :10:04. | |
the bass. # How's does it feel to be the | :10:04. | :10:06. | |
hottest girl in the world right now, right now. | :10:06. | :10:11. | |
# How does it feel to be the hottest girl in the world right now | :10:11. | :10:18. | |
Hee- hee. I'm going to need some back up to Main Stage one. This | :10:18. | :10:28. | |
:10:28. | :10:31. | ||
ain't good. OK. The public votes have been | :10:31. | :10:34. | |
counted. The industry experts have had their say. It's time to hand | :10:34. | :10:39. | |
out the first award of the night. First up, it's Best Song. Yeah, | :10:39. | :10:44. | |
woo-hoo. Best Song in association with PRS for music, to present it | :10:44. | :10:49. | |
an actress fond of a ballroom who narrowly missed out on the Strictly | :10:49. | :10:57. | |
Come Dancing crown. But she's here. Welcome Chelsee heely. | :10:57. | :11:04. | |
APPLAUSE Wow!. I was going to, welcome to | :11:04. | :11:08. | |
the MOBO Awards. Yes. I was going to ask other questions first, but I | :11:08. | :11:14. | |
can't not talk about this dress. Just tell me everything about this | :11:14. | :11:18. | |
little number. Obviously it's very sparkly. Big time. It's very out | :11:18. | :11:24. | |
there and it's very me. It's very you. Yes. Thank you so much. Let's | :11:24. | :11:34. | |
:11:34. | :11:34. | ||
Apology for the loss of subtitles for 42 seconds | :11:34. | :12:22. | |
have a look at the nominations for And the MOBO award for the Best | :12:22. | :12:32. | |
:12:32. | :12:49. | ||
Song goes to... Labrinth! CHEERING CHEERING | :12:49. | :12:59. | |
:12:59. | :13:05. | ||
Well done. Wow, wow, wow, wow! Liverpool! I | :13:05. | :13:15. | |
:13:15. | :13:16. | ||
wrote a few notes of some people I'd like to thank. Actually has got | :13:16. | :13:20. | |
to thank mum at home. I want to thank mum at home. I love you, mum. | :13:20. | :13:24. | |
Thank you for all the work you've done with the family. I've got to | :13:24. | :13:29. | |
thank my team, Mark Williams, you all right there my friend? Manager. | :13:29. | :13:35. | |
I would like to thank all the radio DJs and the radio stations that | :13:35. | :13:40. | |
helped to push this record. Psycho, love you. That's the family right | :13:40. | :13:47. | |
there. I'd like to thank Dan White and my lovely missus. Thank you | :13:48. | :13:56. | |
very much. See you later. I'm a ninja turtle, you can't step | :13:56. | :14:01. | |
into my circle... Sorry man, I'm excited about the next one. Listen | :14:01. | :14:11. | |
:14:11. | :14:13. | ||
up, next up, straight out of real name Richard Kylie Cowie, you might | :14:13. | :14:23. | |
:14:23. | :14:25. | ||
know him asesquey boy. This is # Then we ain't got to worry | :14:25. | :14:28. | |
# Sippin' a cold beer Sunshine in your face | :14:28. | :14:30. | |
# Long nights are crazy We are on them | :14:30. | :14:32. | |
# My name's Wiley, yeah Play my song then | :14:32. | :14:34. | |
# When I arrive I'm causin' a heatwave | :14:34. | :14:36. | |
# I got vibes to sell People want them | :14:36. | :14:37. | |
# I'ma party, I'm gon' dance | :14:37. | :14:39. | |
# Put your hands up on my body On my body, on my body | :14:39. | :14:42. | |
# Put your hands up on my body I'ma party, I'm gon' dance | :14:42. | :14:44. | |
# Put your hands up on my body On my body, on my body | :14:44. | :14:46. | |
# Put your hands up on my body I'ma party, I'm gon' dance | :14:46. | :14:49. | |
# Put your hands up on my body On my body, on my body | :14:49. | :14:51. | |
# Put your hands up on my body I'ma party, I'm gon' dance | :14:51. | :14:55. | |
# When the sun's out see the gyaldem too | :14:55. | :14:56. | |
# I wake up do another gyaldem tune | :14:56. | :14:57. | |
# I ride out on my Yamaha R6 When I reach | :14:57. | :14:58. | |
# In the dance Bring the gyaldem through | :14:58. | :14:59. | |
# Gyaldem know so they wanna wind up | :14:59. | :15:00. | |
# I get behind her and she get wile up | :15:00. | :15:02. | |
# She back it up good but I try my luck | :15:02. | :15:04. | |
# Winin' up gyal is the vibe I love | :15:04. | :15:06. | |
# When I arrive I'm causin' a heatwave | :15:06. | :15:08. | |
# I've got vibes to sell People want them | :15:08. | :15:10. | |
# My name's Wiley, yeah Play my song then | :15:10. | :15:12. | |
# When I arrive I'm causin' a heatwave | :15:12. | :15:14. | |
# Causin' a heatwave Causin' a heatwave | :15:14. | :15:17. | |
# Causin' a heatwave | :15:17. | :15:20. | |
# When I arrive I'm causin' a heatwave | :15:20. | :15:21. | |
# I'ma party, I'm gon' dance Put your hands up on my body | :15:21. | :15:23. | |
# On my body, on my body Put your hands up on my body | :15:24. | :15:26. | |
# I'ma party, I'm gon' dance Put your hands up on my body | :15:26. | :15:29. | |
# On my body, on my body Put your hands up on my body | :15:29. | :15:33. | |
# I'ma party, I'm gon' dance Put your hands up on my body | :15:33. | :15:38. | |
# When the sun's out we just wanna impress | :15:38. | :15:39. | |
# I stand in the clear I don't bother with mess | :15:39. | :15:40. | |
# If it ain't gonna sell I don't wanna invest | :15:40. | :15:41. | |
# If it ain't got a vibe I ain't got an interest | :15:41. | :15:42. | |
# I wanna see a ice-cream van on the road | :15:42. | :15:44. | |
# I wanna see a light skin gal on the road | :15:44. | :15:46. | |
# I wanna get a slush puppy with both flavours | :15:46. | :15:48. | |
# Drink that now I'm right back in my zone | :15:48. | :15:50. | |
# When I arrive I'm causin' a heatwave | :15:50. | :15:52. | |
# I've got vibes to sell People want them | :15:52. | :15:54. | |
# My name's Wiley, yeah Play my song then | :15:54. | :15:56. | |
# When I arrive I'm causin' a heatwave | :15:56. | :15:58. | |
# Causin' a heatwave Causin' a heatwave | :15:58. | :16:08. | |
:16:08. | :16:09. | ||
# I was on a path to the limelight | :16:09. | :16:10. | |
# Now I'm on another one it's a night flight | :16:11. | :16:11. | |
When they say I'm a star I say thank you | :16:11. | :16:14. | |
# It's all due to the scenes that I ran through | :16:14. | :16:15. | |
# So I keep flyin the flags for all people | :16:15. | :16:17. | |
# No messing about we're all equal | :16:17. | :16:19. | |
# Vibe alive in the club when I roll in | :16:19. | :16:21. | |
# I get around with the crowd when I'm roaming | :16:21. | :16:22. | |
# Everybody right now Can you hear me? | :16:22. | :16:25. | |
# Through the speakers turn me up if you hear me | :16:25. | :16:27. | |
# Ayaya ayaya ayaya ayaya | :16:27. | :16:32. | |
# Everybody right now Can you hear me? | :16:32. | :16:39. | |
# Through the speakers turn me up if you hear me | :16:39. | :16:42. | |
# Ayaya ayaya ayaya ayaya | :16:42. | :16:47. | |
# They should know I bring vibes on a club night | :16:47. | :16:53. | |
# Keep the crowd hyped up brother party | :16:53. | :16:55. | |
# Red, she wanna say words in my earlobe | :16:55. | :16:57. | |
# Reminds me there's an hour of the party left | :16:57. | :16:59. | |
# See the fireworks, celebration Team winning the Grey Goose amazing | :16:59. | :17:01. | |
# Send them Jaeger bombs I got a craving | :17:01. | :17:05. | |
# So many women I don't wanna stop raving | :17:05. | :17:06. | |
# They should know I got tunes for the gyaldem | :17:06. | :17:08. | |
# Once the ladies are there see the man dem reach | :17:08. | :17:10. | |
# They wanna leave there with a number | :17:10. | :17:12. | |
# Check the peng ting She's gonna hang with me | :17:12. | :17:13. | |
# I'm skanking all round the party I'm skanking | :17:14. | :17:16. | |
# I got girls to the left and girls to the right | :17:16. | :17:19. | |
# When we're at the bar We ain't ramping | :17:19. | :17:21. | |
# Everybody right now Can you hear me? | :17:21. | :17:24. | |
# Through the speakers turn me up if you hear me | :17:24. | :17:27. | |
# Ayaya ayaya ayaya ayaya | :17:27. | :17:37. | |
:17:37. | :17:40. | ||
# Wiley called me on the iPhone | :17:40. | :17:41. | |
# He said get my passport told me to come through | :17:41. | :17:42. | |
# Put your sun cream in your suitcase | :17:42. | :17:43. | |
# When I arrive Causing a heatwave too | :17:43. | :17:44. | |
# Got my SnapBack and my vest on | :17:44. | :17:46. | |
# Looking at the hot girl with the red dress on | :17:46. | :17:47. | |
# Light skin with a beautiful body like Kim | :17:47. | :17:49. | |
# So I had to get my Kanye West on | :17:49. | :17:51. | |
# She told me she's feeling my jewellery | :17:51. | :17:53. | |
# She said that she's in love with my Jesus piece | :17:53. | :17:54. | |
# I told her to look again closely It's not Jesus, baby, it's JME | :17:54. | :17:56. | |
# And I was like Babe, come over | :17:56. | :17:59. | |
# I don't bite, girl Come a little closer | :18:00. | :18:01. | |
# Come a little closer I don't bite | :18:01. | :18:03. | |
# Girl, come a little closer | :18:03. | :18:06. | |
# Everybody right now Can you hear me? | :18:06. | :18:10. | |
# Through the speakers turn me up if you hear me | :18:10. | :18:11. | |
# Ayaya ayaya ayaya ayaya | :18:11. | :18:14. | |
# You know I don't usually party | :18:14. | :18:24. | |
:18:24. | :18:25. | ||
APPLAUSE AND CHEERING | :18:25. | :18:33. | |
Well, | :18:33. | :18:34. | |
Well, wiley | :18:34. | :18:34. | |
Well, wiley just | :18:34. | :18:40. | |
Well, wiley just killed it. And we're all having a great time. Next | :18:40. | :18:46. | |
up, one of the most hotly contest add wards of the night, best female | :18:46. | :18:50. | |
act. To present it an actress who appeared as the slightly troubled | :18:50. | :18:55. | |
Michelle in one of 2012's biggest films and the multiplatinum selling | :18:55. | :19:05. | |
:19:05. | :19:07. | ||
artist who created it. It's Plan B and Anuschka. Hi guys. Hello. | :19:07. | :19:15. | |
at you. Is this the first fun event your previous boss, Ben, has taken | :19:15. | :19:20. | |
you to? Yes, it is. Unbelievable. This is your first MOBOs? My first | :19:21. | :19:25. | |
MOBOs. What was Ben like to work for? I've got to say good things | :19:25. | :19:30. | |
because he's standing right next to me. I would. He was amazing. I feel | :19:30. | :19:33. | |
so honoured to have been part of the project. I bow down to Ben. | :19:33. | :19:37. | |
don't know whether you have to do that. Ben, up for a lot of awards | :19:37. | :19:41. | |
tonight. You've had ten MOBO nominations through your career. Is | :19:41. | :19:46. | |
it nice to get so much love from this awards ceremony. It's always | :19:46. | :19:48. | |
good to be recognised. CHEERING | :19:48. | :19:54. | |
Thanks Liverpool. Do your job. Thanks for coming. So the nominees | :19:54. | :20:04. | |
:20:04. | :20:04. | ||
Apology for the loss of subtitles for 42 seconds | :20:04. | :21:31. | |
And the winner is... Emeli Sande. Wow. Thank you so much. Thank you | :21:31. | :21:36. | |
Liverpool. First of all, I'd like toe thank my | :21:36. | :21:46. | |
:21:46. | :21:47. | ||
wonderful family. My mum, my dad, my sister. Adam. Everyone at Virgin, | :21:47. | :21:51. | |
Adrian, everyone that made this possible and for the MOBOs for | :21:51. | :21:56. | |
supporting me before I was on anyone else's radar. This means the | :21:56. | :22:01. | |
world to me, thank you. Emeli Sande winning best female. Well done. | :22:01. | :22:06. | |
Next on stage is a man who has barged his way into our lives this | :22:06. | :22:13. | |
year with singles Go in Go hard and recently the top ten hit Wonderful. | :22:13. | :22:20. | |
He started produce whing he was ten, has written for Devlin, JLS and | :22:20. | :22:26. | |
Rihanna and has been described as the new face of UK R&B, quite an | :22:26. | :22:34. | |
# Everywhere we go # On the other hand | :22:34. | :22:35. | |
# If they never knew Then maybe they'll name ya | :22:35. | :22:37. | |
# Don't let 'em change ya | :22:37. | :22:41. | |
# When you finally find what's beautiful | :22:41. | :22:43. | |
# It's so wonderful | :22:43. | :22:47. | |
# When you finally find what's beautiful | :22:47. | :22:49. | |
# It's so wonderful | :22:49. | :22:53. | |
# It's so wonderful | :22:53. | :22:59. | |
# Exhale, breathe in Let yourself go for the evening | :22:59. | :23:09. | |
:23:09. | :23:11. | ||
# Break out, screaming | :23:11. | :23:17. | |
# You can lose your voice if you mean it | :23:17. | :23:20. | |
# Can't control the feelin' and I can't let go, I need it | :23:20. | :23:24. | |
# Everywhere we go We feel like we're strangers | :23:24. | :23:33. | |
# On the other hand It makes us feel major | :23:33. | :23:35. | |
# If they never knew Then maybe they'll name ya | :23:35. | :23:38. | |
# Don't let 'em change ya | :23:38. | :23:43. | |
# When you finally find what's beautiful | :23:43. | :23:44. | |
# It's so wonderful | :23:44. | :23:49. | |
# If you're looking for the stars Keep looking at me hard | :23:49. | :23:53. | |
# If you're looking for the stars Keep looking at me hard | :23:53. | :24:01. | |
# When you finally find what's beautiful | :24:01. | :24:02. | |
# It's so wonderful | :24:02. | :24:09. | |
# When you finally find what's beautiful | :24:09. | :24:11. | |
# It's so wonderful | :24:11. | :24:14. | |
# Inhale, steamin' | :24:14. | :24:15. | |
# We can blow it up for the weekend Shallow world meet him | :24:15. | :24:18. | |
# Promise when we bust in the deep end | :24:18. | :24:21. | |
# Can't control the feelin' and I can't let go, I need it | :24:21. | :24:26. | |
# Everywhere we go We feel like we're strangers | :24:26. | :24:36. | |
:24:36. | :24:36. | ||
# On the other hand It makes us feel major | :24:37. | :24:39. | |
# If they never knew Then maybe they'll name ya | :24:39. | :24:42. | |
# Don't let 'em change ya | :24:42. | :24:46. | |
# When you finally find what's beautiful | :24:46. | :24:49. | |
# It's so wonderful | :24:49. | :24:52. | |
# If you're looking for the stars Keep looking at me hard | :24:52. | :24:57. | |
# If you're looking for the stars Keep looking at me hard | :24:57. | :25:06. | |
# When you finally find what's beautiful | :25:06. | :25:14. | |
# It's so wonderful | :25:14. | :25:16. | |
# When you finally find what's beautiful | :25:16. | :25:19. | |
# It's so wonderful | :25:19. | :25:22. | |
# When you finally find what's beautiful | :25:22. | :25:24. | |
# It's so wonderful | :25:24. | :25:28. | |
# When you finally find what's beautiful | :25:28. | :25:30. | |
# It's so wonderful | :25:30. | :25:35. | |
# When you finally find what's beautiful | :25:35. | :25:36. | |
# It's so wonderful | :25:36. | :25:41. | |
# When you finally find what's beautiful | :25:41. | :25:43. | |
# Everywhere we go We feel like we're strangers | :25:43. | :25:44. | |
# On the other hand It makes us feel major | :25:44. | :25:45. | |
# If they never knew Then maybe they'll name ya | :25:45. | :25:46. | |
# Don't let 'em change ya | :25:46. | :25:50. | |
# When you finally find what's beautiful | :25:50. | :25:53. | |
# It's so wonderful | :25:53. | :25:57. | |
# When you finally find what's beautiful | :25:57. | :25:58. | |
# It's so wonderful. # | :25:58. | :26:04. | |
APPLAUSE AND CHEERING | :26:04. | :26:12. | |
Stay | :26:12. | :26:12. | |
Stay right | :26:12. | :26:13. | |
Stay right where | :26:13. | :26:18. | |
Stay right where you are, coming up Rita Ora presents the award for | :26:18. | :26:24. | |
best hip-hop grime. And two Olympic Gold Medallists handing out Best | :26:24. | :26:27. | |
Album. The music keeps on coming from Conor Maynard, Labrinth and | :26:28. | :26:33. | |
JLS. I don't think we're going to get out in front. I have an idea. | :26:33. | :26:37. | |
Angel is on stage that means his table is... Empty. I'm one step | :26:37. | :26:47. | |
:26:47. | :26:51. | ||
ahead of you. Oh! It's a good idea. Genius. I know, bro. I can't wait | :26:51. | :26:58. | |
to get out front. Emeli Sande. Who's that? JLS. JLS have got two | :26:58. | :27:08. | |
:27:08. | :27:13. | ||
dressing rooms. They're living Was that sic yeah,? How did it | :27:13. | :27:20. | |
sound? Few dots here, few dots there. The fighter section was | :27:20. | :27:26. | |
crazy. Seriously. Angel's own mum would be fooled. I can't believe | :27:26. | :27:32. | |
how much you look like him. Hurry up. We haven't got time. Calm down, | :27:32. | :27:37. | |
I'm almost done. Once you get out there, don't you forget me. Come | :27:37. | :27:41. | |
back and get me. I don't want you getting distracted with the | :27:41. | :27:45. | |
champagne and the sexy ladies. Course you can count on me. | :27:45. | :27:51. | |
Excellent. What are you doing in my room, | :27:51. | :27:58. | |
bruv? That's a funny story. Help me man. What's on your face? It's like | :27:58. | :28:01. | |
looking at a mirror right, yeah? Come on. Can I keep the jacket, | :28:01. | :28:11. | |
though? Take my jacket off, bro. The next award is Best Video, an | :28:11. | :28:16. | |
accolade that goes to the body of work proving artistic flair, a | :28:16. | :28:19. | |
creative eye, amazing story telling, impeckable use of light and a good | :28:19. | :28:23. | |
choice of director, who does all that work for you. To present the | :28:23. | :28:28. | |
award winner of Britain and Ireland's next top model, Letitia | :28:28. | :28:38. | |
:28:38. | :28:40. | ||
Herod and local girl, Rebecca Ferguson. | :28:40. | :28:44. | |
Did no-one hear me say, local girl! CHEERING | :28:44. | :28:50. | |
That's better. Rebecca, did you get the bus from your house? Is it that | :28:50. | :28:56. | |
easy? How great is it that the MOBOs are back in Liverpool? It's | :28:56. | :29:01. | |
amazing. It will be a great party night tonight. You're going out | :29:01. | :29:07. | |
after? I am. Get ready Liverpool. How has life changed since winning | :29:07. | :29:11. | |
Britain's Next Top Model? Completely. This whole experience | :29:11. | :29:17. | |
has been a whirl wind. Is it like hitting the MOBOs, as you do. | :29:17. | :29:27. | |
:29:27. | :29:27. | ||
Apology for the loss of subtitles for 42 seconds | :29:27. | :30:29. | |
And the MOBO award for Best Video goes to JLS. | :30:29. | :30:39. | |
:30:39. | :31:09. | ||
Wow, MOBO number five! CHEERING | :31:09. | :31:14. | |
Wow, just want to say a huge thank you to the cast of that video, to | :31:14. | :31:18. | |
the director, Marcus London, smashed it, absolutely killed it. A | :31:18. | :31:21. | |
huge thank you as well to all the fans. Everyone who voted for us to | :31:21. | :31:31. | |
win this award, we love you always. If I was to say to you turn around, | :31:31. | :31:38. | |
what would you think? I'd think, what are you a fed or something? | :31:38. | :31:43. | |
What if I said, what if I professed to being a Vegas girl? I'd say babe, | :31:43. | :31:50. | |
I weren't stalking you or nothing, but I've done my research and | :31:50. | :31:54. | |
you're from west London so you'd be lying. That's really creepy, though. | :31:54. | :31:59. | |
What if I said, I can't say no. There you go. Can't say no? | :31:59. | :32:09. | |
:32:09. | :32:10. | ||
Obviously you can't say no. Wow, OK. Adam is unbelievably failing to | :32:10. | :32:14. | |
grasp from my clues is that our next performer is the wonderful | :32:14. | :32:22. | |
# Wasn't looking for trouble # I tried to say no | :32:22. | :32:24. | |
# She was looking lovely She kinda reminds me | :32:24. | :32:28. | |
# Of a girl I know | :32:28. | :32:30. | |
# This pretty young thing that I got waiting for me back at home | :32:30. | :32:34. | |
# She's got my engines turning This happens every time | :32:34. | :32:40. | |
# I see a pretty girl and I wanna make her mine | :32:40. | :32:45. | |
# They send my rocket to the sky | :32:45. | :32:49. | |
# I want them but should I go for them | :32:49. | :32:53. | |
# I'm like Houston I think we got a problem | :32:53. | :32:56. | |
# Girls, girls, girls I just can't say no | :32:56. | :33:06. | |
:33:06. | :33:10. | ||
# Turn around, open your eyes Look at me now | :33:10. | :33:11. | |
# Turn around, girl I've got you | :33:12. | :33:18. | |
# We won't fall down, yeah | :33:18. | :33:22. | |
# We can see, forever from up here, yeah | :33:22. | :33:26. | |
# So long as we're together Have no fear, no fear | :33:26. | :33:32. | |
# So turn around, floating so high you're above the ground | :33:32. | :33:41. | |
# Floating so high, turn around Together, nothing can stop us now | :33:41. | :33:46. | |
# Listen, baby Turn around, floating | :33:46. | :33:55. | |
# So high you're above the ground Floating so high, turn around | :33:55. | :33:59. | |
# Together, nothing can stop us now | :33:59. | :34:05. | |
# Turn around, turn around Turn around, outta space | :34:05. | :34:11. | |
# We can go there now, yeah | :34:11. | :34:21. | |
:34:21. | :34:22. | ||
# Turn around There's no limit to what we found | :34:22. | :34:26. | |
# Uh yeah Music | :34:26. | :34:35. | |
# Oh, I wanna feel it all, yeah | :34:35. | :34:36. | |
# We'll stay up cos there's no way for us | :34:36. | :34:41. | |
# To fall, to fall So turn around, floating | :34:41. | :34:45. | |
# So high you're above the ground Floating so high, turn around | :34:45. | :34:49. | |
# Together, nothing can stop us now | :34:49. | :34:58. | |
# Listen, baby, turn around | :34:59. | :35:04. | |
# Floating so high you're above the ground | :35:04. | :35:07. | |
# Floating so high, turn around Together, nothing can stop us now | :35:07. | :35:10. | |
# Turn around, turn around Uh, baby, we're so high now, whoa | :35:11. | :35:20. | |
:35:21. | :35:22. | ||
# Till our worries end our pain right now | :35:22. | :35:32. | |
:35:32. | :35:36. | ||
# Turn around, turn around Uh, baby, we're so high now, whoa | :35:36. | :35:46. | |
:35:46. | :35:51. | ||
APPLAUSE AND CHEERING | :35:51. | :35:58. | |
Conor | :35:58. | :35:59. | |
Conor Maynard, | :35:59. | :35:59. | |
Conor Maynard, I | :36:00. | :36:04. | |
Conor Maynard, I kind of love him, just a little bit. The award for | :36:04. | :36:08. | |
R&B and soul act next. Which has been won by no less than Adele and | :36:08. | :36:11. | |
Plan B. If history serves us correctly, the winner is guaranteed | :36:11. | :36:15. | |
to either have a baby or write a film in the next 12 months. That's | :36:15. | :36:20. | |
not just me saying that, that's a fact. To present it, two ladies | :36:20. | :36:25. | |
fresh from the biggest UK event since the MOBO Awards 2012, | :36:25. | :36:33. | |
obviously, from Team GB, please show a massive amount of British | :36:33. | :36:36. | |
appreciation for heptatheletes Louise Hazel and Katrina Johnson | :36:36. | :36:46. | |
Thompson. APPLAUSE | :36:46. | :36:53. | |
Yeah, actual members of Team GB. Is it nice to not be in your training | :36:53. | :36:59. | |
kit? It's so nice to just get out of the lycra for one evening. | :36:59. | :37:04. | |
thank you for being here. You have a job to do and then you can party. | :37:04. | :37:14. | |
:37:14. | :37:15. | ||
Apology for the loss of subtitles for 42 seconds | :37:15. | :38:09. | |
The nominees for the best R&B soul And the winner is... Emeli Sande. | :38:09. | :38:19. | |
:38:19. | :38:39. | ||
Thank you so much. Wow, two! Thank you so much first of all, really to | :38:39. | :38:43. | |
all the fans who've brought my music and supported me and been so | :38:43. | :38:47. | |
loyal, from the very beginning. Also, just for the women who've | :38:47. | :38:51. | |
opened doors for me over the past decade in the UK. I wouldn't be | :38:51. | :38:57. | |
able to be here without them. I want to dedicate this award to Miss | :38:57. | :39:03. | |
Dynamite, Beverley Knight, Eternal, people who have opened doors and | :39:03. | :39:06. | |
allowed people like me to be here tonight and make music the way we | :39:06. | :39:13. | |
want to and get the acknowledgement it deserves I think. Thank you. | :39:13. | :39:17. | |
We're moments from a Labrinth live performance. Plus Rita Ora will be | :39:17. | :39:21. | |
revealing who will walk away with the best hip-hop grime award, two | :39:21. | :39:26. | |
Olympic heroes present the award for Best Album and Stooshe give the | :39:26. | :39:33. | |
TLC a special honour. Right. I think it's time for a cup | :39:33. | :39:38. | |
of tea. Now you're talking my language. White with eight, yeah? | :39:38. | :39:48. | |
:39:48. | :39:55. | ||
Boys, what's going on. You good? Yeah. Sweet boy, what's up? What | :39:55. | :40:02. | |
are you doing here? What are you up to? Ready. Going to the stage | :40:02. | :40:08. | |
innit? Bring me with you. Actually I can't. I have to get tea for | :40:08. | :40:16. | |
Melvin. He's in the voiceover booth. Leave Melvin. No, no. You're | :40:16. | :40:19. | |
featuring in the performance tonight. You need to learn the | :40:19. | :40:26. | |
routine. I can't. Seriously. After party, yeah? See you later. | :40:26. | :40:36. | |
:40:36. | :40:41. | ||
always does it to us. Sweet boy? We'll get Lab. Was going on guys. | :40:41. | :40:45. | |
You good? Yeah, yeah. I'm going to get tea for Melvin. He's in the | :40:45. | :40:50. | |
voiceover booth. You want some? I've got to run. See you in a bit. | :40:50. | :41:00. | |
:41:00. | :41:04. | ||
Peace man. Cool, later. What's going on? Are you all right? | :41:04. | :41:08. | |
Bit of a rush. Cup of tea for Melvin. I'm chilling with the girls, | :41:08. | :41:12. | |
babe. What are you doing? Learning how to do massages and stuff. See | :41:12. | :41:22. | |
:41:22. | :41:25. | ||
you later. Massages? Hmmm... You The next man on stage gets about a | :41:25. | :41:30. | |
bit. He's what some people call a pop fluezy, producing people. Then | :41:30. | :41:34. | |
he's collaborating with people, then remixing people. Then writing | :41:34. | :41:38. | |
for people, a lot of them in this very room. I think you know who you | :41:38. | :41:42. | |
are. I can't lie, I went to school with this artist. Did you? Yeah, | :41:42. | :41:47. | |
it's not a joke. It was clear from a young age that this kid had | :41:47. | :41:50. | |
serious talent. A guy that's always pushing the boundies and at the | :41:50. | :41:57. | |
same time with a smile on his face. I can't tell you how proud I am of | :41:57. | :42:07. | |
:42:07. | :42:07. | ||
# You tell all the boys no # I know you're out of my league | :42:07. | :42:17. | |
:42:17. | :42:18. | ||
# You've carried on so long You couldn't stop if you tried it | :42:18. | :42:28. | |
:42:28. | :42:31. | ||
# You've built your wall so high that no-one could climb it | :42:31. | :42:41. | |
:42:41. | :42:43. | ||
# But I'm gonna try | :42:43. | :42:48. | |
# Would you let me see beneath your beautiful? | :42:48. | :42:54. | |
# Would you let me see beneath your perfect? | :42:54. | :42:59. | |
# Take it off now, girl Take it off now, girl | :42:59. | :43:03. | |
# I wanna see inside | :43:03. | :43:05. | |
# Would you let me see beneath your beautiful tonight? | :43:05. | :43:11. | |
# You let all the girls go Makes you feel good, don't it? | :43:11. | :43:21. | |
:43:21. | :43:29. | ||
Labrinth, come in... | :43:29. | :43:39. | |
Labrinth, come in... | :43:39. | :43:49. | |
:43:49. | :43:51. | ||
# Ladies and gentlemen | :43:51. | :43:53. | |
# This is something they call a ground-breaker, breaker | :43:53. | :43:55. | |
# So let me first apologise | :43:55. | :43:59. | |
# To the shirts and the ties | :43:59. | :44:02. | |
# For your makeup cos I'll make you ugly | :44:02. | :44:03. | |
# As soon as it drops We're on a rampage | :44:03. | :44:07. | |
# Bottles poppin' off | :44:07. | :44:09. | |
# Before you know it There's rubble and dust | :44:10. | :44:12. | |
# Cos we be crashing it up Somebody say you better run | :44:12. | :44:15. | |
# Yeah! I predict an earthquake up in here | :44:15. | :44:18. | |
# Say yeah! I predict an earthquake up in here | :44:18. | :44:25. | |
# Cos we throw bombs on it Throw bombs on it | :44:25. | :44:30. | |
# Just smash something, yeah Mosh for me, hey yeah | :44:30. | :44:34. | |
# We can make an earthquake up in here | :44:34. | :44:39. | |
# So here we go, we go | :44:39. | :44:42. | |
# Ladies and gentlemen, what you're about to witness is no illusion | :44:42. | :44:52. | |
:44:52. | :44:59. | ||
# Cos we throw bombs on it Throw bombs on it | :45:00. | :45:01. | |
# Just smash something, yeah Mosh for me, hey yeah | :45:01. | :45:11. | |
:45:11. | :45:47. | ||
# Yeah! I predict an earthquake up in here | :45:47. | :45:49. | |
# Say yeah! I predict an earthquake up in here | :45:49. | :45:55. | |
# Cos we throw bombs on it Throw bombs on it | :45:55. | :45:58. | |
# Just smash something, yeah Mosh for me, hey yeah! | :45:58. | :46:01. | |
# We can make an earthquake up in here | :46:01. | :46:07. | |
# So here we go, we go | :46:07. | :46:17. | |
:46:17. | :46:17. | ||
CHEERING AND APPLAUSE | :46:17. | :46:22. | |
Yeah, | :46:22. | :46:23. | |
Yeah, OK, | :46:23. | :46:23. | |
Yeah, OK, all | :46:23. | :46:28. | |
Yeah, OK, all right Labrinth. Killing it! Next up the award for | :46:28. | :46:32. | |
Best Newcomer in association with HTC. This award is without a doubt | :46:32. | :46:36. | |
the spring board to greatness, Jessie J has won it. She does it | :46:36. | :46:41. | |
like a man... Yeah she does. Tinie Tempah has won it. Fire, fire, we | :46:41. | :46:51. | |
:46:51. | :46:54. | ||
going to set this place on fire. Dubz won it. Ah-oh, ah-oh. It's a | :46:54. | :46:58. | |
fact superstardom guaranteed. Who's next on the list? To present the | :46:58. | :47:02. | |
award it's only the first British woman to win a major tennis title | :47:02. | :47:09. | |
in 24 years. This is heather Watson. APPLAUSE | :47:09. | :47:17. | |
Hi. Hello. Look at you. Welcome to the MOBO Awards 2012. Is it nice to | :47:17. | :47:21. | |
be here? It's amazing to be here. There's so many talented people. | :47:21. | :47:28. | |
I'm so excited. Thank you for being here. The nominees for Best | :47:28. | :47:38. | |
:47:38. | :47:38. | ||
Apology for the loss of subtitles for 42 seconds | :47:38. | :49:41. | |
And the MOBO award for the Best Liverpool, how you doing? | :49:41. | :49:48. | |
CHEERING Can I just say that I don't, I | :49:48. | :49:53. | |
can't breathe right now. I've never been nominated foring in before. So | :49:53. | :50:00. | |
thank you so much MOBOs. Thank you to my management. This you -- thank | :50:00. | :50:06. | |
you to rock nation, Jay-Z, thank you to all of you. Thank you to my | :50:06. | :50:11. | |
sister Elena and my mother Vera. And to all of you out here. I love | :50:11. | :50:21. | |
:50:21. | :50:22. | ||
you. Yeah! Thank you. We're going to have a wine up in | :50:22. | :50:29. | |
the after party. No, no. Maybe we could just like... No. Moving on. A | :50:29. | :50:35. | |
lady fresh from supporting Nicki Minaj on her UK tour, Liverpool, | :50:35. | :50:45. | |
:50:45. | :50:48. | ||
# Look at what you done then # Don't know, how you did it | :50:48. | :50:58. | |
:50:58. | :51:05. | ||
# Don't go, you're so addictive I cannot resist it | :51:05. | :51:11. | |
# Let's dance, let's take it to the next level | :51:11. | :51:14. | |
# No hands, more bass and more treble | :51:14. | :51:17. | |
# Tonight I wanna be a rebel, whoa You got me so excited | :51:17. | :51:20. | |
# I'm doing things I've never done before | :51:20. | :51:23. | |
# Done before, whoa | :51:23. | :51:27. | |
# And when I try to fight it | :51:27. | :51:30. | |
# I know it's something I cannot ignore | :51:30. | :51:32. | |
# I don't know, I don't know I don't know | :51:32. | :51:36. | |
# Baby, I don't know what you done, done, done | :51:36. | :51:38. | |
# What you done, one done Hit a home run | :51:38. | :51:40. | |
# Baby, I don't know what you done, done, done | :51:40. | :51:44. | |
# What you done, one done Hit a home rum | :51:44. | :51:46. | |
# I'm high now, I'm flying I don't know what you did but | :51:46. | :51:48. | |
# You hit me hard now | :51:48. | :51:51. | |
# I'm flying, all the night Yeah, yeah, yeah | :51:51. | :51:59. | |
# Come show me how you move it Fast, slow, control | :51:59. | :52:00. | |
# I'm losing This is my city, my cry | :52:00. | :52:01. | |
# Got me locked, uh, yes | :52:01. | :52:03. | |
# So let's dance Let's take it to the next level | :52:03. | :52:05. | |
# No hands, more bass and more treble | :52:05. | :52:07. | |
# Tonight I wanna be a rebel, whoa You got me so excited | :52:07. | :52:12. | |
# I'm doing things I've never done before | :52:12. | :52:16. | |
# Done before, whoa And when I try to fight it | :52:16. | :52:19. | |
# I know it's something I cannot ignore | :52:19. | :52:22. | |
# I don't know, I don't know I don't know | :52:22. | :52:28. | |
# Baby, I don't know what you done, done, done | :52:28. | :52:31. | |
# What you done, one done Hit a home run | :52:31. | :52:33. | |
# Baby, I don't know what you done, done, done | :52:33. | :52:34. | |
# What you done, one done Hit a home rum | :52:34. | :52:36. | |
# I'm high now, I'm flying I don't know what you did but | :52:36. | :52:38. | |
# You hit me hard now | :52:38. | :52:41. | |
# I'm flying, all the night Yeah, yeah, yeah | :52:41. | :52:42. | |
# Maybe run but you got me sprung up | :52:42. | :52:49. | |
# All over my thing, like you're ready for the hang up, hang up | :52:49. | :52:51. | |
# Ready to back my thing up | :52:51. | :52:53. | |
# Wait till you see more Yin yang up | :52:53. | :52:55. | |
# Move to the left, take it back to the right, girl | :52:55. | :52:57. | |
# Got my hands up Ready to back my thang up | :52:57. | :53:00. | |
# You got me so excited I'm doing things I've never done before | :53:00. | :53:10. | |
:53:10. | :53:11. | ||
# You got me so excited I'm doing things I've never done before | :53:11. | :53:21. | |
:53:21. | :53:22. | ||
# Done before, whoa | :53:22. | :53:30. | |
# And when I try to fight it | :53:30. | :53:31. | |
# I know it's something I cannot ignore | :53:31. | :53:33. | |
# I don't know, I don't know I don't know | :53:33. | :53:43. | |
:53:43. | :53:45. | ||
# Baby, I don't know what you done, done, done | :53:45. | :53:45. | |
# What you done, one done Hit a home run | :53:46. | :53:47. | |
# Baby I don't know what you done, done, done | :53:47. | :53:48. | |
# What you done, one done Hit a home run | :53:48. | :53:49. | |
# I'm high now, I'm flying I don't know what you did but | :53:49. | :53:59. | |
:53:59. | :54:02. | ||
# One time for you, you the baddest | :54:02. | :54:10. | |
# Look at what you done, done. # | :54:10. | :54:13. | |
APPLAUSE AND CHEERING | :54:13. | :54:20. | |
Still | :54:20. | :54:20. | |
Still to | :54:20. | :54:21. | |
Still to come: | :54:21. | :54:27. | |
Still to come: Live from the Echo Arena Liverpool, Ora presents the | :54:27. | :54:32. | |
gong for best hip-hop grime. We find out who's crowned Best Male | :54:32. | :54:39. | |
thanks to Jennifer Metcalf. Plus more live music, courtesy of Trey | :54:39. | :54:49. | |
:54:49. | :54:49. | ||
Songz, JLS, and Stooshe. Rickie, where the hell are you with | :54:49. | :54:54. | |
my tea. I'm spitting feathers here. What's up, what's going on man | :54:54. | :54:58. | |
Where is Rickie? I don't know. He went about half an hour ago to get | :54:58. | :55:03. | |
my tea. Have you seen him? How's it going out there? It's | :55:03. | :55:08. | |
crazy out there. You should see it. The audience are going insane. | :55:08. | :55:12. | |
There's lights and everything. Labrinth performed. It was crazy. | :55:12. | :55:15. | |
Apparently Trey Songz performing later. You know it's nice in here | :55:15. | :55:20. | |
as well, you know... Nice and... Grey. Can I come out there with | :55:20. | :55:27. | |
you? Ah, I think, my manager just called me. I can hear him. I can't | :55:27. | :55:30. | |
hear him. We have a secret call thing that no-one else can hear but | :55:30. | :55:36. | |
me and him. I will head off. I'll try to get that tea for you. Rickie | :55:36. | :55:40. | |
apparently he likes pasteries as well, maybe a muffin Basque et and | :55:40. | :55:45. | |
well as a thank you for everything he's done. Have fun with yourself | :55:45. | :55:51. | |
and aisle esee you in a bit. -- I'll see you later I always | :55:51. | :55:59. | |
preferred Justin Bieber any way. Now our next award is the big one, | :55:59. | :56:02. | |
the accolade that every performer wants as it proves without doubt | :56:02. | :56:06. | |
that your music has made a mark on the world. It's the lifetime | :56:06. | :56:10. | |
achievement award. To present it none other than CEO and jst the | :56:10. | :56:20. | |
:56:20. | :56:31. | ||
How are you enjoying the show tonight? It's overwhelming. I feel | :56:31. | :56:34. | |
very tearful. I think every year it's like planning your own wedding, | :56:34. | :56:38. | |
you know, that's probably why I never got married. A lot of work, a | :56:38. | :56:41. | |
lot of excitement, but this is unbelievable. You guys are doing a | :56:42. | :56:47. | |
great job. Are we presenting your wedding to a good standard? Go | :56:47. | :56:50. | |
ahead. Each year the Lifetime Achievement | :56:50. | :56:53. | |
Award is presented to an artist that MOBO feels should be | :56:54. | :56:58. | |
recognised for the impact they've made on the industry they love. | :56:58. | :57:04. | |
This year, the accolade goes to a performer celebrating their 50th | :57:04. | :57:08. | |
year making music who, without doubt, stands shoulder to shoulder | :57:08. | :57:15. | |
with the all-time greats. Let's take a look at a mere snapshot of | :57:15. | :57:25. | |
:57:25. | :57:28. | ||
# Why do you have to be a heart breaker | :57:28. | :57:34. | |
# When I was being what you want me to be # | :57:34. | :57:43. | |
She is truly iconic and the women of the musical world, the Ella | :57:43. | :57:53. | |
:57:53. | :57:58. | ||
Fitzgerald, Aretha Franklin, in the Her records with Burt Bacaract are | :57:58. | :58:06. | |
unique, create, to me, the most meaningful artist/composer | :58:06. | :58:11. | |
relationship that I can think of in contemporary music history. | :58:11. | :58:20. | |
# Do you know the way to San Jose? # You know I can't wait to get to | :58:20. | :58:25. | |
San Jose. # When I heard Deeon sing, and the | :58:25. | :58:29. | |
more I recorded with her the more chances coy take with her. There | :58:29. | :58:39. | |
:58:39. | :58:41. | ||
wasn't anything that I felt was # Walk on by | :58:41. | :58:51. | |
:58:51. | :58:52. | ||
# Just walk on by # Wow, I'm so proud of this lady. | :58:52. | :58:59. | |
Please welcome to the stage, the MOBO award's 2012 Lifetime | :58:59. | :59:04. | |
Achievement recipient, Dionne Warwick! | :59:04. | :59:08. | |
# There is always something there to remind me # | :59:08. | :59:18. | |
:59:18. | :59:45. | ||
Yes, stand up. CHEERING AND Hello! | :59:45. | :59:55. | |
:59:55. | :00:01. | ||
CHEERING First I give hanor to God, who is | :00:01. | :00:05. | |
responsible for -- honour to God, who is responsible for us of us | :00:05. | :00:08. | |
being here this evening. It is a complete honour to have been | :00:09. | :00:14. | |
thought of in this manner and to have been given this wonderful, | :00:14. | :00:20. | |
wonderful award. In conclusion, God bless you all. Thank you. | :00:20. | :00:28. | |
APPLAUSE Dionne Warwick, a legend there. | :00:28. | :00:30. | |
Round of applause for Dionne Warwick. | :00:30. | :00:34. | |
APPLAUSE We are going straight on to another | :00:34. | :00:42. | |
award. This time, for hip-hop grime act. To give it out, it is the MOBO | :00:42. | :00:45. | |
award's 2012 Best Newcomer winner, Rita Ora! | :00:46. | :00:55. | |
:00:56. | :00:56. | ||
APPLAUSE Hey, Best Newcomer! Look at you. | :00:56. | :01:01. | |
Hey. How you doing? Is that the first award you've ever won? Yes, | :01:01. | :01:05. | |
the first ward I've ever won or been nominated for. It's amazing. | :01:05. | :01:08. | |
It's nice to go conquer the world and come home and get an award. | :01:08. | :01:16. | |
know! No, no, but really it's a great honour. I was 15 years old | :01:16. | :01:20. | |
when I first performed ever at the MOBOs. I've got this on my fact | :01:21. | :01:24. | |
sheet. That you performed with Craig David when you were 15? | :01:24. | :01:29. | |
in Wembley. What were you, were you a backing singer, on the track, how | :01:29. | :01:35. | |
did this happen? It was just a track. I just jumped on stage and I | :01:35. | :01:40. | |
started singing. Just jumped on the stage when you were 15. Wow. What | :01:40. | :01:43. | |
is your night like tonight, you have just basically been all around | :01:44. | :01:47. | |
the world. Is it nice to be back in England and hang out with friends? | :01:47. | :01:50. | |
There's nothing like being back home. It's like the best feeling | :01:50. | :01:53. | |
and seeing all my fans, you know it started here, so I love the fact | :01:53. | :01:58. | |
that I can come back and be honoured as a newcomer. It's a nice | :01:58. | :02:01. | |
feeling. You have a small job to do and then have a good time. You've | :02:01. | :02:10. | |
worked hard this year. All right guys, so, the nominees | :02:10. | :02:20. | |
:02:20. | :02:20. | ||
Apology for the loss of subtitles for 42 seconds | :02:20. | :03:09. | |
OK. And the MOBO award for hip- hop/grime goes to... It has to be | :03:09. | :03:19. | |
:03:19. | :03:36. | ||
the nicest man I've ever met, Plan Well done. | :03:36. | :03:46. | |
I need to say a big thank you to Paul Etworth. Without him I | :03:46. | :03:51. | |
wouldn't be here today. I want to thank my management. I want to | :03:51. | :03:56. | |
thank all the guys that help me make my film. Without the film we'd | :03:56. | :04:02. | |
have no album, you know. Anyone who's helped inspire me get to this | :04:02. | :04:12. | |
:04:12. | :04:15. | ||
point, thank you very much. One more time for my boy Plan B, | :04:15. | :04:21. | |
best hip hom/grime act. That was good. Is everyone having a good | :04:21. | :04:26. | |
time. Let's just check. Is everyone enjoying the night so far? | :04:26. | :04:28. | |
CHEERING You can do better than that. Come | :04:28. | :04:34. | |
on Liverpool. Did we enjoy Labrinth earlier? Was that a highlight for | :04:34. | :04:40. | |
people? Yeah? Emeli Sande winning and performing, was that good? | :04:40. | :04:43. | |
Ora, Best Newcomer. Yes. Make some noise people. | :04:43. | :04:48. | |
APPLAUSE Feels like it's just us. Misha B | :04:48. | :04:52. | |
was looking good. Time for a performance from a man who's | :04:52. | :04:56. | |
supported Jay-Z and usher on tour, released five albums and been | :04:56. | :05:00. | |
nominated for a Grammy and landed a role in the latest incarnation of | :05:00. | :05:06. | |
the Texas chain saw massacre. Listen, his next track hit the top | :05:06. | :05:11. | |
of the R&B chart earlier this year giving him the first UK chart | :05:11. | :05:16. | |
topper to date. I know the sugar dumplings will go mad for this one. | :05:16. | :05:26. | |
:05:26. | :05:35. | ||
# I can't really explain # We're lost in these covers | :05:35. | :05:37. | |
# I slowly kiss your face Beautiful in every way, you are | :05:37. | :05:40. | |
# See, I'm a man that don't believe in much | :05:41. | :05:46. | |
# But I'll be damned if I don't believe in us | :05:46. | :05:51. | |
# And how we play a fight up in the bathroom | :05:51. | :05:56. | |
# Next thing I know I'm making love to you | :05:56. | :05:57. | |
# Girl, promise me you'll never change | :05:57. | :06:00. | |
# She ain't perfect but she's worth it | :06:00. | :06:04. | |
# Every breath I breathe for the life of me | :06:04. | :06:08. | |
# And I know I might not deserve it | :06:08. | :06:14. | |
# But she loves me and it's simply amazing | :06:14. | :06:21. | |
# Simply amazing, simply amazing | :06:21. | :06:31. | |
:06:31. | :06:32. | ||
# And she loves me, and it's simply amazing, amaze-amazing | :06:32. | :06:39. | |
# The girl's a work of art and I can't help but stare | :06:39. | :06:49. | |
:06:49. | :06:50. | ||
# With a smile like the sunset and the ocean is her hair | :06:50. | :06:54. | |
# Ooh, what she do ain't fair Ooh | :06:55. | :06:59. | |
# She knows me better than I know myself, mhmmm | :06:59. | :07:02. | |
# See, I'm a man that don't believe in much | :07:02. | :07:07. | |
# But I'll be damned if I don't believe in us | :07:07. | :07:12. | |
# Like when I said I loved you for the first time | :07:12. | :07:17. | |
# And the tears dropped from your eyes | :07:17. | :07:19. | |
# Girl, don't you ever change | :07:19. | :07:21. | |
# Cos she ain't perfect but she's worth it | :07:21. | :07:25. | |
# Every breath I breathe for the life of me | :07:25. | :07:30. | |
# And I know I might not deserve it | :07:30. | :07:37. | |
# But she loves me and it's simply amazing | :07:37. | :07:40. | |
# Simply amazing, simply amazing | :07:40. | :07:50. | |
:07:50. | :07:53. | ||
# And she loves me | :07:53. | :08:00. | |
# There is nothing in this world that can keep me away from you | :08:00. | :08:05. | |
# And there's nobody who could ever compare to you, ooh | :08:05. | :08:15. | |
:08:15. | :08:17. | ||
# She ain't perfect but she's worth it | :08:17. | :08:24. | |
# Every breath I breathe for the life of me | :08:24. | :08:29. | |
# And I know I might not deserve it | :08:29. | :08:33. | |
# But she loves me and it's simply amazing | :08:33. | :08:38. | |
# Simply amazing, simply amazing | :08:38. | :08:48. | |
:08:48. | :08:51. | ||
# And she loves me and it's simply amazing. # | :08:51. | :09:01. | |
:09:01. | :09:03. | ||
APPLAUSE AND CHEERING | :09:03. | :09:13. | |
:09:13. | :09:15. | ||
I | :09:15. | :09:15. | |
I think | :09:15. | :09:15. | |
I think we | :09:15. | :09:20. | |
I think we all just fell a little bit in love with Trey Songz. That | :09:20. | :09:26. | |
is OK. Our next award is for Best Male act, which speaks for itself. | :09:26. | :09:33. | |
You win at ward if you're the best male act. I can relate to this one. | :09:34. | :09:40. | |
I don't want to brag, but man won the BAFTA this year, get me. Has | :09:40. | :09:45. | |
your boyfriend got a BAFTA? No, so allow me, allow me, I'm going to | :09:45. | :09:53. | |
get rowdy a. Lou me, allow me, so I'm going to get rowdy. I'm off now. | :09:53. | :09:57. | |
To present at ward for best male act from Hollyoaks, we've got two | :09:57. | :10:07. | |
:10:07. | :10:11. | ||
hotties, Georgey Porter and You didn't disappoint! Yeah. I said | :10:11. | :10:16. | |
hotties, you came as hotties. How are you feeling? I cannot sit down. | :10:16. | :10:22. | |
What do you mean? It's too exciting. I keep dancing. I don't have a | :10:22. | :10:27. | |
problem. You're just having a really good time. You are here for | :10:28. | :10:32. | |
a job and then you can have fun. The nominations for Best Male Act | :10:32. | :10:42. | |
:10:42. | :10:43. | ||
Apology for the loss of subtitles for 42 seconds | :10:43. | :11:33. | |
And the winner of Best Male Act is... Plan B. | :11:33. | :11:43. | |
:11:43. | :11:57. | ||
I don't know what to say, man. I usually just win one award at these | :11:57. | :12:04. | |
shows, you know. It's been a long, kind of, hard struggle to get that | :12:04. | :12:09. | |
album made, get the film made. This feels good. It feels like it's all | :12:09. | :12:13. | |
worth it. Thank you. APPLAUSE | :12:13. | :12:17. | |
Coming up, two Olympic sized champions of the ring will be | :12:17. | :12:22. | |
revealing the winner of Best Album and stashy play a special tribute | :12:22. | :12:32. | |
:12:32. | :12:38. | ||
to TLC. If he's partying without me, it's | :12:38. | :12:47. | |
over between us. Touch it, touch it. That's really impressive Rickie. | :12:47. | :12:53. | |
And I'm not even excited yet. Girls, you are hillarious. I guess you're | :12:53. | :12:58. | |
pleased you're hanging out with these fine young vixens, what about | :12:58. | :13:01. | |
me? What about our voiceover? I thought we had something special. | :13:01. | :13:06. | |
You disgust me. I was going to find you. Really? Do you remember this, | :13:06. | :13:09. | |
does this mean anything to you? Didn't you draw that on the train | :13:09. | :13:16. | |
on the way up yesterday? Fine, how about these, simply dazzling and | :13:16. | :13:20. | |
spectacular adaptation of the lion king, it was a glorious performance. | :13:20. | :13:26. | |
What are you bringing up old stuff for. Don't stop girls. When I fell | :13:26. | :13:31. | |
off my BMX and I grazed my knee, you gave me a plaster and a kept it. | :13:31. | :13:37. | |
He's a crazy fool. Don't list ton him. How about this? Never mind | :13:37. | :13:41. | |
about that I'm not being funny, we have to be on stage in 20 | :13:41. | :13:44. | |
Palestinian its. Can you take your lover'stive in the corridor. | :13:45. | :13:49. | |
said you would take me out front. Forget it. I think you need to get | :13:49. | :13:53. | |
out and sort yourselves out. corridor is there, babe. The other | :13:53. | :13:59. | |
side of the door. I'm sorry man. I should never have left you. I'm | :13:59. | :14:08. | |
sorry. Can I make it up to you. A chicken dinner. You know I love my | :14:08. | :14:11. | |
peri peri. Stooshe are about to perform and TLC. I have a plan, can | :14:11. | :14:21. | |
:14:21. | :14:24. | ||
I think Rickie and Melvin are having trouble back stage by the | :14:24. | :14:28. | |
looks of it. I don't want to go back there. I think we need a bit | :14:28. | :14:37. | |
more music. Yes. Some more tunes. This next act were the 2009 winners | :14:37. | :14:41. | |
for Best Newcomer. Without any doubt they've gone on to some very | :14:41. | :14:46. | |
big things. Not least picking up a further four MOBO awards in the | :14:47. | :14:51. | |
past three years, decent stuff. That is great. Liverpool, let me | :14:51. | :15:01. | |
:15:01. | :15:10. | ||
hear your girly screams for Marvin, # Can I talk to you? | :15:10. | :15:15. | |
# If I jump the gun Put me right back in my place | :15:16. | :15:19. | |
# Can I kiss and run like I'm your boyfriend? | :15:19. | :15:23. | |
# I can be your toyfriend I can be your lover | :15:23. | :15:29. | |
# Take it how you want, girl Treat you like no other | :15:29. | :15:30. | |
# Say, I can be your toyfriend I can be your lover | :15:30. | :15:32. | |
# Take it how you want, girl Treat you like no other | :15:32. | :15:35. | |
# If you should ever wonder why these dudes have formed a line | :15:35. | :15:38. | |
# It's cos they see the sexiness that's finally been defined | :15:38. | :15:42. | |
# How does it feel to be the hottest girl | :15:42. | :15:47. | |
# In the world right now World right now? | :15:47. | :15:49. | |
# How does it feel to be the hottest girl | :15:49. | :15:52. | |
# In the world right now World right now? | :15:52. | :15:54. | |
# You got something No other girl's like that | :15:54. | :15:56. | |
# I wanna touch you so tell me how | :15:56. | :16:01. | |
# How does it feel to be the hottest girl | :16:01. | :16:06. | |
# In the world right now World right now? | :16:06. | :16:08. | |
# How does it feel to be the hottest girl | :16:08. | :16:11. | |
# In the world right now World right now? | :16:11. | :16:13. | |
# Ha ha | :16:13. | :16:19. | |
# You know it's funny cos you have no idea | :16:20. | :16:22. | |
# I ain't givin' up so I gotta know your name | :16:22. | :16:26. | |
# Think I talked enough so what are you saying, girl? | :16:26. | :16:31. | |
# I can be your Mr Right or I can be your Mr Right Now | :16:31. | :16:35. | |
# Either way, girl Let's just shut this down | :16:35. | :16:38. | |
# I can be your toyfriend I can be your lover | :16:38. | :16:41. | |
# Take it how you want, girl Treat you like no other | :16:41. | :16:45. | |
# Say, I can be your toyfriend I can be your lover | :16:45. | :16:48. | |
# Take it how you want, girl Treat you like no other | :16:48. | :16:51. | |
# If you should ever wonder why these dudes have formed a line | :16:51. | :16:54. | |
# It's cos they see the sexiness that's finally been defined | :16:54. | :16:58. | |
# How does it feel to be the hottest girl | :16:58. | :17:04. | |
# In the world right now World right now? | :17:04. | :17:06. | |
# How does it feel to be the hottest girl | :17:06. | :17:08. | |
# In the world right now World right now? | :17:08. | :17:10. | |
# You got something No other girl's like that | :17:10. | :17:13. | |
# I wanna touch you so tell me how | :17:13. | :17:17. | |
# How does it feel to be the hottest girl | :17:17. | :17:22. | |
# In the world right now World right now? | :17:22. | :17:25. | |
# How does it feel to be the hottest girl | :17:25. | :17:27. | |
# In the world right now World right now? | :17:27. | :17:29. | |
# Is it cool if I get real close? Raise a glass | :17:29. | :17:33. | |
# Can I make a toast to the girl | :17:33. | :17:41. | |
# The most beautiful I've ever seen in my whole life, ever? | :17:41. | :17:48. | |
# I say how does it feel | :17:48. | :17:56. | |
# How does it feel to be the hottest girl | :17:56. | :18:06. | |
:18:06. | :18:10. | ||
# How does it feel to be the hottest girl | :18:10. | :18:12. | |
# In the world right now World right now? | :18:12. | :18:13. | |
# How does it feel to be the hottest girl | :18:13. | :18:16. | |
# In the world right now World right now? | :18:16. | :18:17. | |
# You got something No other girl's like that | :18:17. | :18:20. | |
# I wanna touch you so tell me how | :18:20. | :18:25. | |
# How does it feel to be the hottest girl | :18:25. | :18:29. | |
# In the world right now World right now? | :18:29. | :18:31. | |
# How does it feel to be the hottest girl | :18:31. | :18:34. | |
# In the world right now World right now? # | :18:34. | :18:36. | |
APPLAUSE AND CHEERING | :18:36. | :18:42. | |
# How does it feel to be the hottest girl | :18:42. | :18:44. | |
# In the world right now World right now? # | :18:44. | :18:46. | |
# How does it feel to be the hottest girl | :18:46. | :18:47. | |
# In the world right now World right now? # | :18:47. | :18:49. | |
APPLAUSE AND CHEERING | :18:49. | :18:58. | |
I | :18:58. | :18:58. | |
I think | :18:58. | :18:58. | |
I think I | :18:58. | :19:06. | |
I think I just sort him move his hips like no other human before him. | :19:06. | :19:12. | |
Wow. JLS, the next award Best Album is highly coveted. Its given to the | :19:12. | :19:15. | |
artist with a body of work recognised by industry experts and | :19:15. | :19:20. | |
the voting pub lake like. It's like getting loads of -- public alike. | :19:20. | :19:26. | |
It's like getting loads of slaps on the back foreyour work. To give out | :19:26. | :19:33. | |
the award two very special people, Olympic Gold Medallist and stars of | :19:33. | :19:36. | |
Team GB, Antony Joshua and Nicola add apldz. | :19:36. | :19:42. | |
-- Adams. APPLAUSE | :19:42. | :19:49. | |
Hey guys. Welcome to the MOBO Awards 2012. Gold Medallists! | :19:49. | :19:53. | |
CHEERING How are you feeling? Yeah, really | :19:53. | :20:02. | |
good. It's really nice to be here. And is this your first MOBOs? Are | :20:02. | :20:08. | |
these the perks of being a GMist now? Definitely one of the perks. | :20:08. | :20:13. | |
I'm really excited to be here. won medals for boxing obviously, | :20:13. | :20:16. | |
what music do you like to go out into the ring in? What's your | :20:16. | :20:23. | |
favourite track at the moment? couple of tracks, Kend rik Lemar | :20:23. | :20:28. | |
and the Ora album as well. It's big. Go ahead. You're here for a job. Go | :20:28. | :20:38. | |
:20:38. | :20:38. | ||
Apology for the loss of subtitles for 42 seconds | :20:38. | :21:30. | |
for it. Let's look at the MOBO And the winner of Best Album is... | :21:30. | :21:40. | |
:21:40. | :22:11. | ||
# Oh, heaven # I wait with good intentions # | :22:11. | :22:19. | |
Woo! Thank you. Oh, what What a completely lovely | :22:19. | :22:23. | |
last thought. That was lovely, Emeli Sande. She's completely swept | :22:23. | :22:29. | |
the board tonight. Well done voting public and industry experts, | :22:29. | :22:34. | |
especially voting public. Well, what a night it's been and what | :22:34. | :22:38. | |
incredible winners we've had so far, best female, Emeli Sande and | :22:38. | :22:44. | |
everything else. Best hip-hop and grime, Plan B, best male, Plan B. | :22:44. | :22:49. | |
Best Newcomer sponsored by HTC, Rita Ora, best video JLS. And that | :22:49. | :22:53. | |
brings us to the final award of the night. Usually, you'd save the best | :22:53. | :22:58. | |
till last. As the rest of the show has been so damn great, this is | :22:58. | :23:03. | |
simply billed as the 14th award. It's catchy. And it goes to an act | :23:03. | :23:09. | |
that have shown an outstanding contribution, an act that nobody | :23:09. | :23:13. | |
can argue have shaped the way music has been created and performed, an | :23:13. | :23:19. | |
act that even your mum's heard of because they're so respected to. | :23:19. | :23:23. | |
Present it we have three ladies, one name, Stooshe. | :23:23. | :23:33. | |
:23:33. | :23:35. | ||
This year's Outstanding Contribution Award goes to a grup | :23:35. | :23:40. | |
that have sold a staggering 65 million records worldwide. They've | :23:40. | :23:46. | |
won 19 major awards including four Grammys. They're the best selling | :23:46. | :23:56. | |
:23:56. | :24:08. | ||
# Don't go chasing water falls # Please stick to the rivers and | :24:08. | :24:14. | |
the lakes that you're used to # I don't want no scrub | :24:14. | :24:17. | |
# A scrub is a guy that can't get no love from me | :24:17. | :24:21. | |
# Hanging on the passenger side of his best friend's ride trying to | :24:21. | :24:31. | |
:24:31. | :24:55. | ||
holer at me # Hello! Hey, hey, hey, hey. Thank | :24:55. | :25:03. | |
you guys so much. This means so much, so much, so much to us. Wow. | :25:03. | :25:11. | |
This is our first time at the MOBO Awards. This is such an hanor. | :25:11. | :25:18. | |
Wow. -- honour. Wow, what a welcome. It is an honour. We are humbled by | :25:18. | :25:22. | |
this. We want to thank all of our fans. We couldn't be here without | :25:22. | :25:28. | |
them and the MOBO Awards, thanks for having us. An awesome award. | :25:28. | :25:36. | |
Yes, absolutely, thank you so much. Hi guys. We have heard rumours that | :25:36. | :25:41. | |
you will be coming back, TLC are coming back with more music. Will | :25:41. | :25:48. | |
it be an album, tour or both? I can handle both? Both. Both. Well, also | :25:48. | :25:55. | |
a TLC movie that's coming out next year. TLC the movie? Yes. A movie, | :25:56. | :26:00. | |
album, tour. So sort of world domination all over again. We hope. | :26:00. | :26:05. | |
So Hope so. Guys, thank you so much for being here. One more time for | :26:05. | :26:11. | |
TLC! Thank you everybody. We love you guys. Thank you. That, I'm | :26:11. | :26:17. | |
afraid, brings us to the end of the show. I know, it's a bit sad, Adam, | :26:17. | :26:22. | |
it's been a blooming pleasure. Really nice. What's been your | :26:22. | :26:27. | |
highlight? My highlight? Probably getting Rita Ora's number earlier. | :26:27. | :26:31. | |
But you didn't get it. I think you'll find I did. Don't hate, you | :26:31. | :26:35. | |
had your chance. Rita, I'm going to bell you after the show. You bell | :26:35. | :26:41. | |
Rita. A big thank you to all our performers and award presenters. | :26:41. | :26:45. | |
big congratulations to every one of tonight's winners. That brings us | :26:45. | :26:55. | |
:26:55. | :27:06. | ||
to the last performance with Water # A lonely mother | :27:06. | :27:12. | |
# If at any time he's in a jam She'll be by his side | :27:12. | :27:18. | |
# But he doesn't realise he hurts her so much | :27:18. | :27:22. | |
# But all the praying just ain't helping at all | :27:22. | :27:29. | |
# Cos he can't seem to keep his self out of trouble | :27:29. | :27:33. | |
# So he goes out and he makes his money | :27:33. | :27:36. | |
# The best way he knows how | :27:36. | :27:40. | |
# Another body layin' cold in the gutter | :27:40. | :27:42. | |
# Listen to me | :27:42. | :27:46. | |
# Don't go chasing waterfalls Please stick to the rivers | :27:46. | :27:48. | |
# And the lakes that you're used to I know that you're gonna have it | :27:48. | :27:55. | |
# Your way or nothing at all but I think you're moving too fast | :27:55. | :28:00. | |
# Little precious has a natural obsession | :28:00. | :28:10. | |
# For temptation but he just can't see | :28:10. | :28:14. | |
# She gives him loving that his body can't handle, but all he can say | :28:14. | :28:21. | |
# Is, Baby is good to me | :28:21. | :28:25. | |
# One day he goes and takes a glimpse in the mirror | :28:25. | :28:31. | |
# But he doesn't recognise his own face | :28:31. | :28:34. | |
# His health is fading and he doesn't know why | :28:34. | :28:40. | |
# Three letters took him to his final resting place | :28:40. | :28:45. | |
# Y'all don't you hear me | :28:45. | :28:50. | |
# Don't go chasing waterfalls Please stick to the rivers | :28:50. | :28:53. | |
# And the lakes that you're used to | :28:53. | :28:56. | |
# I know that you're gonna have it your way or nothing at all | :28:56. | :29:00. | |
# But I think you're moving too fast Come on, I seen a rainbow yesterday | :29:00. | :29:10. | |
:29:10. | :29:11. | ||
# But too many storms have come and gone | :29:11. | :29:12. | |
# Leaving a trace of not one God-given ray | :29:12. | :29:15. | |
# Is it because my life is ten shades of grey | :29:15. | :29:16. | |
# I pray all ten fade away | :29:16. | :29:18. | |
# Seldom praise him for the seven days | :29:18. | :29:19. | |
# And like his promise is true Only my faith can undo | :29:19. | :29:21. | |
# The many chances I blew to bring my life to anew | :29:21. | :29:23. | |
# Clear and blue and unconditional | :29:23. | :29:25. | |
# Skies have dried the tears from my eyes | :29:25. | :29:31. | |
# No more lonely cries | :29:31. | :29:35. | |
# My only bleeding hope is for the folk who can't cope | :29:35. | :29:45. | |
:29:45. | :29:47. | ||
# But I think you're moving too fast Come on, I seen a rainbow yesterday | :29:47. | :29:53. | |
# Don't go chasing waterfalls Please stick to the rivers | :29:53. | :29:55. | |
# And the lakes that you're used to | :29:55. | :29:58. | |
# I know that you're gonna have it your way or nothing at all | :29:58. | :30:03. |