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The battles were amazing. | 0:00:02 | 0:00:04 | |
The performances were immense. | 0:00:06 | 0:00:07 | |
-The decisions were heart-wrenching. -What? | 0:00:09 | 0:00:12 | |
But now it's the toughest test yet. | 0:00:12 | 0:00:15 | |
This is the knockout. | 0:00:17 | 0:00:18 | |
The artist must choose their own song. | 0:00:21 | 0:00:23 | |
I want to see them take risks. | 0:00:23 | 0:00:25 | |
But will it be the right choice to get them to the live shows? | 0:00:25 | 0:00:28 | |
Those teams of seven must become just three. | 0:00:28 | 0:00:32 | |
I can't have anything but perfection. | 0:00:32 | 0:00:34 | |
With one act on each team receiving a Fast Pass... | 0:00:34 | 0:00:37 | |
Straight to the live show! | 0:00:37 | 0:00:40 | |
Tonight, Will and Tom are in charge. | 0:00:40 | 0:00:43 | |
As their singers fight for a place in the live shows. | 0:00:43 | 0:00:46 | |
Amazing. | 0:00:46 | 0:00:47 | |
No more steals, no more second chances. | 0:00:47 | 0:00:49 | |
No angels are coming to save you now. | 0:00:49 | 0:00:52 | |
But who will land that knockout blow? | 0:00:52 | 0:00:54 | |
Wow! | 0:00:56 | 0:00:57 | |
Hello, and welcome to The Voice, The Knockout. | 0:01:06 | 0:01:09 | |
Here are the four superstars on the hunt for The Voice. | 0:01:12 | 0:01:16 | |
-Will.i.am! -CHEERING | 0:01:16 | 0:01:18 | |
-Jessie J! -CHEERING | 0:01:18 | 0:01:20 | |
-Sir Tom Jones! -CHEERING | 0:01:20 | 0:01:23 | |
-And Danny O'Donoghue! -CHEERING | 0:01:23 | 0:01:26 | |
-There they all are. Good evening, coaches. -Evening! | 0:01:26 | 0:01:29 | |
Hello! | 0:01:29 | 0:01:31 | |
So tonight, Team Will and Team Tom are taking to the stage. | 0:01:31 | 0:01:34 | |
Starting us off, it's Team Tom. | 0:01:34 | 0:01:37 | |
Team Tom is strong. | 0:01:43 | 0:01:45 | |
Now, Tom has the power to protect the future of one of his artists | 0:01:49 | 0:01:53 | |
by sending them straight through to the quarter-finals. | 0:01:53 | 0:01:56 | |
And they won't have to sing a note to get there. So, Tom. | 0:01:56 | 0:02:00 | |
Which of your team are you going to send straight through | 0:02:00 | 0:02:02 | |
to the live finals? | 0:02:02 | 0:02:04 | |
Well... | 0:02:04 | 0:02:05 | |
The person that I'm going to send straight through, | 0:02:06 | 0:02:09 | |
you know they're doing something that is in their heart. | 0:02:09 | 0:02:13 | |
You know, and they're not really listening | 0:02:13 | 0:02:16 | |
to what their peers are telling them. | 0:02:16 | 0:02:18 | |
This is the way it sounds to me. | 0:02:18 | 0:02:20 | |
It's been a hard decision. | 0:02:22 | 0:02:24 | |
But the one that I'm going to send straight through is... | 0:02:24 | 0:02:29 | |
-Mike Ward. -CHEERING | 0:02:33 | 0:02:35 | |
Mike Ward! You get one of the three places on Team Tom. | 0:02:38 | 0:02:43 | |
Congratulations to you! | 0:02:43 | 0:02:45 | |
-Man! -Oh, my God! | 0:02:45 | 0:02:47 | |
Well done, Mike. | 0:02:47 | 0:02:49 | |
Thank you so much, it means a lot to me, you know. | 0:02:50 | 0:02:53 | |
I must say, the way you sing, he's got his own way of doing it. | 0:02:53 | 0:02:58 | |
-So that's why you're going straight through. -Well done! | 0:02:58 | 0:03:02 | |
Congratulations, Mike. We can hear that unique sound | 0:03:02 | 0:03:05 | |
as he performs a little bit later in the show. | 0:03:05 | 0:03:07 | |
But for now, our safe artist is Mike Ward. Off you go, Mike! | 0:03:07 | 0:03:12 | |
All right? | 0:03:16 | 0:03:17 | |
-Well done. -There goes Mike. | 0:03:20 | 0:03:21 | |
Three of Tom's artists are about to compete | 0:03:25 | 0:03:29 | |
for one place in his live team. It's time to find out who. | 0:03:29 | 0:03:33 | |
Tom, which three artists are you going to put through | 0:03:33 | 0:03:35 | |
to this first knockout round? | 0:03:35 | 0:03:37 | |
I thought the battles were hard enough. | 0:03:37 | 0:03:39 | |
This knockout thing is... is very difficult. | 0:03:39 | 0:03:42 | |
The three that I've put together are... | 0:03:44 | 0:03:49 | |
-Jamie. -CHEERING | 0:03:51 | 0:03:54 | |
-Cherelle. -CHEERING | 0:04:00 | 0:04:02 | |
-And Alys. -CHEERING | 0:04:05 | 0:04:09 | |
So, we've got Jamie, Alys and Cherelle for this first knockout. | 0:04:13 | 0:04:17 | |
Let's take a look at how they got here. | 0:04:17 | 0:04:19 | |
# You would hide from the light... # | 0:04:25 | 0:04:28 | |
Alys, last year, on the blind auditions, | 0:04:28 | 0:04:30 | |
nobody turned around for her. | 0:04:30 | 0:04:32 | |
STUMBLING: # That for me... # | 0:04:32 | 0:04:35 | |
I was really nervous, I'm sorry. | 0:04:35 | 0:04:38 | |
But this year, everybody turned around. | 0:04:38 | 0:04:41 | |
And the most important thing is, she picked me. | 0:04:41 | 0:04:44 | |
-The lovely Alys! -Hiya! -How are you, love? -I'm good. | 0:04:47 | 0:04:49 | |
Alys has got something special. So, what's your song? | 0:04:49 | 0:04:54 | |
-It's Everybody's Gotta Learn Sometime. -Oh, good! | 0:04:54 | 0:04:57 | |
I think it's a brilliant song, | 0:04:57 | 0:04:58 | |
and I just thought I'd be able to put my own spin on it. | 0:04:58 | 0:05:01 | |
-# Like... # -BLEEP! -Sorry! | 0:05:03 | 0:05:06 | |
All right! | 0:05:06 | 0:05:08 | |
Oh, the band rehearsal, it didn't go as well as I hoped. | 0:05:08 | 0:05:11 | |
I forgot, we just cut that line out today, sorry. | 0:05:11 | 0:05:14 | |
'Alys has the opportunity to create a real moment with this song.' | 0:05:14 | 0:05:19 | |
-But she has to feel that. -I just want it to be perfect. | 0:05:19 | 0:05:22 | |
I know, I know. | 0:05:22 | 0:05:24 | |
I need to work on this song a lot. | 0:05:24 | 0:05:25 | |
Because if it went like the band practice, | 0:05:25 | 0:05:27 | |
there's no way I'm going through. No. | 0:05:27 | 0:05:30 | |
-Shall we give it another... -OK. -..another try, then? -Yes. | 0:05:30 | 0:05:34 | |
'I'm very happy, I'm proud of myself for getting this far. | 0:05:34 | 0:05:38 | |
'I would really, really, really love to be able to get to the live shows.' | 0:05:38 | 0:05:41 | |
# It's all about tonight... # | 0:05:44 | 0:05:47 | |
Cherelle just oozes this soulful, wonderful sound that she has. | 0:05:47 | 0:05:53 | |
# And the night is alive You can feel the heartbeat... # | 0:05:53 | 0:05:56 | |
She has a great tone to her voice, and she is fresh. | 0:05:56 | 0:05:59 | |
And I love that, so that's what I see in her. | 0:05:59 | 0:06:02 | |
I think I'll have to go with Cherelle. | 0:06:02 | 0:06:04 | |
Oh, I'm so happy, thank you! Oh, my gosh. | 0:06:04 | 0:06:07 | |
-How are you feeling? -Feeling good. | 0:06:07 | 0:06:10 | |
-Confident? -Yes. -Strong? -Yes. | 0:06:10 | 0:06:12 | |
That's it. What song have you picked? | 0:06:12 | 0:06:15 | |
-Beyonce, 1 + 1. -Oh, right. | 0:06:15 | 0:06:18 | |
I think to take on a Beyonce song, that's a brave thing to do. | 0:06:18 | 0:06:21 | |
Singing Beyonce, that's the risk. | 0:06:21 | 0:06:24 | |
I have to do it properly, and I have to bring out the big guns. | 0:06:24 | 0:06:27 | |
# Darling, you got enough for the both of us... # | 0:06:27 | 0:06:34 | |
At band rehearsal, I did a note that was wrong | 0:06:36 | 0:06:38 | |
and I got really embarrassed. | 0:06:38 | 0:06:40 | |
You just think, I don't want to flop right in front of Tom Jones. | 0:06:40 | 0:06:43 | |
It's not a good look. | 0:06:43 | 0:06:44 | |
-Oh, that went wrong. -Don't worry about it. | 0:06:44 | 0:06:47 | |
Don't worry about it. | 0:06:47 | 0:06:48 | |
This competition means so much, and it can change my life, | 0:06:48 | 0:06:51 | |
it can change me and my children's life. | 0:06:51 | 0:06:53 | |
In my head, this is my last chance. | 0:06:53 | 0:06:55 | |
Don't worry. You'll be fine, sweetheart, don't worry. | 0:06:57 | 0:07:00 | |
She feels very strongly about the way she performs. | 0:07:00 | 0:07:03 | |
If she can keep that in her mind, | 0:07:03 | 0:07:05 | |
then she's got a good chance of going through. | 0:07:05 | 0:07:08 | |
Because she's a beautiful singer. | 0:07:08 | 0:07:10 | |
# I stand accused of the things... # | 0:07:13 | 0:07:15 | |
Jamie is a 6 ft 5 soul singer. | 0:07:15 | 0:07:18 | |
You wouldn't expect that kind of stuff to come out of this big man. | 0:07:18 | 0:07:22 | |
He has a lot of light and shade in his voice. | 0:07:23 | 0:07:25 | |
And that's what I love about him. | 0:07:26 | 0:07:28 | |
Because he's different, but he's great. | 0:07:28 | 0:07:31 | |
# Before love came to town. # | 0:07:31 | 0:07:33 | |
-The big soul man! -How are you, Sir Tom? -How you doing? | 0:07:33 | 0:07:36 | |
Nice to see you, are you well? | 0:07:36 | 0:07:38 | |
I've chosen a song that is challenging. | 0:07:38 | 0:07:40 | |
So I'm taking a bit of a gamble, really. | 0:07:40 | 0:07:42 | |
-What song are you going to do? -Papa Was A Rolling Stone. | 0:07:42 | 0:07:45 | |
There are three sections in that song. | 0:07:45 | 0:07:46 | |
You know, with three different male voices singing. | 0:07:46 | 0:07:50 | |
So he's taken on a big thing. | 0:07:50 | 0:07:53 | |
# Mama said Papa was a rolling stone... # | 0:07:53 | 0:07:56 | |
I thrive on pressure, I like pressure. | 0:07:56 | 0:07:59 | |
-I'm still working on it, it's coming together. -You split one word into two. -Yes! | 0:07:59 | 0:08:03 | |
It's time to dig deep and go hard or go home. | 0:08:03 | 0:08:07 | |
I know it's a lot to do. | 0:08:07 | 0:08:09 | |
There's a lot of words in it and a lot of things that, you know. | 0:08:09 | 0:08:12 | |
Here we go again. | 0:08:12 | 0:08:14 | |
'It is a lot of song for a short amount of time.' | 0:08:14 | 0:08:17 | |
And that's a tall order, but he's a tall fellow anyway, so... | 0:08:18 | 0:08:21 | |
he'll be able to pull it off! | 0:08:21 | 0:08:23 | |
It's Team Tom's first knockout. | 0:08:26 | 0:08:28 | |
Three singers will take to the stage but only one can join his live team. | 0:08:28 | 0:08:32 | |
First, it's Jamie! | 0:08:32 | 0:08:34 | |
CHEERING | 0:08:34 | 0:08:37 | |
Come on! | 0:08:38 | 0:08:40 | |
# It was the 3rd of September | 0:08:47 | 0:08:50 | |
# That day I'll always remember | 0:08:52 | 0:08:54 | |
# Yes, I will | 0:08:54 | 0:08:56 | |
# Cos that was the day | 0:08:56 | 0:08:59 | |
# That my daddy died | 0:08:59 | 0:09:02 | |
# I never had a chance to see him | 0:09:05 | 0:09:08 | |
# Never heard nothing but bad things about him | 0:09:09 | 0:09:12 | |
# Mama, I'm dependent on you to tell me the truth | 0:09:12 | 0:09:17 | |
# She looked at me and Mama said | 0:09:18 | 0:09:20 | |
# Papa was a rolling stone | 0:09:20 | 0:09:23 | |
# Wherever he lay his hat was his home | 0:09:24 | 0:09:27 | |
# And when he died | 0:09:27 | 0:09:30 | |
# All he left us was alone, lone, lone | 0:09:30 | 0:09:36 | |
# I heard Papa called himself the jack of all trades | 0:09:36 | 0:09:39 | |
# Tell me, is that what put Papa to his early grave? | 0:09:39 | 0:09:44 | |
# Folk said Papa would beg, borrow, steal | 0:09:44 | 0:09:47 | |
# To pay his bills | 0:09:47 | 0:09:50 | |
# Yeah! | 0:09:50 | 0:09:51 | |
# Papa was a rolling stone | 0:09:51 | 0:09:54 | |
# Wherever he laid his hat was his home | 0:09:55 | 0:09:58 | |
# And when he died | 0:09:58 | 0:10:01 | |
# All he left us was alone, lone, lo-o-one. # | 0:10:01 | 0:10:07 | |
CHEERING | 0:10:07 | 0:10:10 | |
-Love you, babe. -Mm-hmm. -Thank you. | 0:10:18 | 0:10:20 | |
Now, it's Cherelle! | 0:10:20 | 0:10:21 | |
CHEERING | 0:10:21 | 0:10:24 | |
# If I ain't got nothing | 0:10:34 | 0:10:38 | |
# I got you | 0:10:39 | 0:10:41 | |
# If I ain't got something, I don't give a damn | 0:10:44 | 0:10:48 | |
# Cos I got it with you | 0:10:48 | 0:10:51 | |
# I don't know much about algebra | 0:10:54 | 0:10:57 | |
# But I know one plus one equals two | 0:10:57 | 0:11:02 | |
# And it's me and you | 0:11:04 | 0:11:07 | |
# That's all we'll have when the world is through | 0:11:09 | 0:11:12 | |
# Because baby we ain't got nothing without love | 0:11:12 | 0:11:18 | |
# And darling, you got enough for the both of us | 0:11:21 | 0:11:28 | |
# So come on baby, love me | 0:11:28 | 0:11:33 | |
# When my days look low | 0:11:33 | 0:11:36 | |
# Pull me in close and don't let me go | 0:11:36 | 0:11:41 | |
# And love me | 0:11:41 | 0:11:43 | |
# When the world's at war | 0:11:43 | 0:11:46 | |
# Let our love heal us all | 0:11:46 | 0:11:48 | |
# Right now, baby | 0:11:48 | 0:11:51 | |
# Love m-e-e-e. # | 0:11:51 | 0:11:55 | |
CHEERING | 0:11:55 | 0:11:57 | |
-Something happen there? -She went out of tune. | 0:12:00 | 0:12:03 | |
Oh, something happened. | 0:12:03 | 0:12:06 | |
-Do it, girl. You can do it. -Go on, Alys. -Do it. -Smash it. | 0:12:08 | 0:12:12 | |
Finally, it's Alys! | 0:12:12 | 0:12:14 | |
CHEERING | 0:12:14 | 0:12:16 | |
# Change your heart | 0:12:24 | 0:12:26 | |
# Look around you | 0:12:29 | 0:12:32 | |
# Change your heart | 0:12:36 | 0:12:40 | |
# It will astound you | 0:12:41 | 0:12:45 | |
# I need your loving | 0:12:48 | 0:12:52 | |
# Change your he-e-e-eart... # | 0:12:53 | 0:12:58 | |
CHEERING | 0:12:58 | 0:13:00 | |
# It will astound you | 0:13:00 | 0:13:05 | |
# I need your loving | 0:13:07 | 0:13:13 | |
# Like the sunshine | 0:13:13 | 0:13:18 | |
# And everybody's gotta learn sometime | 0:13:21 | 0:13:25 | |
# Cos everybody's gotta learn | 0:13:27 | 0:13:33 | |
# Sometime. # | 0:13:33 | 0:13:38 | |
CHEERING | 0:13:38 | 0:13:40 | |
Let's hear it one more time for Jamie, Alys and Cherelle! | 0:13:53 | 0:13:57 | |
What did you make of your three artists up here on the stage? | 0:14:02 | 0:14:06 | |
Jamie does Jamie. And he did it tonight. | 0:14:06 | 0:14:10 | |
-I commend him on that. -Thank you. -And you were in tune, | 0:14:10 | 0:14:12 | |
you hit the full Monty, and so that was great. | 0:14:12 | 0:14:15 | |
I was like, whoa, you were throwing riffs like they were nothing. | 0:14:17 | 0:14:20 | |
Like, here's another one, guys, and another one. | 0:14:20 | 0:14:22 | |
Cherelle, personally I thought you started off amazing. | 0:14:24 | 0:14:27 | |
Really, I was like, whoa. | 0:14:27 | 0:14:29 | |
But I thought you lost your way a little bit, key-wise. | 0:14:29 | 0:14:32 | |
I don't know what happened. | 0:14:32 | 0:14:33 | |
AUDIENCE JEER | 0:14:33 | 0:14:35 | |
But it went into another key, which is, which is a shame. | 0:14:35 | 0:14:38 | |
But I do love you and I love the way you sing. | 0:14:38 | 0:14:40 | |
CHEERING | 0:14:40 | 0:14:43 | |
And then Alys. You know, you have a beautiful tone to your voice. | 0:14:43 | 0:14:47 | |
-Thank you. -And it came through on that performance. | 0:14:47 | 0:14:51 | |
Alys, I was in Wonderland with your performance. | 0:14:51 | 0:14:56 | |
CHEERING | 0:14:56 | 0:14:59 | |
I tripped and fell down the rabbit hole. | 0:14:59 | 0:15:02 | |
I met the Mad Hatter. | 0:15:02 | 0:15:04 | |
You are the Mad Hatter! | 0:15:04 | 0:15:06 | |
LAUGHTER | 0:15:06 | 0:15:07 | |
It was amazing. | 0:15:07 | 0:15:09 | |
Tom, who is the winner of this knockout? | 0:15:12 | 0:15:15 | |
I know all three of you very well and this is why it's | 0:15:16 | 0:15:20 | |
so difficult to make this choice. | 0:15:20 | 0:15:22 | |
On the performances that I saw and heard tonight... | 0:15:25 | 0:15:30 | |
CROWD SHOUT OUT | 0:15:30 | 0:15:32 | |
It's the hardest thing that... that I've done in my life, I think. | 0:15:35 | 0:15:39 | |
I have to go with Alys. | 0:15:44 | 0:15:46 | |
CHEERING | 0:15:46 | 0:15:49 | |
-Thank you. -Well done. | 0:15:49 | 0:15:51 | |
So, that means you've done it, Alys. | 0:15:56 | 0:16:00 | |
You are going through to the lives. | 0:16:00 | 0:16:02 | |
Are you beginning to believe this now, slightly? | 0:16:02 | 0:16:05 | |
Obviously I'm still quite nervous, but I feel, at every stage | 0:16:05 | 0:16:09 | |
I get through in this competition, that I'm becoming a better performer. | 0:16:09 | 0:16:12 | |
CHEERING | 0:16:12 | 0:16:15 | |
Cherelle and Jamie, that does mean that we say goodbye to you now. | 0:16:15 | 0:16:18 | |
Is there anything you want to say to Tom? | 0:16:18 | 0:16:20 | |
Tom, thank you for your guidance and teaching and everything. | 0:16:20 | 0:16:23 | |
It has been great. It's all been great. Thank you. | 0:16:23 | 0:16:26 | |
Jamie and Cherelle, everyone. Off you go. | 0:16:26 | 0:16:28 | |
CHEERING | 0:16:28 | 0:16:30 | |
It's a shame. You are a great singer, there's no doubt about it. | 0:16:33 | 0:16:36 | |
Alys, you've been brilliant | 0:16:39 | 0:16:41 | |
and you get to continue to work with Tom over there. | 0:16:41 | 0:16:45 | |
Go and see him. Huge round of applause for our winner, it's Alys! | 0:16:45 | 0:16:48 | |
-Oh, thank you! Thank you so much! -It's all right. You did great. | 0:16:51 | 0:16:54 | |
There she goes, it's Alys! | 0:16:54 | 0:16:56 | |
-Well done, Tom. I know, it's hard, isn't it? -Yeah. | 0:17:02 | 0:17:04 | |
This goes completely differently to how you think it's going to go. | 0:17:04 | 0:17:07 | |
-DANNY: Mm-hm. -Yeah. | 0:17:07 | 0:17:09 | |
THEY LAUGH | 0:17:11 | 0:17:13 | |
CHEERING | 0:17:16 | 0:17:18 | |
There's just one place left on Tom's live team. | 0:17:18 | 0:17:21 | |
Adam, Ragsy and Joseph will perform in Tom's final knockout. | 0:17:21 | 0:17:25 | |
This is where it all comes together. | 0:17:25 | 0:17:27 | |
Joseph's got the whole thing. | 0:17:34 | 0:17:35 | |
Heart, soul, an incredible voice, the emotion just pours out of him. | 0:17:35 | 0:17:42 | |
It moved me to tears. I couldn't help it. | 0:17:42 | 0:17:46 | |
Joseph. | 0:17:46 | 0:17:47 | |
So, what song have you chosen? | 0:17:51 | 0:17:53 | |
I've chosen a song called A Song For You by Donny Hathaway. | 0:17:53 | 0:17:56 | |
That's a great song. | 0:17:56 | 0:17:57 | |
I want to showcase not just the range I can do, | 0:17:57 | 0:17:59 | |
but also the tone of my voice. | 0:17:59 | 0:18:01 | |
-I couldn't have picked a better song myself for you. -Wow. | 0:18:01 | 0:18:04 | |
# I've been so many places | 0:18:04 | 0:18:09 | |
# In my life and time... # | 0:18:09 | 0:18:13 | |
I'm quite, you know, a shy person. Have you got any tips? | 0:18:13 | 0:18:16 | |
-Don't even think about being shy, not when you sing. -OK. | 0:18:16 | 0:18:20 | |
If he is shy when he's singing, | 0:18:20 | 0:18:21 | |
he can't put his heart and soul into it. | 0:18:21 | 0:18:23 | |
# I love you... # | 0:18:23 | 0:18:27 | |
Joseph set the bar so high for himself. | 0:18:27 | 0:18:31 | |
As long as he maintains that, then he'll be fine. | 0:18:31 | 0:18:34 | |
# Black holes and revelations... # | 0:18:41 | 0:18:45 | |
Ragsy is my rocker. He's a lovely fellow. | 0:18:45 | 0:18:50 | |
-I'm known as the rock 'n' roll chef. -But when he sings, he hits it. | 0:18:50 | 0:18:54 | |
Ragsy. | 0:18:54 | 0:18:55 | |
So, what song are you going to do for us? | 0:18:57 | 0:18:59 | |
-The Stereophonics, Local Boy In A Photograph. -Great. | 0:18:59 | 0:19:03 | |
I knew Stuart, like, you know. | 0:19:03 | 0:19:05 | |
Stuart Cable was the original drummer of the Stereophonics. | 0:19:05 | 0:19:09 | |
He passed away a couple of years ago. | 0:19:09 | 0:19:11 | |
I was quite lucky to have classed him as a friend. | 0:19:11 | 0:19:14 | |
Whenever I do play this song, I always dedicate it to Stuart. | 0:19:14 | 0:19:17 | |
Well, I think it's a good idea myself, you know. | 0:19:17 | 0:19:20 | |
You're Welsh, I'm Welsh, they're Welsh. Keep it Welsh! | 0:19:20 | 0:19:23 | |
Keep it Welsh all the way, like, you know! | 0:19:23 | 0:19:25 | |
# There's no mistake | 0:19:25 | 0:19:28 | |
# Smell that smell... # | 0:19:28 | 0:19:30 | |
Ragsy is surprised he's got this far, | 0:19:30 | 0:19:32 | |
but he deserves to get this far. | 0:19:32 | 0:19:34 | |
-Sorry, I messed up then. -It's all right. | 0:19:34 | 0:19:36 | |
-Can I do that again? -Start again, sure, start again. | 0:19:36 | 0:19:38 | |
I've really got to start being more confident | 0:19:38 | 0:19:40 | |
in what I've achieved and why I'm here, in my own ability. | 0:19:40 | 0:19:43 | |
He has to believe in himself, | 0:19:43 | 0:19:45 | |
so as long as he does that, he has a good chance of getting through. | 0:19:45 | 0:19:48 | |
Adam is my steal. | 0:19:54 | 0:19:56 | |
Ash. | 0:19:56 | 0:19:57 | |
I stole Adam because, in battle, he stuck to his guns. | 0:19:59 | 0:20:04 | |
He's a wonderful singer and he's very confident. | 0:20:04 | 0:20:08 | |
I'm working with the living legend that is Tom. This is insane! | 0:20:08 | 0:20:13 | |
It doesn't happen to normal people! | 0:20:13 | 0:20:15 | |
You were stronger on the battle, for me, than the blind audition. | 0:20:17 | 0:20:20 | |
You pulled something out on that one. What song have you picked? | 0:20:20 | 0:20:23 | |
-Maybe I'm Amazed, Wings, Paul McCartney. -Oh, right. | 0:20:23 | 0:20:26 | |
It's a song of two parts. | 0:20:26 | 0:20:27 | |
You've got the beautiful melody in the verses | 0:20:27 | 0:20:30 | |
and then I get a chance to rock out a bit in the chorus. | 0:20:30 | 0:20:32 | |
Well, I'm looking forward to hearing you sing it. | 0:20:32 | 0:20:34 | |
# Maybe you're a lonely man who's in the middle of something... # | 0:20:34 | 0:20:39 | |
Because I'm the new boy in Team Tom, I do have to work harder, | 0:20:39 | 0:20:43 | |
-I think, to show what I can do. -I think you could smile a bit more. | 0:20:43 | 0:20:47 | |
Yeah, I find it easier singing to an audience, not Sir Tom, right there. | 0:20:47 | 0:20:50 | |
I know, it is a bit... | 0:20:50 | 0:20:52 | |
Tom Jones was standing five feet in front of me, watching me sing, | 0:20:52 | 0:20:56 | |
so a little bit intimidating. | 0:20:56 | 0:20:59 | |
I try to say to everybody, "Don't let me put you off." | 0:20:59 | 0:21:03 | |
I definitely have to prove why Tom stole me. | 0:21:03 | 0:21:07 | |
He's put that faith in me, so I've really got to deliver. | 0:21:07 | 0:21:10 | |
-No pressure here! -No, no, none! None at all! Perfect! | 0:21:10 | 0:21:13 | |
CHEERING | 0:21:13 | 0:21:17 | |
It's Team Tom's second knockout. | 0:21:17 | 0:21:19 | |
Three artists are singing for one last place on his team. | 0:21:19 | 0:21:23 | |
First up, it's Adam. | 0:21:23 | 0:21:24 | |
CHEERING | 0:21:24 | 0:21:26 | |
# Maybe I'm amazed at the way you love me all the time | 0:21:37 | 0:21:42 | |
# Maybe I'm afraid of the way I love you | 0:21:44 | 0:21:48 | |
# Maybe I'm amazed at the way you pulled me out of time | 0:21:50 | 0:21:56 | |
# You held me on the line | 0:21:57 | 0:22:00 | |
# Maybe I'm amazed at the way I really need you | 0:22:00 | 0:22:05 | |
# Maybe I'm a man | 0:22:08 | 0:22:10 | |
# Maybe I'm a lonely man who's in the middle of something | 0:22:10 | 0:22:14 | |
# That he doesn't really understand | 0:22:14 | 0:22:18 | |
# Maybe I'm a man | 0:22:22 | 0:22:23 | |
# Maybe you're the only woman who could ever help me | 0:22:23 | 0:22:29 | |
# Baby, won't you help me understand? | 0:22:29 | 0:22:32 | |
# Whoo-ooh-ooh | 0:22:32 | 0:22:37 | |
# Maybe I'm a man | 0:22:39 | 0:22:40 | |
# Maybe you're the only woman who could ever help me | 0:22:40 | 0:22:45 | |
SHE SCREAMS | 0:22:45 | 0:22:47 | |
# Baby, won't you help me understand? | 0:22:47 | 0:22:49 | |
# Whoo-ooh-ooh! # | 0:22:49 | 0:22:56 | |
CHEERING | 0:22:56 | 0:22:59 | |
-He's a West End singer, you know? -He is. -West End musical. | 0:23:08 | 0:23:11 | |
- Smash it, man. - Thank you. | 0:23:11 | 0:23:14 | |
Next up, it's Ragsy! | 0:23:14 | 0:23:15 | |
CHEERING | 0:23:15 | 0:23:18 | |
# There's no mistake | 0:23:32 | 0:23:34 | |
# I smell that smell | 0:23:34 | 0:23:36 | |
# It's that time of year again | 0:23:36 | 0:23:41 | |
# I can taste the air | 0:23:41 | 0:23:44 | |
# He'll always be 23 | 0:23:48 | 0:23:52 | |
# Yet that train runs on and on | 0:23:52 | 0:23:57 | |
# Past the place they found his clothing | 0:23:57 | 0:24:03 | |
# No, no, no, no | 0:24:05 | 0:24:08 | |
# No, no, no, no | 0:24:08 | 0:24:11 | |
# No, no | 0:24:13 | 0:24:16 | |
# And all the friends lay down their flowers | 0:24:16 | 0:24:20 | |
# Sit on the bank and drink for hours | 0:24:20 | 0:24:24 | |
# Talk of the way that they saw him last | 0:24:24 | 0:24:28 | |
# Local boy in a photograph | 0:24:28 | 0:24:35 | |
# Today | 0:24:35 | 0:24:38 | |
# He's gone away | 0:24:38 | 0:24:40 | |
# He's gone away! # | 0:24:42 | 0:24:47 | |
CHEERING | 0:24:49 | 0:24:53 | |
I love Ragsy. | 0:24:56 | 0:24:57 | |
Dude, well done, man, well done. | 0:24:59 | 0:25:01 | |
And finally, here's Joseph. | 0:25:01 | 0:25:04 | |
# I've been so many places | 0:25:15 | 0:25:20 | |
# In my life and time | 0:25:20 | 0:25:22 | |
# I've sung a lot of songs | 0:25:24 | 0:25:28 | |
# Cos I've made some bad rhyme | 0:25:29 | 0:25:32 | |
# I've acted out my life in stages | 0:25:33 | 0:25:38 | |
# With 10,000 people watching | 0:25:38 | 0:25:43 | |
# Because we're alone now | 0:25:43 | 0:25:45 | |
# And I'm singing this song for you... # | 0:25:45 | 0:25:49 | |
Come on, come on, come on! | 0:25:49 | 0:25:51 | |
# I love you in a place | 0:25:51 | 0:25:54 | |
# Where there's so space or time | 0:25:54 | 0:25:58 | |
# I love you for my life | 0:25:58 | 0:26:04 | |
# You're a friend of mine | 0:26:04 | 0:26:08 | |
# When my life is over and done | 0:26:08 | 0:26:12 | |
# Remember that we were together | 0:26:12 | 0:26:19 | |
# Cos we're alone now | 0:26:19 | 0:26:22 | |
# And I'm singing this song for you. # | 0:26:22 | 0:26:30 | |
CHEERING | 0:26:30 | 0:26:33 | |
-WILL: -Well done, Joseph! | 0:26:40 | 0:26:41 | |
Joseph! | 0:26:41 | 0:26:44 | |
CROWD CHANT: Joseph, Joseph, Joseph! | 0:26:44 | 0:26:47 | |
One more time, everybody, for Joseph, Adam and Ragsy! Come on! | 0:26:49 | 0:26:52 | |
CHEERING | 0:26:52 | 0:26:55 | |
What a knockout! That was incredible! | 0:26:57 | 0:27:00 | |
OK, for Tom, it is goodbye for two of these artists. | 0:27:00 | 0:27:03 | |
I know it will be really hard for you, Tom. | 0:27:03 | 0:27:05 | |
First of all, let me say this. I think I picked a great team. | 0:27:05 | 0:27:08 | |
-Yeah, man! -And... | 0:27:08 | 0:27:12 | |
But I've made it harder for myself | 0:27:12 | 0:27:14 | |
because they are each very individual | 0:27:14 | 0:27:16 | |
and Adam was my steal from Jessie. | 0:27:16 | 0:27:20 | |
And you sound like a West End singer to me. | 0:27:20 | 0:27:24 | |
You know, you should be in a musical and Jessie and I were | 0:27:24 | 0:27:27 | |
-talking about that. -I think your tone really lends itself to that. | 0:27:27 | 0:27:30 | |
Out of all three of you, | 0:27:30 | 0:27:31 | |
I feel like your performance was the most believable. | 0:27:31 | 0:27:34 | |
CHEERING | 0:27:34 | 0:27:36 | |
Ragsy's a great guy. | 0:27:38 | 0:27:39 | |
He used to hang out with the Stereophonics, you know. | 0:27:39 | 0:27:42 | |
-You did a great job tonight. -Oh, thank you. -I mean that sincerely. | 0:27:42 | 0:27:46 | |
Ragsy, I'll catch you out on V-Fest, man. I'll be there. | 0:27:48 | 0:27:51 | |
Main stage, the middle of the day for Ragsy's performance, you know. | 0:27:51 | 0:27:55 | |
Because I thought you were great. | 0:27:55 | 0:27:57 | |
-And then, of course, Joseph. -Joseph, we love you! | 0:27:59 | 0:28:02 | |
Joseph, I think, has got an incredible voice. | 0:28:02 | 0:28:05 | |
My friend Joseph, you sang with soul. | 0:28:05 | 0:28:07 | |
Wait, wait, wait, so, Filipino... That would be "jala-PINO". | 0:28:07 | 0:28:13 | |
LAUGHTER AND APPLAUSE | 0:28:13 | 0:28:17 | |
Holler! Get it? It's hot, man, it's hot! | 0:28:17 | 0:28:19 | |
Joseph, I'm going to be tough on you because I believe you're great, | 0:28:21 | 0:28:25 | |
but I can feel that you're not hitting the notes at the top | 0:28:25 | 0:28:28 | |
-because you're not owning it. -I agree with Jessie. | 0:28:28 | 0:28:31 | |
I don't think it was your best performance tonight. | 0:28:31 | 0:28:33 | |
Maybe it was the song, | 0:28:33 | 0:28:34 | |
but I know what you can do and I know what your potential is. | 0:28:34 | 0:28:37 | |
OK, well, Tom, who is the winner of this knockout? | 0:28:38 | 0:28:42 | |
CROWD SHOUT OUT | 0:28:42 | 0:28:44 | |
This is the hardest part for me, | 0:28:50 | 0:28:52 | |
knowing how they sing and the three of them are great, | 0:28:52 | 0:28:56 | |
but I have to go with what my ears tell me. | 0:28:56 | 0:28:59 | |
CROWD CALL OUT NAMES | 0:28:59 | 0:29:03 | |
And that is Joseph. | 0:29:06 | 0:29:07 | |
CHEERING | 0:29:07 | 0:29:10 | |
Now, Joseph, you sang a song that was really close to your heart. | 0:29:18 | 0:29:20 | |
Just how proud do you think your mother is of you right now? | 0:29:20 | 0:29:23 | |
CHEERING | 0:29:23 | 0:29:25 | |
Really proud. Definitely. CHEERING | 0:29:25 | 0:29:29 | |
Guys, is there anything you want to say to Tom? | 0:29:29 | 0:29:31 | |
He's been great with you, right? | 0:29:31 | 0:29:33 | |
Oh, yeah, he's been awesome and, you know, to be able to work with him, | 0:29:33 | 0:29:36 | |
to work with Tom Jones, has been fantastic. | 0:29:36 | 0:29:38 | |
This has been a dream, the whole thing. | 0:29:38 | 0:29:40 | |
I feel like I'm the luckiest guy here. | 0:29:40 | 0:29:43 | |
I got to work with two of the greatest stars | 0:29:43 | 0:29:45 | |
that this country has produced, man. It's incredible. | 0:29:45 | 0:29:49 | |
Everybody give it up for Adam and Ragsy. One more time, come on! | 0:29:49 | 0:29:53 | |
-Well done. -Thanks, man. | 0:29:57 | 0:29:59 | |
-It's been a pleasure, it's been a pleasure. -You've got a great voice. | 0:29:59 | 0:30:02 | |
Thank you. | 0:30:02 | 0:30:03 | |
Joseph, you are through to the live finals. You feeling good? | 0:30:05 | 0:30:08 | |
-Definitely! -Good man! Give it up for Joseph, everybody! Come on! | 0:30:08 | 0:30:12 | |
CHEERING | 0:30:12 | 0:30:14 | |
-OK? -I won't let you down. I'll give it my best. -I know you will. | 0:30:14 | 0:30:17 | |
Believe in yourself. Your face, everything, I want to see it. | 0:30:17 | 0:30:21 | |
He has an incredible voice. | 0:30:22 | 0:30:24 | |
Even though it's not his best that he can do, | 0:30:24 | 0:30:26 | |
that performance was good enough to get him through. | 0:30:26 | 0:30:31 | |
CHEERING | 0:30:34 | 0:30:36 | |
Earlier tonight, Tom made a crucial decision to put | 0:30:36 | 0:30:39 | |
one of his artists straight through to the live shows. | 0:30:39 | 0:30:42 | |
Here to show us why he earned a place, it's Mike Ward. | 0:30:42 | 0:30:45 | |
Well, Mike is my country singer | 0:30:49 | 0:30:50 | |
and there is no-one else in this whole competition like him. | 0:30:50 | 0:30:54 | |
I'm quite shy, you know. I normally sing in my bedroom. | 0:30:54 | 0:30:57 | |
I'm not used to performing in front of people. | 0:30:57 | 0:31:00 | |
It was fresh. I feel I'm the one for you. | 0:31:01 | 0:31:03 | |
-Tom. -Yes! | 0:31:03 | 0:31:05 | |
He's young, he's a good-looking kid. | 0:31:05 | 0:31:09 | |
# Uh-ohh! # | 0:31:09 | 0:31:12 | |
You know, he's got the whole thing. | 0:31:12 | 0:31:15 | |
He is in a unique position | 0:31:15 | 0:31:16 | |
because there are no home-grown country singers in Great Britain. | 0:31:16 | 0:31:21 | |
I have to go with Mike. | 0:31:21 | 0:31:24 | |
So he could be the one. | 0:31:24 | 0:31:27 | |
# You always had a love of things that glittered | 0:31:43 | 0:31:48 | |
# But I was far from being made of gold | 0:31:48 | 0:31:52 | |
# I don't know how but I scraped up the money | 0:31:54 | 0:31:57 | |
# I just never could quite tell you no | 0:31:59 | 0:32:03 | |
# Just like when you were leaving Amarillo | 0:32:04 | 0:32:09 | |
# Taking that new job near Tennessee | 0:32:09 | 0:32:13 | |
# I quit mine so we could be together | 0:32:14 | 0:32:18 | |
# I can't forget the way you looked at me | 0:32:19 | 0:32:23 | |
# Oh, girl, just to see you smile | 0:32:23 | 0:32:28 | |
# Well, I'd do anything | 0:32:28 | 0:32:31 | |
# That you wanted me to | 0:32:32 | 0:32:34 | |
# When all is said and done | 0:32:34 | 0:32:38 | |
# I'd never count the cost | 0:32:38 | 0:32:41 | |
# It's worth all that's lost | 0:32:41 | 0:32:44 | |
# Just to see you smile | 0:32:46 | 0:32:50 | |
# See you smile | 0:32:50 | 0:32:51 | |
# I'd never count the cost | 0:32:51 | 0:32:53 | |
# It's worth all that's lost | 0:32:53 | 0:32:57 | |
# Just to see you smile. # | 0:32:58 | 0:33:04 | |
CHEERING | 0:33:04 | 0:33:06 | |
Yeah! | 0:33:06 | 0:33:09 | |
Absolutely brilliant stuff there. Give it up for Mike Ward! | 0:33:09 | 0:33:13 | |
CHEERING | 0:33:13 | 0:33:16 | |
Joining him on Team Tom is Alys Williams. | 0:33:16 | 0:33:19 | |
CHEERING | 0:33:19 | 0:33:21 | |
And Joseph Apostol. | 0:33:21 | 0:33:22 | |
CHEERING | 0:33:22 | 0:33:24 | |
Tom, go and join your team. | 0:33:25 | 0:33:27 | |
-Right-oh. -It's Team Tom, everybody, come on. | 0:33:27 | 0:33:30 | |
Team Tom, everybody! | 0:33:39 | 0:33:41 | |
Mike, Alys and Joseph have all earned themselves | 0:33:54 | 0:33:58 | |
-a place in Tom's live line-up. -I think I picked a great team. | 0:33:58 | 0:34:03 | |
Next, it's Will's turn to select his top three. | 0:34:03 | 0:34:07 | |
Are we freakin' serious, man? | 0:34:07 | 0:34:08 | |
Which of his seven artists will make it through to the live shows? | 0:34:08 | 0:34:12 | |
This is difficult, right here. | 0:34:12 | 0:34:13 | |
Tom's had plenty of tough choices to make, | 0:34:18 | 0:34:20 | |
but his work is done for tonight. | 0:34:20 | 0:34:23 | |
Now the pressure is on Will.i.am to cut his team of seven down to three. | 0:34:23 | 0:34:27 | |
Team Will is beyond dope. | 0:34:33 | 0:34:35 | |
CHEERING | 0:34:36 | 0:34:39 | |
Now, before his knockouts begin, Will has the power to put | 0:34:39 | 0:34:43 | |
just one of his artists straight through to the quarter-finals. | 0:34:43 | 0:34:46 | |
So, Will, which of your seven artists are you going to send | 0:34:46 | 0:34:49 | |
straight through to the live shows? | 0:34:49 | 0:34:51 | |
Purely based on trust, open-mindedness, imagination | 0:34:56 | 0:35:01 | |
and who I feel is the best artist | 0:35:01 | 0:35:03 | |
that I've ever, ever seen in the UK in a long time... | 0:35:03 | 0:35:07 | |
And that person is... | 0:35:11 | 0:35:14 | |
..Leah. | 0:35:18 | 0:35:19 | |
There you go! Congratulations to Leah! | 0:35:19 | 0:35:23 | |
You are going straight through to the live shows. Leah, well done. | 0:35:23 | 0:35:31 | |
Will just said some pretty special things about you just then. | 0:35:33 | 0:35:36 | |
What would you like to say to him? | 0:35:36 | 0:35:38 | |
Oh, my goodness! Thank you so much! | 0:35:38 | 0:35:41 | |
-When you guys hear her sing her song... -Oh, dear! | 0:35:41 | 0:35:44 | |
Each time she sung it was just, "What?!" | 0:35:46 | 0:35:50 | |
Question-mark face. | 0:35:50 | 0:35:52 | |
-It was just amazing. -I hope I do it right then! -She's special. | 0:35:54 | 0:35:57 | |
Leah, congratulations. | 0:35:57 | 0:35:59 | |
We're going to hear that very special performance from Leah | 0:35:59 | 0:36:02 | |
a little bit later on. But for now, Leah McFall! | 0:36:02 | 0:36:05 | |
CHEERING AND APPLAUSE | 0:36:05 | 0:36:08 | |
Oh, my goodness! | 0:36:13 | 0:36:16 | |
Will can only take two more of his artists into the live show. | 0:36:16 | 0:36:20 | |
So, Will, which three of your artists will be | 0:36:20 | 0:36:22 | |
competing in this first knockout? | 0:36:22 | 0:36:25 | |
So... the first three are... | 0:36:29 | 0:36:36 | |
um... | 0:36:36 | 0:36:39 | |
Let's see, let's see... | 0:36:40 | 0:36:42 | |
Moni Tivony... | 0:36:45 | 0:36:46 | |
CHEERING AND APPLAUSE | 0:36:46 | 0:36:50 | |
Jordan... | 0:36:51 | 0:36:52 | |
APPLAUSE | 0:36:52 | 0:36:55 | |
..and it's Leanne. | 0:36:58 | 0:36:59 | |
CHEERING AND APPLAUSE | 0:36:59 | 0:37:02 | |
So, we've got Moni, Jordan and Leanne for this first knockout. | 0:37:02 | 0:37:07 | |
Here's how they have been preparing. | 0:37:07 | 0:37:09 | |
# I'll find a way... # | 0:37:14 | 0:37:18 | |
Leanne - powerhouse. | 0:37:18 | 0:37:20 | |
She sounds fantastic, singing magnificent. | 0:37:20 | 0:37:23 | |
# The strength to carry on... # | 0:37:23 | 0:37:25 | |
She's raising the bar of what UK singers bring to Earth. | 0:37:25 | 0:37:30 | |
Do you know what song you're singing? | 0:37:34 | 0:37:36 | |
I've chosen Hurt, Christina Aguilera. | 0:37:36 | 0:37:38 | |
-All right. Just one little advice. -Mm-hm. | 0:37:38 | 0:37:45 | |
If you sing like Christina Aguilera, resemble Christina Aguilera, | 0:37:45 | 0:37:48 | |
a person that doesn't know Leanne will think | 0:37:48 | 0:37:50 | |
that's Christina Aguilera. I want people to know Leanne. | 0:37:50 | 0:37:53 | |
I do understand where he's coming from. | 0:37:53 | 0:37:55 | |
I do want to be me and not somebody else. | 0:37:55 | 0:37:59 | |
I'm feeling a bit panicked! | 0:37:59 | 0:38:00 | |
I'm having major doubts now about the song. | 0:38:00 | 0:38:03 | |
I was really confident about it, and now I'm like, aagh! | 0:38:03 | 0:38:06 | |
-I feel a bit stressed. -Why? -I've changed the song. -That's good. | 0:38:07 | 0:38:11 | |
Everything that you said, I just sort of thought about it | 0:38:11 | 0:38:14 | |
and the best thing to do is to be more myself. | 0:38:14 | 0:38:17 | |
Leanne was open-minded enough to come back to sing Alone, by Heart. | 0:38:17 | 0:38:21 | |
# I always got by on my own... # | 0:38:21 | 0:38:25 | |
And sounds fantastic doing it. | 0:38:25 | 0:38:26 | |
# Never really cared until I met you... # | 0:38:26 | 0:38:29 | |
Me and Will workshopped the song, | 0:38:29 | 0:38:31 | |
to make sure it was in a place where we were happy with it. | 0:38:31 | 0:38:34 | |
# I'm lying here the room's pitch dark... # | 0:38:34 | 0:38:37 | |
HE MUMBLES | 0:38:37 | 0:38:39 | |
-Only wobbly part is when she went... -HE MUMBLES | 0:38:39 | 0:38:42 | |
Her face turned all weird so she couldn't get the note out. | 0:38:42 | 0:38:44 | |
-That ain't cute. -Cheers, Will! -Might get a snapshot of that... | 0:38:44 | 0:38:47 | |
So it's all over the internet. | 0:38:47 | 0:38:49 | |
I'm never going to sing, like, ever again! | 0:38:49 | 0:38:52 | |
This is what I want, this is my dream, I want it so badly, and | 0:38:52 | 0:38:55 | |
hopefully he will see something in me and put me through to the lives. | 0:38:55 | 0:38:59 | |
# Now when I hear you on the phone... # | 0:39:02 | 0:39:05 | |
I like Jordan, because I think Jordan's special. | 0:39:05 | 0:39:08 | |
This little kid right here got it. I think he's dope. | 0:39:09 | 0:39:13 | |
# My love to you. # | 0:39:13 | 0:39:15 | |
CHEERING AND APPLAUSE | 0:39:15 | 0:39:18 | |
-Hey. -Good to see you, I like your shirt. -Thank you. | 0:39:18 | 0:39:21 | |
I think it's a really important thing for me to go out there and show Will | 0:39:21 | 0:39:24 | |
-that he picked me for the right reason. -What song are you singing? | 0:39:24 | 0:39:27 | |
All Coming Back To Me Now, by Meat Loaf and Celine Dion. | 0:39:27 | 0:39:30 | |
The danger of doing this song is that straightaway, | 0:39:30 | 0:39:33 | |
Will will go, "Theatrical." What do you think of the choice? | 0:39:33 | 0:39:36 | |
-Did you pick that? -Yeah. -Cool. | 0:39:36 | 0:39:38 | |
Theatre is great, in the theatre. | 0:39:38 | 0:39:41 | |
But you want it to be poppin'. You don't want it to be Mary Poppins. | 0:39:41 | 0:39:44 | |
# When you see me like that... # | 0:39:44 | 0:39:47 | |
Not exactly! My comfort zone is going into character mode. | 0:39:47 | 0:39:52 | |
# But it's all coming back to me now... # | 0:39:52 | 0:39:57 | |
He needs to fix that theatre, nip it in the bud. Just sing it. | 0:39:57 | 0:40:02 | |
You don't have to add the... I want to see Jordan. | 0:40:02 | 0:40:07 | |
I want to prove to Will that I can actually be a pop singer. | 0:40:07 | 0:40:10 | |
Yeah! That's, that's powerful. | 0:40:12 | 0:40:15 | |
This is my sort of final chance to get through to the live shows. | 0:40:15 | 0:40:19 | |
I want to stay, and hopefully I can prove to Will that I deserve to. | 0:40:19 | 0:40:22 | |
Moni Tivony has that infectious energy. | 0:40:26 | 0:40:30 | |
He's the guy that started the riot. | 0:40:30 | 0:40:35 | |
He's the best male vocalist in this competition. | 0:40:35 | 0:40:37 | |
# Don't listen to a word... # | 0:40:37 | 0:40:39 | |
I'll choose Moni. | 0:40:39 | 0:40:40 | |
CHEERING AND APPLAUSE Yes! | 0:40:40 | 0:40:42 | |
Made it! | 0:40:42 | 0:40:44 | |
What song are you going to sing? | 0:40:46 | 0:40:48 | |
I'm taking a bit of reggae but with the Stevie vibe, | 0:40:48 | 0:40:50 | |
so I'm going for Master Blaster. The reason why? | 0:40:50 | 0:40:53 | |
Two of those are my favourite things. | 0:40:53 | 0:40:55 | |
Stevie Wonder is one of them, reggae another, you put the two | 0:40:55 | 0:40:57 | |
together and what do you get? Master Blaster. And that's me. | 0:40:57 | 0:41:00 | |
I thought it was like... | 0:41:00 | 0:41:02 | |
Well, that's exactly what you did on the blinds. | 0:41:02 | 0:41:05 | |
# No woman, no cry, yeah, yeah, yeah... # | 0:41:05 | 0:41:10 | |
What's up? | 0:41:12 | 0:41:13 | |
I would say it's lazy. | 0:41:13 | 0:41:16 | |
He showed reservations about me doing it, which in turn had me | 0:41:18 | 0:41:23 | |
a bit worried, and I was kind of scratching my head, thinking, | 0:41:23 | 0:41:25 | |
oh, my God, have I done the right thing or not? | 0:41:25 | 0:41:27 | |
# Everyone's feeling pretty... # | 0:41:28 | 0:41:31 | |
I knew I was judgmental to Moni Tivony, and his song selection. | 0:41:31 | 0:41:35 | |
-# Didn't know you... # -But I was wrong. | 0:41:35 | 0:41:37 | |
# Would be jammin' until the break of dawn... # | 0:41:37 | 0:41:41 | |
-His execution, fantastic. -Bam-bam-bah! | 0:41:41 | 0:41:45 | |
Jumping here, there and everywhere, it was just crazy. | 0:41:45 | 0:41:48 | |
That last chorus has got to go, go, go! Brrr! Then, pow! | 0:41:49 | 0:41:53 | |
This is the opportunity that I've been waiting for. | 0:41:53 | 0:41:57 | |
I have to actually bring it and absolutely rock it down! | 0:41:57 | 0:42:01 | |
# Jammin' and jammin' and jammin', jam on! # | 0:42:01 | 0:42:03 | |
That's what I'm talking about, there it is! Whoo! | 0:42:03 | 0:42:08 | |
It's Team Will's first knockout. | 0:42:08 | 0:42:12 | |
Three artists, all singing for one spot on his live team. | 0:42:12 | 0:42:16 | |
Up first, it's Moni! | 0:42:16 | 0:42:19 | |
# Everyone's feeling pretty | 0:42:32 | 0:42:36 | |
# It's hotter than July | 0:42:37 | 0:42:41 | |
# Though the world's full of problems | 0:42:43 | 0:42:47 | |
# They couldn't touch us even if they tried | 0:42:47 | 0:42:52 | |
# Didn't know you would be jammin' until the break of dawn | 0:42:52 | 0:42:58 | |
# I bet nobody ever told you | 0:42:58 | 0:43:00 | |
# That you would be jammin' until the break of dawn | 0:43:00 | 0:43:06 | |
# Would be jammin' and jammin' and jammin', jam on | 0:43:06 | 0:43:09 | |
# You ask me, am I happy? | 0:43:09 | 0:43:11 | |
# Well, as matter of fact | 0:43:11 | 0:43:16 | |
# I can say that I'm ecstatic | 0:43:16 | 0:43:19 | |
# Cos we all just made a pact | 0:43:19 | 0:43:22 | |
# Didn't know you would be jammin' until the break of dawn | 0:43:22 | 0:43:28 | |
# Hey, yeah, yeah, yeah, yeah, you, oh | 0:43:28 | 0:43:32 | |
# Would be jammin' until the break of dawn, whoo! | 0:43:32 | 0:43:36 | |
# Oh, you, yeah, would be j-j-j-jammin' until the break of dawn | 0:43:36 | 0:43:42 | |
# And jammin' and jammin' and jammin', jam on! # | 0:43:42 | 0:43:46 | |
CHEERING AND APPLAUSE | 0:43:46 | 0:43:52 | |
Next up, it's Jordan! | 0:43:56 | 0:44:00 | |
# There were nights when the wind was so cold | 0:44:12 | 0:44:19 | |
# That my body froze in my bed if I just listened to it | 0:44:19 | 0:44:26 | |
# Right outside the window | 0:44:26 | 0:44:30 | |
# I finished crying in the instant that you left | 0:44:33 | 0:44:39 | |
# And I can't remember where or when or how | 0:44:39 | 0:44:45 | |
# And I banished every memory you and I have ever made | 0:44:45 | 0:44:53 | |
# Baby, baby, baby | 0:44:53 | 0:44:56 | |
# If I touch you like this | 0:44:56 | 0:45:00 | |
# And if you hold me like that | 0:45:00 | 0:45:03 | |
# It was dead long ago but it's all coming back to me | 0:45:03 | 0:45:08 | |
# When I see you like this | 0:45:08 | 0:45:11 | |
# And when you see me like that | 0:45:11 | 0:45:14 | |
# Then we see what we want to see, all coming back to me | 0:45:14 | 0:45:20 | |
# I can barely recall, but it's all | 0:45:20 | 0:45:24 | |
# Coming back to me no-o-o-ow! # | 0:45:24 | 0:45:31 | |
CHEERING AND APPLAUSE | 0:45:31 | 0:45:37 | |
Go on, girl, go on, girl! | 0:45:44 | 0:45:46 | |
And finally, it's Leanne! | 0:45:46 | 0:45:49 | |
# I hear the ticking of the clock I'm lying here, the room's pitch dark | 0:46:04 | 0:46:11 | |
# Ooh, oh | 0:46:11 | 0:46:14 | |
# I wonder where you are tonight No answer on the telephone | 0:46:14 | 0:46:21 | |
# Oo-oo-ooh | 0:46:21 | 0:46:24 | |
# And the night goes by, so very slow | 0:46:24 | 0:46:28 | |
# Oh, I hope that it won't end, though | 0:46:28 | 0:46:33 | |
# Alone | 0:46:33 | 0:46:37 | |
# Till now, I always got by on my own | 0:46:37 | 0:46:43 | |
# I never really cared until I met you | 0:46:43 | 0:46:48 | |
# And now it chills me to the bone | 0:46:48 | 0:46:53 | |
# How do I get you alone? | 0:46:53 | 0:46:58 | |
# How do I get you alone? | 0:47:00 | 0:47:04 | |
# He-e-y-y! Alone. # | 0:47:04 | 0:47:12 | |
CHEERING AND APPLAUSE | 0:47:15 | 0:47:19 | |
Well done. Fantastic knockout round there, guys, congratulations. | 0:47:29 | 0:47:35 | |
Will, only one of them can go through | 0:47:35 | 0:47:37 | |
and this decision comes solely down to you. | 0:47:37 | 0:47:40 | |
-This is difficult, right here. You know? -I know. -This is difficult. | 0:47:40 | 0:47:45 | |
Leanne, there's no denying that your voice is incredible. | 0:47:45 | 0:47:48 | |
-I think you've sung amazingly well. -Thank you. | 0:47:50 | 0:47:52 | |
I think you've shown your range, | 0:47:52 | 0:47:54 | |
but I don't know if the song choice was interesting enough for me. | 0:47:54 | 0:47:58 | |
-Mm-hm. -I felt like it was safe. | 0:47:58 | 0:48:00 | |
Leanne executed what we talked about at rehearsals, like, | 0:48:02 | 0:48:07 | |
those low notes, you know, that were funktified, you didn't go there. | 0:48:07 | 0:48:11 | |
With the facial expressions. | 0:48:11 | 0:48:13 | |
To control the facial expressions, you were freakin'... | 0:48:13 | 0:48:17 | |
-You did it! You were great. -Thank you. | 0:48:17 | 0:48:20 | |
Jordan, music theatre is your calling. | 0:48:20 | 0:48:22 | |
It's just not my particular cup of tea. | 0:48:22 | 0:48:25 | |
But you do it fabulously well, you do it really, really well. | 0:48:25 | 0:48:28 | |
Can I just say one thing? | 0:48:28 | 0:48:30 | |
Honestly, in my opinion, musical theatre people | 0:48:30 | 0:48:32 | |
-are some of the most diverse people in the world. -They are. | 0:48:32 | 0:48:35 | |
It doesn't mean they can just do musical theatre. | 0:48:35 | 0:48:38 | |
You proved that today. You proved that today. | 0:48:38 | 0:48:41 | |
And Moni, amazing. | 0:48:41 | 0:48:45 | |
Right? But you were one quadrillion times better in rehearsal. | 0:48:45 | 0:48:51 | |
But I'm still geeked off of rehearsal. | 0:48:53 | 0:48:55 | |
Will, who is the winner of this knockout? | 0:48:55 | 0:49:00 | |
Um... | 0:49:05 | 0:49:07 | |
the person that is going to go through is... | 0:49:08 | 0:49:12 | |
-It's so hard. -I wouldn't know which way to go there. | 0:49:21 | 0:49:23 | |
Will, you're going to have to make a decision, | 0:49:28 | 0:49:30 | |
I know this is really tough. | 0:49:30 | 0:49:32 | |
My head, coming in here, was made up. | 0:49:35 | 0:49:38 | |
I wanted Moni Tivony to go through. That's what my head was saying. | 0:49:38 | 0:49:42 | |
I can't do that. | 0:49:42 | 0:49:43 | |
So I'm going to choose... | 0:49:46 | 0:49:48 | |
Go with your heart, Will. | 0:49:49 | 0:49:51 | |
It's going to be Leanne. | 0:49:56 | 0:49:58 | |
There you go! Leanne is going through to the live finals. | 0:49:58 | 0:50:04 | |
Well done! | 0:50:04 | 0:50:05 | |
CHEERING AND APPLAUSE | 0:50:05 | 0:50:07 | |
Who else? | 0:50:08 | 0:50:10 | |
Oh, my God! I got through! | 0:50:10 | 0:50:13 | |
You only know that the level of standard is so high | 0:50:13 | 0:50:16 | |
when we lose two people like you at this stage of the competition. | 0:50:16 | 0:50:19 | |
You've been utterly brilliant, the pair of you. Thank you so, so much. | 0:50:19 | 0:50:23 | |
A huge round of applause for Jordan and Moni! Off you go. | 0:50:23 | 0:50:26 | |
CHEERING AND APPLAUSE | 0:50:26 | 0:50:30 | |
Thanks, man. I really appreciate it, thank you. | 0:50:32 | 0:50:36 | |
Leanne has made it through to the live shows. | 0:50:42 | 0:50:44 | |
She is our winner, let's hear it for Leanne! | 0:50:44 | 0:50:47 | |
Thank you so, so much, you don't understand how much this means to me! | 0:50:47 | 0:50:51 | |
No, you did great. | 0:50:51 | 0:50:52 | |
I've put through Leanne instead of Moni, | 0:50:53 | 0:50:55 | |
because Moni didn't do what he did in rehearsal. | 0:50:55 | 0:50:57 | |
Everyone else, their performance here was better than rehearsal. | 0:50:57 | 0:51:02 | |
I'm in shock right now. Like, massively. | 0:51:02 | 0:51:05 | |
I'm so, so grateful that he has, like, believed in me. | 0:51:05 | 0:51:09 | |
I've been wanting this for years. | 0:51:09 | 0:51:10 | |
This is it for John, Cleo and Lem. | 0:51:17 | 0:51:21 | |
Only one can stay on Team Will and sing again in the live shows. | 0:51:21 | 0:51:25 | |
This is their story so far. | 0:51:25 | 0:51:27 | |
# I'm a soul man... # | 0:51:31 | 0:51:34 | |
Lem, gentle giant. | 0:51:34 | 0:51:37 | |
Sings so wonderfully. | 0:51:37 | 0:51:38 | |
Jessie didn't pick him. | 0:51:41 | 0:51:42 | |
Trevor. CHEERING AND APPLAUSE | 0:51:42 | 0:51:44 | |
-CHEERING -Uh-huh, that's right, | 0:51:47 | 0:51:49 | |
Lem is on Team Will. | 0:51:49 | 0:51:51 | |
What song are you going to sing? | 0:51:51 | 0:51:53 | |
The acoustic version of As Long As You Love Me, by Justin Bieber. | 0:51:53 | 0:51:57 | |
Why did you pick that song? | 0:51:57 | 0:51:59 | |
My family and friends mean everything to me, they've always stuck by me, | 0:51:59 | 0:52:04 | |
so the lyrics really do mean something to me. | 0:52:04 | 0:52:06 | |
# Under pressure... # | 0:52:06 | 0:52:09 | |
In my team, you have to earn your keep. You gotta come in fine. | 0:52:09 | 0:52:14 | |
Just listen to the words and believe those words. You sing wonderful. | 0:52:14 | 0:52:18 | |
This time, when you sing, say it like you mean it. | 0:52:18 | 0:52:20 | |
He wasn't believing me. And I don't think I believed myself either. | 0:52:20 | 0:52:24 | |
Maybe Jessie not putting him through made him feel insecure. | 0:52:26 | 0:52:29 | |
But he's a great singer. | 0:52:29 | 0:52:32 | |
# As long as you love me... # | 0:52:32 | 0:52:35 | |
It's so terrifying, and so exciting, to be so close to the live shows. | 0:52:35 | 0:52:40 | |
I just want to do Will proud. | 0:52:40 | 0:52:42 | |
# Finally... # | 0:52:45 | 0:52:47 | |
Cleo - what?! | 0:52:47 | 0:52:49 | |
That's what I'm talking about. | 0:52:49 | 0:52:51 | |
She is awesome. | 0:52:51 | 0:52:54 | |
Insane in the membrane. | 0:52:54 | 0:52:56 | |
# Finally! # | 0:52:58 | 0:53:00 | |
-So do you know what you're going to sing? -Yes. | 0:53:00 | 0:53:03 | |
I'm singing Michael Jackson - ow! | 0:53:03 | 0:53:07 | |
-Leave Me Alone. -Why did you decide to sing that song? | 0:53:07 | 0:53:10 | |
I did sing a Michael Jackson song with Cleopatra. | 0:53:10 | 0:53:13 | |
We're very similar to the Jackson 5 family in a sense. | 0:53:14 | 0:53:17 | |
We're all musical. | 0:53:17 | 0:53:18 | |
But I've always wanted to sing something of his myself, | 0:53:18 | 0:53:22 | |
as a solo artist. | 0:53:22 | 0:53:23 | |
# Leave me alone... # | 0:53:23 | 0:53:25 | |
To take on a Michael Jackson song, it's a task. | 0:53:26 | 0:53:29 | |
It's like climbing Mount Kilimanjaro. | 0:53:29 | 0:53:32 | |
We need to see what we just saw, times 100. | 0:53:32 | 0:53:35 | |
It's risky, because I'm a big Michael Jackson fan, | 0:53:42 | 0:53:44 | |
so I know first-hand that if I heard anybody else | 0:53:44 | 0:53:47 | |
trying to sing a Michael Jackson song on anything, I'd be like, "Mm-hmm." | 0:53:47 | 0:53:51 | |
If she messes up, | 0:53:51 | 0:53:52 | |
it's all on her. | 0:53:53 | 0:53:54 | |
I've wanted to be a solo artist for ever. | 0:53:54 | 0:53:57 | |
There's no Cleopatra here, there's Cleo Higgins. | 0:53:57 | 0:54:00 | |
I'm just going to do my thing. | 0:54:00 | 0:54:02 | |
# Like no other... # | 0:54:06 | 0:54:08 | |
John. His voice is a sports car. | 0:54:08 | 0:54:10 | |
He's a Lamborghini with propellers on it. | 0:54:12 | 0:54:15 | |
# You better forget it!... # | 0:54:15 | 0:54:17 | |
I made a tough choice. | 0:54:18 | 0:54:19 | |
John. | 0:54:19 | 0:54:20 | |
Oh, my God. | 0:54:20 | 0:54:21 | |
What? | 0:54:21 | 0:54:22 | |
How are you doing? | 0:54:22 | 0:54:25 | |
The battles were pretty emotional. It was amazing that you picked me. | 0:54:25 | 0:54:30 | |
The reason why I put you through | 0:54:30 | 0:54:32 | |
was that you could sing low, you could go high. | 0:54:32 | 0:54:34 | |
Your range is incredible. | 0:54:34 | 0:54:36 | |
Liam was such a strong contender, I thought I'd lost it. | 0:54:36 | 0:54:39 | |
-I didn't think I stood a chance. -You know what song you're singing? | 0:54:39 | 0:54:42 | |
Something's Gotten Hold Of My Heart, which is | 0:54:42 | 0:54:45 | |
one of the first records I ever bought. | 0:54:45 | 0:54:47 | |
# In a world that was small... # | 0:54:47 | 0:54:51 | |
In the knockout, I have a lot to prove. | 0:54:52 | 0:54:55 | |
# With no trouble at all... # | 0:54:56 | 0:54:59 | |
Yee-ha! Man, I love it. | 0:55:00 | 0:55:02 | |
I think we'll go all the way. Yeah. | 0:55:02 | 0:55:06 | |
Who could make a record that I'd love, | 0:55:06 | 0:55:08 | |
go to a studio right now and record? John. | 0:55:08 | 0:55:10 | |
# Something's gotten hold of my hand... # | 0:55:10 | 0:55:14 | |
'I think the other coaches are a bit bemused why he chose me.' | 0:55:14 | 0:55:17 | |
I want to prove that he made the right choice, every step of the way. | 0:55:17 | 0:55:20 | |
It's Team Will's second knockout. | 0:55:26 | 0:55:27 | |
Three songs, three voices and three performances, | 0:55:27 | 0:55:30 | |
but only one place left. | 0:55:30 | 0:55:32 | |
First, it's John. | 0:55:32 | 0:55:33 | |
# Something's gotten hold of my heart | 0:55:45 | 0:55:48 | |
# Keeping my soul and my senses apart | 0:55:48 | 0:55:54 | |
# Something's gotten into my life | 0:55:54 | 0:55:59 | |
# Cutting its way through my dreams like a knife | 0:55:59 | 0:56:04 | |
# Turning me up, oh Turning me down, yeah | 0:56:04 | 0:56:09 | |
# Making me smile and making me frown | 0:56:09 | 0:56:16 | |
# In a world that was small | 0:56:16 | 0:56:21 | |
# I once lived in a time that was peace with no trouble at all | 0:56:21 | 0:56:29 | |
# But then you came my way | 0:56:29 | 0:56:34 | |
# And a feeling unknown shook my heart | 0:56:34 | 0:56:39 | |
# Made me want you to stay | 0:56:39 | 0:56:42 | |
# All of my nights and all of my days | 0:56:42 | 0:56:49 | |
# Something's gotten hold of my hand | 0:56:49 | 0:56:55 | |
# Dragging my soul | 0:56:55 | 0:56:57 | |
# To a beautiful land. # | 0:56:57 | 0:57:04 | |
CHEERING AND APPLAUSE | 0:57:04 | 0:57:06 | |
Thank you. | 0:57:06 | 0:57:09 | |
Next up, it's Cleo. | 0:57:12 | 0:57:14 | |
# Ooh! | 0:57:27 | 0:57:28 | |
# Time after time I gave you all of my money | 0:57:28 | 0:57:32 | |
# No excuses to make | 0:57:32 | 0:57:35 | |
# Ain't no mountain that I can't climb, baby | 0:57:35 | 0:57:39 | |
# All is going my way | 0:57:39 | 0:57:42 | |
# But there's a time when you're right and you know you must fight | 0:57:42 | 0:57:46 | |
# Who's laughing, baby? | 0:57:46 | 0:57:49 | |
# Don't you know | 0:57:49 | 0:57:50 | |
# And there's a choice that we make and this choice you must take | 0:57:50 | 0:57:54 | |
# Who's laughing, baby? | 0:57:54 | 0:57:56 | |
# So just leave me alone | 0:57:56 | 0:58:01 | |
# Leave me alone | 0:58:01 | 0:58:05 | |
# Leave me alone | 0:58:05 | 0:58:09 | |
# Leave me alone Stop it | 0:58:09 | 0:58:12 | |
# Just stop doggin' me | 0:58:12 | 0:58:14 | |
# Da, da, da, da... # | 0:58:14 | 0:58:16 | |
Come on! | 0:58:18 | 0:58:20 | |
# I said to leave me alone | 0:58:24 | 0:58:26 | |
# Stop it | 0:58:26 | 0:58:28 | |
# Just sto-o-o-o-o-o-op, ooh-hoo! | 0:58:28 | 0:58:33 | |
# Dogging me aro-o-o-und | 0:58:33 | 0:58:41 | |
# Ooh. # | 0:58:41 | 0:58:42 | |
CHEERING AND APPLAUSE | 0:58:42 | 0:58:45 | |
And finally, it's Lem! | 0:58:55 | 0:58:56 | |
JESSIE: Pull yourself together, come on. | 0:59:04 | 0:59:06 | |
# Under pressure | 0:59:10 | 0:59:12 | |
# Seven billion people in the world trying to fit in | 0:59:12 | 0:59:17 | |
# Keep it together Smile on your face | 0:59:17 | 0:59:21 | |
# Even though your heart is frowning | 0:59:21 | 0:59:24 | |
# But hey now, you know, girl | 0:59:24 | 0:59:28 | |
# We both know it's a cruel world | 0:59:28 | 0:59:33 | |
# But I will take my chances | 0:59:33 | 0:59:39 | |
# As long as you love me | 0:59:39 | 0:59:41 | |
# We could be starving | 0:59:41 | 0:59:43 | |
# We could be homeless | 0:59:43 | 0:59:45 | |
# We could be broke | 0:59:45 | 0:59:47 | |
# As long as you love me | 0:59:47 | 0:59:49 | |
# I'll be your platinum | 0:59:49 | 0:59:51 | |
# I'll be your silver | 0:59:51 | 0:59:53 | |
# I'll be your gold | 0:59:53 | 0:59:56 | |
# As long as you lo-lo-lo-lo-lo-love | 0:59:56 | 1:00:03 | |
# Just lo-lo-l-lo-lo-lo-love me-e-e | 1:00:03 | 1:00:11 | |
# Love, oh-oh-oh-oh | 1:00:15 | 1:00:19 | |
# Me-e-e-e-e | 1:00:21 | 1:00:26 | |
# As long as you | 1:00:26 | 1:00:29 | |
# Love me. # | 1:00:29 | 1:00:34 | |
CHEERING AND APPLAUSE | 1:00:34 | 1:00:36 | |
Everybody, give it up one more time for Lem, Cleo and John! Come on! | 1:00:46 | 1:00:49 | |
CHEERING AND APPLAUSE | 1:00:49 | 1:00:51 | |
OK, Will, it's down to you | 1:00:55 | 1:00:56 | |
to decide who gets that last place on your team. | 1:00:56 | 1:00:59 | |
Um... | 1:01:04 | 1:01:05 | |
Everybody on stage, that was pretty freakin' fantabulous. | 1:01:07 | 1:01:11 | |
CHEERING | 1:01:11 | 1:01:13 | |
I think all three of you have the strength to go through to the lives, | 1:01:13 | 1:01:17 | |
but Lem, wow. | 1:01:17 | 1:01:19 | |
CHEERING | 1:01:19 | 1:01:21 | |
I didn't choose you in the battles, and I am so proud | 1:01:22 | 1:01:27 | |
and so happy that you have been given the chance | 1:01:27 | 1:01:31 | |
to do that on Team Will. | 1:01:31 | 1:01:33 | |
It's really close. | 1:01:37 | 1:01:38 | |
John, you know, I was talking to Will last week | 1:01:38 | 1:01:41 | |
and I said, why did you get through? And today, I see why. | 1:01:41 | 1:01:44 | |
I really think you've got a great, unique voice. | 1:01:44 | 1:01:49 | |
Great rendition as well. | 1:01:50 | 1:01:53 | |
Every week I look forward to seeing Cleo, | 1:01:53 | 1:01:55 | |
but this week it just fell flat of where you usually come. | 1:01:55 | 1:01:58 | |
I think Danny's right. For me, the song choice just wasn't right. | 1:01:59 | 1:02:04 | |
I feel like that let you down. | 1:02:04 | 1:02:05 | |
I want to know who in the world has the right to tell you | 1:02:07 | 1:02:11 | |
what you did wrong or right, when that was just flawless execution. | 1:02:11 | 1:02:15 | |
CHEERING | 1:02:15 | 1:02:17 | |
Are we freakin' serious here? | 1:02:23 | 1:02:25 | |
You know exactly what you want to do. | 1:02:25 | 1:02:27 | |
You know how to conduct, you know how to write. | 1:02:27 | 1:02:29 | |
You are a seasoned freakin' artist! | 1:02:29 | 1:02:32 | |
If it was my decision, hands down, it's Lem. | 1:02:33 | 1:02:36 | |
OK, Will, it's your decision, and it's without doubt a tough one. | 1:02:38 | 1:02:43 | |
AUDIENCE SHOUT | 1:02:43 | 1:02:47 | |
I have to put Cleo through. | 1:02:56 | 1:02:57 | |
CHEERING | 1:02:57 | 1:02:58 | |
Ladies and gentlemen, make some noise for our winner. | 1:03:01 | 1:03:04 | |
Congratulations, Cleo! | 1:03:04 | 1:03:05 | |
Ladies and gentlemen, one more time, | 1:03:18 | 1:03:19 | |
please give it up for the fantastic Lem and John. Come on! | 1:03:19 | 1:03:22 | |
CHEERING AND APPLAUSE | 1:03:22 | 1:03:24 | |
LEM: Thank you for helping. | 1:03:27 | 1:03:30 | |
You should have gone through. | 1:03:30 | 1:03:31 | |
I'm very sorry to be leaving here. But it's not the end. | 1:03:37 | 1:03:40 | |
There's always another door. | 1:03:40 | 1:03:44 | |
Come here. | 1:03:44 | 1:03:46 | |
Cleo, congratulations. You have made it through to the live show. | 1:03:46 | 1:03:49 | |
-Is there anything you want to say to Will? -Thank you, Will. | 1:03:49 | 1:03:52 | |
You've just put two girls through, and because of that | 1:03:52 | 1:03:54 | |
I couldn't imagine you to put a third when you've got three places. But... | 1:03:54 | 1:03:59 | |
I was hoping that my performance would be good enough | 1:03:59 | 1:04:03 | |
for the audience, at least. | 1:04:03 | 1:04:05 | |
They definitely enjoyed it in here. | 1:04:05 | 1:04:07 | |
Ladies and gentlemen, please put your hands together | 1:04:07 | 1:04:10 | |
for the fantastic Cleo! | 1:04:10 | 1:04:11 | |
One more time, come on! | 1:04:11 | 1:04:13 | |
Thank you. | 1:04:19 | 1:04:20 | |
Danny, who would you have gone with? | 1:04:29 | 1:04:31 | |
-Either Lem or Cleo, probably. TOM: -Lem, I think. | 1:04:31 | 1:04:34 | |
Me, too, Lem. | 1:04:34 | 1:04:36 | |
I'm through! I'm through to the live shows, baby. | 1:04:38 | 1:04:42 | |
Earlier, Will kept the future of one of his artists safe | 1:04:44 | 1:04:47 | |
by sending her straight into the live shows. | 1:04:47 | 1:04:49 | |
Here to show exactly why he made that decision, it's Leah McFall! | 1:04:49 | 1:04:54 | |
Leah is the best thing since sliced bread. | 1:05:00 | 1:05:02 | |
No-one in the charts right now sounds like you. | 1:05:06 | 1:05:08 | |
All the way, ready to go, I would record her right now. | 1:05:08 | 1:05:12 | |
Really, Leah? Whoa. | 1:05:12 | 1:05:14 | |
I love fashion. I love experimenting with it. | 1:05:14 | 1:05:16 | |
I think fashion's important as a musician and artist. | 1:05:16 | 1:05:19 | |
They go hand in hand. | 1:05:19 | 1:05:21 | |
# The way you make me feel... # | 1:05:21 | 1:05:23 | |
At the battles, Leah was put in a situation where she was shackled. | 1:05:23 | 1:05:26 | |
You didn't even get a chance to really hear Leah do Leah. | 1:05:26 | 1:05:30 | |
And she still won. That's how dope she is. | 1:05:30 | 1:05:32 | |
Leah. | 1:05:32 | 1:05:34 | |
That girl is amazing. She's going all the way to the lives. | 1:05:34 | 1:05:38 | |
# The way you make me feel. # | 1:05:38 | 1:05:41 | |
Come on, Leah! | 1:05:48 | 1:05:49 | |
# Loving you | 1:05:59 | 1:06:02 | |
# Is easy cos you're beautiful | 1:06:02 | 1:06:07 | |
# Makin' love to you | 1:06:07 | 1:06:10 | |
# Is all I wanna do | 1:06:10 | 1:06:14 | |
# Loving you | 1:06:14 | 1:06:18 | |
# Is more than just a dream come true | 1:06:18 | 1:06:23 | |
# And everything that I do | 1:06:23 | 1:06:25 | |
# Is out of lovin' you, oh | 1:06:25 | 1:06:30 | |
# La, la, la, la, la | 1:06:30 | 1:06:32 | |
# La, la, la, la, la | 1:06:32 | 1:06:34 | |
# Oooh, da, da, da | 1:06:34 | 1:06:37 | |
# Do, do, do, do, do, do | 1:06:37 | 1:06:41 | |
HIGH-PITCHED: # Ahhhh | 1:06:41 | 1:06:43 | |
# No-one else can make me feel | 1:06:46 | 1:06:49 | |
# The colours that you bring | 1:06:49 | 1:06:53 | |
# Stay with me till we grow old | 1:06:53 | 1:06:57 | |
# And we will live each day in springtime | 1:06:57 | 1:07:01 | |
# Loving you, oh | 1:07:01 | 1:07:05 | |
# Is more than just a dream come true | 1:07:05 | 1:07:09 | |
# It's everything that I do | 1:07:09 | 1:07:12 | |
# Ah-h-h-h-h-h. # | 1:07:14 | 1:07:21 | |
CHEERING AND APPLAUSE | 1:07:21 | 1:07:22 | |
That was what Will was talking about! | 1:07:28 | 1:07:31 | |
The amazing Leah! | 1:07:31 | 1:07:32 | |
And joining her on Will's live team, it's Leanne Jarvis! | 1:07:34 | 1:07:40 | |
And Cleo Higgins! | 1:07:40 | 1:07:42 | |
So there you have it. It's Team Will! | 1:07:46 | 1:07:49 | |
Tom and Will's knockouts are over, | 1:07:59 | 1:08:02 | |
and their teams of three are ready for the live shows. | 1:08:02 | 1:08:05 | |
On Team Tom, | 1:08:05 | 1:08:06 | |
Alys, Joseph | 1:08:06 | 1:08:08 | |
and Fast Pass country boy Mike. | 1:08:08 | 1:08:11 | |
There they are, Team Tom! | 1:08:11 | 1:08:14 | |
Will's knockout winners | 1:08:14 | 1:08:16 | |
were Leanne and Cleo, | 1:08:16 | 1:08:19 | |
and Fast Pass superstar Leah. | 1:08:19 | 1:08:21 | |
It's Team Will! | 1:08:24 | 1:08:25 | |
That is it. What a night. | 1:08:27 | 1:08:29 | |
Will and Tom have picked their top three artists. | 1:08:29 | 1:08:31 | |
Next time, Jessie and Danny will face big performances | 1:08:31 | 1:08:35 | |
and massive decisions as their knockouts begin. | 1:08:35 | 1:08:38 | |
Thanks to our artists, our band and our four superstar coaches. | 1:08:38 | 1:08:41 | |
Will.i.am! | 1:08:41 | 1:08:45 | |
Jessie J! | 1:08:45 | 1:08:47 | |
Sir Tom Jones! | 1:08:47 | 1:08:50 | |
And Danny O'Donoghue! | 1:08:50 | 1:08:52 | |
Join us next time as the knockouts continue. | 1:08:52 | 1:08:55 | |
-And we take one step closer to finding The Voice. -Good night! | 1:08:55 | 1:08:58 | |
Good night. | 1:08:58 | 1:09:00 | |
Tomorrow night, the knockouts conclude. | 1:09:01 | 1:09:04 | |
The talent in this room is unreal. | 1:09:04 | 1:09:05 | |
As teams Danny and Jessie fight it out for a place in the live shows. | 1:09:05 | 1:09:10 | |
Uh-oh, gloves are off. | 1:09:10 | 1:09:12 | |
Who to put through... | 1:09:12 | 1:09:14 | |
You're one of the best vocalists this country's ever seen. | 1:09:14 | 1:09:17 | |
..and who to send home... | 1:09:17 | 1:09:18 | |
That was one of the performances of the show so far. | 1:09:18 | 1:09:20 | |
..will be the hardest decision yet. | 1:09:20 | 1:09:22 | |
Jessie, who is the winner? | 1:09:25 | 1:09:26 | |
Oh! I don't know. | 1:09:26 | 1:09:28 | |
Have you got the vocal ability to deliver a blinding audition? | 1:09:31 | 1:09:34 | |
That's what I'm talking about! | 1:09:34 | 1:09:36 | |
Could you battle your way to a knockout performance? | 1:09:36 | 1:09:39 | |
That was mega dope. | 1:09:39 | 1:09:41 | |
-If the answer is... -Yes! | 1:09:41 | 1:09:43 | |
..then head to our website to apply for The Voice Series 3. | 1:09:43 | 1:09:46 | |
Our stage is waiting. All it needs is you. | 1:09:49 | 1:09:53 | |
Here's your chance. Go. | 1:09:53 | 1:09:55 | |
Subtitles by Red Bee Media Ltd | 1:10:11 | 1:10:14 |