Browse content similar to Highlights. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
A This programme contains repetitive, flashing images. | :00:00. | :00:28. | |
This is the 18th MOBO awards, live from Glasgow's newest and finest | :00:29. | :00:36. | |
venues. Please, give a massive welcome for | :00:37. | :00:39. | |
Tinnie Tempah. # Shake, shake, shake shake | :00:40. | :01:25. | |
# Shake shake, shake # Jump, jump, jump, jump. | :01:26. | :01:32. | |
# Eenie meanie minie, thank God it's Friday. | :01:33. | :01:37. | |
# Please don't ask me for my ID, if I'm in your iTunes library. | :01:38. | :01:41. | |
# Got my own book in my library, my mansion is so tidy. | :01:42. | :01:44. | |
# My neighbours hate my mistress cos she never wear no nighties. | :01:45. | :01:48. | |
# I go Claridges to do high tea, Jordan's on like Spike Lee. | :01:49. | :01:51. | |
# I'm high end, you're High Street, swagger jacking my style. | :01:52. | :01:55. | |
# When I was a kid I used to save up for my Nikes. | :01:56. | :01:58. | |
# Now all these little kids is tryna save up for my Nikes. | :01:59. | :02:01. | |
# Shake, shake, shake, shake. # Jump, jump, jump, jump. | :02:02. | :02:24. | |
# Sharing clothes, that's trampy, splitting bills, that's trampy. | :02:25. | :02:28. | |
# All this hanky-panky, now her handprints on my Banksy. | :02:29. | :02:31. | |
# I'm just strictly speaking, Anne Frankly, all my girls is fancy. | :02:32. | :02:34. | |
# In a white Ferrari Spider, rolling with Anansi. | :02:35. | :02:38. | |
# And Diplo to disco, she sniff, whoa. | :02:39. | :02:41. | |
# She gwan like she RiRi, and wine to Calypso. | :02:42. | :02:44. | |
# She ask me if I'm single, I said, maybe, I think so. | :02:45. | :02:47. | |
# I can't concentrate when that thong's on like Sisqo. | :02:48. | :02:53. | |
# Shake, shake, shake, shake, shake, shake | :02:54. | :02:56. | |
# Jump, jump, jump, jump, jump, jump, jump | :02:57. | :03:01. | |
# Jump, jump, jump # Shake, shake, shake, shake, shake, | :03:02. | :03:03. | |
shake, shake, shake Trampoline # What's going down? Paris | :03:04. | :03:33. | |
# London # What's going down? | :03:34. | :03:45. | |
# Lagos, what's going down? Oslo, what's going down? | :03:46. | :03:47. | |
# Toronto, what's going down? # Trampoline | :03:48. | :03:56. | |
# Shake, shake, shake, shake, shake # Trampoline | :03:57. | :03:59. | |
# Jump, jump, jump, jump, jump, jump, jump | :04:00. | :04:02. | |
# Trampoline # APPLAUSE | :04:03. | :04:12. | |
Ladies and gentlemen, please your hosts for this evening, broadcast | :04:13. | :04:19. | |
legend and full-time MOBO award winner, Trevor Nelson and the | :04:20. | :04:28. | |
deelectable DJ, Sarah-Jane -- and four-time MOBO award winner. | :04:29. | :04:33. | |
Wow, the magnificent Tinnie Tempah and a stunning formerance of | :04:34. | :04:37. | |
Trampoline. A very -- formerance. A very exciting way to start this, the | :04:38. | :04:42. | |
18th MOBO awards, everybody. They have finally come of age and | :04:43. | :04:46. | |
they are legal. Now back when it started in 1996, | :04:47. | :04:50. | |
the world was a very different place. Jay-Z had just released a | :04:51. | :04:57. | |
debut album. The Spice Girls spent seven weeks at number one with | :04:58. | :05:02. | |
wannabe and Take That split up for the first time a little-known DJ | :05:03. | :05:08. | |
joined BBC Radio one to do the iconic show, the Rhythm Nation. Oh, | :05:09. | :05:14. | |
how the world has changed. Jay-Z is on his 12th album. The Spice Girls | :05:15. | :05:22. | |
may have spent seven weeks at number one but their musical only spent | :05:23. | :05:28. | |
seven weeks on stage. Take That are still together, with Robbie, without | :05:29. | :05:36. | |
Robbie. We have a bright future. Tonight we have performances from | :05:37. | :05:43. | |
Iingy asomedayia. Rudimental. Fuse. Ms Dynamite and shy. | :05:44. | :05:51. | |
Not only that, Naughty Boy. Laura Mvula. | :05:52. | :05:58. | |
And Jahmene Douglas and a special anniversary performance from skop so | :05:59. | :06:02. | |
Solid. Someone call skrurt. I'm joking. | :06:03. | :06:04. | |
A lane of had up worthy of any anniversary. That will make a decent | :06:05. | :06:08. | |
party around Nelson's house. We will be delving into the arc iefts to | :06:09. | :06:12. | |
show some incredible performances, highlights. I've had a look. They | :06:13. | :06:16. | |
are amazing. You will not be disappointed. And we've invited | :06:17. | :06:20. | |
previous winners to dish out some of these little beauties. But before we | :06:21. | :06:25. | |
do anything else, let's reminisce with some MOBO 18 winning moments. | :06:26. | :06:40. | |
This is history being made here tonight. | :06:41. | :06:48. | |
The winner is... Of course, me, no. Gabrielle. | :06:49. | :06:52. | |
I would like to say thank you to everybody. Jessie J. | :06:53. | :07:01. | |
Last year no-one knew who I was and now I just won Best Album. That is | :07:02. | :07:12. | |
epic. Emeli Sande. # I'm in be heaven... # | :07:13. | :07:19. | |
BBing King. Thank you, thank you so much. | :07:20. | :07:24. | |
-- BB King. Janet Jackson. It is a great honour to be here | :07:25. | :07:28. | |
tonight, to be part of this celebration. 50 Cent. | :07:29. | :07:37. | |
It feels like this is my year, man. Thanks everybody for coming out | :07:38. | :07:41. | |
again. Yeah, yeah, Tinnie Tempah. | :07:42. | :07:48. | |
Wow, we did it. You have 21 Seconds to get up here. | :07:49. | :08:02. | |
Yo, yo, yo. Jay-Z. What's up you all, peace and love. | :08:03. | :08:10. | |
The winner is... Destiny's Child. We want to say we love you all and God | :08:11. | :08:22. | |
bless you all. Puff Daddy and the family. I see you | :08:23. | :08:26. | |
all over there. All my rude boys in the house. I would like to share | :08:27. | :08:32. | |
with my brother, Beanie Man. Come up here and share this with me. | :08:33. | :08:42. | |
Make some noise for Public Enemy. Let's keep going and make we have | :08:43. | :08:48. | |
ten more years. Please, you all. The incredible, and still the best | :08:49. | :08:52. | |
legs in the business, Miss Tina Turner. | :08:53. | :08:57. | |
I have been in the business since 1960 and I've never had such an | :08:58. | :09:03. | |
honour. I want to thank the MOBO for this | :09:04. | :09:09. | |
wonderful moment and this wonderful trophy. I thank you so much. | :09:10. | :09:17. | |
Finally, the time has come to hand out some of these little beauties. | :09:18. | :09:21. | |
This year they are extra special. Do you know why? Because winners will | :09:22. | :09:26. | |
walk away with limited edition golden MOBO awards. Not like | :09:27. | :09:31. | |
Trevor's old one, back in the day. I'm not happy about that. The | :09:32. | :09:35. | |
industry experts vr had their say and the public votes have been | :09:36. | :09:39. | |
counted and verified. It's a 50/50 split. The first MOBO of the night | :09:40. | :09:44. | |
is for Best Song in association with PRS for Music. Here to do the | :09:45. | :09:50. | |
honours are the trio known as MKS. AKA, the original Sugar Babes. | :09:51. | :09:58. | |
So glad they are back. Put your hands together for them. | :09:59. | :10:13. | |
Hello. Hi everyone. Tonight is very special. We are celebrating an | :10:14. | :10:21. | |
amazing year in music for the MOBO's 18th? Girls what were we like at 18? | :10:22. | :10:27. | |
What did we wear? Things that were quite embarrassing probably looking | :10:28. | :10:32. | |
back like white PVC highheels. And remember the black lipliner, with | :10:33. | :10:37. | |
lip goes gloss. We are trying to forget. We are but the one thing we | :10:38. | :10:41. | |
can agree on is that when we were 18 we moved watching the MOBOs. Let's | :10:42. | :10:45. | |
take a look at the nominees for this year's Best Song. | :10:46. | :11:52. | |
Some amazing nominees but we only have one winner... NSMIT force It's | :11:53. | :12:08. | |
the boy, Naughty Boy. Congratulations -- it's the boy. | :12:09. | :12:16. | |
Naughty buoy. Congratulations. But he still has two more | :12:17. | :12:21. | |
nominations. Could it be a hat -trick? He will be formering a | :12:22. | :12:27. | |
medley of his songs later on in the show. | :12:28. | :12:32. | |
-- performing. My name is Naughty Boy. This is my | :12:33. | :12:46. | |
friend Sam Smith. I'm going to speak after. | :12:47. | :12:52. | |
Thank you everyone that has bought this song. It is amazing. I want to | :12:53. | :12:58. | |
say a big shout-out to my managers, Sam, Jack and alVIP and Jimmy who | :12:59. | :13:04. | |
helped us write this song. Over to you. -- Thank you, MOBOs. I have | :13:05. | :13:20. | |
watched this since I was a kid. Especially you, Miss Gabrielle. | :13:21. | :13:24. | |
Dreams do come true, Gabrielle, they do. I would like to thank my label, | :13:25. | :13:32. | |
Virgin, they have been amazing. Thank you Ted. I love you guys. | :13:33. | :13:37. | |
Thank you everyone in Watford, my family. My brother Omar and also, as | :13:38. | :13:43. | |
it is my friend Jack's birthday today. He couldn't be here. Happy | :13:44. | :13:55. | |
birthday and happy birthday MOBOs. Congratulations to naughty buoy. | :13:56. | :14:00. | |
He has been a naughty buoy but done well. Our next performer started | :14:01. | :14:04. | |
rapping at the age of 14 in Southern Australia. She cites Tupak and missy | :14:05. | :14:14. | |
Elliot as her influences and is living her dream in the USA She is | :14:15. | :14:21. | |
one of the most talked-about rappers of the year. She has a tour with | :14:22. | :14:29. | |
Beyonce. Here is the ridiculously talented, Iggy Azalea. | :14:30. | :14:39. | |
# I'mma change your life, I'mma change it, I'mma change your life. | :14:40. | :14:44. | |
# I'mma change your life, I'mma change it, I'mma change your life. | :14:45. | :14:47. | |
# I'mma change your life, I'mma change it, I'mma change your life. | :14:48. | :14:50. | |
# I'mma change your life, I'mma change it, I'mma change your life. | :14:51. | :15:01. | |
# I'm a new classic, upgrade your status from a standby to a frequent | :15:02. | :15:06. | |
flyer. # Hop out your past life and I'll | :15:07. | :15:11. | |
renovate your future. # We purchasing, not perusing. | :15:12. | :15:15. | |
# Yeah, I love your hustle, baby, just let me add a little bit of | :15:16. | :15:20. | |
muscle, baby. # Joint venture, we'll partner up | :15:21. | :15:24. | |
until the shares are up, and I up your wages. | :15:25. | :15:33. | |
# I'mma change your life, I'mma change it, I'mma change your life. | :15:34. | :15:38. | |
# I'mma change your life, I'mma change it, I'mma change your life. | :15:39. | :15:41. | |
# I'mma change your life, I'mma change it, I'mma change your life. | :15:42. | :15:44. | |
# I'mma change your life, I'mma change it, I'mma change your life. | :15:45. | :15:47. | |
# I'mma change your life, I'mma change it, I'mma change your life. | :15:48. | :16:07. | |
# Have you ever wished your life would change? | :16:08. | :16:10. | |
# Woke up and you lived your dreams. # Baby, I could help you make that | :16:11. | :16:13. | |
change. # I can show you how to do this | :16:14. | :16:22. | |
thing. # Have you ever wished your life | :16:23. | :16:25. | |
would change? # Woke up and you lived your dreams. | :16:26. | :16:29. | |
# Baby, I could help you make that change. | :16:30. | :16:29. | |
# I can show ya, show ya. # I've been work, work, work, work, | :16:30. | :17:20. | |
working on my sheet # Now get this work, now get this | :17:21. | :17:24. | |
work, now get this work, now get this work. | :17:25. | :17:35. | |
cl # Work, work, work, work | :17:36. | :18:26. | |
# force now get this # Now get this workforce force now | :18:27. | :19:24. | |
get this workforce force now get this work | :19:25. | :19:28. | |
# Work, work, work # Working on my sh... # | :19:29. | :19:36. | |
It's work, that's for sure. Iggy Azalea. She raised the temperature. | :19:37. | :19:43. | |
It might be cold and rainy outside but it is getting hot. Next MOBO for | :19:44. | :19:49. | |
Best Female Act. To present t the man who in 2000 | :19:50. | :19:55. | |
took these awards by storm. Please salute, four-time MOBO winner, the | :19:56. | :20:02. | |
multi-talented, he eats clean but trains dirty, Craig David. | :20:03. | :20:19. | |
Some welcome, Craig. Fantastic. Thank you for having having me. It | :20:20. | :20:26. | |
is great to be here tonight to support the MOBOs as they reach 18 | :20:27. | :20:31. | |
years in the game. These awards are so important to me and I can't | :20:32. | :20:34. | |
believe it's been 13 years since the last time I was up on this stage | :20:35. | :20:39. | |
taking home a whole load of awards which are now up on my mantelpiece | :20:40. | :20:44. | |
in Miami. I hope whoever wins tonight gets as much pride and | :20:45. | :20:49. | |
pleasure out of theirs as I do from. My let's look at the Best female Act | :20:50. | :20:53. | |
nominees. -- as I do from mine. And the winner for Best Female Act | :20:54. | :22:17. | |
is... Laura Mvula. This is Laura Mvula's most MOBO of the night. She | :22:18. | :22:23. | |
has four nominations. Laura wooed US audiences recently | :22:24. | :22:29. | |
appearing on talk shows as well as touring the country. Force | :22:30. | :22:59. | |
Thank you, everyone. This is a great surprise. This feels really surreal. | :23:00. | :23:12. | |
Can I say thank you to everybody at RCA, Sony. Can I thank my husband, | :23:13. | :23:17. | |
who hasn't seen me in a year. Thank you for sticking with me. Thank you | :23:18. | :23:24. | |
for everybody at A t. ATC management. Thank you to my family | :23:25. | :23:28. | |
and thanks to everybody at Doorbell and CAA. Cheers. This means a lot, | :23:29. | :23:42. | |
thank you. Now for something a bit special. He has waited his whole | :23:43. | :23:46. | |
life to be at the MOBOs. Tonight he is here with a Smashhit album. Three | :23:47. | :23:52. | |
MOBO nominations. Already winner for Best Song. Here with a load of his | :23:53. | :23:57. | |
friends. He is popular. Give it up for Naughty Boy. | :23:58. | :24:26. | |
Got me up all night, used to start a fight. | :24:27. | :24:31. | |
# You don't wanna think about it, you drink about it, you smoke about | :24:32. | :24:33. | |
it. # Don't talk about it. | :24:34. | :24:36. | |
# Every night, the same, who's the one to blame? | :24:37. | :24:39. | |
# You don't wanna think about it, you drink about it, you smoke about | :24:40. | :24:43. | |
it, don't talk about it, don't make me forget, sir. | :24:44. | :25:14. | |
# Every night, the same, who's the one to blame? | :25:15. | :25:18. | |
# You don't wanna think about it, you drink about it, you smoke about | :25:19. | :25:20. | |
it, don't talk about it. Put your hands togethered for this | :25:21. | :26:12. | |
one. Our next present remembers a | :26:13. | :29:20. | |
combination of dancer, choreography, model, singer, and a little bit of | :29:21. | :29:28. | |
meow! Their talents are limitless. I like | :29:29. | :29:40. | |
what you did there. Limitless. Give a Glasgow welcome to Ashley Banjo | :29:41. | :29:49. | |
and Kimberly Wyatt. Hello everyone. | :29:50. | :30:03. | |
The people nominated in this cat grow have 15 top ten hits. And each | :30:04. | :30:10. | |
one has been instrumental in putting UK hip-hop and grime on the | :30:11. | :30:14. | |
international stage. This year more than ever they've sheer headed the | :30:15. | :30:19. | |
UK music scene. Hello everybody. But, more than that, they've made us | :30:20. | :30:21. | |
dance. So here are the nominees. And the MOBO for Best hip-hop grime | :30:22. | :31:39. | |
act goes to... Yeah, Tinnie Tempah. Well done, Tinnie Tempah. This is | :31:40. | :31:45. | |
his fourth MOBO. The second time he has won Best Hip Hop/Grime Act . He | :31:46. | :31:48. | |
is gathering gearing up for the release of his second major album | :31:49. | :31:52. | |
entitled Demonstration. Glasgow! | :31:53. | :32:29. | |
Amazing. I love this place so much. Before I start and say anything, | :32:30. | :32:33. | |
first and foremost I just want to say, happy 18th birthday to the | :32:34. | :32:38. | |
MOBOs. I'm only 24. So that shows how long the MOBOs have been around | :32:39. | :32:43. | |
and secondly, I just want to thank everybody. I want to thank my team | :32:44. | :32:51. | |
in London. The whole team and my DJ for supporting me along this | :32:52. | :32:57. | |
incredible journey and the Parlephone team and I want to | :32:58. | :33:01. | |
dedicate this award of this whole next generation of MCs and people | :33:02. | :33:05. | |
coming up, you know. I feel it is very, very important. I feel we are | :33:06. | :33:09. | |
at a stage now where we knead to go beyond everything we have done and | :33:10. | :33:12. | |
take it that step further. Everybody needs to start thinking about who | :33:13. | :33:16. | |
they are, what their brand is and what they want to do. Thank you | :33:17. | :33:20. | |
MOBOs for all your support, second time. God bless, man. Thank you. | :33:21. | :33:28. | |
Time for another formerance. In just 12 months this receptionist has | :33:29. | :33:33. | |
transformed herself into a soul dehave a. Described by some as the | :33:34. | :33:42. | |
UK's very own NinaSimone. For me, she isly refreshingly unique. With | :33:43. | :33:48. | |
four MOBO nominations and already winner of Best female Act. It is the | :33:49. | :33:55. | |
hauntingly sublime lawyer ittia view la. -- Laura Mvula. | :33:56. | :34:05. | |
# Hey there, you, shattered in a thousand pieces. | :34:06. | :34:09. | |
# Weeping in the darkest nights. # Hey there, you, try to stand up on | :34:10. | :34:19. | |
your own two feet. # And stumble into the sky. | :34:20. | :34:27. | |
# When the lights go out and you're on your own. | :34:28. | :34:32. | |
# How are you gonna make it through till the morning sun? | :34:33. | :34:40. | |
# Sing to the moon and the stars will shine. | :34:41. | :34:43. | |
# Over you, lead you to the other side. | :34:44. | :34:50. | |
# Sing to the moon and the stars will shine. | :34:51. | :34:56. | |
# Over you, heaven's gonna turn the time. | :34:57. | :35:07. | |
# Sing to the moon and the stars will shine. | :35:08. | :35:09. | |
# Over you, lead you to the other side. | :35:10. | :35:12. | |
# Sing to the moon and the stars will shine. | :35:13. | :35:17. | |
# Over you, heaven's gonna turn the time. | :35:18. | :35:53. | |
# Take me outside, sit in the green garden. | :35:54. | :35:57. | |
# Nobody out there, but it's OK now. # Bathe in the sunlight, don't mind | :35:58. | :36:00. | |
if rain falls. # Take me outside, sit in the green | :36:01. | :36:02. | |
garden. # Ooh ah, ooh ah oh, ooh ah, ooh ah | :36:03. | :36:08. | |
oh. # Take me outside | :36:09. | :36:10. | |
# Take me outside # Take me outside | :36:11. | :36:14. | |
# In the Green Garden # Green Garden | :36:15. | :36:20. | |
# And I'll fly on the wings of a butterfly. | :36:21. | :36:23. | |
# High as a tree top and down, down again. | :36:24. | :36:25. | |
# Putting my bag down, taking my shoes off. | :36:26. | :36:29. | |
# Walk in the carpet of green velvet. | :36:30. | :36:36. | |
# Dance in my garden like we used to, ooh ah, ooh ah oh. | :36:37. | :36:40. | |
# Dance in my garden like we used to, ooh ah, ooh ah oh. | :36:41. | :36:50. | |
# Take me outside, sit in the green garden. | :36:51. | :37:01. | |
# I'll go, wherever you go, wherever you take me, I'll go. | :37:02. | :37:04. | |
# I'll go, wherever you go, wherever you take me, I'll go. | :37:05. | :37:07. | |
# I'll go, wherever you go, wherever you take me, I'll go. | :37:08. | :37:11. | |
# I'll go, wherever you go, wherever you take me, I'll go. | :37:12. | :37:29. | |
# I'll go, wherever you go, wherever you take me, I'll go. | :37:30. | :37:32. | |
# I'll go, wherever you go, wherever you take me, I'll go. | :37:33. | :37:36. | |
# I'll go, wherever you go, wherever you take me, I'll go. | :37:37. | :37:37. | |
# I'll go, wherever you go, wherever Thank you. Now some MOBO 18th | :37:38. | :37:45. | |
birthday greetings and memories from some of our favourite artists. | :37:46. | :37:54. | |
I'm Jessie J. 18 years. Happy birthday MOBOs. | :37:55. | :37:59. | |
# Happy birthday to you... # Happy birthday, MOBOs. What's up | :38:00. | :38:05. | |
MOBOs. I'm wishing you a happy 18th birthday. Enjoy. Don't drink too | :38:06. | :38:12. | |
much. Happy birthday MOBO awards. I love you. You are 18. Happy 18th | :38:13. | :38:18. | |
birthday to the MOBOs. They have supported me from day one. | :38:19. | :38:23. | |
My first performance and first awards. The first award show to ever | :38:24. | :38:30. | |
give us an award and say we're greet. My first memories of the | :38:31. | :38:36. | |
MOBOs was watching So Solid Crew performing 21 Seconds. I remember | :38:37. | :38:40. | |
this guy. #21 seconds to go | :38:41. | :38:44. | |
#21 # seconds to go... # Fire, right. I remember my favourite | :38:45. | :38:49. | |
moment, well, was actually being on the stage. The great Alexander | :38:50. | :38:55. | |
O'Neil giving me my award. My favourite memory was winning one. I | :38:56. | :38:59. | |
waited my whole life to be invited to the MOBOs. Happy birthday to | :39:00. | :39:07. | |
you... # So, solid, MOBOs. | :39:08. | :39:12. | |
In my humble opinion, these guys are the best live act of the summer. | :39:13. | :39:18. | |
You could say, 2013 was Rudimental's year. Since releasing their debut | :39:19. | :39:23. | |
album these boys have played non-stop festivals, toured the world | :39:24. | :39:27. | |
and finished the year with three MOBO nominations. | :39:28. | :39:30. | |
Impressive. In celebration of MOBO's 18th | :39:31. | :39:35. | |
anniversary, rudemental are about to perform the Fugee's classic, Ready | :39:36. | :39:41. | |
or Not which was released the year it all started in 1996. Please, feel | :39:42. | :39:44. | |
the love for Rudimental. # Ready or not, here I come, you | :39:45. | :40:06. | |
can't hide. # Gonna find you and take it slowly. | :40:07. | :40:11. | |
# Ready or not, here I come, you can't hide. | :40:12. | :40:13. | |
# Gonna find you and make you want me. | :40:14. | :40:42. | |
# Ready or not # Here I come | :40:43. | :40:47. | |
# You can't hide # going find you and take it slowly | :40:48. | :42:02. | |
# You know I said it's true, I can feel the love. | :42:03. | :42:06. | |
# Can you feel it too? # I can feel it, ah-ah, I can feel | :42:07. | :42:09. | |
it, ah-ah. # You know I said it's true, I can | :42:10. | :42:12. | |
feel the love. # Can you feel it too? | :42:13. | :42:17. | |
# I can feel it, ah-ah, I can feel it, ah-ah-ah-ah, yeah. | :42:18. | :42:20. | |
# You know I said it's true, I can feel the love. 18th birthday for the | :42:21. | :42:21. | |
MOBOs. K # You know I said it's true. | :42:22. | :42:50. | |
# You know I said. # You know I said it's true. | :42:51. | :42:56. | |
# You know I said. # You know I said it's true, I can | :42:57. | :42:59. | |
feel the love. # Can you feel it too? | :43:00. | :43:03. | |
# I can feel it, ah-ah, I can feel it, ah-ah. | :43:04. | :43:06. | |
# You know I said it's true, I can feel the love. | :43:07. | :43:09. | |
# Can you feel it too? # I can feel it, ah-ah, I can feel | :43:10. | :43:12. | |
it, ah-ah. # Na-na-na-na. | :43:13. | :43:13. | |
# No, oh, oh, yeah. # No, no, no, no. | :43:14. | :43:15. | |
# All right. We've been waiting all our lives for | :43:16. | :43:44. | |
this. # Na-na-na-na. | :43:45. | :44:00. | |
# No, oh, oh, yeah. # No, no, no, no. | :44:01. | :44:11. | |
# I gotta tell you, I gotta tell you. | :44:12. | :44:13. | |
# I gotta tell you, I gotta tell you, tell you. | :44:14. | :44:17. | |
# You know I said it's true. # So true. | :44:18. | :44:23. | |
# You know I can feel it too. # I can feel it now. | :44:24. | :44:27. | |
# You know I said it's true, I can feel the love. | :44:28. | :44:30. | |
# Can you feel it too? # I can feel it ah-ah, I can feel it | :44:31. | :44:32. | |
ah-ah. # You know I said it's true, I can | :44:33. | :44:36. | |
feel the love. # Can you feel it too? | :44:37. | :44:40. | |
# I can feel it ah-ah, I can feel it ah-ah. | :44:41. | :44:44. | |
# I can feel it, I can feel it, I can feel it. | :44:45. | :44:45. | |
# Can you feel it too? # Though I say it's true | :44:46. | :44:55. | |
# I can feel it too # I can feel it now | :44:56. | :45:00. | |
# Sing with us, come on # You know I said it's true | :45:01. | :45:04. | |
# So true # You know I can feel it too | :45:05. | :45:08. | |
# So true # You know I can feel it too | :45:09. | :45:14. | |
# You know I said it's true # So true | :45:15. | :45:16. | |
# You know I can feel it too # I can feel it now | :45:17. | :45:23. | |
# You know I said it's true. MOBOs, we love you | :45:24. | :45:28. | |
What a performance from Rudimental. Now, two ladies who epitomise | :45:29. | :45:36. | |
everything these awards are about - talent. One received the MOBO from | :45:37. | :45:41. | |
Alexander O'Neil at the very first awards. | :45:42. | :45:45. | |
The other has been on a mission - sorry I had to - since her debut | :45:46. | :45:51. | |
album was released in 2011. Both have new albums. Both are brilliant. | :45:52. | :45:57. | |
Give a Gubbing Glasgow welcome for Gabrielle and Katy B. | :45:58. | :46:12. | |
Here we go. MOBO for Best Male Act is one of the most hotly-contested | :46:13. | :46:22. | |
categories of the night. It is for male group, duo or exceptional | :46:23. | :46:32. | |
artist -- or solo artist who've had been exceptional 12 months. Let's | :46:33. | :46:34. | |
look at the nominees. And the winner is... Wiley. | :46:35. | :47:33. | |
Unfortunately Wiley can't be with us tonight. So here is a message from | :47:34. | :47:37. | |
him. I'm sorry I couldn't be there with you tonight. Trust me, I wish I | :47:38. | :47:41. | |
was there right now. I want to big-up the big man | :47:42. | :47:47. | |
upstairs GOD. I want to big up my familiar lane grandparents and John | :47:48. | :47:52. | |
and Adam and Carolinia, Anton and Sian, and the team and the BBK | :47:53. | :47:56. | |
Family also. One Moroccans I have to gig up all the people on Twitter, | :47:57. | :48:00. | |
all may fans and followers. I know you have made this happen. This one | :48:01. | :48:05. | |
is definitely for more. -- one more. My brother Angel is going to pick up | :48:06. | :48:12. | |
the award for me, Team UK. Wiley. Obviously Wiley couldn't make | :48:13. | :48:17. | |
it. He kindly asked me to collect his award for him. So, you know, | :48:18. | :48:21. | |
brother from another mother. I want to say a massive thank you to | :48:22. | :48:26. | |
everyone. His first MOBO. He appreciates it. I want to say, John | :48:27. | :48:33. | |
Wolf, what you would say is John Woman of,borough, we have done it, | :48:34. | :48:36. | |
we've won, that's all that matters. Thank you. Jahmene Douglas is a | :48:37. | :48:42. | |
self-confessed lover of Gospel music. | :48:43. | :48:50. | |
And IDMS a Gospel choir. They are a match made in heaven. | :48:51. | :48:59. | |
Here they are with Emeli Sande's Next To Me. | :49:00. | :49:11. | |
# You won't find him drinking at the tables. | :49:12. | :49:18. | |
# Rolling dice and staying out till three. | :49:19. | :49:22. | |
# You won't ever find him being unfaithful. | :49:23. | :49:28. | |
# You will find him, you'll find him next to me. | :49:29. | :49:34. | |
# You won't find him trying to chase the devil. | :49:35. | :49:39. | |
# For money, fame, for power, out of grief. | :49:40. | :49:45. | |
# You won't ever find him where the rest go. | :49:46. | :49:49. | |
# You will find him, you'll find him next to me. | :49:50. | :49:58. | |
# Next to me, ooooh. # Next to me, ooooh. | :49:59. | :50:12. | |
# You will find him, you'll find him next to me. | :50:13. | :50:18. | |
# When the money's spent and all my friends have vanished. | :50:19. | :50:26. | |
# And I can't seem to find no help or love for free. | :50:27. | :50:33. | |
# I know there's no need for me to panic. | :50:34. | :50:38. | |
# Cos I'll find him, I'll find him next to me. | :50:39. | :50:54. | |
# Next to me, ooooh. # Next to me, ooooh. | :50:55. | :51:01. | |
# You will find him, you'll find him next to me. | :51:02. | :51:06. | |
# When the end has come and buildings falling down fast. | :51:07. | :51:10. | |
# When we spoilt the land and dried up all the sea. | :51:11. | :51:16. | |
# When everyone has lost their heads around us. | :51:17. | :51:24. | |
# You will find him, you'll find him next to me. | :51:25. | :51:33. | |
# Next to me, ooooh. # Next to me, ooooh. | :51:34. | :51:40. | |
# You will find him, you'll find him next to me. | :51:41. | :51:42. | |
# Next to me, ooooh. # Next to me, ooooh. | :51:43. | :51:48. | |
# You will find him, you'll find him next to me. # | :51:49. | :51:54. | |
# You will find him # when the doors are closing | :51:55. | :51:59. | |
# I will find him # I will find him # | :52:00. | :52:33. | |
Thank you very much, God bless. Now the MOBO for Best Necomer in | :52:34. | :52:38. | |
association with HTC. If history is anything to go by, we are going to | :52:39. | :52:43. | |
see a lot more of whoever wins this award. Previous winners include JLS. | :52:44. | :52:53. | |
Rita Ora. N dubs. Jessie J and, of course Tinnie Tempah. | :52:54. | :52:58. | |
To do the honours is a MOBO high conwho received the award for | :52:59. | :53:07. | |
Outstanding Contribution to Black Music at the inaugural awards. That | :53:08. | :53:12. | |
was some time ago. I was very young. Who thinks Trevor Nelson hasn't aged | :53:13. | :53:21. | |
a day in years. Give it up, coacoa butter. Don't crack. Let's show some | :53:22. | :53:29. | |
love for Soul II Soul's legend Jazzie B. | :53:30. | :53:45. | |
It's all about supporting new and emerging talent. It's been my | :53:46. | :53:51. | |
pleasure to be involved in this crazy, exciting industry for over 25 | :53:52. | :53:56. | |
years now. What keeps me interested in this ever-resolving and | :53:57. | :54:00. | |
ever-changing industry is the fresh talent like what we have just saw | :54:01. | :54:04. | |
here today. Here are the ten nominees in the category, in | :54:05. | :54:05. | |
association with HTC. And the Best Necomer MOBO award goes | :54:06. | :55:35. | |
to... Krept Konan. | :55:36. | :55:43. | |
- They achieved an in kred feat when their independently released mixed | :55:44. | :55:47. | |
tape reached the UK's top 20 with no major backing and very little | :55:48. | :55:51. | |
promotion. Their first-ever live show was on tour right here in | :55:52. | :55:54. | |
Glasgow. Yeah, MOBOs, yeah. Mental. I want it | :55:55. | :56:36. | |
big up all my fans, Team Play Dirty. Everyone that voted for us and | :56:37. | :56:40. | |
bought our mix tape that got into the top 20 with no major backing, | :56:41. | :56:45. | |
independent, no TV, radio, nothing. Thank you to everyone that boughted | :56:46. | :56:50. | |
it. We have my familiar lane my dad. Mum, are you still watching this? I | :56:51. | :56:55. | |
used to watch this with you when I was younger, I love you mum. Big up. | :56:56. | :57:04. | |
Yeah,man. I thank my mum. Yeah, man. Play Dirty Young Kings, member. | :57:05. | :57:10. | |
Now for another performance. What happens when you merge two legends | :57:11. | :57:14. | |
of UK music, both recognised and both respected? You get some | :57:15. | :57:22. | |
infectious drum and bass infused with sweet Reggae. | :57:23. | :58:23. | |
# I am only yours # I ain't running | :58:24. | :58:30. | |
# No, no, no. # You got it | :58:31. | :58:34. | |
# It makes me feel # Makes me fly | :58:35. | :58:38. | |
# You got it # Makes me cry | :58:39. | :58:40. | |
# Makes me buzz # You got it, you got it | :58:41. | :58:56. | |
# It gets me high, high, high # So, I don't want to come down | :58:57. | :59:03. | |
# You get me high, high, high so # I I, don't want to come down | :59:04. | :59:15. | |
# You don't want to ever come down I don't wanna come down | :59:16. | :59:56. | |
# It makes me feel # Makes me fly | :59:57. | :00:02. | |
# You got it # It makes me cry you got it | :00:03. | :00:15. | |
# You got it MOBOs # It makes me high, high, high | :00:16. | :00:26. | |
# So, I don't wann come down you get me high, high, high | :00:27. | :00:38. | |
# I don't wanna come down give me give me that get my soul on fire | :00:39. | :00:48. | |
give me give me give me that give me, give me give me that you set my | :00:49. | :00:55. | |
soul on fire give me give me that you got it, you got it, you got it | :00:56. | :01:07. | |
I don't wanna come down , I don't wanna come down # | :01:08. | :01:23. | |
Thank you of the. To present the MOBO for Best Video, | :01:24. | :01:35. | |
in association with SB TV is the intren air who founded that company | :01:36. | :01:39. | |
as a teenager. Now he is rolling with Richard Branson. I'm excited. | :01:40. | :01:46. | |
We have the First Lady of So Solid and hot-shot producer. Please well | :01:47. | :01:58. | |
Jamal Edwards. Lisa Mafia and Tahmac. | :01:59. | :02:08. | |
Sunny Glasgow. What's up for the 18th birthday party. It is great to | :02:09. | :02:15. | |
be here presenting the Best Video company. Something that's close to | :02:16. | :02:20. | |
my part. I'm proud to be part of this culture. Now is the time to | :02:21. | :02:24. | |
innovate and make it part of history. The nominees for Best Video | :02:25. | :02:27. | |
are... Are And the winner of Best Video | :02:28. | :03:37. | |
is... Naughty buoy la, la, la. Force - Naughty Boy. | :03:38. | :03:58. | |
It's based on a traditional Bolivian tale of a boy who left his home and | :03:59. | :04:04. | |
forged a life-long friendship with a stray dog. | :04:05. | :04:23. | |
OK, this is getting crazy now. This is getting really crazy, guys. | :04:24. | :04:36. | |
I actually want to thank everyone here for loving this song because I | :04:37. | :04:46. | |
love this song as well. And I have to thank my managers, Ricky Blue. | :04:47. | :04:54. | |
Danny D and Tim BlackSmith for making this pob and Glyn, my guy, | :04:55. | :05:01. | |
from Virgin, the man. If you want a record deal, go to Glyn. OK. | :05:02. | :05:13. | |
And also, I want to thank everyone for accepting me. Because I make | :05:14. | :05:15. | |
music for the people. And La La La was always for the | :05:16. | :05:27. | |
people. Sometimes it's OK to just cover your ears and forget | :05:28. | :05:31. | |
everything. Sometimes it's OK to do that. And I'm just grateful to be | :05:32. | :05:43. | |
here. Who um, I should stop now. Lp thank you MOBOs. | :05:44. | :05:48. | |
Our next act has three MOBO nominations already. Winning one | :05:49. | :05:55. | |
from Best African act. He has take yoen the Afro-pop scene by storm. | :05:56. | :06:02. | |
Fuse ODG off the ground is a London-born rapper, singer, | :06:03. | :06:14. | |
song-writer r. # I want to do my Azonto, Azonto, | :06:15. | :07:37. | |
Azonto. # Now watch me do my Azonto, Azonto, | :07:38. | :07:40. | |
Azonto. # Now watch me do my Azonto, Azonto, | :07:41. | :07:42. | |
Azonto. # Now watch me do my Azonto, Azonto, | :07:43. | :07:45. | |
Azonto. # You want cope with dem haters. | :07:46. | :07:49. | |
# I want to do my Azonto, Azonto, Azonto. | :07:50. | :07:50. | |
# Azonto, zonto, zonto. # Azonto, zonto, zonto. | :07:51. | :07:57. | |
# You want cope with dem haters. # They all wanna learn how to do | :07:58. | :08:00. | |
this. # So I'mma take you all through | :08:01. | :08:02. | |
this. # Azonto dance is the movement. | :08:03. | :08:06. | |
# So when you jump on the floor, then use it. | :08:07. | :08:08. | |
# First step is the step, step. # You can move to the right, to the | :08:09. | :08:11. | |
left, left. # You can do a freestyle with your | :08:12. | :08:14. | |
step, step. # Put your hand in the air, then you | :08:15. | :08:17. | |
rep, rep. # So go, go, go, twist your finger, | :08:18. | :08:21. | |
shake and wave and say hello-lo-lo-lo. | :08:22. | :08:21. | |
# Make a freeze stand. # Shall I do it? | :08:22. | :09:20. | |
# Shall I do it? # What I'm gonna tell my mommy, oh. | :09:21. | :10:14. | |
# I should've listened before. # She da do me like antenna. | :10:15. | :10:18. | |
# She's just controlling my phone. # She dey do me like antenna. | :10:19. | :10:23. | |
# Now to present a very special award. | :10:24. | :10:31. | |
The B MOBO award. Please welcome the force behind the awards, the | :10:32. | :10:39. | |
founder, the CEO, the boss lady, and Queen of MOBO, Kylie King MBE | :10:40. | :10:51. | |
As we celebrate our coming of age in true MOBO fashion, let's go back in | :10:52. | :10:56. | |
history. MOBO was founded in 1996 when the majority of the performers | :10:57. | :11:00. | |
here, tonight, were probably still at school. At the time there was | :11:01. | :11:07. | |
little recognition in the UK. MOBO was born to celebrate the music we | :11:08. | :11:11. | |
love. And MOBO has become the sound track of our culture and future. The | :11:12. | :11:20. | |
B MOBO non-music award was cre in 2006 to appreciate people and | :11:21. | :11:24. | |
organisations that support the MOBO values. This year's recipient has | :11:25. | :11:29. | |
been a catalyst for change and solidarity. They are a national | :11:30. | :11:33. | |
charity that is committed to supporting young people from diverse | :11:34. | :11:41. | |
and disadvantaged backgrounds. So, the recipient of this year's B MOBO | :11:42. | :11:48. | |
ais The Stephen Lawrence Charity Trust for all they do for us, | :11:49. | :11:53. | |
absolutely and our children's future. Collecting it is Stephen's | :11:54. | :11:57. | |
mother, who establisheder the charity in honour of her son. Ladies | :11:58. | :12:01. | |
and gentlemen, please give a warm welcome to Baroness Doreen Lawrence, | :12:02. | :12:04. | |
OBE Thank you. Thank you Kanya. And | :12:05. | :12:53. | |
thank you MOBO. We are here to celebrate MOBO's 18th year. | :12:54. | :12:59. | |
I always say this is the bit I really don't like - I like being in | :13:00. | :13:02. | |
the background with all the work that I do but sometimes you have to | :13:03. | :13:08. | |
stand up and sort of say, yeah, I salute you. | :13:09. | :13:13. | |
It's been 20 years since my son was killed and in that 20 years, we have | :13:14. | :13:22. | |
managed to change laws, we have a Stephen Lawrence Charitable Trust. | :13:23. | :13:28. | |
CHEERS We have helped over 100 students. We | :13:29. | :13:34. | |
have now six of them who are qualified architects in this | :13:35. | :13:40. | |
country. And there are four out in Jamaica. | :13:41. | :13:44. | |
And as we move forward to the future, part of our work is to | :13:45. | :13:49. | |
continue and what we are trying to do is looking at professions. The | :13:50. | :13:54. | |
idea is that it doesn't matter what professions the young person wants | :13:55. | :13:59. | |
to go into. The Stephen Lawrence Trust wants to help them to achieve | :14:00. | :14:04. | |
their goals and to take their place in society. Being here tonight and | :14:05. | :14:07. | |
seeing all these artists here, I think it is fantastic and the fact | :14:08. | :14:12. | |
that MOBO is celebrating their 18th birthday is unbelievable. All I want | :14:13. | :14:15. | |
to say to you all, is thanks very much. | :14:16. | :14:24. | |
Time for some more music. Now frequently mistaken as a solo | :14:25. | :14:34. | |
artist, in fact Aluna George, of the music duo George Rei, deand aLuna | :14:35. | :14:42. | |
Frances is the sing. -- Aluna. But they could have ended up George | :14:43. | :14:46. | |
Aluna. That wouldn't have worked. He is a gentlemen. | :14:47. | :14:51. | |
Make some noise for Aluna George with their fairy-tale of inspired | :14:52. | :15:21. | |
Attracting Flies. # Hold on now, I'm choking, give me | :15:22. | :15:24. | |
a second to collect myself. # You must be joking, otherwise I'm | :15:25. | :15:27. | |
laughing to myself. # Why you here again? | :15:28. | :15:30. | |
# Hold on a minute, let me check this out. | :15:31. | :15:33. | |
# Your invitation's a fake, must be from a ticket tout. | :15:34. | :15:36. | |
# I hear you out, you hear me out. # I hear you shout, I'm not stepping | :15:37. | :15:39. | |
out. # I hear you out, you hear me out. | :15:40. | :15:44. | |
# I hear you shout, I'm not stepping out. | :15:45. | :15:45. | |
# Little grey fairytales and little white lies. | :15:46. | :15:47. | |
# Everything you exhale is attracting flies. | :15:48. | :15:50. | |
# And you can go off the rails and you can cry your eyes out. | :15:51. | :15:53. | |
# But everything you exhale is attracting flies. | :15:54. | :16:05. | |
# Please stay, it's your moment, I'll give you all the listening that | :16:06. | :16:08. | |
you need. # Don't be a showman, who needs the | :16:09. | :16:12. | |
drama, who said you had to bleed? # I'm excited. | :16:13. | :16:15. | |
# Come on, surprise me, sweep me off my feet. | :16:16. | :16:17. | |
# Oh, enlighten me, what is this special thing 'bout you I need? | :16:18. | :16:22. | |
# I hear you out, you hear me out. # I hear you shout, I'm not stepping | :16:23. | :16:25. | |
out. # I hear you out, you hear me out. | :16:26. | :16:29. | |
# I hear you shout, I'm not stepping out. | :16:30. | :16:31. | |
Little grey fairytales and little white lies. | :16:32. | :16:38. | |
# Everything you exhale is attracting flies. | :16:39. | :16:46. | |
# And you can go off the rails and you can cry your eyes out. | :16:47. | :16:49. | |
# But everything you exhale is attracting flies. | :16:50. | :17:16. | |
# Baby, would I care if you want me? # Baby, would I care if you don't? | :17:17. | :17:23. | |
# Baby, would I care if you need me? # Baby, would I care if you don't? | :17:24. | :17:27. | |
# Little grey fairytales and little white lies. | :17:28. | :17:29. | |
# Everything you exhale is attracting flies. | :17:30. | :17:33. | |
# And you can go off the rails and you can cry your eyes out. | :17:34. | :17:36. | |
# But everything you exhale is attracting flies. | :17:37. | :17:59. | |
Now, oh, yes, now... No now, now. Now is the time for the MOBO for | :18:00. | :18:16. | |
Best Album. Here to present it, two of tonight's performers, make some | :18:17. | :18:21. | |
noise for Tinnie Tempah, who opened the show with style and the lady who | :18:22. | :18:28. | |
brought the whole kit and caboodle with her, Iggy Azalea. | :18:29. | :18:50. | |
I've had the best night. Thank you guys. All for the perfect ending, I | :18:51. | :18:58. | |
get to be on stage with Tinnie. Shall we do it? Here with the | :18:59. | :19:05. | |
nominees for the Best Album MOBO, 2013. | :19:06. | :20:05. | |
The Best Album MOBO goes to... Tinnie, you can do the honours... | :20:06. | :20:12. | |
Rudimental. Very worthy winners. Rudimental | :20:13. | :20:20. | |
named their debut album Home. Not because they are all from Hackney | :20:21. | :20:25. | |
but because when they are on stage they feel right at home, wherever | :20:26. | :20:26. | |
that stage may be. Wow. | :20:27. | :20:57. | |
Absolutely speechless. I don't know what to say. You know what, there is | :20:58. | :21:01. | |
a lot of people we have got to thank but before we got into that, we need | :21:02. | :21:06. | |
to thank you guys, the fans from supporting us from day dot. | :21:07. | :21:14. | |
I also need to thank our management, Black Butter. Asylum. Henry Village. | :21:15. | :21:21. | |
Also need to thank our parents for all those times when we were really, | :21:22. | :21:26. | |
really broke and they were obliged to let us live in their houses. So | :21:27. | :21:30. | |
thank you very much. My mum is with us. I also want to big up all the | :21:31. | :21:37. | |
band members that have helped make the live show such a big thing, Tom | :21:38. | :21:45. | |
Jones, Beanie, Sinead, Ella, John Newman. All the family. An Marie, | :21:46. | :21:50. | |
everyone who has played a part. No-one ever sees what happens behind | :21:51. | :21:53. | |
the scenes. There is a lot of blood, sweat and tears. We've worked pretty | :21:54. | :21:58. | |
much all our lives to get to this stage here and we are so thankful | :21:59. | :22:01. | |
that we've go the here with the MOBO. Thank you. | :22:02. | :22:07. | |
One final thank you to the Ben Humphrey, Nick Worthington, and | :22:08. | :22:15. | |
Christian. I nearly forgot Mark Crowd as well. | :22:16. | :22:18. | |
Thank you. Well, it's good night from us. What | :22:19. | :22:28. | |
better way to sign off this 18th anniversary MOBO awards than a | :22:29. | :22:34. | |
performance from the God fathers of UK garage and grime. | :22:35. | :22:40. | |
Credited for paving the way for our current artists. With their 2011 | :22:41. | :22:49. | |
MOBO-winning song, it's so, so, so, So Solid. And we've go the 21 | :22:50. | :22:52. | |
Seconds. # I've go the 21 seconds to go | :22:53. | :25:01. | |
# I've got 21 seconds to go # I've got 21 # seconds | :25:02. | :25:10. | |
did you see the video # Did you see me on the video, oh, | :25:11. | :25:15. | |
no # So if you like me, let me know | :25:16. | :25:21. | |
# Let me in the studio. I got 21 seconds before I go | :25:22. | :26:08. | |
# I've go the 21 seconds to go # So you like me | :26:09. | :26:13. | |
# Let me know # Let me in the studio | :26:14. | :26:18. | |
# Did you see me in the video, so you like me, let me know, did you | :26:19. | :26:25. | |
see me on the video, oh, no. # I've go the 21 seconds to go 21 | :26:26. | :26:34. | |
seconds it 21 seconds #21 seconds | :26:35. | :26:38. |