Browse content similar to Live. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I This programme contains very strong language and scenes of | :00:00. | :00:07. | |
repetitive flashing images and strobe lighting. | :00:08. | :00:28. | |
This is the 18th MOBO awards live from Glasgow's newest and finest | :00:29. | :00:40. | |
venue, the SSE Hydro. Please give a massive welcome for Tinie Tempah. | :00:41. | :00:47. | |
# Shake, shake, shake, shake. # Jump, jump, jump, jump. | :00:48. | :01:34. | |
# Eenie meanie minie, thank God it's Friday. | :01:35. | :01:37. | |
# Please don't ask me for my ID if I'm in your iTunes library. | :01:38. | :01:41. | |
# Got my own book in my library my mansion is so tidy. | :01:42. | :01:44. | |
# My neighbours hate my mistress cos she never wear no nighties. | :01:45. | :01:48. | |
# I go Claridges to do high tea Jordan's on like Spike Lee. | :01:49. | :01:51. | |
# I'm high end, you're High Street, swagger jacking my style. | :01:52. | :01:55. | |
# When I was a kid I used to save up for my Nikes. | :01:56. | :01:58. | |
# Now all these little kids is tryna save up for my Nikes. | :01:59. | :02:04. | |
# Shake, shake, shake, shake. # Jump, jump, jump, jump. | :02:05. | :02:23. | |
# Sharing clothes, that's trampy, splitting bills, that's trampy. | :02:24. | :02:27. | |
# All this hanky-panky, now her handprints on my Banksy. | :02:28. | :02:29. | |
# I'm just strictly speaking, Anne Frankly, all my girls is fancy. | :02:30. | :02:34. | |
# In a white Ferrari Spider, rolling with Anansi. | :02:35. | :02:36. | |
# And Diplo to disco, she sniff whoa. | :02:37. | :02:40. | |
# She gwan like she RiRi, and wine to Calypso. | :02:41. | :02:43. | |
# She ask me if I'm single, I said, maybe, I think so. | :02:44. | :02:46. | |
# I can't concentrate when that thong's on like Sisqo. | :02:47. | :02:55. | |
# Latisha Shakespear Latisha Shakespear shake | :02:56. | :03:03. | |
# Jump jump jump jump # Shake Shake shake shake | :03:04. | :03:22. | |
Paris, what's going down # Stockholm, what's going down? Rio, | :03:23. | :03:36. | |
down? London, what's going down Oslo, what's going down? | :03:37. | :03:39. | |
down? London, what's going down what's going down? | :03:40. | :03:56. | |
Shake shakeshakeshake # Jumpjumpjump. # | :03:57. | :04:19. | |
Ladies and gentleman, please welcome your hosts for this evening, | :04:20. | :04:26. | |
broadcast legend and four-time MOBO award winner, Trevor Nelson and the | :04:27. | :04:31. | |
collectible DJ air gentleman Jayne Crawford. | :04:32. | :04:40. | |
-- The magnificent Tinie Tempah and a stunning performance of | :04:41. | :04:45. | |
trampoline. An exciting way to start this the 18th, MOBO awards | :04:46. | :04:49. | |
everybody! APPLAUSE | :04:50. | :04:52. | |
They have finally come of age and they are legal. Back when it started | :04:53. | :04:57. | |
in 1996, the world was a very different place. Jay Z had just | :04:58. | :05:03. | |
released his debut album. The Spice Girls spent seven weeks at number | :05:04. | :05:09. | |
one. Remember that? Take that split up for the first time. A little | :05:10. | :05:17. | |
known DJ joined Radio 1 to do the iconic show for the iconic nation. | :05:18. | :05:23. | |
You're not that little. Jay Z is on his 12th album. The Spice Girls muse | :05:24. | :05:31. | |
inning only spent -- musical only spent seven months on stage. | :05:32. | :05:33. | |
inning only spent -- musical only That are still on stage. Enough | :05:34. | :05:35. | |
about the past. We have a very That are still on stage. Enough | :05:36. | :05:39. | |
bright future and shining their light on us tonight we have | :05:40. | :05:46. | |
performances from Iggy Azalea, Rudimental, Fuse ODG, Miss Miss And | :05:47. | :05:56. | |
Shy FX. Not just that, Naughty Boy, Laura Mvula, Aluna George, Jahmene | :05:57. | :06:01. | |
Douglas and IDMC Gospel choir and a special anniversary performance from | :06:02. | :06:06. | |
So Solid Crew. Someone called security. I'm joking. We invited | :06:07. | :06:12. | |
them down. A line up worthy of any 18th birthday. We'll be delving into | :06:13. | :06:19. | |
the MOBO archives to show incredible performances, highlights and I've | :06:20. | :06:22. | |
had a look, they're really amazing. You won't be disappointed. We've | :06:23. | :06:26. | |
invited previous winners to dish out some of these little beauties. | :06:27. | :06:32. | |
Before we do anything else, let s reminisce with some MOBO 18 winning | :06:33. | :06:35. | |
moments. This is history being made here | :06:36. | :06:52. | |
tonight. The winner is... Of course, me. No! | :06:53. | :07:01. | |
Gabrielle. Thank you to everybody. Jessie J. I watched this last year | :07:02. | :07:06. | |
by myself in my living room and no-one knew who I was. Now I just | :07:07. | :07:14. | |
won Best Album. That is epic. Emily Sade. | :07:15. | :07:21. | |
# Oh, heaven I wake with good intentions # | :07:22. | :07:28. | |
BB King. Thank you, thank you so much. Janette Jackson. It's really a | :07:29. | :07:35. | |
great honour to be here tonight to be part of this celebration. 50 | :07:36. | :07:41. | |
Cent. It feels like it's my year, man | :07:42. | :07:43. | |
Thanks everybody for again. | :07:44. | :07:53. | |
Yeah, yeah. Tinie Tempah! Wow! We did it. You have 21 seconds to get | :07:54. | :08:07. | |
up here. So Solid Crew. Yo, yo, yo. Jay Z. Everybody up top, what's up | :08:08. | :08:13. | |
you all, peace and love. The winner is... Destiny's Child. We | :08:14. | :08:27. | |
you all, peace and love. all. Puff daddy and the family. I | :08:28. | :08:32. | |
see you all over there, all my rude boys in the house. I'd like to share | :08:33. | :08:36. | |
this with my brother beanie man Come up here. Share this with me, | :08:37. | :08:39. | |
black man. Make some noise for public enemy. | :08:40. | :08:49. | |
Thank you and keep going. Make sure it's ten more years. Peace you all. | :08:50. | :08:57. | |
The incredible and still the best legs in the business Miss Tina | :08:58. | :09:02. | |
turner. I've been in the business since 1960 | :09:03. | :09:10. | |
and I've never had such an honour. I want to thank the MOBO for this | :09:11. | :09:17. | |
wonderful moment and this wonderful trophy. I thank you so much. | :09:18. | :09:25. | |
Hello Lionel Richie, that's all I can say. Some amazing talent there | :09:26. | :09:31. | |
for all of the gossip and chat from the awards, are you following us? | :09:32. | :09:41. | |
Keep tweeting, #MOBO 18. Finally the time has come to hand out | :09:42. | :09:44. | |
Keep tweeting, #MOBO 18. Finally the these little beauties. This year, | :09:45. | :09:46. | |
they're extra special. these little beauties. This year, | :09:47. | :09:52. | |
Because winners will walk away with limited edition golden MOBO awards, | :09:53. | :09:58. | |
not like Trevor's old one. I'm not happy about that. The industry | :09:59. | :10:02. | |
experts have had their say and the public votes have been counted and | :10:03. | :10:06. | |
verified. It's a 50/50 split. The first MOBO of the night is for Best | :10:07. | :10:10. | |
Song in association with PRS for music. Here to do the honours are | :10:11. | :10:17. | |
the trio known as MKS. Get in. Aka the original Sugababes. Please put | :10:18. | :10:19. | |
your hands together for them! Hello! Hey everyone. Tonight is a | :10:20. | :10:44. | |
very special night, we're celebrating a special year in music | :10:45. | :10:48. | |
for the MOBO 18th. What were we like at 18? What did we wear? Erm... .. | :10:49. | :10:53. | |
Things that were quite embarrassing probably looking back, like white | :10:54. | :10:58. | |
PVC high he's. Remember the black lip liner with gloss? We're trying | :10:59. | :11:03. | |
to forget. We are indeed. The one thing that we can agree on is that | :11:04. | :11:08. | |
when we were 18, we loved watching the MOBOs. Let's look at the | :11:09. | :11:10. | |
nominees for this year's Best Song. Some amazing nominees there. We only | :11:11. | :12:25. | |
have one winner. It's a boy! Naughty Boy featuring Sam Smith. | :12:26. | :12:32. | |
Congratulations to Naughty Boy. This is his first MOBO of the night. But | :12:33. | :12:35. | |
he still has another two nominations. Could it be a hat-trick | :12:36. | :12:40. | |
for him? He'll be performing a medley of his hits later in the | :12:41. | :12:42. | |
show. What's going on? | :12:43. | :13:03. | |
CHEERING My name is Naughty Boy. This is my | :13:04. | :13:16. | |
friend Sam Smith. I'm going to speak after. Thank you everyone who has | :13:17. | :13:21. | |
bought this song, this is amazing. A big shout out to my managers, Sam, | :13:22. | :13:30. | |
Jack and Elvin. And Jimmy who helped us write this song. Over to you OK, | :13:31. | :13:38. | |
I just want to say thank you to MOBOs. I've watched this programme | :13:39. | :13:43. | |
since I was a kid, especially you Miss Gabrielle, especially you. | :13:44. | :13:51. | |
Dreams do come true, Gabrielle. They do. OK. Also I'd like to thank my | :13:52. | :14:00. | |
label virgin. They've been amazing. Thank you Ted. I love you guys. | :14:01. | :14:05. | |
Thank you everyone. Watford, my family, my brother Omar and my | :14:06. | :14:10. | |
friend's birthday today. He couldn't be here. Happy birthday. And happy | :14:11. | :14:14. | |
birthday MOBOs. Congratulations to Naughty Boy. He's | :14:15. | :14:25. | |
been a Naughty Boy but he's done well. Our next performer started | :14:26. | :14:30. | |
rapping at the age of 14 in southern Australia. She cites Tupak and missy | :14:31. | :14:37. | |
Elliott as major influences. She's living her dream in the USA. This | :14:38. | :14:43. | |
girl knows how to work it, one of the most talked about rappers of the | :14:44. | :14:48. | |
year, a hotly anticipated debut album and a tour with Beyonce, | :14:49. | :15:06. | |
hello. Here is Iggy Azalea! # I'mma change your life, I'mma | :15:07. | :15:09. | |
change it, I'mma change your life. # I'mma change your life, I'mma | :15:10. | :15:12. | |
change it, I'mma change your life. # I'mma change your life, I'mma | :15:13. | :15:16. | |
change it, I'mma change your life. # I'mma change your life, I'mma | :15:17. | :15:19. | |
change it, I'mma change your life. You used to dealing with basic | :15:20. | :15:22. | |
bitches, basic shit all the time. # I'm a new classic, upgrade your | :15:23. | :15:26. | |
status from a standby to a frequent flyer. | :15:27. | :15:28. | |
# Hop out your past life and I'll renovate your future. | :15:29. | :15:31. | |
# Then I integrate my genius shit. # We purchasing, not perusing. | :15:32. | :15:34. | |
# Yeah, I love your hustle, baby, just let me add a little bit of | :15:35. | :15:37. | |
muscle, baby. # Joint venture, we'll partner up | :15:38. | :15:41. | |
until the shares are up, and I up your wages. | :15:42. | :15:43. | |
# On a private island, Dolo, one across the Cono. | :15:44. | :15:46. | |
# Them broads before me was locals, through customs accustom your | :15:47. | :15:48. | |
wardrobe, damn. # Stamped passports where they all | :15:49. | :15:50. | |
pass ports. # Till the clocks fast forward | :15:51. | :15:53. | |
there'll be dark blue shores where they don't do chores, we just | :15:54. | :15:55. | |
there'll be dark blue shores where # Damn, this is the | :15:56. | :15:58. | |
there'll be dark blue shores where shit with all access granted. | :15:59. | :16:01. | |
# In the country where the accents are grand and they landing on top of | :16:02. | :16:04. | |
all the mansions. # I'mma change your life, I'mma | :16:05. | :16:07. | |
change it, I'mma change your life. # I'mma change your life, I'mma | :16:08. | :16:10. | |
change it, I'mma change your life. # I'mma change your life, I'mma | :16:11. | :16:13. | |
change it, I'mma change your life. # I'mma change your life, I'mma | :16:14. | :16:17. | |
change it, I'mma change your life. # I'mma change your life, I'mma | :16:18. | :16:29. | |
change it, I'mma change your life. # Have you ever wished your life | :16:30. | :16:32. | |
would change # Woke up and lived your dreams | :16:33. | :16:35. | |
# Baby, I can help you make that change | :16:36. | :16:39. | |
# I can show you how to do this thing | :16:40. | :16:43. | |
# Have you ever wished your life would change | :16:44. | :16:46. | |
# Woke up and lived your dreams # Baby I can help you make that | :16:47. | :16:49. | |
change # I can show you I have one thing to | :16:50. | :16:55. | |
say. You better work. # Get real | :16:56. | :18:15. | |
# Valley girls giving blow jobs for overtime. What you call that? Head | :18:16. | :18:23. | |
over he's # Here we go. | :18:24. | :18:26. | |
# No money, no family #16 in the middle of Miami | :18:27. | :18:33. | |
# Here we go. # I've been up all night | :18:34. | :18:36. | |
# Trying to get rich # Work, work, working on my shit | :18:37. | :18:48. | |
# CHEERING AND APPLAUSE | :18:49. | :20:05. | |
Iggy Azalea, she certainly raised the temperature. It may be cold | :20:06. | :20:09. | |
outside and rainy. But it's getting hot in here. Next up the MOBO for | :20:10. | :20:14. | |
best female act in association with Tresor Paris. To present it the man | :20:15. | :20:21. | |
who in 2000 took these awards by storm. Please salute four-time MOBO | :20:22. | :20:27. | |
winner, the multitalented and extremely buff, he eats clean, but | :20:28. | :20:42. | |
trains dirty, Craig David! APPLAUSE | :20:43. | :20:44. | |
That's some welcome. Fantastic. Thank you for having me. Four-time | :20:45. | :20:52. | |
MOBO winner. I want to take you back to that big year of yours, when you | :20:53. | :20:56. | |
swept everything. I remember your acoustic performance, I remember the | :20:57. | :21:00. | |
buy British sweater you are had on. What are your memories? Yeah, the | :21:01. | :21:08. | |
performance was that medley going from like seven days and Usher's | :21:09. | :21:14. | |
Nice and slow. That buy British as much as I was sweating like crazy, | :21:15. | :21:18. | |
it means even more now, because I still feel that the MOBOs isn't just | :21:19. | :21:24. | |
about music of black origin, it s about music of British origin. When | :21:25. | :21:27. | |
you see Rudimental and these artists jumping on stage, it's about British | :21:28. | :21:34. | |
music coming through. So I'm a big believer in buying British, even | :21:35. | :21:37. | |
more so than I was when I was 1 on the same stage. Well said. Since | :21:38. | :21:44. | |
that time, in the last ten years, your debut album is ridiculous. | :21:45. | :21:48. | |
Everyone here probably has a copy. It's a legendary album now. How do | :21:49. | :21:53. | |
you think the scene has progressed in terms of artists making albums? | :21:54. | :21:58. | |
I'm not just saying this because I'm patriotic and I am British, but the | :21:59. | :22:00. | |
UK scene is thriving right now. I patriotic and I am British, but the | :22:01. | :22:10. | |
going to be the biggest year for UK R B, hip-hop, dub step, all that | :22:11. | :22:15. | |
music is going to start to change not just the UK, but | :22:16. | :22:19. | |
internationally. I think for me being, living in Miami, I can see | :22:20. | :22:23. | |
what's happening over in the UK in a big way. It's starting to make a | :22:24. | :22:27. | |
splash. We could talk all night OK brother. Do your thing, man. It s | :22:28. | :22:31. | |
great to be here tonight to support the MOBOs, as they reach 18 years in | :22:32. | :22:38. | |
the game. These awards are so important to me and I can't believe | :22:39. | :22:41. | |
it's been 13 years since the last time I was on this stage taking home | :22:42. | :22:46. | |
a whole load of awards, which are now up on my mantelpiece in Miami. I | :22:47. | :22:52. | |
hope whoever wins tonight gets as much pride and pleasure out of | :22:53. | :22:56. | |
theirs as I do for mine. Let's look at the best female act nominees | :22:57. | :24:06. | |
is... Laura Mvula. This is Laura Mvula's first MOBO of the night | :24:07. | :24:26. | |
Both her and grime MC Wiley have four nominations and are tonight's | :24:27. | :24:30. | |
leading contenders. Laura woulded US audiences recently appearing on the | :24:31. | :24:35. | |
David Letterman shows, as well as touring the country. | :24:36. | :24:50. | |
This is yours, my love. Congratulations. Thank you. | :24:51. | :25:08. | |
Erm...... Thank you everyone. This is a great surprise, this feels | :25:09. | :25:14. | |
really surreal. Can I say thank you to everybody at RCA, Sony, can I | :25:15. | :25:20. | |
thank my husband, who hasn't seen me in a year. Thank you for sticking | :25:21. | :25:28. | |
with me. Thank for everybody at my management. Thank you to my family. | :25:29. | :25:33. | |
Thank you to everybody at Door bell. Everybody at CAA. Cheers. This means | :25:34. | :25:37. | |
a lot. Thank you. Thank you. Definitely thank you Now | :25:38. | :25:52. | |
for some MOBO 18 birthday greetings, and memories of some of our | :25:53. | :25:58. | |
favourite artists. Yo, I'm Jessie J, 18 years, happy | :25:59. | :26:06. | |
birthday. Happy birthday to you Happy birthday. What's up? This is | :26:07. | :26:13. | |
Jon Legend wishing you a happy 8th birthday. Enjoy your birthday. Don't | :26:14. | :26:17. | |
drink too much. I love you. Peace out. Happy birthday MOBO awards I | :26:18. | :26:22. | |
love you. You're 18. Stay in school. Happy 18th birthday to the MOBOs. | :26:23. | :26:30. | |
This is my first performance, first award. It's the first award show | :26:31. | :26:35. | |
that ever, ever gave us awards. It's the first award show stage that we | :26:36. | :26:41. | |
graced. My first memories of theophobo were watching So Solid | :26:42. | :26:45. | |
Crew performing 21 Seconds. This guy was coming down from a ladder. | :26:46. | :26:51. | |
# I got 21 seconds to go # You come through fire right? Yeah. | :26:52. | :26:56. | |
Who does that? My favourite moments was being on the stage. The great | :26:57. | :27:01. | |
Alexander O'Neill gave me my award. My favourite memory was winning one | :27:02. | :27:06. | |
of these. Pretty much waited all my life to be invited to the MOBOs | :27:07. | :27:09. | |
# Happy birthday to you # Labrinth, that yellow jacket, mm-mm. | :27:10. | :27:29. | |
Welcome to the stage, comedian and actor and good mate of mine Eddie | :27:30. | :27:34. | |
Caddy. Wow, wow, wow. Glasgow, make some | :27:35. | :27:45. | |
noise! CHEERING | :27:46. | :27:50. | |
If you love the MOBOs, make some noise. | :27:51. | :27:52. | |
CHEERING Now, guys, I have to say I've done | :27:53. | :27:58. | |
my fair bit for the MOBOs in the past 20 years. I've celebrated this | :27:59. | :28:04. | |
music of black origin, whoever celebrated with me when So Solid | :28:05. | :28:09. | |
Crew did 21 seconds, you remember? Yeah, I did. I celebrate. Also when | :28:10. | :28:16. | |
Dizzee came out with, "I love you". I parted the skies. I did my part. | :28:17. | :28:22. | |
Even when funky House came out I felt lost because the only way to | :28:23. | :28:26. | |
dance to that is by looking confuelsed in Glasgow. This is | :28:27. | :28:34. | |
exactly how it went. You know what, I've done my part, | :28:35. | :28:37. | |
but I've been waiting for a long time to perform in front of | :28:38. | :28:43. | |
everybody, millions of people, today it's all about African music. That's | :28:44. | :28:46. | |
what I've come to perform. I've had enough. I've been waiting for this | :28:47. | :28:52. | |
all day. I said to my mum, I'm letting loose. | :28:53. | :29:01. | |
Right. Let's look at this year's nominees for Best African Act. | :29:02. | :30:00. | |
An the MOBO for Best African Act goes to... My brother, Fuse ODG | :30:01. | :30:22. | |
APPLAUSE Fuse ODG stands for fuse off the | :30:23. | :30:32. | |
ground. The movement aims to highlight the new and exciting new | :30:33. | :30:34. | |
elements of African culture. Wow. Make some noise MOBOs. | :30:35. | :31:06. | |
CHEERING Like, I didn't prepare anything | :31:07. | :31:11. | |
because first of all, I didn't even know I was going to win this so | :31:12. | :31:18. | |
early or even win in the first place, but I just want to say | :31:19. | :31:23. | |
quickly that I don't just make music just to make music. I make music to | :31:24. | :31:29. | |
change lives. I'm making music because I'm proud to be African I'm | :31:30. | :31:32. | |
making music because I want to change the perception of Africa | :31:33. | :31:38. | |
When I was young, when I was younger, the perception of Africa | :31:39. | :31:43. | |
were hunger and poverty and stuff like that. But we're growing now. | :31:44. | :31:47. | |
We're successful men, doing our thing. It's important that if the | :31:48. | :31:52. | |
media don't show that, we show that as African Med. As Fuse ODG -- as | :31:53. | :31:58. | |
African men. As Fuse ODG I want to make muse Change The Continent. I | :31:59. | :32:02. | |
Swear Down, I've Already Died For African And I'm Ready To Change The | :32:03. | :32:06. | |
Perception Of Africa. Thank You Very Much Mobos. | :32:07. | :32:16. | |
I Have Always Parade For A Platform To Speak To The World To Change | :32:17. | :32:23. | |
I Have Always Parade For A Platform Perception Of Africa. This Is A | :32:24. | :32:27. | |
Blessing. Thank You Guys So Much For Loving My Music Because It's Giving | :32:28. | :32:31. | |
Me The Opportunity To Speak Out To You. Thank You So Much, Just So You | :32:32. | :32:33. | |
Know, This Is New Africa. Now For Something A Bit Special Bit | :32:34. | :32:53. | |
Special. He Has A Smash Hit Album. Three Mobo Nominations, Already | :32:54. | :32:57. | |
Winner For Best Song, Here With A Load Of His Friends. Oh, He's | :32:58. | :33:02. | |
Popular. Give It Up For Naughty Boy Featuring Ella Eyre And Sam Smith. | :33:03. | :33:10. | |
# Got Me Up All Night, Used To Start A Fight. | :33:11. | :33:16. | |
# You Don't Wanna Think About It, You Drink About It, You Smoke About | :33:17. | :33:22. | |
It. # Don't Talk About It. | :33:23. | :34:10. | |
# Every Night, The Same, Who's The One To Blame? | :34:11. | :34:16. | |
# You Don't Wanna Think About It, You Drink About It, You Smoke About | :34:17. | :34:20. | |
It, Don't Talk About It, Don't Make Me Forget, Sir. | :34:21. | :36:51. | |
La, La La La La La, Na Na Na Na Na. # La La, Na Na, La La La La La, Na | :36:52. | :37:00. | |
Na Na Na Na. # Hush, Don't Speak. | :37:01. | :37:03. | |
# When You Spit Your Venom, Keep It Shut. | :37:04. | :37:06. | |
# I Hate It When You Hiss And Preach About Your New Messiah, Cos Your | :37:07. | :37:08. | |
Theories Catch Fire. # I Can't Find Your Silver Lining. | :37:09. | :37:12. | |
# I Don't Mean To Judge, But When You Read Your Speech, It's Tiring. | :37:13. | :37:18. | |
# Enough Is Enough. # I'm Covering My Ears Like A Kid. | :37:19. | :37:22. | |
# When Your Words Mean Nothing, I Go La La La. | :37:23. | :37:44. | |
# I'm turning up the volume when you speak. | :37:45. | :38:04. | |
# I'm covering my ears like a kid. # When your words mean nothing, I go | :38:05. | :38:07. | |
la la la. # I'm turning up the volume when you | :38:08. | :38:10. | |
speak. # Cos if my heart can't stop it I | :38:11. | :38:12. | |
find a way to block it, I go. # model, singer and a bit of meow | :38:13. | :38:44. | |
What? Their talents are limitless. I like that. Like the name of their | :38:45. | :38:49. | |
tour. Please give a welcome for diversity's Ashley Banjo and a real | :38:50. | :38:52. | |
life living doll Kimberly Wyatt Hello everyone! The five guys | :38:53. | :39:13. | |
nominated in this category have 15 top-ten hits between them. And each | :39:14. | :39:18. | |
one has been instrumental in putting UK hip-hop and grime on the | :39:19. | :39:24. | |
international stage. And this year, more than ever, they have | :39:25. | :39:28. | |
spearheaded the UK music scene. Hello everybody! More than that | :39:29. | :39:34. | |
They have made us dance. Here are the nominees. | :39:35. | :40:41. | |
An the MOBO for Best Hip Hop/Grunge Act goes to: Yeah. Tinie Tempah | :40:42. | :40:52. | |
Well done Tinie Tempah. This is his fourth MOBO award and the second | :40:53. | :40:57. | |
time he's won Best Hip Hop/Grunge Act. He's gearing up for the release | :40:58. | :41:03. | |
of his album entitled Demonstration. Glasgow! Amazing. I love this place | :41:04. | :41:44. | |
so much. Before I start and say anything, first and foremost I want | :41:45. | :41:49. | |
to say happy 18th birthday to the MOBOs. I'm only 24, so that shows | :41:50. | :41:54. | |
how long the MOBOs have been around. Secondly, I just want to thank | :41:55. | :41:59. | |
everybody. I want to thank my team Disturbing London, an the whole team | :42:00. | :42:03. | |
over there. I want to thank my DJ as well for supporting me along this | :42:04. | :42:08. | |
journey. Want to thank the parlour phone team and I want to dedicate | :42:09. | :42:12. | |
this award to the whole next generation of MCs and people that | :42:13. | :42:15. | |
are coming up. I think that's very, very important. I feel like we're at | :42:16. | :42:20. | |
a stage now where we need to go beyond everything we've done and | :42:21. | :42:23. | |
take it that step further. So everybody needs to start thinking a | :42:24. | :42:27. | |
little bit more about who they are, what their brand is and what they | :42:28. | :42:31. | |
want to do. Thank you MOBOs for all your support, second time. God | :42:32. | :42:33. | |
bless, man. Thank you Glasgow. Now the next award is for Best | :42:34. | :42:53. | |
Reggae Act. As one of the first black music forms to break the | :42:54. | :42:56. | |
British charts, reggae music holds a very special place in the nation's | :42:57. | :43:00. | |
musical hearts. Let's look at the nominees. | :43:01. | :44:04. | |
Right, they've given me one to give out, so I'm going to open this. The | :44:05. | :44:16. | |
Best Reggae Act goes to Sean Paul. Unfortunately, Sean can't be with us | :44:17. | :44:19. | |
tonight. Here is his acceptance speech. | :44:20. | :44:25. | |
Hey yo, this is Sean Paul. Salute to the MOBO awards, you no ewhat I | :44:26. | :44:29. | |
mean? It's been many years that you guys have honoured me and I'm | :44:30. | :44:33. | |
thanking you for that. Respect you. I'm sorry that I cannot be there. My | :44:34. | :44:36. | |
heart is there. Boom. | :44:37. | :44:43. | |
Time for another Boom. | :44:44. | :44:50. | |
12 months, this stage -- this receptionist has transformed herself | :44:51. | :44:54. | |
into a soul diva. Described by some as the UK's very own Nina Simone. | :44:55. | :45:00. | |
For me, she's simply refreshingly unique. With four MOBO nominations | :45:01. | :45:06. | |
and already a winner of Best Female Act, it's the sublime, Laura Mvula. | :45:07. | :45:19. | |
# Hey there, you, shattered in a thousand pieces. | :45:20. | :45:26. | |
# Weeping in the darkest nights # Hey there, you, try to stand up on | :45:27. | :45:32. | |
your own two feet. # And stumble into the sky. | :45:33. | :45:41. | |
# When the lights go out and you're on your own. | :45:42. | :45:48. | |
# How are you gonna make it through till the morning sun? | :45:49. | :45:55. | |
# Sing to the moon and the stars will shine. | :45:56. | :46:00. | |
# Over you, lead you to the other side. | :46:01. | :46:06. | |
# Sing to the moon and the stars will shine. | :46:07. | :46:11. | |
# Over you, heaven's gonna turn the time. | :46:12. | :46:23. | |
# Sing to the moon an the stars will shine | :46:24. | :46:28. | |
# Over you, lead you to the other side | :46:29. | :46:34. | |
# Sing to the moon and the stars will shine | :46:35. | :46:40. | |
# Over you, heaven's gonna turn the tide. | :46:41. | :47:06. | |
Take me outside, sit in the green garden. | :47:07. | :47:10. | |
# Nobody out there, but it's OK now. # Bathe in the sunlight, don't mind | :47:11. | :47:13. | |
if rain falls. # Take me outside, sit in the green | :47:14. | :47:15. | |
garden. # Take me outside | :47:16. | :47:41. | |
# Sit in a green garden # And I'll fly on the wings of a | :47:42. | :47:44. | |
butterfly. # High as a tree top and down, down | :47:45. | :47:46. | |
again. # Putting my bag down, taking my | :47:47. | :47:49. | |
shoes off. # Walk in the carpet of green | :47:50. | :47:51. | |
velvet. # Dance in my garden like we used | :47:52. | :48:00. | |
to, ooh ah, ooh ah oh. # Dance in my garden like we used | :48:01. | :48:18. | |
to, ooh ah, ooh ah oh. # I'll go, wherever you go, wherever | :48:19. | :48:21. | |
you take me, I'll go. # I'll go, wherever you go, wherever | :48:22. | :48:24. | |
you take me, I'll go. # Take me outside, sit in the green | :48:25. | :48:38. | |
garden. # I'll go, wherever you go, wherever | :48:39. | :48:41. | |
you take me, I'll go. # I'll go, wherever you go, wherever | :48:42. | :48:45. | |
you take me, I'll go. # I'll go, wherever you go, wherever | :48:46. | :49:00. | |
you take me, I'll go. # # | :49:01. | :49:05. | |
APPLAUSE As you can see, I'm now on one of | :49:06. | :49:16. | |
the tables down here. I don't know if you can see me? This is where the | :49:17. | :49:22. | |
elite people sit, you know what I mean? The stars or the moneyied or | :49:23. | :49:31. | |
whatever, sitting next to Ms Dynamite. The MOBOs for you, you go | :49:32. | :49:35. | |
back, you've won a few. You have strong memories, I'm sure. Yeah all | :49:36. | :49:40. | |
of my memories of MOBOs have been amazing, the performances, I mean | :49:41. | :49:44. | |
when you say I go back, without making myself sound too old, we re | :49:45. | :49:51. | |
talking about the days of like Jrrool, way back in the day. One of | :49:52. | :49:57. | |
my favourite memories was meeting Lauren Hill. Wow. Yeah, that was, | :49:58. | :50:02. | |
you know great. A great memory. Hold onto that one. I was going to go | :50:03. | :50:06. | |
into some of your outfits back in the day. But I didn't want to do | :50:07. | :50:10. | |
that to you. This man here is one of the shiest people I know in the | :50:11. | :50:14. | |
business, but he's one of the most prolific. Shy FX, how are you? I'm | :50:15. | :50:19. | |
good. Good to be here. You go under loads of different aliases as well. | :50:20. | :50:24. | |
Yeah, I try to keep it under cover. How did your hook up with dynamite | :50:25. | :50:29. | |
happen? It's been a long time coming. I've seen her on the circuit | :50:30. | :50:35. | |
for a while. We had a conversation about a reggae junkle track. It went | :50:36. | :50:39. | |
from there. Keep doing what you re doing. Can't wait to see the | :50:40. | :50:42. | |
performance. I want to take you back to another massive MOBO memory. | :50:43. | :50:51. | |
Who can remember 1999? That was the year that Jay Z | :50:52. | :50:54. | |
Who can remember 1999? That was the Beyonce was in the building. It | :50:55. | :50:58. | |
could have been the first time that he clapped eyes on her. Let's have a | :50:59. | :51:01. | |
look. # Take me places I ain't never been | :51:02. | :51:56. | |
# But now go and spend your # You're slowly making me | :51:57. | :52:00. | |
# Because your money should be handling. | :52:01. | :52:04. | |
# # What do I got to do to make you | :52:05. | :52:14. | |
love me? # What do I Gotye do to make you -- | :52:15. | :52:22. | |
gotta do to make you care? # Get down on it | :52:23. | :52:27. | |
# Get on it # Get down on it # | :52:28. | :52:37. | |
# Let me be the one you come running to # | :52:38. | :52:42. | |
# I can see you dying # I don't want to do this any more | :52:43. | :52:49. | |
# # Father, father, help us, give some | :52:50. | :52:53. | |
guidance from above # People got | :52:54. | :52:56. | |
guidance from above where is the love? # | :52:57. | :53:04. | |
Tear the roof off # Tear the roof off # | :53:05. | :53:12. | |
# What the world needs now is love, sweet love # | :53:13. | :53:29. | |
You can't go wrong with a bit of Tina Turner. In my humble opinion | :53:30. | :53:35. | |
these guyles are the best live act of the summer. Yeah, you could say | :53:36. | :53:42. | |
2013 was Rudimental's year, since releasing their debut album, they've | :53:43. | :53:46. | |
played nonstop festivals, toured the world and finished the year with | :53:47. | :53:50. | |
three MOBO nominations. That's impressive. In celebration of MOBO's | :53:51. | :53:54. | |
18th anniversary, Rudimental are about to perform the fudgeies | :53:55. | :54:00. | |
classic, ready or not, which was released the year it all started in | :54:01. | :54:05. | |
1996. Please feel the love for Rudimental! | :54:06. | :54:13. | |
# Ready or not, here I come, you can't hide. | :54:14. | :54:21. | |
# Gonna find you and take it slowly. # Ready or not, here I come, you | :54:22. | :54:26. | |
can't hide. # Gonna find you and make you want | :54:27. | :54:28. | |
me. # Anywhere you go | :54:29. | :54:50. | |
# My home crew want to know # Oh, baby | :54:51. | :54:52. | |
# Hey baby # You can't hide from the vibe oh, | :54:53. | :54:55. | |
no # Ready or | :54:56. | :54:59. | |
no # You can't hide | :55:00. | :55:04. | |
# Going to find you # And take this or leave | :55:05. | :55:12. | |
# Ready or not, here I come, you can't hide, going to find you and | :55:13. | :55:15. | |
take it slowly. You know I said it's true, I can | :55:16. | :56:25. | |
feel the love. # Can you feel it too? | :56:26. | :56:29. | |
# I can feel it, ah-ah, I can feel it, ah-ah. | :56:30. | :56:38. | |
Can you make some noise! # You know I said it's true, I can | :56:39. | :56:45. | |
feel the love. # You know what I said is true | :56:46. | :57:04. | |
# You know what I said # You know what I said is true | :57:05. | :57:08. | |
# I can feel the love, can you feel it too | :57:09. | :57:16. | |
# I can feel it, ah-ah # You know what I said is true | :57:17. | :57:21. | |
# I can feel the # Can you feel it too? | :57:22. | :57:25. | |
# I can feel it, ah-ah, I can feel it, ah-ah-ah-ah, yeah. | :57:26. | :58:05. | |
We've been waiting all our lives for this. | :58:06. | :58:13. | |
# You know I said it's true, I can feel the love. | :58:14. | :58:15. | |
# Can you feel it too? # I can feel it, ah-ah, I can feel | :58:16. | :58:19. | |
it, ah-ah. # You know I said it's true, I can | :58:20. | :58:22. | |
feel the love. # Can you feel it too? | :58:23. | :58:26. | |
# I can feel it, ah-ah, I can feel it, ah-ah. | :58:27. | :58:32. | |
# You know I said it's true. # You know I said. | :58:33. | :58:41. | |
# You know I said it's true. # You know I said it's true | :58:42. | :58:44. | |
# I can feel the love # Can you feel it too? | :58:45. | :58:50. | |
# I can feel it, ohhh # I can feel it | :58:51. | :59:00. | |
# Can you feel it? # Oohhh | :59:01. | :59:02. | |
# I can feel it # I can feel it | :59:03. | :59:10. | |
# Can you feel it? # Oh, oohhh | :59:11. | :59:16. | |
# You know I said it's true # I can feel the love, can you feel | :59:17. | :59:19. | |
it too # I can feel it, oh | :59:20. | :59:22. | |
# I did feel it. # You know I said it's true | :59:23. | :59:25. | |
# I can feel the love # Can you feel it too? | :59:26. | :59:30. | |
# I can feel it, it ohh # I'm feeling it oohh. | :59:31. | :59:35. | |
# You know it's true # I can feel the love, can you feel | :59:36. | :59:38. | |
it too # I can feel it, oohhh | :59:39. | :59:44. | |
# I can feel it, oohh. MOBOs, Glasgow, we love you. | :59:45. | :59:50. | |
What a performance from Rudimental. Now, two ladies who epitomise | :59:51. | :59:58. | |
everything these awards are about, talent. One received a MOBO from | :59:59. | :00:04. | |
Alexander O'Neill at the very first awards. The other has been on a | :00:05. | :00:10. | |
mission since her debut album was released in 2011. Both have new | :00:11. | :00:16. | |
albums, both are brilliant. Give a gushing Glasgow welcome from | :00:17. | :00:17. | |
Gabrielle and Katy B. APPLAUSE | :00:18. | :00:41. | |
I'll get this side. Let me start with Gabrielle. I haven't seen her | :00:42. | :00:44. | |
for so many years. Give her a round after plauz. | :00:45. | :00:49. | |
APPLAUSE So glad Naughty Boy did something | :00:50. | :00:53. | |
with your famous tune, Dreams. That's right. He's fabulous. It was | :00:54. | :00:58. | |
a pleasure to work with him, so talented. I'm glad he's been | :00:59. | :01:02. | |
recognised. I'm lost for words. He's amazing. You have your own mic, you | :01:03. | :01:07. | |
know that? You know something, I knew I'd muck up some time today. | :01:08. | :01:12. | |
You've got a new album as well, we've been waiting for the second | :01:13. | :01:17. | |
album, what will we get from that? It's called Little Red and it's out | :01:18. | :01:22. | |
in January. Yeah, it's just the next chapter of the Katy B story. I'm so | :01:23. | :01:29. | |
excited for you to hear it. Two talented ladies, get on with the | :01:30. | :01:33. | |
job. Here we go. The MOBO for Best Male | :01:34. | :01:37. | |
Act is one of the most hotly contested categories of the night. | :01:38. | :01:43. | |
It's for a male group, duo or single artist who've had exceptional 1 | :01:44. | :01:45. | |
months. Let's look at the nominees. And the winner is... Wiley! | :01:46. | :02:54. | |
Unfortunately Wiley can't be with us tonight. Here's a message from him. | :02:55. | :02:58. | |
I'm sorry I couldn't be there with you tonight. Trust me, I wish I was | :02:59. | :03:04. | |
there right now. I want to big up the big man upstairs, God, I want to | :03:05. | :03:10. | |
there right now. I want to big up big up my family and grandparents. | :03:11. | :03:16. | |
Jon warmth, I want to big up the whole team and the BBK family. I | :03:17. | :03:20. | |
have to big up all the people on Twitter, the fans, the followers, | :03:21. | :03:23. | |
because I know you've made this happen. This one is definitely for | :03:24. | :03:28. | |
you and my brother angel he will pick up the award for me, team UK. | :03:29. | :03:37. | |
Obviously wile Wye couldn't make it tonight -- Wiley couldn't make it | :03:38. | :03:41. | |
tonight. He asked me to collect his award from -- for him. A brother | :03:42. | :03:47. | |
from another mother. It's a massive thank you. It's his first MOBO. Out | :03:48. | :03:55. | |
to you Jon Wolfe, what he would say Jon Wolfe bro, we've done it, we | :03:56. | :03:58. | |
won, that's all that matters. Thank you MOBO. | :03:59. | :04:05. | |
Oh, my goodness. The MOBOs incredible. Are you having a good | :04:06. | :04:11. | |
time? I'm worried about the drinks behind me. Now for a unique | :04:12. | :04:17. | |
collaboration, Jahmene Douglas is a self-confessed lover of Gospel music | :04:18. | :04:24. | |
E-IDMC are a MOBO nominated Gospel choir. They're a match made in | :04:25. | :04:30. | |
heaven. Here they are a mesmerising version of Next to Me. | :04:31. | :04:38. | |
Before we get to that, where are all the ladies? You're not a lady. All | :04:39. | :04:43. | |
the fellas then. Are you having a good time? Yeah, man. | :04:44. | :04:49. | |
This guy has two drinks instead of one. Now later on, you're going to | :04:50. | :04:55. | |
see lots of talented artists, OK? They'll be on the stage and also | :04:56. | :05:00. | |
receiving awards. Make sure that you stick with us because it's about to | :05:01. | :05:03. | |
get incredible. If you want to tweet us, you can. Just follow MOBO 1 . | :05:04. | :05:09. | |
Oh, hello. Make sure you follow us an make sure | :05:10. | :05:11. | |
Oh, hello. you use the #MOBO 18 as well. | :05:12. | :05:15. | |
Oh, hello. a new boyfriend, so I have to leave | :05:16. | :05:19. | |
you. And over to Trevor. Oh, yeah, yeah. Put it on me. I love | :05:20. | :05:26. | |
it. So, Glasgow, this isn't the first time you've had the MOBOs is | :05:27. | :05:31. | |
it? No, it's not. It doesn't look like it's ever going to go back to | :05:32. | :05:36. | |
London. Would you like it to go back to London? No! I thought not. You | :05:37. | :05:47. | |
don't want to travel all the way up here. We do. We are having a few | :05:48. | :05:51. | |
problems. We will sort that out We have quite a few artists and one or | :05:52. | :05:55. | |
two legends coming up to present awards as well. One of them is a | :05:56. | :05:59. | |
dear friend of mine. I think he s just moved, hello to Twin A, brother | :06:00. | :06:06. | |
to Twin B. A shout out to the one extra crew as well who are recording | :06:07. | :06:11. | |
this back stage or putting it out live on 1 Extra, BBC Radio 1 extra. | :06:12. | :06:21. | |
And anybody who has been to the MOBOs before. Are you all right over | :06:22. | :06:29. | |
there? Just stand to attention for a little while, if you don't mind I'm | :06:30. | :06:33. | |
sure you've done that before. Yeah. You look very smart, all of | :06:34. | :06:38. | |
you. Beautiful. I hope your voices are as good as you look. I heard you | :06:39. | :06:46. | |
in rehearsals, I Mo you are. OK, just a reminder, if you want the | :06:47. | :06:51. | |
news from the awards, make sure you're following us at MOBO awards | :06:52. | :06:59. | |
and keep tweeting using the #MOBO18. To present the award for Best R B/ | :07:00. | :07:06. | |
Soul act are three sassy singers, who performed at the awards last | :07:07. | :07:07. | |
year, give it up for Stooshe. Hello Glasgow! What an amazing new | :07:08. | :07:33. | |
venue. What a wicked crowd you are. You can make noise. | :07:34. | :07:39. | |
We love the MOBOs and are so delighted to be here to celebrate | :07:40. | :07:45. | |
its 18th anniversary. I remember my 18th. Are you sure? Because we do | :07:46. | :07:50. | |
know you. Yeah, actually I don't. Enough about us and here's the | :07:51. | :07:55. | |
nominees for best R B and soul act. | :07:56. | :08:59. | |
An the winner is... Laura Mvula That's two for two for | :09:00. | :09:13. | |
Birmingham-born Laura Mvula. She's also been nominated for this year's | :09:14. | :09:17. | |
Mercury Music Prize. We wish her the best of luck. But if tonight is | :09:18. | :09:20. | |
Mercury Music Prize. We wish her the anything to go by, she won't need | :09:21. | :09:21. | |
it. Wow. Unbelievable. Thank you so much | :09:22. | :09:49. | |
MOBOs. Thank you to Steve Brown who produced the record with me and gave | :09:50. | :09:57. | |
me a listen in the beginning. Thank you to Qwame who found me. Thank you | :09:58. | :10:02. | |
to RCA and door bell again. Thank you to CAA. Thank you to my mummy | :10:03. | :10:07. | |
and James and Dionne and to my husband, who hasn't seen me in 2 | :10:08. | :10:09. | |
months. Thanks. Jahmene Douglas is a self-confessed | :10:10. | :10:23. | |
lover of Gospel music. IDMC are a nominated Gospel choir. They're a | :10:24. | :10:28. | |
match made in heaven. Here with a mesmerising version of Emily Sand | :10:29. | :10:30. | |
e's Next to Me. # You won't find him drinking at the | :10:31. | :10:54. | |
tables. # Rolling dice and staying out till | :10:55. | :10:59. | |
three. # You won't ever find him being | :11:00. | :11:04. | |
unfaithful. # You will find him, you'll find him | :11:05. | :11:11. | |
next to me. # You won't find him trying to chase | :11:12. | :11:16. | |
the devil. # For money, fame, for power, out of | :11:17. | :11:22. | |
grief. # You won't ever find him where | :11:23. | :11:26. | |
rest go. # You | :11:27. | :11:29. | |
rest go. next to me. | :11:30. | :11:38. | |
# Next to me, ooooh. # Next to me, ooooh. | :11:39. | :11:52. | |
# You will find him, you'll find him next to me. | :11:53. | :11:58. | |
# When the money's spent and all my friends have vanished. | :11:59. | :12:03. | |
# And I can't seem to find no help or love for free. | :12:04. | :12:09. | |
# I know there's no need for me to panic. | :12:10. | :12:15. | |
# Cos I'll find him, I'll find him next to me. | :12:16. | :12:27. | |
# Next to me, oohhh # Next to me, oohhh | :12:28. | :12:39. | |
# I will find him, I'll find him next to me | :12:40. | :13:01. | |
# When everyone has lost their heads around us. | :13:02. | :13:06. | |
# You will find him, you'll find him next to me. | :13:07. | :13:19. | |
# Next to me, ooooh. # Next to me, ooooh. | :13:20. | :13:23. | |
# You will find him, you'll find him next to me. | :13:24. | :13:33. | |
# Next to me, ooooh. # When I'm in trouble, I will find | :13:34. | :13:35. | |
him # When the doors are closing, said I | :13:36. | :13:39. | |
will find him # Next to me | :13:40. | :13:43. | |
# And the pressure is rising # Said I will find him # | :13:44. | :14:08. | |
Thank you very much. God bless. Now the MOBO for Best Newcomer. In | :14:09. | :14:22. | |
association with HTC, now if history is anything to go by, we're going to | :14:23. | :14:28. | |
see a lot more of whoever wins this award. Previous winne include JLS, | :14:29. | :14:39. | |
Rita ora, N-Dubz, Jessie J and Tinie Tempah. To do the honours is an icon | :14:40. | :14:44. | |
who received the award for outstanding contribution to black | :14:45. | :14:48. | |
music at the inaugural awards. Inaugural awards, weren't you there, | :14:49. | :14:52. | |
that was some time ago. I was very young. Who thinks Trevor Nelson | :14:53. | :14:57. | |
hasn't aged aI day in like years? Give it up for him. Cocoa butter. | :14:58. | :15:07. | |
Let's show some love for soul to soul's legend jazzy B. | :15:08. | :15:29. | |
It's all about supporting new and emerging talent. It's been my | :15:30. | :15:34. | |
pleasure to emerging talent. It's been my | :15:35. | :15:38. | |
crazy industry for over 25 years now. What keeps me interested in | :15:39. | :15:42. | |
this ever evolving and ever changing industry is the fresh talent like | :15:43. | :15:46. | |
what we just saw here today. Here are the ten nom kneels in the | :15:47. | :15:52. | |
category that all started their career and I can only hope and pray | :15:53. | :15:57. | |
an enjoy this as much as I do. Here are the nominees of the best | :15:58. | :16:00. | |
new comers in association with HTC. And the Best Newcomer MOBO award | :16:01. | :17:35. | |
goes to... Krept Konan. Krept Konan achieved an incredible | :17:36. | :17:38. | |
goes to... Krept Konan. Krept when their independently released | :17:39. | :17:42. | |
mixed tape reached the UK's top 20 with no major backing and very | :17:43. | :17:46. | |
little promotion. Their first ever live show was on tour with Sceptre | :17:47. | :17:51. | |
here in Glasgow. APPLAUSE | :17:52. | :18:28. | |
Yeah. MOBOs, yeah. Behave. Mental. I want to big up all my fans, team | :18:29. | :18:33. | |
play dirty, everyone that voted for us, everyone that bought our mix | :18:34. | :18:36. | |
tape that got into the top 20 with no major backing, independent, no | :18:37. | :18:41. | |
TV, radio, nothing. We got a top 20. Thank you to everyone that bought | :18:42. | :18:46. | |
it. Big up my family and my dad mum, are you still -- I used to | :18:47. | :18:50. | |
watch this with you when I was younger and now you're watching me | :18:51. | :18:55. | |
on TV. I love you, mum. Thank my mum and God as well, man. | :18:56. | :19:00. | |
Yeah man, play dirty young kings, remember. | :19:01. | :19:09. | |
Now for another performance. I know! What happens when you merge two | :19:10. | :19:16. | |
legends of UK music both recognised and both respected? You get some | :19:17. | :19:24. | |
infectious drum and basin fused with sweet reggae. | :19:25. | :19:41. | |
Yeah, yeah, let's raise the energy leaves a bit. Miss Dynamite. Let's | :19:42. | :19:50. | |
go. # You get me higher, higher, higher | :19:51. | :19:58. | |
# So high that I don't want to come down | :19:59. | :20:05. | |
# MOBOs, you get me higher, higher, higher | :20:06. | :20:10. | |
# So I don't want to come down Lets owe go higher. | :20:11. | :20:24. | |
# After all this time # I have only yours | :20:25. | :20:30. | |
# I keep running out # No, no, no, no | :20:31. | :20:34. | |
# You got it # You make me feel | :20:35. | :20:38. | |
# Make me fly # You got it | :20:39. | :20:42. | |
# Make me cry # Make me grow | :20:43. | :20:46. | |
# You got it with that sweetest touch | :20:47. | :20:48. | |
# The sweet elips # You got it with ah | :20:49. | :20:53. | |
# You got it # You lift me higher, higher, higher | :20:54. | :21:03. | |
# So high I don't want to come down # You lift me higher, higher, higher | :21:04. | :21:15. | |
# So high, I don't want to come down # So high | :21:16. | :21:18. | |
# MOBOs make some noise. # I don't ever want to come down | :21:19. | :21:31. | |
# I don't want to come # You got to know you're my | :21:32. | :21:47. | |
everything # And it's the little things you do | :21:48. | :21:55. | |
that makes me wear your ring # Oh, yeah, yeah | :21:56. | :22:02. | |
# You got it, you make me feel, make me fly | :22:03. | :22:07. | |
# You got it with a love so real make me cry, | :22:08. | :22:11. | |
# You got it with the sweetest touch, the sweetest -- sweetest lips | :22:12. | :22:18. | |
# You got it # MOBOs | :22:19. | :22:22. | |
# You lift me higher, higher, higher # So high I don't want to come down. | :22:23. | :22:32. | |
# You get me high, high, high # So high I don't want to come down. | :22:33. | :22:41. | |
# Give me that remedy # You set my soul on, on | :22:42. | :22:51. | |
# Give me that, give me that, you can take me higher | :22:52. | :22:54. | |
# Give me that remedy, you set my soul on fire | :22:55. | :23:11. | |
# Give me that because you got it, you got it | :23:12. | :23:17. | |
# I don't want to come down, I don't want to come down # | :23:18. | :23:27. | |
Thank you. To present the MOBO for Best Video | :23:28. | :23:37. | |
in association with SB TV it's a young entrepreneur who founded that | :23:38. | :23:42. | |
company as a teenager. Now he's rolling with Richard Branson. A | :23:43. | :23:48. | |
company -- accompanying him, we have the First Lady of So Solid Crew and | :23:49. | :23:55. | |
hot shot producer, welcome them to the stage. | :23:56. | :24:01. | |
Sunny Glasgow! The MOBO 18th birthday party. It's great to be | :24:02. | :24:18. | |
here presenting the Best Video gat gory, which is close to my heart. | :24:19. | :24:22. | |
I'm proud to be part of this culture. It's time to innovate and | :24:23. | :24:28. | |
make urban youth culture part of British history. The nominees are... | :24:29. | :25:40. | |
And the winner of Best Video is .. Naughty Boy. | :25:41. | :25:52. | |
Congratulations a second MOBO of the night. Naughty Boy shot the video | :25:53. | :26:02. | |
for La Fortunata -- La Fortunata La -- la, la, la in Bolivia. | :26:03. | :26:27. | |
This is getting crazy now. This is getting really crazy, guys. I | :26:28. | :26:40. | |
actually want to thank everyone here for loving this song. Because I love | :26:41. | :26:52. | |
this song as well. I have to thank my managers Rickie Blue, Danny Dee | :26:53. | :26:58. | |
and Tim BlackSmith for making this possible and Glynn, my guy. The man. | :26:59. | :27:07. | |
If you want a record deal, go to Glynn, OK? Also, I want to thank | :27:08. | :27:18. | |
everyone for accepting me, because I make music for the people. La, la, | :27:19. | :27:28. | |
la was always for the people. Sometimes it's OK just to cover your | :27:29. | :27:33. | |
ears and forget everything. Sometimes it's OK to do that. | :27:34. | :27:43. | |
I'm just grateful to be here. I should stop now. Thank you MOBOs. | :27:44. | :28:00. | |
Now, it's exciting for me hosting the MOBOs for the first time. So I | :28:01. | :28:07. | |
blagged that one. I also managed to blag presenting an award too. | :28:08. | :28:11. | |
Without further ado here are the nominees for Best Jazz Act. | :28:12. | :28:50. | |
And the MOBO for Best Jazz Act goes to Sons of Kemet. They are a jazz | :28:51. | :29:04. | |
supergroup of sorts. Their album offers a unique blend of jazz, | :29:05. | :29:11. | |
Caribbean folk and African diaspore history. | :29:12. | :29:17. | |
Thank you. I'd like to thank all the guys from the band, Seb, Tom, I d | :29:18. | :29:36. | |
like it thank Main records, my mother for all the support, all the | :29:37. | :29:40. | |
jazz fans, all the jazz musicians that are supported this -- | :29:41. | :29:43. | |
supporting this muse pick outside the mainstream. Thank you all for | :29:44. | :29:45. | |
keeping the music alive. Our next act has three MOBO | :29:46. | :29:57. | |
nominations already. Winning one for Best African Act, he's taken the | :29:58. | :30:04. | |
afro pop scene by storm, Fuse ODG is a London-born rapper, singer and | :30:05. | :30:09. | |
song writer of Ghanaian descent It's Fuse, ha-ha-ha, Tiffany. | :30:10. | :30:52. | |
# See, I just came back from Ghana and I wanna share this thing they | :30:53. | :30:55. | |
all is doing over there. # Killbeat try to show me how to do | :30:56. | :30:58. | |
it. # He sat me down in this place and | :30:59. | :31:02. | |
he said to me, Fuse. # Nobody wanna see you raising. | :31:03. | :31:06. | |
# And when you do it, they dan't even like it. | :31:07. | :31:08. | |
# They just wanna see you deep in crisis. | :31:09. | :31:11. | |
# Drive yourself, you dan't need no licence. | :31:12. | :31:13. | |
# Halla her, she can even ride it. # Go ahead move your feet just like | :31:14. | :31:15. | |
this. # Then he showed me the latest. | :31:16. | :31:19. | |
# You want cope with dem haters # I want to do my Azonto, Azonto, | :31:20. | :31:22. | |
Azonto. # Now watch me do my Azonto, Azonto, | :31:23. | :31:24. | |
Azonto. # Now watch me do my Azonto, Azonto, | :31:25. | :31:27. | |
Azonto. # Now watch me do my Azonto, Azonto, | :31:28. | :31:33. | |
Azonto. # You want cope with dem haters # | :31:34. | :31:45. | |
They all wanna learn how to do this. # So I'mma take you all through | :31:46. | :31:47. | |
this. # Azonto dance is the movement. | :31:48. | :31:51. | |
# So when you jump on the floor then use it. | :31:52. | :31:54. | |
# First step is the step, step. # You can move to the right, to the | :31:55. | :31:57. | |
left, left. # You can | :31:58. | :32:03. |