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This programme This programme contains scenes of | :00:07. | :00:17. | |
:00:17. | :00:17. | ||
Apology for the loss of subtitles for 118 seconds | :00:17. | :02:15. | |
Ladies and gentlemen, welcome to the MOBOs Awards, 2012, live from | :02:16. | :02:25. | |
:02:26. | :02:26. | ||
Apology for the loss of subtitles for 118 seconds | :02:26. | :04:52. | |
Stkpwhrts now time to introduce your hosts for the evening. -- it's | :04:52. | :04:57. | |
now time. Liverpool, lift the roof off for | :04:57. | :05:01. | |
Miquita Oliver and Adam Deacon. Hell will he Liverpool. Wow, quite | :05:01. | :05:10. | |
a lot of people. Hi everyone. is going down Liverpool? What are | :05:10. | :05:19. | |
you saying? Thank you to Progrect G who opened the show. -- Project G. | :05:19. | :05:25. | |
Wow, this is actually quite intense. So is everyone pumped for the | :05:25. | :05:30. | |
MOBOs? We're ready for the MOBOs? This is a mad thing. Are you ready? | :05:30. | :05:37. | |
I think I'm ready. Welcome to the MOBOs Awards, 2012. Yeah, yeah. | :05:37. | :05:43. | |
That's right. You know what Miquita, it is about to get real. I think | :05:43. | :05:50. | |
this is actually quite excited. is exciting. I I used to watch it | :05:50. | :05:57. | |
on TV. You remember it. Anyone who is anyone who has been on it. | :05:57. | :06:06. | |
Rihanna, Jay-Z. Tem pa. Neyo. Jessie J And me. You have not | :06:06. | :06:11. | |
performed. I think in 2011 I gave out an award. It went very well. | :06:11. | :06:18. | |
You killed it. Tonight we have performances from Labrinth. Misha B, | :06:18. | :06:26. | |
StooShe. Ladies, we have JLS in the house. I love that. We have Angel. | :06:26. | :06:32. | |
We' got Fantasia on British Sea Songs. OK. Wiley is performing on | :06:32. | :06:40. | |
stage tonight. -- we've got Trey Songz. Awards for Best Male, Best | :06:40. | :06:46. | |
Female, Best Album, Best Song, Best Video and a lot more, including the | :06:46. | :06:51. | |
legendary TLC will be right here in this actual room. Right now, I want | :06:51. | :06:55. | |
to hold tight everyone on twitter back at home. If the excitement of | :06:55. | :06:59. | |
seeing me myself Adam Deacon, presenting the MOBO awafrdz isn't | :06:59. | :07:05. | |
enough for you, then get tweeting. -- MOBOs Awards. I can pick up on | :07:05. | :07:09. | |
all the exclusives. Remember to use the hashtag. Adam is doing that | :07:09. | :07:15. | |
chat. I don't know what I'm talking about. Now the first performance. | :07:16. | :07:23. | |
What better performance to start with this lady who was at not just | :07:23. | :07:30. | |
one, but two Olympic ceremonies. She also has a nomination for the | :07:30. | :07:40. | |
:07:40. | :07:53. | ||
MOBOs. With My Kind Of Love, here # I can't buy your love | :07:53. | :08:03. | |
# Sometimes the truth # But don't ever question | :08:03. | :08:13. | |
:08:13. | :08:18. | ||
# Know I'm far from perfect # I can't grant you any wishes | :08:18. | :08:23. | |
# But don't ever question if my heart beats only for you | :08:23. | :08:28. | |
# It beats only for you | :08:28. | :08:33. | |
# Cos when you've given up | :08:33. | :08:36. | |
# When no matter what you do It's never good enough | :08:36. | :08:40. | |
# When you never thought that it could ever get this tough | :08:40. | :08:46. | |
# That's when you feel my kind of love | :08:46. | :08:53. | |
# And when you're cryin' out | :08:53. | :08:57. | |
# When you've fallen and can't pick your head up off the ground | :08:57. | :09:02. | |
# When the friends you thought you had haven't stuck around | :09:02. | :09:08. | |
# That's when you feel my kind of love | :09:08. | :09:18. | |
:09:18. | :09:18. | ||
# You won't see me at the parties I guess I'm just no fun | :09:18. | :09:22. | |
# I won't be turning up the radio singing, baby, you're the one | :09:23. | :09:28. | |
# But don't ever question if my heart beats only for you | :09:28. | :09:32. | |
# It beats only for you | :09:32. | :09:38. | |
# I know sometimes I get angry and I say what I don't mean | :09:38. | :09:42. | |
# I know I keep my heart protected far away from my sleeve | :09:42. | :09:48. | |
# But don't ever question if my heart beats only for you | :09:48. | :09:52. | |
# It beats only for you | :09:52. | :09:57. | |
# Cos when you've given it up | :09:57. | :10:00. | |
# When no matter what you do it's never good enough | :10:00. | :10:04. | |
# When you never thought that it could ever get this tough | :10:04. | :10:10. | |
# That's when you feel my kind of love | :10:10. | :10:18. | |
# And when you're cryin' out | :10:18. | :10:21. | |
# When you've fallen and can't pick your head up off the ground | :10:21. | :10:26. | |
# When the friends you thought you had haven't stuck around | :10:26. | :10:31. | |
# That's when you feel my kind of love | :10:31. | :10:39. | |
# Cos when you've given up | :10:40. | :10:44. | |
# When you've fallen and can't pick your head up off the ground | :10:45. | :10:48. | |
# When the friends you thought you had haven't stuck around | :10:48. | :10:53. | |
# That's when you feel my kind of love | :10:53. | :11:02. | |
APPLAUSE AND CHEERING | :11:02. | :11:12. | |
:11:12. | :11:15. | ||
Still | :11:15. | :11:15. | |
Still to | :11:15. | :11:16. | |
Still to come | :11:16. | :11:21. | |
Still to come on the MOBOs Awards 2012. Rita Ora presents the award | :11:21. | :11:25. | |
for Hip-Hop/Grime Act. Labrinth will be performing not one but two | :11:25. | :11:30. | |
hits and JLS tell us who the hottest girl in the world is. | :11:30. | :11:33. | |
Ricky, this voicover business is great and everything but we need to | :11:33. | :11:39. | |
get out in front of everyone else and get a taste of that famous MOBO | :11:39. | :11:42. | |
atmosphere. How long until we're up next? About 20 minutes. Great, | :11:42. | :11:51. | |
let's get out there and have a quick look-see, man. | :11:52. | :11:57. | |
Yeah, Emeli Sande's performance was amazing. It was an absolute treat. | :11:57. | :12:02. | |
Labrinth is on soon. Passes, please, gentlemen. Do you know what, I | :12:02. | :12:05. | |
think we left it in the voicover booth. I don't know if you know | :12:05. | :12:09. | |
about this, we are actually the voicover for this event. You could | :12:09. | :12:14. | |
all us the voice of MOBO. I don't care if you are the voice of Celine | :12:15. | :12:19. | |
Dion, if you haven't got a parks you aren't coming in. You are | :12:19. | :12:26. | |
joking, man. How am I supposed to know that. You will do the falcetto, | :12:26. | :12:32. | |
you do the base. # How does it feel like to be the | :12:32. | :12:36. | |
hottest girl in the right now # How does it feel to be the | :12:36. | :12:43. | |
hottest girl in the world right now # World right now... # I'm going to | :12:43. | :12:48. | |
need back-up to main stage 1, please. Oh-oh. | :12:48. | :12:58. | |
:12:58. | :13:00. | ||
The public votes have been counted, industry experts have had their say. | :13:01. | :13:04. | |
It's time to hand out the first award of the night. First up, it's | :13:04. | :13:09. | |
Best Song. Best Song, in association with PRS | :13:10. | :13:15. | |
for Music. To present it an actress fond of a ballroom who narrowly | :13:15. | :13:20. | |
missed out on the Strictly Come Dancing crown. But she's here. | :13:20. | :13:30. | |
:13:30. | :13:34. | ||
Welcome to the MOBOs Awards. Yeah. I was going to ask other questions | :13:34. | :13:38. | |
first, but I can't not talk about this dress. So, just tell me | :13:39. | :13:43. | |
everything about this little number. Well, obviously it's very sparkly. | :13:44. | :13:50. | |
Yeah, big time. It's very out there and very me. Very you. Is this your | :13:50. | :13:56. | |
first MOBOs? No, my second. Second. And do you usually party | :13:56. | :13:59. | |
afterwards? Do you hit the after parties? That goes without saying. | :13:59. | :14:02. | |
We have given you the first award of the night. Get in there and get | :14:02. | :14:07. | |
messy as soon as possible. Thank you so much. Let's have a look at | :14:07. | :14:17. | |
:14:17. | :14:17. | ||
Apology for the loss of subtitles for 118 seconds | :14:17. | :15:47. | |
And the MOBO award for the Best Wow, wow, wow, wow. Liverpool! I | :15:47. | :15:56. | |
brought a few notes of some people I would like to thank. First, | :15:56. | :16:00. | |
everybody has to thank mum at home. I'm going to thank my mum at home. | :16:00. | :16:05. | |
I love you, mum, thank you for all the work you have done for the | :16:05. | :16:12. | |
family. I have to thank my team, Our Child. Mark Williams, are you | :16:12. | :16:16. | |
all right there, my friend? Manager? I would like to thank the | :16:16. | :16:21. | |
radio DJs and radio stations that helped to push this record. Psycho, | :16:21. | :16:26. | |
love you, that's the family right there and I would like to thank Dan | :16:26. | :16:36. | |
:16:36. | :16:42. | ||
White and my lovely Mrs. Thank you I'm ninja, turtle, you can't step | :16:42. | :16:47. | |
into my circle, in a sound clash I would hurt you. Sorry man, I'm | :16:47. | :16:53. | |
excited about this next one. Listen up, people, next up, straight out | :16:53. | :17:00. | |
of Bow E3, real name, Richard Kylea Cowie, but some might know him as | :17:00. | :17:07. | |
Eskiboy, performing one of the biggest tracks of the summer. Make | :17:07. | :17:17. | |
:17:17. | :17:22. | ||
some noise for this is Wiley, # My name's Wiley, yeah | :17:22. | :17:28. | |
# When I arrive # Put your hands up on my body | :17:28. | :17:38. | |
:17:38. | :17:42. | ||
# When the sun's out # I ride out on my Yamaha R6 | :17:42. | :17:46. | |
# In the dance # I get behind her | :17:46. | :17:52. | |
# She back it up good # When I arrive | :17:52. | :17:56. | |
# My name's Wiley, yeah Play my song then | :17:56. | :17:58. | |
# When I arrive I'm causin' a heatwave | :17:58. | :18:00. | |
# Causin' a heatwave Causin' a heatwave | :18:00. | :18:03. | |
# Causin' a heatwave | :18:03. | :18:05. | |
# When I arrive I'm causin' a heatwave | :18:05. | :18:07. | |
# I'ma party, I'm gon' dance Put your hands up on my body | :18:07. | :18:10. | |
# On my body, on my body | :18:10. | :18:13. | |
# I'ma party, I'm gon' dance | :18:13. | :18:17. | |
# On my body, on my body | :18:17. | :18:20. | |
# I'ma party, I'm gon' dance | :18:20. | :18:25. | |
# When the sun's out we just wanna impress | :18:25. | :18:26. | |
# I stand in the clear I don't bother with mess | :18:26. | :18:27. | |
# If it ain't gonna sell I don't wanna invest | :18:27. | :18:28. | |
# If it ain't got a vibe I ain't got an interest | :18:28. | :18:30. | |
# I wanna see a ice-cream van on the road | :18:30. | :18:31. | |
# I wanna see a light skin gal | :18:31. | :18:32. | |
# I wanna get a slush puppy with both flavours | :18:32. | :18:34. | |
# Drink that now I'm right back in my zone | :18:34. | :18:36. | |
# When I arrive I'm causin' a heatwave | :18:36. | :18:38. | |
# I've got vibes to sell People want them | :18:38. | :18:40. | |
# My name's Wiley, yeah Play my song then | :18:40. | :18:42. | |
# When I arrive I'm causin' a heatwave | :18:42. | :18:45. | |
# Causin' a heatwave Causin' a heatwave | :18:45. | :18:54. | |
# I was on a path to the limelight | :18:54. | :18:56. | |
# Now I'm on another one it's a night flight | :18:56. | :18:57. | |
When they say I'm a star I say thank you | :18:57. | :18:59. | |
# It's all due to the scenes that I ran through | :18:59. | :19:01. | |
# So I keep flyin the flags for all people | :19:01. | :19:02. | |
# No messing about we're all equal | :19:02. | :19:04. | |
# Vibe alive in the club when I roll in | :19:04. | :19:06. | |
# I get around with the crowd when I'm roaming | :19:06. | :19:08. | |
# Everybody right now Can you hear me? | :19:08. | :19:12. | |
# Through the speakers turn me up if you hear me | :19:12. | :19:15. | |
# Ayaya ayaya ayaya ayaya | :19:16. | :19:23. | |
# Everybody right now can you hear me? | :19:23. | :19:26. | |
# Through the speakers turn me up if you hear me | :19:27. | :19:30. | |
# Ayaya ayaya ayaya ayaya | :19:30. | :19:38. | |
# They should know I bring vibes on a club night | :19:38. | :19:40. | |
# Keep the crowd hyped up brother party | :19:40. | :19:42. | |
# Red, she wanna say words in my earlobe | :19:42. | :19:43. | |
# Reminds me there's an hour of the party left | :19:43. | :19:45. | |
# See the fireworks, celebration Team winning the Grey Goose amazing | :19:45. | :19:49. | |
# Send them Jaeger bombs I got a craving | :19:49. | :19:50. | |
# So many women I don't wanna stop raving | :19:50. | :19:52. | |
# They should know I got tunes for the gyaldem | :19:52. | :19:54. | |
# Once the ladies are there see the man dem reach | :19:54. | :19:56. | |
# They wanna leave there with a number | :19:56. | :19:58. | |
# Check the peng ting she's gonna hang with me | :19:58. | :20:00. | |
# I'm skanking all round the party I'm skanking | :20:00. | :20:03. | |
# I got girls to the left and girls to the right | :20:03. | :20:05. | |
# When we're at the bar we ain't ramping | :20:05. | :20:07. | |
# Everybody right now Can you hear me? | :20:08. | :20:11. | |
# Through the speakers turn me up if you hear me | :20:11. | :20:14. | |
# Ayaya ayaya ayaya ayaya | :20:14. | :20:24. | |
# Wiley called me on the iPhone | :20:24. | :20:25. | |
# He said get my passport told me to come through | :20:25. | :20:27. | |
# Put your sun cream in your suitcase | :20:27. | :20:28. | |
# When I arrive causing a heat wave too | :20:28. | :20:30. | |
# Got my SnapBack and my vest on | :20:30. | :20:31. | |
# Looking at the hot girl with the red dress on | :20:31. | :20:33. | |
# Light skin with a beautiful body like Kim | :20:33. | :20:35. | |
# So I had to get my Kanye West on | :20:35. | :20:37. | |
# She told me she's feeling my jewellery | :20:37. | :20:38. | |
# She said that she's in love with my Jesus piece | :20:38. | :20:42. | |
# I told her to look again closely It's not Jesus baby it's JME | :20:42. | :20:44. | |
# And I was like babe, come over | :20:44. | :20:46. | |
# I don't bite, girl Come a little closer | :20:46. | :20:48. | |
# Come a little closer I don't bite | :20:48. | :20:49. | |
# Girl, come a little closer | :20:50. | :20:52. | |
# Everybody right now Can you hear me? | :20:52. | :20:55. | |
# Through the speakers turn me up if you hear me | :20:55. | :20:58. | |
# Ayaya ayaya ayaya ayaya | :20:58. | :21:08. | |
:21:08. | :21:20. | ||
Wow, | :21:20. | :21:22. | |
Wow, Wiley | :21:22. | :21:22. | |
Wow, Wiley just | :21:22. | :21:27. | |
Wow, Wiley just killed it and Skepta joining in the fun. We are | :21:27. | :21:33. | |
having a great time. Next up one of the most hotly-contested awards of | :21:33. | :21:36. | |
the night. Best Female Act in association with tressor, Paris. To | :21:37. | :21:40. | |
present it, an actress that appeared as the slyly troubled | :21:40. | :21:48. | |
Michelle in one of 2012's biggest films. -- slightly troubled | :21:48. | :21:57. | |
Michelle. It is Anouska Amond and Plan B. | :21:57. | :22:03. | |
Look at you. Anuesh ka, is this the first fun event your previous boss, | :22:03. | :22:08. | |
Ben has taken you to? It is. Unbelievable. And this is your | :22:08. | :22:12. | |
first MOBOs. My first. What is Ben like to work for? What is he like | :22:12. | :22:16. | |
as a boss? I have to say good things because he is standing next | :22:16. | :22:20. | |
to me. He was amazing. I feel so honoured to be part of the project. | :22:20. | :22:24. | |
I bow down to Ben. You don't know if you have to do that. Ben up for | :22:24. | :22:29. | |
a lot of awards tonight. You have all in all had ten MOBOs | :22:29. | :22:34. | |
nominations throughout your career. Is it nice to get this much love | :22:34. | :22:38. | |
from this ceremony? Man, it is always great to be recognised. | :22:38. | :22:41. | |
there anyone you are looking forward to seeing her formed? | :22:41. | :22:46. | |
just saw Wiley smash it up. I'm looking forward to seeing Labrinth, | :22:46. | :22:49. | |
as always. I hear there are pretty big things going on in that. We | :22:49. | :22:53. | |
have let you had a little job but I promise you can then have a good | :22:53. | :22:58. | |
time. Will you be hitting the after-parties? Obviously. Ben? | :22:58. | :23:04. | |
know, I'm going to try to, yeah. You seem a bit tired. OK, do your | :23:04. | :23:09. | |
job, thadges for coming. Thank you. -- thanks for coming. The nominees | :23:09. | :23:19. | |
:23:19. | :23:19. | ||
Apology for the loss of subtitles for 118 seconds | :23:19. | :24:45. | |
And the winner is... Emeli Sande. Wow! Thank you so much. Thank you, | :24:45. | :24:50. | |
Liverpool. First of all I would like to thank my wonderful family, | :24:50. | :25:00. | |
:25:00. | :25:00. | ||
my mum, my dad, my sister, Adam. Naughty Boy. Everyone at virgin. | :25:00. | :25:05. | |
Adrian. Everyone that made this possible and for the MOBOs for | :25:05. | :25:09. | |
supporting me before I was on anybody else's radar. Thank you so | :25:09. | :25:19. | |
much. This means the world to me, thank you. Emeli Sande, winning | :25:19. | :25:24. | |
Best Female, well-deserved. Well done Emeli Sande. Staying on the | :25:25. | :25:28. | |
subjects of beautiful females, which you are,my key ta, very | :25:28. | :25:32. | |
beautiful. You know I wrote you a little 16-bar lyric about yourself, | :25:32. | :25:37. | |
init. You know I didn't know that. I Zliesic. Miquita,my key ta, you | :25:37. | :25:43. | |
are hot like a heater, heater, when I get home I'm going to tweet you. | :25:43. | :25:46. | |
I'll stop you there. That was really good. Don't let anyone tell | :25:46. | :25:51. | |
you it wasn't, that was great. Let's get away from it as quickly | :25:51. | :25:55. | |
as possible, though. Let's move straight on to another award. This | :25:55. | :26:00. | |
time for Best Gospel. To present it, please welcome the | :26:00. | :26:10. | |
:26:10. | :26:10. | ||
Apology for the loss of subtitles for 118 seconds | :26:10. | :27:01. | |
lovely Misha B. Hello, Liverpool. And the MOBO award for Best Gospel | :27:01. | :27:11. | |
:27:11. | :27:37. | ||
Wow. Hold my hand # Hold my hand | :27:37. | :27:47. | |
:27:47. | :27:53. | ||
# I'm nothing without you # I'm nothing without you, you... # | :27:53. | :28:00. | |
Wow. There are so many people I am nothing without. Firstly, God, so | :28:00. | :28:06. | |
faithful. My family who are here, I love you, thank you. My incredible | :28:06. | :28:14. | |
management team, you are the best, Elgns Manage am. FA, DH Studios. | :28:14. | :28:19. | |
Team Kerr, my incredible band. Everybody who voted. This is not in | :28:19. | :28:27. | |
vain, the best is yet to come, God bless you, thank you. | :28:27. | :28:32. | |
I can't believe she just sang. That was incredible. Congratulations, | :28:32. | :28:38. | |
Rachel. Next on stage is a man who has literally barged his way into | :28:38. | :28:42. | |
his lives, with singles, Go In, Go Hard, Wretch 32 and most recently | :28:42. | :28:47. | |
the top-ten hit, Wonderful. started producing when he was 10. | :28:47. | :28:54. | |
Has rit written for Roll Deep. Deaf lon, JLS, Rihanna and has been | :28:54. | :29:01. | |
described as the new at that tueed UK-face of R&B. Quite an aclate, | :29:01. | :29:11. | |
:29:11. | :29:17. | ||
# When you finally find # When you finally find | :29:17. | :29:27. | |
:29:27. | :29:47. | ||
# Exhale, breathe in # You can lose your voice | :29:47. | :29:57. | |
:29:57. | :29:58. | ||
# Everywhere we go We feel like we're strangers | :29:58. | :30:03. | |
# On the other hand it makes us feel major | :30:03. | :30:06. | |
# If they never knew then maybe they'll name ya | :30:06. | :30:09. | |
# Don't let 'em change ya | :30:09. | :30:12. | |
# When you finally find what's beautiful | :30:12. | :30:16. | |
# It's so wonderful | :30:16. | :30:18. | |
# If you're looking for the stars keep looking at me hard | :30:18. | :30:22. | |
# If you're looking for the stars keep looking at me hard | :30:22. | :30:24. | |
# If you're looking for the stars keep looking at me hard | :30:24. | :30:30. | |
# When you finally find what's beautiful | :30:30. | :30:38. | |
# When you finally find what's beautiful | :30:38. | :30:40. | |
# It's so wonderful | :30:40. | :30:43. | |
# Inhale, steamin' | :30:43. | :30:45. | |
# We can blow it up for the weekend Shallow world meet him | :30:45. | :30:48. | |
# Promise when we bust in the deep end | :30:48. | :30:54. | |
# Can't control the feelin' And I can't let go, I need it | :30:54. | :31:04. | |
:31:04. | :31:04. | ||
# Everywhere we go We feel like we're strangers | :31:04. | :31:07. | |
# On the other hand it makes us feel major | :31:07. | :31:10. | |
# If they never knew then maybe they'll name ya | :31:10. | :31:12. | |
# Don't let 'em change ya | :31:12. | :31:16. | |
# When you finally find what's beautiful | :31:16. | :31:19. | |
# It's so wonderful | :31:19. | :31:25. | |
# If you're looking for the stars keep looking at me hard | :31:25. | :31:30. | |
# If you're looking for the stars keep looking at me hard | :31:30. | :31:39. | |
# When you finally find what's beautiful | :31:39. | :31:43. | |
# It's so wonderful | :31:43. | :31:46. | |
# When you finally find what's beautiful | :31:46. | :31:50. | |
# It's so wonderful | :31:50. | :31:52. | |
# When you finally find what's beautiful | :31:52. | :31:57. | |
# When you finally find what's beautiful | :31:57. | :32:04. | |
# When you finally find what's beautiful | :32:04. | :32:08. | |
# It's so wonderful | :32:08. | :32:09. | |
# Everywhere we go We feel like we're strangers | :32:09. | :32:11. | |
# On the other hand it makes us feel major | :32:11. | :32:14. | |
# If they never knew then maybe they'll name ya | :32:14. | :32:16. | |
# Don't let 'em change ya | :32:16. | :32:20. | |
# When you finally find what's beautiful | :32:20. | :32:24. | |
# It's so wonderful | :32:24. | :32:26. | |
# When you finally find what's beautiful | :32:26. | :32:30. | |
# It's so wonderful. # | :32:30. | :32:33. | |
APPLAUSE AND CHEERING | :32:33. | :32:43. | |
Stay | :32:43. | :32:43. | |
Stay right | :32:43. | :32:43. | |
Stay right where | :32:43. | :32:47. | |
Stay right where you are, coming up Rita Ora presents the MOBO awavered | :32:47. | :32:54. | |
for Hip-Hop/Grime Act and we get a visit from two Olympic medallists. | :32:54. | :33:01. | |
Plus the live music keeps coming from Conor Maynard, Labrinth and | :33:01. | :33:06. | |
JLS. I don't think we'll get out in front. I had an idea. Angel is | :33:07. | :33:11. | |
performing next. So if he's on his stage, that means his table is... | :33:11. | :33:19. | |
Empty. I'm one step ahead of you, Ricky, one step ahead. Oh! | :33:19. | :33:24. | |
It's a good idea. You ain't got to tell me, brother. Genius, I can't | :33:24. | :33:31. | |
wait to get out front. Emeli Sande, Emeli Sande's band. Who is that? | :33:31. | :33:41. | |
:33:41. | :33:41. | ||
JLS. Oh, who is this, Angel, here we go. | :33:41. | :33:46. | |
So what are you saying was this sick? How did it sound, though? | :33:46. | :33:53. | |
It's proper,. A few dots here, a few dots there. | :33:53. | :33:59. | |
On fire. Crazy. Serious, though. Angel's own mum would be fooled. I | :33:59. | :34:04. | |
can't believe how much you look like him. Hurry up, we haven't got | :34:04. | :34:10. | |
time. Calm down, we're almost done. The same old stuff, man. Once you | :34:10. | :34:16. | |
get out there, don't forget me. I don't want you to get distracted | :34:16. | :34:20. | |
with free-flowing champagne and sexy ladies. Of course you can | :34:20. | :34:27. | |
count on me. What are you doing in my room, bruv? That's a funny story. | :34:27. | :34:34. | |
Help me, man. What's that on your face? It's like looking in a mirror, | :34:34. | :34:42. | |
right, yeah? Come on, can I keep the jacket, though? Take my jacket | :34:42. | :34:49. | |
off. The award for R&B and Soul Act next. It has been done by Adele and | :34:49. | :34:52. | |
Plan B. If history serves us correctly, the winner is guaranteed | :34:52. | :34:57. | |
to either have a baby or write a film in the next 12 months. That's | :34:57. | :35:02. | |
in the just me saying that, it's a fact. To present it, two ladies | :35:02. | :35:07. | |
fresh from the biggest UK event since the MOBOs Awards 2012, | :35:07. | :35:14. | |
obviously. From Team GB, please show a massive amount of | :35:14. | :35:20. | |
appreciation for help tat athletes, Lewis wees Hazel and Katarina | :35:20. | :35:28. | |
Johnson-Thompson. -- Louise Hazel. Yeah, actual members of Team GB, | :35:28. | :35:34. | |
sure, sure, at the MOBOs. Is it nice not to be in your training kit | :35:34. | :35:39. | |
and be in glamorous dresss. Nice to be out of the lycra for one evening. | :35:39. | :35:42. | |
Of course, the MOBOs Awards, there are parties afterwards. Let's in | :35:42. | :35:46. | |
the lie, do you have training tomorrow or can you relax and have | :35:46. | :35:49. | |
a good time? I had training this morning, I think I can let my hair | :35:49. | :35:52. | |
down a bit. You trained this morning. You trained before the | :35:52. | :35:57. | |
MOBOs. Yeah. OK. You were both competing in the Olympic stadium | :35:57. | :35:59. | |
throughout the summer. Were you expecting the British public to | :35:59. | :36:04. | |
sort of embrace the Olympics in the way they did? Definitely. We always | :36:04. | :36:07. | |
manage to put on a good show in Great Britain. Look at the crowd | :36:07. | :36:12. | |
here tonight. I know, look at this crowd, look at it. Quite quiet. But | :36:12. | :36:17. | |
there it is, there it is. Actually I was going say, the | :36:17. | :36:21. | |
Olympic stadium, there was a lot of vibe. Was it louder than this | :36:21. | :36:26. | |
crowd? I'm not too sure. I think the crowd might go a little bit | :36:26. | :36:30. | |
more wild when Conor Maynard comes on. Is that who you are waiting | :36:30. | :36:34. | |
for? When you are training what music do you listen to? | :36:34. | :36:42. | |
favourite warm-up track has to be Tinie Tempah Passing Out. That's | :36:42. | :36:46. | |
what I'm doing at the end of a session. Passion out. So, girls, | :36:46. | :36:53. | |
off job to do, then you can party. The nominees for of the Best R&B | :36:53. | :37:03. | |
:37:03. | :37:03. | ||
Apology for the loss of subtitles for 118 seconds | :37:03. | :38:21. | |
Thank you so much. Wow, two! Thank you so much, first of all, really | :38:21. | :38:24. | |
to all the fans who've bought my music and supported me and have | :38:25. | :38:29. | |
been so loyal from the very beginning. But also just for the | :38:29. | :38:33. | |
women who've opened doors for me over the past decade in the UK. I | :38:33. | :38:38. | |
wouldn't be able to be here without them. I want to dedicate this award | :38:38. | :38:45. | |
to Ms Dynamite, Beverly Knight, Shola Ama, Eternal, people who have | :38:45. | :38:49. | |
really opened doors and allowed people like me to be here tonight | :38:49. | :38:52. | |
and make the music we want to and get the acknowledgement that I | :38:53. | :39:00. | |
think it deserves. So thank you. Emeli Sande, completely winning | :39:00. | :39:05. | |
everything. OK, Adam, if I was to say to you, turn around, what would | :39:05. | :39:09. | |
you think? I'd think, what are you a fed or something. I ain't got | :39:09. | :39:16. | |
nothing on me, man. What if I said, what if I professed to being a | :39:16. | :39:20. | |
Vegas Girl. I'd say, babe I'm not stalking you, I have done my | :39:20. | :39:24. | |
research on twitter and you are from west London, you would be | :39:24. | :39:28. | |
lying. How do you know that? I've been doing my research. That's | :39:28. | :39:34. | |
really creepy. What if I said "I can't say no." Obviously you can't | :39:34. | :39:43. | |
say no, it is my size kid, you get me. Wowzers. What Adam is | :39:43. | :39:48. | |
unbelievably failing to grass is that our next performer is the | :39:48. | :39:58. | |
:39:58. | :39:59. | ||
# Wasn't looking for trouble # I tried to say no | :39:59. | :40:00. | |
# She was looking lovely She kinda reminds me | :40:00. | :40:02. | |
# Of a girl I know | :40:02. | :40:04. | |
# This pretty young thing that I got waiting for me back at home | :40:04. | :40:09. | |
# She's got my engines turning This happens every time | :40:09. | :40:14. | |
# I see a pretty girl and I wanna make her mine | :40:14. | :40:20. | |
# They send my rocket to the sky | :40:20. | :40:23. | |
# I want them But should I go for them | :40:23. | :40:27. | |
# I'm like Houston I think we got a problem | :40:27. | :40:37. | |
:40:37. | :40:41. | ||
# Turn around, open your eyes Look at me now | :40:41. | :40:47. | |
# Turn around, girl I've got you | :40:47. | :40:51. | |
# We won't fall down, yeah | :40:51. | :40:55. | |
# We can see, forever from up here, yeah | :40:55. | :41:03. | |
# So long as we're together Have no fear, no fear | :41:03. | :41:10. | |
# So turn around, floating So high you're above the ground | :41:10. | :41:16. | |
# Floating so high, turn around Together, nothing can stop us now | :41:16. | :41:25. | |
# Listen, baby Turn around, floating | :41:25. | :41:28. | |
# So high you're above the ground Floating so high, turn around | :41:28. | :41:35. | |
# Together, nothing can stop us now | :41:35. | :41:40. | |
# Turn around, turn around Turn around, outta space | :41:40. | :41:50. | |
:41:50. | :41:53. | ||
# we can go there now, yeah | :41:53. | :41:57. | |
# Turn around There's no limit to what we found | :41:57. | :42:02. | |
# Uh yeah Music | :42:02. | :42:05. | |
# Oh, I wanna feel it all, yeah | :42:05. | :42:11. | |
# We'll stay up Cos there's no way for us | :42:11. | :42:15. | |
# To fall, to fall So turn around, floating | :42:15. | :42:20. | |
# So high you're above the ground Floating so high, turn around | :42:20. | :42:28. | |
# Together, nothing can stop us now | :42:29. | :42:34. | |
# Listen baby, turn around, floating So high you're above the ground | :42:34. | :42:40. | |
# Floating so high, turn around Together, nothing can stop us now | :42:40. | :42:44. | |
# Turn around, turn around Uh baby, we're so high now, whoa | :42:44. | :42:54. | |
:42:54. | :42:57. | ||
# Listen baby, turn around, floating So high you're above the ground | :42:57. | :42:59. | |
# Floating so high, turn around Together, nothing can stop us now | :42:59. | :43:06. | |
# Turn around, turn around Uh baby, we're so high now, whoa | :43:06. | :43:16. | |
:43:16. | :43:21. | ||
APPLAUSE AND CHEERING | :43:21. | :43:31. | |
:43:31. | :43:32. | ||
Oh, | :43:32. | :43:33. | |
Oh, Conor | :43:33. | :43:33. | |
Oh, Conor Maynard. | :43:33. | :43:37. | |
Oh, Conor Maynard. I kind of love him, just a little bit. The next | :43:37. | :43:41. | |
award is Best Video, an accolade that goes to the body of work, | :43:41. | :43:45. | |
proving artistic flair, a creative eye, amaze story-telling, | :43:45. | :43:49. | |
impeccable use of light and a good choice of director who does all | :43:49. | :43:54. | |
that work for you. To present I ward winner, of Britain and | :43:54. | :43:59. | |
Ireland's next top model, Letitia her odd and local girl, Rebecca | :43:59. | :44:09. | |
:44:09. | :44:09. | ||
Ferguson. -- Herod. Did no-one here me say... Local | :44:09. | :44:17. | |
girl, local girl. Rebecca, did you get the bus from | :44:17. | :44:22. | |
your house, was it this easy? the 81. How great is it that the | :44:22. | :44:27. | |
MOBOs are back in Liverpool? It's amazing. I think it'll be a great | :44:27. | :44:32. | |
party night tonight. Are you going out after the awards? I am. | :44:32. | :44:37. | |
ready, Liverpool. How has life changed since winning Britain's | :44:37. | :44:44. | |
Next Top Model. Completely. The whole experience has been a whirl | :44:44. | :44:51. | |
wind. Is it like hitting the MOBOs quite often. Yeah, every day. | :44:51. | :44:55. | |
there any men you fancy in the audience? Well it is hard to choose. | :44:55. | :44:59. | |
Is there anyone you are sitting next, to you are moving closer to. | :44:59. | :45:04. | |
I'm surrounded by women. Well JLS are close. And Labrinth over there. | :45:04. | :45:08. | |
I think they are all taken, though. Guys, thank you so much for being | :45:08. | :45:13. | |
here. Who are you looking forward to seeing performulater? Well I | :45:13. | :45:16. | |
have just seen Emeli Sande, that has done it for me. And you are | :45:16. | :45:20. | |
done. Thank you so much, guys. Thank you. | :45:20. | :45:30. | |
:45:30. | :45:30. | ||
Apology for the loss of subtitles for 118 seconds | :45:30. | :46:23. | |
And the nominees for Best Video And the MOBO Award for Best Video | :46:23. | :46:33. | |
:46:33. | :47:10. | ||
Wow, MOBO number five. Wow. We twapbt say a huge thank you | :47:10. | :47:17. | |
to the cast of that video, to the director, Marcus London smashed it. | :47:17. | :47:24. | |
Killed it. Obviously to our Sony Music video team. Lisa, Dan, Marco | :47:24. | :47:29. | |
Keith. You smashed it as well. Modest Management. Boys, I love you. | :47:29. | :47:34. | |
A huge thank you to all the fans, everyone to voted for to us win | :47:34. | :47:37. | |
this award. We love you, always. Thank you very much. | :47:37. | :47:41. | |
Can I just say a big thank you to everyone that featured in the video | :47:41. | :47:46. | |
and believed in JLS from day one. You guys are still here right now. | :47:46. | :47:51. | |
We love you so very much. And a big shout out to everyone | :47:51. | :48:01. | |
else in the category. He love you guys. Peace out. JLS at the MOBOs. | :48:01. | :48:07. | |
Wow. In tweed. Hi. JLS are getting a lot of love | :48:07. | :48:11. | |
tonight, man. Everyone loves them. The girls are lovin them, ain't | :48:11. | :48:17. | |
they? Is that who you were waiting for, JLS, basically? Listen, Aston, | :48:17. | :48:21. | |
there is only room for one little guy out here, you know. Listen, | :48:21. | :48:27. | |
next up is the award for Best Jazz. To give it up, please welcome, the | :48:27. | :48:37. | |
:48:37. | :48:41. | ||
lovely Delilah and Yolande Brown. Hello. | :48:41. | :48:44. | |
Hi everyone. Let's take a look at the nominees for this year's Best | :48:44. | :48:54. | |
:48:54. | :48:54. | ||
Apology for the loss of subtitles for 118 seconds | :48:54. | :49:46. | |
Thank you MOBOs for continuing to support jazz music, the MOBO Award | :49:47. | :49:56. | |
:49:57. | :50:24. | ||
for Best Jazz goes to... Zo ji Thank you everybody, it's all about | :50:24. | :50:30. | |
table 50. That's where all the jazz musicians Rthank you Femi, Zara | :50:30. | :50:36. | |
McFarlane and Roller Trio and everybody who voted to the jazz | :50:36. | :50:40. | |
musicians. I would like to dedicate this to my dad to passed away this | :50:40. | :50:44. | |
year and to everybody who voted in the jazz category. Thank you, thank | :50:44. | :50:50. | |
you Liverpool, good night. MOBO 2012, sit tight. We are | :50:50. | :50:55. | |
moments away from a Labrinth live performance, plus, Rita Ora will be | :50:55. | :51:00. | |
revealing who will be walking away with the geft Hip-Hop/Grime Act | :51:00. | :51:05. | |
award. Two Olympic heroes present the award for Best Album and | :51:05. | :51:10. | |
StooShe gives TLC a very special honour. Right, I think it is time | :51:10. | :51:15. | |
for a cup of tea. How you are talking my language. What is it, | :51:15. | :51:23. | |
white with eight, yeah? No, seven, I'm trying to cut down. Boys, | :51:23. | :51:30. | |
what's going on? How are you going? Good, Good, good, good. Sweet boy. | :51:30. | :51:36. | |
What is with the suit. What are you lot up to?? Ready, Hottest Girl In | :51:36. | :51:39. | |
The World. We are going to the stage Let me come with you. | :51:39. | :51:45. | |
right, man. Do you know what, I have to get some tea for Melvin, he | :51:45. | :51:51. | |
is in the room. Come on, leave him. Nah, nah. Dance with us. Leave him. | :51:51. | :51:55. | |
You are featured in the performance tonight. You need to learn the | :51:55. | :52:03. | |
routine. I can't guys. I'll see you at the after-party. Get your dance | :52:03. | :52:07. | |
moves on. He always does it to us. Sweet boy. We'll get Lab. Forget | :52:07. | :52:16. | |
him. The fifth member never delivers. Hey, what's going on, | :52:16. | :52:22. | |
guys. Are you good How are you doing, brother. Listen I'm getting | :52:22. | :52:26. | |
tea for Melvin, he is in the voice- over room. I have to head to stage. | :52:26. | :52:36. | |
:52:36. | :52:36. | ||
See you in a bit. OK, cool, cool, later. All right, tea for two, then. | :52:36. | :52:41. | |
Hey, what is going on. Good to see you. Listen I'm in a rush, I have | :52:41. | :52:46. | |
to get tea for Melvin. Do you want to come I'm all right, I'm just | :52:46. | :52:50. | |
chilling. What are you doing? Into learning how to do massages and | :52:50. | :52:59. | |
stuff. Don't worry, see you later. Imagines, you know what, his tea | :52:59. | :53:05. | |
can wait. How is everyone feeling at the MOBOs Awards 2012? | :53:05. | :53:10. | |
Come on, louder than that. One more time. I think louder. It can't just | :53:10. | :53:15. | |
be these guys. OK, OK. Now the next man on stage gets about a bit. He | :53:15. | :53:20. | |
is what some people call a pop floosy, producing people, then he | :53:20. | :53:23. | |
is collaborating with people and then re-mixing people, then he is | :53:23. | :53:27. | |
writing for people. A lot of them sat in this very room. I think you | :53:27. | :53:31. | |
know who you are, OK. I can't even lie. I actually went to school with | :53:32. | :53:35. | |
this artist. Did you actually? is not a joke. It was very clear | :53:35. | :53:41. | |
from a young age that this kid had serious talent. A guy that's always | :53:41. | :53:44. | |
pushing the boundaries and at the same time with a smile on his face. | :53:44. | :53:50. | |
I can't tell you how proud I am of this guy, straight out of hack ni. | :53:50. | :53:55. | |
Give it up for Timothy McKenzie, aka Labrinth. -- straight out of | :53:55. | :54:04. | |
# You tell all the boys no # I know you're out of my league | :54:04. | :54:14. | |
:54:14. | :54:15. | ||
# You've carried on so long You couldn't stop if you tried it | :54:15. | :54:20. | |
# You've built your wall so high That no one could climb it | :54:21. | :54:30. | |
:54:31. | :54:34. | ||
# But I'm gonna try | :54:34. | :54:37. | |
# Would you let me see beneath your beautiful | :54:37. | :54:43. | |
beneath your perfect | :54:43. | :54:49. | |
# Take it off now, girl Take it off now, girl | :54:49. | :54:51. | |
' I wanna see inside | :54:51. | :54:54. | |
# Would you let me see beneath your beautiful tonight | :54:54. | :55:04. | |
:55:04. | :55:27. | ||
Labrinth, come in... | :55:27. | :55:37. | |
:55:37. | :55:40. | ||
# Ladies and gentlemen | :55:41. | :55:42. | |
# This is something they call a ground-breaker, breaker | :55:42. | :55:46. | |
# So let me first apologise | :55:46. | :55:48. | |
# To the shirts and the ties | :55:48. | :55:49. | |
# For your makeup cos I'll make you ugly | :55:49. | :55:54. | |
# As soon as it drops We're on a rampage | :55:54. | :55:57. | |
# Bottles poppin' off | :55:57. | :55:58. | |
# Before you know it There's rubble and dust | :55:58. | :56:01. | |
# Cos we be crashing it up Somebody say you better run | :56:01. | :56:05. | |
# Yeah! I predict an earthquake up in here | :56:05. | :56:10. | |
# Say yeah! I predict an earthquake up in here | :56:10. | :56:17. | |
# Cos we throw bombs on it Throw bombs on it | :56:17. | :56:20. | |
# Just smash something, yeah Mosh for me, hey yeah | :56:20. | :56:24. | |
# We can make an earthquake up in here | :56:24. | :56:30. | |
# So here we go, we go | :56:30. | :56:40. | |
:56:40. | :56:49. | ||
# Say yeah! I predict an earthquake up in here | :56:49. | :56:59. | |
:56:59. | :57:04. | ||
I | :57:04. | :57:04. | |
I dedicate | :57:04. | :57:04. | |
I dedicate that | :57:04. | :57:14. | |
:57:14. | :57:36. | ||
I dedicate that to my fans, I love # Say yeah! | :57:36. | :57:46. | |
:57:46. | :57:48. | ||
# Just smash something, yeah Mosh for me, hey yeah! | :57:48. | :57:53. | |
# We can make an earthquake up in here | :57:53. | :57:57. | |
# So here we go, we go | :57:57. | :58:05. | |
CHEERING AND APPLAUSE | :58:05. | :58:08. | |
MOBOs | :58:08. | :58:09. | |
MOBOs make | :58:09. | :58:09. | |
MOBOs make some | :58:09. | :58:18. | |
MOBOs make some noise. Yeah, OK, all right Labrinth, killing it, all | :58:18. | :58:22. | |
right. Next up, the award for Best Newcomer in association with HTC. | :58:22. | :58:28. | |
Now this award is without a doubt the springboard to greatness. | :58:28. | :58:34. | |
Jessie J has won it. Tinie Tempah has won it. Fire, fire, | :58:34. | :58:39. | |
we're going to set this place on fire. NDubz won it. Nah, nah, nah, | :58:39. | :58:45. | |
ha, ha, ha, ha. I should just go. Can you just go, that would be | :58:45. | :58:50. | |
great. Stkpwhrats fact, superstardom guaranteeed. -- It's a | :58:50. | :58:54. | |
fact. Who is on the stage to present the award? Only the first | :58:54. | :59:00. | |
British woman to win a major tennis title in 24 years. That's | :59:00. | :59:08. | |
embarrassing. It's Heather Watson.! Hi Heather. Hello. Look at you. | :59:08. | :59:12. | |
Welcome to the MOBOs Awards 2012. Is it nice to be here? It's amazing | :59:12. | :59:17. | |
to be here. Also thrst' so many talented people, I'm so excited. -- | :59:17. | :59:22. | |
there's so many talented people. Anyone in particular? I'm so | :59:22. | :59:26. | |
excited to see all the performances. I'm going to talk to you. How do | :59:26. | :59:29. | |
you feel everyone is calling you the British hope for female ten | :59:29. | :59:35. | |
snis I'm just going to keep enjoying myself and have fun. -- | :59:35. | :59:40. | |
for female tennis. Are there certain tracks, you listen to? | :59:40. | :59:44. | |
like to listen to upbeat stuff to get me in the zone. How do you feel | :59:45. | :59:49. | |
about the Labrinth performance? Actually I listen to that a lot. | :59:49. | :59:54. | |
Really, Earthquake gets you going on the tennis courts? Yeah. | :59:54. | :59:59. | |
there anyone in the room, who you would like to be sat on the table | :59:59. | :00:03. | |
with? I'm with all the Olympians, they are awesome. I wouldn't change | :00:03. | :00:07. | |
them. You are in Olympian corner. Thank | :00:07. | :00:17. | |
:00:17. | :00:17. | ||
Apology for the loss of subtitles for 118 seconds | :00:17. | :01:47. | |
you for being here, go ahead. And the MOBO Award for the Best | :01:47. | :01:57. | |
:01:57. | :02:28. | ||
Congratulations. Thank you. Liverpool, how you doing? | :02:28. | :02:33. | |
Can I just say that I can't breathe right now. I've never been | :02:33. | :02:38. | |
nominated for anything before, so thank you so much MOBOs. Thank you | :02:38. | :02:45. | |
to my management. Thank you to Rock Nation to Joe Brown and Jay-Z, to | :02:45. | :02:49. | |
all of you, and my sister and my mother, Vera, I have to thank my | :02:49. | :02:59. | |
:02:59. | :03:03. | ||
mum and to all of you out here. I love you. Yeah! Thank you. Ritaoria, | :03:03. | :03:09. | |
congratulations, well-deserved. Well done. -- Rita Ora. I don't | :03:09. | :03:12. | |
think anyone can dispute that Rita Ora is kind of taking over at the | :03:12. | :03:16. | |
moment. She's also a very good- looking woman. Make sure you keep | :03:16. | :03:26. | |
tweeting people and keep using the hashtag MOBO. Except to X Z 997. | :03:26. | :03:29. | |
What you wrote was wrong and actually illegal in some countries. | :03:29. | :03:36. | |
Kick back, fix up for a bit. Time for the next award, Best African | :03:36. | :03:46. | |
:03:46. | :03:51. | ||
To present it we have Lenora. Hello. | :03:51. | :04:01. | |
:04:01. | :04:01. | ||
Apology for the loss of subtitles for 118 seconds | :04:01. | :04:57. | |
Let's take a look at the nominees And the MOBO goes to... D'Banj. Now, | :04:57. | :05:03. | |
unfortunately Mubanga couldn't be with us tonight, but he did send | :05:03. | :05:07. | |
message. Thank you for -- D'Banj couldn't be with us tonight. But he | :05:07. | :05:13. | |
sent this message. Thank you, thaw so much MOBO. Thank you for the | :05:13. | :05:17. | |
award. I shall live it, love it. Thank you to God. Thank you to my | :05:17. | :05:23. | |
parents, my mother and father. Thank you to my fans. Yes, coconuts, | :05:23. | :05:30. | |
babylets, mammalets. Thank you to everybody who voted, my manager. I | :05:30. | :05:37. | |
thank you Vanessa. I thank myself. Thank you to everybody. Yes, Africa, | :05:37. | :05:41. | |
thank you. I'm coming home, but it's cold, so I'm stuck here for | :05:41. | :05:46. | |
now. What can I do? I'm trying to do finish and do some good music | :05:46. | :05:55. | |
for you. You know, see you soon, good bless you. | :05:55. | :05:59. | |
D'Banj winning Best African Act. That's not his real name. Very | :05:59. | :06:02. | |
interesting. Not just a pretty face. I know stuff. Are you saying, we | :06:03. | :06:07. | |
can have a little wine up and after-party tonight? No. What are | :06:07. | :06:13. | |
you saying? Maybe we could just... No, no. Moving on to another | :06:13. | :06:19. | |
performance, and with a lady fresh from supporting Nicki Minaj on her | :06:19. | :06:29. | |
:06:29. | :06:30. | ||
debut tour. Please be upstanding # Look at what you done then | :06:30. | :06:40. | |
:06:40. | :06:48. | ||
# Don't go, you're so addictive I cannot resist it | :06:48. | :06:50. | |
# Let's dance, let's take it to the next level | :06:50. | :06:57. | |
# No hands, more bass and more treble | :06:57. | :06:58. | |
# Tonight I wanna be a rebel, whoa You got me so excited | :06:58. | :07:03. | |
# I'm doing things I've never done before | :07:03. | :07:07. | |
# Done before, whoa | :07:07. | :07:09. | |
# And when I try to fight it | :07:09. | :07:11. | |
# I know it's something I cannot ignore | :07:11. | :07:16. | |
# I don't know, I don't know I don't know | :07:17. | :07:18. | |
# Baby, I don't know what you done, done, done | :07:18. | :07:20. | |
# What you done, one done Hit a home run | :07:20. | :07:22. | |
# Baby, I don't know what you done, done, done | :07:22. | :07:24. | |
# What you done, one done Hit a home rum | :07:24. | :07:26. | |
# I'm high now, I'm flying I don't know what you did but | :07:27. | :07:29. | |
# You hit me hard now | :07:29. | :07:35. | |
# I'm flying, all the night Yeah, yeah, yeah | :07:35. | :07:37. | |
# Come show me how you move it Fast, slow, control | :07:37. | :07:41. | |
# I'm losing This is my city, my cry | :07:41. | :07:43. | |
# Got me locked, uh, yes | :07:43. | :07:44. | |
# So let's dance Let's take it to the next level | :07:44. | :07:45. | |
# No hands, more bass and more treble | :07:46. | :07:47. | |
# Tonight I wanna be a rebel, whoa You got me so excited | :07:47. | :07:53. | |
# I'm doing things I've never done before | :07:53. | :07:58. | |
# Done before, whoa And when I try to fight it | :07:58. | :08:00. | |
# I know it's something I cannot ignore | :08:00. | :08:07. | |
# I don't know, I don't know I don't know | :08:07. | :08:09. | |
# Baby, I don't know what you done, done, done | :08:09. | :08:11. | |
# What you done, one done Hit a home run | :08:11. | :08:13. | |
# Baby, I don't know what you done, done, done | :08:13. | :08:15. | |
# What you done, one done Hit a home rum | :08:15. | :08:17. | |
' I'm high now, I'm flying I don't know what you did but | :08:17. | :08:21. | |
# You hit me hard now | :08:21. | :08:23. | |
# I'm flying, all the night Yeah, yeah, yeah | :08:23. | :08:26. | |
# Maybe run but you got me sprung up | :08:26. | :08:28. | |
# All over my thing, like you're ready for the hang up, hang up | :08:28. | :08:30. | |
# Ready to back my thing up | :08:30. | :08:32. | |
# Wait till you see more Yin yang up | :08:32. | :08:35. | |
# Move to the left, take it back to the right, girl | :08:35. | :08:37. | |
# got my hands up Ready to back my thang up | :08:37. | :08:42. | |
# Wait till you see my ... hang up | :08:42. | :08:44. | |
# You got me so excited I'm doing things I've never done before | :08:44. | :08:54. | |
# And when I try to fight it I know it's something I cannot ignore | :08:54. | :09:02. | |
# You got me so excited I'm doing things I've never done before | :09:02. | :09:10. | |
# And when I try to fight it I know it's something I cannot ignore | :09:10. | :09:19. | |
# I don't know, I don't know I don't know | :09:19. | :09:21. | |
# What you done, one done Hit a home run | :09:21. | :09:22. | |
# Baby I don't know what you done, done, done | :09:22. | :09:23. | |
# What you done, one done Hit a home run | :09:23. | :09:26. | |
# I'm high now, I'm flying I don't know what you did but | :09:26. | :09:28. | |
# One time for you, you the baddest | :09:28. | :09:36. | |
# One time for you, you the baddest | :09:36. | :09:40. | |
# Look at what you done, done. # | :09:41. | :09:50. | |
:09:51. | :09:51. | ||
APPLAUSE AND CHEERING | :09:51. | :09:52. | |
# I can't really explain what it is she does | :09:52. | :09:58. | |
APPLAUSE AND CHEERING | :09:58. | :10:04. | |
Still | :10:04. | :10:04. | |
Still to | :10:04. | :10:04. | |
Still to come | :10:04. | :10:10. | |
Still to come on the MOBOs Awards 2012 live from the Echo Arena, | :10:10. | :10:14. | |
Liverpool, Rita or kpwra presents the gong for Hip-Hop/Grime Act. We | :10:14. | :10:20. | |
find out who is the Best Male, plus, we have more live music, courtesy | :10:20. | :10:30. | |
:10:30. | :10:38. | ||
of Songz sornings JLS and StooShe - Where are you with my tea I'm | :10:38. | :10:41. | |
spitting feathers. Where is Ricky He went about half an hour ago to | :10:41. | :10:46. | |
get my tea. Have you seen him? Anyway, how is it going on, what is | :10:46. | :10:51. | |
it like? Crazy. The audience are going insane. Labrinth perform. He | :10:51. | :10:56. | |
came on the stage, it was crazy. He went off. Apparently Trey Songz are | :10:56. | :11:00. | |
performing later. But it is nice in here as well, you know. Nice and, | :11:01. | :11:06. | |
grai. Can I come out there with you? -- nice and grey. Oh, my | :11:06. | :11:12. | |
manager is calling me now. I've got to go. I can't hear it. We have a | :11:12. | :11:17. | |
secret call that no-one else can hear. I'll head off. You want that | :11:17. | :11:24. | |
tea. Ricky apparently likes pasteries. Maybe send him a muffin | :11:24. | :11:28. | |
basket as well just a thank you for everything he has done. So have fun, | :11:28. | :11:33. | |
with yourself and I'll see you in a bit. I always preferred Justin | :11:33. | :11:41. | |
Bieber anyway. Now, our next award is the big one. The accolade that | :11:41. | :11:45. | |
every performer wants as it proves, without doubt, that your music has | :11:45. | :11:51. | |
made a mark on the world, it's the skaf lifetime Achievement award. | :11:51. | :11:56. | |
present it no other than CEO and just the founder of MOBO, Kanya | :11:56. | :12:06. | |
:12:06. | :12:13. | ||
How are you enjoying the show tonight? It's overwhelming. I feel | :12:13. | :12:17. | |
very tearful. I think every year it is like planning your own wedding. | :12:17. | :12:21. | |
That's probably why I never got married. A lot of work, a lot of | :12:21. | :12:25. | |
excitement but this is unbelievable. You guys are doing a great job. | :12:25. | :12:30. | |
we presenting your wedding to a good standard? Go ahead. Each year | :12:31. | :12:34. | |
the Lifetime Achievement award is presented to an artist that MOBO | :12:34. | :12:38. | |
feels should be recognised for the impact they've made on the industry | :12:38. | :12:44. | |
they love. This year, the accolade goes to a performer celebrating | :12:44. | :12:50. | |
their 50th year, making music, who without doubt, stands shoulder-to- | :12:50. | :12:56. | |
shoulder with the all time greats. Let's take a look at a mere | :12:56. | :13:06. | |
:13:06. | :13:10. | ||
snapshot of an incredible 50-year # Why do you have to be a | :13:10. | :13:13. | |
heartbreaker # When when I was being what you | :13:13. | :13:20. | |
want me to be... # She is truly Akonic. And the women of the | :13:20. | :13:26. | |
musical world, the Ella Fitzgeralds, the Aretha Franklins, you know in | :13:26. | :13:36. | |
:13:36. | :13:42. | ||
the top five, you have to include Dionne. Her records are unique, | :13:42. | :13:49. | |
create ive, and they create to me the most meaningful artist-composer | :13:49. | :13:52. | |
relationship I can think of in contemporary music history | :13:52. | :14:01. | |
# Do you know the way to San Jose # You know I can't wait to get to | :14:01. | :14:08. | |
San Jose... # The more I recorded with Dionne, the more I could see I | :14:08. | :14:13. | |
could take chances with her. There wasn't anything I felt was really | :14:13. | :14:18. | |
challenging for Dionne. # If you see me walking down the | :14:18. | :14:22. | |
street # And I start to cry each time we | :14:22. | :14:30. | |
meet # Walk on by... # If entertainer | :14:30. | :14:36. | |
and still enjoy what you do, I know d Dionne does, she has a great | :14:36. | :14:40. | |
capacity of a voice that God gave her. She has done it to a very high | :14:40. | :14:44. | |
level. I think she'll continue to do that, because that's what she is. | :14:44. | :14:48. | |
# Keep shining # Knowing that you can always | :14:48. | :14:52. | |
counting on me # For sure | :14:52. | :15:02. | |
:15:02. | :15:02. | ||
# That's what friends are for... # Wow. I'm so proud of this lady. | :15:02. | :15:11. | |
Please welcome to the stage, the MOBO Award 2012 Lifetime | :15:11. | :15:15. | |
Achievement recipient, Dionne Warwick. | :15:15. | :15:20. | |
# For there is always something there to remind me... # | :15:20. | :15:30. | |
:15:30. | :15:58. | ||
# I was born to love you Congratulations. This is for you. | :15:59. | :16:08. | |
:16:09. | :16:15. | ||
Hello. First giving honour to God, who is responsible for all of us | :16:15. | :16:22. | |
being here this evening. I would like to say, it is a complete | :16:22. | :16:29. | |
honour to have been thought of in this manner. And to have been given | :16:29. | :16:35. | |
this wonderful, wonderful award. I thank you very, very much for this. | :16:35. | :16:43. | |
I thank all of you for being a part of my life for these past 50 years. | :16:43. | :16:53. | |
:16:53. | :17:00. | ||
And, in conclusion, God bless you Wow, Dionne Warwick, a total legend, | :17:00. | :17:04. | |
amazing, a round of applause for Dionne Warwick. We are going | :17:04. | :17:10. | |
straight on to another award. This time, for Hip-Hop/Grime Act. To | :17:10. | :17:18. | |
give it out, it is the MOBOs Awards 2012 - let me say that again, MOBOs | :17:18. | :17:28. | |
:17:28. | :17:29. | ||
Awards 2012 Best Newcomer winner, Rita Ora. Hey Best Newcomer. Look | :17:29. | :17:34. | |
at you, look at you. Hey. How are you doing? I can't even breathe | :17:34. | :17:39. | |
right now, guys. Is that the first award you have ever won? Yes, the | :17:39. | :17:43. | |
first award I have ever won or been nominated for. It's amazing. | :17:43. | :17:48. | |
Stkpwhrts quite nice to go and conquer the world -- lgts quite | :17:48. | :17:52. | |
nice to go -- it's quite nice to go and conquer the world and come home | :17:52. | :17:58. | |
and get an award. It was a great honour. I was 15 when I first | :17:58. | :18:03. | |
performed, and it was at the MOBOs. You performed with Craig Davis when | :18:03. | :18:08. | |
you were 15. In Wembley. Were you a backing singer, on the track, how | :18:08. | :18:14. | |
did this happen? It was just a tra, I jumped on stage and started | :18:14. | :18:17. | |
singing. You just jumped on the stage at the MOBOs when you were 15. | :18:17. | :18:21. | |
Yeah. What is your night like tonight? You have just basically | :18:21. | :18:25. | |
been all around the world. Is it nice to be back in England to hang | :18:25. | :18:28. | |
out with friends? There is nothing like being back home. It's like the | :18:28. | :18:33. | |
best feeling and seeing all my fans, you know it started here. I love | :18:33. | :18:39. | |
the fact I can come back and be honoured as a newcomer a really | :18:39. | :18:44. | |
nice feeling. Who is on your table? My sister, my best friend. My | :18:44. | :18:48. | |
management and just a whole bunch of people. You don't bring the | :18:48. | :18:53. | |
parents to the MOBOs, a bit much for them? Yeah, she'd rather watch | :18:53. | :18:58. | |
it on TV. Can we talk about the dress? This is happening in such a | :18:58. | :19:04. | |
big way. Spin, spin for Liverpool. Oh, yeah, wow. Where is this from? | :19:04. | :19:09. | |
Oh, this is a little piece I had under my bed. I'm joking, it is | :19:10. | :19:15. | |
Alexander McQueen. I wanted to pay some memories. Dionne Warwick just | :19:15. | :19:20. | |
won a MOBO for Lifetime Achievement. Wasn't that beautiful. Is she | :19:20. | :19:25. | |
someone who has influenced me? only has she influenced me. I can't | :19:25. | :19:29. | |
believe I'm on the stage after her to tell you the truth. She is | :19:29. | :19:34. | |
amazing, everything you heard was a hit. I was like, "Another one, | :19:34. | :19:37. | |
another one." You have a small job to do and go have a good time. You | :19:37. | :19:43. | |
have worked hard this year. Go ahead. All right, guys, so, the | :19:43. | :19:53. | |
:19:53. | :19:53. | ||
Apology for the loss of subtitles for 118 seconds | :19:53. | :20:40. | |
nominees for Hip-Hop/Grime Act And the MOBO Award for Hip- | :20:40. | :20:50. | |
:20:50. | :20:51. | ||
Hop/Grime Act goes to... It has to be the nicest man I have ever met, | :20:51. | :21:01. | |
:21:01. | :21:19. | ||
Well done. I need to say a big thank you to Paul Eppworth. Without | :21:19. | :21:23. | |
Paul I wouldn't be here today. Honestly he has been there from the | :21:23. | :21:28. | |
start. I want to thank my manage am. I want to thank all the guys that | :21:28. | :21:33. | |
help me make my films. Without the film we'd have no album, you know. | :21:34. | :21:37. | |
Anyone who has helped inspire me get to this point. Thank you very | :21:37. | :21:47. | |
:21:47. | :21:55. | ||
One more time for my boy, Plan B. The Best Hip skaf hop and Grime Act. | :21:55. | :21:59. | |
Is everyone having a good time? Before we move on, let's just check. | :21:59. | :22:05. | |
Is everyone enjoying the night so far? Louder. Not just these guys, | :22:05. | :22:10. | |
again. Come on. Did we enji Labrinth earlier? Was that all | :22:10. | :22:15. | |
right for people. Emeli Sande winning and performing for us. | :22:15. | :22:25. | |
:22:25. | :22:26. | ||
oria, Best Newcomer. Make some noise, people Rita Ora.. | :22:26. | :22:35. | |
Do your tweet chat. Everyone at home, and moi twitter crew, keep | :22:35. | :22:40. | |
tweeting using the hashtag MOBO. Time for a performance from a man | :22:40. | :22:45. | |
who supported Jay-Z and be Usher. Released five albums, nominated for | :22:45. | :22:51. | |
a Grammy and recently has a role in the latest incarnation of the The | :22:51. | :22:56. | |
Texas Chainshaw Massacre. His next track hit the top of the R&B track | :22:56. | :23:04. | |
earlier this yee, giving him the first UK chart-topper to date. I | :23:04. | :23:10. | |
know the sugar dumplings are going to go mad for this. And just like | :23:10. | :23:14. | |
the beautiful Miquita right here, this is Trey Songz with Simply | :23:14. | :23:24. | |
:23:24. | :23:33. | ||
# See, I'm a man that # But I'll be damned | :23:33. | :23:38. | |
# And how we play a fight up in the bathroom | :23:38. | :23:42. | |
# Next thing I know I'm making love to you | :23:42. | :23:44. | |
# Girl, promise me you'll never change | :23:44. | :23:48. | |
# She ain't perfect but she's worth it | :23:48. | :23:53. | |
# Every breath I breathe for the life of me | :23:53. | :23:58. | |
# And I know I might not deserve it | :23:58. | :24:02. | |
# But she loves me and it's simply amazing | :24:02. | :24:12. | |
:24:12. | :24:14. | ||
# Simply amazing, simply amazing | :24:14. | :24:22. | |
# And she loves me, and it's simply amazing, amaze-amazing | :24:22. | :24:32. | |
:24:32. | :24:34. | ||
# The girl's a work of art and I can't help but stare | :24:34. | :24:38. | |
# With a smile like the sunset and the ocean is her hair | :24:38. | :24:42. | |
# Ooh what she do ain't fair Ooh | :24:43. | :24:46. | |
# She knows me better than I know myself, mhmmm | :24:46. | :24:51. | |
# See, I'm a man that don't believe in much | :24:51. | :24:55. | |
# But I'll be damned if I don't believe in us | :24:55. | :25:01. | |
# Like when I said I loved you for the first time | :25:01. | :25:04. | |
# And the tears dropped from your eyes | :25:04. | :25:06. | |
# Girl, don't you ever change | :25:06. | :25:10. | |
# Cos she ain't perfect but she's worth it | :25:10. | :25:14. | |
# Every breath I breathe for the life of me | :25:14. | :25:19. | |
# And I know I might not deserve it | :25:19. | :25:24. | |
# But she loves me and it's simply amazing | :25:24. | :25:32. | |
# Simply amazing, simply amazing | :25:33. | :25:42. | |
:25:43. | :25:43. | ||
# And she loves me | :25:43. | :25:49. | |
# There is nothing in this world That can keep me away from you | :25:49. | :25:58. | |
# And there's nobody who could ever compare to you, ooh | :25:58. | :26:07. | |
# She ain't perfect but she's worth it | :26:07. | :26:13. | |
# Every breath I breathe for the life of me | :26:13. | :26:17. | |
# And I know I might not deserve it | :26:17. | :26:22. | |
# But she loves me and it's simply amazing | :26:22. | :26:31. | |
# Simply amazing, simply amazing | :26:31. | :26:41. | |
:26:41. | :26:42. | ||
# And she loves me and it's simply amazing. # | :26:42. | :26:50. | |
APPLAUSE AND CHEERING | :26:50. | :27:00. | |
:27:00. | :27:01. | ||
I | :27:01. | :27:01. | |
I think | :27:01. | :27:02. | |
I think we | :27:02. | :27:07. | |
I think we all just fell a little bit in love with Trey Songz. That's | :27:07. | :27:12. | |
OK. That's OK. Our next award is for Best Male Act. It kind of | :27:12. | :27:16. | |
speaks for itself. You win the award if you are the Best Male Act. | :27:16. | :27:22. | |
I can relate to this one, still. Adam, how? I don't want to blag or | :27:22. | :27:26. | |
nothing but obviously, man won the BAFTA this year, you get me, so, | :27:27. | :27:32. | |
Miquita, has your boyfriend got a BAFTA? No, so, allow me, allow me, | :27:32. | :27:38. | |
I'm going to get rowdy, allow me, allow me, I'm going to get rowdy. | :27:38. | :27:43. | |
Right off to find the girl, then. Yeah, do you that. To present the | :27:43. | :27:47. | |
award, from Hollyoaks, we have two hotties, Jorgie Porter and Jennifer | :27:47. | :27:57. | |
:27:57. | :27:58. | ||
Metcalfe. Oh, you didn't disappoint? I said hotties, you | :27:58. | :28:02. | |
came as hotties. How are you feeling at the MOBOs? I cannot sit | :28:03. | :28:08. | |
down. What do you mean? It's too exciting. I keep dancing. I was | :28:08. | :28:12. | |
like - what do you mean? I don't have a problem. You are just having | :28:12. | :28:18. | |
a really good time. Is this your first MOBOs, girls? No, we came two | :28:18. | :28:22. | |
years ago and had an amazing time of it is nice to be on this side of | :28:22. | :28:32. | |
:28:32. | :28:34. | ||
the camera. Did you just party last time? Raefg. How raving. How down | :28:35. | :28:40. | |
does Jorgie get? Down. Go on, show us. You don't have to. I zI have | :28:40. | :28:46. | |
been practising. Would you ever partake in the bogo? What is it? | :28:46. | :28:51. | |
I'm in the showing you, if you don't know, it doesn't matter. Who | :28:51. | :28:56. | |
is on your table, who have you got? A little rowdy bunch. Is there | :28:56. | :29:02. | |
anyone in particular, you are hoping to see tonight. StooShe. | :29:02. | :29:06. | |
Amazing. Something special for them Trey Songz was amazing right there. | :29:06. | :29:11. | |
Do you fancy him? Apparently that's the thing, Trey Songz exists to be | :29:11. | :29:15. | |
fancied. Yeah. The song is just really, really good. But do you | :29:15. | :29:22. | |
fancy him? No, of course not. does, she just told me. Jennifer | :29:22. | :29:27. | |
Metcalfe is completely in love with Trey Songz. Gi a head. | :29:27. | :29:37. | |
:29:37. | :29:37. | ||
Apology for the loss of subtitles for 118 seconds | :29:37. | :30:26. | |
nominations for -- go ahead. The And the winner of Best Male Act | :30:26. | :30:36. | |
:30:36. | :30:50. | ||
I don't know what to say, man. I usually just win one award at these | :30:50. | :30:59. | |
shows, you know. It's been a long kind of hard struggle to get that | :30:59. | :31:03. | |
album made, get the film made. This feels good. It feels like it's all | :31:03. | :31:13. | |
:31:13. | :31:14. | ||
worth it. Thank you. All right, Ben, just winning everything, all right. | :31:14. | :31:20. | |
The guy is killing it, init? Adam, what's your highlight of the | :31:20. | :31:25. | |
evening so far? Do you know, being on stage you with, Miquita. | :31:25. | :31:29. | |
about your real highlight? I loved the Wiley performance. We have a | :31:30. | :31:34. | |
couple more performances to come. The night is not over yet. It is | :31:34. | :31:41. | |
not over at all. The next award to Best Regular gi. Recently the cat | :31:41. | :31:45. | |
gre has been dominated by Sean Paul. But looking at the nominees this | :31:45. | :31:51. | |
year, I think he might have to fight to keep this. To present it, | :31:51. | :31:56. | |
a local who last month knocked out Audley Harrison in this very arena | :31:56. | :32:05. | |
in only 82 seconds. Boom! Was anyone here to see that? | :32:05. | :32:15. | |
Tongue-tied out here. Please welcome, David Price. How is | :32:15. | :32:25. | |
:32:25. | :32:25. | ||
Apology for the loss of subtitles for 118 seconds | :32:25. | :33:16. | |
everyone doing? And the winner is... Sean Paul. | :33:16. | :33:21. | |
Uner if tune ately the man himself can't be with us tonight. -- | :33:21. | :33:24. | |
unfortunately. But he was kind enough to send us | :33:24. | :33:30. | |
this message. Y, MOBOs Awards, 2012, I respect you, salute. I cannot be | :33:30. | :33:36. | |
there right now. I'm in Jamaica. I'm sorry. But I give thanks that | :33:36. | :33:40. | |
you all have voted knee again for the fifth time. It's an amazing | :33:40. | :33:46. | |
accomplishment for me. Yours is a territory that breaks the | :33:46. | :33:49. | |
international strait. Thank you to all the voters and all the people | :33:49. | :33:57. | |
in the UK. Respect you. See you soon. Coming up, two Olympic-size | :33:57. | :34:01. | |
champions of the ring will be revealing the winner of Best Album | :34:01. | :34:06. | |
and StooShe will be paying a very special tribute to TLC. | :34:06. | :34:16. | |
:34:16. | :34:18. | ||
Seriously, where is that little shit? If he's out there partying | :34:18. | :34:26. | |
without me, it's over between us. Touch it, touch it. Well, that is | :34:26. | :34:36. | |
:34:36. | :34:37. | ||
actually really impressive, Ricky. I'm not even excited yet. You girls | :34:37. | :34:42. | |
are impressive. What about me, I thought we had something spe, Ricky. | :34:42. | :34:50. | |
Calm down, I was going to come and find you. Really? Remember this? | :34:50. | :34:53. | |
Doesn't this mean anything to you? Didn't you draw that on the train | :34:53. | :35:00. | |
yesterday? How about these, the dazzling, spectacular adaptation of | :35:00. | :35:05. | |
the Lion King. Why are you bringing up old stuff. Don't stop, girls. | :35:05. | :35:11. | |
When I fell off my BMX and grazed my knee, I kept that plaster to | :35:11. | :35:18. | |
this day. He is a crazy fool. Don't listen to him. How about this? | :35:18. | :35:22. | |
Never mind about that. Guys, we have to be on stage in 20 minutes, | :35:22. | :35:26. | |
can you take your lover'stive in the corridor. Girls you said you | :35:26. | :35:31. | |
were going to take me out front to the MOBOs. Forget it, you guys net | :35:31. | :35:36. | |
to get out. The corridor -- you guys need to get out. The corridor | :35:36. | :35:41. | |
is there, just the other side of the door. I'm sorry, I should never | :35:41. | :35:47. | |
have left you. Can I make it up to you? Chicken dinner Listen, StooShe | :35:47. | :35:51. | |
are about to perform and TLC are out there. We need to get out. I | :35:51. | :36:01. | |
have got a plan, can you walk in high heels? | :36:01. | :36:08. | |
I feel Ricky and Melvin are having trouble backstage. I don't want to | :36:08. | :36:14. | |
go back there. Do you know what, I think we need some more music. | :36:14. | :36:18. | |
more tunes. This act were the 2009 winners, Best Newcomer. Without any | :36:18. | :36:23. | |
doubt of this' gone on to some very big things, right. Not least | :36:23. | :36:28. | |
picking up a further four MOBOs Awards in the past three years, | :36:28. | :36:33. | |
pretty decent stuff. That is great. So Liverpool, let me hear your | :36:33. | :36:43. | |
:36:43. | :36:50. | ||
girlie screams for Marvin, Oriste, # Can I talk to you? | :36:50. | :36:55. | |
# If I jump the gun put me right back in my place | :36:56. | :37:01. | |
# Can I kiss and run like I'm your boyfriend? | :37:01. | :37:06. | |
# I can be your toyfriend I can be your lover | :37:06. | :37:07. | |
# Take it how you want, girl Treat you like no other | :37:07. | :37:09. | |
# Say, I can be your toyfriend I can be your lover | :37:09. | :37:12. | |
# Take it how you want, girl Treat you like no other | :37:12. | :37:15. | |
# If you should ever wonder why these dudes have formed a line | :37:15. | :37:19. | |
# It's cos they see the sexiness that's finally been defined | :37:19. | :37:24. | |
# How does it feel to be the hottest girl | :37:24. | :37:26. | |
# In the world right now World right now? | :37:26. | :37:29. | |
# How does it feel to be the hottest girl | :37:29. | :37:32. | |
# In the world right now World right now? | :37:32. | :37:34. | |
# You got something No other girl's like that | :37:34. | :37:37. | |
# I wanna touch you so tell me how | :37:37. | :37:43. | |
# How does it feel to be the hottest girl | :37:43. | :37:46. | |
# In the world right now World right now? | :37:46. | :37:48. | |
# How does it feel to be the hottest girl | :37:48. | :37:50. | |
# In the world right now World right now? | :37:50. | :37:53. | |
# Ha ha | :37:53. | :37:57. | |
# You know it's funny cos you have no idea | :37:57. | :38:04. | |
# I ain't givin' up so I gotta know your name | :38:04. | :38:08. | |
# Think I talked enough So what are you saying, girl? | :38:08. | :38:12. | |
# I can be your Mr Right or I can be your Mr Right Now | :38:13. | :38:18. | |
# Either way, girl Let's just shut this down | :38:18. | :38:22. | |
# I can be your toyfriend I can be your lover | :38:22. | :38:24. | |
# Take it how you want, girl Treat you like no other | :38:24. | :38:26. | |
# Say, I can be your toyfriend I can be your love r | :38:26. | :38:29. | |
# Take it how you want, girl Treat you like no other | :38:29. | :38:31. | |
# If you should ever wonder why these dudes have formed a line | :38:32. | :38:36. | |
# It's cos they see the sexiness that's finally been defined | :38:36. | :38:41. | |
# How does it feel to be the hottest girl | :38:41. | :38:43. | |
# In the world right now World right now? | :38:43. | :38:45. | |
# How does it feel to be the hottest girl | :38:45. | :38:47. | |
# In the world right now World right now? | :38:47. | :38:50. | |
# You got something No other girl's like that | :38:50. | :38:55. | |
# I wanna touch you so tell me how | :38:55. | :39:00. | |
# How does it feel to be the hottest girl | :39:00. | :39:02. | |
# In the world right now World right now? | :39:02. | :39:04. | |
# How does it feel to be the hottest girl | :39:04. | :39:06. | |
# In the world right now World right now? | :39:06. | :39:10. | |
# Is it cool if I get real close? Raise a glass | :39:10. | :39:16. | |
# Can I make a toast To the girl | :39:16. | :39:25. | |
# The most beautiful I've ever seen in my whole life, ever? | :39:25. | :39:30. | |
# I say how does it feel | :39:30. | :39:40. | |
:39:40. | :39:49. | ||
# How does it feel to be the hottest girl | :39:49. | :39:50. | |
# In the world right now World right now? | :39:50. | :39:53. | |
# How does it feel to be the hottest girl | :39:53. | :39:55. | |
# In the world right now World right now? | :39:55. | :39:58. | |
# You got something no other girl's like that | :39:58. | :40:03. | |
# I wanna touch you so tell me how | :40:03. | :40:08. | |
# How does it feel to be the hottest girl | :40:08. | :40:09. | |
# In the world right now World right now? | :40:09. | :40:12. | |
# How does it feel to be the hottest girl | :40:12. | :40:14. | |
# In the world right now World right now? # | :40:14. | :40:20. | |
# How does it feel to be the hottest girl | :40:20. | :40:21. | |
# In the world right now World right now? | :40:21. | :40:23. | |
# How does it feel to be the hottest girl | :40:23. | :40:24. | |
# In the world right now World right now? | :40:24. | :40:27. | |
APPLAUSE AND CHEERING | :40:27. | :40:37. | |
:40:37. | :40:41. | ||
Thank | :40:41. | :40:42. | |
Thank you | :40:42. | :40:42. | |
Thank you MOBOs. | :40:42. | :40:49. | |
Thank you MOBOs. Thank you. Wow, I think I just saw Oriste move his | :40:49. | :40:54. | |
hips like no other human before him. Well, JLS. The next award Best | :40:54. | :41:00. | |
Album is highly-coveted, it is given out to the artist that has | :41:00. | :41:04. | |
produced a body of work recognised by industry experts and the voting | :41:04. | :41:08. | |
public. It is getting loads of slaps on the back in every | :41:08. | :41:13. | |
direction, without someone filming it and putting it online and | :41:13. | :41:18. | |
laughing at it. It's just mean. To give out the award very special | :41:18. | :41:22. | |
people, Olympic gold medallists, and stars of Team GB. Anthony | :41:22. | :41:32. | |
:41:32. | :41:38. | ||
Welcome to the MOBOs Awards 2012. Gold medallists. | :41:38. | :41:42. | |
CHEERS. How are you feeling? Really good. It's really nice to be here, | :41:42. | :41:47. | |
you know in Liverpool at the MOBOs. Yeah. And is this your first MOBOs? | :41:47. | :41:52. | |
Are these the perks of being a gold medallist right now? Definitely one | :41:52. | :41:57. | |
of the perks, I'm really excited to be here. You won medals for boxing, | :41:58. | :42:02. | |
obviously. What music do you like to go out to the ring in? What is | :42:02. | :42:07. | |
your favourite infrastructure have a couple. Kendrick Lemar and | :42:07. | :42:14. | |
the Ora album as well, it's big. The Ora album. Nice. Where are you | :42:14. | :42:19. | |
sitting? With my boy right there and a couple of my boys over here | :42:19. | :42:26. | |
as well. You are taking over each side of it. And a couple of the | :42:26. | :42:31. | |
Liverpool men, including David Price. Let's talk about your suit. | :42:31. | :42:36. | |
Do you find fun getting ready for awr ceremonies? I have my favourite | :42:36. | :42:41. | |
suit people that hook me up. Really? Nice, simple. What about | :42:41. | :42:46. | |
you Nicola, did you enjoy getting dressed snopbt was it nice to glam | :42:46. | :42:53. | |
up It's been really nice. My stylist Tony hooked me up. Really, | :42:53. | :42:57. | |
stylist? Is Tony here? No, he is working tonight. You didn't let him | :42:57. | :43:00. | |
come. Dress me and then leave. Are you going to the after-parties or | :43:00. | :43:05. | |
have you got training? There is a bit of training but I'm only here | :43:06. | :43:10. | |
for one night so Liverpool, stand up and let's have some fun. Your | :43:10. | :43:13. | |
suit is lovely but obviously other suit manufacturers are available. I | :43:13. | :43:18. | |
have got to say that. Go ahead, you are here to do a job go, for it. | :43:18. | :43:28. | |
:43:28. | :43:28. | ||
Apology for the loss of subtitles for 118 seconds | :43:28. | :44:18. | |
Now, let's look at the MOBO Award And the winner of Best Album is... | :44:18. | :44:28. | |
:44:28. | :44:54. | ||
Wow. # Oh heaven | :44:54. | :45:04. | |
:45:04. | :45:06. | ||
# I wait with God intentions... # - with good intentions. Thank you. | :45:06. | :45:11. | |
Wow, this is amazing to have this. I wrote Our Version Of Events to | :45:11. | :45:15. | |
try to speak for people that don't get their songs and words on radio | :45:15. | :45:20. | |
too much. So I want to thank again my mum and dad, all the piano | :45:20. | :45:26. | |
lessons, Lucy for sitting with me for every song since I was seven | :45:26. | :45:31. | |
years old. Adam who is here tonight, Shah, thank you for believing in me | :45:31. | :45:35. | |
and seeing all of this for everybody else. Adrian, thank you | :45:35. | :45:39. | |
so much for all your support since I was 16. Glen, you saw something | :45:39. | :45:44. | |
nobody else zso thank you so much for that. Virgin, everybody | :45:44. | :45:50. | |
involved on the album, everybody that I have worked with, Labrinth | :45:50. | :45:57. | |
Tinie Tempah, Wiley, Professor greernings Chip Munk -- Professor | :45:57. | :46:07. | |
:46:07. | :46:08. | ||
Green. Everyone from the beginning. Mojam, everybody, thank you so much. | :46:08. | :46:14. | |
Oh, what a completely lovely last award. That was absolutely lovely, | :46:14. | :46:19. | |
Emeli Sande, congratulations. She has swept the board tonight. Well | :46:19. | :46:24. | |
done voting public and industry experts, especially voting politic. | :46:24. | :46:31. | |
What a night it's been and what incredible winners. Best Female, | :46:32. | :46:39. | |
Emeli Sande, Hip-Hop/Grime Act Plan B. Best Male, Plan B. Best Newcomer, | :46:39. | :46:43. | |
Rita Ora. Best Video JLS and this brings us to the final award of the | :46:43. | :46:48. | |
night. Usually you save the best to last, but as the rest of the show | :46:48. | :46:54. | |
has been so damn great, this is simply billed as the 14th award. | :46:54. | :46:59. | |
It's catchy. It goes to an act that have shown an outstanding | :46:59. | :47:03. | |
contribution. An act that nobody can argue, have shaped the way | :47:03. | :47:07. | |
music has been created and performed. An act even your mum has | :47:07. | :47:15. | |
heard of because they are so Africain respected. -- because they | :47:16. | :47:23. | |
are so frikin respected. To present it. We have three ladies, StooShe. | :47:23. | :47:26. | |
This year's outstanding contribution award goes to a group | :47:26. | :47:32. | |
that have sold a staggering 65 million records worldwide. We have | :47:32. | :47:38. | |
won 19 major awards, including four Grammys. They are the best-selling | :47:38. | :47:48. | |
:47:48. | :47:58. | ||
# Baby enjoy # All yours | :47:58. | :48:06. | |
# If you want it tonight # Give you the red light special | :48:06. | :48:13. | |
all through the night... # # Don't go chasing waterfalls | :48:13. | :48:23. | |
:48:23. | :48:23. | ||
# Please stick to the ripples and lengths that you're used to... # | :48:23. | :48:33. | |
:48:33. | :48:37. | ||
# Baby, baby... # # I don't want no shrub, a shrub is | :48:37. | :48:41. | |
a gi that can't get no joy from me... # | :48:41. | :48:48. | |
# You can look inside you # Find out who am I too | :48:48. | :48:58. | |
:48:58. | :48:58. | ||
Apology for the loss of subtitles for 118 seconds | :48:58. | :49:47. | |
Hello. Hey, hey, hey, hey. Oh, thank you guys so much. This | :49:47. | :49:55. | |
means so much, so much, so much to us. Wow. This is our first time at | :49:55. | :50:04. | |
the MOBOs Awards. This is such an honour. Wow. What a welcome? It is | :50:04. | :50:08. | |
an honour. We really, you know, are very humbled by this. We want to | :50:09. | :50:13. | |
thank all of our fans. We couldn't be here without them. And the MOBOs | :50:13. | :50:18. | |
Awards, thanks for having us. This is an awesome award. Absolutely. | :50:18. | :50:24. | |
Thank you very much. Hi guys. Hello. We have heard | :50:25. | :50:29. | |
rumours that you will be coming back, TLC will be coming back with | :50:29. | :50:34. | |
more music? Will it be an album or a tour or both? I can handle both. | :50:34. | :50:42. | |
Both. Both. Well also a TLC Movie that's coming out next year. | :50:42. | :50:48. | |
the Movie. So the movie, the album the tour. So just sort of world | :50:48. | :50:53. | |
domination all over again. We hope so. We hope so. This time will you | :50:53. | :50:57. | |
be taking all your families with you on the road? We have always | :50:57. | :51:03. | |
done that. That's nothing new. do you think of StooShe's cover of | :51:03. | :51:09. | |
Waterfalls? You know we loved it. You know the way they did Lisa's | :51:09. | :51:15. | |
rap. That's our sister, left Eye. Give it up for Lisa. We loved the | :51:15. | :51:20. | |
way they did other rap. It was so creative. We were like -, wow that | :51:20. | :51:23. | |
was different. When you saw the package that we saw, are there any | :51:23. | :51:28. | |
songs this stand out as favourites from all the years or hits? Are you | :51:28. | :51:34. | |
even pick one? Our favourite? don't have a favourite song, I have | :51:34. | :51:42. | |
a favourite video. What is it? Waterfalls. Good. Guys, thank you | :51:42. | :51:50. | |
so much for being here, one more time for it. Boys and Chilli from | :51:50. | :51:56. | |
TLC. -- for T-Boyz. That brings us to the end of the show. It is a bit | :51:56. | :52:01. | |
sad. Adam it has been a pleasure. Really nice. What has been your | :52:01. | :52:06. | |
highlight? Probably getting Rita Ora's number backstage earlier. | :52:06. | :52:11. | |
you didn't. I think you will find I Zdon't hate her, you had your | :52:11. | :52:17. | |
chance. I will bell you after the show, Rita. A big thank you to all | :52:17. | :52:23. | |
of our performers and award presenters And congratulations to | :52:23. | :52:27. | |
award winners. I don't want to end on negativity. Do you want to got | :52:27. | :52:32. | |
after-party together? Me and you sm Do you want to d that? Yeah. I | :52:32. | :52:39. | |
would love to. We bonded. I feel we are friends, we bonded. Rita, it is | :52:39. | :52:43. | |
over. Yeah, score. And that brings us to the last performance of the | :52:43. | :52:47. | |
night. By the way this is not a date. It's not a date. No, it's | :52:47. | :52:52. | |
like, we'll go as friends and I'll go ahead of you when anyone is | :52:52. | :52:58. | |
looking I swear now. I make the rules, you follow them. OK. | :52:58. | :53:08. | |
:53:08. | :53:15. | ||
last performance of the night, with # A lonely mother | :53:15. | :53:24. | |
# If at any time he's in a jam she'll be by his side | :53:24. | :53:28. | |
# But he doesn't realise he hurts her so much | :53:28. | :53:35. | |
# But all the praying just ain't helping at all | :53:35. | :53:39. | |
# Cos he can't seem to keep his self out of trouble | :53:39. | :53:44. | |
# So he goes out and he makes his money | :53:44. | :53:48. | |
# The best way he knows how | :53:48. | :53:49. | |
# Another body layin' cold in the gutter | :53:49. | :53:54. | |
# Listen to me | :53:54. | :53:55. | |
# Don't go chasing waterfalls Please stick to the rivers | :53:55. | :54:01. | |
# And the lakes that you're used to I know that you're gonna have it | :54:01. | :54:06. | |
# Your way or nothing at all But I think you're moving too fast | :54:06. | :54:16. | |
:54:16. | :54:17. | ||
# Little precious has a natural obsession | :54:17. | :54:20. | |
# For temptation but he just can't see | :54:20. | :54:25. | |
# She gives him loving that his body Can't handle but all he can say | :54:25. | :54:35. | |
:54:35. | :54:36. | ||
# is baby is good to me | :54:36. | :54:37. | |
# One day he goes and take a glimpse in the mirror | :54:37. | :54:42. | |
# But he doesn't recognise his own face | :54:42. | :54:46. | |
# His health is fading and he doesn't know why | :54:46. | :54:50. | |
# Three letters took him to his final resting place | :54:51. | :54:57. | |
# Y'all don't you hear me | :54:57. | :55:01. | |
# Don't go chasing waterfalls Please stick to the rivers | :55:01. | :55:02. | |
# And the lakes that you're used to | :55:02. | :55:05. | |
# I know that you're gonna have it Your way or nothing at all | :55:05. | :55:11. | |
# But I think you're moving too fast Come on, I seen a rainbow yesterday | :55:11. | :55:19. | |
# But too many storms have come and gone | :55:19. | :55:21. | |
# Leaving a trace Of not one God-given ray | :55:21. | :55:23. | |
# Is it because My life is ten shades of grey | :55:23. | :55:24. | |
# I pray all ten fade away | :55:24. | :55:26. | |
# Seldom praise him for the seven days | :55:26. | :55:27. | |
# And like his promise is true Only my faith can undo | :55:27. | :55:29. | |
# The many chances I blew To bring my life to anew | :55:29. | :55:33. | |
# Clear and blue and unconditional | :55:33. | :55:34. | |
# Skies have dried the tears from my eyes | :55:34. | :55:36. | |
# No more lonely cries | :55:36. | :55:43. | |
# Don't go chasing waterfalls Please stick to the rivers | :55:43. | :55:44. | |
# And the lakes that you're used to | :55:44. | :55:46. | |
# I know that you're gonna have it Your way or nothing at all | :55:46. | :55:51. | |
# But I think you're moving too fast Come on, I seen a rainbow yesterday | :55:51. | :56:01. | |
:56:01. | :56:03. | ||
# Don't go chasing waterfalls Please stick to the rivers | :56:03. | :56:05. | |
And the lakes that you're used to | :56:05. | :56:08. | |
# I know that you're gonna have it Your way or nothing at all | :56:08. | :56:14. |