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Last night, the battles began. | 0:00:02 | 0:00:04 | |
12 team-mates put friendship aside | 0:00:04 | 0:00:08 | |
and fought for a place in the knockouts. | 0:00:08 | 0:00:11 | |
Let's go! | 0:00:11 | 0:00:12 | |
Yeah! | 0:00:14 | 0:00:16 | |
Boo-yah, how do you like them apples? | 0:00:17 | 0:00:19 | |
The winner! | 0:00:19 | 0:00:21 | |
Six were victorious. | 0:00:21 | 0:00:22 | |
So happy. | 0:00:22 | 0:00:24 | |
'Four lost. | 0:00:24 | 0:00:27 | |
'But two...' | 0:00:27 | 0:00:28 | |
We have steals, two of them... | 0:00:28 | 0:00:30 | |
'..were stolen.' | 0:00:30 | 0:00:31 | |
Tonight, 12 more team-mates go voice to voice in the battle ring. | 0:00:31 | 0:00:36 | |
That was mega...dope. | 0:00:36 | 0:00:39 | |
With only two steals remaining... | 0:00:39 | 0:00:41 | |
Come on! You deserve to go through. | 0:00:41 | 0:00:43 | |
..it's all-out war. | 0:00:43 | 0:00:45 | |
Who will make it to the knockouts? And who will go home? | 0:00:45 | 0:00:48 | |
Tom, who is the winner...? | 0:00:48 | 0:00:51 | |
Only the coaches can decide. | 0:00:51 | 0:00:53 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:01 | |
Hello, and welcome to The Voice, The Battle Rounds. | 0:01:01 | 0:01:04 | |
Each coach has paired up their singers | 0:01:04 | 0:01:05 | |
to fight for a place in the next stage of the competition. | 0:01:05 | 0:01:08 | |
And who stays and who goes is up to the artist's own coach. | 0:01:08 | 0:01:12 | |
Here to turn singers into superstars, | 0:01:12 | 0:01:14 | |
four of the biggest names in music. | 0:01:14 | 0:01:16 | |
Will.i.am. | 0:01:16 | 0:01:18 | |
Jessie J. | 0:01:18 | 0:01:21 | |
Sir Tom Jones. | 0:01:21 | 0:01:22 | |
And Danny O'Donoghue. | 0:01:22 | 0:01:25 | |
-Good evening, coaches, are you lot ready for this, or what? -Yeah! | 0:01:26 | 0:01:30 | |
Let's do it! | 0:01:30 | 0:01:32 | |
Tonight, four superstar coaches and six amazing battles. | 0:01:32 | 0:01:36 | |
So let's do this. Here is how our first battle is shaping up. | 0:01:36 | 0:01:39 | |
It's Team Will. | 0:01:39 | 0:01:41 | |
At the blind auditions, | 0:01:47 | 0:01:48 | |
24-year-old Essex girl Leanne was looking for her big break. | 0:01:48 | 0:01:52 | |
I've been in girl bands, tribute acts, | 0:01:52 | 0:01:54 | |
but I go two steps forward and then two steps back again. | 0:01:54 | 0:01:58 | |
And Will pulled out all the stops to recruit her. | 0:01:58 | 0:02:02 | |
-I turned around first... -I turned around cooler. | 0:02:02 | 0:02:05 | |
I'm going to go for Will.i.am. | 0:02:05 | 0:02:06 | |
Carla and Barbara's operatic audition was a real one-of-a-kind. | 0:02:08 | 0:02:11 | |
SONG: "The Flower Duet" from Lakme | 0:02:11 | 0:02:14 | |
And their soaring vocals left Will smitten. | 0:02:14 | 0:02:17 | |
Have you heard of love at first sight? I had love at first note. | 0:02:17 | 0:02:21 | |
'Leanne is a power singer, | 0:02:23 | 0:02:25 | |
'Carla and Barbara is like angelic opera.' | 0:02:25 | 0:02:28 | |
Let's do some "POP-ERA" right now. | 0:02:28 | 0:02:30 | |
The song that you guys are going to be singing is Hero by Mariah. | 0:02:30 | 0:02:34 | |
You know it. It's, like, thebomb.com. | 0:02:35 | 0:02:38 | |
Helping Will coach is music producer | 0:02:40 | 0:02:42 | |
and founding member of the Black Eyed Peas, Dante Santiago. | 0:02:42 | 0:02:46 | |
The reason why I'm Will.i.am's right-hand man | 0:02:46 | 0:02:48 | |
is because I have a talent for picking talent. | 0:02:48 | 0:02:51 | |
So what do you guys think about the song selection? | 0:02:51 | 0:02:53 | |
I'm nervous about this. | 0:02:53 | 0:02:55 | |
-Why? -This is outside of the comfort zone. -That's OK. | 0:02:55 | 0:02:58 | |
That's like...culture exchange. | 0:02:58 | 0:03:00 | |
SHE SINGS WITHOUT CONFIDENCE | 0:03:02 | 0:03:04 | |
-OK, sorry. -Yeah? -Yeah. 'I clammed up.' | 0:03:04 | 0:03:07 | |
Inside, I was having a little panic attack. | 0:03:07 | 0:03:09 | |
SHE SINGS IN ITALIAN | 0:03:09 | 0:03:12 | |
OK, sorry. | 0:03:12 | 0:03:13 | |
SHE SINGS AND FALTERS | 0:03:13 | 0:03:15 | |
Can you play the next bit? | 0:03:15 | 0:03:16 | |
You have plenty of time to rehearse it later on, | 0:03:16 | 0:03:19 | |
but let's get through it so she has a chance. | 0:03:19 | 0:03:21 | |
I did what I could, but it was more about Carla and Barbara, really. | 0:03:23 | 0:03:26 | |
That's your bit. | 0:03:26 | 0:03:28 | |
SHE SINGS VERY QUIETLY | 0:03:29 | 0:03:32 | |
'Honestly? It was a mess.' | 0:03:33 | 0:03:35 | |
Kind of have to let Barbara and Carla go off and learn it... | 0:03:35 | 0:03:39 | |
separately. | 0:03:39 | 0:03:41 | |
After a shaky start, | 0:03:43 | 0:03:44 | |
the battle begins to hot up in studio rehearsals. | 0:03:44 | 0:03:49 | |
THEY SING WITH CONFIDENCE | 0:03:49 | 0:03:51 | |
I think it's much better than the first time through it. | 0:03:51 | 0:03:54 | |
I really feel that we did well. | 0:03:54 | 0:03:56 | |
# So when you feel like hope is gone... # | 0:03:56 | 0:03:58 | |
'It is a battle,' | 0:03:58 | 0:04:00 | |
so I'm doing, like, a really high almost operatic note at the end. | 0:04:00 | 0:04:03 | |
SHE SINGS A VERY HIGH-PITCHED NOTE | 0:04:03 | 0:04:06 | |
Wow, wow, wow. | 0:04:06 | 0:04:08 | |
Leanne is now singing one of my high notes. | 0:04:08 | 0:04:11 | |
We just have to trust in what we do. | 0:04:11 | 0:04:13 | |
Leanne hit a high note | 0:04:13 | 0:04:15 | |
because she was in the company of the two-headed opera dragon. | 0:04:15 | 0:04:19 | |
# Ah! Rawr! | 0:04:19 | 0:04:20 | |
# Ah! Rawr! # | 0:04:20 | 0:04:22 | |
And Leanne's, like... | 0:04:22 | 0:04:23 | |
# Ooh! Rawr! # | 0:04:23 | 0:04:25 | |
It's going to be close, it's going to be hot. | 0:04:25 | 0:04:28 | |
This is such a big moment for me, | 0:04:28 | 0:04:29 | |
it could be the start of the dream career | 0:04:29 | 0:04:31 | |
that I've always wanted to do. | 0:04:31 | 0:04:33 | |
Will's had a lot of faith in us. And we've worked very, very hard on this. | 0:04:33 | 0:04:37 | |
We're going to go out there | 0:04:37 | 0:04:38 | |
and we're going to give it everything we've got. | 0:04:38 | 0:04:41 | |
CHEERING AND APPLAUSE | 0:04:41 | 0:04:43 | |
Two music styles are about to collide - soul versus opera. | 0:04:43 | 0:04:48 | |
Into the ring, the belting voice of Essex girl, Leanne Jarvis. | 0:04:48 | 0:04:51 | |
CHEERING AND APPLAUSE | 0:04:51 | 0:04:54 | |
Against the double power of opera duo, Carla and Barbara. | 0:04:56 | 0:04:59 | |
CHEERING AND APPLAUSE | 0:04:59 | 0:05:01 | |
Let the battle commence. | 0:05:09 | 0:05:11 | |
CHEERING AND APPLAUSE | 0:05:24 | 0:05:27 | |
# There's a hero | 0:05:35 | 0:05:38 | |
# If you look inside your heart | 0:05:38 | 0:05:43 | |
# You don't have to be afraid | 0:05:43 | 0:05:47 | |
# Of what you are | 0:05:47 | 0:05:50 | |
SHE SINGS IN ITALIAN | 0:05:51 | 0:05:52 | |
THEY SING IN ITALIAN | 0:05:59 | 0:06:01 | |
# Lord knows | 0:06:09 | 0:06:12 | |
# Dreams are hard to follow | 0:06:12 | 0:06:17 | |
# But don't let anyone | 0:06:17 | 0:06:20 | |
# Tear them away! | 0:06:20 | 0:06:25 | |
SHE SINGS IN ITALIAN | 0:06:25 | 0:06:28 | |
# Oh, oh-oh, oh | 0:06:31 | 0:06:33 | |
# In time | 0:06:33 | 0:06:35 | |
# You'll find a way | 0:06:35 | 0:06:39 | |
CARLA AND BARBARA CONTINUE TO SING IN ITALIAN | 0:06:39 | 0:06:43 | |
# With the strength to carry on | 0:06:45 | 0:06:49 | |
# And you cast your fears aside | 0:06:49 | 0:06:53 | |
# And you know you can survive | 0:06:53 | 0:06:57 | |
# So when you feel like hope is gone | 0:06:57 | 0:07:01 | |
# Look inside you and be strong | 0:07:01 | 0:07:05 | |
# And you'll finally see the truth | 0:07:05 | 0:07:09 | |
# That a hero lies in | 0:07:09 | 0:07:12 | |
-# You -Hero | 0:07:12 | 0:07:15 | |
-# Ooh -Hero | 0:07:15 | 0:07:18 | |
TOGETHER: # Hero | 0:07:18 | 0:07:22 | |
# La luce dentro | 0:07:22 | 0:07:26 | |
-HIGH-PITCHED: -# Te! # | 0:07:28 | 0:07:35 | |
CHEERING AND APPLAUSE | 0:07:35 | 0:07:38 | |
Give it up for Leanne, Carla and Barbara! Come on! | 0:07:41 | 0:07:44 | |
That's a battle! | 0:07:44 | 0:07:46 | |
Wow! What an incredible battle! | 0:07:46 | 0:07:49 | |
Jessie. They both got four turns in the blind auditions. | 0:07:49 | 0:07:53 | |
Do you think it was an even match today? | 0:07:53 | 0:07:56 | |
For me I think you're both incredibly talented. That's not changed at all. | 0:07:56 | 0:08:00 | |
For me, I just thought the song choice was horrific. | 0:08:00 | 0:08:03 | |
LAUGHTER | 0:08:03 | 0:08:05 | |
APPLAUSE | 0:08:05 | 0:08:06 | |
It was a great palette to see two worlds come together, | 0:08:07 | 0:08:12 | |
and that's reason why the song was picked. | 0:08:12 | 0:08:16 | |
It's the most karaoke classic and you guys are better than that song, | 0:08:16 | 0:08:20 | |
and I was just like, really? | 0:08:20 | 0:08:22 | |
I'm always a fan of trying to get different styles and mixing them. | 0:08:22 | 0:08:24 | |
I think one of the reasons why people can't connect with opera | 0:08:24 | 0:08:27 | |
is because it is in a different language. | 0:08:27 | 0:08:29 | |
If you maybe had have sung in English, | 0:08:29 | 0:08:31 | |
maybe it would've had a different theme to it.... | 0:08:31 | 0:08:33 | |
And a song that's fresh. | 0:08:33 | 0:08:35 | |
-That no-one's heard sung a thousand times. -Yeah. | 0:08:35 | 0:08:37 | |
Opera is appreciated all over the world, | 0:08:37 | 0:08:40 | |
so to say it's not popular because of English, it's not true. | 0:08:40 | 0:08:43 | |
Music is supposed to bring us together, | 0:08:43 | 0:08:45 | |
whether you're singing in Latin, | 0:08:45 | 0:08:47 | |
Zimbabwe, whatever you're speaking... | 0:08:47 | 0:08:49 | |
LAUGHTER | 0:08:49 | 0:08:50 | |
It's the melody that's hitting our hearts, you know? | 0:08:50 | 0:08:53 | |
CHEERING AND APPLAUSE | 0:08:53 | 0:08:54 | |
Gangnam Style, it's big - he's speaking in Korean! | 0:08:54 | 0:08:57 | |
CHEERING AND APPLAUSE | 0:08:57 | 0:08:59 | |
You know, opera singers singing pop songs | 0:09:02 | 0:09:07 | |
scares the...out of me. | 0:09:07 | 0:09:09 | |
LAUGHTER | 0:09:09 | 0:09:12 | |
CHEERING AND APPLAUSE | 0:09:12 | 0:09:13 | |
I want that Tom to stay. | 0:09:19 | 0:09:21 | |
Leanne, you did spectacular. | 0:09:23 | 0:09:24 | |
Carla and Barbara, I could listen to you guys all day every day. | 0:09:24 | 0:09:28 | |
I would like to record songs with you guys | 0:09:28 | 0:09:30 | |
because, wow, I think we would make original material that's so fresh. | 0:09:30 | 0:09:34 | |
This is hard. | 0:09:36 | 0:09:38 | |
AUDIENCE SHOUT THEIR FAVOURITES | 0:09:40 | 0:09:43 | |
I mean, come on now! I heard what you said! | 0:09:46 | 0:09:50 | |
Silencia! Mi mente, yo quiero mi mente - silencia! | 0:09:52 | 0:09:56 | |
I speak Spanish too. | 0:09:57 | 0:09:59 | |
LAUGHTER | 0:09:59 | 0:10:01 | |
-I'm going to choose... -Leanne. | 0:10:03 | 0:10:04 | |
To move forward in the battles... | 0:10:06 | 0:10:10 | |
I'm going to go with Leanne. | 0:10:14 | 0:10:16 | |
CHEERING AND APPLAUSE | 0:10:16 | 0:10:18 | |
It's just so overwhelming. | 0:10:32 | 0:10:33 | |
I can't believe I've been given the opportunity | 0:10:33 | 0:10:36 | |
for Will to believe in me, to take me forward, it's amazing. | 0:10:36 | 0:10:40 | |
I can't believe it! | 0:10:51 | 0:10:53 | |
I can't stop crying, I'm snotting everywhere and everything! | 0:10:53 | 0:10:56 | |
OK, Carla and Barbara are now available for a steal. | 0:10:57 | 0:11:01 | |
And because Jessie and Tom have already stolen, | 0:11:01 | 0:11:04 | |
Danny is the only coach who is able to save them. | 0:11:04 | 0:11:07 | |
Will needed both Barbara and I to step outside of our box. | 0:11:08 | 0:11:12 | |
We really worked extremely hard. We want to stay here. | 0:11:12 | 0:11:15 | |
We really, really want to stay here. | 0:11:15 | 0:11:17 | |
OK, Carla and Barbra, it's looking like unfortunately | 0:11:28 | 0:11:31 | |
you've not been stolen, but you guys have been absolutely fantastic. | 0:11:31 | 0:11:34 | |
So please, Carla and Barbra, everybody! Come on! | 0:11:34 | 0:11:37 | |
# Time to say goodbye. # | 0:11:37 | 0:11:41 | |
Thank you, guys. | 0:11:41 | 0:11:43 | |
It's been a pleasure. | 0:11:43 | 0:11:44 | |
I learned so much from working with you guys, you guys are amazing. | 0:11:44 | 0:11:48 | |
'Carla and Barbra are amazing. | 0:11:51 | 0:11:53 | |
'Having that type of skill on my team was just' | 0:11:53 | 0:11:55 | |
a pleasure and a treat. | 0:11:55 | 0:11:58 | |
'And Leanne's an amazing singer.' | 0:11:58 | 0:12:00 | |
-Well done. -Don't rub my hair! Mess up my hair! | 0:12:00 | 0:12:03 | |
It's not working out very well, is it. | 0:12:03 | 0:12:06 | |
You said "karaoke classic", I was like, "yes!". | 0:12:06 | 0:12:08 | |
It is though. | 0:12:08 | 0:12:10 | |
-Everyone knows that song. -Mmm. | 0:12:10 | 0:12:12 | |
Leanne's great. | 0:12:13 | 0:12:16 | |
Give her a great song next time, Will. | 0:12:16 | 0:12:19 | |
Next up, it's Team Tom. | 0:12:23 | 0:12:25 | |
Yeah! | 0:12:25 | 0:12:26 | |
Hailing from a small town in Wales, | 0:12:32 | 0:12:34 | |
18-year-old Elise had her sights set on the big time, | 0:12:34 | 0:12:38 | |
and Tom couldn't resist playing his trump card. | 0:12:38 | 0:12:41 | |
We're the only two Welsh people up on this stage | 0:12:41 | 0:12:43 | |
so that's all I have to say. | 0:12:43 | 0:12:45 | |
Despite her inexperience, | 0:12:48 | 0:12:50 | |
young mum of two Cherelle was determined to set an example. | 0:12:50 | 0:12:54 | |
I want my children to be proud of me. If you try, you can live your dream. | 0:12:54 | 0:12:58 | |
The thing that I was listening to | 0:13:00 | 0:13:02 | |
was the passion that you put into it. | 0:13:02 | 0:13:05 | |
Elise and Cherelle both sound great. | 0:13:05 | 0:13:08 | |
And the song is All About Tonight. | 0:13:08 | 0:13:11 | |
It's going to be a tough one. | 0:13:11 | 0:13:13 | |
Look out. | 0:13:14 | 0:13:16 | |
My battle adviser, Miss Cerys Matthews. | 0:13:16 | 0:13:19 | |
We know one another very well and I respect her judgement. | 0:13:19 | 0:13:23 | |
Being in a battle formation, it's really important to try | 0:13:23 | 0:13:26 | |
and find your own voice and try and do something a bit different. | 0:13:26 | 0:13:29 | |
It's not easy. | 0:13:29 | 0:13:31 | |
-# I've got a new pair of shoes. -# | 0:13:33 | 0:13:36 | |
'I haven't had any vocal training' | 0:13:36 | 0:13:38 | |
and my first vocal lesson was with Tom Jones. Hello! | 0:13:38 | 0:13:42 | |
# There will be dancing and singing... # | 0:13:42 | 0:13:45 | |
Talk about star-struck, I was standing in front of him, | 0:13:45 | 0:13:47 | |
I'm like, "Oh, my God, control yourself". | 0:13:47 | 0:13:50 | |
Yeah! | 0:13:50 | 0:13:51 | |
-She's from Neath. -I know. | 0:13:51 | 0:13:53 | |
-Another Welsh girl. -Yeah. | 0:13:53 | 0:13:55 | |
Who are your singing heroes? | 0:13:55 | 0:13:57 | |
LAUGHTER | 0:13:58 | 0:14:00 | |
Sing Green Green Grass Of Home. | 0:14:00 | 0:14:02 | |
Sing it? | 0:14:02 | 0:14:03 | |
Yeah, in the Tom manner. | 0:14:03 | 0:14:05 | |
Oh... | 0:14:05 | 0:14:07 | |
'And I'm just like, "What, now?" ' | 0:14:07 | 0:14:10 | |
And she was like, "Yeah." | 0:14:10 | 0:14:11 | |
-# If you want to. -OK. | 0:14:11 | 0:14:13 | |
'Yes, they'll come to see me... # | 0:14:13 | 0:14:18 | |
'I had this feeling in my belly that Cerys was going to turn to me next' | 0:14:18 | 0:14:21 | |
and say, "You sing something Tom Jones"! | 0:14:21 | 0:14:24 | |
I'm just like, "Sex bomb, sex bomb." You didn't do no homework, Cherelle. | 0:14:24 | 0:14:29 | |
# Green grass of home. # | 0:14:29 | 0:14:33 | |
APPLAUSE | 0:14:33 | 0:14:35 | |
Yeah! | 0:14:35 | 0:14:36 | |
'Singing it to him was the best moment of my life. | 0:14:36 | 0:14:39 | |
'I've worked so hard to get here' | 0:14:39 | 0:14:41 | |
and now it's all real and I can't...I can't believe it. | 0:14:41 | 0:14:46 | |
'Even though they come from different backgrounds, I think | 0:14:46 | 0:14:49 | |
'the desire is as strong on both sides.' | 0:14:49 | 0:14:54 | |
'I have to do this. | 0:14:55 | 0:14:57 | |
'I'm here for my dream and my kids and my future.' | 0:14:57 | 0:15:01 | |
'I don't want to be one of those people | 0:15:01 | 0:15:02 | |
'that stays in that small town and never leaves. | 0:15:02 | 0:15:05 | |
'This performance is going to define the rest of my life.' | 0:15:05 | 0:15:07 | |
From Croydon, it's mum of two Cherelle Basquine! | 0:15:09 | 0:15:12 | |
From Neath, it's 18-year-old Elise Evans! | 0:15:20 | 0:15:23 | |
Let battle commence. | 0:15:32 | 0:15:34 | |
# Oooh | 0:15:55 | 0:15:58 | |
# I bought a new pair of shoes | 0:15:58 | 0:16:01 | |
# I got a new attitude when I walk | 0:16:02 | 0:16:06 | |
# Cos I'm so over you | 0:16:06 | 0:16:10 | |
# And it's all about tonight | 0:16:10 | 0:16:13 | |
# I'm going out with the girls | 0:16:13 | 0:16:17 | |
# Ready to show all the boys what I got | 0:16:17 | 0:16:21 | |
# I'm letting go of the hurt | 0:16:21 | 0:16:25 | |
# And it's all about tonight | 0:16:25 | 0:16:28 | |
# Yeah, the night is alive You can feel the heartbeat | 0:16:28 | 0:16:32 | |
# Let's just go with the flow We've been working all week | 0:16:32 | 0:16:36 | |
# Tomorrow doesn't matter When you're moving your feet | 0:16:36 | 0:16:40 | |
# It's all about tonight | 0:16:40 | 0:16:43 | |
# And, boy, I'm not hanging on | 0:16:43 | 0:16:46 | |
# Cos I threw all your drama away | 0:16:46 | 0:16:50 | |
# Had something good but it's gone | 0:16:50 | 0:16:54 | |
# Yes, it's all about tonight | 0:16:54 | 0:16:58 | |
# They got the music so loud | 0:16:58 | 0:17:02 | |
# So I won't I hear the phone if you call | 0:17:02 | 0:17:05 | |
# And it's so over now | 0:17:05 | 0:17:09 | |
# Cos it's all about tonight | 0:17:09 | 0:17:13 | |
# Yeah, the night is alive We can feel the heartbeat | 0:17:13 | 0:17:16 | |
# Let's just go with the flow We've been working all week | 0:17:16 | 0:17:21 | |
-# Tomorrow doesn't matter -# When you're moving your feet | 0:17:21 | 0:17:24 | |
-# It's all about tonight -# It's all about tonight | 0:17:24 | 0:17:28 | |
# We'll be dancing and singing And climbing up on the tables | 0:17:28 | 0:17:32 | |
-# We'll be rocking this party -# So tell the DJ don't stop | 0:17:32 | 0:17:35 | |
-# Grab someone if you're single -# Grab someone if you're not | 0:17:35 | 0:17:39 | |
# It's all about tonight | 0:17:39 | 0:17:43 | |
# It's all about tonight. # | 0:17:43 | 0:17:48 | |
CHEERING AND APPLAUSE | 0:17:48 | 0:17:50 | |
Well done. Well done. | 0:17:50 | 0:17:52 | |
Cherelle and Elise! | 0:17:56 | 0:17:58 | |
My goodness me, Tom, I do not envy you at all. | 0:18:03 | 0:18:05 | |
-I'll come back to you in a moment. -Oh, thanks. | 0:18:05 | 0:18:07 | |
Danny, let's start with you, see if you can help out. | 0:18:07 | 0:18:10 | |
I thought it was a great battle. | 0:18:10 | 0:18:11 | |
Because you are so closely matched, I was looking for who was more | 0:18:11 | 0:18:14 | |
comfortable on the higher notes and I think Elise, | 0:18:14 | 0:18:16 | |
you were a lot more comfortable on the higher notes, because you had | 0:18:16 | 0:18:20 | |
a certain grit and gravel in your voice that I find really soothing. | 0:18:20 | 0:18:25 | |
I don't know who I would choose, to be honest with you. | 0:18:27 | 0:18:30 | |
I would choose Cherelle, but then I would choose Elise | 0:18:30 | 0:18:32 | |
but then I would go back to Cherelle. | 0:18:32 | 0:18:34 | |
And then I'd go back to Elise. So I don't know. | 0:18:34 | 0:18:36 | |
It's going to be tough on Tom. | 0:18:36 | 0:18:38 | |
TFT, tough for Tom. | 0:18:38 | 0:18:41 | |
Oh, thanks. That's the problem, you see. | 0:18:41 | 0:18:44 | |
They're two strong singers. | 0:18:44 | 0:18:47 | |
But all in all, it's very, very difficult for me. | 0:18:47 | 0:18:51 | |
Tom, who is the winner of this battle? | 0:18:51 | 0:18:54 | |
SHOUTING FROM AUDIENCE | 0:18:58 | 0:19:00 | |
Ah... | 0:19:05 | 0:19:06 | |
I think I'll have to go with Cherelle. | 0:19:16 | 0:19:18 | |
CHEERING AND APPLAUSE | 0:19:18 | 0:19:20 | |
Cherelle is our winner, congratulations! | 0:19:22 | 0:19:24 | |
You go through to the knockout! | 0:19:24 | 0:19:26 | |
Really? | 0:19:26 | 0:19:28 | |
So, pretty emotional right now. | 0:19:32 | 0:19:34 | |
I'm so happy, thank you. Oh, my gosh. | 0:19:37 | 0:19:39 | |
Let's give it up for Cherelle! | 0:19:39 | 0:19:42 | |
CHEERING AND APPLAUSE | 0:19:42 | 0:19:43 | |
I am over the moon. I got through! I'm on Team Tom! | 0:19:55 | 0:19:58 | |
So Elise is now available for a steal. | 0:20:00 | 0:20:03 | |
But as Jessie has already stolen, | 0:20:03 | 0:20:06 | |
Danny and Will are the only coaches who can save her. | 0:20:06 | 0:20:09 | |
First, I'd like to say to Tom thank you so much | 0:20:09 | 0:20:11 | |
for everything that you've done for me. | 0:20:11 | 0:20:13 | |
It's been an amazing experience and I've loved working with you so much. | 0:20:13 | 0:20:16 | |
I'm getting emotional. | 0:20:16 | 0:20:18 | |
Thank you all, you all turned for me, nothing can top that. | 0:20:18 | 0:20:22 | |
So thank you all so much. Thank you. | 0:20:22 | 0:20:24 | |
You've seen what has happened, | 0:20:35 | 0:20:37 | |
none of the coaches have chosen to steal Elise today. | 0:20:37 | 0:20:40 | |
I just want to say, Elise, you've got time on your side. | 0:20:40 | 0:20:43 | |
You're young, you're hungry for it, | 0:20:43 | 0:20:44 | |
I can see that and I'm sure we'll be seeing you again. Congratulations. | 0:20:44 | 0:20:47 | |
Thank you so much. | 0:20:47 | 0:20:49 | |
-Thank you so much. -It was so hard for me. -It's all right. | 0:20:54 | 0:20:57 | |
I didn't know which way to go. | 0:20:57 | 0:20:58 | |
I was shocked he chose Cherelle. | 0:20:59 | 0:21:01 | |
I would've absolutely went with Elise, hands down, all day long, | 0:21:01 | 0:21:05 | |
but you never know what the old silver fox has under his sleeve. | 0:21:05 | 0:21:09 | |
Cherelle has got a really soulful voice, you know, | 0:21:09 | 0:21:14 | |
and I just lean that way. | 0:21:14 | 0:21:17 | |
With Elise, she is young and she can do other things, but it was close. | 0:21:17 | 0:21:21 | |
Next up - it's Team Jessie. | 0:21:24 | 0:21:26 | |
At the blind auditions rap and soul duo De'Vide | 0:21:33 | 0:21:36 | |
used their distinctive styles to serenade Jessie. | 0:21:36 | 0:21:39 | |
# My girl. Wooh! # | 0:21:39 | 0:21:41 | |
Team Jessie, baby! Yeah! | 0:21:43 | 0:21:45 | |
Danny's more of a bedroom singer, but his unique tone was enough | 0:21:49 | 0:21:53 | |
to take him through. | 0:21:53 | 0:21:55 | |
This is like the third time I've ever sung publicly. | 0:21:56 | 0:22:00 | |
Sheesh! | 0:22:00 | 0:22:02 | |
The next battle is between Danny and De'Vide. | 0:22:04 | 0:22:09 | |
I put them together because for me they were the two quirkiest. | 0:22:09 | 0:22:14 | |
And you will be singing Best I Ever Had, Drake. | 0:22:14 | 0:22:17 | |
Yes. That is sick. | 0:22:17 | 0:22:19 | |
Cos I rap I was thinking, that's a perfect song. | 0:22:19 | 0:22:22 | |
I'm just feeling on top of the world right now. | 0:22:22 | 0:22:25 | |
Helping Jessie is Grammy-nominated writer and producer Claude Kelly. | 0:22:25 | 0:22:30 | |
The chance of failure is high. | 0:22:30 | 0:22:32 | |
This is the time to see who really rises to the top | 0:22:32 | 0:22:35 | |
and who buckles under the pressure. | 0:22:35 | 0:22:37 | |
Take it from the top with the rap. | 0:22:37 | 0:22:38 | |
HE RAPS | 0:22:38 | 0:22:40 | |
Call me when there's no-one there | 0:22:40 | 0:22:42 | |
Put the key... That's a little bit slow. | 0:22:42 | 0:22:44 | |
-It is slow. -I get it. | 0:22:44 | 0:22:46 | |
It's a matter of just working with it, yeah. | 0:22:46 | 0:22:49 | |
-RAPS: -Know you... # Sorry. | 0:22:52 | 0:22:54 | |
You should never walk into a rehearsal at least without some idea. | 0:22:54 | 0:22:58 | |
You should come in here more confident than anybody else. | 0:22:58 | 0:23:02 | |
-RAPS: -Put the key under the mat even though... | 0:23:02 | 0:23:04 | |
Keep going, keep going. Push through it. | 0:23:04 | 0:23:08 | |
'The session with Jessie, for me, was kind of' | 0:23:08 | 0:23:11 | |
real not hit, a lot of miss. | 0:23:11 | 0:23:15 | |
I'm the only person that's given a rapper a chance in this competition. | 0:23:15 | 0:23:18 | |
So don't take that for granted cos right now, | 0:23:18 | 0:23:20 | |
he ain't scared of you two at all. I can tell you that. | 0:23:20 | 0:23:24 | |
It's like a big glove and I'm an extra-small hand trying to fit | 0:23:24 | 0:23:27 | |
into there, do you know what I mean? | 0:23:27 | 0:23:29 | |
I'll be bluntly honest, | 0:23:29 | 0:23:30 | |
I don't know if I made a mistake in turning round for De'Vide. | 0:23:30 | 0:23:34 | |
But at studio rehearsals, | 0:23:37 | 0:23:39 | |
De'Vide are determined to prove Jessie wrong. | 0:23:39 | 0:23:42 | |
Lex and Barney have obviously gone away | 0:23:44 | 0:23:46 | |
and had a talk about how they can together bring something as De'Vide. | 0:23:46 | 0:23:49 | |
Lex's rap was much better, but Danny for me seems a little afraid. | 0:23:49 | 0:23:55 | |
You look like you're worried all the time. Just enjoy it. | 0:23:57 | 0:24:02 | |
We've both had little stutters here and there. | 0:24:02 | 0:24:05 | |
They've got a lot more experience than me | 0:24:05 | 0:24:07 | |
so the nerves definitely need to be controlled. | 0:24:07 | 0:24:10 | |
Relax. | 0:24:10 | 0:24:11 | |
I think Danny's lack of experience is starting to show. | 0:24:11 | 0:24:14 | |
The tables are turning. | 0:24:14 | 0:24:15 | |
'De'Vide had a shaky start. They've come back really strong. | 0:24:17 | 0:24:22 | |
'I really do feel I have to prove myself here.' | 0:24:22 | 0:24:25 | |
'When we go out there, it's all about proving to Jessie | 0:24:25 | 0:24:28 | |
'why she picked us and that we deserve to be here.' | 0:24:28 | 0:24:31 | |
It's a battle of three from Team Jessie. | 0:24:34 | 0:24:36 | |
Going solo, it's a London lad Danny County. | 0:24:36 | 0:24:39 | |
But doubling up, it's the Ipswich boys De'Vide. | 0:24:44 | 0:24:49 | |
Let the battle commence. | 0:24:59 | 0:25:00 | |
# Baby, you're my everything | 0:25:23 | 0:25:25 | |
# You're all I ever wanted | 0:25:25 | 0:25:27 | |
# We could do it real big Bigger than you've ever done | 0:25:27 | 0:25:30 | |
# You be up on everything Other girls ain't never on it | 0:25:30 | 0:25:34 | |
# I want this for ever | 0:25:34 | 0:25:35 | |
# Swear I could spend whatever on it | 0:25:35 | 0:25:38 | |
# Cos she hold me down Every time I hit her up | 0:25:38 | 0:25:42 | |
# When I get right I promise that we gone live it up | 0:25:42 | 0:25:45 | |
# She make me beg for it till she give it up | 0:25:45 | 0:25:49 | |
# And I say the same thing Every single time | 0:25:49 | 0:25:53 | |
# You're the best | 0:25:53 | 0:25:54 | |
-RAPS: -Feels true, hey | 0:25:54 | 0:25:56 | |
Eyes, watch her Touch, so soothing | 0:25:56 | 0:26:00 | |
Love's epitome | 0:26:00 | 0:26:01 | |
Into the sea I'm into you, you're into me | 0:26:01 | 0:26:04 | |
Feel for composition You're my symphony | 0:26:04 | 0:26:06 | |
We'll kiss, let's make sensual, beautiful music | 0:26:06 | 0:26:10 | |
Certified, harmonize Key to my heart, don't lose it | 0:26:10 | 0:26:13 | |
How well can I stick her? I won't divide the time | 0:26:13 | 0:26:16 | |
Battle to the finish, finish line. | 0:26:16 | 0:26:18 | |
# Baby, you're my everything You're all I ever wanted | 0:26:18 | 0:26:23 | |
# We could do it real big Bigger than you've ever done it | 0:26:23 | 0:26:26 | |
# You be up on everything Other girls are never on it | 0:26:26 | 0:26:29 | |
# I want this for ever I swear I could spend whatever on it | 0:26:29 | 0:26:33 | |
# And she hold me down | 0:26:33 | 0:26:35 | |
# Baby, you're the best | 0:26:35 | 0:26:37 | |
# You the, you the best You the, you the best | 0:26:37 | 0:26:39 | |
-# You're the best I ever had -Best I ever had | 0:26:39 | 0:26:43 | |
# Best I ever had | 0:26:43 | 0:26:45 | |
# Cos, baby, you're my everything | 0:26:45 | 0:26:48 | |
# You're all I ever wanted | 0:26:48 | 0:26:49 | |
# We could do it real big Bigger than you've ever done it | 0:26:49 | 0:26:53 | |
# You be up on everything | 0:26:53 | 0:26:55 | |
# Other girls are never on it | 0:26:55 | 0:26:56 | |
# I want this for ever I swear I could spend for ever on it | 0:26:56 | 0:26:59 | |
-ALL: -# And she hold me down. # | 0:26:59 | 0:27:03 | |
APPLAUSE | 0:27:03 | 0:27:05 | |
Give it up for Danny and De'Vide! | 0:27:09 | 0:27:11 | |
APPLAUSE | 0:27:11 | 0:27:13 | |
Danny, you were enjoying yourself. | 0:27:13 | 0:27:15 | |
I don't remember the last time | 0:27:15 | 0:27:16 | |
I saw dance moves like that. Enjoy yourself? | 0:27:16 | 0:27:18 | |
Definitely, it was nice to be able to move around a bit. | 0:27:18 | 0:27:22 | |
Easy! Easy, easy! | 0:27:23 | 0:27:25 | |
All three of you guys are freakin' fresh. | 0:27:25 | 0:27:27 | |
But, Danny, I was just a little blown away by your personality. | 0:27:27 | 0:27:31 | |
It seems like I'm watching the beginning of a big, big, | 0:27:31 | 0:27:36 | |
huge global star, you're really fresh. | 0:27:36 | 0:27:40 | |
CHEERING | 0:27:40 | 0:27:42 | |
I thought, guys, you did a great performance, | 0:27:42 | 0:27:44 | |
but I really think you have a special voice. | 0:27:44 | 0:27:47 | |
I'll forgive the dance moves and the short trousers! | 0:27:47 | 0:27:50 | |
I think your style is as unique as your voice is. | 0:27:50 | 0:27:52 | |
CHEERING | 0:27:52 | 0:27:54 | |
I felt like De'Vide have really, | 0:27:54 | 0:27:57 | |
really homed in on vocals and how you guys work together as a two. | 0:27:57 | 0:28:03 | |
Everyone is going to get to see | 0:28:03 | 0:28:04 | |
how far you've come from the blinds to now. | 0:28:04 | 0:28:06 | |
And it's the same with Danny. I watched you and was, like, "Wow." | 0:28:06 | 0:28:10 | |
So, well done to both of you. It's a tough one. | 0:28:10 | 0:28:14 | |
CHEERING AND SHOUTING | 0:28:14 | 0:28:17 | |
The winner of this battle... | 0:28:21 | 0:28:23 | |
..is... | 0:28:31 | 0:28:33 | |
Danny. | 0:28:33 | 0:28:34 | |
CHEERING | 0:28:34 | 0:28:36 | |
Congratulations once again to Danny. | 0:28:40 | 0:28:43 | |
Ladies and gentlemen, give it up for Danny one more time, come on! | 0:28:48 | 0:28:52 | |
I'll be practising that! Well done, dude! | 0:28:52 | 0:28:55 | |
Well done! | 0:28:55 | 0:28:56 | |
OK, De'Vide are now available for a steal. | 0:29:01 | 0:29:04 | |
I'd just like to say that I am really humbled and happy | 0:29:12 | 0:29:15 | |
to be here right now in front of the coaches and everybody here. | 0:29:15 | 0:29:18 | |
It was kind of hard for me at the start, | 0:29:21 | 0:29:23 | |
but Jessie brought it out of me, like, bang! | 0:29:23 | 0:29:25 | |
So, I don't know, I don't want the journey to end here. | 0:29:25 | 0:29:28 | |
I want to carry on learning regardless. | 0:29:28 | 0:29:30 | |
It looks like none of our coaches have decided to steal De'Vide. | 0:29:41 | 0:29:45 | |
Will, what would you like to say? | 0:29:45 | 0:29:47 | |
I would like to say De'Vide, you guys are fresh. | 0:29:47 | 0:29:50 | |
And if the Black Eyed Peas would have joined a contest like this | 0:29:50 | 0:29:55 | |
we wouldn't have won. | 0:29:55 | 0:29:57 | |
But we won in the world. | 0:29:57 | 0:30:00 | |
This isn't the end of the world. | 0:30:00 | 0:30:02 | |
There is a place for you guys in it to do something real magnificent. | 0:30:02 | 0:30:06 | |
You guys are really talented. | 0:30:06 | 0:30:07 | |
-Thank you very much. -Thank you so much. | 0:30:07 | 0:30:09 | |
CHEERING | 0:30:09 | 0:30:11 | |
Well done, boys! | 0:30:11 | 0:30:12 | |
Well done. | 0:30:12 | 0:30:14 | |
Good boys. | 0:30:23 | 0:30:24 | |
I didn't steal De'Vide because I really felt there was nothing I could do for them. | 0:30:24 | 0:30:28 | |
Although they are a duet, it seemed like two solo stars. | 0:30:28 | 0:30:31 | |
That Danny guy is freakin' fresh. | 0:30:31 | 0:30:32 | |
Really. | 0:30:32 | 0:30:34 | |
-You know I'm right here. -The other Danny! | 0:30:34 | 0:30:36 | |
That is honestly the best feeling in my life. | 0:30:37 | 0:30:40 | |
I'm overwhelmed. | 0:30:40 | 0:30:41 | |
Next up, it's Team Will. | 0:30:46 | 0:30:47 | |
Belfast fashion student Leah uses singing | 0:30:52 | 0:30:55 | |
to showcase her unique style. | 0:30:55 | 0:30:58 | |
I think fashion is important, | 0:30:58 | 0:30:59 | |
whether you are a musician or an artist, they go hand in hand. | 0:30:59 | 0:31:02 | |
And her quirky vocals proved a hit with the coaches. | 0:31:03 | 0:31:06 | |
I'm going to go with Will. | 0:31:06 | 0:31:08 | |
Charity worker CJ's performance was all about the beat. | 0:31:12 | 0:31:16 | |
Everything I do stems from how it's going to sound, rhythmically. | 0:31:16 | 0:31:19 | |
And won him the final spot on Will's team. | 0:31:19 | 0:31:22 | |
You are going to be dope, but that thing says "voice" not "hands". | 0:31:22 | 0:31:26 | |
If you are just going to judge it from the blinds, Leah is victorious. | 0:31:29 | 0:31:32 | |
But CJ can turn this whole thing around. | 0:31:32 | 0:31:36 | |
That's why the battles are the battles. It's about to get tough. | 0:31:36 | 0:31:39 | |
Michael Jackson. Come with it. | 0:31:39 | 0:31:43 | |
I didn't think in my wildest dreams that | 0:31:43 | 0:31:46 | |
I would ever do something like this, but now I just have to bring it. | 0:31:46 | 0:31:49 | |
'Leah has undeniable talent,' | 0:31:51 | 0:31:53 | |
but CJ, I think, when it's game time, he's ready to go. | 0:31:53 | 0:31:59 | |
# The way you make me feel. # | 0:31:59 | 0:32:00 | |
I like the stuff you're doing. I like the stuff you're doing. | 0:32:00 | 0:32:03 | |
You surprised me a whole bunch, though. | 0:32:03 | 0:32:05 | |
There's definitely a chance I could lose this battle, CJ is so good. | 0:32:05 | 0:32:08 | |
If I didn't turn for you, I would have been missing a person. | 0:32:08 | 0:32:11 | |
You didn't like the clapping at all! | 0:32:11 | 0:32:13 | |
The clapping? That was, like, bad. | 0:32:13 | 0:32:15 | |
Do you think people at home are, like, "Damn, that boy can clap!" | 0:32:15 | 0:32:18 | |
LAUGHTER | 0:32:18 | 0:32:21 | |
I think, I still like the clapping. I'm not going to lie. | 0:32:21 | 0:32:25 | |
# Hey, pretty baby with your high heels on. # | 0:32:25 | 0:32:28 | |
Michael Jackson, above all else, was a performer. | 0:32:30 | 0:32:32 | |
I think that is something I can bring to the song. | 0:32:32 | 0:32:37 | |
I think that one of my weaknesses would be the stage performance. | 0:32:37 | 0:32:40 | |
That is actually something that CJ is so good at. | 0:32:40 | 0:32:43 | |
# The way you make me feel. # | 0:32:43 | 0:32:47 | |
it's like, Leah's a lion. CJ could be a dragon dressed up as a gazelle. | 0:32:47 | 0:32:52 | |
Barbeque lion. | 0:32:52 | 0:32:54 | |
Dope, dope, dope. | 0:32:56 | 0:32:57 | |
'Will took a gamble on me, | 0:32:58 | 0:33:00 | |
'and now I need to show him that he did make the right decision.' | 0:33:00 | 0:33:03 | |
'This is it, I just need to put 100% into it | 0:33:03 | 0:33:05 | |
'and just know I did the best performance I could do.' | 0:33:05 | 0:33:08 | |
Two singers will enter the ring, but only one can go the distance. | 0:33:11 | 0:33:15 | |
First, Will's final choice, | 0:33:15 | 0:33:17 | |
hoping to stay Will's only choice, CJ Edwards! | 0:33:17 | 0:33:21 | |
APPLAUSE | 0:33:21 | 0:33:24 | |
Up against Belfast girl, Leah McFall! | 0:33:24 | 0:33:28 | |
APPLAUSE | 0:33:28 | 0:33:30 | |
Let the battle commence. | 0:33:34 | 0:33:36 | |
# Hey, pretty baby with your high heels on | 0:33:57 | 0:34:01 | |
# You give me fever like I've never, ever known | 0:34:01 | 0:34:05 | |
# You're just a product of loveliness | 0:34:05 | 0:34:09 | |
# I like the groove of your walk your talk, your dress | 0:34:09 | 0:34:13 | |
# I feel your fever from miles around | 0:34:13 | 0:34:17 | |
# I'll pick you up in my car and we'll pain the town | 0:34:17 | 0:34:22 | |
# Kiss me, baby, and tell me twice | 0:34:22 | 0:34:26 | |
# That you're the one for me | 0:34:26 | 0:34:28 | |
# The way you make me feel | 0:34:28 | 0:34:30 | |
# The way you make me feel | 0:34:30 | 0:34:32 | |
# You really turn me on | 0:34:32 | 0:34:34 | |
# You really turn me on | 0:34:34 | 0:34:37 | |
# You knock me off of my feet now, baby | 0:34:37 | 0:34:39 | |
# You knock me off my feet | 0:34:39 | 0:34:41 | |
# The lonely days are gone | 0:34:41 | 0:34:43 | |
# The lonely days are gone | 0:34:43 | 0:34:45 | |
# I like the feelin' you're giving me | 0:34:45 | 0:34:50 | |
# Hold me, baby, and I'm in ecstasy | 0:34:50 | 0:34:55 | |
# I'll be workin' from nine till five | 0:34:55 | 0:34:59 | |
# To buy you things to keep you by my side | 0:34:59 | 0:35:03 | |
# I've never felt so in love before | 0:35:03 | 0:35:06 | |
# Promise, baby, you'll love me for ever more | 0:35:06 | 0:35:11 | |
# I swear I'm keeping you satisfied | 0:35:11 | 0:35:15 | |
# Cos you're the one for me The way you make me feel | 0:35:16 | 0:35:20 | |
# The way you make me feel | 0:35:20 | 0:35:22 | |
# You really turn me on | 0:35:22 | 0:35:24 | |
# You really turn me on | 0:35:24 | 0:35:26 | |
# You knock me off my feet now, baby | 0:35:26 | 0:35:30 | |
# The lonely days are gone | 0:35:30 | 0:35:32 | |
# The lonely days are gone | 0:35:32 | 0:35:35 | |
BOTH: # The way you make me feel. # | 0:35:35 | 0:35:37 | |
APPLAUSE | 0:35:37 | 0:35:40 | |
Ladies and gentlemen, give it up for CJ and Leah! | 0:35:44 | 0:35:47 | |
APPLAUSE | 0:35:47 | 0:35:50 | |
Jessie J caught your hat there. | 0:35:52 | 0:35:53 | |
That was a good catch. Oh, that looks good! | 0:35:53 | 0:35:56 | |
Good tactics there, good tactics. | 0:35:57 | 0:35:59 | |
Will, you've got a decision to make, you're up on your feet. | 0:35:59 | 0:36:02 | |
I was blown away, that was amazing. | 0:36:02 | 0:36:05 | |
APPLAUSE | 0:36:05 | 0:36:06 | |
For me, I actually feel like, vocally, Leah was stronger, | 0:36:09 | 0:36:12 | |
but performance-wise, I kept watching CJ. | 0:36:12 | 0:36:14 | |
Leah, you can sing, girl, you can sing, | 0:36:16 | 0:36:18 | |
so you really need to show it in your body and performance. | 0:36:18 | 0:36:21 | |
I think you've got a tough decision. But do you want it back? ready? | 0:36:21 | 0:36:24 | |
Let's see if you can catch! | 0:36:24 | 0:36:27 | |
-That was terrible, sorry! -It's OK! | 0:36:27 | 0:36:29 | |
So tell me, if it was down to you. | 0:36:29 | 0:36:31 | |
That would be a hard one because | 0:36:31 | 0:36:32 | |
they're so different from one another. | 0:36:32 | 0:36:34 | |
But just watching the performance, I think I would lean towards CJ. | 0:36:34 | 0:36:39 | |
APPLAUSE | 0:36:39 | 0:36:41 | |
CJ, you've come a long, long way. | 0:36:44 | 0:36:48 | |
That was dope. | 0:36:48 | 0:36:50 | |
I got subtitles too, for those. | 0:36:50 | 0:36:53 | |
Leah, CJ did control the stage, | 0:36:53 | 0:36:55 | |
but you still did your thizinng. | 0:36:55 | 0:36:57 | |
-What? -Thizing. You know, like, thi-ZING. | 0:36:57 | 0:37:01 | |
-Oh, I see. -It's a hood thing. It's a hood thing. | 0:37:01 | 0:37:04 | |
LAUGHTER | 0:37:04 | 0:37:06 | |
Will, it is time to make your decision. | 0:37:08 | 0:37:10 | |
The person that I am going to push through... | 0:37:20 | 0:37:23 | |
..it's not because they were just dope, | 0:37:24 | 0:37:27 | |
it's because they were mega dope. | 0:37:27 | 0:37:30 | |
And that would be... | 0:37:33 | 0:37:35 | |
..Leah. | 0:37:37 | 0:37:38 | |
APPLAUSE AND CHEERING | 0:37:38 | 0:37:40 | |
We have a winning artist, it is Leah! Well done, my darling! | 0:37:40 | 0:37:44 | |
But it's not over yet. CJ is available for a steal. | 0:37:56 | 0:38:00 | |
But as Tom and Jessie have already stolen, | 0:38:02 | 0:38:04 | |
it's only Danny that can save him. | 0:38:04 | 0:38:06 | |
You going to go? | 0:38:09 | 0:38:10 | |
Listen, this guy right here? Freakin' rocked the stage! | 0:38:13 | 0:38:16 | |
I would love to keep on going. | 0:38:16 | 0:38:18 | |
-This dude is a fighter. -I am more than willing to learn. | 0:38:18 | 0:38:22 | |
OK, CJ, it is the end of your time here on The Voice. | 0:38:34 | 0:38:37 | |
But you have been a brilliant artist, thank you so much. | 0:38:37 | 0:38:40 | |
APPLAUSE AND CHEERING | 0:38:40 | 0:38:42 | |
I can only take positives from this. | 0:38:56 | 0:38:58 | |
He's improved tremendously since the guy that came on stage | 0:38:58 | 0:39:03 | |
clapping, but not to the point where I'd let Leah go home. | 0:39:03 | 0:39:08 | |
Next up, it's Team Jessie. | 0:39:12 | 0:39:14 | |
At the blind auditions, 22-year-old waitress, Lovelle, | 0:39:22 | 0:39:25 | |
delivered a performance that left Jessie wanting more. | 0:39:25 | 0:39:29 | |
Believe in me because I believe in you. | 0:39:29 | 0:39:30 | |
I'm going to pick you, Jessie. | 0:39:30 | 0:39:33 | |
33-year-old, Nate, has already had success. | 0:39:34 | 0:39:37 | |
Welcome, Nate James. | 0:39:37 | 0:39:39 | |
But fame slipped through his fingers. | 0:39:41 | 0:39:43 | |
Got signed, got dropped, got signed, got dropped. | 0:39:45 | 0:39:49 | |
In the next battle we have Nate and Lovelle. | 0:39:49 | 0:39:52 | |
She can sing higher than I can. | 0:39:52 | 0:39:54 | |
She's prettier than I am, she's younger than I am. | 0:39:54 | 0:39:57 | |
She's got a lot of things going for her, that Lovelle. | 0:39:57 | 0:39:59 | |
And you will be singing No Air, by Chris Brown and Jordan Sparks. | 0:39:59 | 0:40:04 | |
So Nate has had albums out, he's toured countries. | 0:40:04 | 0:40:08 | |
I don't feel scared about it. | 0:40:08 | 0:40:11 | |
# Can't live can't breathe with no air... # | 0:40:11 | 0:40:14 | |
It's not your obvious battle song. It's a love song. | 0:40:14 | 0:40:17 | |
# Tell me how you're going to be without me... # | 0:40:17 | 0:40:20 | |
I had to really get tough on Nate. | 0:40:23 | 0:40:25 | |
He was really holding back and emotionally, was so blank. | 0:40:25 | 0:40:28 | |
-Claude was like, come on! -I'm going to be brutal. | 0:40:28 | 0:40:32 | |
-She's carrying you right now, emotionally. -OK. | 0:40:32 | 0:40:35 | |
I don't mean to be horrible, | 0:40:35 | 0:40:37 | |
but I feel like it went a bit better for me. | 0:40:37 | 0:40:40 | |
Maybe when I'm singing to him, maybe he can just bounce off of that. | 0:40:40 | 0:40:43 | |
-My name is Lovelle, honey, love me. -Love Lovelle. | 0:40:43 | 0:40:48 | |
I love this. | 0:40:48 | 0:40:49 | |
I think with having had a career so far, I've got a bit of baggage. | 0:40:49 | 0:40:52 | |
I just need to get that off and just look forwards. | 0:40:52 | 0:40:56 | |
But at studio rehearsals, Jessie's still not convinced. | 0:40:58 | 0:41:01 | |
You could make this such a beautiful performance, | 0:41:01 | 0:41:03 | |
but I want you to grow into it. You guys could start back to back. | 0:41:03 | 0:41:07 | |
Come on! | 0:41:07 | 0:41:09 | |
# Tell me how I'm supposed to breathe without air | 0:41:09 | 0:41:11 | |
# It's how I feel whenever you ain't there... # | 0:41:11 | 0:41:14 | |
I think it was the first time that I really felt the song | 0:41:14 | 0:41:17 | |
and I got goose bumps. | 0:41:17 | 0:41:19 | |
Turn and face each other. | 0:41:21 | 0:41:22 | |
I'm going to cry. | 0:41:22 | 0:41:25 | |
-I was feeling that. -Sorry. | 0:41:25 | 0:41:27 | |
No, no, it's fine. | 0:41:27 | 0:41:30 | |
I think this battle between Nate and Lovelle is either going to be | 0:41:30 | 0:41:33 | |
insanely amazing, or it's going to be a piece of toast with nothing on it. | 0:41:33 | 0:41:39 | |
'Today is a very pivotal point for me. | 0:41:42 | 0:41:44 | |
'I'm now back with a chance to really make this thing happen.' | 0:41:44 | 0:41:48 | |
'Nate has the experience, you know, he's been around for a long time. | 0:41:48 | 0:41:52 | |
'But right now, I have the hunger.' | 0:41:52 | 0:41:54 | |
Two contenders will sing for Jessie, but only one can stay on her team. | 0:41:59 | 0:42:03 | |
First of all, the soul man who's tasted success but wants more. | 0:42:03 | 0:42:06 | |
It's Nate James. | 0:42:06 | 0:42:08 | |
APPLAUSE AND CHEERING | 0:42:08 | 0:42:10 | |
Going against the London waitress with pop potential, | 0:42:11 | 0:42:14 | |
it's Lovelle Hill. | 0:42:14 | 0:42:16 | |
CHEERING AND APPLAUSE | 0:42:16 | 0:42:17 | |
Let the battle commence. | 0:42:27 | 0:42:28 | |
# Oh, girl | 0:42:46 | 0:42:49 | |
# Oh, yeah | 0:42:49 | 0:42:53 | |
# Oh, oh | 0:42:53 | 0:42:56 | |
# If I should die before I wake | 0:42:56 | 0:42:59 | |
# It's cos you took my breath away | 0:42:59 | 0:43:02 | |
# Losing you is like living in a world with no air | 0:43:02 | 0:43:07 | |
# Oh | 0:43:07 | 0:43:08 | |
# I'm here alone didn't wanna leave | 0:43:08 | 0:43:11 | |
# My heart won't move it's incomplete | 0:43:11 | 0:43:14 | |
# Wish there was a way that I can make you understand | 0:43:14 | 0:43:20 | |
# But how do you expect me | 0:43:20 | 0:43:25 | |
# To live alone with just me | 0:43:25 | 0:43:27 | |
# Cos my world revolves around you | 0:43:27 | 0:43:30 | |
# It's so hard for me to breathe | 0:43:30 | 0:43:34 | |
# Tell me how I'm supposed to breathe with no air | 0:43:34 | 0:43:37 | |
# Can't live can't breathe with no air | 0:43:37 | 0:43:39 | |
# It's how I feel whenever you ain't there | 0:43:39 | 0:43:43 | |
# It's no air, no air | 0:43:43 | 0:43:45 | |
# No air, air | 0:43:45 | 0:43:49 | |
# No air, air | 0:43:49 | 0:43:51 | |
# I walked, I ran | 0:43:51 | 0:43:52 | |
# I jumped, I flew | 0:43:52 | 0:43:53 | |
# Right off the ground to float to you | 0:43:53 | 0:43:56 | |
# There's no gravity to hold me down for real | 0:43:56 | 0:44:01 | |
# No, no, no, no, no, no | 0:44:01 | 0:44:03 | |
# Somehow I'm still alive inside | 0:44:03 | 0:44:05 | |
# You took my breath and I survived | 0:44:05 | 0:44:08 | |
# I don't know how but I don't even care | 0:44:08 | 0:44:14 | |
# So how do you expect me | 0:44:14 | 0:44:19 | |
# To live alone with just me? | 0:44:19 | 0:44:22 | |
# Cos my world revolves around you | 0:44:22 | 0:44:25 | |
# It's so hard for me to breathe | 0:44:25 | 0:44:27 | |
# Tell me how I'm supposed to breathe with no air? | 0:44:27 | 0:44:31 | |
# Can't live, can't breathe with no air | 0:44:31 | 0:44:34 | |
# It's how I feel whenever you ain't there | 0:44:34 | 0:44:37 | |
# There's no air, no air | 0:44:37 | 0:44:39 | |
# Got me out here in the water so deep | 0:44:39 | 0:44:43 | |
# Tell me how you gon' be without me? | 0:44:43 | 0:44:46 | |
# If you ain't here I just can't breathe | 0:44:46 | 0:44:49 | |
BOTH: # There's no air, no air. # | 0:44:49 | 0:44:52 | |
CHEERING AND APPLAUSE | 0:44:52 | 0:44:55 | |
Let's hear it for Nate and Lovelle! Come on! | 0:45:02 | 0:45:06 | |
OK, well, Jessie, you put this battle together, | 0:45:09 | 0:45:12 | |
-was it everything that you wanted it to be? -No! | 0:45:12 | 0:45:15 | |
No, I'm your coach, | 0:45:16 | 0:45:17 | |
I'm not here to, you know, be anything other than honest. | 0:45:17 | 0:45:20 | |
I don't think that was the best performance | 0:45:20 | 0:45:22 | |
I've seen you guys do that song. | 0:45:22 | 0:45:24 | |
The key that the song was in, you know, | 0:45:24 | 0:45:28 | |
you shine more on it, Lovelle. | 0:45:28 | 0:45:30 | |
But it was comfortable for her to do a fantastic job. | 0:45:30 | 0:45:34 | |
I would choose Nate, because he had the thing down. | 0:45:34 | 0:45:37 | |
CHEERING AND APPLAUSE | 0:45:37 | 0:45:39 | |
It went so close, you know, I kind of go with feel, | 0:45:39 | 0:45:42 | |
rhythm and timing. I thought your timing was in, out of the two, | 0:45:42 | 0:45:45 | |
so I would probably go with Nate. | 0:45:45 | 0:45:47 | |
CHEERING AND APPLAUSE | 0:45:47 | 0:45:50 | |
As I always say, for me, this is never a tough decision, | 0:45:50 | 0:45:52 | |
because I'm actually just very proud of being part of this show | 0:45:52 | 0:45:56 | |
and being able to showcase two artists | 0:45:56 | 0:45:58 | |
that deserve to be at this point anyway. | 0:45:58 | 0:46:00 | |
CHEERING AND APPLAUSE | 0:46:00 | 0:46:03 | |
I want to make this clear that I'm basing this decision | 0:46:13 | 0:46:16 | |
purely on the person that I feel like I could coach better. | 0:46:16 | 0:46:21 | |
So, the winner of this battle... | 0:46:21 | 0:46:23 | |
CHEERING AND APPLAUSE | 0:46:23 | 0:46:24 | |
..is Lovelle. CHEERING | 0:46:30 | 0:46:33 | |
Congratulations to Lovelle. | 0:46:33 | 0:46:36 | |
You're going through to the knockouts. | 0:46:36 | 0:46:38 | |
-Show him some love, come on. -You better steal him. | 0:46:38 | 0:46:42 | |
Ladies and gentlemen, please make some noise for Lovelle, come on! | 0:46:43 | 0:46:47 | |
I believe in you. OK? CHEERING | 0:46:49 | 0:46:53 | |
APPLAUSE | 0:46:53 | 0:46:56 | |
Right, this means that Nate is now available for a steal. | 0:46:56 | 0:47:01 | |
OK, Nate, this is it, | 0:47:01 | 0:47:04 | |
so do you want to tell these coaches how you're feeling right now? | 0:47:04 | 0:47:07 | |
A bit shocked, but I've come this far, I don't want to go home, | 0:47:07 | 0:47:11 | |
I've got a lot more to give, it's just the start, | 0:47:11 | 0:47:14 | |
so, yeah, bring it on, boys. | 0:47:14 | 0:47:15 | |
Come on! CHEERING | 0:47:15 | 0:47:19 | |
He deserves to go through. | 0:47:19 | 0:47:21 | |
And that unfortunately, is that, ladies and gentlemen. | 0:47:33 | 0:47:36 | |
-Nate, he hasn't been stolen, but he was fantastic, wasn't he? -CHEERING | 0:47:36 | 0:47:40 | |
Can you please give it up one more time for the fantastic Nate James! | 0:47:40 | 0:47:44 | |
CHEERING AND APPLAUSE | 0:47:44 | 0:47:46 | |
Well done, Nate. Well done. | 0:47:46 | 0:47:48 | |
CHEERING AND APPLAUSE | 0:47:48 | 0:47:50 | |
I thought that Nate was a better tone. | 0:47:55 | 0:47:58 | |
Obviously, Jessie has seen something in Lovelle that | 0:47:58 | 0:48:01 | |
I haven't seen or I haven't heard yet. | 0:48:01 | 0:48:03 | |
The final battle of the night, it's Team Danny. | 0:48:07 | 0:48:10 | |
CHEERING AND APPLAUSE | 0:48:10 | 0:48:11 | |
18-year-old busker Conor took himself from the | 0:48:15 | 0:48:20 | |
pavements of Belfast straight into his idol's team. | 0:48:20 | 0:48:23 | |
CHEERING | 0:48:23 | 0:48:25 | |
We're going to get along great, me and you. | 0:48:25 | 0:48:30 | |
And loved up couple, Smith & Jones | 0:48:30 | 0:48:32 | |
found themselves in a new relationship with a superstar. | 0:48:32 | 0:48:37 | |
Welcome to Team Danny! | 0:48:37 | 0:48:40 | |
So, it's Smith & Jones going up against Conor. | 0:48:40 | 0:48:44 | |
They're both guitar players, they both have youth on their side. | 0:48:44 | 0:48:47 | |
I think it's going to be an all-out battle. | 0:48:47 | 0:48:49 | |
Danny is taking battle advice from an artist | 0:48:49 | 0:48:52 | |
with over 30 million record sales, Dido. | 0:48:52 | 0:48:55 | |
Singing is such a sort of personal thing, and making it | 0:48:55 | 0:48:58 | |
a competition with someone, but you're also trying to make the best | 0:48:58 | 0:49:01 | |
performance with them, that's a tough little thing they have to do. | 0:49:01 | 0:49:05 | |
# Some nights I stay up cashing in my bad luck. # | 0:49:05 | 0:49:09 | |
Conor's voice is like, whoa, powerful. | 0:49:09 | 0:49:12 | |
That is one of our worries, that when on stage, | 0:49:12 | 0:49:14 | |
were going to be, like, left behind. | 0:49:14 | 0:49:15 | |
But every time the three of you are singing together, | 0:49:15 | 0:49:17 | |
there can't really be a lead. Just get right in there. | 0:49:17 | 0:49:21 | |
I am really loud. | 0:49:21 | 0:49:23 | |
'My mum always tells me to be quiet.' | 0:49:23 | 0:49:25 | |
Like, "Conor, will you talk instead of shouting?!" | 0:49:25 | 0:49:27 | |
Stage-wise, I think it's going to look great, two guitars up there. | 0:49:27 | 0:49:31 | |
What am I going to do? Just be in the middle?! | 0:49:31 | 0:49:33 | |
They are little lovebirds, aren't they?! | 0:49:33 | 0:49:35 | |
Sometimes we have conflicting ideas. | 0:49:35 | 0:49:37 | |
-Artistic differences, I think, is the term. -Yes. -Sweetheart. | 0:49:37 | 0:49:41 | |
You stop for two seconds and then you turn around and they're just at it! | 0:49:41 | 0:49:45 | |
No offence to you, but me and Conor are musicians as well. | 0:49:45 | 0:49:47 | |
-So it's cool that... -I'm a musician! | 0:49:47 | 0:49:49 | |
I know, but like, we play guitars and he plays the guitar. | 0:49:49 | 0:49:51 | |
But you're a musician as well, don't worry! | 0:49:51 | 0:49:54 | |
I know you're a musician as well! | 0:49:54 | 0:49:57 | |
I hope they break up so I go through! | 0:49:57 | 0:49:58 | |
-What don't you like about that? -You just said I'm not a musician! | 0:49:58 | 0:50:01 | |
I didn't say you weren't a musician, | 0:50:01 | 0:50:03 | |
-we play the guitar, do you play the guitar? -The ukelele! | 0:50:03 | 0:50:05 | |
-# What do I stand for? # -Conor is a lot more unashamed, | 0:50:05 | 0:50:08 | |
cos he's so used to being on his own, | 0:50:08 | 0:50:10 | |
entertaining a crowd, so I think Smith & Jones | 0:50:10 | 0:50:12 | |
really need to show them that there's two people on stage. | 0:50:12 | 0:50:15 | |
You know, this is your time to shine, so shine. | 0:50:15 | 0:50:18 | |
'This is a really big deal for me, you know, cos if I go home, for me, | 0:50:18 | 0:50:21 | |
'it's just back to busking. | 0:50:21 | 0:50:23 | |
'It's not really an option I want to take.' | 0:50:23 | 0:50:26 | |
'Like, this year, we're Danny's only duo.' | 0:50:26 | 0:50:28 | |
So let's hope Danny sees something in us over Conor. | 0:50:28 | 0:50:31 | |
CHEERING AND APPLAUSE | 0:50:32 | 0:50:34 | |
It's the battle of the buskers, it's two versus one, | 0:50:35 | 0:50:39 | |
ready to rumble, the 18-year-old from Belfast, Conor Scott! | 0:50:39 | 0:50:44 | |
CHEERING AND APPLAUSE | 0:50:44 | 0:50:45 | |
Versus the loved up duo Smith & Jones! | 0:50:45 | 0:50:49 | |
CHEERING AND APPLAUSE | 0:50:49 | 0:50:53 | |
OK, relax, relax. | 0:50:59 | 0:51:01 | |
Let battle commence! | 0:51:01 | 0:51:04 | |
# Some nights I stay up | 0:51:22 | 0:51:24 | |
# Cashing in my bad luck | 0:51:24 | 0:51:27 | |
# Some nights I call it a draw | 0:51:27 | 0:51:30 | |
# Some nights I wish that my lips could build a castle | 0:51:31 | 0:51:35 | |
# Some nights I wish they'd just fall off | 0:51:35 | 0:51:38 | |
# But I still wake up, I still see your ghost | 0:51:40 | 0:51:44 | |
# Oh, Lord, I'm still not sure what I stand for, oh | 0:51:44 | 0:51:49 | |
# What do I stand for? What do I stand for? | 0:51:49 | 0:51:54 | |
# Most nights I don't know any more... | 0:51:54 | 0:51:59 | |
# Oh, whoa, oh, whoa, oh, whoa, oh, oh | 0:51:59 | 0:52:06 | |
# Oh, whoa, oh, whoa, oh, whoa, oh, oh | 0:52:07 | 0:52:15 | |
# This is it, boys, this is war | 0:52:17 | 0:52:19 | |
# What are we waiting for? | 0:52:19 | 0:52:21 | |
# Why don't we break the rules already? | 0:52:21 | 0:52:24 | |
# I was never one to believe the hype | 0:52:24 | 0:52:27 | |
# Save that for the black and white | 0:52:27 | 0:52:29 | |
# I try twice as hard and I'm half as liked | 0:52:29 | 0:52:32 | |
# But here they come again to jack my style | 0:52:32 | 0:52:35 | |
-# That's all right -That's all right | 0:52:35 | 0:52:39 | |
# I found a martyr in my bed tonight | 0:52:39 | 0:52:41 | |
# She stops my bones from wondering just who I am | 0:52:41 | 0:52:45 | |
# Who I am, who I am | 0:52:45 | 0:52:47 | |
# Oh, who, who am I? | 0:52:47 | 0:52:52 | |
# Well, some nights I wish that this all would end | 0:52:55 | 0:52:58 | |
# But I could use some friends for a change | 0:52:58 | 0:53:01 | |
# And some nights I'm scared you'll forget me again | 0:53:01 | 0:53:07 | |
# Some nights I always win, I always win | 0:53:07 | 0:53:12 | |
# But I still wake up, I still see your ghost | 0:53:12 | 0:53:16 | |
# Oh, Lord, I'm still not sure what I stand for, oh | 0:53:16 | 0:53:21 | |
-# What do I stand for? -What do I stand for? | 0:53:21 | 0:53:25 | |
# Most nights I don't know | 0:53:25 | 0:53:28 | |
# Oh, yeah | 0:53:28 | 0:53:30 | |
# Most nights I don't know. # | 0:53:30 | 0:53:36 | |
CHEERING AND APPLAUSE | 0:53:37 | 0:53:43 | |
Show your appreciation for Conor and Smith & Jones! | 0:53:50 | 0:53:53 | |
You have lipstick where your girlfriend has been kissing you, | 0:53:53 | 0:53:56 | |
all over your face! | 0:53:56 | 0:53:58 | |
You looked like you were having such an amazing time. | 0:53:58 | 0:54:00 | |
Oh, Danny! You really know how to make things difficult for yourself! | 0:54:00 | 0:54:04 | |
I will leave you with your thoughts. | 0:54:04 | 0:54:06 | |
Will, we'll come to you, what did you make of that? | 0:54:06 | 0:54:08 | |
I thought it was pretty cool, | 0:54:08 | 0:54:10 | |
everybody was having a jolly good time. | 0:54:10 | 0:54:13 | |
Conor, Smith & Jones is a very... That's a pretty nice group. | 0:54:13 | 0:54:17 | |
-It's true. -You got that, Smith & Jones album?! -Yeah! | 0:54:17 | 0:54:22 | |
Conor, Smith & Jones! Album title - Jolly! | 0:54:22 | 0:54:26 | |
LAUGHTER AND APPLAUSE | 0:54:26 | 0:54:28 | |
But it didn't seem like a battle to me. | 0:54:30 | 0:54:33 | |
They were all so much together, | 0:54:33 | 0:54:35 | |
that it was hard to sort of try and split them up. | 0:54:35 | 0:54:40 | |
-I have a really hard decision to make now. -Yes, you do. | 0:54:40 | 0:54:43 | |
You have a hard decision to make! | 0:54:43 | 0:54:46 | |
CHEERING | 0:54:46 | 0:54:49 | |
-Let's go. -The winner of this battle, for me... | 0:54:52 | 0:54:56 | |
AUDIENCE SHOUTS NAMES | 0:54:56 | 0:54:59 | |
..Conor. | 0:55:07 | 0:55:09 | |
CHEERING AND APPLAUSE | 0:55:09 | 0:55:12 | |
Congratulations. Conor is the winner, | 0:55:12 | 0:55:15 | |
he goes through to the knockout rounds as part of Team Danny. | 0:55:15 | 0:55:18 | |
-I didn't think I was going to cry. -It obviously meant so much to you. | 0:55:18 | 0:55:23 | |
Somebody please hit the button for them, guys, seriously, like. | 0:55:23 | 0:55:29 | |
-Give it up for Conor! -CHEERING AND APPLAUSE | 0:55:29 | 0:55:32 | |
-I saw you messing up that part, don't worry about it. -Well done! | 0:55:35 | 0:55:39 | |
Oh, look at his mum! | 0:55:46 | 0:55:48 | |
Right, so, Smith & Jones, are available for a steal. | 0:55:51 | 0:55:55 | |
'But as they are on Team Danny, | 0:55:57 | 0:55:59 | |
'Will is the only coach who can steal them.' | 0:55:59 | 0:56:02 | |
We just want to say thank you to Danny | 0:56:02 | 0:56:04 | |
because it's been great to meet you and work with you, | 0:56:04 | 0:56:06 | |
we've got so much more to give, that wasn't all of us. | 0:56:06 | 0:56:09 | |
Guys, looks like there is no steal, so, | 0:56:17 | 0:56:19 | |
this is the end of the road for your time on The Voice, Smith & Jones! | 0:56:19 | 0:56:22 | |
I can't believe it, I'm shocked. I'm in shock, seriously. | 0:56:22 | 0:56:26 | |
CHEERING AND APPLAUSE | 0:56:26 | 0:56:27 | |
Some singers have a full package, so if somebody blows me away, | 0:56:32 | 0:56:36 | |
I want to steal them, if not, | 0:56:36 | 0:56:38 | |
I'm not trying to steal just to steal. | 0:56:38 | 0:56:40 | |
I think being in the competition has helped us | 0:56:40 | 0:56:42 | |
become stronger as a couple and it's all going to help us to go forward, | 0:56:42 | 0:56:47 | |
-away from the competition. -Yeah. -Yeah? -Yeah. -Yeah. | 0:56:47 | 0:56:52 | |
I didn't pick Smith & Jones, not because of the talent, | 0:56:52 | 0:56:55 | |
you know, because they're right up here, | 0:56:55 | 0:56:56 | |
it just so happened on the day that Conor was up here. | 0:56:56 | 0:56:59 | |
Living the dream! Oh, we are so proud of you. | 0:56:59 | 0:57:01 | |
My heart's bursting with pride! | 0:57:01 | 0:57:04 | |
So, after a second round of vocal warfare, | 0:57:04 | 0:57:07 | |
the coaches continue to pick their perfect teams. | 0:57:07 | 0:57:10 | |
But Will and Danny are still holding out on those precious steals. | 0:57:10 | 0:57:15 | |
Come on! He deserves to go through! | 0:57:15 | 0:57:18 | |
Team Will were first into battle, | 0:57:18 | 0:57:19 | |
he chose Leanne and had no doubts in picking Leah. | 0:57:19 | 0:57:22 | |
Jessie added two more to her team with Danny and Lovelle. | 0:57:23 | 0:57:27 | |
Cherelle's heart and soul convinced Tom she was his girl. | 0:57:28 | 0:57:31 | |
And Danny chose Conor to go forward and sing again in the knockouts. | 0:57:32 | 0:57:36 | |
So, that's the state of play after tonight's battles | 0:57:42 | 0:57:44 | |
and what a night, they have sung their hearts out. | 0:57:44 | 0:57:48 | |
Thank you so much to our incredible band, | 0:57:48 | 0:57:50 | |
our artists and our four superstar coaches! | 0:57:50 | 0:57:53 | |
Join us next time as we take one step closer to finding The Voice! | 0:57:53 | 0:57:58 | |
-Good night! -Good night. | 0:57:58 | 0:57:59 | |
CHEERING AND APPLAUSE | 0:57:59 | 0:58:01 | |
In two weeks, the battle rounds reach their dramatic conclusion. | 0:58:04 | 0:58:07 | |
-I'm an idiot for putting you guys together. -With more steals... | 0:58:07 | 0:58:10 | |
-Oh, my goodness! -..shocking decisions. | 0:58:10 | 0:58:13 | |
The person moving through is... | 0:58:13 | 0:58:16 | |
My God! | 0:58:16 | 0:58:17 | |
-What?! -And the coaches biggest bust up yet. | 0:58:17 | 0:58:20 | |
I have no idea why Jessie got upset. | 0:58:21 | 0:58:23 | |
It's super-battle Saturday. | 0:58:23 | 0:58:26 | |
I don't understand what he's doing. | 0:58:28 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:51 |