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Last night, Team Tom and Team Will faced the first round of knockouts. | 0:00:02 | 0:00:05 | |
Their goal - a place in the live shows. | 0:00:05 | 0:00:08 | |
-The competition was fierce. -Amazing. | 0:00:08 | 0:00:10 | |
-And the places were few. -Wow. | 0:00:10 | 0:00:12 | |
With just three in each team able to go on... | 0:00:12 | 0:00:15 | |
And go live. | 0:00:15 | 0:00:17 | |
Tonight, it's Round 2 of the Knockouts. | 0:00:18 | 0:00:21 | |
As Jessie and Danny complete their live show line-up. | 0:00:21 | 0:00:25 | |
They have to choose the right song. I have to choose the right singers. | 0:00:25 | 0:00:28 | |
They're going to have to prove to me that they are the one | 0:00:28 | 0:00:31 | |
I take through to the live shows. | 0:00:31 | 0:00:33 | |
-Jessie, who is the winner? -I don't know! | 0:00:33 | 0:00:34 | |
The knockout weekend continues now. | 0:00:34 | 0:00:37 | |
I'm so proud! | 0:00:39 | 0:00:40 | |
APPLAUSE AND CHEERING | 0:00:43 | 0:00:46 | |
Hello and welcome to The Voice: The Knockouts. | 0:00:47 | 0:00:50 | |
Tonight, the artists will be singing to knock their own teammates out of the competition. | 0:00:50 | 0:00:54 | |
Let's meet the four superstars searching for the next big thing. | 0:00:54 | 0:00:58 | |
-Will.i.am. -CHEERING AND APPLAUSE | 0:00:58 | 0:01:00 | |
-Jessie J! -CHEERING AND APPLAUSE | 0:01:00 | 0:01:03 | |
-Sir Tom Jones! -CHEERING AND APPLAUSE | 0:01:03 | 0:01:05 | |
-And Danny O'Donoghue! -APPLAUSE AND CHEERING | 0:01:05 | 0:01:09 | |
Welcome back, coaches. How are we feeling, we good? | 0:01:09 | 0:01:12 | |
-Wicked. -Good. | 0:01:12 | 0:01:13 | |
Tonight, Danny and Jessie must put together their ultimate teams of three for the live shows. | 0:01:15 | 0:01:20 | |
First up, Team Jessie. | 0:01:20 | 0:01:22 | |
Yes! | 0:01:22 | 0:01:23 | |
Team Jessie, baby, yeah! | 0:01:29 | 0:01:32 | |
APPLAUSE AND CHEERING | 0:01:34 | 0:01:36 | |
Jessie is about to protect the future of one of her artists | 0:01:36 | 0:01:38 | |
by giving them a clear path into the next stage of this competition. | 0:01:38 | 0:01:42 | |
Jessie, which of your seven artists | 0:01:42 | 0:01:44 | |
are you sending straight through to the live shows? | 0:01:44 | 0:01:48 | |
It's never a free pass. | 0:01:49 | 0:01:51 | |
This doesn't mean the hard work doesn't stop. | 0:01:51 | 0:01:53 | |
The person that I'm taking through, for me, | 0:01:55 | 0:01:58 | |
is just someone that has a voice that is undeniable. | 0:01:58 | 0:02:01 | |
The person that I am taking through to the lives is... | 0:02:04 | 0:02:08 | |
Ash. APPLAUSE AND CHEERING | 0:02:15 | 0:02:18 | |
Ash, congratulations! | 0:02:18 | 0:02:20 | |
Step forward for me. | 0:02:20 | 0:02:23 | |
You've done it! You're through to the live shows, congratulations. | 0:02:23 | 0:02:28 | |
I can't speak. | 0:02:33 | 0:02:35 | |
That's... It's incredible. | 0:02:35 | 0:02:37 | |
-Thank you so much. -Enjoy every minute of it. | 0:02:37 | 0:02:40 | |
You've been an incredible coach. | 0:02:40 | 0:02:42 | |
Since day one you've given us so much time and so much nurturing, | 0:02:42 | 0:02:46 | |
and you're incredible. Thank you so much for this opportunity. | 0:02:46 | 0:02:50 | |
APPLAUSE AND CHEERING | 0:02:50 | 0:02:53 | |
We'll hear Ash perform later on in the show. | 0:02:53 | 0:02:55 | |
But for now, everyone, Ash Morgan! | 0:02:55 | 0:02:58 | |
CHEERING AND APPLAUSE | 0:02:58 | 0:03:00 | |
There are only two places left on Jessie's live team, | 0:03:10 | 0:03:13 | |
so Jessie, which three artists will be in this first knockout round? | 0:03:13 | 0:03:17 | |
Danny. | 0:03:20 | 0:03:22 | |
APPLAUSE AND CHEERING | 0:03:22 | 0:03:23 | |
The amazing Trevor. | 0:03:28 | 0:03:29 | |
CHEERING AND APPLAUSE | 0:03:29 | 0:03:31 | |
And... | 0:03:35 | 0:03:36 | |
Sarah. | 0:03:36 | 0:03:38 | |
CHEERING AND APPLAUSE | 0:03:38 | 0:03:41 | |
So, Sarah, Trevor and Danny are in Jessie's first knockout. | 0:03:43 | 0:03:47 | |
Let's take a look at how they got here. | 0:03:47 | 0:03:50 | |
# Take me T-T-Take me... # | 0:03:55 | 0:03:57 | |
Sarah is the sexy, sassy girl with a range from here to here. | 0:03:57 | 0:04:02 | |
# Yeah, yeah! # | 0:04:02 | 0:04:06 | |
So happy! | 0:04:06 | 0:04:08 | |
I'm 31. I've been waiting my whole life for this moment. | 0:04:08 | 0:04:11 | |
So, song choice for this next round is crucial. | 0:04:11 | 0:04:14 | |
-What song do you want to sing? -Ain't No Mountain High Enough. | 0:04:14 | 0:04:18 | |
-I know it's kind of been done. -Yeah. | 0:04:18 | 0:04:21 | |
You're going into the safe zone. | 0:04:21 | 0:04:25 | |
I definitely think there's a wild side of you | 0:04:25 | 0:04:27 | |
-that you've not brought out yet. -Yeah. | 0:04:27 | 0:04:29 | |
# Baby, there ain't no mountain high enough... # | 0:04:29 | 0:04:33 | |
You know how I feel about that song. It's a massive song to sing. | 0:04:33 | 0:04:36 | |
I think it's hard to make it original. | 0:04:36 | 0:04:38 | |
It's very easy to sound like everyone else that's sung it. | 0:04:38 | 0:04:41 | |
You're panicking. Just take your time. Really own it. | 0:04:41 | 0:04:45 | |
Jessie was working me really hard. | 0:04:45 | 0:04:46 | |
I couldn't understand what you said. You just threw it away. | 0:04:46 | 0:04:49 | |
I still don't believe you. | 0:04:49 | 0:04:50 | |
She wants me to do the best version of this song that I possibly can. | 0:04:50 | 0:04:54 | |
I'm annoying, sorry, but we have to get this right. | 0:04:54 | 0:04:56 | |
Sarah just needs to stop trying to be safe, | 0:04:56 | 0:04:59 | |
cos that's when the confident woman comes out, | 0:04:59 | 0:05:02 | |
and that's what I want to see. | 0:05:02 | 0:05:03 | |
I just feel like this is my last chance, | 0:05:03 | 0:05:06 | |
and I just pray Jessie takes me through to the live shows. | 0:05:06 | 0:05:10 | |
# Coming to you... # | 0:05:13 | 0:05:15 | |
Trevor, my soul man. | 0:05:15 | 0:05:18 | |
Trevor was the backing vocalist and now is the main event. | 0:05:18 | 0:05:22 | |
# I'm a soul man... # | 0:05:22 | 0:05:24 | |
I'm going to keep pushing and pushing | 0:05:25 | 0:05:27 | |
to come out of my shyness. | 0:05:27 | 0:05:28 | |
The next stuff is knockouts. How are you feeling about that? | 0:05:31 | 0:05:34 | |
I'm trying to decide if I should do a fast or a slow song. | 0:05:34 | 0:05:37 | |
It's a tough decision, I agree with you. | 0:05:37 | 0:05:39 | |
We'll have a think about it. | 0:05:39 | 0:05:41 | |
What have you decided on? | 0:05:43 | 0:05:45 | |
Gimme Some Lovin'. | 0:05:45 | 0:05:46 | |
Ooh. # Gimme some lovin'... # | 0:05:46 | 0:05:48 | |
My missus chose it. She really does know my voice, | 0:05:48 | 0:05:51 | |
she's heard it for years, so I'm going to go with her on this one. | 0:05:51 | 0:05:53 | |
# I'm so glad we made it | 0:05:53 | 0:05:57 | |
# Yeah, so glad we made it! # | 0:05:57 | 0:06:00 | |
I'm not crazy about the song. | 0:06:02 | 0:06:03 | |
I don't like it. It's a bit predictable. | 0:06:05 | 0:06:08 | |
I would like to see if we can put a slower section in, | 0:06:08 | 0:06:12 | |
break it down. | 0:06:12 | 0:06:13 | |
I'm very nervous. It's not something I would have done. | 0:06:13 | 0:06:17 | |
Just piano for me, just for a minute. | 0:06:17 | 0:06:19 | |
The fact that it's been stripped down, | 0:06:19 | 0:06:21 | |
it leaves me very open to mistakes. | 0:06:21 | 0:06:24 | |
# ..My feet on the floor... # | 0:06:27 | 0:06:29 | |
Can you smile and perform? And remember that we're...? | 0:06:29 | 0:06:31 | |
There is a certain way I've learned it, | 0:06:31 | 0:06:34 | |
so now I'm like, "Oh, my God, I don't know how I'm going to do it." | 0:06:34 | 0:06:37 | |
He can sing the ... out of it, | 0:06:37 | 0:06:39 | |
but that's not going to pull him through the next round. He needs to | 0:06:39 | 0:06:42 | |
give something extra special that no-one's seen. | 0:06:42 | 0:06:45 | |
-No problem, I'll work on it. I promise. -Yeah? -Yeah, I promise. | 0:06:45 | 0:06:48 | |
I'm going back to square one again, | 0:06:48 | 0:06:50 | |
so I've got a lot of hard work to do now, but I want this badly. | 0:06:50 | 0:06:52 | |
Bad, bad, bad. So I'm going to give my all. | 0:06:52 | 0:06:54 | |
# Baby, you're my everything... # | 0:06:57 | 0:07:00 | |
Danny is so inexperienced but he's got such delicious tone, | 0:07:00 | 0:07:03 | |
and killer dance moves. | 0:07:03 | 0:07:05 | |
Danny. APPLAUSE AND CHEERING | 0:07:07 | 0:07:11 | |
-So, song choice. -Be My Baby by the Ronettes. | 0:07:11 | 0:07:14 | |
I like that idea of reworking such a well-known. classic song. | 0:07:14 | 0:07:18 | |
It's obviously a female vocal, | 0:07:18 | 0:07:20 | |
and I'd like to switch it up a bit and make my mark on it. | 0:07:20 | 0:07:24 | |
-I trust that you're not going to let me down on this one. -No, I won't. | 0:07:24 | 0:07:27 | |
# Be my little baby... # | 0:07:27 | 0:07:32 | |
The band rehearsal, it's intense, | 0:07:32 | 0:07:34 | |
and Jessie is right in front of you. | 0:07:34 | 0:07:36 | |
# Whoa-oh-oh-oh... # | 0:07:36 | 0:07:40 | |
I think you should just do it on your own. # Be my little baby... # | 0:07:40 | 0:07:45 | |
-Without us playing? -Yeah. | 0:07:45 | 0:07:47 | |
Jessie was saying she thinks I should do less. | 0:07:47 | 0:07:51 | |
Don't try and add too much to it, just keep it plain. | 0:07:51 | 0:07:54 | |
# Be my baby now, oh oh... # | 0:07:54 | 0:07:58 | |
'I feel it's fairly risky.' | 0:07:58 | 0:08:01 | |
It definitely feels different, has a different vibe. | 0:08:01 | 0:08:03 | |
# Be my little baby. # | 0:08:03 | 0:08:08 | |
It's nice. I think it's really nice on your own. | 0:08:08 | 0:08:10 | |
This will actually be my fifth gig now. | 0:08:10 | 0:08:13 | |
I have to show Jessie that I can make it work. | 0:08:13 | 0:08:17 | |
CHEERING AND APPLAUSE | 0:08:17 | 0:08:19 | |
It's Team Jessie's first knockout. | 0:08:20 | 0:08:24 | |
Three artists are about to perform, but only one can go on and go live. | 0:08:24 | 0:08:27 | |
-First, it's Danny! -APPLAUSE AND CHEERING | 0:08:27 | 0:08:30 | |
# The night we met | 0:08:48 | 0:08:51 | |
# I know I needed you so | 0:08:51 | 0:08:57 | |
# And if I had the chance I'd | 0:08:58 | 0:09:04 | |
# Never let you go | 0:09:04 | 0:09:07 | |
# So won't you say you love me? | 0:09:09 | 0:09:14 | |
# I'll make you so proud of me | 0:09:16 | 0:09:20 | |
# We'll make them turn their heads | 0:09:21 | 0:09:25 | |
# Everywhere we go | 0:09:25 | 0:09:28 | |
# So won't you please | 0:09:28 | 0:09:31 | |
# Be my, be my | 0:09:31 | 0:09:34 | |
# Be my little baby | 0:09:34 | 0:09:39 | |
# Say you'll be my darlin' | 0:09:39 | 0:09:46 | |
# Be my baby now, oh-oh Oh, oh, oh, oh, oh, oh | 0:09:46 | 0:09:52 | |
# Won't you be my | 0:09:52 | 0:09:56 | |
# Be my little baby. # | 0:09:56 | 0:09:59 | |
APPLAUSE AND CHEERING | 0:09:59 | 0:10:02 | |
-So cute! -That was different. | 0:10:09 | 0:10:11 | |
-So cute, though! -Yeah. | 0:10:11 | 0:10:13 | |
-Next, it's Trevor! -APPLAUSE AND CHEERING | 0:10:21 | 0:10:24 | |
# Well, my temperature's rising and my feet left the floor | 0:10:37 | 0:10:41 | |
# 20 people knocking cos they wanted some more | 0:10:41 | 0:10:45 | |
# Let me in, baby I don't know what you got | 0:10:45 | 0:10:49 | |
# But you better take it easy This place is hot | 0:10:49 | 0:10:53 | |
# I'm so glad we made it | 0:10:53 | 0:10:56 | |
# Mmm-hmm, so glad we made it | 0:10:56 | 0:11:00 | |
# Well, I feel so good Everything is sounding hot | 0:11:00 | 0:11:04 | |
# You'd better take it easy cos this place is on fire | 0:11:04 | 0:11:08 | |
# It's been a hard day I don't know what to do | 0:11:08 | 0:11:12 | |
# But wait a minute, baby This could happen to you, so | 0:11:12 | 0:11:17 | |
# So glad we made it | 0:11:17 | 0:11:20 | |
# Oh, Lord, so glad we made it | 0:11:20 | 0:11:23 | |
# Well, I feel so good Everything is sounding hot | 0:11:23 | 0:11:28 | |
# Baby | 0:11:28 | 0:11:34 | |
# Ooh, yeah Gimme that love, baby | 0:11:38 | 0:11:43 | |
# Gimme that love, baby | 0:11:43 | 0:11:45 | |
# That's what I want, baby Gimme that love, baby. # | 0:11:45 | 0:11:50 | |
APPLAUSE AND CHEERING | 0:11:50 | 0:11:55 | |
Killed it, killed it. | 0:12:04 | 0:12:06 | |
-Finally, it's Sarah! -APPLAUSE AND CHEERING | 0:12:07 | 0:12:11 | |
# Listen, baby | 0:12:21 | 0:12:26 | |
# Just call out my name | 0:12:26 | 0:12:31 | |
# I'll be there in a hurry | 0:12:31 | 0:12:36 | |
# You don't have to worry | 0:12:36 | 0:12:43 | |
# Cos baby, there ain't no mountain high enough | 0:12:43 | 0:12:47 | |
# Ain't no valley low enough | 0:12:47 | 0:12:51 | |
# Ain't no river wide enough | 0:12:51 | 0:12:54 | |
# To keep me from getting to you | 0:12:54 | 0:12:57 | |
# Remember the day I set you free | 0:12:57 | 0:13:01 | |
# I told you you could always count on me | 0:13:01 | 0:13:05 | |
# And from that day on I made a vow | 0:13:05 | 0:13:08 | |
# I'll be there when you want me Someday, somehow | 0:13:08 | 0:13:12 | |
# Ain't no mountain high enough | 0:13:12 | 0:13:15 | |
# Ain't no valley low, no | 0:13:15 | 0:13:17 | |
# Ain't no river wide enough | 0:13:17 | 0:13:19 | |
# For you | 0:13:19 | 0:13:21 | |
# Ain't no mountain high enough | 0:13:21 | 0:13:25 | |
# Ain't no valley low enough, no | 0:13:25 | 0:13:29 | |
# Ain't no river wide enough | 0:13:29 | 0:13:33 | |
# To keep me from getting to you | 0:13:33 | 0:13:40 | |
-# Oooh-ooh-ooh. # -APPLAUSE AND CHEERING | 0:13:40 | 0:13:45 | |
I'm so proud. | 0:13:49 | 0:13:51 | |
Well done, guys. What a knockout round that was. | 0:14:04 | 0:14:07 | |
Jessie, you must be so proud of them. | 0:14:07 | 0:14:09 | |
-TOM: -Speechless. -I am so proud! | 0:14:12 | 0:14:14 | |
APPLAUSE AND CHEERING | 0:14:14 | 0:14:16 | |
This, of course, | 0:14:22 | 0:14:23 | |
-makes your decision even tougher. -I don't even know, | 0:14:23 | 0:14:25 | |
I don't even know. I don't know. | 0:14:25 | 0:14:28 | |
I need, seriously, I need some guidance. | 0:14:28 | 0:14:31 | |
The one that sort of had the most power | 0:14:31 | 0:14:34 | |
and came across the strongest for me and the most real was Trevor. | 0:14:34 | 0:14:39 | |
-APPLAUSE AND CHEERING -Thank you, Tom. | 0:14:39 | 0:14:42 | |
The difference between Trevor and Sarah is so slim | 0:14:42 | 0:14:45 | |
that Sarah's song choice tipped it by getting the crowd going. | 0:14:45 | 0:14:48 | |
I know you wanted to show off your voice with a ballad, | 0:14:48 | 0:14:51 | |
and I commend you for it, | 0:14:51 | 0:14:52 | |
but sometimes high-tempo just kicks its butt in a way as well. | 0:14:52 | 0:14:56 | |
Danny, you're my favourite, you know? But... | 0:14:57 | 0:15:00 | |
that wasn't good. | 0:15:00 | 0:15:02 | |
I looked over to Jessie, like, what happened there? | 0:15:02 | 0:15:05 | |
Just a guitar, and that's it? | 0:15:05 | 0:15:07 | |
-Where... What did you guys do in rehearsal? -There was, like, percussion. | 0:15:07 | 0:15:11 | |
Only percussion I heard was my head hitting the chair when I fell asleep. | 0:15:11 | 0:15:14 | |
AUDIENCE BOOS | 0:15:14 | 0:15:16 | |
No, I'm just saying! | 0:15:16 | 0:15:18 | |
The arrangement... I'm sorry, I'm being honest, | 0:15:18 | 0:15:21 | |
now you're going to get mad at me because I'm honest? | 0:15:21 | 0:15:25 | |
That being said... | 0:15:25 | 0:15:27 | |
I still would pick Danny, because I don't think | 0:15:28 | 0:15:30 | |
he was given the right tools | 0:15:30 | 0:15:33 | |
and he is my favourite. | 0:15:33 | 0:15:35 | |
APPLAUSE AND CHEERING | 0:15:35 | 0:15:38 | |
CROWD SHOUT | 0:15:42 | 0:15:45 | |
OK, OK. | 0:15:48 | 0:15:50 | |
CHANTING: Sarah! Sarah! | 0:15:58 | 0:16:00 | |
OK, guys, guys, guys. | 0:16:02 | 0:16:04 | |
Danny, up until this point, for me, | 0:16:04 | 0:16:07 | |
you were one of the strongest contenders | 0:16:07 | 0:16:09 | |
in this competition as an all-round artist. | 0:16:09 | 0:16:12 | |
APPLAUSE AND CHEERING | 0:16:12 | 0:16:14 | |
Sarah, I said to you, I need to see your wild side. | 0:16:14 | 0:16:18 | |
I am blown away at your performance. | 0:16:18 | 0:16:21 | |
And I, I cried. | 0:16:24 | 0:16:26 | |
Trevor, you took the mic off the stand like, "This is my moment." | 0:16:26 | 0:16:32 | |
I loved it. So well done. | 0:16:32 | 0:16:35 | |
APPLAUSE AND CHEERING | 0:16:35 | 0:16:38 | |
Jessie, who is the winner of this knockout? | 0:16:38 | 0:16:40 | |
AUDIENCE SHOUTS | 0:16:40 | 0:16:44 | |
I don't know! | 0:16:46 | 0:16:47 | |
Well, it's either Sarah or Trevor, I think. Either one. | 0:16:47 | 0:16:51 | |
OK. Er... | 0:16:57 | 0:16:59 | |
I don't know. | 0:17:01 | 0:17:02 | |
Jessie, who is the winner of this knockout? | 0:17:06 | 0:17:09 | |
I... | 0:17:15 | 0:17:16 | |
..am... | 0:17:18 | 0:17:20 | |
going to go with my gut. | 0:17:20 | 0:17:23 | |
And my heart. | 0:17:24 | 0:17:25 | |
The winner of this knockout... | 0:17:29 | 0:17:30 | |
Purely, I'm going to go on a decision based on... | 0:17:37 | 0:17:41 | |
Come on, guys, let her think! | 0:17:41 | 0:17:44 | |
LAUGHTER | 0:17:44 | 0:17:45 | |
Argh! I don't know! I don't know! | 0:17:45 | 0:17:49 | |
Jessie, you've got to go. | 0:17:49 | 0:17:50 | |
You said you were going to go with | 0:17:50 | 0:17:52 | |
-your head and your heart. -I don't know. | 0:17:52 | 0:17:54 | |
Go with heart. | 0:17:54 | 0:17:56 | |
OK. | 0:17:56 | 0:17:58 | |
-WILL: -The crowd want Sarah. | 0:18:02 | 0:18:03 | |
They really want Sarah. She did smash it. We're talking about | 0:18:03 | 0:18:07 | |
who will sell records after this. | 0:18:07 | 0:18:08 | |
Danny is going to have a career either way. | 0:18:08 | 0:18:10 | |
But Sarah just proved a point to me that I just, I can't deny it. | 0:18:10 | 0:18:14 | |
That's really tough. | 0:18:14 | 0:18:16 | |
-TOM: -It's tough, it's tough. It's a tough decision to make. | 0:18:16 | 0:18:19 | |
Jessie, I know that you're getting help from your coaches, | 0:18:19 | 0:18:22 | |
but this really does come down to you, | 0:18:22 | 0:18:24 | |
and you're going to have to make your mind up. | 0:18:24 | 0:18:26 | |
OK. | 0:18:26 | 0:18:28 | |
I was going to take you through, Danny, OK? | 0:18:28 | 0:18:31 | |
I'm being real with you. | 0:18:31 | 0:18:32 | |
I believe you're the most unique artist that this show has ever seen. | 0:18:32 | 0:18:37 | |
I am not going to put you through | 0:18:37 | 0:18:39 | |
because I don't think that was the best voice, OK? | 0:18:39 | 0:18:41 | |
APPLAUSE AND CHEERING | 0:18:41 | 0:18:43 | |
I'm going to go with the person that showed me | 0:18:46 | 0:18:50 | |
something that I hadn't seen, that deserves to fight in the lives. | 0:18:50 | 0:18:53 | |
So the winner of this knockout... | 0:19:00 | 0:19:03 | |
..is Sarah. WILD APPLAUSE AND CHEERING | 0:19:07 | 0:19:11 | |
Sarah, congratulations. | 0:19:11 | 0:19:14 | |
You are the winner. You're going through to the live shows. | 0:19:14 | 0:19:19 | |
Well done. | 0:19:19 | 0:19:21 | |
-Guys, can I have a hug? I'm so... -That's all right. -Oh, my God. | 0:19:23 | 0:19:27 | |
That was the hardest thing I've ever had to do. | 0:19:27 | 0:19:31 | |
So, that was tough. That was really tough. | 0:19:33 | 0:19:36 | |
And guys, is there anything you want to say to Jessie right now? | 0:19:36 | 0:19:39 | |
Six months ago, I hadn't even done a gig, so yeah, just thank you. | 0:19:39 | 0:19:43 | |
APPLAUSE AND CHEERING | 0:19:43 | 0:19:46 | |
Yeah, just thank you so much for everything you've done. | 0:19:46 | 0:19:50 | |
APPLAUSE AND CHEERING | 0:19:50 | 0:19:54 | |
Huge round of applause for Trevor and Danny! | 0:19:56 | 0:20:00 | |
APPLAUSE AND CHEERING | 0:20:00 | 0:20:03 | |
And so that leaves Sarah! | 0:20:10 | 0:20:12 | |
Congratulations! You're through to the live shows. | 0:20:12 | 0:20:16 | |
-You're just completely shocked, aren't you? -I'm honestly speechless. | 0:20:16 | 0:20:19 | |
And I honestly thought that was my last performance. | 0:20:19 | 0:20:22 | |
You don't do a performance like that and me just bypass it. | 0:20:22 | 0:20:25 | |
This is about opportunity and you just grabbed it. | 0:20:25 | 0:20:28 | |
APPLAUSE AND CHEERING | 0:20:28 | 0:20:29 | |
Ladies and gentlemen, give it up for Sarah! | 0:20:32 | 0:20:35 | |
APPLAUSE AND CHEERING | 0:20:35 | 0:20:37 | |
I just thought this was my last chance. | 0:20:43 | 0:20:46 | |
And tonight's made me realise, it's not the end of the road. | 0:20:46 | 0:20:50 | |
So now I'm not going to stop. I want to get to the final. | 0:20:50 | 0:20:53 | |
-You made the right choice. -I know. | 0:20:54 | 0:20:57 | |
I just kind of, honestly, she was the no, and it was between the other two. | 0:20:57 | 0:21:00 | |
And then it was like, she's not sung like that, ever! | 0:21:00 | 0:21:03 | |
APPLAUSE AND CHEERING | 0:21:17 | 0:21:20 | |
This is it. | 0:21:20 | 0:21:21 | |
Jessie has one place left on her live team. Who's going to fill it? | 0:21:21 | 0:21:25 | |
Letitia, Lovelle, or Matt? | 0:21:25 | 0:21:27 | |
Everything has been building up to this performance. | 0:21:27 | 0:21:30 | |
# When you're standing in the crowd... # | 0:21:36 | 0:21:40 | |
-Matt was my steal. -We've got a steal! | 0:21:40 | 0:21:43 | |
Because I really wanted to work with him. | 0:21:43 | 0:21:46 | |
Jessie. | 0:21:46 | 0:21:48 | |
# Whoa, oh, do I do. # | 0:21:48 | 0:21:51 | |
Let's talk song choice. | 0:21:51 | 0:21:53 | |
I'm excited about the song Skinny Love, by Birdy. | 0:21:53 | 0:21:56 | |
-I think that's a great song choice. It's unusual, I don't think people are going to expect it. -Yeah. | 0:21:56 | 0:22:01 | |
I'm huge fan of that song. | 0:22:01 | 0:22:02 | |
This song reflects a very important time in my life. | 0:22:02 | 0:22:05 | |
# Come on, skinny love Just last the year... # | 0:22:05 | 0:22:11 | |
'My relationship wasn't going in the right place,' | 0:22:11 | 0:22:14 | |
and looking back, I can see how this song tells that story. | 0:22:14 | 0:22:19 | |
One second, one second, one second. You're holding back. | 0:22:19 | 0:22:23 | |
Because if I was to commit to it, you'd... | 0:22:23 | 0:22:26 | |
If you'd cry your eyes out, you want to do that now and not on stage. | 0:22:26 | 0:22:30 | |
For me, Matt needs to deliver | 0:22:30 | 0:22:32 | |
an emotional performance that is contained and controlled. | 0:22:32 | 0:22:35 | |
You have to not let it become your weakness, but become your strength. | 0:22:35 | 0:22:38 | |
-Yeah, yeah. -There's a difference between me watching you cry | 0:22:38 | 0:22:41 | |
and me crying with you. | 0:22:41 | 0:22:42 | |
The key to getting this right on the night | 0:22:42 | 0:22:44 | |
is to not allow my emotions to affect my performance. | 0:22:44 | 0:22:48 | |
But you know, on the night, singing such an emotional song, who knows? | 0:22:49 | 0:22:52 | |
Lovelle is the young, fun, | 0:22:58 | 0:23:00 | |
feisty girl that has a tone that just gets your ears. | 0:23:00 | 0:23:04 | |
# No air, no air... # | 0:23:04 | 0:23:06 | |
Lovelle. | 0:23:06 | 0:23:07 | |
-I want to talk song choice. -OK. | 0:23:09 | 0:23:12 | |
I've picked Emeli Sande, Wonder. | 0:23:12 | 0:23:15 | |
Right. I don't think it's the most thought-out choice. | 0:23:15 | 0:23:19 | |
Right now, Emeli Sande is at a real big peak of her career. | 0:23:19 | 0:23:22 | |
Don't want you to be compared to the original. | 0:23:22 | 0:23:25 | |
I feel that you can show your versatility with Cyndi Lauper, | 0:23:25 | 0:23:29 | |
True Colours. | 0:23:29 | 0:23:30 | |
'I don't know what to do. I feel like,' | 0:23:30 | 0:23:33 | |
do I go with what Jessie says, or do I go with what my heart says? | 0:23:33 | 0:23:36 | |
I don't know. | 0:23:36 | 0:23:37 | |
-How are you feeling? -Good. -Good? | 0:23:37 | 0:23:40 | |
What have you decided to go ahead with? | 0:23:40 | 0:23:43 | |
I'm going to sing True Colours. | 0:23:43 | 0:23:46 | |
Because you know what you're talking about, and I trust you. | 0:23:46 | 0:23:49 | |
I was a bit unsure at first, so I went and practised. | 0:23:49 | 0:23:52 | |
# ..your true colours shining through... # | 0:23:52 | 0:23:56 | |
And I love it now. I am so happy I listened. | 0:23:56 | 0:23:59 | |
# ..Like a rainbow. # | 0:23:59 | 0:24:03 | |
-Do you like it? -So good! | 0:24:05 | 0:24:08 | |
I'm going to throw it down and say that Lovelle just shook up | 0:24:08 | 0:24:12 | |
who I thought initially were my top three in my mind. | 0:24:12 | 0:24:15 | |
# I bust the windows out your car... # | 0:24:17 | 0:24:22 | |
Letitia, Letitia, my lovely Letitia. | 0:24:22 | 0:24:24 | |
The youngest left in the competition. | 0:24:24 | 0:24:26 | |
I think her voice is so unique and incredible. | 0:24:26 | 0:24:29 | |
She is like a little ball of light. | 0:24:30 | 0:24:32 | |
So, knockouts. | 0:24:36 | 0:24:37 | |
Song. | 0:24:37 | 0:24:39 | |
Pat Benatar, Love Is A Battlefield. | 0:24:39 | 0:24:40 | |
Wow, OK! Not an easy one. | 0:24:40 | 0:24:43 | |
I chose this song because I love the film that I first heard it in, | 0:24:43 | 0:24:47 | |
13 Going On 30. | 0:24:47 | 0:24:49 | |
# We are young... # | 0:24:49 | 0:24:51 | |
Letitia is the youngest person that's going to be stepping onstage | 0:24:51 | 0:24:55 | |
for the knockouts and I want her to go out there owning the stage. | 0:24:55 | 0:25:00 | |
I want you to give me a bit more fire. | 0:25:00 | 0:25:01 | |
You're singing it how you've sung it for years. | 0:25:01 | 0:25:04 | |
I'll put you off and you fight through me. | 0:25:04 | 0:25:05 | |
# We are young... # | 0:25:05 | 0:25:08 | |
There is a danger zone and a comfort zone | 0:25:08 | 0:25:10 | |
and you have to sit in the middle. | 0:25:10 | 0:25:11 | |
# Searching our hearts for so long... # | 0:25:11 | 0:25:16 | |
Come on! | 0:25:16 | 0:25:17 | |
I'd say Jessie's belief in me has really hit home. | 0:25:17 | 0:25:22 | |
I need to make my stamp in this competition | 0:25:22 | 0:25:26 | |
and show her that I am made of more. | 0:25:26 | 0:25:29 | |
So good! You did it! | 0:25:31 | 0:25:33 | |
CHEERING | 0:25:33 | 0:25:36 | |
It's Team Jessie's second knockout. | 0:25:38 | 0:25:39 | |
Three singers, three songs, but just one place left. | 0:25:39 | 0:25:42 | |
First, it's Letitia. | 0:25:42 | 0:25:44 | |
# We are young | 0:25:54 | 0:25:56 | |
# Heartache to heartache we stand | 0:25:58 | 0:26:03 | |
# Love is a bed of nails | 0:26:05 | 0:26:08 | |
# Ohh-oh oh-oh | 0:26:10 | 0:26:12 | |
# You're begging me to go I'm making you stay | 0:26:13 | 0:26:18 | |
# Why do you hurt me so bad? | 0:26:18 | 0:26:23 | |
# It would help me to know | 0:26:24 | 0:26:26 | |
# Do I stand in your way | 0:26:26 | 0:26:28 | |
# Or am I the best thing you've had? | 0:26:28 | 0:26:34 | |
# Believe me, believe me | 0:26:34 | 0:26:37 | |
# I can't tell you why | 0:26:37 | 0:26:39 | |
# But I'm trapped by your love | 0:26:39 | 0:26:42 | |
# And chained to your side | 0:26:42 | 0:26:45 | |
# Oh, yeah | 0:26:45 | 0:26:49 | |
# We are strong | 0:26:49 | 0:26:51 | |
# No-one can tell us we're wrong | 0:26:53 | 0:26:57 | |
# Searching our hearts for so long | 0:26:58 | 0:27:02 | |
# Both of us knowing | 0:27:04 | 0:27:08 | |
# Love is a battlefield. # | 0:27:08 | 0:27:12 | |
CHEERING | 0:27:12 | 0:27:15 | |
She nice, she nice. | 0:27:15 | 0:27:18 | |
Go on, girl! Go on! | 0:27:18 | 0:27:21 | |
APPLAUSE DROWNS SPEECH | 0:27:24 | 0:27:27 | |
Next up, it's Lovelle. | 0:27:30 | 0:27:31 | |
# You with those sad eyes | 0:27:43 | 0:27:48 | |
# Don't be discouraged | 0:27:48 | 0:27:50 | |
# Oh, I realise it's hard to take courage | 0:27:50 | 0:27:56 | |
# In a world full of people | 0:27:56 | 0:27:59 | |
# You can lose sight of it all | 0:27:59 | 0:28:01 | |
# And the darkness inside you can make you feel so small | 0:28:01 | 0:28:07 | |
# But I see your true colours shining through | 0:28:07 | 0:28:12 | |
# I see your true colours and that's why love you | 0:28:12 | 0:28:19 | |
# So don't be afraid to let them show | 0:28:19 | 0:28:24 | |
# Your true colours | 0:28:24 | 0:28:27 | |
# True colours are beautiful | 0:28:27 | 0:28:32 | |
# So don't be afraid to let them show | 0:28:32 | 0:28:38 | |
# Your true colours | 0:28:38 | 0:28:42 | |
# True colours | 0:28:42 | 0:28:44 | |
# Are beautiful | 0:28:44 | 0:28:50 | |
# Like a rainbow. # | 0:28:50 | 0:28:55 | |
DANNY: She's gorgeous. | 0:29:00 | 0:29:03 | |
Love you. | 0:29:05 | 0:29:06 | |
Go work it. | 0:29:06 | 0:29:08 | |
And finally, it's Matt. | 0:29:08 | 0:29:10 | |
CHEERING | 0:29:10 | 0:29:14 | |
# Come on, skinny love Just last the year | 0:29:21 | 0:29:26 | |
# Pour a little salt We were never here | 0:29:28 | 0:29:34 | |
# My, my, my, my, my, my | 0:29:34 | 0:29:38 | |
# My, my, my, my | 0:29:38 | 0:29:40 | |
# Staring at a sink of blood and crushed veneer | 0:29:40 | 0:29:47 | |
# I have told my love to wreck it all | 0:29:49 | 0:29:54 | |
# Cut out all the ropes and let me fall | 0:29:55 | 0:29:59 | |
# My, my, my, my, my, my, my, oh, my | 0:30:01 | 0:30:07 | |
# Right in this moment this order is tall | 0:30:07 | 0:30:14 | |
# And I told you to be patient And I told you to be fine | 0:30:14 | 0:30:20 | |
# And now all your love feels wasted | 0:30:20 | 0:30:24 | |
# But who the hell was I? | 0:30:24 | 0:30:29 | |
CHEERING | 0:30:29 | 0:30:32 | |
# Who will love you? | 0:30:32 | 0:30:34 | |
# Who will fight? | 0:30:34 | 0:30:37 | |
# Who will fall far behind? # | 0:30:38 | 0:30:46 | |
CHEERING | 0:30:46 | 0:30:50 | |
-WILL: -Go, go, go, go! | 0:30:57 | 0:31:01 | |
Look at that, we got a standing ovation from all four coaches. | 0:31:09 | 0:31:12 | |
Fantastic performance, wasn't it? Incredible. | 0:31:12 | 0:31:15 | |
OK, two of these artists are about to leave The Voice for good. | 0:31:15 | 0:31:20 | |
The talent this year is unreal and I just feel like, personally, | 0:31:20 | 0:31:24 | |
I think I have the strongest team. | 0:31:24 | 0:31:26 | |
DANNY: No. JESSIE: That's just how I feel. | 0:31:26 | 0:31:28 | |
The gloves are off! | 0:31:28 | 0:31:31 | |
Letitia, you sounded great. A little pitchy, but still great. | 0:31:31 | 0:31:36 | |
Lovelle, I love the way you look for a start off. | 0:31:36 | 0:31:40 | |
I had to say that, I just had to get that out. | 0:31:40 | 0:31:42 | |
# Sex bomb, sex bomb. # | 0:31:42 | 0:31:44 | |
LAUGHTER | 0:31:44 | 0:31:47 | |
You know, you guys' performances were out of the box, amazing, | 0:31:47 | 0:31:51 | |
but Matt just had something extra, something special. | 0:31:51 | 0:31:54 | |
CHEERING | 0:31:54 | 0:31:56 | |
Matt, you summoned something. Not many singers can do that. | 0:31:56 | 0:32:01 | |
Many singers are like, "Oh, my gosh, | 0:32:01 | 0:32:02 | |
"I have to make sure I sing in pitch." | 0:32:02 | 0:32:04 | |
But there's another thing like, | 0:32:04 | 0:32:06 | |
let me summon all my angels to surround me at this moment in time. | 0:32:06 | 0:32:10 | |
CHEERING | 0:32:10 | 0:32:12 | |
-OK, Jessie, it's decision time. -OK. Thank you for working with me. | 0:32:12 | 0:32:20 | |
Letitia, you know how I feel about your voice. | 0:32:20 | 0:32:22 | |
I think you're one of the best | 0:32:22 | 0:32:23 | |
undiscovered young female vocalists this country's ever seen. | 0:32:23 | 0:32:26 | |
Lovelle, the light and shade that you showed in that performance | 0:32:26 | 0:32:30 | |
and the trust that you had in me with the song choice | 0:32:30 | 0:32:33 | |
was probably the most beautiful thing to see unfold. | 0:32:33 | 0:32:37 | |
Matt, obviously you were my steal and I... | 0:32:37 | 0:32:42 | |
I can't deny that every single person in this room was just like...amazed. | 0:32:42 | 0:32:49 | |
CROWD SHOUTS | 0:32:50 | 0:32:52 | |
The winner... The winner of this knockout... | 0:32:59 | 0:33:03 | |
..is Matt. | 0:33:06 | 0:33:07 | |
CHEERING | 0:33:07 | 0:33:09 | |
Well done, well done. | 0:33:18 | 0:33:19 | |
You deserved it so much. You deserved it. Well done. | 0:33:22 | 0:33:26 | |
We'll get to you in a second, Matt, but we can't forget these guys. | 0:33:28 | 0:33:32 | |
Letitia and Lovelle, you were both absolutely incredible. | 0:33:32 | 0:33:36 | |
CHEERING | 0:33:36 | 0:33:38 | |
Jessie, you are the bomb, OK? | 0:33:38 | 0:33:40 | |
You teach me so much and I'm really happy to have got this far. | 0:33:40 | 0:33:43 | |
Thank you. | 0:33:43 | 0:33:45 | |
Jessie, I just want to say thank you for the way you've been with us. | 0:33:45 | 0:33:49 | |
You've been real. | 0:33:49 | 0:33:51 | |
Please put your hands together one more time | 0:33:51 | 0:33:53 | |
for the fantastic Letitia and Lovelle. | 0:33:53 | 0:33:55 | |
CHEERING | 0:33:55 | 0:33:59 | |
Well done, well done. | 0:34:04 | 0:34:05 | |
-I'm glad you liked the dress! -Yeah, it's lovely. | 0:34:07 | 0:34:10 | |
Ladies and gentlemen, please give it up for Matt, come on! | 0:34:14 | 0:34:17 | |
-Come on, darling. -Oh, my God! Thank you so much! -Well done! | 0:34:21 | 0:34:27 | |
-Thank you so much, Jessie! -Thank you. | 0:34:27 | 0:34:30 | |
That was the most amazing experience of my whole entire life. Man, whoa! | 0:34:30 | 0:34:37 | |
-Go and give your brother a cuddle. -You were fresh. | 0:34:39 | 0:34:42 | |
There were so many great performances, | 0:34:45 | 0:34:47 | |
but then it's just an emotional connection, isn't it? | 0:34:47 | 0:34:51 | |
Earlier, one artist went straight through to the live shows | 0:34:57 | 0:35:00 | |
without having to sing a note. | 0:35:00 | 0:35:01 | |
And here's why. | 0:35:01 | 0:35:03 | |
Ash is my little diamond. | 0:35:04 | 0:35:06 | |
# Oohhhhhh! # | 0:35:06 | 0:35:12 | |
He is the guy that made me lay on the stage for him | 0:35:12 | 0:35:14 | |
and be his front-row fan. | 0:35:14 | 0:35:17 | |
For several years before The Voice, I hadn't done any singing. | 0:35:19 | 0:35:23 | |
# Open up Ohhhhhh! # | 0:35:23 | 0:35:27 | |
At the battle, I was like a proud mum. | 0:35:27 | 0:35:31 | |
I don't think I've heard him sing a bad note yet. | 0:35:31 | 0:35:33 | |
# Hey-ey-ey! # | 0:35:33 | 0:35:35 | |
-You are freakin' fantastic. -He just needs to be aware of how great he is. | 0:35:35 | 0:35:41 | |
Ash. | 0:35:41 | 0:35:42 | |
Just getting through the battles, despite image | 0:35:42 | 0:35:45 | |
and all the other things that could hold somebody back, | 0:35:45 | 0:35:48 | |
just felt incredible and I hope that | 0:35:48 | 0:35:50 | |
I can continue growing with my confidence, | 0:35:50 | 0:35:52 | |
with my performance and my self-belief. | 0:35:52 | 0:35:55 | |
CHEERING | 0:35:55 | 0:35:58 | |
# Every night, I rush to my bed | 0:36:10 | 0:36:15 | |
# With hopes that maybe I'll get a chance | 0:36:15 | 0:36:19 | |
# To see you when I close my eyes | 0:36:19 | 0:36:23 | |
# I'm going outta my head | 0:36:23 | 0:36:28 | |
# Lost in a fairy tale | 0:36:28 | 0:36:32 | |
# Can you take my hand and be my guide? | 0:36:32 | 0:36:37 | |
# Clouds filled with stars cover the skies | 0:36:37 | 0:36:45 | |
# I hope it rains | 0:36:47 | 0:36:50 | |
# You're the perfect lullaby | 0:36:50 | 0:36:58 | |
# Sweet dreams | 0:37:00 | 0:37:03 | |
# Or a beautiful nightmare | 0:37:03 | 0:37:07 | |
# Either way I don't wanna wake up from you | 0:37:07 | 0:37:13 | |
# Sweet dreams | 0:37:13 | 0:37:15 | |
# Or a beautiful nightmare | 0:37:15 | 0:37:19 | |
# Either way I don't wanna wake up from you. # | 0:37:19 | 0:37:30 | |
CHEERING | 0:37:30 | 0:37:32 | |
Give it up for Ash Morgan. | 0:37:35 | 0:37:37 | |
Well done! | 0:37:39 | 0:37:41 | |
Joining him in Jessie's top three is Sarah Cassidy. | 0:37:43 | 0:37:46 | |
And it's Matt Henry. | 0:37:50 | 0:37:52 | |
It's Team Jessie! | 0:37:58 | 0:38:00 | |
Jessie has chosen Ash, Matt, and Sarah for her live line-up. | 0:38:08 | 0:38:12 | |
I am so proud. | 0:38:15 | 0:38:17 | |
Now Danny must decide which artists will make his top three. | 0:38:19 | 0:38:23 | |
It's going to be really, really hard. | 0:38:23 | 0:38:25 | |
Who will earn a place in the live shows and who will be left behind? | 0:38:25 | 0:38:30 | |
It's decision time, isn't it? | 0:38:30 | 0:38:31 | |
All right, well, let's get this thing started. | 0:38:31 | 0:38:34 | |
It's Danny's magnificent seven. | 0:38:34 | 0:38:35 | |
I've got the best artists, I absolutely know. | 0:38:44 | 0:38:46 | |
CHEERING | 0:38:48 | 0:38:51 | |
Danny is about to give one of those seven | 0:38:51 | 0:38:53 | |
a free pass straight into the live shows. | 0:38:53 | 0:38:57 | |
So, Danny, how difficult is this going to be for you tonight? | 0:38:57 | 0:39:00 | |
If I could take me off the show and just have another one of them | 0:39:00 | 0:39:02 | |
go through, I would. It's going to be really, really hard. | 0:39:02 | 0:39:05 | |
I'm not looking forward to it. | 0:39:05 | 0:39:06 | |
Danny, which of your seven artists are you sending straight through? | 0:39:09 | 0:39:14 | |
Well, the person I'm sending through has shown me that not only do | 0:39:14 | 0:39:17 | |
they sing from emotion, they sing from the heart every single time. | 0:39:17 | 0:39:21 | |
The person I'm going to take through to the live shows is... | 0:39:22 | 0:39:26 | |
It's Karl Michael. | 0:39:30 | 0:39:32 | |
CHEERING | 0:39:32 | 0:39:34 | |
Congratulations, Karl. Well done. | 0:39:35 | 0:39:41 | |
-You are going straight through to the live shows. -I'm shaking. | 0:39:41 | 0:39:46 | |
I'm so grateful, man. I just feel like... | 0:39:46 | 0:39:50 | |
While we've been rehearsing, you said someone threw you a lifeline | 0:39:50 | 0:39:53 | |
and, brother, you just threw me one. I'm so grateful, man. | 0:39:53 | 0:39:58 | |
We will hear Karl perform later on in the show, | 0:39:58 | 0:40:01 | |
but for now, it's Karl Michael! | 0:40:01 | 0:40:04 | |
-Oh, my gosh! -So, Danny, it's now time for your first knockout. | 0:40:18 | 0:40:22 | |
Which three artists are about to perform? | 0:40:22 | 0:40:25 | |
The first person that's going to compete is... | 0:40:25 | 0:40:29 | |
my steal, Alex. | 0:40:29 | 0:40:31 | |
CHEERING AND APPLAUSE | 0:40:31 | 0:40:34 | |
Second person... | 0:40:36 | 0:40:37 | |
..is Abi. | 0:40:39 | 0:40:40 | |
CHEERING AND APPLAUSE | 0:40:40 | 0:40:42 | |
And the third... | 0:40:44 | 0:40:46 | |
is Andrea. | 0:40:46 | 0:40:48 | |
CHEERING AND APPLAUSE | 0:40:48 | 0:40:50 | |
So that's it. Andrea, Abi and Alex will be the first three to perform. | 0:40:55 | 0:41:00 | |
Here's how they got to this point. | 0:41:00 | 0:41:02 | |
# In the arms of the angel... # | 0:41:08 | 0:41:12 | |
Andrea, my little songbird. | 0:41:12 | 0:41:15 | |
# Fly away... # | 0:41:15 | 0:41:17 | |
There's one thing that doesn't lie and that's the hairs on my arms. | 0:41:17 | 0:41:21 | |
She has an amazing voice. | 0:41:21 | 0:41:23 | |
I want to compete on the same level as sighted people. | 0:41:23 | 0:41:26 | |
She's a true inspiration. | 0:41:26 | 0:41:28 | |
Give us a kiss. You didn't get this far on the sympathy vote, you know. | 0:41:33 | 0:41:37 | |
You got this far because you're an outstanding singer | 0:41:37 | 0:41:40 | |
-and I just hope you chose the right song! -Well, I've gone for Songbird. | 0:41:40 | 0:41:44 | |
It could be considered a safe choice, | 0:41:44 | 0:41:46 | |
but I don't want to take a risk at this point. | 0:41:46 | 0:41:49 | |
# Know the score... # | 0:41:49 | 0:41:52 | |
'I love this song so much. You know, this is what she does best.' | 0:41:52 | 0:41:56 | |
# I love you... # | 0:41:56 | 0:41:59 | |
I want to fight for this all the way | 0:41:59 | 0:42:01 | |
and I want Danny to choose me in his top three. | 0:42:01 | 0:42:05 | |
It's gorgeous, really beautiful. | 0:42:05 | 0:42:07 | |
Abi is real East meets West. | 0:42:12 | 0:42:14 | |
She'll take a song and, before you know it, | 0:42:16 | 0:42:19 | |
it's like you never heard it before. | 0:42:19 | 0:42:20 | |
# Ohhhh... # | 0:42:20 | 0:42:22 | |
She is a brilliant, brilliant singer. | 0:42:22 | 0:42:25 | |
'Abi is going to sing Iris by Goo Goo Dolls.' | 0:42:29 | 0:42:32 | |
It's one of my favourite songs of all time. | 0:42:32 | 0:42:34 | |
'The lyrics of the song I've picked' | 0:42:34 | 0:42:36 | |
sum up exactly how I'm feeling in this moment right now. | 0:42:36 | 0:42:39 | |
# And I don't want the world to see me... # | 0:42:39 | 0:42:43 | |
When you've got a talent like yours, the difference between | 0:42:43 | 0:42:46 | |
you hitting the note or not, is just about letting go. | 0:42:46 | 0:42:48 | |
You know, I think you suffer from people | 0:42:48 | 0:42:50 | |
not understanding that this is what you were made to do. | 0:42:50 | 0:42:53 | |
I'm a dentist, but it's not my passion. | 0:42:53 | 0:42:56 | |
Singing is what I have always wanted to do. | 0:42:56 | 0:42:59 | |
I'm not going to let that little voice in the head, | 0:42:59 | 0:43:01 | |
saying, "You can't do it." | 0:43:01 | 0:43:02 | |
# Don't need no hateration Hollerating... # | 0:43:05 | 0:43:09 | |
Alex is my steal. I don't know what Jessie was thinking. | 0:43:09 | 0:43:11 | |
The winner of this battle is Letitia. | 0:43:11 | 0:43:14 | |
We've got a steal! | 0:43:14 | 0:43:15 | |
He brings a lot more of showmanship to Team Dan. | 0:43:17 | 0:43:20 | |
He's like a ready-made pop star. | 0:43:20 | 0:43:23 | |
-Good to see you, mate. -How are you? | 0:43:23 | 0:43:25 | |
What's the song? | 0:43:25 | 0:43:26 | |
I'm going to be doing Signed, Sealed, Delivered by Stevie Wonder. | 0:43:26 | 0:43:29 | |
-Big song! -It's a big song! | 0:43:29 | 0:43:31 | |
Does a song come any bigger? Probably not. | 0:43:31 | 0:43:34 | |
I think people that know me well | 0:43:34 | 0:43:36 | |
would say this is my signature song, definitely. | 0:43:36 | 0:43:38 | |
# I know you're my, my sole desire, baby... # | 0:43:38 | 0:43:43 | |
In the battles, he was moving around so much | 0:43:43 | 0:43:45 | |
he wasn't aware that his pitch was going off. | 0:43:45 | 0:43:47 | |
-OUT OF TUNE: -# Don't need no haters... # | 0:43:47 | 0:43:50 | |
Alex has to show me that he can rein in some of the showmanship. | 0:43:50 | 0:43:53 | |
Sometimes it's nice to just pull back a little bit on it. | 0:43:53 | 0:43:56 | |
It's not called The Dance, it's called The Voice. You know? | 0:43:56 | 0:43:58 | |
I'm going to try and keep my feet on the ground today. | 0:43:58 | 0:44:01 | |
He's here because I helped him. He cannot get this wrong. | 0:44:01 | 0:44:06 | |
I definitely owe it to Danny as his steal to nail this performance | 0:44:06 | 0:44:10 | |
and show him that he made the right choice. | 0:44:10 | 0:44:13 | |
CHEERING | 0:44:13 | 0:44:16 | |
It's Team Danny's first knockout. | 0:44:18 | 0:44:20 | |
Three brilliant artists, one last chance to make his top three. | 0:44:20 | 0:44:25 | |
First, it's Alex. | 0:44:25 | 0:44:27 | |
CHEERING | 0:44:27 | 0:44:29 | |
MUSIC STARTS # Oh, yeah, baby, yeah | 0:44:38 | 0:44:42 | |
# Like a fool I went and stayed too long | 0:44:42 | 0:44:46 | |
# Well, now I'm wondering if your love's still strong | 0:44:46 | 0:44:49 | |
# Ooh, baby Here I am | 0:44:49 | 0:44:51 | |
# Signed, sealed, delivered, I'm yours | 0:44:51 | 0:44:55 | |
# Ai, ai Here I am, baby | 0:44:55 | 0:44:59 | |
# Whoa, signed, sealed, delivered, I'm yours | 0:44:59 | 0:45:03 | |
# Ah, here I am, baby | 0:45:03 | 0:45:06 | |
# Whoa, signed, sealed, delivered, I'm yours | 0:45:06 | 0:45:11 | |
# Ahh | 0:45:11 | 0:45:13 | |
# Seen a lot of things in this old world | 0:45:14 | 0:45:18 | |
# When I touch them, they mean nothing, girl | 0:45:18 | 0:45:21 | |
# Ooh, baby Here I am | 0:45:21 | 0:45:24 | |
# Signed, sealed, delivered, I'm yours | 0:45:24 | 0:45:27 | |
# Oh, yeah | 0:45:27 | 0:45:29 | |
# Owee, baby, you set my soul on fire | 0:45:29 | 0:45:33 | |
# That's why I know you're my sole desire | 0:45:33 | 0:45:38 | |
# Baby, here I am | 0:45:38 | 0:45:40 | |
# Signed, sealed, delivered, I'm yours | 0:45:40 | 0:45:45 | |
# Said I'm signed | 0:45:45 | 0:45:47 | |
# Sealed, delivered | 0:45:47 | 0:45:50 | |
# I'm a-yours | 0:45:51 | 0:45:54 | |
# Ah-oh | 0:45:54 | 0:45:57 | |
BENDING NOTE: # Yeah. # | 0:45:57 | 0:46:01 | |
CHEERING | 0:46:01 | 0:46:04 | |
-That is how you sing on pitch, everybody. -Yeah. | 0:46:11 | 0:46:14 | |
INDISTINCT | 0:46:14 | 0:46:16 | |
ALEX: Oh, shut up(!) | 0:46:16 | 0:46:17 | |
Next, it's Abi! | 0:46:22 | 0:46:24 | |
CHEERING | 0:46:24 | 0:46:26 | |
MUSIC | 0:46:35 | 0:46:37 | |
# Ay-a-ah, ay-a | 0:46:37 | 0:46:40 | |
# All I can taste is this moment | 0:46:40 | 0:46:45 | |
# And all I can breathe is your life | 0:46:45 | 0:46:50 | |
# When sooner or later, it's over | 0:46:50 | 0:46:54 | |
# I just don't want to miss you tonight | 0:46:54 | 0:46:59 | |
# And I don't want the world to see me | 0:46:59 | 0:47:03 | |
# Cos I don't think that they'd understand | 0:47:03 | 0:47:08 | |
# When everything's made to be broken | 0:47:08 | 0:47:13 | |
# I just want you to know who I am | 0:47:13 | 0:47:19 | |
# Oh, ooh-ooh ooh ooh | 0:47:20 | 0:47:24 | |
# Ooh-ooh ooh ooh-ooh-ooh | 0:47:25 | 0:47:29 | |
# And I don't want the world to see me | 0:47:29 | 0:47:33 | |
# Cos I don't think that they'd understand | 0:47:33 | 0:47:38 | |
# When everything's made to be broken | 0:47:39 | 0:47:43 | |
# I just want you to know who I am | 0:47:43 | 0:47:48 | |
# I just want you to know who I am | 0:47:48 | 0:47:55 | |
CHEERING | 0:47:58 | 0:48:00 | |
Woo-hoo-hoo hoo-hoo! | 0:48:01 | 0:48:03 | |
She has no idea how good she is. | 0:48:06 | 0:48:09 | |
She doesn't know any of it. | 0:48:09 | 0:48:10 | |
ANDREA: Well done, well done. | 0:48:10 | 0:48:12 | |
Finally, it's Andrea. | 0:48:20 | 0:48:22 | |
CHEERING | 0:48:22 | 0:48:25 | |
MUSIC STARTS | 0:48:32 | 0:48:33 | |
# For you | 0:48:37 | 0:48:40 | |
# There'll be no crying | 0:48:42 | 0:48:46 | |
APPLAUSE | 0:48:46 | 0:48:49 | |
# For you-ooh-ooh | 0:48:49 | 0:48:54 | |
# The sun will be shining | 0:48:55 | 0:49:00 | |
# Cos I feel | 0:49:00 | 0:49:03 | |
# That when I'm with you | 0:49:03 | 0:49:07 | |
# It's all right | 0:49:07 | 0:49:12 | |
# I know it's all right | 0:49:12 | 0:49:18 | |
# And the songbirds keep singing like they | 0:49:20 | 0:49:26 | |
# Know the score | 0:49:26 | 0:49:30 | |
# And I love you, I love you, I love you | 0:49:32 | 0:49:38 | |
# Like never before | 0:49:38 | 0:49:43 | |
# Like never before. # | 0:49:43 | 0:49:49 | |
WILD CHEERING | 0:49:49 | 0:49:52 | |
Ladies and gentlemen, give it up for Andrea, Abi and Alex! | 0:50:06 | 0:50:10 | |
CHEERING AND APPLAUSE | 0:50:10 | 0:50:14 | |
And, Danny, not an easy decision for you to make. | 0:50:14 | 0:50:17 | |
It never is with Team Dan. | 0:50:17 | 0:50:20 | |
I couldn't help at all. | 0:50:22 | 0:50:24 | |
Thanks, Tom! | 0:50:24 | 0:50:26 | |
For me, you know, the emotion came through Andrea | 0:50:27 | 0:50:31 | |
and it hit me right there. | 0:50:31 | 0:50:33 | |
CHEERING | 0:50:33 | 0:50:36 | |
If I would've picked who was... who did the best job, I thought... | 0:50:39 | 0:50:44 | |
Alex was the best singer so far. | 0:50:44 | 0:50:47 | |
Abi, you didn't pick the right song for...tonight. | 0:50:49 | 0:50:54 | |
AUDIENCE MEMBER SHOUTS OUT | 0:50:54 | 0:50:56 | |
OK! | 0:50:56 | 0:50:58 | |
I think you sound wonderful but I think you probably got caught up in the words, | 0:50:58 | 0:51:03 | |
-"I want you to know who I am." -You're right, Will. | 0:51:03 | 0:51:05 | |
Abi did sing the song, "I just want you to know who I am" | 0:51:05 | 0:51:08 | |
because she did have confidence issues and I think you did a great job on it, as well. | 0:51:08 | 0:51:12 | |
Andrea, again, you know, never ceases to amaze me. | 0:51:12 | 0:51:16 | |
Alex, you know, you weren't moving around too much and, | 0:51:16 | 0:51:19 | |
literally, Jessie was like, "Oh, my God, his pitch is perfect now." | 0:51:19 | 0:51:23 | |
So really, really proud of all three of you tonight. | 0:51:23 | 0:51:25 | |
CHEERING AND APPLAUSE | 0:51:25 | 0:51:28 | |
Decision time, isn't it? | 0:51:33 | 0:51:35 | |
I personally have to go with my emotions and... | 0:51:36 | 0:51:39 | |
..the person that was... That hit me in the heart the most... | 0:51:43 | 0:51:46 | |
..was Andrea. CHEERING AND APPLAUSE | 0:51:49 | 0:51:53 | |
Andrea is the winner | 0:51:56 | 0:51:59 | |
of this knockout round. | 0:51:59 | 0:52:02 | |
She goes through to the live finals. | 0:52:02 | 0:52:05 | |
So, Andrea, you ARE in Danny's top three. | 0:52:07 | 0:52:12 | |
How are you feeling right now? | 0:52:12 | 0:52:14 | |
Overwhelmed, speechless. Can't say anything else! | 0:52:14 | 0:52:17 | |
Oh, well done. You truly deserve it. | 0:52:17 | 0:52:19 | |
So, guys, that leaves you two | 0:52:19 | 0:52:21 | |
and it does mean that, in this competition, it's the end of the road for you. | 0:52:21 | 0:52:27 | |
What have you learned the most from this whole experience? | 0:52:29 | 0:52:32 | |
It's helped me grow as a singer and I've taken a lot from it | 0:52:32 | 0:52:35 | |
and I'm really grateful. | 0:52:35 | 0:52:37 | |
Er...I don't know what to say. | 0:52:37 | 0:52:39 | |
Just thank you, Jessie, for... | 0:52:39 | 0:52:41 | |
CHEERING AND APPLAUSE | 0:52:41 | 0:52:42 | |
..helping me and thank you, Danny, for taking me on in the first place. I really appreciate it. | 0:52:42 | 0:52:46 | |
A huge round of applause for Abi and Alex! | 0:52:46 | 0:52:50 | |
It's fine. It's fine. | 0:52:55 | 0:52:58 | |
So good. It was SO good! Oh! | 0:53:00 | 0:53:03 | |
APPLAUSE DROWNS SPEECH | 0:53:03 | 0:53:06 | |
A huge round of applause for Andrea! | 0:53:06 | 0:53:09 | |
CHEERING | 0:53:09 | 0:53:12 | |
Thank you. Thank you so much for picking me. I did not expect that. | 0:53:17 | 0:53:21 | |
-I really didn't. -You genuinely did such an incredible job. -Thank you. | 0:53:21 | 0:53:25 | |
You did an amazing job. | 0:53:25 | 0:53:27 | |
Oh, can you believe it? | 0:53:30 | 0:53:32 | |
It was an incredibly hard decision to make but again, you know, | 0:53:32 | 0:53:36 | |
Andrea made it that little bit easier by being amazing on the night. | 0:53:36 | 0:53:39 | |
It's been worth it! | 0:53:39 | 0:53:41 | |
CHEERING AND APPLAUSE | 0:53:43 | 0:53:46 | |
HE WHOOPS | 0:53:46 | 0:53:48 | |
So with Andrea safely through to the live shows, | 0:53:48 | 0:53:50 | |
Conor, Sean and Mitchel are about to sing for the last place on Danny's live team. | 0:53:50 | 0:53:55 | |
# Said, are you going to be my girl? | 0:54:02 | 0:54:05 | |
Mitchel's my rocker. | 0:54:05 | 0:54:06 | |
# Be my girl... # | 0:54:06 | 0:54:09 | |
He's so energetic. | 0:54:09 | 0:54:11 | |
Amazing singer. | 0:54:11 | 0:54:13 | |
I want those types of people on my team. | 0:54:13 | 0:54:16 | |
# ..girl. # | 0:54:16 | 0:54:18 | |
Song choice is so important. What are you looking at doing? | 0:54:18 | 0:54:21 | |
-I'm going to be doing Need You Now by Lady Antebellum. -OK. | 0:54:21 | 0:54:25 | |
Have you got a reason behind it? | 0:54:25 | 0:54:27 | |
I'm currently in a long-distance relationship. | 0:54:27 | 0:54:30 | |
There's probably going to be an essence of me singing to my girlfriend while doing this song. | 0:54:30 | 0:54:34 | |
I think it's really, really romantic | 0:54:34 | 0:54:37 | |
but on paper, it doesn't sound like a good choice because of, you know, the type of act that he is. | 0:54:37 | 0:54:42 | |
# Reaching for the phone cos I can't fight it any more... # | 0:54:42 | 0:54:46 | |
I feel I have something to prove to people - | 0:54:46 | 0:54:48 | |
that I'm not just this rock guy. | 0:54:48 | 0:54:51 | |
We all know he can sing in a rock style but can you inject emotion? | 0:54:51 | 0:54:55 | |
-We'll find out on the night. -I have to get through to the live shows. | 0:54:55 | 0:54:58 | |
I don't just want to be a one-trick pony. | 0:54:58 | 0:55:00 | |
# I'm a man... # | 0:55:05 | 0:55:06 | |
Sean can hang with the best of them. He's an incredible falsetto. | 0:55:06 | 0:55:10 | |
# Time is on your side... # | 0:55:10 | 0:55:12 | |
Put him on any stage and he would own it. | 0:55:12 | 0:55:15 | |
-How you doing today? All right? -Good, thank you. -Good to see you. -You too. | 0:55:15 | 0:55:18 | |
One of the great things about knockouts is that I got to choose my own song. | 0:55:18 | 0:55:22 | |
What does this song mean to you? | 0:55:22 | 0:55:23 | |
At a young age, I was adopted. | 0:55:23 | 0:55:25 | |
As soon as he said that I was like, "Wow, the song's just brought on a whole other connotation." | 0:55:25 | 0:55:30 | |
I didn't get a chance to know my birth mother | 0:55:30 | 0:55:32 | |
but it's through music that I feel most connected to her. | 0:55:32 | 0:55:36 | |
# Ain't no sunshine when she's gone... # | 0:55:36 | 0:55:40 | |
I'm proud of him for being able to stand there | 0:55:40 | 0:55:42 | |
and sing a song like this. This is a chance for him to open up his soul. | 0:55:42 | 0:55:47 | |
This song means a lot to me and emotionally, there's a lot I can put into this performance. | 0:55:47 | 0:55:52 | |
I'm going to make the most of every single second that I've got on that stage. | 0:55:52 | 0:55:56 | |
# Some nights I wish... # | 0:55:59 | 0:56:02 | |
Conor Scott - yeah, he started off busking. | 0:56:02 | 0:56:04 | |
I always get a really nice reaction. That's what I love about it. | 0:56:04 | 0:56:07 | |
I think he was made for the stage. | 0:56:07 | 0:56:09 | |
# Lord, I'm still not sure what I stand for... # | 0:56:09 | 0:56:12 | |
'In the battles, there was a few mistakes.' | 0:56:12 | 0:56:15 | |
Some of the harmonies were a bit off. | 0:56:15 | 0:56:16 | |
'But he's got just this passion.' Conor. | 0:56:16 | 0:56:19 | |
I couldn't NOT put him through. | 0:56:19 | 0:56:21 | |
I didn't think I was going to cry. | 0:56:21 | 0:56:23 | |
So without further ado, what's the song? | 0:56:23 | 0:56:26 | |
-I'm doing, er, Hey, Soul Sister by Train. -Train? -Yeah. -Bravo! | 0:56:26 | 0:56:31 | |
That is a great song. | 0:56:31 | 0:56:33 | |
The song's just one of those ones I love to busk to. | 0:56:33 | 0:56:35 | |
Probably one of those ones where people throw in a few more coins than usual! | 0:56:35 | 0:56:39 | |
-I don't know if you know this but I know the lads really well. -Serious? | 0:56:39 | 0:56:43 | |
OK, don't mess this up. | 0:56:43 | 0:56:45 | |
# Hey, soul sister... # | 0:56:45 | 0:56:48 | |
In the battle rounds, there were some mistakes being made. | 0:56:48 | 0:56:52 | |
There's six other people bringing their A game. | 0:56:52 | 0:56:55 | |
If you do make a mistake, I can't promise you that I can get you through. | 0:56:55 | 0:56:58 | |
I don't want to go back to busking after this. | 0:56:58 | 0:57:01 | |
-Sure you're up to it, aren't you? -Oh, yeah. I wouldn't be here if I wasn't! | 0:57:01 | 0:57:05 | |
I'm here for the long haul. | 0:57:05 | 0:57:06 | |
CHEERING AND APPLAUSE | 0:57:06 | 0:57:09 | |
It's Team Danny's second knockout | 0:57:09 | 0:57:11 | |
and there's only one place left on his live team. | 0:57:11 | 0:57:14 | |
First up, it's Conor. | 0:57:14 | 0:57:16 | |
HE WHOOPS | 0:57:18 | 0:57:20 | |
# Your lipstick stains | 0:57:27 | 0:57:29 | |
# On the front lobe of my left side brains | 0:57:31 | 0:57:35 | |
# I knew I wouldn't forget you | 0:57:36 | 0:57:39 | |
# And still I went and let you | 0:57:39 | 0:57:42 | |
# Blow my mind | 0:57:42 | 0:57:44 | |
# The way you can cut a rug | 0:57:49 | 0:57:52 | |
# Watching you's the only drug I need | 0:57:52 | 0:57:55 | |
# So gangster, I'm so thug | 0:57:55 | 0:57:57 | |
# The only one I'm dreaming of, you see | 0:57:57 | 0:58:01 | |
# I can be myself now, finally | 0:58:01 | 0:58:03 | |
# There is nothing I can't be | 0:58:03 | 0:58:06 | |
# I want the world to see you'll be | 0:58:06 | 0:58:09 | |
# With me, yeah | 0:58:09 | 0:58:11 | |
# Hey, soul sister | 0:58:11 | 0:58:13 | |
# Ain't that Mr Mister on the radio | 0:58:13 | 0:58:17 | |
# Stereo | 0:58:17 | 0:58:19 | |
# The way you move ain't fair, you know, now | 0:58:19 | 0:58:22 | |
# Hey, soul sister | 0:58:22 | 0:58:24 | |
# I don't want to miss a single thing | 0:58:24 | 0:58:28 | |
# You do | 0:58:28 | 0:58:31 | |
# Ha, tonight | 0:58:31 | 0:58:33 | |
# Hey-ay | 0:58:34 | 0:58:37 | |
# Hey-ay | 0:58:37 | 0:58:39 | |
# Hey | 0:58:39 | 0:58:44 | |
# Tonight. # | 0:58:44 | 0:58:45 | |
CHEERING AND APPLAUSE | 0:58:45 | 0:58:48 | |
Come on, Conor! | 0:58:50 | 0:58:52 | |
Oh, he's so good! Great, isn't he? | 0:58:53 | 0:58:56 | |
Next up, it's Sean. | 0:59:05 | 0:59:07 | |
CHEERING | 0:59:07 | 0:59:09 | |
# Ain't no sunshine when she's gone | 0:59:19 | 0:59:24 | |
# It's not warm when she's away | 0:59:24 | 0:59:29 | |
# Ain't no sunshine when she's gone | 0:59:31 | 0:59:35 | |
# And she's always gone too long | 0:59:35 | 0:59:38 | |
# Any time she goes away | 0:59:38 | 0:59:42 | |
-FALSETTO: -# Wonder this time where she's gone... # | 0:59:44 | 0:59:48 | |
CHEERING | 0:59:48 | 0:59:50 | |
# Wonder if she's going to stay | 0:59:50 | 0:59:57 | |
# Ain't no sunshine when she's gone | 0:59:57 | 0:59:59 | |
# And this house just ain't no home | 0:59:59 | 1:00:03 | |
# Any time she goes away | 1:00:03 | 1:00:08 | |
# I know, I know, I know, I know | 1:00:09 | 1:00:12 | |
# Hey, I couldn't leave young thing alone | 1:00:12 | 1:00:16 | |
# Ain't no sunshine when she's gone | 1:00:16 | 1:00:20 | |
# Ain't no sunshine when she's gone | 1:00:22 | 1:00:25 | |
# And she's always gone too long | 1:00:25 | 1:00:28 | |
# Any time she goes away | 1:00:28 | 1:00:32 | |
# Yeah, yeah, yeah, ah | 1:00:32 | 1:00:35 | |
# Ah-ah. # | 1:00:35 | 1:00:39 | |
CHEERING AND APPLAUSE | 1:00:39 | 1:00:42 | |
Go on, Mitch! | 1:00:50 | 1:00:52 | |
And finally, it's Mitchel! | 1:01:04 | 1:01:07 | |
CHEERING AND APPLAUSE | 1:01:07 | 1:01:10 | |
# Picture-perfect memories scattered all around the floor | 1:01:20 | 1:01:25 | |
# Reaching for the phone cos I can't fight it any more | 1:01:27 | 1:01:33 | |
# And I wonder if I ever cross your mind | 1:01:34 | 1:01:41 | |
# For me it happens all the time | 1:01:41 | 1:01:45 | |
# It's a quarter after one | 1:01:45 | 1:01:47 | |
# I'm all alone and I need you now | 1:01:47 | 1:01:51 | |
# I said I wouldn't call but I lost all control and I need you now | 1:01:52 | 1:01:59 | |
# And I don't know how I can do without | 1:01:59 | 1:02:03 | |
# I just need you now | 1:02:03 | 1:02:07 | |
# Oh | 1:02:07 | 1:02:09 | |
# And I'd rather hurt than feel nothing at all | 1:02:09 | 1:02:16 | |
# It's a quarter after one | 1:02:16 | 1:02:18 | |
# I'm all alone and I need you now | 1:02:18 | 1:02:22 | |
# I said I wouldn't call but I lost all control and I need you now | 1:02:24 | 1:02:30 | |
# And I don't know how I can do without | 1:02:30 | 1:02:34 | |
# I just need you now | 1:02:34 | 1:02:39 | |
# Whoa-oh-oh. # | 1:02:39 | 1:02:44 | |
CHEERING AND APPLAUSE | 1:02:44 | 1:02:47 | |
Give it up for Mitchel, Sean and Conor. Come on! | 1:02:58 | 1:03:02 | |
CHEERING AND APPLAUSE | 1:03:02 | 1:03:05 | |
Two of these artists have just given their last performance here on The Voice. | 1:03:05 | 1:03:09 | |
Danny, it's definitely going to be a tough call. | 1:03:09 | 1:03:11 | |
Yeah, they really, really have done me proud. CHEERING AND APPLAUSE | 1:03:11 | 1:03:16 | |
-Your hair is a little messy now. -Oh. Sorry! | 1:03:17 | 1:03:21 | |
But it's good. It shows that you really did whip it! | 1:03:21 | 1:03:24 | |
The only thing I would say is... | 1:03:25 | 1:03:28 | |
Probably all three of you felt comfortable on the stage but I wanted more... | 1:03:28 | 1:03:32 | |
proof of why you deserve to be in the lives. | 1:03:32 | 1:03:36 | |
I agree with Jessie. | 1:03:36 | 1:03:38 | |
I don't think you guys really gave it your all-all. | 1:03:38 | 1:03:41 | |
And I think you felt that, Conor. | 1:03:41 | 1:03:44 | |
-You knew something was missing. -Yeah. | 1:03:44 | 1:03:47 | |
But something was missing from all three of you guys. | 1:03:47 | 1:03:50 | |
But the fact that Conor was aware of it, and he felt it in him, | 1:03:50 | 1:03:55 | |
proves to me that Conor should go on to the lives | 1:03:55 | 1:03:59 | |
because he knows the difference. | 1:03:59 | 1:04:01 | |
CHEERING | 1:04:01 | 1:04:03 | |
Conor, you know, you've busked this song a million times | 1:04:05 | 1:04:08 | |
and this is probably the song that got you the most money, you know? | 1:04:08 | 1:04:11 | |
Mitchel, you know, | 1:04:11 | 1:04:14 | |
you took the most risk by giving somebody a song in your own way. | 1:04:14 | 1:04:17 | |
You know, Sean, you showed me that, you know, you can master your emotions, | 1:04:17 | 1:04:21 | |
get up there and really give a great performance. | 1:04:21 | 1:04:24 | |
Ooh, it's... | 1:04:24 | 1:04:26 | |
Again, I go with gut. | 1:04:26 | 1:04:29 | |
As I said before, someone who is able to take | 1:04:29 | 1:04:32 | |
whatever I can throw at them - you know, can take advice, you know, ingest that | 1:04:32 | 1:04:37 | |
and within the week, come back bigger, better and stronger. | 1:04:37 | 1:04:40 | |
The winner of this knockout is... | 1:04:40 | 1:04:43 | |
..Mitchel Emms. | 1:04:50 | 1:04:52 | |
Mitchel is going through to the live shows. Come on, make some noise for Mitchel. | 1:04:52 | 1:04:56 | |
CHEERING AND APPLAUSE | 1:04:56 | 1:05:00 | |
No! Conor! | 1:05:01 | 1:05:04 | |
Mitchel, you've been gigging since you were nine and now look - | 1:05:09 | 1:05:12 | |
you're going to the lives here on The Voice. What does this mean to you? Are you proud of yourself? | 1:05:12 | 1:05:17 | |
I honestly didn't expect to be going through to the lives at all. | 1:05:17 | 1:05:20 | |
I mean, this is possibly one of the biggest moments of my life, so... | 1:05:20 | 1:05:23 | |
-Good man! -CHEERING | 1:05:23 | 1:05:26 | |
Sean, I've got to ask you - what was it like working with Danny? | 1:05:26 | 1:05:30 | |
-Cos you guys got on so well, right? -Yeah, it's amazing. | 1:05:30 | 1:05:33 | |
He's a great guy and, like, | 1:05:33 | 1:05:35 | |
I, like, picked up a lot from a short space of time so I'm just... | 1:05:35 | 1:05:38 | |
-really thankful for that. -I don't know where to start. | 1:05:38 | 1:05:41 | |
Thank you so much for turning in the first place. | 1:05:41 | 1:05:43 | |
It's really inspired me to just continue with this. | 1:05:43 | 1:05:46 | |
CHEERING AND APPLAUSE | 1:05:46 | 1:05:48 | |
One more time, please make some noise for Sean and Conor. Come on! | 1:05:48 | 1:05:53 | |
Fantastic. Fantastic. | 1:05:58 | 1:06:00 | |
APPLAUSE DROWNS SPEECH | 1:06:02 | 1:06:05 | |
Mitchel, everyone! Come on, make some noise for him. He's fantastic. Danny! | 1:06:09 | 1:06:13 | |
The reason why I chose Mitchel is that he represents me and Team Dan - rock to the core. | 1:06:13 | 1:06:17 | |
I really believe there's room in the industry right now for an artist just like him. | 1:06:17 | 1:06:21 | |
You deserve it. You belong here. | 1:06:23 | 1:06:26 | |
I really don't know how to feel, other than complete disbelief. | 1:06:26 | 1:06:30 | |
-I don't know! -Come on, my boy! | 1:06:30 | 1:06:33 | |
You're looking at him right now - the new rock king. | 1:06:33 | 1:06:37 | |
CHEERING | 1:06:39 | 1:06:41 | |
Earlier, the pressure was well and truly off for one artist. | 1:06:41 | 1:06:44 | |
And here's why Danny thinks he should be in the live shows. | 1:06:44 | 1:06:48 | |
Karl is a very emotional creature. | 1:06:49 | 1:06:51 | |
You know, he's had a hard, long struggle. | 1:06:51 | 1:06:53 | |
I went from recording in studios in New York | 1:06:53 | 1:06:56 | |
to cleaning windows in Earls Court. | 1:06:56 | 1:06:59 | |
# Oh, oh | 1:06:59 | 1:07:02 | |
# No more "I love you"s, yeah... # | 1:07:02 | 1:07:07 | |
-I just can't seem to catch my break. -I've been exactly in those same shoes. | 1:07:07 | 1:07:11 | |
# And I can't be somebody else... # | 1:07:11 | 1:07:16 | |
The guy gives me shivers every time he sings. | 1:07:16 | 1:07:18 | |
It's Karl. | 1:07:18 | 1:07:20 | |
I've been signed twice. I've been hurt twice. | 1:07:20 | 1:07:23 | |
His default is, "I'm not good enough, I'm not good enough." Well, I'm here to tell him that he is. | 1:07:25 | 1:07:30 | |
CHEERING AND APPLAUSE | 1:07:31 | 1:07:33 | |
# Hey | 1:07:43 | 1:07:45 | |
# Hey | 1:07:45 | 1:07:47 | |
# I'm holding on your rope | 1:07:47 | 1:07:50 | |
# Got me ten feet off the ground | 1:07:50 | 1:07:53 | |
# Yeah | 1:07:53 | 1:07:55 | |
# And I'm hearing what you say but I just can't make a sound | 1:07:56 | 1:08:02 | |
# Yeah, yeah | 1:08:02 | 1:08:04 | |
# You tell me that you need me | 1:08:04 | 1:08:06 | |
# Then you go and cut me down | 1:08:06 | 1:08:10 | |
# But wait | 1:08:10 | 1:08:12 | |
# You tell me that you're sorry | 1:08:12 | 1:08:15 | |
# Didn't think I'd turn around | 1:08:15 | 1:08:18 | |
# And say | 1:08:18 | 1:08:20 | |
# That it's too late to apologise | 1:08:20 | 1:08:24 | |
# It's too late | 1:08:24 | 1:08:28 | |
# I said, it's too late to apologise | 1:08:28 | 1:08:32 | |
# It's too late | 1:08:33 | 1:08:37 | |
# I said, it's too late to apologise | 1:08:37 | 1:08:40 | |
# Yeah | 1:08:40 | 1:08:44 | |
# I said, it's too late to apologise | 1:08:44 | 1:08:49 | |
# Yeah, yeah | 1:08:49 | 1:08:53 | |
# Yeah. # | 1:08:53 | 1:08:57 | |
CHEERING AND APPLAUSE | 1:08:57 | 1:09:00 | |
An amazing performance there. Give it up one more time for Karl Michael! | 1:09:01 | 1:09:06 | |
Joining him to make Danny's top three, Mitchel Emms... | 1:09:06 | 1:09:11 | |
..and Andrea Begley. | 1:09:17 | 1:09:19 | |
They'll be back to sing live next week. Danny, go and join your team. | 1:09:24 | 1:09:29 | |
What a team! Well done, brother. Well done. | 1:09:32 | 1:09:36 | |
-Give it up! -Give it up for Team Danny! | 1:09:38 | 1:09:40 | |
-We're Team Danny and we're going to win! -Boom! | 1:09:45 | 1:09:48 | |
Here you have it. Three of the best singers in the country right now. Team Dan, all the way! | 1:09:48 | 1:09:53 | |
That's it - the knockout weekend is over. | 1:09:53 | 1:09:56 | |
And Danny and Jessie's live teams have emerged. | 1:09:56 | 1:10:00 | |
For Team Jessie... | 1:10:00 | 1:10:01 | |
..and her fast-pass artist... | 1:10:04 | 1:10:06 | |
It's Team Jessie! | 1:10:07 | 1:10:10 | |
Danny's knockout winners were... | 1:10:10 | 1:10:11 | |
..and he fast-tracked Karl straight to the lives. | 1:10:13 | 1:10:16 | |
Give it up for Team Danny! | 1:10:16 | 1:10:19 | |
The artists have given it everything. The coaches have chosen. | 1:10:20 | 1:10:24 | |
-The knockouts are over. -Our superstar coaches have now picked their top three singers. | 1:10:24 | 1:10:28 | |
Next week, they'll face the biggest challenge yet - the live shows. | 1:10:28 | 1:10:32 | |
Thanks to our artists, our band | 1:10:32 | 1:10:34 | |
and, of course, our incredible coaches - will.i.am... | 1:10:34 | 1:10:37 | |
..Jessie J... | 1:10:39 | 1:10:41 | |
..Sir Tom Jones... | 1:10:42 | 1:10:44 | |
..and Danny O'Donoghue. | 1:10:45 | 1:10:47 | |
Join us next week when we go live | 1:10:49 | 1:10:51 | |
-and one step closer to finding the voice. -Good night. | 1:10:51 | 1:10:54 | |
Next Friday, you get to vote... | 1:10:57 | 1:10:59 | |
..as The Voice goes live. | 1:11:00 | 1:11:02 | |
We're going live to millions. This is huge! | 1:11:02 | 1:11:05 | |
The artists face the ultimate challenge... | 1:11:05 | 1:11:08 | |
..as they sing live to the nation. | 1:11:09 | 1:11:12 | |
You have one chance and one chance only. | 1:11:12 | 1:11:14 | |
You can't make mistakes. | 1:11:14 | 1:11:16 | |
Good luck. You're going to need it. | 1:11:18 | 1:11:20 | |
Have you got the vocal ability to deliver a blinding audition? | 1:11:24 | 1:11:28 | |
..I'm talking about! | 1:11:28 | 1:11:29 | |
Could you battle your way to a knockout performance? | 1:11:29 | 1:11:32 | |
That was mega dope! | 1:11:32 | 1:11:34 | |
-If the answer is... -Yes! | 1:11:34 | 1:11:36 | |
..then head to our website to apply for The Voice series three. | 1:11:36 | 1:11:39 | |
Our stage is waiting. All it needs is you. | 1:11:42 | 1:11:46 | |
Here's your chance. Go. | 1:11:46 | 1:11:48 | |
Subtitles by Red Bee Media Ltd | 1:12:13 | 1:12:16 |