Browse content similar to Battle Rounds 3. Check below for episodes and series from the same categories and more!
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Last time, the battles broke out. | 0:00:02 | 0:00:05 | |
Team-mates fought voice to voice. | 0:00:07 | 0:00:10 | |
Leaving their fate in the hands of their coaches. | 0:00:10 | 0:00:13 | |
Tom, who is the winner? | 0:00:13 | 0:00:14 | |
The victors marched forward... | 0:00:16 | 0:00:18 | |
I'm so happy! | 0:00:18 | 0:00:20 | |
..As the rest were left behind. | 0:00:20 | 0:00:23 | |
-Tonight... -No holding back! -..the battles reach their epic conclusion. | 0:00:24 | 0:00:29 | |
-Wonderful battle. -Better than I even imagined. -Over two explosive rounds. | 0:00:29 | 0:00:34 | |
With the prize place in the knockouts at stake. | 0:00:34 | 0:00:37 | |
And two steal positions remaining. | 0:00:37 | 0:00:39 | |
Oh, my goodness! | 0:00:39 | 0:00:40 | |
Who wins? | 0:00:40 | 0:00:42 | |
It's a strong bunch. | 0:00:42 | 0:00:44 | |
Who gets saved? | 0:00:44 | 0:00:45 | |
And who goes home? | 0:00:45 | 0:00:47 | |
This is going to be earth-shattering. | 0:00:47 | 0:00:49 | |
It's Super Battle Saturday. | 0:00:52 | 0:00:54 | |
My God! | 0:00:54 | 0:00:56 | |
Hello and welcome to Super Battle Saturday. | 0:01:01 | 0:01:04 | |
Tonight, it's the final two rounds of vocal warfare. | 0:01:04 | 0:01:08 | |
Let's meet the four people | 0:01:08 | 0:01:09 | |
supporting, saving and stealing tonight. | 0:01:09 | 0:01:12 | |
Will.i.am. | 0:01:12 | 0:01:13 | |
Jessie J. | 0:01:13 | 0:01:15 | |
Sir Tom Jones. | 0:01:15 | 0:01:17 | |
And Danny O'Donoghue. | 0:01:17 | 0:01:18 | |
CHEERING | 0:01:18 | 0:01:20 | |
Good evening, coaches. | 0:01:20 | 0:01:23 | |
It's time to put the artists into battle. Who's first? | 0:01:23 | 0:01:26 | |
It's Team Danny. | 0:01:26 | 0:01:27 | |
West End veteran Ricardo used his blind audition to prove | 0:01:32 | 0:01:36 | |
he could cut it as a solo artist... | 0:01:36 | 0:01:39 | |
and Danny agreed. | 0:01:39 | 0:01:41 | |
He shoots, he scores! | 0:01:41 | 0:01:44 | |
While teenage rocker Mitchel was ready to break out | 0:01:44 | 0:01:47 | |
from tiny pub gigs onto the most important stage of his life. | 0:01:47 | 0:01:52 | |
Welcome to Team Dan. | 0:01:52 | 0:01:53 | |
Ricardo, seasoned professional. | 0:01:56 | 0:01:58 | |
He's been in the West End, you know, | 0:01:58 | 0:01:59 | |
he's sung on every show you can imagine. | 0:01:59 | 0:02:01 | |
Then you've got Mitchel who is like diamond in the rough. | 0:02:01 | 0:02:05 | |
The song you're going to be singing is | 0:02:05 | 0:02:07 | |
Are You Going To Be My Girl by Jet. | 0:02:07 | 0:02:08 | |
Ricardo is the person I didn't want to be put against in the group, | 0:02:08 | 0:02:11 | |
just because of how brilliant a singer he is. | 0:02:11 | 0:02:14 | |
I've got a bit more experience. He's got all that energy and youth. | 0:02:14 | 0:02:17 | |
So I can't wait for it, really. | 0:02:17 | 0:02:19 | |
-Are you all right? -All right, guys? | 0:02:19 | 0:02:22 | |
Behind every great coach, there's a great advisor. | 0:02:22 | 0:02:25 | |
For Danny, it's multi-platinum artist, Dido. | 0:02:25 | 0:02:28 | |
You want to feel like they are working together | 0:02:28 | 0:02:30 | |
and they like each other and are not competing to the detriment | 0:02:30 | 0:02:33 | |
of the other one, but there's also got to be a bit of an edge. | 0:02:33 | 0:02:35 | |
This song, it's a big one. | 0:02:35 | 0:02:37 | |
You sing a line at him, he sings a line at you. | 0:02:37 | 0:02:39 | |
There is a real trade-off and that's what I need in this battle, | 0:02:39 | 0:02:42 | |
is like two bucks just going at it. | 0:02:42 | 0:02:43 | |
# One, two, three take your hand and come to me | 0:02:43 | 0:02:46 | |
# Because you looks so fine and I really want to make you mine... # | 0:02:46 | 0:02:49 | |
From the beginning, Mitchel was off the blocks, that's it. | 0:02:49 | 0:02:51 | |
# ..Short brown hair... # | 0:02:51 | 0:02:53 | |
I think Ricardo realised he had a proper battle on his hands | 0:02:53 | 0:02:56 | |
-after the first take. -OK, I'm right there with you then. | 0:02:56 | 0:03:00 | |
# ..Said you look so fine that I really want to make you mine... # | 0:03:00 | 0:03:03 | |
Putting them together was the best way to get the best | 0:03:03 | 0:03:05 | |
out of both of them. It's going to be unbelievable. | 0:03:05 | 0:03:08 | |
I reckon the crowd are just going to go wild. | 0:03:08 | 0:03:10 | |
-It's got that sort of raw energy there. -Really raw. | 0:03:10 | 0:03:13 | |
It's going to be, like, amazing. | 0:03:13 | 0:03:14 | |
And at studio rehearsal, | 0:03:14 | 0:03:16 | |
the competition shows no sign of letting up. | 0:03:16 | 0:03:19 | |
NHB, baby! No holding back! | 0:03:19 | 0:03:21 | |
# I know we ain't got much to say... # | 0:03:21 | 0:03:26 | |
Ricardo is sounding top-notch today and the competition for me | 0:03:26 | 0:03:30 | |
is really stiff against that guy. | 0:03:30 | 0:03:33 | |
He's got a lot of that neck thing and the hair. | 0:03:33 | 0:03:35 | |
If I do that, I'll pull a muscle. | 0:03:35 | 0:03:37 | |
Ricardo, he's very polished, he's been acting his whole life, | 0:03:37 | 0:03:40 | |
but I want to see him being Ricardo. | 0:03:40 | 0:03:42 | |
# ..Before I let you get away... # | 0:03:42 | 0:03:44 | |
What Mitchel has to show me is that, young as he is, | 0:03:44 | 0:03:46 | |
-he can cut it with the best. -# Are you going to be my girl? # | 0:03:46 | 0:03:49 | |
Whoever gives the most on the night is going straight onto Team Dan. | 0:03:49 | 0:03:52 | |
Ricardo has got the passion, but I don't think he's got | 0:03:53 | 0:03:56 | |
the genuine feel for what this song is all about, but I think he's | 0:03:56 | 0:04:00 | |
going to do a good job of acting it, but I'm going to do it for real. | 0:04:00 | 0:04:03 | |
I've got 20 years on Mitchel, so he'll use his energy, | 0:04:03 | 0:04:07 | |
I'll use my experience. | 0:04:07 | 0:04:09 | |
CHEERING AND APPLAUSE | 0:04:09 | 0:04:12 | |
Two generations of rock, but there can only be one winner. | 0:04:12 | 0:04:16 | |
Get ready for the killer licks and tricks of Ricardo Alfonso. | 0:04:16 | 0:04:20 | |
CHEERING AND APPLAUSE | 0:04:20 | 0:04:24 | |
Versus the raw talent of 19-year-old Mitchel Emms. | 0:04:24 | 0:04:28 | |
CHEERING AND APPLAUSE | 0:04:28 | 0:04:31 | |
Let the battle commence. | 0:04:41 | 0:04:43 | |
CHEERING AND APPLAUSE | 0:04:55 | 0:04:57 | |
# So one, two, three, take my hand and come with me | 0:05:07 | 0:05:10 | |
# Because you look so fine and I really wanna make you mine | 0:05:10 | 0:05:13 | |
# I said you look so fine and I really wanna make you mine | 0:05:14 | 0:05:17 | |
# Four, five, six C'mon and get your kicks | 0:05:19 | 0:05:21 | |
# Now you don't need money when you look like that, do ya, honey? | 0:05:21 | 0:05:24 | |
# Big black boots | 0:05:29 | 0:05:31 | |
# Long brown hair | 0:05:31 | 0:05:33 | |
# She's so sweet | 0:05:33 | 0:05:35 | |
# With her "get back" stare | 0:05:35 | 0:05:38 | |
# Well, I could take | 0:05:38 | 0:05:40 | |
# You home with me | 0:05:40 | 0:05:42 | |
# But you were with another man, yeah! | 0:05:42 | 0:05:47 | |
# I know we ain't got much to say | 0:05:47 | 0:05:52 | |
# Before I let you get away, yeah! | 0:05:52 | 0:05:56 | |
# I said, are you gonna be my girl? | 0:05:59 | 0:06:03 | |
# Said one, two, three take my hand and come with me | 0:06:07 | 0:06:09 | |
# Because you look so fine that I really wanna make you mine | 0:06:09 | 0:06:14 | |
# You look so fine that I really wanna make you mine | 0:06:14 | 0:06:17 | |
# So, four, five, six C'mon and get your kicks | 0:06:18 | 0:06:20 | |
# You don't need the money with a face like that, do ya, honey? | 0:06:20 | 0:06:24 | |
# Oh, yeah, yeah | 0:06:24 | 0:06:28 | |
# Big black boots | 0:06:28 | 0:06:30 | |
# Long brown hair | 0:06:30 | 0:06:33 | |
# She's so sweet | 0:06:33 | 0:06:35 | |
# With her "get back" stare | 0:06:35 | 0:06:37 | |
# I could take | 0:06:37 | 0:06:39 | |
# You home with me | 0:06:39 | 0:06:42 | |
# But you were with another man, yeah! | 0:06:42 | 0:06:46 | |
# I know we ain't got | 0:06:46 | 0:06:49 | |
# Much to say | 0:06:49 | 0:06:51 | |
# Before I let you get away, yeah! | 0:06:51 | 0:06:55 | |
# Be my girl | 0:06:55 | 0:06:58 | |
# Be my girl | 0:06:58 | 0:07:00 | |
# Are you gonna be my girl? # | 0:07:00 | 0:07:08 | |
CHEERING AND APPLAUSE | 0:07:13 | 0:07:16 | |
Ladies and gentlemen, Ricardo and Mitchel. | 0:07:20 | 0:07:24 | |
-How was that for you? -That was amazing. | 0:07:28 | 0:07:30 | |
I know that's kind of a cheesy thing to say, | 0:07:30 | 0:07:32 | |
but I'm really glad to be here on this stage. | 0:07:32 | 0:07:35 | |
Well, we're glad to have you here, that's for sure. | 0:07:35 | 0:07:38 | |
And, Ricardo, what was it like being against him? | 0:07:38 | 0:07:42 | |
-BREATHLESSLY: -Well, it was a walk in the park, if I'm being honest! | 0:07:42 | 0:07:45 | |
LAUGHTER | 0:07:45 | 0:07:46 | |
-It was fantastic. Thank you very, very much for this. -We loved it. | 0:07:46 | 0:07:49 | |
Can I just say, Mitchel, I'm a bit annoyed because I spent hours | 0:07:49 | 0:07:52 | |
on my hair and I just went fully into the head-swinging situation. | 0:07:52 | 0:07:58 | |
That's amazing. OK, right, Danny, big decisions for you. | 0:07:58 | 0:08:01 | |
You smashed, though, lads. You smashed it. Brilliant. | 0:08:01 | 0:08:04 | |
Great start to the show as well. | 0:08:04 | 0:08:06 | |
You keep thinking and I'm going to go to Tom first of all. | 0:08:06 | 0:08:09 | |
-What did you make of that? -Great. A lot of energy. | 0:08:09 | 0:08:12 | |
And it's hard because they are different in their approach. | 0:08:12 | 0:08:15 | |
You know, with Ricardo, his voice is a little lighter, I felt, | 0:08:15 | 0:08:18 | |
in the higher register and Mitchel is full-on all the time. | 0:08:18 | 0:08:23 | |
Both of you put a great show on. I loved it. | 0:08:23 | 0:08:26 | |
Honestly, I believe Mitchel. | 0:08:26 | 0:08:28 | |
For me, Ricardo, it was like a stage performance. | 0:08:28 | 0:08:32 | |
It was great, but I didn't believe it. | 0:08:32 | 0:08:35 | |
I believed it! Mitchel was on fire and I really liked the performance. | 0:08:35 | 0:08:41 | |
And Ricardo was just... His moves, it was just... Wow! | 0:08:41 | 0:08:46 | |
It was two rock stars up there. Ricardo steals it, though. | 0:08:46 | 0:08:49 | |
-I would choose Ricardo. -OK. | 0:08:49 | 0:08:51 | |
CHEERING | 0:08:51 | 0:08:53 | |
I'm so proud because I think this is the best performance you've done, | 0:08:53 | 0:08:56 | |
so to be able to do that and smash it out the ballpark, | 0:08:56 | 0:08:59 | |
I commend you both on it. | 0:08:59 | 0:09:00 | |
-Well done. -CHEERING AND APPLAUSE | 0:09:00 | 0:09:02 | |
Great, really great. | 0:09:02 | 0:09:03 | |
I thought it would be an easier decision, but it's... | 0:09:03 | 0:09:06 | |
it's neck and neck now. | 0:09:06 | 0:09:08 | |
CHEERING | 0:09:08 | 0:09:10 | |
-WILL: -Ricardo! | 0:09:10 | 0:09:13 | |
Ricardo! | 0:09:13 | 0:09:15 | |
Rrrrricardo! | 0:09:15 | 0:09:17 | |
-I'm going to base this decision on who I think... -Ricardo. | 0:09:18 | 0:09:21 | |
CROWD SHOUTS | 0:09:21 | 0:09:22 | |
..I can guide onto the next stage of the competition. | 0:09:22 | 0:09:26 | |
-Ricardo. -And the winner of this battle is... | 0:09:26 | 0:09:29 | |
..Mitchel. | 0:09:37 | 0:09:39 | |
APPLAUSE DROWNS SPEECH | 0:09:39 | 0:09:41 | |
We have ourselves a winner! | 0:09:41 | 0:09:44 | |
-Mitchel is going through to the knockout rounds. -Top, man. | 0:09:44 | 0:09:47 | |
-Both great. -Yeah, yeah, yeah. | 0:09:47 | 0:09:50 | |
Steal him! | 0:09:50 | 0:09:52 | |
Real team spirit here, up on stage, but listen, how does that feel? | 0:09:53 | 0:09:56 | |
-You're going through! -I only just wanted to come on and really | 0:09:56 | 0:09:59 | |
enjoy myself and give you guys a really good performance tonight. | 0:09:59 | 0:10:02 | |
-I am so chuffed to have gone through! -Mitchel, everybody! | 0:10:02 | 0:10:06 | |
CHEERING AND APPLAUSE | 0:10:06 | 0:10:09 | |
Well done. Well done, you did it. It was on that performance there. | 0:10:09 | 0:10:13 | |
You did it. | 0:10:13 | 0:10:14 | |
So, Ricardo is now available to steal. | 0:10:20 | 0:10:24 | |
Don't forget, Jessie and Tom have already stolen, | 0:10:26 | 0:10:29 | |
so Ricardo's fate is all down to Will. | 0:10:29 | 0:10:32 | |
For me, I don't think he needs to talk, | 0:10:32 | 0:10:35 | |
I think he just spoke for himself there. | 0:10:35 | 0:10:37 | |
You're an out-and-out star, you really are. It's my fault. | 0:10:37 | 0:10:40 | |
My fault for putting you two together. | 0:10:40 | 0:10:43 | |
This is all I do, singing and performing. | 0:10:43 | 0:10:45 | |
If it came across too stagey, it's because that's exactly what I do. | 0:10:45 | 0:10:51 | |
He deserves it so much, he really does. He's got to go through. | 0:10:51 | 0:10:55 | |
Absolutely my fault. My fault. Sorry. | 0:10:55 | 0:10:58 | |
-CROWD GROANS -And so, for now, | 0:11:06 | 0:11:09 | |
it doesn't look like there'll be a steal happening here tonight, | 0:11:09 | 0:11:12 | |
but you've been absolutely brilliant. Thank you very much. | 0:11:12 | 0:11:14 | |
Let's hear it one more time for Ricardo. | 0:11:14 | 0:11:17 | |
CHEERING AND APPLAUSE | 0:11:17 | 0:11:20 | |
-I get it. I really get it. -That was brilliant. | 0:11:22 | 0:11:25 | |
I wasn't saying it was too stagey, I just felt you were | 0:11:25 | 0:11:28 | |
put against someone that could be really authentic with that. | 0:11:28 | 0:11:30 | |
I would have liked to have seen... That's all I meant. | 0:11:30 | 0:11:32 | |
I think you're great. I think the stagey thing is your thing. | 0:11:32 | 0:11:35 | |
Well done. | 0:11:35 | 0:11:36 | |
DANNY: Give it up for Ricardo! | 0:11:38 | 0:11:40 | |
CHEERING | 0:11:40 | 0:11:42 | |
So awkward! | 0:11:42 | 0:11:44 | |
He can sing. | 0:11:44 | 0:11:46 | |
Yeah, tough, obviously. Not happy, but, you know, such is life. | 0:11:52 | 0:11:56 | |
It's cool. It's OK. | 0:11:56 | 0:11:58 | |
Ricardo had more oomph. | 0:11:58 | 0:12:00 | |
But I understand Danny is in a rock band and wants to do rock. | 0:12:02 | 0:12:05 | |
The best is still yet to come with Mitchel. | 0:12:05 | 0:12:07 | |
He knows that he is the only rock voice in this competition, | 0:12:07 | 0:12:09 | |
but he's shown me so far | 0:12:09 | 0:12:11 | |
that he can go up against the best and get better. | 0:12:11 | 0:12:14 | |
CHEERING | 0:12:14 | 0:12:17 | |
Next up, its Team Tom. | 0:12:19 | 0:12:21 | |
# I know you loved him... # | 0:12:26 | 0:12:29 | |
At the blind auditions, | 0:12:29 | 0:12:30 | |
22-year-old Mike went from singing in the street... | 0:12:30 | 0:12:33 | |
# When it comes down to the limit you're the beauty and the beast... # | 0:12:33 | 0:12:36 | |
..to singing for superstars, impressing with his country tone. | 0:12:36 | 0:12:41 | |
Thank you, I can't believe this. | 0:12:41 | 0:12:42 | |
It was fresh. | 0:12:42 | 0:12:44 | |
# He's got eyes like the bluest sky...# | 0:12:44 | 0:12:48 | |
-REGGIE: -And Tom added to his country file with 18-year-old Emma Jade. | 0:12:48 | 0:12:51 | |
You're stuck with me, sweetheart. | 0:12:54 | 0:12:56 | |
Well, I paired Emma with Mike | 0:12:58 | 0:13:00 | |
because they both have a country flavour. | 0:13:00 | 0:13:03 | |
We're quite similar with styles of singing, | 0:13:03 | 0:13:06 | |
but I'm a bit different because I come from rap and pop and R&B. | 0:13:06 | 0:13:10 | |
Whereas mine is just pure country. | 0:13:10 | 0:13:14 | |
And the song is Landslide by Fleetwood Mac. | 0:13:14 | 0:13:18 | |
-REGGIE: -Back to help Tom, it's his old friend | 0:13:19 | 0:13:22 | |
and former singer of Catatonia, Cerys Matthews. | 0:13:22 | 0:13:25 | |
I couldn't imagine a more difficult situation, actually, | 0:13:25 | 0:13:28 | |
as a singer, knowing you're actually in a battle. | 0:13:28 | 0:13:32 | |
You've got just that small window to perform | 0:13:32 | 0:13:34 | |
and to make your magic happen and that's hard. | 0:13:34 | 0:13:37 | |
-Landslide is a love song. -Aw, mate! | 0:13:37 | 0:13:39 | |
Think about whatever is the easiest way for you to get | 0:13:39 | 0:13:42 | |
the love in your mind, so when you feel truthfully | 0:13:42 | 0:13:45 | |
in love with one another then you act like you are. | 0:13:45 | 0:13:47 | |
# Climbed a mountain and I turned around... # | 0:13:47 | 0:13:50 | |
It was kind of awkward at first, but I think me | 0:13:50 | 0:13:53 | |
and Mike get on really well and I think it's just come naturally. | 0:13:53 | 0:13:57 | |
If you don't put the emotion into the song, it just won't work. | 0:13:58 | 0:14:02 | |
# Time makes you bolder Children get older... # | 0:14:02 | 0:14:06 | |
It's turning into a very potent love song, | 0:14:06 | 0:14:09 | |
there are some vibes happening here. Are you single? | 0:14:09 | 0:14:13 | |
Emma and Mike have great chemistry and I'm sure people are going to | 0:14:13 | 0:14:17 | |
say, "Those two look like they've got something going on there." | 0:14:17 | 0:14:20 | |
# Children get older... # | 0:14:20 | 0:14:22 | |
-You really suit one another when you sing. -Yeah. | 0:14:22 | 0:14:25 | |
I think they sound great together. | 0:14:25 | 0:14:27 | |
It's going to make it harder for me because | 0:14:27 | 0:14:29 | |
I can only pick one out of the two of them. | 0:14:29 | 0:14:32 | |
It's like splitting somebody up. | 0:14:32 | 0:14:35 | |
# The landslide'll bring you down... # | 0:14:35 | 0:14:40 | |
Me and Emma, we've got on really well, we've grown really close, | 0:14:40 | 0:14:43 | |
but we have to put that to one side tonight and go out for ourselves. | 0:14:43 | 0:14:46 | |
Which ever way it goes tonight, there's only room for one | 0:14:49 | 0:14:52 | |
country singer on Team Tom and I've got to make sure it's me. | 0:14:52 | 0:14:56 | |
It's a country and western shoot out. | 0:14:58 | 0:15:00 | |
He's a Salford lad with a country voice, it's Mike Ward! | 0:15:00 | 0:15:03 | |
CHEERING | 0:15:04 | 0:15:06 | |
Versus the girl with the Nashville in her heart, it's Emma Jade. | 0:15:06 | 0:15:10 | |
CHEERING | 0:15:10 | 0:15:12 | |
Let the battle begin. | 0:15:21 | 0:15:23 | |
CHEERING AND APPLAUSE | 0:15:34 | 0:15:37 | |
# I took my love and I took it down | 0:15:47 | 0:15:51 | |
CHEERING | 0:15:51 | 0:15:53 | |
# I climbed the mountain and I turned around, oh, yeah | 0:15:53 | 0:15:59 | |
# Well, I saw my reflection in the snow-covered hills | 0:15:59 | 0:16:05 | |
# The landslide brought me down | 0:16:05 | 0:16:09 | |
# Oh, mirror in the sky | 0:16:12 | 0:16:14 | |
# What is love? | 0:16:14 | 0:16:17 | |
# Can the child within my heart rise above | 0:16:17 | 0:16:24 | |
# Can I sail through the changing ocean tide? | 0:16:24 | 0:16:31 | |
# Can I handle the seasons of my life? | 0:16:31 | 0:16:38 | |
-# Uh-ohhh -Uh-oh-ohhhh | 0:16:38 | 0:16:44 | |
-# Uh-ohhh -Uh-oh-ohhhh | 0:16:44 | 0:16:49 | |
# Well, I've been afraid of changing | 0:16:52 | 0:16:57 | |
# Cos I built my life around you | 0:16:58 | 0:17:03 | |
# But time makes you bolder Children get older | 0:17:04 | 0:17:11 | |
# And I'm getting older too | 0:17:11 | 0:17:16 | |
# Well, I'm getting older too | 0:17:18 | 0:17:23 | |
# So take this love, take it down | 0:17:24 | 0:17:28 | |
# If you climb a mountain and you turn around | 0:17:31 | 0:17:37 | |
# And if you see my reflection in the snow-covered hills | 0:17:37 | 0:17:43 | |
-# Well, maybe -Maybe | 0:17:43 | 0:17:50 | |
# The landslide will bring you down. # | 0:17:50 | 0:18:01 | |
CHEERING AND APPLAUSE | 0:18:01 | 0:18:04 | |
-REGGIE: -Mark and Emma, everybody! | 0:18:04 | 0:18:06 | |
Come on! Put your hands together for that battle. | 0:18:06 | 0:18:08 | |
I reckon that was real good! | 0:18:08 | 0:18:09 | |
If that look in your eye was anything to go by, I think you | 0:18:14 | 0:18:17 | |
kind of enjoyed what you were looking at during that battle. | 0:18:17 | 0:18:20 | |
-Is that correct, by any chance? -Em... | 0:18:20 | 0:18:24 | |
-LAUGHTER -Shall we move on? | 0:18:24 | 0:18:26 | |
-Yeah, move on, yeah. -Let's do that. | 0:18:26 | 0:18:28 | |
OK, look, Tom, it's going to be a really tough decision for you. | 0:18:28 | 0:18:31 | |
We'll come to you shortly. First, let's move over to Danny. | 0:18:31 | 0:18:34 | |
Yeah, definitely felt the chemistry all right, yeah! | 0:18:34 | 0:18:37 | |
You know what, Emma Jade, | 0:18:38 | 0:18:39 | |
I think you've got quite a believable country voice. | 0:18:39 | 0:18:41 | |
But then again, if I was going to edge anybody, I'd probably edge Mike. | 0:18:41 | 0:18:44 | |
CHEERING Slightly, slightly. | 0:18:44 | 0:18:47 | |
-Slightly. -I come from America... -LAUGHTER | 0:18:48 | 0:18:52 | |
..and when y'all are singing that song right there, | 0:18:52 | 0:18:54 | |
I mean y'all sound like y'all come from Oklahoma, Alabama, somewhere. | 0:18:54 | 0:18:57 | |
It was just so amazing! Emma Jade, you sound like a peach. | 0:18:57 | 0:19:00 | |
You sound just all sweet when you sing. | 0:19:00 | 0:19:03 | |
And, Mike, you just sound like you're one of my boys | 0:19:03 | 0:19:05 | |
from back down by the yard there. | 0:19:05 | 0:19:07 | |
CHEERING | 0:19:07 | 0:19:10 | |
But, seriously, I would go with Emma Jade. No disrespect to Mike. | 0:19:10 | 0:19:15 | |
Mike sounds amazing, but really, you really sound sweet, | 0:19:15 | 0:19:19 | |
-like a bucket of sugar. -LAUGHTER | 0:19:19 | 0:19:23 | |
When you match a girl up with a boy, you have to think more about it | 0:19:23 | 0:19:29 | |
and I thought, you know, these two lovely singers | 0:19:29 | 0:19:32 | |
really went well together, but by doing that, | 0:19:32 | 0:19:35 | |
I've made it more difficult for myself to pick. | 0:19:35 | 0:19:40 | |
-Well, it's a hard one. -CROWD SHOUTS | 0:19:40 | 0:19:43 | |
-WILL: -Emma Jade! -JESSIE: Mike! -Emma Jade! Emma Jade! | 0:19:50 | 0:19:53 | |
Emma Jade, Emma Jade, Emma Jade! | 0:19:53 | 0:19:55 | |
Emma Jade, Emma Jade! | 0:19:55 | 0:19:57 | |
Emma Jade, Emma Jade! | 0:19:59 | 0:20:00 | |
Well... | 0:20:00 | 0:20:01 | |
..I have to go with Mike. | 0:20:03 | 0:20:05 | |
CHEERING AND APPLAUSE | 0:20:05 | 0:20:08 | |
Congratulations. Once again for fantastic Mike. Well done, man. | 0:20:09 | 0:20:13 | |
Give it up for Mike, everybody. | 0:20:13 | 0:20:16 | |
-That was great. -I won't let you down. | 0:20:18 | 0:20:21 | |
Well done, you. | 0:20:21 | 0:20:22 | |
Once again for Mike, everybody. | 0:20:22 | 0:20:25 | |
CHEERING AND APPLAUSE | 0:20:25 | 0:20:28 | |
I didn't expect him to pick me then. I'm ecstatic, man. | 0:20:28 | 0:20:34 | |
OK, now, Will said that she sounded like a peach, | 0:20:34 | 0:20:37 | |
but I tell you what, Emma is now available to steal. | 0:20:37 | 0:20:41 | |
I just want to say thank you so much, Tom, for turning round. | 0:20:41 | 0:20:45 | |
I'd never intended to even get to this point. | 0:20:45 | 0:20:48 | |
And because Jessie has already used her steal, | 0:20:48 | 0:20:51 | |
Danny and Will are the only coaches who can push their buttons. | 0:20:51 | 0:20:55 | |
OK, now, it looks like none of our coaches are going to | 0:21:02 | 0:21:05 | |
go for the steal on this one, but you've been absolutely fantastic | 0:21:05 | 0:21:08 | |
and that was a great battle, so you should be proud of yourself. | 0:21:08 | 0:21:10 | |
I just want to say thank you so much, Tom, for turning around. | 0:21:10 | 0:21:14 | |
Mike's incredible, so I don't blame you whatsoever for picking him, | 0:21:14 | 0:21:17 | |
but thank you so much. | 0:21:17 | 0:21:19 | |
Ladies and gentlemen, one more time, please, the fantastic Emma. | 0:21:19 | 0:21:22 | |
CHEERING AND APPLAUSE | 0:21:22 | 0:21:26 | |
MUSIC: "I Will Always Love You" by Dolly Parton | 0:21:26 | 0:21:30 | |
I'm gutted she didn't get through. | 0:21:30 | 0:21:32 | |
-Group hug, group hug. -You sounded great, Emma Jade. -Well done, babes. | 0:21:32 | 0:21:38 | |
-Keep going. Well done. -It was great, you did great. | 0:21:38 | 0:21:42 | |
Give it up for Emma, everybody, come on! | 0:21:42 | 0:21:45 | |
CHEERING | 0:21:45 | 0:21:47 | |
I think Mike is... | 0:21:53 | 0:21:55 | |
..more unusual, he's got an unusual voice, so, you know, Mike has | 0:21:56 | 0:22:01 | |
a chance to really do something with country music in Great Britain. | 0:22:01 | 0:22:08 | |
Next up, its Team Jessie. | 0:22:13 | 0:22:15 | |
# Too much light in my window... # | 0:22:21 | 0:22:23 | |
Alex has played the king of pop in the West End hit Thriller. | 0:22:23 | 0:22:27 | |
# So wake me up... # | 0:22:27 | 0:22:29 | |
But it was his own crowning performance that got | 0:22:29 | 0:22:32 | |
the coaches on their feet. | 0:22:32 | 0:22:34 | |
I'm going to pick my girl, Jessie. | 0:22:34 | 0:22:36 | |
# Bust the windows out your car... # | 0:22:36 | 0:22:39 | |
Jessie J isn't often speechless, | 0:22:39 | 0:22:40 | |
but 18-year-old mobile hairdresser Letitia | 0:22:40 | 0:22:44 | |
managed that rare achievement. | 0:22:44 | 0:22:46 | |
Like a... I... Bleurgh! | 0:22:46 | 0:22:49 | |
In this battle, we have Alex and Leti-ti-ti-ti-titia. | 0:22:52 | 0:22:55 | |
Alex is on stage every night in the West End | 0:22:55 | 0:22:59 | |
and Letitia is very much new to this. | 0:22:59 | 0:23:02 | |
Jessie's lieutenant for these battles is award-winning writer | 0:23:02 | 0:23:05 | |
and producer, Claude Kelly. | 0:23:05 | 0:23:07 | |
I've had the pleasure of working with | 0:23:07 | 0:23:09 | |
Jessie, Whitney Houston, Christina Aguilera. | 0:23:09 | 0:23:12 | |
Now it's time to help you guys. | 0:23:12 | 0:23:14 | |
# Let's get it crunk upon | 0:23:14 | 0:23:16 | |
# Have fun upon it... # | 0:23:16 | 0:23:18 | |
In this song, you need to bring a party to this stage | 0:23:18 | 0:23:20 | |
and just really make it... Pow! | 0:23:20 | 0:23:24 | |
When you start your first verse, | 0:23:24 | 0:23:26 | |
you guys say, "Would you mind getting crunked for me?" | 0:23:26 | 0:23:29 | |
# Let's get it crunked upon, have fun... # | 0:23:29 | 0:23:31 | |
Do you see what I'm saying? From the top. | 0:23:31 | 0:23:34 | |
I know that song cannot be sung | 0:23:34 | 0:23:36 | |
without at least a little confidence, | 0:23:36 | 0:23:39 | |
but yeah, it'll take a bit of digging. | 0:23:39 | 0:23:41 | |
THEY SING | 0:23:41 | 0:23:44 | |
Letitia's weakness is probably her experience as a performer. | 0:23:44 | 0:23:49 | |
I can sing, I can dance, | 0:23:49 | 0:23:52 | |
so maybe I can capitalise on that a little bit. | 0:23:52 | 0:23:54 | |
But in studio rehearsals, the battle plans go out the window. | 0:23:54 | 0:23:59 | |
# In this dancery.. # | 0:23:59 | 0:24:02 | |
When we did the first performance, | 0:24:02 | 0:24:04 | |
it was just a kind of explosion of mess. | 0:24:04 | 0:24:06 | |
There's way too much going on. | 0:24:06 | 0:24:08 | |
I know you can dance, | 0:24:08 | 0:24:10 | |
but if it's going to jeopardise your vocals, then slow it down. | 0:24:10 | 0:24:14 | |
Jessie feels like my dance moves are affecting my performance, | 0:24:14 | 0:24:17 | |
but I'm used to being high-energy, | 0:24:17 | 0:24:19 | |
so I'm still going to do whatever I can | 0:24:19 | 0:24:21 | |
to make sure my performance is good on the night. | 0:24:21 | 0:24:23 | |
Alex's dance moves are intense. | 0:24:23 | 0:24:25 | |
He went in front of me. | 0:24:25 | 0:24:27 | |
It just kind of threw me off balance and made me forget my words. | 0:24:27 | 0:24:30 | |
You have one go at it, that's it. | 0:24:30 | 0:24:34 | |
Come on the stage and blow people away. | 0:24:34 | 0:24:37 | |
Although I'm up against a West End performer and I'm only 18, | 0:24:38 | 0:24:43 | |
it's time for me to show the world what I've got. | 0:24:43 | 0:24:45 | |
Letitia's voice is incredible, especially at that age, so I'm going | 0:24:45 | 0:24:49 | |
to have to bring my experience and put it into my performance. | 0:24:49 | 0:24:53 | |
Two go into the ring. Who is coming out as the winner? | 0:24:56 | 0:25:01 | |
First on, Preston's teenage hairdresser, Letitia Grant-Brown. | 0:25:01 | 0:25:05 | |
CHEERING | 0:25:05 | 0:25:07 | |
Challenging, the Manchester lad with killer moves, Alex Buchanan. | 0:25:09 | 0:25:12 | |
CHEERING | 0:25:12 | 0:25:15 | |
Party! Party! | 0:25:20 | 0:25:23 | |
Let the battle commence. | 0:25:25 | 0:25:27 | |
CHEERING Relax. | 0:25:39 | 0:25:41 | |
# Huh-uh, yeah | 0:25:47 | 0:25:48 | |
# Whoo-ooh oh-oh-ohhh | 0:25:50 | 0:25:52 | |
# Let's get it crunk upon | 0:25:55 | 0:25:57 | |
# Have fun upon it in this dancery | 0:25:57 | 0:26:00 | |
# We got ya open, now ya floatin' | 0:26:00 | 0:26:03 | |
# So you gots to dance for me | 0:26:03 | 0:26:05 | |
# Don't need no hateration, holleratin' | 0:26:05 | 0:26:09 | |
# In this dancery | 0:26:09 | 0:26:11 | |
# Let's get it percolatin' while you're waiting | 0:26:11 | 0:26:14 | |
# So just dance for me | 0:26:14 | 0:26:15 | |
# It's only gonna be a matter of time | 0:26:15 | 0:26:18 | |
# Before you get loose and start to lose your mind | 0:26:18 | 0:26:20 | |
# Cop you a drink Go ahead and rock your ice | 0:26:20 | 0:26:22 | |
# Cos we're celebrating no more drama in our lives | 0:26:22 | 0:26:25 | |
# With the Dre track pumpin' everybody's jumpin' | 0:26:25 | 0:26:28 | |
# Go ahead and twist your back and get your body bumpin' | 0:26:28 | 0:26:30 | |
# I told you leave your situations at the door | 0:26:30 | 0:26:33 | |
# So grab somebody and get your ass on the dance floor | 0:26:33 | 0:26:36 | |
# Let's get it crunk upon Have fun up on | 0:26:36 | 0:26:40 | |
# Up in this dancery | 0:26:40 | 0:26:41 | |
# We got ya open, now ya floatin' | 0:26:41 | 0:26:45 | |
# So you've got to dance for me | 0:26:45 | 0:26:47 | |
# Don't need no hesitation, holleratin' | 0:26:47 | 0:26:50 | |
# In this dancery | 0:26:50 | 0:26:52 | |
# Let's get it percolatin', while you're waiting | 0:26:52 | 0:26:55 | |
# So just dance for me. # | 0:26:55 | 0:26:58 | |
CHEERING AND APPLAUSE | 0:26:58 | 0:27:00 | |
Let's hear it one more time for Letitia and Alex! | 0:27:04 | 0:27:08 | |
CHEERING AND APPLAUSE | 0:27:08 | 0:27:11 | |
Well done! Oh, my goodness me! Congratulations! | 0:27:11 | 0:27:16 | |
Jessie, big decision to make. Let's see if Danny can help. | 0:27:16 | 0:27:20 | |
Letitia, I think the song suited your style more. | 0:27:20 | 0:27:23 | |
Alex made a few mistakes and I thought your pitch | 0:27:23 | 0:27:25 | |
was a lot better on your audition than it was today, | 0:27:25 | 0:27:27 | |
but I still remember your audition | 0:27:27 | 0:27:29 | |
and how you knocked it out of the ballpark. | 0:27:29 | 0:27:31 | |
CHEERING | 0:27:31 | 0:27:34 | |
Letitia, you're like a queen up there. | 0:27:34 | 0:27:37 | |
It shows me that you can sing any type of song | 0:27:37 | 0:27:40 | |
and you're going to melt the stage, like boom. | 0:27:40 | 0:27:44 | |
CHEERING | 0:27:44 | 0:27:46 | |
Thinking that far ahead. | 0:27:46 | 0:27:47 | |
Alex, you're just a ball of energy and when it comes to | 0:27:47 | 0:27:52 | |
a battle like that, a vocal battle, | 0:27:52 | 0:27:54 | |
you got to choose, OK, am I going to do the splits, | 0:27:54 | 0:27:58 | |
am I going to spin on my head, am I going to do some cartwheels? | 0:27:58 | 0:28:03 | |
You've got choose what you're going to do cos one is going to suffer. | 0:28:03 | 0:28:06 | |
And today, the pitch suffered. | 0:28:06 | 0:28:08 | |
It was cool, but you've got | 0:28:08 | 0:28:10 | |
a soul sensation that's rocking the nation right next to you. | 0:28:10 | 0:28:15 | |
CHEERING | 0:28:15 | 0:28:17 | |
If you lose, that's going to be why you lost, | 0:28:17 | 0:28:19 | |
because you chose to do the dancing, you know, split your pants. | 0:28:19 | 0:28:22 | |
LAUGHTER | 0:28:22 | 0:28:23 | |
It's not over yet. It's not over yet. | 0:28:23 | 0:28:26 | |
CHEERING | 0:28:26 | 0:28:27 | |
Are you quite tough on yourself sometimes? | 0:28:27 | 0:28:29 | |
Yeah, I'm really tough myself. | 0:28:29 | 0:28:31 | |
-I could have done much, much better with that one. -You think so? | 0:28:31 | 0:28:33 | |
OK, let's hear what Jessie had to say. | 0:28:33 | 0:28:35 | |
-AUDIENCE: -Aw! -No, it's real life. | 0:28:35 | 0:28:37 | |
If this was a rehearsal, I would've said, "Alex, you did too much | 0:28:37 | 0:28:40 | |
"and, Letitia, you didn't give me enough." And that's real. | 0:28:40 | 0:28:43 | |
CHEERING | 0:28:43 | 0:28:45 | |
OK? | 0:28:45 | 0:28:47 | |
So, I said to you before you went on, don't dance too much, | 0:28:47 | 0:28:50 | |
don't let it overtake and I know that, Letitia, | 0:28:50 | 0:28:54 | |
you feel that you didn't give your best, yeah? | 0:28:54 | 0:28:57 | |
I know because I've got to know you guys, you know, | 0:28:57 | 0:28:59 | |
and I'm happy that this is a real lesson | 0:28:59 | 0:29:01 | |
that you're learning about yourselves as artists, you know. | 0:29:01 | 0:29:04 | |
CHEERING | 0:29:04 | 0:29:06 | |
So, Jessie, what are you going to do? | 0:29:06 | 0:29:09 | |
I... | 0:29:09 | 0:29:11 | |
CROWD SHOUTS | 0:29:11 | 0:29:12 | |
Guys, guys, guys, come on. I'm basing my decision on... | 0:29:12 | 0:29:17 | |
One of the reasons I came on the show was to find a voice | 0:29:17 | 0:29:20 | |
that I don't feel like has had... | 0:29:20 | 0:29:23 | |
the limelight and the showcasing that it deserves, especially in the UK. | 0:29:23 | 0:29:28 | |
CROWD SHOUTS | 0:29:30 | 0:29:32 | |
And for that reason, the winner of this battle is Letitia. | 0:29:35 | 0:29:38 | |
CHEERING | 0:29:38 | 0:29:40 | |
We have ourselves a winner. | 0:29:43 | 0:29:45 | |
Letitia, you are going through to the knockout rounds. | 0:29:45 | 0:29:49 | |
And that meant a lot to you, didn't it? | 0:29:49 | 0:29:51 | |
Yeah, thank you. | 0:29:51 | 0:29:53 | |
Give it up for Letitia! | 0:29:56 | 0:29:57 | |
CHEERING | 0:29:57 | 0:29:59 | |
Don't kick yourself, OK? | 0:30:02 | 0:30:04 | |
I can't wait. | 0:30:06 | 0:30:08 | |
As soon as she said my name, it just all poured out of me, | 0:30:15 | 0:30:18 | |
because I have worked so hard, and for someone else to realise | 0:30:18 | 0:30:21 | |
and recognise, it's so good. | 0:30:21 | 0:30:24 | |
OK, that means that Alex now is available to steal. | 0:30:28 | 0:30:31 | |
Oh, my goodness! | 0:30:33 | 0:30:35 | |
-Everything happens for a reason. -What do you think? Who do you think? | 0:30:44 | 0:30:47 | |
Who do you think is best for me, babe, seriously? | 0:30:47 | 0:30:49 | |
-This is called The Voice. -Yeah. | 0:30:49 | 0:30:52 | |
OK? | 0:30:55 | 0:30:57 | |
OK. They need to pitch to you now and tell you why they want you on their team, OK? | 0:30:57 | 0:31:01 | |
So I'm going to leave you to make this decision. | 0:31:01 | 0:31:04 | |
-Will, we'll start with you. -You could choose me. | 0:31:04 | 0:31:07 | |
And I could sit here and say, "We're going to go all the way! | 0:31:07 | 0:31:11 | |
"We're going to see what's going to happen at knockouts." | 0:31:11 | 0:31:14 | |
I can coach you the way I coached Tyler and Jaz | 0:31:14 | 0:31:16 | |
and all the guys that went all the way. | 0:31:16 | 0:31:19 | |
What about the people who didn't win? | 0:31:19 | 0:31:21 | |
I'm sorry(!) | 0:31:21 | 0:31:23 | |
I'm committed and dedicated to the people that I say I'm going to help. | 0:31:23 | 0:31:26 | |
I'm not going to sit here and say we're going to win, but you come | 0:31:26 | 0:31:29 | |
over here on this team, and we'll see if we can get through the knockouts. | 0:31:29 | 0:31:33 | |
That's all I can promise, is that I'll pay attention to get you there. | 0:31:33 | 0:31:37 | |
That's it. I'm not going to sit here and blow smoke up, because I don't even smoke. | 0:31:37 | 0:31:42 | |
You know what I'm saying? | 0:31:42 | 0:31:44 | |
I'm not going to say I'll bake a cake | 0:31:44 | 0:31:47 | |
because I'm lactose intolerant. | 0:31:47 | 0:31:49 | |
You know what you'll get with me. | 0:31:49 | 0:31:50 | |
Very much cut from the same cloth as yourself. | 0:31:50 | 0:31:53 | |
The next stage is you get to pick the song. | 0:31:53 | 0:31:55 | |
I just get to really fine tune what you were. | 0:31:55 | 0:31:57 | |
I won't sit here and beg for it, | 0:31:57 | 0:32:00 | |
because I know you know we are the right match. | 0:32:00 | 0:32:03 | |
Thank you, and I appreciate everything. | 0:32:06 | 0:32:10 | |
I'm going to go with Danny. | 0:32:27 | 0:32:29 | |
-Thank you. Don't let me down. -Trust me. | 0:32:34 | 0:32:38 | |
I'm just so glad that they pressed their buttons. | 0:32:41 | 0:32:43 | |
I've got a second chance to push further and be in those finals. | 0:32:45 | 0:32:49 | |
This was my... I don't want to say "gameplan", but I am really happy. | 0:32:50 | 0:32:54 | |
I'm not surprised. That's just classic Jessie. | 0:32:54 | 0:32:57 | |
And I'm quite happy with the team that I have. | 0:32:57 | 0:32:59 | |
For me, it was the better decision that Alex went with Danny. | 0:32:59 | 0:33:02 | |
He will disappear in your team, I think. | 0:33:02 | 0:33:06 | |
-Tension mounts. -Why did you pick that song? | 0:33:13 | 0:33:15 | |
I don't pick songs for Jessie to say, "That was a great song choice." | 0:33:15 | 0:33:18 | |
-And a shock decision. -What?! | 0:33:20 | 0:33:24 | |
I have no idea why Jessie got upset. | 0:33:24 | 0:33:25 | |
Next up, it's Team Tom. | 0:33:32 | 0:33:35 | |
Tom Jones may have met his match in northern duo Diva. | 0:33:41 | 0:33:45 | |
If you can play the working men's clubs... | 0:33:45 | 0:33:48 | |
All the alcoholics, give us a cheer! | 0:33:48 | 0:33:50 | |
..you can deal with legends. | 0:33:50 | 0:33:52 | |
The one person in the room you're not too much for. Tom Jones right here. | 0:33:54 | 0:33:57 | |
While music student Joseph is a shy guy. | 0:34:00 | 0:34:02 | |
-As a person, I'm not really that confident. -Until he starts singing. | 0:34:02 | 0:34:07 | |
Tom. | 0:34:13 | 0:34:14 | |
Joseph, this is maybe the most unusual battle. Diva. | 0:34:18 | 0:34:21 | |
One man battling two women, which is always a tough thing to do. | 0:34:22 | 0:34:26 | |
The song is Don't Let The Sun Go Down On Me, | 0:34:27 | 0:34:29 | |
by Elton John and George Michael. | 0:34:29 | 0:34:32 | |
HE FALTERS | 0:34:34 | 0:34:38 | |
I don't know the song that well, | 0:34:41 | 0:34:43 | |
but Diva know the song because obviously they are old. | 0:34:43 | 0:34:47 | |
That's pretty bad. Older, yes, that's the correct word. | 0:34:47 | 0:34:51 | |
Joseph is 21, I don't think he has the experience we have. | 0:34:51 | 0:34:55 | |
-Don't let him frighten you. -We'll be chasing you, mind. | 0:34:55 | 0:34:58 | |
We'll hunt you down. | 0:35:00 | 0:35:01 | |
It's almost like David and Goliath, | 0:35:03 | 0:35:04 | |
because Joseph is quite a quiet person | 0:35:04 | 0:35:05 | |
and then you have two ladies, very confident and massive characters. | 0:35:05 | 0:35:10 | |
Growing up in the Philippines, I haven't met anyone like Diva. | 0:35:10 | 0:35:12 | |
We're going to chase him round the ring, right. | 0:35:12 | 0:35:15 | |
We're going to rugby tackle him. | 0:35:15 | 0:35:17 | |
You are going down! | 0:35:19 | 0:35:21 | |
The only person I could think of that could match Diva was Joseph. | 0:35:23 | 0:35:28 | |
He may be a shy person, but when he sings, he is not shy. | 0:35:28 | 0:35:32 | |
It is going to be a powerful battle. | 0:35:32 | 0:35:34 | |
We're more used to working in working men's clubs, so to get | 0:35:41 | 0:35:44 | |
the opportunity to be on a stage like this is what people dream of. | 0:35:44 | 0:35:48 | |
We just want it to carry on. | 0:35:48 | 0:35:49 | |
Diva are really big personalities and they're more experienced than me, | 0:35:51 | 0:35:55 | |
but on that battle, I'm going to show them what I can do. | 0:35:55 | 0:35:58 | |
It's the battle of three from Team Tom. | 0:36:00 | 0:36:02 | |
Welcome the best mates who call themselves Diva... | 0:36:02 | 0:36:05 | |
..challenging the music student with the big voice, it's Joseph. | 0:36:09 | 0:36:13 | |
Let the battle commence. | 0:36:25 | 0:36:26 | |
# I can't light no more of your darkness... # | 0:36:50 | 0:36:58 | |
APPLAUSE | 0:36:58 | 0:37:00 | |
# All my pictures seem to fade to black and white... # | 0:37:04 | 0:37:11 | |
APPLAUSE | 0:37:11 | 0:37:14 | |
# Don't discard me just because you think I mean you harm | 0:37:16 | 0:37:27 | |
# But these cuts I have They need love to help them heal | 0:37:29 | 0:37:41 | |
# Don't let the sun go down on me Don't let the sun | 0:37:43 | 0:37:50 | |
# Although I search myself It's always someone else I see | 0:37:50 | 0:37:56 | |
# I'd just allow a fragment of your life to wander free | 0:37:56 | 0:38:02 | |
# But losing everything is like the sun going down on me | 0:38:08 | 0:38:20 | |
# Don't let the sun go down on me | 0:38:20 | 0:38:24 | |
# Although I search myself It's always someone else I see | 0:38:26 | 0:38:32 | |
# I'd just allow a fragment of your life to wander free | 0:38:32 | 0:38:45 | |
# But losing everything is like the sun going down on me. # | 0:38:45 | 0:39:00 | |
Give it up for Diva and Joseph. | 0:39:03 | 0:39:07 | |
Joseph, it looks like you've moved your coach to tears. | 0:39:15 | 0:39:17 | |
Tom is super-emotional off the back of that. How was that for you? | 0:39:17 | 0:39:21 | |
Amazing, it's amazing. | 0:39:21 | 0:39:25 | |
Tom, we're going to come to you very soon. | 0:39:25 | 0:39:27 | |
Danny, that battle was incredible. | 0:39:27 | 0:39:29 | |
From the first note, you just captivated me, the audience. | 0:39:29 | 0:39:33 | |
-Great song choice, by the way. Really, really good. -Thanks. -Brilliant. | 0:39:33 | 0:39:37 | |
Your harmonies were great. | 0:39:37 | 0:39:38 | |
I got to hear individually what you are capable of and together. | 0:39:38 | 0:39:42 | |
-Joseph, you are a special singer. -Thank you so much. | 0:39:43 | 0:39:47 | |
It looks like it's effortless for you, you know. I wish I was able to hit some of those high notes. | 0:39:48 | 0:39:54 | |
Joseph for me. | 0:39:54 | 0:39:55 | |
Diva, you guys are great, I loved it. | 0:39:58 | 0:40:00 | |
-No flat notes, everything was perfect. -Thanks, Will. | 0:40:00 | 0:40:03 | |
Joseph, everybody back in the Philippines is proud of you | 0:40:05 | 0:40:09 | |
right now. I'm glad I don't have to choose. I'll leave that to Mr Tom. | 0:40:09 | 0:40:14 | |
You're two good ones. | 0:40:17 | 0:40:18 | |
I think that, technically, was one of the best vocal battles we have seen. | 0:40:18 | 0:40:22 | |
I kind of have a special thing for both of you for different reasons. | 0:40:25 | 0:40:29 | |
It's Tom's decision, but good luck to both of you. | 0:40:29 | 0:40:32 | |
-Thank you. -Thanks, Jessie. | 0:40:32 | 0:40:34 | |
Diva, they are so strong, and there are two of them | 0:40:34 | 0:40:36 | |
and they sing wonderfully and their harmonies are great, | 0:40:36 | 0:40:38 | |
but then Joseph with his range that just built and built | 0:40:38 | 0:40:43 | |
and went up and it was like, "My God!" So again, | 0:40:43 | 0:40:47 | |
I have made it difficult for myself. That was a wonderful battle. | 0:40:47 | 0:40:54 | |
Around the piano is one thing, but being here is another thing. | 0:40:59 | 0:41:04 | |
To hear you deliver that song the way you did tonight under pressure, it really moved me. | 0:41:04 | 0:41:10 | |
Tom, it's now time to make your decision. | 0:41:12 | 0:41:14 | |
The only way I can put this is the most unusual voice, | 0:41:24 | 0:41:28 | |
who I have to take through... | 0:41:28 | 0:41:31 | |
..is Joseph. | 0:41:34 | 0:41:36 | |
Ladies and gentlemen, give it up for the winner of the battle, the fantastic Joseph. Come up. | 0:41:41 | 0:41:46 | |
One more time for Joseph, ladies and gentlemen. | 0:41:55 | 0:41:57 | |
Unfortunately, you are no longer on Team Tom. | 0:42:02 | 0:42:04 | |
But Diva are now available for a steal. | 0:42:04 | 0:42:08 | |
Now, at this moment in time, | 0:42:08 | 0:42:10 | |
-the only person that can steal you guys is Will. -Come on, Will. | 0:42:10 | 0:42:16 | |
Do you want to tell Will why you'd be an asset to his team? | 0:42:17 | 0:42:20 | |
-There's two of us. -We've got a better chance. -Yes, absolutely. | 0:42:20 | 0:42:25 | |
We've got fantastic harmonies, we've got really strong voices. | 0:42:25 | 0:42:28 | |
-We deserve to be here. -We'd be an asset on your team. -Absolutely. | 0:42:28 | 0:42:32 | |
Looks like Will is not going to steal Diva, | 0:42:42 | 0:42:44 | |
but you guys have been absolutely incredible, | 0:42:44 | 0:42:47 | |
so please make some noise for the fantastic Diva. | 0:42:47 | 0:42:50 | |
I'm waiting for things that I turned around for during the blinds, | 0:42:59 | 0:43:02 | |
-or that I should have. -Go, Joseph, hope you do great, pal. | 0:43:02 | 0:43:05 | |
Yeah, all the best to him. | 0:43:05 | 0:43:06 | |
When I heard Joseph singing, it moved me to tears. | 0:43:07 | 0:43:11 | |
I couldn't help it. | 0:43:11 | 0:43:13 | |
I'm so proud of you! | 0:43:13 | 0:43:14 | |
Next up, it's Team Danny. | 0:43:22 | 0:43:24 | |
In the blind auditions, wedding singer Laura got | 0:43:30 | 0:43:32 | |
an "I do" from Danny O'Donaghue. | 0:43:32 | 0:43:34 | |
-I'm so glad you came on. -Thank you so much. | 0:43:34 | 0:43:38 | |
While dentist Abi was looking for a change in career, | 0:43:40 | 0:43:43 | |
with a winning fusion of Indian classical and pop. | 0:43:43 | 0:43:46 | |
Producers all over the world are killing themselves | 0:43:48 | 0:43:51 | |
to have a vocalist like you. | 0:43:51 | 0:43:53 | |
The reason why I put them two together is because I would | 0:43:55 | 0:43:58 | |
see them both occupying the same space in the charts. | 0:43:58 | 0:44:01 | |
And the song is Heaven by Emeli Sande. | 0:44:01 | 0:44:04 | |
So I need one of them to really shine. | 0:44:04 | 0:44:07 | |
# Will you recognise me | 0:44:07 | 0:44:09 | |
# In those flashing lights? | 0:44:09 | 0:44:12 | |
# I try to keep my heart clean... # | 0:44:12 | 0:44:17 | |
You actually sound brilliant together, but you're not straining. | 0:44:17 | 0:44:21 | |
Where it really breaks down, I do some soft Indian singing there. | 0:44:21 | 0:44:25 | |
Yeah, yeah, great. | 0:44:25 | 0:44:26 | |
In Indian classical music, a raga is a type of scale. | 0:44:26 | 0:44:30 | |
Abi blindsided me with the raga. | 0:44:34 | 0:44:36 | |
I have been dying to try this out in general pop music for a long, | 0:44:36 | 0:44:40 | |
long time. | 0:44:40 | 0:44:41 | |
It is quite scary when someone has got the trump card that they | 0:44:43 | 0:44:45 | |
can always play. | 0:44:45 | 0:44:47 | |
It is pushing me on to make sure that whatever | 0:44:47 | 0:44:50 | |
I do is just going to be on top form. | 0:44:50 | 0:44:52 | |
# Will you recognise me | 0:44:52 | 0:44:55 | |
# In those flashing lights? # | 0:44:55 | 0:45:00 | |
The way you came up like that was perfect, real nice, real sexy. | 0:45:00 | 0:45:02 | |
Danny said I'm sexy. I'll take that away with me if nothing else. | 0:45:02 | 0:45:07 | |
So you do the same thing, | 0:45:07 | 0:45:08 | |
just walking up a little sexy as you're going. | 0:45:08 | 0:45:11 | |
You moved your hand a little bit. | 0:45:15 | 0:45:16 | |
If you could move your body as well, it would be amazing. | 0:45:16 | 0:45:19 | |
I'll try and do the sexy dance, but I start to feel quite | 0:45:19 | 0:45:22 | |
self-conscious on stage and then freeze a little. | 0:45:22 | 0:45:25 | |
The raga thing is a real plus for Abi, | 0:45:29 | 0:45:33 | |
but the more that she has been challenging Laura, Laura | 0:45:33 | 0:45:36 | |
has been knocking it out of the park, so who's got the stronger punch? | 0:45:36 | 0:45:40 | |
For the first time, I am doing something close to where I want to be. | 0:45:44 | 0:45:49 | |
It means too much to me to let Abi stand in my way. | 0:45:49 | 0:45:53 | |
Two artists will sing, | 0:45:59 | 0:46:01 | |
but only one is guaranteed to stay in the competition. | 0:46:01 | 0:46:04 | |
First, the voice of Liverpool, Laura Oakes... | 0:46:04 | 0:46:07 | |
..versus the raga style of London's Abi Sampa. | 0:46:10 | 0:46:15 | |
Let the battle commence. | 0:46:23 | 0:46:26 | |
# Oo-oo-oo | 0:46:45 | 0:46:48 | |
# Oh-oh-oh | 0:46:48 | 0:46:51 | |
# Will you recognise me | 0:46:56 | 0:46:59 | |
# In those flashing lights? | 0:46:59 | 0:47:02 | |
# I try to keep my heart clean but I can't get it right | 0:47:04 | 0:47:10 | |
# Oh, no, no | 0:47:10 | 0:47:11 | |
# Oh heaven, oh heaven I wake with good intentions | 0:47:11 | 0:47:18 | |
# But the day, it always lasts too long | 0:47:18 | 0:47:22 | |
# Then I'm gone | 0:47:22 | 0:47:25 | |
# Oh heaven, oh heaven I wake with good intentions | 0:47:25 | 0:47:33 | |
# But the day, it always lasts too long | 0:47:33 | 0:47:39 | |
# Then I'm gone, then I'm gone | 0:47:39 | 0:47:43 | |
# Then I'm gone, then I'm gone | 0:47:43 | 0:47:47 | |
# Then I'm gone, then I'm gone | 0:47:47 | 0:47:50 | |
# Then I'm gone, then I'm gone | 0:47:50 | 0:47:55 | |
ABI SINGS RAGA | 0:47:55 | 0:47:58 | |
# Oh heaven, oh heaven I wake with good intentions | 0:47:58 | 0:48:02 | |
# Ooo-oo-oo | 0:48:09 | 0:48:16 | |
# Ooo-oo-oo | 0:48:18 | 0:48:21 | |
# Then I'm gone, then I'm gone | 0:48:24 | 0:48:27 | |
# Then I'm gone, then I'm gone | 0:48:27 | 0:48:31 | |
# Then I'm gone, then I'm gone | 0:48:31 | 0:48:33 | |
# Then I'm gone, then I'm gone | 0:48:33 | 0:48:35 | |
# Then I'm gone, then I'm gone. # | 0:48:35 | 0:48:42 | |
Let's hear it for Laura and Abi. Ladies. Oh, my goodness, come here. | 0:48:48 | 0:48:56 | |
That was so beautiful. Danny, what a battle you put together then. | 0:48:56 | 0:49:00 | |
It was a real battle of east meets west, | 0:49:00 | 0:49:02 | |
-two different styles just crunching out in the ring. -Tom. | 0:49:02 | 0:49:08 | |
I think Abi is very interesting in what she does, | 0:49:08 | 0:49:12 | |
-but then again, Laura, you know where those strong notes are. -Yeah. | 0:49:12 | 0:49:18 | |
And you go for them. So the voice that I like to listen to | 0:49:18 | 0:49:23 | |
would be Laura. | 0:49:23 | 0:49:24 | |
APPLAUSE | 0:49:24 | 0:49:28 | |
For me personally, I am way more intrigued in what Abi has to offer. | 0:49:28 | 0:49:33 | |
I just want you to be more confident with your vocals. | 0:49:36 | 0:49:39 | |
Execute them well. Laura, you have that confidence. | 0:49:39 | 0:49:42 | |
You can see where you're going to go and vocally, it happens, | 0:49:43 | 0:49:47 | |
but Abi, I want you to really understand how great you are. | 0:49:47 | 0:49:49 | |
It is a tough one, it is a tough battle. | 0:49:52 | 0:49:55 | |
There's very little between the two. | 0:49:55 | 0:49:57 | |
Abi, for me, was a really interesting challenge to find modern-day | 0:49:57 | 0:50:00 | |
music that you can bring in raga without it being too in-your-face. | 0:50:00 | 0:50:04 | |
Laura, you have given blues and runs and licks and stuff | 0:50:04 | 0:50:08 | |
and it was better than I even imagined it. | 0:50:08 | 0:50:10 | |
Danny, who is the winner of this battle? | 0:50:15 | 0:50:18 | |
Really, really, really difficult decision. | 0:50:21 | 0:50:23 | |
The winner of this battle, going on to the next stage of the competition... | 0:50:29 | 0:50:33 | |
..is Abi. | 0:50:36 | 0:50:38 | |
We have a winner of the battle! It is Abi. Well done. | 0:50:38 | 0:50:42 | |
You are going through to the next round. | 0:50:42 | 0:50:44 | |
-Are you pleased with that? -I'm really shocked. I didn't think that was going to happen. | 0:50:48 | 0:50:52 | |
You've been saying this from the beginning. When are you going to start believing you can do this? | 0:50:52 | 0:50:57 | |
-From now on, I promise. -From now on, I think so too. | 0:50:57 | 0:50:59 | |
I think that deserves a round of applause, actually. Abi. | 0:50:59 | 0:51:06 | |
So, Laura is now available to steal. | 0:51:18 | 0:51:20 | |
Will is the only coach left with a steal remaining. | 0:51:20 | 0:51:23 | |
She's come on so far. She has come on so, so far. | 0:51:29 | 0:51:31 | |
I just don't want to leave. I'm having such a good time | 0:51:31 | 0:51:35 | |
and I know I have more and I want you all to hear it. | 0:51:35 | 0:51:37 | |
I think we can see from that, Laura, | 0:51:49 | 0:51:51 | |
that there's not going to be a steal. | 0:51:51 | 0:51:53 | |
Listen, thank you so much for being part of this. | 0:51:53 | 0:51:56 | |
We've loved having you here, | 0:51:56 | 0:51:57 | |
so thank you very, very much. Give it up for Laura, please. | 0:51:57 | 0:52:01 | |
That was really, really good. | 0:52:03 | 0:52:06 | |
Thank you. | 0:52:06 | 0:52:07 | |
Give it up for Laura. | 0:52:07 | 0:52:08 | |
-FRENCH ACCENT: -I want to keep my steal quiet, secret, CIA, | 0:52:13 | 0:52:16 | |
so I don't want to announce my steal, because they're going to steal my steal. | 0:52:16 | 0:52:22 | |
It's all been such an amazing experience that I can't go away unhappy. | 0:52:22 | 0:52:26 | |
You've made the proudest mum in the world today. | 0:52:28 | 0:52:32 | |
Taking us to the halfway stage of Super Battle Saturday, | 0:52:38 | 0:52:41 | |
it's Team Will. | 0:52:41 | 0:52:42 | |
At the blind auditions, Liam put his West End career on the line, | 0:52:48 | 0:52:51 | |
and it paid off when all four coaches turned for him. | 0:52:51 | 0:52:54 | |
I'm just so pleased, because I lost my nan and this means so much to me. | 0:52:58 | 0:53:02 | |
While only one superstar spun | 0:53:02 | 0:53:05 | |
for the smooth voice of fashion stylist John. | 0:53:05 | 0:53:10 | |
-You're on my team. -Thanks, Will. | 0:53:10 | 0:53:13 | |
I paired Liam and John together, | 0:53:15 | 0:53:17 | |
because John came out with this low, baritone voice. | 0:53:17 | 0:53:20 | |
Liam was like, "I'm a soul man." He was hitting all these falsettos and stuff. | 0:53:21 | 0:53:26 | |
I feel like I am the underdog here. Liam sings every night. | 0:53:26 | 0:53:29 | |
I've been working in fashion, selling clothes for the last four years. | 0:53:29 | 0:53:32 | |
The song that you guys will be singing is Easy Lover by Phil Collins. | 0:53:32 | 0:53:36 | |
Back on call as Will's adviser, | 0:53:42 | 0:53:44 | |
Black Eyed Peas founder Dante Santiago. | 0:53:44 | 0:53:47 | |
You can actually make this song your own, both of you guys. | 0:53:47 | 0:53:50 | |
And that's why it's going to be a great battle. | 0:53:50 | 0:53:52 | |
-Do you guys know the song? -I am not 100% familiar with it. | 0:53:52 | 0:53:55 | |
Yes, it's all new. | 0:53:55 | 0:53:56 | |
John did say, "I'm really nervous, I actually don't know this song." | 0:53:56 | 0:54:00 | |
# Easy lover, she'll get a hold on you, believe it... # | 0:54:00 | 0:54:06 | |
..and then he killed it. | 0:54:06 | 0:54:07 | |
He knew all the timings, the lyrics, he knew the melody. | 0:54:07 | 0:54:10 | |
Oh, man, this is going to be great. | 0:54:12 | 0:54:14 | |
Yeah, I didn't even know he could go that high. | 0:54:14 | 0:54:16 | |
-Oh, really? -That's fresh. Liam, start the studying. -I know, I need to. | 0:54:16 | 0:54:22 | |
John was being sneaky. He had weaponry that we never knew he had. | 0:54:22 | 0:54:26 | |
I went into that thinking Liam definitely has the upper hand here. | 0:54:26 | 0:54:29 | |
I think it's constantly changing, who's the favourite, | 0:54:29 | 0:54:31 | |
who is not the favourite. | 0:54:31 | 0:54:33 | |
Using all his years of West End experience, | 0:54:34 | 0:54:38 | |
Liam comes back fighting. | 0:54:38 | 0:54:39 | |
Now Liam has studied it, he's doing a fantabulous job. 180. | 0:54:44 | 0:54:48 | |
# She's an easy lover... # | 0:54:48 | 0:54:52 | |
He is a serious contender, you know, it's on! | 0:54:52 | 0:54:55 | |
Doh! | 0:54:55 | 0:54:57 | |
This is a huge risk for me. | 0:54:58 | 0:55:00 | |
I stepped away from the best musical in the world. | 0:55:00 | 0:55:03 | |
Now I have to step out on stage and be me. | 0:55:03 | 0:55:05 | |
Liam is such a technical singer. | 0:55:05 | 0:55:07 | |
I just... It comes from somewhere in here. | 0:55:07 | 0:55:10 | |
Tonight, I've got to prove it and I've got to prove it to myself | 0:55:10 | 0:55:13 | |
and everybody else out there. | 0:55:13 | 0:55:14 | |
It's the fight of the falsettos. Entering the ring, | 0:55:18 | 0:55:21 | |
West End star looking for a new stage, it's Liam Tamne... | 0:55:21 | 0:55:23 | |
..versus the man who's restored his passion for pop, | 0:55:30 | 0:55:32 | |
it's John Pritchard. | 0:55:32 | 0:55:33 | |
Let the battle commence. | 0:55:47 | 0:55:49 | |
# Easy lover | 0:56:05 | 0:56:08 | |
# She'll get a hold on you, believe it | 0:56:08 | 0:56:12 | |
# Like no other | 0:56:14 | 0:56:16 | |
# And now just trying to make you see | 0:56:16 | 0:56:20 | |
# She's the kind of girl you dream of | 0:56:20 | 0:56:23 | |
# Dream of keeping hold of | 0:56:23 | 0:56:26 | |
# You'd better forget it | 0:56:26 | 0:56:30 | |
# You'll never get it, yeah | 0:56:30 | 0:56:35 | |
# She will play around and leave you | 0:56:35 | 0:56:38 | |
# She will leave you and deceive you | 0:56:38 | 0:56:42 | |
# You better forget it | 0:56:42 | 0:56:44 | |
# Oh, you'll regret it, yeah | 0:56:45 | 0:56:49 | |
# No, you'll never change her | 0:56:49 | 0:56:52 | |
# So leave her, just leave her | 0:56:52 | 0:56:54 | |
# Get out quick cos seeing is believing | 0:56:54 | 0:56:58 | |
# It's the only way | 0:56:58 | 0:57:01 | |
# You'll ever know | 0:57:01 | 0:57:05 | |
# She's an easy lover | 0:57:05 | 0:57:08 | |
# She'll get a hold on you, believe it | 0:57:08 | 0:57:13 | |
# Like no other | 0:57:13 | 0:57:16 | |
# And I'm just trying to make you see | 0:57:16 | 0:57:19 | |
# You're the one that wants to hold her | 0:57:19 | 0:57:24 | |
# Hold her and control her | 0:57:24 | 0:57:27 | |
# You'd better forget it, yeah | 0:57:27 | 0:57:31 | |
# Ooh, you'll regret it, yeah | 0:57:31 | 0:57:34 | |
# Come on! | 0:57:34 | 0:57:35 | |
# You don't try to change her | 0:57:35 | 0:57:37 | |
-# Just leave it -Leave it -Leave it | 0:57:37 | 0:57:39 | |
# Get out quick cos seeing is believing | 0:57:39 | 0:57:42 | |
-# It's the only way -Yeah | 0:57:42 | 0:57:46 | |
# You'll ever know... # | 0:57:46 | 0:57:50 | |
It's the wrong song. | 0:57:50 | 0:57:51 | |
It's gone flat the whole way. | 0:57:52 | 0:57:54 | |
# She'll get a hold on you, believe it | 0:57:54 | 0:57:57 | |
# Whoa, like no other | 0:57:57 | 0:58:01 | |
# I'm trying to make you see | 0:58:01 | 0:58:04 | |
# Oh, no, no, no | 0:58:04 | 0:58:06 | |
# Easy lover | 0:58:06 | 0:58:08 | |
# She'll get a hold on you, believe it... # HE HARMONISES | 0:58:08 | 0:58:12 | |
# Oh, like no other | 0:58:12 | 0:58:15 | |
# And I'm just trying to make you see | 0:58:15 | 0:58:19 | |
# Make you see, yeah | 0:58:19 | 0:58:21 | |
# Easy lover! # | 0:58:21 | 0:58:23 | |
Let's hear it one more time for Liam and John, everybody, come on! | 0:58:31 | 0:58:35 | |
OK, it's definitely Will's call. We'll come to you shortly. | 0:58:38 | 0:58:41 | |
Start with you, Jessie, what were your thoughts on that? | 0:58:41 | 0:58:45 | |
For me, it was kind of flat. | 0:58:45 | 0:58:47 | |
Pretty much. | 0:58:48 | 0:58:49 | |
I didn't hear your voices, it was just that and then it went there | 0:58:49 | 0:58:52 | |
and then it went there and then went back to there. | 0:58:52 | 0:58:54 | |
I just don't feel like you got to show yourselves. | 0:58:54 | 0:58:56 | |
It was the wrong song choice. | 0:58:56 | 0:58:57 | |
Like, Will, why did you pick that song? | 0:58:59 | 0:59:01 | |
I don't pick songs for Jessie to say, "That was a great song choice." | 0:59:01 | 0:59:04 | |
This song was best for what I needed to see. So it did its job. | 0:59:04 | 0:59:08 | |
I was going to say that I thought the key was a little bit too high. | 0:59:08 | 0:59:11 | |
It was too high. I didn't hear your voices. I wasn't going... | 0:59:11 | 0:59:14 | |
SHE SINGS You want the... # Oooh! # I miss that. | 0:59:14 | 0:59:19 | |
That's how the original was, if you listen to the original. | 0:59:21 | 0:59:23 | |
Let's move on, let's find out what Tom thinks. | 0:59:23 | 0:59:25 | |
Tom, what was your thoughts? | 0:59:25 | 0:59:26 | |
It sounded too high. I don't know why the key was that high. | 0:59:26 | 0:59:29 | |
If you listen to the original, Tom, as Will just said, | 0:59:29 | 0:59:32 | |
that's exactly how you do it. | 0:59:32 | 0:59:34 | |
You copy the original. | 0:59:34 | 0:59:36 | |
Slow down, Charlie Brown. | 0:59:36 | 0:59:38 | |
Charlie Brown, slow down. | 0:59:38 | 0:59:40 | |
-I don't think they were copying the original. -Thank you so much. | 0:59:40 | 0:59:44 | |
Liam came across more natural than John did. I preferred Liam. | 0:59:44 | 0:59:48 | |
I have to say, Will was getting a bit of flak on that, but I do agree with | 0:59:50 | 0:59:54 | |
pulling people out of their comfort zone to show more sides of them. | 0:59:54 | 0:59:57 | |
I'm all about that. | 0:59:57 | 0:59:58 | |
Sometimes I get it wrong as well, you know? | 0:59:58 | 1:00:00 | |
But I think, erm...I would probably go with Liam. | 1:00:00 | 1:00:04 | |
That's just me. | 1:00:04 | 1:00:05 | |
-CHEERING -Thank you. | 1:00:05 | 1:00:06 | |
Will, who is the winner of this battle? | 1:00:08 | 1:00:10 | |
AUDIENCE: Liam! | 1:00:10 | 1:00:12 | |
OK, so... | 1:00:19 | 1:00:20 | |
The winner of this battle is going to be...um... | 1:00:23 | 1:00:28 | |
AUDIENCE: Liam! | 1:00:28 | 1:00:30 | |
It's going to be...um... | 1:00:32 | 1:00:34 | |
AUDIENCE: Liam! | 1:00:37 | 1:00:38 | |
The person moving through is... | 1:00:39 | 1:00:41 | |
..is John! | 1:00:41 | 1:00:43 | |
CHEERING | 1:00:43 | 1:00:46 | |
Oh, my God! And I have no steals! | 1:00:46 | 1:00:47 | |
The winner of that battle is John! | 1:00:49 | 1:00:50 | |
APPLAUSE | 1:00:50 | 1:00:52 | |
I didn't expect that at all. | 1:00:52 | 1:00:54 | |
What are you doing?! | 1:00:54 | 1:00:55 | |
Congratulations once again to John. | 1:00:57 | 1:00:59 | |
We all have a steal, we can't steal him! | 1:00:59 | 1:01:02 | |
I really did not expect that at all. | 1:01:02 | 1:01:03 | |
JESSIE: I want to give him a hug! | 1:01:03 | 1:01:05 | |
JOHN: Thank you very much. | 1:01:05 | 1:01:06 | |
Can I just...? Everybody give it up for Liam. | 1:01:06 | 1:01:08 | |
He is an amazing, amazing singer. | 1:01:08 | 1:01:12 | |
-None of us have any steals left. -Huh? -None of us have any steels left. | 1:01:12 | 1:01:15 | |
I know. | 1:01:15 | 1:01:16 | |
CHEERING AND APPLAUSE | 1:01:16 | 1:01:20 | |
None of us can steal you. | 1:01:20 | 1:01:22 | |
CHEERING AND APPLAUSE | 1:01:22 | 1:01:26 | |
Liam, the support for you in the studio is incredible and, um, | 1:01:26 | 1:01:30 | |
unfortunately, the other three coaches are full, | 1:01:30 | 1:01:33 | |
so we can't have a steal at this stage of the competition. | 1:01:33 | 1:01:36 | |
Will was the only person left to steal, | 1:01:36 | 1:01:39 | |
and he's just chosen John for his team so he can't steal you. | 1:01:39 | 1:01:41 | |
It's OK, it's OK. | 1:01:41 | 1:01:43 | |
-I think everybody... -I have to say something. | 1:01:43 | 1:01:45 | |
..knows just how incredible you were on stage. | 1:01:45 | 1:01:47 | |
I am so upset right now that, one, you didn't pick me in blinds, | 1:01:47 | 1:01:50 | |
because you would not be in this predicament right now, no way. | 1:01:50 | 1:01:53 | |
I am, like, actually upset for you, because your voice is amazing. | 1:01:53 | 1:01:59 | |
CHEERING AND APPLAUSE | 1:01:59 | 1:02:03 | |
I'm so confused as to why Will didn't choose you. | 1:02:03 | 1:02:07 | |
As an artist stepping out into the world, it's more than just a voice. | 1:02:07 | 1:02:11 | |
And from this stage on, going into a future career, I feel John is... | 1:02:11 | 1:02:17 | |
is the guy. | 1:02:17 | 1:02:18 | |
OK, well, look, I tell you what, let's show some appreciation for the fantastic Liam. Come on. | 1:02:22 | 1:02:27 | |
This is weird. This is weird, but... | 1:02:27 | 1:02:29 | |
don't let this knock you back, OK? OK? | 1:02:29 | 1:02:34 | |
I just want to say a huge, huge thank you to Will, anyway. | 1:02:34 | 1:02:38 | |
Like, I've loved it, I... | 1:02:38 | 1:02:39 | |
AUDIENCE: Aah! | 1:02:39 | 1:02:41 | |
I really wish it wasn't ending, and I wish we could have shared the journey together, | 1:02:46 | 1:02:50 | |
but I came here for one reason, and that was for my nan, so... | 1:02:50 | 1:02:53 | |
I did her proud, so thank you. | 1:02:53 | 1:02:55 | |
CHEERING AND APPLAUSE | 1:02:55 | 1:02:58 | |
-Everybody give it up for Liam, come on! -Thank you. | 1:02:58 | 1:03:00 | |
Well done. | 1:03:04 | 1:03:05 | |
I wish I could steal you, we don't have any steals left, you know? | 1:03:07 | 1:03:10 | |
Dude, come here. | 1:03:10 | 1:03:11 | |
He's an idiot. You're brilliant. | 1:03:13 | 1:03:15 | |
Thank you. | 1:03:15 | 1:03:17 | |
One more time, Liam, everybody! Come on! | 1:03:17 | 1:03:19 | |
CHEERING AND APPLAUSE | 1:03:19 | 1:03:22 | |
What?! | 1:03:25 | 1:03:27 | |
-I... I... I... -You're the guy who'd come in every day and go, like, | 1:03:29 | 1:03:31 | |
"When's Liam up? When's Liam up? When's Liam up?" | 1:03:31 | 1:03:34 | |
I know that. I know. | 1:03:34 | 1:03:36 | |
JESSIE EXHALES HEAVILY | 1:03:38 | 1:03:41 | |
JESSIE: I don't understand what he's doing. Oh! | 1:03:41 | 1:03:43 | |
I just need to have a moment away from Will. | 1:03:43 | 1:03:45 | |
I'm just so gutted. | 1:03:47 | 1:03:48 | |
I put everything into it and it just wasn't meant to be, obviously, | 1:03:48 | 1:03:52 | |
but I did the best that I could do with the song that I was given. | 1:03:52 | 1:03:55 | |
I mean, Will obviously knew who he wanted, so that's all I can say. | 1:03:55 | 1:03:59 | |
-I really wasn't expecting that at all. -John is a natural artist. | 1:03:59 | 1:04:03 | |
I'm looking at it like that. | 1:04:03 | 1:04:05 | |
I have no idea why Jessie got upset. | 1:04:05 | 1:04:07 | |
I think Jessie is just being Jessie. | 1:04:08 | 1:04:10 | |
Maybe she was upset cos she couldn't save him. | 1:04:11 | 1:04:13 | |
She should put that much passion on her team. | 1:04:13 | 1:04:16 | |
When you're thinking a coach made the wrong decision, you know, | 1:04:16 | 1:04:19 | |
you go, "What?!" | 1:04:19 | 1:04:21 | |
But, you see, the individual coach knows more about his or her | 1:04:21 | 1:04:26 | |
team than the rest of us do. | 1:04:26 | 1:04:28 | |
We've reached the halfway stage, | 1:04:31 | 1:04:33 | |
and while the coaches take a time-out, here's how the teams stand. | 1:04:33 | 1:04:36 | |
At the end of the high-intensity first round, Mitchel and Abi were Danny's winners, | 1:04:37 | 1:04:41 | |
as he swept in to steal Alex... | 1:04:41 | 1:04:43 | |
-Oh, my goodness! -..from Will. | 1:04:43 | 1:04:45 | |
Tom added two more to his team with Mike and Joseph. | 1:04:46 | 1:04:50 | |
Jessie sided with the soulful voice of Letitia. | 1:04:51 | 1:04:54 | |
And Will caused shockwaves by taking John through to the knockouts. | 1:04:55 | 1:04:59 | |
Seconds out, round two. | 1:05:03 | 1:05:05 | |
The last 12 artists must battle for their place in the knockouts. | 1:05:06 | 1:05:09 | |
Will makes the final steal... | 1:05:11 | 1:05:13 | |
And Danny has a heartbreaking decision to make. | 1:05:13 | 1:05:16 | |
I'm an idiot for putting you guys together! | 1:05:16 | 1:05:18 | |
It's the final battle round. Let's welcome back our superstar coaches. | 1:05:23 | 1:05:28 | |
Will.i.am! | 1:05:28 | 1:05:29 | |
APPLAUSE | 1:05:29 | 1:05:31 | |
Danny O'Donoghue! | 1:05:31 | 1:05:33 | |
APPLAUSE | 1:05:33 | 1:05:35 | |
Sir Tom Jones! | 1:05:35 | 1:05:37 | |
APPLAUSE | 1:05:37 | 1:05:39 | |
And Jessie J! | 1:05:39 | 1:05:41 | |
APPLAUSE | 1:05:41 | 1:05:44 | |
# Ooh ooh-ooh oo-ooh | 1:05:47 | 1:05:49 | |
# Rock my world into the sunlight | 1:05:49 | 1:05:52 | |
# Make this dream the best I've ever known. # | 1:05:52 | 1:05:56 | |
They're ready, we're ready, let the battles begin! | 1:05:58 | 1:06:00 | |
It's Team Jessie! | 1:06:00 | 1:06:02 | |
At the blind auditions, 32-year-old Trevor finally had his chance to take centre stage. | 1:06:08 | 1:06:14 | |
I was a backing vocalist for P Diddy, Mariah Carey, | 1:06:14 | 1:06:18 | |
Florence And The Machine, Tiny Tempah, | 1:06:18 | 1:06:20 | |
but I've always had that sense of, "I can do this." | 1:06:20 | 1:06:25 | |
I would be honoured to work with your voice. | 1:06:27 | 1:06:29 | |
-Come on, Jessie, me and you! -Yes! | 1:06:29 | 1:06:31 | |
18-year-old Lem only had one coach in mind... | 1:06:33 | 1:06:36 | |
I am the ultimate Jessie J superfan. | 1:06:36 | 1:06:38 | |
..and achieved every fan's ultimate dream. | 1:06:38 | 1:06:41 | |
# Who-o-o-oa | 1:06:43 | 1:06:45 | |
Team Jessie J! | 1:06:45 | 1:06:46 | |
CHEERING | 1:06:46 | 1:06:49 | |
This battle is between... | 1:06:49 | 1:06:51 | |
Trevor's technically incredible, Lem's very much the new generation of soul. | 1:06:51 | 1:06:55 | |
And you will be singing... | 1:06:55 | 1:06:57 | |
Soul Man by Sam and Dave. | 1:06:57 | 1:06:59 | |
I want to see what they can bring to the table. | 1:07:02 | 1:07:05 | |
There's some soul men in here! I feel it in my bones! | 1:07:05 | 1:07:08 | |
Soul singing is a lot of freedom, with a little bit of control in there as well. | 1:07:10 | 1:07:13 | |
I want that voice. | 1:07:13 | 1:07:16 | |
# I'm a soul man | 1:07:16 | 1:07:19 | |
# I'm a soul man. # | 1:07:19 | 1:07:22 | |
Are you? I don't believe you. | 1:07:22 | 1:07:24 | |
# I'm a soul man... # | 1:07:24 | 1:07:26 | |
I think you're very safe. | 1:07:28 | 1:07:30 | |
I know that you're obviously used to being a backing singer, | 1:07:30 | 1:07:33 | |
but this is your time to step forward into the limelight. | 1:07:33 | 1:07:35 | |
I've never been at the front before. | 1:07:35 | 1:07:37 | |
It's just coming up with the confidence. It's very hard for me. | 1:07:37 | 1:07:40 | |
I can't stand being shy. | 1:07:40 | 1:07:41 | |
Lem, I feel like you're doing so much, you're going, | 1:07:41 | 1:07:43 | |
# I'm a soul ma-a-an | 1:07:43 | 1:07:46 | |
# Oh-oh-oh, oh-oh-oh, oh-oh-oh # | 1:07:46 | 1:07:48 | |
Uh! It's a lot of noise! | 1:07:48 | 1:07:50 | |
When you're in front of Jessie J, who is my idol, everything just goes to pot. | 1:07:50 | 1:07:55 | |
You open your mouth and you sound like a guinea pig being kicked. | 1:07:55 | 1:07:58 | |
I don't feel like I've got a chance in hell. | 1:07:58 | 1:08:01 | |
-Raise your right hand. I... -I... -..am not allowed... -..am not allowed... | 1:08:01 | 1:08:07 | |
-..to say that I'm a soul man... -..to say that I'm a soul man... | 1:08:07 | 1:08:10 | |
-..and not do it with feeling. -..and not do it with feeling. | 1:08:10 | 1:08:13 | |
-# I'm a soul man... # -After taking the soul pledge, Lem and Trevor come out fighting. | 1:08:13 | 1:08:18 | |
I was blown away. | 1:08:21 | 1:08:24 | |
Trevor was doing the moonwalk, he was spinning. | 1:08:25 | 1:08:29 | |
I was like, "All right, soul man!" | 1:08:29 | 1:08:32 | |
I think this time round I've showed more passion, obviously more confidence | 1:08:32 | 1:08:35 | |
and, yeah, I think she saw it today. | 1:08:35 | 1:08:37 | |
His performance has definitely stepped up. It's nerve-racking, but I can match that. | 1:08:38 | 1:08:41 | |
I've got a 'fro! | 1:08:41 | 1:08:44 | |
Lem is still the bubbly person that he was from the beginning, but he's balanced it. | 1:08:44 | 1:08:49 | |
SHE SCREAMS | 1:08:49 | 1:08:51 | |
Oh! Really proud of you. | 1:08:51 | 1:08:54 | |
-Thank you. -It's brilliant. | 1:08:54 | 1:08:56 | |
Jessie's been a huge inspiration for years, | 1:08:59 | 1:09:01 | |
so I'm going to go out there and I'm going to do her proud. | 1:09:01 | 1:09:03 | |
I've been waiting for this shot for a very, very long time. | 1:09:05 | 1:09:07 | |
I don't want to do backing any more. I think I've got what it takes. | 1:09:07 | 1:09:10 | |
Two will sing, but Jessie can only save one. | 1:09:12 | 1:09:15 | |
Entering the ring, it's the backing vocalist hoping to be centre stage, | 1:09:15 | 1:09:19 | |
Trevor Francis... | 1:09:19 | 1:09:20 | |
CHEERING AND APPLAUSE | 1:09:20 | 1:09:24 | |
..versus the big hair, big voice and big dreams of Lem Knights! | 1:09:24 | 1:09:29 | |
CHEERING AND APPLAUSE | 1:09:29 | 1:09:32 | |
Let the battle commence. | 1:09:40 | 1:09:42 | |
AUDIENCE: Come on, guys! You can do it! | 1:09:52 | 1:09:54 | |
All right, Lem. This is it, my friend. You ready? | 1:09:58 | 1:10:00 | |
-I'm ready, Trevor. Are you ready? -I'm ready. | 1:10:00 | 1:10:02 | |
-BOTH: -Are you ready?! Let's go! Whoo! | 1:10:02 | 1:10:06 | |
# Yeah | 1:10:06 | 1:10:07 | |
# Oh-oh-oh | 1:10:07 | 1:10:09 | |
# Oh | 1:10:09 | 1:10:11 | |
# Da da da da | 1:10:11 | 1:10:13 | |
# Coming to you, on a dusty road | 1:10:13 | 1:10:17 | |
# Good loving, I got a truckload | 1:10:17 | 1:10:21 | |
# Yeah | 1:10:21 | 1:10:22 | |
# And when you get it, you've got something | 1:10:22 | 1:10:26 | |
# But don't worry, cos I'm coming | 1:10:26 | 1:10:30 | |
# I'm a soul man, yeah | 1:10:30 | 1:10:34 | |
# I'm a soul ma-a-a-a-n | 1:10:34 | 1:10:39 | |
# I'm a soul man, yes, I am, baby | 1:10:39 | 1:10:43 | |
# I'm a soul man, yeah | 1:10:43 | 1:10:45 | |
# Got what I got the hard way | 1:10:47 | 1:10:51 | |
# And I make it better each and every day | 1:10:51 | 1:10:56 | |
# So, honey, don't you fret | 1:10:56 | 1:10:59 | |
# Don't fret | 1:10:59 | 1:11:00 | |
# Cos you ain't seen nothing yet, baby | 1:11:00 | 1:11:04 | |
# I'm a soul ma-a-a-an | 1:11:04 | 1:11:09 | |
# I'm a soul man, yeah | 1:11:09 | 1:11:12 | |
# Play it, Steve! | 1:11:12 | 1:11:13 | |
# I'm a soul ma-a-a-a-an | 1:11:13 | 1:11:17 | |
# I'm a soul man | 1:11:17 | 1:11:19 | |
# Man, man, man, man | 1:11:19 | 1:11:22 | |
# I'll grab the rope and I'll pull you in, yeah | 1:11:22 | 1:11:26 | |
# Give you hope, I'll be your only friend | 1:11:26 | 1:11:32 | |
# Oh-oh | 1:11:32 | 1:11:34 | |
# Yeah | 1:11:34 | 1:11:36 | |
# I'm a soul man, baby | 1:11:36 | 1:11:39 | |
# Yeah, yeah | 1:11:39 | 1:11:41 | |
# So-o-o-o-ul, yeah | 1:11:41 | 1:11:47 | |
# I'm a so-o-o-o-ul | 1:11:47 | 1:11:51 | |
# Soul | 1:11:51 | 1:11:52 | |
# Yes, I'm a so-o-o-o-ul | 1:11:52 | 1:11:54 | |
# I'm a soul s-s-s-oul man | 1:11:54 | 1:11:56 | |
# Soul man | 1:11:56 | 1:11:57 | |
# I'm a soul man, baby | 1:11:57 | 1:12:01 | |
# Yes, I am | 1:12:01 | 1:12:02 | |
# I'm a soul, soul man | 1:12:02 | 1:12:03 | |
# I'm a soul man | 1:12:04 | 1:12:06 | |
BOTH: # I'm a soul man | 1:12:06 | 1:12:12 | |
-# Wo-oo-oh -Yeah | 1:12:13 | 1:12:15 | |
# Wo-oo-oh! # | 1:12:15 | 1:12:18 | |
CHEERING AND APPLAUSE | 1:12:18 | 1:12:23 | |
Let me hear you for Lem and Trevor! | 1:12:24 | 1:12:27 | |
Just take a look at that! Four coaches on their feet for you guys! | 1:12:30 | 1:12:34 | |
Jessie, well done. | 1:12:35 | 1:12:38 | |
I'm so happy. I had to be careful, but it was amazing. | 1:12:38 | 1:12:41 | |
Yes, I'm going to wait. You guys can... | 1:12:42 | 1:12:44 | |
Everyone's standing up, so I know it's going to be good. | 1:12:44 | 1:12:47 | |
Well done for coming out and opening the show like that, to come out and do that... | 1:12:47 | 1:12:51 | |
CHEERING AND APPLAUSE | 1:12:51 | 1:12:54 | |
The reason why I'm standing is that the level of singing in the UK just went up another notch, | 1:12:54 | 1:12:58 | |
you know what I mean? You guys are absolutely fantastic. | 1:12:58 | 1:13:00 | |
CHEERING AND APPLAUSE | 1:13:00 | 1:13:04 | |
I don't know how you choose between that. Trevor, you're... | 1:13:04 | 1:13:07 | |
You're a soul man. | 1:13:07 | 1:13:08 | |
And then, Lem, you're a soul man, too. | 1:13:09 | 1:13:13 | |
LAUGHTER | 1:13:13 | 1:13:16 | |
-Well, that really did help, that! -What? | 1:13:16 | 1:13:20 | |
Sam and Dave, you know? Soul music. That's... | 1:13:20 | 1:13:24 | |
That's my kind of music. I know that song, I've sung it myself many times. | 1:13:24 | 1:13:27 | |
And, Lem, I love the way you sing. | 1:13:27 | 1:13:31 | |
But I like what Trevor did. | 1:13:31 | 1:13:32 | |
APPLAUSE | 1:13:32 | 1:13:33 | |
Glad I don't have to make the decision. | 1:13:33 | 1:13:35 | |
Lem is how I imagine Trevor was ten, 15 years ago, and I said to them both, | 1:13:37 | 1:13:44 | |
"You both need what each other have." | 1:13:44 | 1:13:46 | |
And I was so proud that you were really listening and engaged with each other, | 1:13:46 | 1:13:50 | |
because when we first sang that song, let's be honest, it was a bit of a hot mess. | 1:13:50 | 1:13:53 | |
It wasn't soul, it was... | 1:13:53 | 1:13:56 | |
-Whoa. -It was, "Whoa." It was, "Whoa." | 1:13:56 | 1:13:59 | |
You know, I remember being really honest with you guys, and I said to Lem, | 1:13:59 | 1:14:02 | |
"You need to focus on your vocals," and, Trevor, I mean, from the person that | 1:14:02 | 1:14:06 | |
the audience are going to see from blinds to the rehearsals, to now, | 1:14:06 | 1:14:09 | |
it's like looking at a different person. It's a tough one. | 1:14:09 | 1:14:11 | |
CHEERING AND APPLAUSE | 1:14:11 | 1:14:15 | |
The person that has won this battle tonight... | 1:14:22 | 1:14:27 | |
..is Trevor. | 1:14:27 | 1:14:30 | |
CHEERING AND APPLAUSE | 1:14:30 | 1:14:31 | |
We have ourselves a winner! | 1:14:31 | 1:14:33 | |
Well done. Well done. You must be so pleased with that? | 1:14:41 | 1:14:44 | |
-He was a tough opponent to go up against. -Yeah. | 1:14:44 | 1:14:46 | |
Definitely. I enjoyed every second of it. | 1:14:46 | 1:14:48 | |
I'll try and keep pushing and try to come out of my shyness, you know? | 1:14:48 | 1:14:51 | |
But thank you so much, Jessie. Thank you. | 1:14:51 | 1:14:54 | |
Give it up for Trevor! Well done, Trevor. | 1:14:54 | 1:14:56 | |
CHEERING AND APPLAUSE | 1:14:56 | 1:14:58 | |
Amazing. It can only get better. | 1:14:59 | 1:15:01 | |
DANNY: That was awesome. Really great. CHEERING | 1:15:04 | 1:15:08 | |
So Lem is available for a steal. Will is the only coach who has a steal available. | 1:15:08 | 1:15:14 | |
So, Lem, what do you want to say? | 1:15:14 | 1:15:16 | |
I don't want to go home. I don't want to go home. I'm not ready. | 1:15:16 | 1:15:19 | |
And I think I am ready for the next step, so it's up to you. | 1:15:19 | 1:15:23 | |
CHEERING | 1:15:23 | 1:15:25 | |
Da da dum. | 1:15:29 | 1:15:31 | |
THEY CHANT | 1:15:31 | 1:15:33 | |
So... Sorry, I didn't mean to be rude. Sorry. | 1:15:33 | 1:15:37 | |
LAUGHTER | 1:15:37 | 1:15:38 | |
You are an artist. | 1:15:38 | 1:15:41 | |
If I could coach you to see that, Lem, you are an artist. | 1:15:41 | 1:15:46 | |
Like Macy Gray is an artist. You can't tell her anything, even if you want to. | 1:15:46 | 1:15:51 | |
And that's why I love Macy. That's why I love Gaga. | 1:15:51 | 1:15:54 | |
You can't tell her anything! She's an artist. | 1:15:54 | 1:15:58 | |
I...just want to sing and I want to make music. | 1:16:01 | 1:16:06 | |
And you are an incredible person to be doing that with, | 1:16:06 | 1:16:11 | |
-and I would do anything that it takes. -Remember we were backstage? | 1:16:11 | 1:16:15 | |
You said, "I'm nervous," and I was like, "For what?" | 1:16:15 | 1:16:17 | |
Just don't fall off the stage. You didn't fall. | 1:16:17 | 1:16:20 | |
CHEERING | 1:16:20 | 1:16:23 | |
We have a steal! You are now part of Team Will. | 1:16:28 | 1:16:33 | |
Go and say hi! Well done. | 1:16:33 | 1:16:36 | |
Whoo-ee! | 1:16:42 | 1:16:43 | |
INAUDIBLE | 1:16:43 | 1:16:45 | |
Thank you so much. | 1:16:45 | 1:16:46 | |
Well done. Work your butt off. | 1:16:46 | 1:16:48 | |
I was not expecting that. | 1:16:55 | 1:16:59 | |
There was a moment there, he's going to kick himself. | 1:16:59 | 1:17:02 | |
I'm excited about...not what Lem could bring to my team, | 1:17:02 | 1:17:05 | |
but what Lem could be if he believes in Lem. | 1:17:05 | 1:17:10 | |
So Will has finally chosen an artist to steal, | 1:17:10 | 1:17:13 | |
and the fact that Lem comes from Team Jessie has not gone unnoticed. | 1:17:13 | 1:17:18 | |
They all stole one of my people. Oh, yeah. Team Jessie, baby! | 1:17:18 | 1:17:24 | |
Three out of four steals all picked Team Jessie, | 1:17:31 | 1:17:35 | |
which I think proves a point that, hopefully, I'm a great coach. | 1:17:35 | 1:17:39 | |
The fact that three of her singers got stolen could be one of two things. | 1:17:41 | 1:17:45 | |
One, she had a team full of great singers, or two, | 1:17:45 | 1:17:50 | |
she picked all the wrong singers. | 1:17:50 | 1:17:54 | |
And the right ones got stolen! | 1:17:54 | 1:17:57 | |
'While the coaches dispute who has secured the best talent, | 1:17:57 | 1:18:00 | |
'with all the steals used up, there are no lifelines | 1:18:00 | 1:18:03 | |
-'left for the remaining battles.' -Our cards are now on the table. | 1:18:03 | 1:18:06 | |
No more steals, no more second chances. It's make or break. | 1:18:06 | 1:18:12 | |
Next up, it's Team Tom. | 1:18:14 | 1:18:16 | |
After crashing out of last year's blind auditions, | 1:18:21 | 1:18:25 | |
25-year-old Alys was hoping it was second time lucky. | 1:18:25 | 1:18:29 | |
I've come back to redeem myself. | 1:18:29 | 1:18:33 | |
'And after what seemed like a lifetime of deliberations, | 1:18:33 | 1:18:37 | |
'she finally chose her coach.' | 1:18:37 | 1:18:38 | |
Tom. | 1:18:38 | 1:18:39 | |
CHEERING | 1:18:39 | 1:18:41 | |
32-year-old Lareena is an Adele tribute act who wanted to | 1:18:44 | 1:18:48 | |
prove her own star potential. | 1:18:48 | 1:18:50 | |
You give it the full Monty, as we say. | 1:18:50 | 1:18:53 | |
I'm absolutely gobsmacked. | 1:18:53 | 1:18:56 | |
-TOM: -This battle is between Lareena and Alys. | 1:18:57 | 1:19:00 | |
They both have beautiful voices. | 1:19:00 | 1:19:03 | |
And the song will be Rambling Man by Laura Marling. | 1:19:03 | 1:19:07 | |
They're evenly matched. | 1:19:07 | 1:19:09 | |
How difficult is it for you if you work in the guise of Adele, | 1:19:09 | 1:19:14 | |
then come out and sing like Lareena? | 1:19:14 | 1:19:16 | |
I love Adele to bits, I think she's phenomenal, | 1:19:16 | 1:19:18 | |
but you want to be yourself. | 1:19:18 | 1:19:20 | |
I'd like to bring that across, | 1:19:20 | 1:19:22 | |
that I can make songs in my style, not Adele's. | 1:19:22 | 1:19:25 | |
# Beaten and battered and cold | 1:19:26 | 1:19:29 | |
# My children will live just to grow old. # | 1:19:31 | 1:19:35 | |
-Do you want me to sing Lareena's parts? -Yeah, together. -OK. | 1:19:37 | 1:19:40 | |
The fact that I didn't get through last year has made me | 1:19:40 | 1:19:43 | |
so much more driven. | 1:19:43 | 1:19:45 | |
So now I can just say what I need to say and do what I need to do. | 1:19:45 | 1:19:49 | |
I think I'll sing that one underneath you and come in here. | 1:19:49 | 1:19:53 | |
-So you'll be underneath and then on top? -Yeah. | 1:19:53 | 1:19:56 | |
# Rambling man. # | 1:19:56 | 1:20:00 | |
Lareena, she's got a lovely voice. What's interesting is that Alys is | 1:20:01 | 1:20:05 | |
very, very confident in making the song her own. | 1:20:05 | 1:20:08 | |
-I can hear things in my head. -I want to try and... | 1:20:08 | 1:20:12 | |
I feel like I let myself down | 1:20:12 | 1:20:14 | |
because I didn't ask a lot of things I should have done. | 1:20:14 | 1:20:16 | |
I should have opened up a little more. | 1:20:16 | 1:20:20 | |
# Beaten and battered and cold. # | 1:20:20 | 1:20:24 | |
'And in studio rehearsals, Alys takes control in a big way.' | 1:20:24 | 1:20:30 | |
-I can't hear myself. -You can't hear? -No. | 1:20:31 | 1:20:34 | |
I know you've got a bigger voice and she's changed some bits to suit. | 1:20:34 | 1:20:38 | |
-Steve! -Yeah? | 1:20:38 | 1:20:40 | |
Can you talk to the sound man and ask him to brighten Alys up a bit? | 1:20:40 | 1:20:45 | |
You can't afford to be drowned out in a battle. | 1:20:45 | 1:20:47 | |
To me personally, I thought it sounded fine. | 1:20:47 | 1:20:50 | |
Obviously, it's gone up quite a bit, so it could be some sort of worry. | 1:20:50 | 1:20:56 | |
Alys wants it as much as anybody else does. | 1:20:56 | 1:20:58 | |
I can see that she wants it. | 1:20:58 | 1:21:00 | |
-How are you feeling about it, you sound really comfortable with it? -Yeah. I enjoy it. | 1:21:00 | 1:21:05 | |
Lareena is more of a shy person, | 1:21:05 | 1:21:07 | |
but as long as you can get your personality through when you sing, | 1:21:07 | 1:21:10 | |
you can be as quiet as you want to when you're not singing. | 1:21:10 | 1:21:14 | |
I love doing the Adele tribute, but I want to be me. | 1:21:15 | 1:21:19 | |
I just feel like it's my time now to get somewhere in life. | 1:21:19 | 1:21:23 | |
I missed out last time because I was too nervous. | 1:21:25 | 1:21:29 | |
I have to succeed this time. | 1:21:29 | 1:21:31 | |
Two voices will battle, and only one can win. | 1:21:33 | 1:21:36 | |
She's the comeback kid hoping to stick around. It's Alys Williams. | 1:21:36 | 1:21:40 | |
APPLAUSE | 1:21:40 | 1:21:41 | |
Against the tribute act singing as herself, it's Lareena Mitchell. | 1:21:44 | 1:21:49 | |
APPLAUSE | 1:21:49 | 1:21:50 | |
Let the battle commence. | 1:21:56 | 1:21:58 | |
# Oh, naive little me | 1:22:20 | 1:22:22 | |
# Asking what things you have seen | 1:22:25 | 1:22:28 | |
# You're vulnerable in your head | 1:22:30 | 1:22:33 | |
# You'll scream and you'll wait till you're dead | 1:22:35 | 1:22:38 | |
# But give me to a rambling man | 1:22:40 | 1:22:45 | |
# Let it always be known that I was who I am | 1:22:45 | 1:22:51 | |
# Beaten and battered and cold | 1:22:53 | 1:22:58 | |
# My children will live just to grow old | 1:22:58 | 1:23:03 | |
# But if I sit here and weep | 1:23:03 | 1:23:08 | |
# I'll be blown over by the slightest of breeze | 1:23:08 | 1:23:13 | |
# But give me to a rambling man | 1:23:13 | 1:23:18 | |
# Let it always be known that I was who I am | 1:23:18 | 1:23:24 | |
# It's funny that the first chords that you come to | 1:23:26 | 1:23:32 | |
# Are the minor notes that come to serenade you | 1:23:32 | 1:23:37 | |
# And it's hard to accept yourself as someone | 1:23:37 | 1:23:42 | |
# Who you don't desire | 1:23:42 | 1:23:45 | |
# As someone you don't want to be. # | 1:23:47 | 1:23:53 | |
Come on, come on, come on! | 1:23:53 | 1:23:55 | |
# But give me to a rambling man | 1:23:55 | 1:24:00 | |
# Let it always be known that I was who I am | 1:24:00 | 1:24:07 | |
# Oh give me to a rambling man | 1:24:07 | 1:24:13 | |
# Let it always be known that I was who I am | 1:24:13 | 1:24:19 | |
# But give me to a rambling man | 1:24:22 | 1:24:27 | |
# Let it always be known that I was who I am. # | 1:24:27 | 1:24:34 | |
CHEERING AND APPLAUSE | 1:24:34 | 1:24:37 | |
What a fantastic battle. Give it up once again for Lareena and Alys. | 1:24:39 | 1:24:43 | |
Well done to both of you. Fantastic battle, guys. | 1:24:47 | 1:24:49 | |
OK, well, Tom, you've got a heck of a decision to make, and | 1:24:49 | 1:24:52 | |
your decision is even more important as there are no more steals left. | 1:24:52 | 1:24:56 | |
-Right. -Alys, you sounded wonderful. | 1:24:56 | 1:25:00 | |
There were a couple of flat notes you hit, and Lareena, flawless. | 1:25:00 | 1:25:05 | |
I would pick Lareena. | 1:25:05 | 1:25:08 | |
SHE MOUTHS | 1:25:08 | 1:25:10 | |
I think, for me, Lareena, you're the stronger singer, but for me, | 1:25:11 | 1:25:17 | |
Alys's tone is something that you can't be taught, | 1:25:17 | 1:25:21 | |
so for that reason, I think I would lean to Alys. | 1:25:21 | 1:25:25 | |
OK, Tom, all four coaches turned around for Alys, | 1:25:26 | 1:25:29 | |
but now it's totally your call. What did you think of that battle? | 1:25:29 | 1:25:33 | |
-Your girls did you proud, right? -Yeah, I thought they were both beautiful, | 1:25:33 | 1:25:38 | |
and for me, it's a hard decision to make, | 1:25:38 | 1:25:42 | |
because you both did that song justice, | 1:25:42 | 1:25:45 | |
and I'm very proud of both of you. | 1:25:45 | 1:25:48 | |
For me, personally, | 1:25:55 | 1:25:58 | |
and the person that I would want to take on | 1:25:58 | 1:26:01 | |
is Alys. | 1:26:01 | 1:26:02 | |
APPLAUSE AND CHEERING | 1:26:02 | 1:26:06 | |
Congratulations to Alys. | 1:26:07 | 1:26:09 | |
One more time, make some noise | 1:26:09 | 1:26:10 | |
for the fantastic Alys, ladies and gentlemen. Come on! | 1:26:10 | 1:26:13 | |
APPLAUSE AND CHEERING | 1:26:13 | 1:26:15 | |
Alys, before you run off, I've got to ask you. | 1:26:16 | 1:26:19 | |
Last time you came on The Voice, you didn't even make it past the blinds. | 1:26:19 | 1:26:22 | |
How does that feel to get through the battles? | 1:26:22 | 1:26:24 | |
Oh, I can't say how it feels. It's incredible. | 1:26:24 | 1:26:28 | |
I'm so happy at the moment. | 1:26:28 | 1:26:30 | |
-Thank you so much, Tom, for putting me through. -Congratulations. | 1:26:30 | 1:26:33 | |
Go and give him a hug. One more time, Alys, everybody! | 1:26:33 | 1:26:35 | |
APPLAUSE AND CHEERING | 1:26:35 | 1:26:37 | |
Incredible, yeah! | 1:26:45 | 1:26:48 | |
I don't know what to say! I'm just shaking all over! | 1:26:48 | 1:26:50 | |
SHE SQUEALS | 1:26:50 | 1:26:53 | |
Lorena, Tom described you as (WELSH ACCENT) "Beautiful," I think that's how he said it. | 1:26:53 | 1:26:57 | |
Is there anything you want to say to your coach? | 1:26:57 | 1:26:59 | |
Tom, just thank you, for the opportunities you've given me. | 1:26:59 | 1:27:03 | |
I never thought I'd stand round the piano with SIR Tom Jones, | 1:27:03 | 1:27:06 | |
so that's just a moment I'll keep for my life. So thank you. | 1:27:06 | 1:27:08 | |
She's been fantastic, make some noise for Lorena one more time! | 1:27:08 | 1:27:12 | |
APPLAUSE AND CHEERING | 1:27:12 | 1:27:14 | |
Thank you. Thank you so much. | 1:27:14 | 1:27:16 | |
You have a lovely voice. Really. | 1:27:16 | 1:27:19 | |
All right, love. | 1:27:25 | 1:27:26 | |
-REGGIE: -Lorena, everybody! Come on! | 1:27:26 | 1:27:29 | |
APPLAUSE AND CHEERING | 1:27:29 | 1:27:31 | |
-Are you all right? -Yeah. | 1:27:35 | 1:27:37 | |
I give out good hugs, if you want one. | 1:27:37 | 1:27:40 | |
-Next up, Team Danny. -APPLAUSE AND CHEERING | 1:27:46 | 1:27:49 | |
31-year-old Paul has already tasted fame, | 1:27:54 | 1:27:57 | |
and wanted to get back into the spotlight. | 1:27:57 | 1:28:00 | |
# All those fairy tales are full of it... # | 1:28:07 | 1:28:11 | |
While the amazing range of 26-year-old Sean | 1:28:11 | 1:28:14 | |
sparked a bidding war between Danny and Tom. | 1:28:14 | 1:28:17 | |
CHEERING | 1:28:17 | 1:28:19 | |
I've got to go with you, Danny, man. | 1:28:19 | 1:28:21 | |
-I've got to go with you, man. -Yes! | 1:28:21 | 1:28:23 | |
Sean Rumsey, please step forward. | 1:28:25 | 1:28:28 | |
You're going up against Paul Carden. | 1:28:28 | 1:28:30 | |
As soon as he said, "Paul," | 1:28:30 | 1:28:31 | |
I was, like, thinking, "OK, what's the song?" | 1:28:31 | 1:28:34 | |
Because we're different singers. | 1:28:34 | 1:28:36 | |
Like, REALLY different. | 1:28:36 | 1:28:37 | |
The reason I paired them two together | 1:28:37 | 1:28:39 | |
is because I feel they both can learn from each other. | 1:28:39 | 1:28:41 | |
Paul is a consummate performer. He loses himself in the music. | 1:28:41 | 1:28:45 | |
Sean, who hasn't got that much experience | 1:28:45 | 1:28:47 | |
but is an internet sensation. | 1:28:47 | 1:28:48 | |
For the last four, five years, | 1:28:48 | 1:28:50 | |
I've been working online to develop a following on the internet. | 1:28:50 | 1:28:53 | |
It's developed a really great fan base, but this feels real. | 1:28:53 | 1:28:56 | |
And you're going to be singing | 1:28:56 | 1:28:58 | |
I'm a Man by The Spencer Davis Group. | 1:28:58 | 1:29:01 | |
It's an old one, but it's a hell of a classic. | 1:29:01 | 1:29:03 | |
# I'm a man, yes, I am | 1:29:03 | 1:29:06 | |
# And I can't help but love you so... # | 1:29:06 | 1:29:09 | |
What's great about these lyrics | 1:29:09 | 1:29:11 | |
is you can put a real picture in your head | 1:29:11 | 1:29:13 | |
and then you can really open up and make it your own. | 1:29:13 | 1:29:16 | |
# Full of people all unknown... # | 1:29:16 | 1:29:18 | |
Paul's like your quintessential rocker. | 1:29:18 | 1:29:20 | |
Bit more fun, a bit more edgy, I guess. | 1:29:20 | 1:29:23 | |
And I'm just quite chilled and laid-back. | 1:29:23 | 1:29:26 | |
'Offstage, I can be quite quiet.' | 1:29:26 | 1:29:29 | |
On stage, it's like a different kind of thing. | 1:29:29 | 1:29:31 | |
# I'm a man, yes, I am | 1:29:31 | 1:29:34 | |
# And I can't help but love you so... # | 1:29:34 | 1:29:37 | |
'I'm very aggressive on stage.' | 1:29:37 | 1:29:39 | |
I'm stronger when you can actually see me. | 1:29:39 | 1:29:41 | |
# ..love you so... # | 1:29:41 | 1:29:43 | |
Great, that little...urgh! Lean back! Brilliant! | 1:29:43 | 1:29:45 | |
Really great, great showmanship. | 1:29:45 | 1:29:47 | |
Both of you are getting ample time to shine. May the best man win. | 1:29:47 | 1:29:49 | |
I just know that I can't go back to doing videos in my room. | 1:29:52 | 1:29:56 | |
I really need to win this. | 1:29:56 | 1:29:58 | |
Stepping onto that stage tonight | 1:29:58 | 1:30:00 | |
is going to be like stepping into a boxing ring. | 1:30:00 | 1:30:02 | |
I'm up for the fight. | 1:30:02 | 1:30:04 | |
Get ready for a clash of styles from Team Danny. | 1:30:07 | 1:30:11 | |
It's the amped-up rock of Paul Carden! | 1:30:11 | 1:30:14 | |
APPLAUSE AND CHEERING | 1:30:14 | 1:30:17 | |
Squaring up to the slick pop of Sean Rumsey! | 1:30:17 | 1:30:22 | |
APPLAUSE AND CHEERING | 1:30:22 | 1:30:24 | |
Let the battle commence. | 1:30:34 | 1:30:36 | |
# Well, my pad is very messy | 1:31:00 | 1:31:02 | |
# I got whiskers on my chin | 1:31:02 | 1:31:04 | |
# And I'm all hung up on music | 1:31:04 | 1:31:06 | |
# And I always play to win | 1:31:06 | 1:31:08 | |
# I ain't got no time for lovin' | 1:31:08 | 1:31:10 | |
# Cos my time is all used up | 1:31:10 | 1:31:12 | |
# Just to sit around creatin' | 1:31:12 | 1:31:13 | |
# All that groovy kind of stuff | 1:31:13 | 1:31:15 | |
# Well, I'm a man, yes I am | 1:31:15 | 1:31:18 | |
# And I can't help but love you so | 1:31:18 | 1:31:21 | |
# I'm a man, yes I am | 1:31:23 | 1:31:25 | |
# And I can't help but love you so | 1:31:25 | 1:31:29 | |
# Well, if I had my choice of matter | 1:31:30 | 1:31:32 | |
# I would rather be with cats | 1:31:32 | 1:31:34 | |
# All engrossed in mental chatter | 1:31:34 | 1:31:36 | |
# Moving where our minds are at | 1:31:36 | 1:31:37 | |
# And relating to each other | 1:31:37 | 1:31:39 | |
# Just how strong our wills can be | 1:31:39 | 1:31:41 | |
# I'm resisting all involvement | 1:31:41 | 1:31:43 | |
# With each groovy chick we see | 1:31:43 | 1:31:45 | |
# I'm a man, yes I am | 1:31:45 | 1:31:48 | |
# And I can't help but love you so | 1:31:48 | 1:31:51 | |
# No, whoa-oh-oh | 1:31:51 | 1:31:53 | |
# I'm a man, yes I am | 1:31:53 | 1:31:55 | |
# And I can't help but love you so | 1:31:55 | 1:31:59 | |
# Yeah | 1:31:59 | 1:32:00 | |
# I got to keep my image | 1:32:00 | 1:32:02 | |
# While suspended from a throne | 1:32:02 | 1:32:04 | |
# That looks out upon a kingdom | 1:32:04 | 1:32:05 | |
# Full of people all unknown | 1:32:05 | 1:32:08 | |
# Who imagine I'm not human | 1:32:08 | 1:32:09 | |
# And my heart is made of stone | 1:32:09 | 1:32:11 | |
# I never had no problems | 1:32:11 | 1:32:13 | |
# And my toilet's trimmed with chrome | 1:32:13 | 1:32:15 | |
# I'm a man, yes I am | 1:32:15 | 1:32:18 | |
# And I can't help but love you so | 1:32:18 | 1:32:20 | |
# No, no, no, no, no, no | 1:32:20 | 1:32:22 | |
# I'm a man, yes I am | 1:32:22 | 1:32:25 | |
# And I can't help but love you so | 1:32:25 | 1:32:28 | |
# Yeah, yeah | 1:32:28 | 1:32:30 | |
# My pad is very messy | 1:32:30 | 1:32:32 | |
# I got whiskers on my chin | 1:32:32 | 1:32:33 | |
# I'm all hung up on music | 1:32:33 | 1:32:35 | |
# And I always play to win | 1:32:35 | 1:32:37 | |
# I ain't got no time for lovin' | 1:32:37 | 1:32:39 | |
# Cos my time is all used up | 1:32:39 | 1:32:41 | |
# Just to sit around creatin' | 1:32:41 | 1:32:43 | |
# All this groovy kind of stuff | 1:32:43 | 1:32:45 | |
# I'm a man, yes I am | 1:32:45 | 1:32:47 | |
# And I can't help but love you so | 1:32:47 | 1:32:51 | |
# Love you so | 1:32:51 | 1:32:52 | |
# Well, I'm a man, yes, I am | 1:32:52 | 1:32:55 | |
# And I can't help but | 1:32:55 | 1:32:56 | |
# Love you so | 1:32:56 | 1:32:58 | |
-# Wa-aaah! # -# I'm a man! # | 1:32:58 | 1:33:04 | |
APPLAUSE AND CHEERING | 1:33:04 | 1:33:06 | |
Let's hear it for Paul and Sean! | 1:33:06 | 1:33:08 | |
APPLAUSE AND CHEERING | 1:33:08 | 1:33:11 | |
Well done! That was great! | 1:33:12 | 1:33:14 | |
I'm glad you put the mic stand down! | 1:33:14 | 1:33:17 | |
-You nearly hit him with the mic stand at one point! -I was trying! | 1:33:17 | 1:33:20 | |
LAUGHTER | 1:33:20 | 1:33:22 | |
I literally thought I was on Gladiators. | 1:33:22 | 1:33:24 | |
You had pugil sticks, hitting each other and everything! | 1:33:24 | 1:33:26 | |
Honestly, great job, guys. Really great job. | 1:33:26 | 1:33:28 | |
CHEERING | 1:33:28 | 1:33:30 | |
Sean, when you hit that falsetto | 1:33:30 | 1:33:31 | |
and showed how high you can get, that was amazing. Hats off. | 1:33:31 | 1:33:35 | |
Thanks, man. | 1:33:35 | 1:33:36 | |
CHEERING | 1:33:36 | 1:33:38 | |
And Paul, you have, like, this old soul quality | 1:33:38 | 1:33:41 | |
to what you sing that's just, like, | 1:33:41 | 1:33:43 | |
it seems so natural and authentic, | 1:33:43 | 1:33:46 | |
because the growl and the edge... | 1:33:46 | 1:33:49 | |
It's just, uh! | 1:33:49 | 1:33:51 | |
I would pick Paul, because of that. | 1:33:51 | 1:33:53 | |
CHEERING | 1:33:53 | 1:33:55 | |
For me, it's a tough one, because I think Paul, | 1:33:57 | 1:33:59 | |
I kind of felt like I just got a little distracted by the mic stand thing. | 1:33:59 | 1:34:02 | |
-You don't like the mic stand. -I'm not a fan of mic stands, | 1:34:02 | 1:34:04 | |
I'm going to throw it out there, guys. | 1:34:04 | 1:34:06 | |
Don't get too close to me when I've got the mic stand, though, cos... | 1:34:06 | 1:34:10 | |
I know! I'm staying well away! | 1:34:10 | 1:34:13 | |
Well, I liked it. I enjoyed it. And I know that song very well. | 1:34:15 | 1:34:18 | |
The Spencer Davis Group, you know, | 1:34:18 | 1:34:20 | |
because we started at the same time in the '60s. | 1:34:20 | 1:34:23 | |
But to me, it is a rock song. | 1:34:23 | 1:34:26 | |
There's not a lot of range to it. | 1:34:26 | 1:34:28 | |
It's up there, and it stays up there. | 1:34:28 | 1:34:30 | |
And for me, I would lean towards Paul. | 1:34:30 | 1:34:33 | |
APPLAUSE AND CHEERING | 1:34:33 | 1:34:34 | |
The reason I put them together | 1:34:38 | 1:34:39 | |
was because I thought Paul's range is quite linear. | 1:34:39 | 1:34:42 | |
Put you up against Sean to see, could you match him? | 1:34:42 | 1:34:46 | |
Could it bring you out of your box? | 1:34:46 | 1:34:47 | |
The reason why put Sean against Paul is the same reason. | 1:34:47 | 1:34:50 | |
I thought that showmanship, | 1:34:50 | 1:34:52 | |
you could really, really, come up as well. | 1:34:52 | 1:34:53 | |
I think you've both learned a hell of a lot from each other. | 1:34:53 | 1:34:57 | |
Oh, dude, I... | 1:34:57 | 1:34:59 | |
Danny, I also have to remind you at this point as well, | 1:35:02 | 1:35:05 | |
all of your steals have been used up from every single coach, | 1:35:05 | 1:35:09 | |
so your decision is even more important, | 1:35:09 | 1:35:11 | |
because whoever you don't pick | 1:35:11 | 1:35:13 | |
will absolutely be leaving the competition. | 1:35:13 | 1:35:15 | |
The winner of this battle is... | 1:35:18 | 1:35:20 | |
Sean. | 1:35:24 | 1:35:25 | |
CHEERING | 1:35:25 | 1:35:27 | |
We have a winner! | 1:35:27 | 1:35:29 | |
Sean is the winner of this battle, | 1:35:32 | 1:35:34 | |
he goes through to the knockout rounds. | 1:35:34 | 1:35:37 | |
Before you run away, I could feel your hand shaking there. | 1:35:37 | 1:35:40 | |
Were you not expecting that? | 1:35:40 | 1:35:42 | |
No. Paul's performance is, like, incredible, man, and I just... | 1:35:42 | 1:35:46 | |
Yeah, this whole situation is overwhelming, so thank you so much. | 1:35:46 | 1:35:50 | |
Give it up for Sean one more time. | 1:35:52 | 1:35:54 | |
CHEERING AND APPLAUSE | 1:35:54 | 1:35:56 | |
That was really, really close. | 1:35:57 | 1:35:59 | |
So, Paul, the situation here is that none of the coaches | 1:36:13 | 1:36:16 | |
have a steal left, so that does mean that we are sad | 1:36:16 | 1:36:19 | |
to be leaving you at this stage in the competition. | 1:36:19 | 1:36:22 | |
It could have gone either way, so it's fine. | 1:36:22 | 1:36:24 | |
You gave a brilliant performance. Don't you think, everybody? | 1:36:24 | 1:36:27 | |
CHEERING AND APPLAUSE | 1:36:27 | 1:36:28 | |
Give it up for the lovely Paul! Off you go. | 1:36:28 | 1:36:31 | |
-We'll have a beer and have a chat afterwards, right? -Will do. | 1:36:34 | 1:36:37 | |
-Great performance. -I know it was a difficult decision. -I'm sorry. | 1:36:37 | 1:36:40 | |
-I really am sorry. -It's all right. | 1:36:40 | 1:36:42 | |
-Great showman, with the... -Yeah, yeah. And on that song. | 1:36:51 | 1:36:54 | |
-Imagine that at a rock gig. -He nailed that. | 1:36:54 | 1:36:56 | |
Yeah, it was close, it was a hard decision for him, like, | 1:36:56 | 1:36:59 | |
I knew it was going to be close, so... | 1:36:59 | 1:37:01 | |
Danny made the wrong decision. | 1:37:01 | 1:37:03 | |
Paul was pretty fierce. | 1:37:03 | 1:37:05 | |
I chose Sean over Paul. | 1:37:05 | 1:37:06 | |
Simply, at this stage I need people that have versatility. | 1:37:06 | 1:37:09 | |
I really feel he's going to be one to watch. | 1:37:09 | 1:37:11 | |
That was the best moment of my life right there. | 1:37:11 | 1:37:13 | |
Just overwhelmed, overwhelmed, man. | 1:37:13 | 1:37:15 | |
How are you doing? | 1:37:16 | 1:37:18 | |
That's my boy! Get in! Well done. | 1:37:24 | 1:37:26 | |
Next up, it's Team Will. | 1:37:29 | 1:37:31 | |
# Never lived like common people... # | 1:37:36 | 1:37:38 | |
At the blind auditions, sneaky Will was playing | 1:37:38 | 1:37:40 | |
his old mind games again to win 18-year-old Emily. | 1:37:40 | 1:37:43 | |
He was playing tactics, he was like, "No, I'm not going to go." | 1:37:44 | 1:37:47 | |
-It's going to be fresh, because I think you're super dope. -Yay! | 1:37:47 | 1:37:51 | |
# No woman, no cry... # | 1:37:51 | 1:37:54 | |
While jobbing singer Moni's soulful voice had all four coaches | 1:37:54 | 1:37:57 | |
desperate to grab him for their team. | 1:37:57 | 1:38:00 | |
The reason why I turned around is because you got that soul. | 1:38:01 | 1:38:04 | |
-Yeah. -Maybe you went swimming in the soul ocean. | 1:38:04 | 1:38:07 | |
LAUGHTER | 1:38:07 | 1:38:08 | |
Emily. | 1:38:10 | 1:38:11 | |
Here comes Emily with the guitar, you know, folking. | 1:38:11 | 1:38:13 | |
Moni. | 1:38:13 | 1:38:14 | |
Moni is like, "I'm soul." | 1:38:14 | 1:38:17 | |
This battle's going to be great. | 1:38:17 | 1:38:18 | |
And the song is Little Talk by Monsters Of Men. | 1:38:18 | 1:38:23 | |
I love that song! | 1:38:23 | 1:38:24 | |
'I am really comfortable with this song, which gives me' | 1:38:24 | 1:38:27 | |
a little bit of a head start. | 1:38:27 | 1:38:28 | |
'Oh, my days, I've never heard the song in my life.' | 1:38:28 | 1:38:30 | |
This is going to be a tough one. | 1:38:30 | 1:38:32 | |
How do you feel about her playing the guitar? | 1:38:32 | 1:38:35 | |
I wish I played an instrument as well, | 1:38:35 | 1:38:37 | |
but I don't, unfortunately, so I'll just have to play with my voice. | 1:38:37 | 1:38:40 | |
I want you to be comfortable, too, as well. | 1:38:40 | 1:38:42 | |
We don't want duets. We want battles. | 1:38:42 | 1:38:45 | |
-You are competing against this guy! -Yeah. | 1:38:45 | 1:38:47 | |
BOTH: # Don't listen to a word I say... # | 1:38:47 | 1:38:51 | |
Emily is singing a song she's comfortable with, | 1:38:51 | 1:38:54 | |
and she sounds great. | 1:38:54 | 1:38:56 | |
Moni feels a little weird because he thinks that I'm going | 1:38:57 | 1:39:00 | |
to pick Emily because she can multitask. | 1:39:00 | 1:39:02 | |
He needs to get over that. | 1:39:02 | 1:39:04 | |
# Though the truth may hurt... # | 1:39:04 | 1:39:05 | |
It may seem like the odds are stacked against me, | 1:39:05 | 1:39:08 | |
but we've learnt the song, | 1:39:08 | 1:39:09 | |
so it's now just to take it to that next level. | 1:39:09 | 1:39:11 | |
# Hey, don't listen to a word I say... # | 1:39:13 | 1:39:17 | |
'I definitely think Moni's upped his game. His stage presence,' | 1:39:17 | 1:39:20 | |
he's really energetic. | 1:39:20 | 1:39:22 | |
Bravo! Bravo! Bravo! | 1:39:22 | 1:39:23 | |
Oh, shucks! He's showing improvement. | 1:39:23 | 1:39:25 | |
'Wow. Now I'm confused.' | 1:39:25 | 1:39:27 | |
While we're battling, as well, | 1:39:27 | 1:39:28 | |
can we pay attention to these people behind here, as well? | 1:39:28 | 1:39:31 | |
Go wherever you want to go, man. | 1:39:31 | 1:39:32 | |
-Run over there, go sit on Tom's lap, rub his head. -Yeah! | 1:39:32 | 1:39:35 | |
'On the night, I know I have to come' | 1:39:35 | 1:39:37 | |
and compete, and that is what I intend to do. | 1:39:37 | 1:39:39 | |
'The competition is on, and I need to try' | 1:39:39 | 1:39:42 | |
and really bring something new to it. | 1:39:42 | 1:39:44 | |
This is going to be a tough... a tough one to choose from. | 1:39:44 | 1:39:46 | |
'As far as big moments are concerned, this has to be the biggest, | 1:39:49 | 1:39:52 | |
'and then some.' | 1:39:52 | 1:39:54 | |
I'm really going to do everything I can to prevail in this battle. | 1:39:54 | 1:39:57 | |
'I want to be doing this for the rest of my life. | 1:39:59 | 1:40:01 | |
'I've had such an amazing experience.' | 1:40:01 | 1:40:04 | |
I don't want it to end yet. | 1:40:04 | 1:40:06 | |
CHEERING | 1:40:06 | 1:40:08 | |
From Team Will, it's experience versus youth. | 1:40:08 | 1:40:10 | |
Entering the ring, the Essex man with the soul - | 1:40:10 | 1:40:12 | |
it's Moni Tivony! | 1:40:12 | 1:40:14 | |
Challenging, it's a Yorkshire teenager with a country style - | 1:40:18 | 1:40:21 | |
Emily Worton! | 1:40:21 | 1:40:23 | |
Let the battle commence. | 1:40:32 | 1:40:33 | |
# There's an old voice in my head that's holding me back | 1:40:58 | 1:41:02 | |
# Well, tell her that | 1:41:02 | 1:41:04 | |
# I miss our little talks, yeah | 1:41:04 | 1:41:07 | |
# Soon it will be over and buried with our past | 1:41:07 | 1:41:11 | |
# We used to play outside when we were young and full of life | 1:41:11 | 1:41:15 | |
-# And full of love -# Some days I don't know | 1:41:15 | 1:41:18 | |
# If I am wrong or right. | 1:41:18 | 1:41:20 | |
# Your mind is playing tricks on you, my dear | 1:41:20 | 1:41:25 | |
-BOTH: -# Cos though the truth may vary | 1:41:25 | 1:41:28 | |
# This ship will carry our bodies safe to shore | 1:41:28 | 1:41:33 | |
# Yeah! | 1:41:33 | 1:41:35 | |
# Don't listen to a word I say | 1:41:35 | 1:41:39 | |
# The screams all sound the same | 1:41:39 | 1:41:43 | |
-BOTH: -# Though the truth may vary | 1:41:43 | 1:41:46 | |
# This ship will carry our bodies safe to shore | 1:41:46 | 1:41:51 | |
# Now we're torn, torn, torn apart | 1:41:53 | 1:41:55 | |
# There's nothing we can do | 1:41:55 | 1:41:58 | |
# Just let me go, we'll meet again soon, yeah | 1:41:58 | 1:42:02 | |
# Now wait, wait, wait for me | 1:42:02 | 1:42:05 | |
# Please, hang around | 1:42:05 | 1:42:07 | |
-They're both great! -# I'll see you when I fall asleep. | 1:42:07 | 1:42:10 | |
# Yeah, yeah, yeah, yeah! | 1:42:10 | 1:42:12 | |
# Don't listen to a word I say | 1:42:12 | 1:42:16 | |
# The screams all sound the same | 1:42:16 | 1:42:20 | |
-BOTH: -# Though the truth may vary | 1:42:20 | 1:42:23 | |
This ship will carry our bodies safe to shore | 1:42:23 | 1:42:29 | |
# Hey! Don't listen to a word I say | 1:42:29 | 1:42:35 | |
# The screams all sound the same | 1:42:35 | 1:42:39 | |
-BOTH: -# Though the truth may vary | 1:42:39 | 1:42:41 | |
# This ship will carry our bodies safe to shore | 1:42:41 | 1:42:47 | |
# And though the truth may vary | 1:42:47 | 1:42:51 | |
# This ship will carry our bodies safe to shore, yeah, yeah | 1:42:51 | 1:42:58 | |
# And though the truth may vary | 1:42:58 | 1:43:01 | |
# This ship will carry | 1:43:01 | 1:43:05 | |
# Our bodies safe to shore. # | 1:43:05 | 1:43:12 | |
CHEERING AND APPLAUSE | 1:43:12 | 1:43:14 | |
-REGGIE: -One more time, make some noise for Moni and Emily, | 1:43:22 | 1:43:25 | |
everyone, come on! | 1:43:25 | 1:43:26 | |
OK, Will, it's good to be a tough decision to make. | 1:43:27 | 1:43:30 | |
-Before we find out what you thought, let's go to Jessie. -Hello! | 1:43:30 | 1:43:33 | |
It was good, my hands are hurting. | 1:43:33 | 1:43:35 | |
Sorry, guys, I just wanted to really get you in time there, the clapping. | 1:43:35 | 1:43:38 | |
Don't take it personally, but you were completely out of time, | 1:43:38 | 1:43:41 | |
I didn't want you to be embarrassed watching it back, | 1:43:41 | 1:43:44 | |
like, "This is so good!" | 1:43:44 | 1:43:46 | |
LAUGHTER | 1:43:46 | 1:43:48 | |
Yeah, for the song, the song choice was unusual. | 1:43:48 | 1:43:51 | |
I think, Emily, your voice is stunning, | 1:43:51 | 1:43:55 | |
I don't think I really got to hear enough. | 1:43:55 | 1:43:57 | |
I definitely think with Moni, I feel there were moments | 1:43:57 | 1:44:01 | |
that were amazing, but just make sure you contain your excitement. | 1:44:01 | 1:44:05 | |
It can make your vocal a bit, "Argh!" | 1:44:05 | 1:44:07 | |
I, personally, would not have put you together, | 1:44:07 | 1:44:09 | |
because I think both of you deserve to go through. | 1:44:09 | 1:44:12 | |
I'm going to actually say that I would think Emily should go through, | 1:44:12 | 1:44:16 | |
-because I don't think there's anyone else like you. -Thank you. | 1:44:16 | 1:44:19 | |
APPLAUSE AND CHEERING | 1:44:19 | 1:44:21 | |
Sometimes you can have all the tricks and all the notes, | 1:44:22 | 1:44:24 | |
but then someone who's just giving you the lyric | 1:44:24 | 1:44:26 | |
and singing in their style can be equally as good. | 1:44:26 | 1:44:29 | |
In my opinion, who's the better singer? Moni. | 1:44:29 | 1:44:31 | |
Who's the better artist? Emily. | 1:44:31 | 1:44:34 | |
-OK. Thank you, Danny. -Thank you, Danny. | 1:44:34 | 1:44:36 | |
Thank you very much, coaches. | 1:44:36 | 1:44:37 | |
Will, I have to remind you you've got no more steals left, | 1:44:37 | 1:44:40 | |
so I'm sure that makes the decision even harder for you. | 1:44:40 | 1:44:43 | |
The reason why I paired them was because it's a way for me | 1:44:44 | 1:44:49 | |
to gauge and see, clarity in an obscure situation. | 1:44:49 | 1:44:53 | |
So, that being said... | 1:44:53 | 1:44:55 | |
Emily, you did a fantastic job, I loved the tone of your voice. | 1:44:57 | 1:45:00 | |
Thank you. | 1:45:00 | 1:45:02 | |
You're truly, truly talented. | 1:45:02 | 1:45:03 | |
You are going to have a long career, you have a long career ahead of you. | 1:45:03 | 1:45:07 | |
Moni, you have an amazing gift, um... | 1:45:07 | 1:45:10 | |
You need to calm it down a bit, and, um... | 1:45:10 | 1:45:14 | |
..I would... | 1:45:16 | 1:45:17 | |
I would, um, like to help Moni control it. | 1:45:19 | 1:45:23 | |
So I'll choose Moni. | 1:45:23 | 1:45:25 | |
CHEERING | 1:45:25 | 1:45:27 | |
-REGGIE: -Moni is the winner of this battle, ladies and gentlemen, | 1:45:27 | 1:45:30 | |
make some noise for the winner, it's Moni Tivony, come on. | 1:45:30 | 1:45:33 | |
Yes! Yes! | 1:45:35 | 1:45:37 | |
I'm scared! | 1:45:39 | 1:45:40 | |
One more time for the winner of that battle, it's Moni Tivony, come on. | 1:45:41 | 1:45:44 | |
I'm scared! Don't tackle me! No, it's all right, it's all right. | 1:45:44 | 1:45:47 | |
You've got to try and come out of your shell a bit more. | 1:45:48 | 1:45:51 | |
Yeah, just a little bit, I'm a bit shy(!) | 1:45:51 | 1:45:53 | |
Congratulations. Brilliant, well done. | 1:45:53 | 1:45:55 | |
Ooh-ooh-ooh! Yes! | 1:45:55 | 1:45:57 | |
MADE it! | 1:46:02 | 1:46:04 | |
Thank you. Thank you so much for giving me the opportunity in the first place. | 1:46:06 | 1:46:11 | |
Like, I've had the best experience ever, | 1:46:11 | 1:46:14 | |
and honestly, I can't thank you enough. Really. | 1:46:14 | 1:46:18 | |
Well, we really enjoyed that performance. Please, make some noise | 1:46:18 | 1:46:21 | |
for the fantastic Emily, everybody. Come on. | 1:46:21 | 1:46:23 | |
SPEECH DROWNED BY CHEERING | 1:46:28 | 1:46:31 | |
I don't think Will chose the wrong person, I just think he chose | 1:46:31 | 1:46:35 | |
the person that was the loudest, not so much the best. | 1:46:35 | 1:46:40 | |
A bit gutted. | 1:46:40 | 1:46:41 | |
-That was tough. They were really good. -Yeah. -Both of them were really good. | 1:46:43 | 1:46:47 | |
-Well done. -Moni has left the building! | 1:46:49 | 1:46:51 | |
Next up, Team Tom. | 1:46:55 | 1:46:57 | |
-# I drove all night... # -60-year-old Colin has had all the experience, | 1:47:02 | 1:47:06 | |
but very few of the breaks. | 1:47:06 | 1:47:07 | |
I was in a band. I've done Top Of The Pops. | 1:47:07 | 1:47:10 | |
But it just never happened. | 1:47:10 | 1:47:12 | |
But Tom spotted that experience and snapped him up. | 1:47:12 | 1:47:16 | |
-Thank you very, very much for turning round. -Oh, my pleasure. | 1:47:16 | 1:47:19 | |
Ragsy from South Wales was hoping for a change of career. | 1:47:19 | 1:47:25 | |
Music's my first love and food is a very close second. | 1:47:25 | 1:47:28 | |
I'm known as the Rock 'n' Roll Chef. | 1:47:28 | 1:47:30 | |
And it was out of the frying pan and into the fire of the battles. | 1:47:30 | 1:47:35 | |
We can have some fun together. | 1:47:35 | 1:47:37 | |
-Well done! -That's bonkers, innit? | 1:47:38 | 1:47:40 | |
Colin has got an edgy voice. He's got a lot of experience. | 1:47:40 | 1:47:44 | |
But Ragsy is bringing something fresh, | 1:47:44 | 1:47:46 | |
which is equally as important. | 1:47:46 | 1:47:49 | |
The song is Starlight by Muse. | 1:47:49 | 1:47:52 | |
# Far away... # It's there, innit? | 1:47:52 | 1:47:54 | |
Onto the last line, I dare you. | 1:47:54 | 1:47:56 | |
# Of the people who care if you live or die. # | 1:47:56 | 1:47:59 | |
-Yeah, you made that up, didn't you? -It's called winging it! | 1:47:59 | 1:48:04 | |
Oh, here they are, look. | 1:48:04 | 1:48:06 | |
So, how are you feeling about today? | 1:48:06 | 1:48:08 | |
-STRONG WELSH ACCENT: -It's exciting. A little bit nervous, but... -What an accent! | 1:48:08 | 1:48:12 | |
Yeah, there's no denying it. | 1:48:12 | 1:48:14 | |
They're all Welsh and I'm one Scot against Ragsy. | 1:48:14 | 1:48:17 | |
You know, the other two Welshies are going to be on my side, hopefully, as well. | 1:48:17 | 1:48:20 | |
It is a battle of the Celts, you know. You've got Scotland against Wales, | 1:48:20 | 1:48:24 | |
and I don't think they've ever beat us, have they? Um... | 1:48:24 | 1:48:27 | |
Only in rugby, though! | 1:48:27 | 1:48:28 | |
# Far away | 1:48:28 | 1:48:31 | |
# The ship is taking me far away... # | 1:48:31 | 1:48:35 | |
As soon as he started singing, I was like, "Oh, right!" | 1:48:35 | 1:48:37 | |
That's a big voice, that is. | 1:48:37 | 1:48:39 | |
# I just wanted to hold... # | 1:48:39 | 1:48:42 | |
If I can prove that I can still, at 60, be alongside someone at 20, 30, | 1:48:42 | 1:48:46 | |
then I'll be happy with that. | 1:48:46 | 1:48:48 | |
-# ..fade! # -Brilliant stuff. -Sounds great already. | 1:48:48 | 1:48:54 | |
Yeah. Are you one of the oldest in the competition, Colin? | 1:48:54 | 1:48:57 | |
-I think so, aye. -No, I am! | 1:48:57 | 1:49:01 | |
I think he looks younger! | 1:49:01 | 1:49:03 | |
You've got the voice of experience and the young, new, fresh singer, | 1:49:04 | 1:49:08 | |
so going head-to-head is going to sound really good. | 1:49:08 | 1:49:12 | |
It's the big one. I'm going to go out there and give it some welly. | 1:49:12 | 1:49:17 | |
I've had chances in the past, but just never had that wee break. | 1:49:17 | 1:49:21 | |
This is my last shot. | 1:49:21 | 1:49:23 | |
It's the battle of the Celts. | 1:49:23 | 1:49:27 | |
First, it's Scottish rocker Colin Chisholm... | 1:49:27 | 1:49:30 | |
..voicing off against Welsh chef Ragsy! | 1:49:34 | 1:49:37 | |
Let the battle commence. | 1:49:47 | 1:49:49 | |
AUDIENCE MEMBERS SHOUT | 1:50:02 | 1:50:05 | |
# Far away | 1:50:16 | 1:50:18 | |
# This ship is taking me far away | 1:50:18 | 1:50:21 | |
# Far away from the memories | 1:50:21 | 1:50:27 | |
# Of the people who care if I live or die | 1:50:27 | 1:50:31 | |
# Starlight | 1:50:31 | 1:50:34 | |
# I will be chasing the starlight | 1:50:34 | 1:50:37 | |
# Until the end of my life | 1:50:37 | 1:50:41 | |
# I don't know if it's worth it any more | 1:50:41 | 1:50:48 | |
# Hold you in my arms | 1:50:48 | 1:50:54 | |
# I just wanted to hold you in my arms | 1:50:54 | 1:51:01 | |
# My life | 1:51:03 | 1:51:05 | |
# You electrify my life | 1:51:05 | 1:51:09 | |
# Let's conspire to ignite | 1:51:09 | 1:51:13 | |
# All the souls that would die | 1:51:13 | 1:51:16 | |
# Just to feel alive | 1:51:16 | 1:51:20 | |
# I'll never let you go | 1:51:20 | 1:51:24 | |
# If you promise not to fade away | 1:51:24 | 1:51:30 | |
# Never fade away | 1:51:30 | 1:51:35 | |
# Our hopes and expectations | 1:51:37 | 1:51:43 | |
# Black holes and revelations | 1:51:44 | 1:51:51 | |
# Our hopes and expectations | 1:51:51 | 1:51:59 | |
# Black holes and revelations | 1:52:00 | 1:52:06 | |
# Hold you in my arms | 1:52:06 | 1:52:13 | |
# I just wanted to hold | 1:52:13 | 1:52:16 | |
# You in my arms | 1:52:16 | 1:52:21 | |
# I just wanted to hold! # | 1:52:21 | 1:52:26 | |
CHEERING | 1:52:26 | 1:52:31 | |
Colin and Ragsy, everyone! | 1:52:31 | 1:52:35 | |
Well, Tom, you created quite a battle, | 1:52:38 | 1:52:41 | |
so you've got a big decision to make. Let's hear what your fellow coaches thought of that. | 1:52:41 | 1:52:45 | |
-OK. -Will? -Colin, you've got to be, like, the coolest dad in the world. | 1:52:45 | 1:52:50 | |
CHEERING | 1:52:50 | 1:52:52 | |
At the blinds, you had a jacket on. I told you I had the same jacket. | 1:52:55 | 1:53:00 | |
-That's right. -And today, that jacket you've got, I've got that jacket, too! | 1:53:00 | 1:53:03 | |
-LAUGHTER -Seriously, that dude is, like, the coolest. | 1:53:03 | 1:53:07 | |
But aside from that, you guys did a great job. | 1:53:07 | 1:53:09 | |
Ragsy, wow! When you hit that high note, that was amazing. | 1:53:09 | 1:53:14 | |
-RAGSY: -Thank you very much. Thank you. | 1:53:14 | 1:53:16 | |
Colin, you really loved being there. | 1:53:16 | 1:53:19 | |
I felt like, "Wow! I want to feel that way when I grow up to be like you." | 1:53:19 | 1:53:24 | |
LAUGHTER Yeah, if you ever grow up! | 1:53:24 | 1:53:27 | |
If I had to choose, just because... | 1:53:27 | 1:53:30 | |
-I would like to hang out with Colin and have a drink... -CHEERING | 1:53:30 | 1:53:35 | |
-We can make that happen! -Well done. I enjoyed that. | 1:53:35 | 1:53:38 | |
Like, tone, pitch, technique, | 1:53:38 | 1:53:42 | |
light and shade... Your breathing control, Colin, was so good, | 1:53:42 | 1:53:45 | |
and Ragsy, you were, like, slurring off the words, | 1:53:45 | 1:53:48 | |
and like, really making it your own. | 1:53:48 | 1:53:51 | |
-It was a great battle. -Thank you. | 1:53:51 | 1:53:54 | |
Well done, you two. | 1:53:54 | 1:53:56 | |
I was sweating because I thought, you know, | 1:53:58 | 1:54:01 | |
"Maybe it'll make it easier for me if one is not as good as the other one," but it didn't happen. | 1:54:01 | 1:54:06 | |
-They were both strong. -Also, Tom, I have to point out, at this point there are no steals left, | 1:54:06 | 1:54:12 | |
so it is all on you. Tom, it is time to make your decision. | 1:54:12 | 1:54:16 | |
AUDIENCE SHOUT | 1:54:16 | 1:54:19 | |
Well, the only thing I can think of is where we're going from here. | 1:54:21 | 1:54:25 | |
And I think the person that... | 1:54:25 | 1:54:29 | |
Ah, I THINK... | 1:54:30 | 1:54:32 | |
I'll have to go with Ragsy. | 1:54:32 | 1:54:34 | |
-CHEERING -We have a winner! | 1:54:34 | 1:54:37 | |
Ragsy is the winner. He will be going through to the knockout rounds. | 1:54:37 | 1:54:41 | |
-Ragsy, congratulations. -Thank you. -You must be so happy right now. | 1:54:46 | 1:54:49 | |
Yeah, it's unbelievable, you know. | 1:54:49 | 1:54:52 | |
I just come here, do my thing, and expect to go home. | 1:54:52 | 1:54:55 | |
Well, you're not going home! | 1:54:55 | 1:54:57 | |
-You're going straight to the knockout rounds. Well done, you. -Thank you very much. -Thank you. | 1:54:57 | 1:55:02 | |
-Everybody, give it up for Ragsy! -Thank you. -APPLAUSE | 1:55:02 | 1:55:05 | |
-All right? You did great. -Well done, Ragsy! -See you soon. | 1:55:08 | 1:55:12 | |
Bye! | 1:55:12 | 1:55:14 | |
-So, Colin, sadly the coaches have used up all their steals. -Yeah. | 1:55:18 | 1:55:23 | |
That means we have to say goodbye to you. | 1:55:23 | 1:55:24 | |
You have been amazing. You really, really have. | 1:55:24 | 1:55:28 | |
-APPLAUSE AND CHEERING -Just listen to that in the room. | 1:55:28 | 1:55:31 | |
I'm going to miss you so much. Everybody, a huge round of applause for Colin! | 1:55:34 | 1:55:39 | |
CHEERING AND APPLAUSE | 1:55:39 | 1:55:42 | |
-# You can't always get what you want... # -See you, Colin. | 1:55:42 | 1:55:46 | |
-You're a cool dude, too. -You did great, Col. -Thanks for having me in the team. | 1:55:46 | 1:55:51 | |
'I wish Tom would have picked Colin.' | 1:55:51 | 1:55:54 | |
Technically and professionally, he was amazing. He was so on point. | 1:55:54 | 1:55:58 | |
I understand why he went with Ragsy, but I would have gone with Colin. | 1:55:58 | 1:56:01 | |
Someone's got to go and it was me! | 1:56:01 | 1:56:03 | |
HE LAUGHS Ooh! | 1:56:03 | 1:56:05 | |
Nah, I'm fine, I'm fine. | 1:56:05 | 1:56:07 | |
These things happen, these things happen, eh? | 1:56:07 | 1:56:09 | |
-TOM: -Well, we Welsh, we stick together. | 1:56:09 | 1:56:13 | |
But if they were not worthy of it, I wouldn't have picked them. | 1:56:13 | 1:56:16 | |
I'm so proud. You'd never believe it, son! | 1:56:16 | 1:56:19 | |
Thank you. | 1:56:19 | 1:56:21 | |
Being Welsh and talented goes hand in hand. | 1:56:21 | 1:56:24 | |
He's a great personality. | 1:56:24 | 1:56:25 | |
He pulled it off. Ragsy did come through, | 1:56:25 | 1:56:28 | |
but I was a little scared, | 1:56:28 | 1:56:30 | |
cos I know what Colin does - I know he's solid, he's there. | 1:56:30 | 1:56:33 | |
-He's been doing it a long time. -Yeah, yeah. He sounds it. | 1:56:33 | 1:56:36 | |
Our final battle tonight is from Team Danny. | 1:56:39 | 1:56:42 | |
26-year-old Karl has already experienced the highs and lows of the music industry. | 1:56:48 | 1:56:54 | |
I went from recording in studios in New York to cleaning windows. | 1:56:54 | 1:56:58 | |
Karl's blind audition was his first step to getting back on track. | 1:56:58 | 1:57:04 | |
34-year-old busker Nadeem was also looking for a new start. | 1:57:06 | 1:57:10 | |
Even at my kind of real low times, when I didn't feel like I had anything, | 1:57:10 | 1:57:14 | |
music was the thing that I felt healed me the most. | 1:57:14 | 1:57:17 | |
But Danny kept him on a knife edge till the very last moment. | 1:57:17 | 1:57:20 | |
Next up, Karl Michael. | 1:57:27 | 1:57:30 | |
Danny called my name, I stepped forward, | 1:57:30 | 1:57:32 | |
and then the last name I expected to hear... | 1:57:32 | 1:57:34 | |
You're going to be up against Nadeem Leigh. | 1:57:34 | 1:57:37 | |
'The reason why I put them together was because both have been through the wars. | 1:57:37 | 1:57:41 | |
'You can hear it in their voice.' | 1:57:41 | 1:57:43 | |
And the song you're going to be singing is Daniel Merriweather, Red. | 1:57:43 | 1:57:47 | |
All right, boys? How are you doing, buddy? How do you feel about the partnership? | 1:57:51 | 1:57:56 | |
I hate you for it! | 1:57:56 | 1:57:58 | |
We've been getting on so well, like, throughout the kind of process so far. | 1:57:58 | 1:58:02 | |
-Karl's got a quiff. -Like, yeah, "Karl's got a quiff." | 1:58:02 | 1:58:05 | |
Quiffs are a look. You know, it's definitely a strong statement. | 1:58:05 | 1:58:09 | |
His hair's like Marmite. You can either love it or hate it. I hate it! | 1:58:09 | 1:58:13 | |
You are really good mates. How are you going to turn this into a fight? | 1:58:13 | 1:58:17 | |
We're going to work as a team and we're going to make the song sound the best we can. | 1:58:17 | 1:58:20 | |
# And I can't do this by myself... # | 1:58:20 | 1:58:26 | |
I think it's about not over-thinking it too much, | 1:58:26 | 1:58:29 | |
cos the emotion just comes out. You don't even need to try and put it in. | 1:58:29 | 1:58:33 | |
It's an emotional song, which I'm glad of, because I don't sing songs that I can't identify with. | 1:58:33 | 1:58:38 | |
It wasn't too long ago that I was in quite a dark place. | 1:58:38 | 1:58:42 | |
-Nadeem really set me in a spin when he told me his background. -I've gone through rehab. | 1:58:42 | 1:58:46 | |
-For what? -For addiction. For addiction to alcohol and street drugs. | 1:58:46 | 1:58:50 | |
It's one thing hearing a great singer, | 1:58:50 | 1:58:52 | |
but when you hear the story behind the voice, it really hits home. | 1:58:52 | 1:58:55 | |
But I find amazing solace in the fact that he's used music to change his life. | 1:58:55 | 1:58:59 | |
# I can't be somebody else... # | 1:58:59 | 1:59:04 | |
Karl is very like me, in a way. He has the same history, the same path. It just hasn't happened for him yet. | 1:59:04 | 1:59:09 | |
-Have you moved out of your bedsit yet? -No. | 1:59:09 | 1:59:11 | |
-I've got rent to pay. -You're literally like I was three years ago. | 1:59:11 | 1:59:14 | |
# ..and painted it red! # | 1:59:14 | 1:59:20 | |
Ooh! | 1:59:20 | 1:59:22 | |
'They are the best of friends, but when they're standing in the way | 1:59:22 | 1:59:26 | |
'of your life's dream, then it all changes.' | 1:59:26 | 1:59:28 | |
You're both really mesmerising. | 1:59:28 | 1:59:30 | |
I thought, "Thanks, you're not too bad yourself!" | 1:59:30 | 1:59:32 | |
-It was lovely to meet you. -Good luck. | 1:59:32 | 1:59:36 | |
Karl's standing in my way, my future, | 1:59:37 | 1:59:40 | |
so as much as I love the guy, I need to send him home. | 1:59:40 | 1:59:44 | |
We are going to have to put feelings aside. When I hit that stage, I'm here to win. | 1:59:44 | 1:59:48 | |
Two voices enter the ring, but only one can leave victorious. | 1:59:50 | 1:59:53 | |
The stakes are high for Nadeem Leigh! | 1:59:53 | 1:59:56 | |
But they've never been higher for Karl Michael! | 2:00:01 | 2:00:04 | |
HE MOUTHS | 2:00:12 | 2:00:14 | |
Let the battle begin. | 2:00:15 | 2:00:17 | |
# And I'm all right | 2:00:38 | 2:00:40 | |
# Standing in the streetlight, here | 2:00:40 | 2:00:45 | |
# Is this meant for me? | 2:00:47 | 2:00:50 | |
# Cos my time on the outside | 2:00:50 | 2:00:52 | |
# Is over | 2:00:52 | 2:00:55 | |
# Now we don't know how you're spending | 2:00:57 | 2:01:00 | |
# All of those days knowing | 2:01:00 | 2:01:03 | |
# And love isn't here | 2:01:03 | 2:01:07 | |
# You see the pictures | 2:01:07 | 2:01:10 | |
# But you don't know their names | 2:01:10 | 2:01:13 | |
# Cos love isn't here | 2:01:13 | 2:01:18 | |
# I can't do this by myself | 2:01:18 | 2:01:24 | |
# Cos all of these problems | 2:01:24 | 2:01:26 | |
# They're all in your head | 2:01:26 | 2:01:29 | |
# And I can't be somebody else | 2:01:29 | 2:01:34 | |
# You took something perfect and painted it red... # | 2:01:34 | 2:01:39 | |
-Hey! -Come on! | 2:01:40 | 2:01:42 | |
# No sympathy | 2:01:43 | 2:01:45 | |
# When shouting out is all you know | 2:01:45 | 2:01:52 | |
# Behind your lies | 2:01:53 | 2:01:55 | |
# I can see the secrets you don't show | 2:01:55 | 2:01:59 | |
# Oh whoa-oh-oh | 2:01:59 | 2:02:01 | |
# Now we don't know how you're spending all of those days | 2:02:01 | 2:02:07 | |
# Knowing love isn't here | 2:02:07 | 2:02:13 | |
# You see the pictures but you don't know their names | 2:02:13 | 2:02:19 | |
# Cos love isn't here | 2:02:19 | 2:02:22 | |
# And I can't do this by myself | 2:02:22 | 2:02:28 | |
# Cos all of these problems | 2:02:28 | 2:02:31 | |
# They're all in your head | 2:02:31 | 2:02:34 | |
# And I can't be somebody else | 2:02:34 | 2:02:39 | |
# You took something perfect | 2:02:39 | 2:02:41 | |
# And painted it red. # | 2:02:41 | 2:02:45 | |
CHEERING AND APPLAUSE | 2:02:45 | 2:02:49 | |
Danny, you have got a really tough decision to make. | 2:03:07 | 2:03:10 | |
Yeah. Give me a bit of time, yeah? | 2:03:10 | 2:03:13 | |
That was definitely a close battle, Jessie. What did you think? | 2:03:13 | 2:03:16 | |
To be honest, I'm sitting here, really happy that I've had the opportunity to listen to that, | 2:03:16 | 2:03:20 | |
cos if you put that version out right now, | 2:03:20 | 2:03:22 | |
people would buy it, like, it was... | 2:03:22 | 2:03:24 | |
CHEERING AND APPLAUSE | 2:03:24 | 2:03:26 | |
..really good. | 2:03:26 | 2:03:27 | |
It's a... It's a... It is a tough one. | 2:03:27 | 2:03:29 | |
I don't really understand why Danny put you together. Um... | 2:03:29 | 2:03:32 | |
I don't, either. | 2:03:32 | 2:03:35 | |
Your tone, when you first started, it was just so good. It just melted. | 2:03:35 | 2:03:38 | |
Karl, I feel like, for me, there's more of your voice | 2:03:38 | 2:03:41 | |
that we didn't hear that I feel like... | 2:03:41 | 2:03:45 | |
I want to hear. | 2:03:45 | 2:03:47 | |
And, for that reason, I would go with Karl. | 2:03:47 | 2:03:49 | |
OK, thank you, Jessie. | 2:03:49 | 2:03:51 | |
CHEERING AND APPLAUSE | 2:03:51 | 2:03:53 | |
From the blind, I knew Karl would shine and do incredible things | 2:03:53 | 2:03:58 | |
but the way that Nadeem's voice was just... | 2:03:58 | 2:04:02 | |
It fit his rasp that just blankets... | 2:04:02 | 2:04:04 | |
It's like a saxophone, but with distortion on it. It's just nice. | 2:04:04 | 2:04:09 | |
Right? So, that being said, for this battle, Nadeem was amazing. | 2:04:09 | 2:04:14 | |
CHEERING AND APPLAUSE | 2:04:14 | 2:04:16 | |
DANNY: I think what not a lot of people realise | 2:04:16 | 2:04:18 | |
is that Karl and Nadeem both have been through incredible hardship. | 2:04:18 | 2:04:21 | |
Both of them have been through, you know, the gutter, | 2:04:21 | 2:04:24 | |
and pulled themselves back out again. | 2:04:24 | 2:04:27 | |
Yeah, all day long, all day long. | 2:04:27 | 2:04:30 | |
You're both... | 2:04:30 | 2:04:31 | |
You're both an inspiration to keep on going and keep on trying. | 2:04:31 | 2:04:35 | |
All I asked for was emotion and you gave that and so much more. | 2:04:35 | 2:04:39 | |
And I'm an idiot for putting you guys together. | 2:04:41 | 2:04:43 | |
Danny, it's a really tough decision to make. | 2:04:44 | 2:04:47 | |
And, just to make it clear, there are no more steals left | 2:04:47 | 2:04:50 | |
and whoever you don't choose is out of the competition. | 2:04:50 | 2:04:53 | |
AUDIENCE SHOUTS | 2:04:53 | 2:04:56 | |
What's tough is they both genuinely deserve the next stage, | 2:05:01 | 2:05:05 | |
you know what I mean? | 2:05:05 | 2:05:06 | |
I'm kicking myself that you stole someone else | 2:05:06 | 2:05:09 | |
cos I was really expecting that to happen, you know? | 2:05:09 | 2:05:12 | |
AUDIENCE SHOUTS | 2:05:12 | 2:05:15 | |
# If I only could | 2:05:15 | 2:05:18 | |
# Make a deal with God | 2:05:18 | 2:05:20 | |
# And get Him to swap our places... # | 2:05:20 | 2:05:24 | |
It's tough man, it's tough. | 2:05:24 | 2:05:27 | |
The winner... The winner of this battle is... | 2:05:31 | 2:05:34 | |
It's Karl. | 2:05:41 | 2:05:42 | |
CHEERING AND APPLAUSE | 2:05:42 | 2:05:47 | |
Make some noise for the winner of the battle, the fantastic Karl. | 2:05:47 | 2:05:50 | |
Come on! | 2:05:50 | 2:05:51 | |
CHEERING AND APPLAUSE | 2:05:51 | 2:05:54 | |
I thought I was going home, man. | 2:06:10 | 2:06:12 | |
There's no losers. No losers. No losers. No losers. | 2:06:12 | 2:06:15 | |
JESSIE: Really well done. Looking forward to see what you can do. | 2:06:15 | 2:06:19 | |
One more time for Karl, everyone! | 2:06:19 | 2:06:22 | |
CHEERING AND APPLAUSE | 2:06:22 | 2:06:24 | |
I'm absolutely delighted that I got through | 2:06:28 | 2:06:30 | |
but I'm absolutely gutted for Nadeem. | 2:06:30 | 2:06:32 | |
Now, Nadeem, that was, without doubt, a really emotional battle. | 2:06:32 | 2:06:35 | |
How are you feeling right now? | 2:06:35 | 2:06:37 | |
Cos Danny is still 100% behind you. | 2:06:37 | 2:06:39 | |
You know what? I'm feeling good. | 2:06:39 | 2:06:40 | |
You know, I mean, to come out here tonight and to | 2:06:40 | 2:06:42 | |
put on a performance like that is a dream for me anyways, you know? | 2:06:42 | 2:06:46 | |
And to get all the feedback you guys have given me is just... | 2:06:46 | 2:06:48 | |
It's blown me away, you know? | 2:06:48 | 2:06:50 | |
I'm just a little busker, do you know what I mean? This is crazy. | 2:06:50 | 2:06:53 | |
-No, no, no, no,. You're more than a busker. -Thank you very much, guys. | 2:06:53 | 2:06:58 | |
-Well done. -Thank you. | 2:06:58 | 2:06:59 | |
CHEERING AND APPLAUSE | 2:06:59 | 2:07:03 | |
I can say hello to all of you. | 2:07:09 | 2:07:11 | |
-Well done. -You were great. -Thank you. | 2:07:11 | 2:07:14 | |
-It was great. Strong, strong. -Thank you. | 2:07:14 | 2:07:16 | |
CHEERING AND APPLAUSE | 2:07:16 | 2:07:19 | |
JESSIE: That's the end of the battles, y'all. | 2:07:22 | 2:07:25 | |
Wow. | 2:07:26 | 2:07:28 | |
Why did you do that? | 2:07:29 | 2:07:31 | |
Because exactly what you said, you know? | 2:07:31 | 2:07:33 | |
When I put them to together, I didn't realise how good Nadeem was. | 2:07:33 | 2:07:36 | |
But I've heard Karl around the piano. The guy is just incredible. | 2:07:36 | 2:07:41 | |
Yeah, well... | 2:07:41 | 2:07:42 | |
You know, on another day, I would have gone with Nadeem, you know? | 2:07:42 | 2:07:45 | |
But that is the thing, you know more about what else they'd do. | 2:07:45 | 2:07:49 | |
I know what else they can go to in the next point in the competition. | 2:07:49 | 2:07:51 | |
-Yeah. -Oh, it's so... | 2:07:51 | 2:07:53 | |
-What can you do, you know? -Yeah. -Some good singers, some strong singers. | 2:07:55 | 2:08:00 | |
Yeah, you got... You got some special ones again. | 2:08:00 | 2:08:02 | |
Well, you know...golden ears, you know? | 2:08:02 | 2:08:05 | |
THEY LAUGH | 2:08:05 | 2:08:06 | |
That's what you say. | 2:08:06 | 2:08:07 | |
Those epic battles are over and the knockout teams are in place. | 2:08:11 | 2:08:16 | |
Jessie was the first to finish, picking Trevor. | 2:08:16 | 2:08:18 | |
We have ourselves a winner! | 2:08:18 | 2:08:21 | |
Tom added fellow Welsh singers Alys... | 2:08:21 | 2:08:23 | |
..and Ragsy. | 2:08:25 | 2:08:26 | |
The final two pieces in Team Danny were Sean... | 2:08:28 | 2:08:31 | |
..and Karl. | 2:08:33 | 2:08:34 | |
And Will finally used his steal on Lem. | 2:08:36 | 2:08:40 | |
And completed his knockout line-up with Moni. | 2:08:40 | 2:08:43 | |
Made it! | 2:08:43 | 2:08:45 | |
CHEERING AND APPLAUSE | 2:08:45 | 2:08:48 | |
So the battles are done and dusted | 2:08:48 | 2:08:50 | |
and the coaches have chosen their teams of seven. | 2:08:50 | 2:08:53 | |
Thanks to the band, the artists and our four super star coaches. | 2:08:53 | 2:08:56 | |
CHEERING AND APPLAUSE | 2:08:56 | 2:08:58 | |
Join us next time when the knockouts begin | 2:08:58 | 2:09:00 | |
and the coaches will pick their top three artists to take to the lives. | 2:09:00 | 2:09:04 | |
There'll be no more second chances as we take one step closer | 2:09:04 | 2:09:08 | |
to finding The Voice. | 2:09:08 | 2:09:09 | |
-Good night. -Good night. | 2:09:09 | 2:09:11 | |
CHEERING AND APPLAUSE | 2:09:11 | 2:09:14 | |
'It's the biggest game changer of the series. | 2:09:19 | 2:09:22 | |
'The Knockout Weekend. | 2:09:22 | 2:09:25 | |
'The coaches have one last chance to form their ultimate live team.' | 2:09:25 | 2:09:28 | |
That was just flawless execution. | 2:09:28 | 2:09:31 | |
'They can pick just three artists...' | 2:09:31 | 2:09:33 | |
It's really close. | 2:09:33 | 2:09:34 | |
'..and their choice will change everything.' | 2:09:34 | 2:09:37 | |
-Jessie, who is the winner? -Oh, I don't know! | 2:09:39 | 2:09:42 | |
Subtitles by Red Bee Media Ltd | 2:09:48 | 2:09:51 |