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Your career is in your hands. | 0:00:05 | 0:00:07 | |
APPLAUSE You get to pick the coaching. | 0:00:07 | 0:00:10 | |
That's what's unique about this show - it's their decision. | 0:00:11 | 0:00:15 | |
That decision could change the rest of your life. | 0:00:16 | 0:00:19 | |
As we reach the halfway mark, decisions must be made. | 0:00:19 | 0:00:22 | |
Who will thrive? | 0:00:22 | 0:00:24 | |
-Who will crumble...? -Can't seem to catch my break. | 0:00:24 | 0:00:27 | |
And who will slip through the cracks? | 0:00:27 | 0:00:29 | |
-I feel like a dumb-ass right now. -I'm gutted. | 0:00:29 | 0:00:32 | |
-But with no second chances... -Tactics take a new turn. | 0:00:32 | 0:00:35 | |
-He's playing a game. -No, I'm not playing games! | 0:00:35 | 0:00:38 | |
Oh, please! | 0:00:38 | 0:00:39 | |
I had love at first note. | 0:00:41 | 0:00:43 | |
It's over. | 0:00:44 | 0:00:45 | |
Come on! | 0:00:47 | 0:00:48 | |
CHEERING AND APPLAUSE FADES | 0:00:48 | 0:00:51 | |
Today's auditions are all about the voice, | 0:00:53 | 0:00:55 | |
but style and beauty are still important to our first artist. | 0:00:55 | 0:00:59 | |
My name is Alice Fredenham, I'm 28 and I'm a beauty therapist. | 0:00:59 | 0:01:02 | |
We are loving the wardrobe today. | 0:01:05 | 0:01:07 | |
Are you a big fan of '50s style, by any chance? | 0:01:07 | 0:01:10 | |
Yes. I just love vintage fashion, and also antiques, | 0:01:10 | 0:01:14 | |
-anything from the 1940s, '50s era. -OK. | 0:01:14 | 0:01:17 | |
-Well... -It especially helps the woman's figure, I think! | 0:01:17 | 0:01:20 | |
I love, you know, Rita Hayworth and... | 0:01:22 | 0:01:25 | |
those old kind of Hollywood glamour-style people. | 0:01:25 | 0:01:29 | |
You know, get to dig into a past time, | 0:01:29 | 0:01:32 | |
and just dream for a little bit! | 0:01:32 | 0:01:35 | |
This will be the first time my family have come to see me sing live | 0:01:38 | 0:01:41 | |
-ever in my life. -When was the last time you remember hearing her sing? | 0:01:41 | 0:01:45 | |
She sang in a school production of | 0:01:45 | 0:01:46 | |
Joseph And His Technicolor Dreamcoat. | 0:01:46 | 0:01:49 | |
She sort of didn't sing a great deal in her early teens, | 0:01:49 | 0:01:53 | |
but then as she's got older, she has been singing. | 0:01:53 | 0:01:56 | |
And we say, "We should come and see you, Alice." | 0:01:56 | 0:01:58 | |
She said, "No, no - I'm not ready yet. | 0:01:58 | 0:02:00 | |
"I'll let you know when I'm ready." | 0:02:00 | 0:02:02 | |
My confidence has grown loads in the last few years - | 0:02:02 | 0:02:05 | |
I think that just comes with age as well. | 0:02:05 | 0:02:07 | |
I've done a few gigs in pubs around London, | 0:02:07 | 0:02:11 | |
and I've sung at a few weddings in my time, but | 0:02:11 | 0:02:14 | |
singing to the audience today will be | 0:02:14 | 0:02:17 | |
the biggest audience I've ever sung to. | 0:02:17 | 0:02:19 | |
I've not really had a lot of experience in show business before! | 0:02:19 | 0:02:24 | |
So, erm, | 0:02:24 | 0:02:26 | |
it's just a great opportunity, and it's so much fun | 0:02:26 | 0:02:29 | |
to take part in something like this. | 0:02:29 | 0:02:31 | |
It's a win-win situation for me, really. | 0:02:31 | 0:02:33 | |
Whilst Alice waits, next up is part-time model Sarah Cassidy. | 0:02:35 | 0:02:38 | |
She's used to turning heads, but can she do the same to those chairs? | 0:02:38 | 0:02:42 | |
I'm a part-time model, and I think I do it because | 0:02:42 | 0:02:46 | |
I just like getting glammed up and I'm a bit of a poser, to be honest! | 0:02:46 | 0:02:50 | |
When I was 24, I came third in Miss Scotland. | 0:02:52 | 0:02:55 | |
I wasn't going in to even get in the top three, | 0:02:55 | 0:02:58 | |
I was just wanting to wear the big dress, to be honest! | 0:02:58 | 0:03:01 | |
I love modelling, but I just want to be like the whole package, | 0:03:02 | 0:03:05 | |
and do the singing and be glamorous and dance and do the whole thing! | 0:03:05 | 0:03:10 | |
While Sarah has time for some finishes touches, | 0:03:12 | 0:03:15 | |
Alice's moment of truth has arrived. | 0:03:15 | 0:03:18 | |
I'm hoping that they'll turn around today | 0:03:19 | 0:03:21 | |
so that they can see, erm, me perform. | 0:03:21 | 0:03:24 | |
I've got a lot to offer on that side of things, as well as just my voice. | 0:03:26 | 0:03:30 | |
# I get too hungry for dinner at eight | 0:03:57 | 0:04:01 | |
# I love the theatre but never come late | 0:04:01 | 0:04:05 | |
# I never bother with the people I hate... # | 0:04:05 | 0:04:10 | |
-Whoo! -That's right! -# That's why the lady is a tramp | 0:04:10 | 0:04:13 | |
APPLAUSE | 0:04:13 | 0:04:15 | |
# I don't like crap games with barons and earls | 0:04:15 | 0:04:19 | |
# I won't go to Harlem in ermine and pearls | 0:04:19 | 0:04:24 | |
# I won't dish my dirt with the rest of the girls | 0:04:24 | 0:04:28 | |
# And that's why the lady is a tramp | 0:04:28 | 0:04:31 | |
# I love the free | 0:04:33 | 0:04:34 | |
# Fresh wind in my hair | 0:04:34 | 0:04:38 | |
# Life without care | 0:04:38 | 0:04:40 | |
# Oh, I'm so broke | 0:04:40 | 0:04:41 | |
# It's oke | 0:04:41 | 0:04:43 | |
# Hate California | 0:04:43 | 0:04:45 | |
# It's crowded and damp | 0:04:45 | 0:04:47 | |
# That's why the lady is a tramp... # | 0:04:47 | 0:04:51 | |
Come on! | 0:04:51 | 0:04:52 | |
# She's a hobo | 0:04:52 | 0:04:54 | |
# And she's a scamp | 0:04:54 | 0:04:57 | |
# She's a no good kind of tramp | 0:04:57 | 0:05:01 | |
# Tha-a-at is wh-y | 0:05:01 | 0:05:03 | |
# The lady i-i-i | 0:05:03 | 0:05:07 | |
# Is a tramp | 0:05:07 | 0:05:09 | |
# Bob-a-dee, n-do-n-da, ba-da! # | 0:05:09 | 0:05:11 | |
CHEERING AND APPLAUSE | 0:05:11 | 0:05:14 | |
-Aw! -Aw! | 0:05:17 | 0:05:19 | |
Hi! What's your name? | 0:05:22 | 0:05:24 | |
Hi. My name's Alice, I'm 28, from Hertfordshire. | 0:05:24 | 0:05:27 | |
- Hello, Alice. - Hi. | 0:05:27 | 0:05:29 | |
Erm, I didn't turn around... | 0:05:29 | 0:05:33 | |
because there's a huge difference between singing | 0:05:33 | 0:05:36 | |
for singing, and singing to make people listen. | 0:05:36 | 0:05:38 | |
-And I think... -Yeah. -..there's that | 0:05:38 | 0:05:40 | |
difference of going, "Hi, I'm over here, come and listen," | 0:05:40 | 0:05:43 | |
and just kind of singing. And I felt that you were just kind of singing. | 0:05:43 | 0:05:47 | |
It kind of just felt like I was in a jazz bar | 0:05:47 | 0:05:50 | |
or in a restaurant and someone was playing and you were singing. | 0:05:50 | 0:05:53 | |
- You know what I mean? - OK, thank you. | 0:05:53 | 0:05:55 | |
APPLAUSE AND CHEERING | 0:05:55 | 0:05:58 | |
Stylistically, for me, I just felt it was a little bit safe. | 0:05:58 | 0:06:01 | |
- Yeah. - That was the only reason | 0:06:01 | 0:06:03 | |
why I turned around. By the way, you're a gorgeous-looking girl. | 0:06:03 | 0:06:07 | |
Thank you very much, Danny. | 0:06:07 | 0:06:09 | |
Erm, the reason I didn't turn around is because, | 0:06:10 | 0:06:14 | |
while you're doing jazz, | 0:06:14 | 0:06:16 | |
I didn't... It didn't feel like you understood your instrument. | 0:06:16 | 0:06:20 | |
Like, are you, erm...? | 0:06:20 | 0:06:22 | |
Are you a trumpet? Are you flute? | 0:06:22 | 0:06:26 | |
Like, what instrument are you amongst the band? | 0:06:26 | 0:06:30 | |
"Look - I am the star amongst this jazz ensemble, | 0:06:30 | 0:06:34 | |
"and this number that I'm doing." | 0:06:34 | 0:06:36 | |
But I applaud you for bringing jazz and picking that song. | 0:06:36 | 0:06:40 | |
- Thank you very much. - Thank you. Come down. | 0:06:40 | 0:06:43 | |
APPLAUSE AND CHEERING | 0:06:43 | 0:06:46 | |
Smokin'! | 0:06:56 | 0:06:59 | |
She was smokin' hot! | 0:07:01 | 0:07:04 | |
- Smokin' hot! - She's not in the show, quick! | 0:07:04 | 0:07:07 | |
Go and get her number, Danny! | 0:07:07 | 0:07:09 | |
AUDIENCE: Aw! | 0:07:09 | 0:07:10 | |
AMERICAN ACCENT: We all human, too, son. | 0:07:10 | 0:07:12 | |
Now, Sarah heads to the stage, | 0:07:12 | 0:07:14 | |
hoping to impress with just her voice. | 0:07:14 | 0:07:17 | |
This is the first time in my life I won't be judged | 0:07:17 | 0:07:21 | |
on my looks. | 0:07:21 | 0:07:22 | |
It's just the voice this time, and that's it. | 0:07:23 | 0:07:26 | |
As long as I sing my best, that's all I can do. | 0:07:27 | 0:07:31 | |
# Let me say that since, baby | 0:07:56 | 0:08:01 | |
# Since we've been together, ooh | 0:08:01 | 0:08:08 | |
# Loving you forever | 0:08:08 | 0:08:12 | |
# Is all I...need... | 0:08:12 | 0:08:19 | |
# Ooh, and let me be the one you come running to... # | 0:08:19 | 0:08:27 | |
Jessie! | 0:08:27 | 0:08:29 | |
CHEERING AND APPLAUSE | 0:08:29 | 0:08:30 | |
# I'll never be untrue... | 0:08:30 | 0:08:37 | |
# Hey, baby, yeah! | 0:08:37 | 0:08:42 | |
# Let's stay together... | 0:08:42 | 0:08:45 | |
# Loving you whether, whether | 0:08:47 | 0:08:52 | |
# Times are good or bad, happy or | 0:08:52 | 0:08:57 | |
# Sad | 0:08:57 | 0:09:02 | |
Oooh, oooh | 0:09:02 | 0:09:07 | |
# Oooh | 0:09:07 | 0:09:11 | |
# Hey, ahhh | 0:09:11 | 0:09:16 | |
# Good or bad | 0:09:16 | 0:09:18 | |
# Happy or, happy or sad. # | 0:09:18 | 0:09:24 | |
CHEERING AND APPLAUSE | 0:09:24 | 0:09:28 | |
Thank you. | 0:09:38 | 0:09:41 | |
What's your name, love? | 0:09:43 | 0:09:45 | |
My name is Sarah. | 0:09:45 | 0:09:46 | |
-Where do you come from? -I come from Glasgow in Scotland. | 0:09:46 | 0:09:50 | |
-Oh, you sound very professional. -Thank you. | 0:09:50 | 0:09:53 | |
-You did some wonderful, wonderful things... -Whistle singing. | 0:09:53 | 0:09:56 | |
..with your voice and I don't think I've heard anybody do it | 0:09:56 | 0:09:59 | |
quite like that before and it's very original. And I loved it. | 0:09:59 | 0:10:03 | |
I would love to have you on my team | 0:10:03 | 0:10:05 | |
-and that's all I can really say. -Thank you. | 0:10:05 | 0:10:09 | |
-I feel like a dumbass right now, cos... -Cos your chair's red. | 0:10:12 | 0:10:15 | |
The reason I didn't turn around at first | 0:10:15 | 0:10:17 | |
was because your voice was really small at one point in the song | 0:10:17 | 0:10:20 | |
and then when you hit that last note at the end, | 0:10:20 | 0:10:23 | |
that's when you made me feel like a dumbass, so...oops. | 0:10:23 | 0:10:26 | |
CHEERING AND APPLAUSE | 0:10:26 | 0:10:29 | |
You've got absolutely gorgeous, gorgeous talent. | 0:10:29 | 0:10:31 | |
I think you're a very special singer. | 0:10:31 | 0:10:33 | |
I need you on my team to go up against these | 0:10:33 | 0:10:35 | |
because they have people who are similar. | 0:10:35 | 0:10:37 | |
I don't have anyone like you. | 0:10:37 | 0:10:39 | |
Stop saying that, it wasn't that hard. | 0:10:39 | 0:10:41 | |
JESSIE: Vocally, there are two things. | 0:10:42 | 0:10:45 | |
I can coach you technically. | 0:10:45 | 0:10:48 | |
I can teach you breathing exercises that are going to help your range. | 0:10:48 | 0:10:51 | |
DANNY: We all can do the same thing. | 0:10:51 | 0:10:53 | |
I know, but I didn't sit here and go, "I've done this, and I produced this, | 0:10:53 | 0:10:56 | |
"and I've been on tour with U2," like this. | 0:10:56 | 0:10:59 | |
Well... | 0:10:59 | 0:11:01 | |
I feel like, as a female, it's so important... | 0:11:01 | 0:11:04 | |
And I've said this a few shows ago, | 0:11:04 | 0:11:07 | |
they will never understand how nerve-racking it is | 0:11:07 | 0:11:11 | |
to be a female stepping on stage. | 0:11:11 | 0:11:13 | |
What's the difference? It's not like you're a subspecies. You're the same! | 0:11:13 | 0:11:17 | |
No, it's a whole different game for a girl. I, personally, think that. | 0:11:17 | 0:11:21 | |
The emotional side of it. I'm going to throw something out. | 0:11:21 | 0:11:23 | |
I think you're going to go quite far in this competition. | 0:11:23 | 0:11:27 | |
And I think it's really important to you to understand | 0:11:27 | 0:11:30 | |
that this isn't just a TV show, this isn't just going to be fun, | 0:11:30 | 0:11:33 | |
this is really serious and it's... | 0:11:33 | 0:11:35 | |
SILENCE, SINGLE LAUGH FROM AUDIENCE | 0:11:35 | 0:11:37 | |
It is! What did I say? | 0:11:37 | 0:11:40 | |
I'm just laughing. | 0:11:40 | 0:11:42 | |
Jessie will genuinely... You always give that air, | 0:11:42 | 0:11:46 | |
you're trying to give that air of confidence. | 0:11:46 | 0:11:49 | |
Just go back to last time, it's such a scary thing coming out here | 0:11:49 | 0:11:52 | |
to try and sing in front of people. | 0:11:52 | 0:11:54 | |
Last year, what I was doing was even in rehearsals... What is he doing? | 0:11:54 | 0:11:58 | |
He's trying to spell "Tom" with his body. | 0:11:58 | 0:12:01 | |
JESSIE: That's so stupid. | 0:12:01 | 0:12:03 | |
LAUGHTER AND APPLAUSE | 0:12:03 | 0:12:06 | |
Hey, Will! | 0:12:06 | 0:12:07 | |
I want YOU on my team, how's that? | 0:12:08 | 0:12:11 | |
LAUGHTER | 0:12:11 | 0:12:13 | |
-Did you come here with a coach in mind? -You, of course! -Really? | 0:12:13 | 0:12:18 | |
-That's even worse. -Why was it Will? | 0:12:18 | 0:12:21 | |
Now I really feel like a dumbass. | 0:12:21 | 0:12:23 | |
I don't know, I just feel like I can relate to Will | 0:12:23 | 0:12:26 | |
because I've been in a hip-hop group | 0:12:26 | 0:12:29 | |
and I just thought we would work well together. | 0:12:29 | 0:12:32 | |
If you were going to pick Will, we produce all the time together, | 0:12:32 | 0:12:36 | |
we do stuff together all the time. I'm most like him on this panel. | 0:12:36 | 0:12:38 | |
We can all offer you the best of our ability, | 0:12:38 | 0:12:43 | |
but that's up you to decide who you think could help you the most | 0:12:43 | 0:12:49 | |
and who you'd have more fun with during that time. | 0:12:49 | 0:12:55 | |
I've made my decision. | 0:12:55 | 0:12:58 | |
I think I'm going to go with Jessie. | 0:13:08 | 0:13:10 | |
CHEERING AND APPLAUSE | 0:13:10 | 0:13:14 | |
It's the stairs, the stairs are really scary. | 0:13:14 | 0:13:18 | |
Thank you. | 0:13:18 | 0:13:20 | |
And you, you're amazing. | 0:13:21 | 0:13:23 | |
# Go, go, Jessie, go-go-go! # | 0:13:26 | 0:13:30 | |
CHEERING AND APPLAUSE | 0:13:30 | 0:13:34 | |
I feel like a dumbass! | 0:13:34 | 0:13:36 | |
When she hit that high note at the end, I was like, | 0:13:36 | 0:13:39 | |
"What was I thinking?" Don't make that mistake I just made. | 0:13:39 | 0:13:42 | |
So, Sarah has just joined Team Jessie. | 0:13:44 | 0:13:47 | |
What does the future hold for 18-year-old Emily Worton? | 0:13:47 | 0:13:50 | |
I'm a bit concerned about the coaches not being able to see me. | 0:13:51 | 0:13:55 | |
I'm worried they're going to think I'm a middle-aged librarian, | 0:13:55 | 0:13:59 | |
cos that's a bit what I sound like. | 0:13:59 | 0:14:01 | |
This is a once-in-a-lifetime opportunity for me. | 0:14:03 | 0:14:07 | |
# He came from Greece He had a thirst for knowledge | 0:14:29 | 0:14:33 | |
# He studied sculpture at Saint Martin's College | 0:14:33 | 0:14:37 | |
# That's where I... # | 0:14:37 | 0:14:39 | |
Come on, Danny! # Caught his eye | 0:14:41 | 0:14:43 | |
# You want to live like common people | 0:14:46 | 0:14:52 | |
# You want to do whatever common people do | 0:14:52 | 0:14:57 | |
# Want to be with common people | 0:14:57 | 0:15:01 | |
# You want to be with common people like me | 0:15:01 | 0:15:07 | |
# What else could I do? # | 0:15:07 | 0:15:11 | |
Danny's going to do it. Come on. | 0:15:11 | 0:15:14 | |
# I said, "I'll see what I can do". | 0:15:14 | 0:15:16 | |
# Rent a flat above a shop | 0:15:20 | 0:15:23 | |
# Cut your hair and get a job | 0:15:23 | 0:15:26 | |
# Smoke some fags and play some pool | 0:15:26 | 0:15:29 | |
# Pretend you never went to school | 0:15:29 | 0:15:32 | |
# But still you'll never get it right | 0:15:32 | 0:15:35 | |
# Cos when you're laid in bed at night | 0:15:35 | 0:15:37 | |
# Watching roaches climb the wall | 0:15:37 | 0:15:40 | |
# If you called your dad he could stop it all, yeah | 0:15:40 | 0:15:45 | |
# You'll never live like common people | 0:15:45 | 0:15:48 | |
# You'll never do whatever common people do | 0:15:48 | 0:15:51 | |
# You'll never fail like common people | 0:15:51 | 0:15:54 | |
# You'll never watch your life slide out of view | 0:15:54 | 0:15:58 | |
# Dance and drink, it's true | 0:15:58 | 0:16:01 | |
# Because there's nothing else to do. # | 0:16:04 | 0:16:08 | |
CHEERING AND APPLAUSE | 0:16:08 | 0:16:17 | |
-Hiya. -Hi. Well done! | 0:16:19 | 0:16:23 | |
-Thank you so much. -What's your name? | 0:16:23 | 0:16:25 | |
It's Emily Worton, and I'm a college student. | 0:16:25 | 0:16:28 | |
-Nice, and how old are you? -I'm 18. -18. | 0:16:28 | 0:16:31 | |
-I didn't turn around, Will did though, so, booyah! -Oh, my God! | 0:16:31 | 0:16:35 | |
CHEERING AND APPLAUSE | 0:16:35 | 0:16:38 | |
Tom? | 0:16:40 | 0:16:41 | |
The first part I believed and enjoyed. | 0:16:41 | 0:16:45 | |
It sounded serious, like you really meant it. | 0:16:45 | 0:16:48 | |
When you went to the up-tempo part, you threw it away - I felt anyway. | 0:16:48 | 0:16:52 | |
-But then, that's up to Will to straighten that out. -Danny? | 0:16:52 | 0:16:57 | |
The only reason why I didn't turn around is because I'm an idiot. | 0:16:57 | 0:17:00 | |
-Oh, my God! -I am. | 0:17:00 | 0:17:03 | |
CHEERING AND APPLAUSE | 0:17:03 | 0:17:06 | |
The hard part for me is seeing a guitarist. | 0:17:06 | 0:17:08 | |
I had no idea, to pull off those vocals as well, | 0:17:08 | 0:17:10 | |
and play guitar at the same time. | 0:17:10 | 0:17:12 | |
I know how hard that is, I commend you on it. | 0:17:12 | 0:17:14 | |
I'm so glad he turned around. | 0:17:14 | 0:17:16 | |
He was playing tactics, he was going, "I'm not going to go!" | 0:17:16 | 0:17:19 | |
Three, two, one! He went around. | 0:17:19 | 0:17:21 | |
So I'm glad, because sometimes Will hears things that we don't. | 0:17:21 | 0:17:26 | |
In fact, a lot of times he hears things we don't. | 0:17:26 | 0:17:29 | |
What? | 0:17:29 | 0:17:31 | |
What? There's a fax coming through. What? What? | 0:17:31 | 0:17:34 | |
So, the first part was magical. And it was flawlessly executed. | 0:17:34 | 0:17:39 | |
Then I can see why you wanted to bring it up a notch, | 0:17:39 | 0:17:42 | |
to show that my voice should not just be heard over merely guitar, | 0:17:42 | 0:17:47 | |
but I can also hang with the band. | 0:17:47 | 0:17:50 | |
I could see the dynamics on how you wanted to counter-play it. | 0:17:50 | 0:17:54 | |
You were powerful in the beginning and you are powerful at the end. | 0:17:54 | 0:17:58 | |
And you on my team, it's going to be fresh | 0:17:58 | 0:18:00 | |
because I think you're super-dope. | 0:18:00 | 0:18:03 | |
Oh, my God! | 0:18:03 | 0:18:05 | |
CHEERING AND APPLAUSE | 0:18:05 | 0:18:10 | |
-Congratulations. -Thank you so much. | 0:18:11 | 0:18:15 | |
To Will, to Will. | 0:18:23 | 0:18:26 | |
SCREAMING AND APPLAUSE | 0:18:26 | 0:18:29 | |
I was a bit sneaky because I told everybody "no" | 0:18:31 | 0:18:35 | |
just to see if they were going to go. | 0:18:35 | 0:18:36 | |
I looked over and he was like, "No, I'm not going." Bam, straight down. | 0:18:36 | 0:18:39 | |
So, yeah, it's on. It's absolutely on now. | 0:18:39 | 0:18:41 | |
# Secret agent, man! # That was me right there. | 0:18:41 | 0:18:44 | |
Of all the coaches, will.i.am has come with the biggest bag of tricks | 0:18:44 | 0:18:48 | |
and tactics and the others know it. | 0:18:48 | 0:18:51 | |
-You were playing a little game. -What? | 0:18:51 | 0:18:53 | |
-You were playing a little game. -No, I'm not. | 0:18:53 | 0:18:56 | |
Will's new card is, "I'm going to tell you who to pick". | 0:18:56 | 0:18:59 | |
If I were you, I would pick Tom. | 0:18:59 | 0:19:01 | |
Hey, Will, I want you on my team. | 0:19:01 | 0:19:03 | |
He loves to go, "Go on, Danny, it's yours." | 0:19:03 | 0:19:05 | |
So he'll push his button, | 0:19:05 | 0:19:07 | |
and then he'll go, "I think you should go with Danny." | 0:19:07 | 0:19:10 | |
The obvious coach for you is Danny. | 0:19:10 | 0:19:12 | |
He's trying to get rid of people that he doesn't think is going to win. | 0:19:12 | 0:19:15 | |
-And Danny and Tom have both fallen for it. -I'm not playing games. | 0:19:15 | 0:19:18 | |
-You are playing a game! -I'm trying to help you make a decision | 0:19:18 | 0:19:21 | |
and coach you towards a better coach. | 0:19:21 | 0:19:23 | |
I picked up some tactics along the way, but I'm still tic-tac fresh. | 0:19:23 | 0:19:28 | |
-REGGIE: -Nick Tatham needs music more than most. | 0:19:30 | 0:19:33 | |
For him, it's not just a career choice. | 0:19:33 | 0:19:35 | |
Music is definitely in my medication. | 0:19:35 | 0:19:38 | |
When I'm playing, I don't really think about it. | 0:19:38 | 0:19:41 | |
I get so involved into the song, | 0:19:41 | 0:19:43 | |
and I think that's when the Tourette's disappears. | 0:19:43 | 0:19:47 | |
So, yeah, yeah. | 0:19:47 | 0:19:49 | |
Tourette's Syndrome is a chemical imbalance of the brain | 0:19:52 | 0:19:56 | |
which just makes you twitch mainly, | 0:19:56 | 0:19:59 | |
or physical tics, | 0:19:59 | 0:20:02 | |
like I'm doing now actually! | 0:20:02 | 0:20:04 | |
That's basically as much as I know! | 0:20:04 | 0:20:08 | |
School, growing up, was quite a bad time for me. | 0:20:10 | 0:20:13 | |
I just got bullied and stuff. | 0:20:13 | 0:20:15 | |
I think people in those days didn't understand. | 0:20:15 | 0:20:19 | |
I found that the main thing that really got me through | 0:20:19 | 0:20:23 | |
my Tourette's and my bad time having it as a child, was my music. | 0:20:23 | 0:20:27 | |
Tourette's makes me who I am. Nothing's going to change that. | 0:20:29 | 0:20:34 | |
Come on, Nick. | 0:20:38 | 0:20:41 | |
It's always going to be there, and I want it to be there, | 0:20:44 | 0:20:47 | |
because it's part of me now. | 0:20:47 | 0:20:49 | |
If people can't except that, well, tough. | 0:20:49 | 0:20:52 | |
HE BEATBOXES | 0:21:01 | 0:21:06 | |
# Been working so hard | 0:21:13 | 0:21:15 | |
# I'm punching my card | 0:21:15 | 0:21:18 | |
# Eight hours for what | 0:21:18 | 0:21:20 | |
# Don't tell me what I got | 0:21:20 | 0:21:23 | |
# I'll hit the ceiling | 0:21:23 | 0:21:25 | |
# Or else I'll tear up this town | 0:21:25 | 0:21:30 | |
# Tonight I'm gotta cut loose, footloose | 0:21:32 | 0:21:35 | |
# Kick off the Sunday shoes | 0:21:35 | 0:21:38 | |
# Please, Louise, pull me off of my knees | 0:21:38 | 0:21:43 | |
# Jack, get back Come on before we crack | 0:21:43 | 0:21:48 | |
# Everybody, come on | 0:21:48 | 0:21:50 | |
# You've got to turn me around | 0:21:50 | 0:21:53 | |
# And put your feet on the ground | 0:21:53 | 0:21:55 | |
# Now take a take the hold of my soul | 0:21:55 | 0:21:57 | |
# Ohhhhh | 0:21:57 | 0:22:04 | |
# Woah! | 0:22:04 | 0:22:06 | |
# Everybody cut footloose! # | 0:22:06 | 0:22:08 | |
CHEERING AND APPLAUSE | 0:22:08 | 0:22:11 | |
-Hi! -Hello. I -was dancing. | 0:22:23 | 0:22:26 | |
-I enjoyed it, it just wasn't my cup of tea. -That's all right, cool. | 0:22:26 | 0:22:30 | |
As a coach, I don't feel I would be right for you. | 0:22:30 | 0:22:34 | |
I was looking over to Danny and William. | 0:22:34 | 0:22:36 | |
I was going, "go on". You have a good voice, it's just not for me. | 0:22:36 | 0:22:41 | |
CHEERING AND APPLAUSE | 0:22:41 | 0:22:43 | |
To take on a song like that is hard. | 0:22:43 | 0:22:46 | |
I wanted to give it more of a country feel at the beginning, | 0:22:46 | 0:22:48 | |
instead of making it exactly the same as the Kenny Loggins version, | 0:22:48 | 0:22:51 | |
then rock it up in the chorus bit. | 0:22:51 | 0:22:54 | |
-TOM: -You did a good job with it, | 0:22:54 | 0:22:55 | |
but Kenny Loggins' thing was like in there. | 0:22:55 | 0:22:59 | |
For me, I was close, Jessie was looking over, going, | 0:22:59 | 0:23:03 | |
"He should be on your team." But just not today, it wasn't the day, mate. | 0:23:03 | 0:23:07 | |
Thank you though. | 0:23:07 | 0:23:08 | |
Can you just play, like a verse, just your guitar. | 0:23:08 | 0:23:11 | |
I just want to hear your voice cos there was so much going on. | 0:23:11 | 0:23:14 | |
-Just a verse of something. -Something more country? -Anything. | 0:23:14 | 0:23:18 | |
# She walks out to the man on the street | 0:23:25 | 0:23:29 | |
# "Sir, can you help me? | 0:23:30 | 0:23:32 | |
# "It's cold and I've nowhere to sleep | 0:23:33 | 0:23:37 | |
# "Is there somewhere you can tell me?" | 0:23:37 | 0:23:40 | |
# Oh, think twice | 0:23:41 | 0:23:45 | |
# It's another day for you and me in paradise | 0:23:45 | 0:23:50 | |
# Oh, think twice | 0:23:50 | 0:23:52 | |
# It's just another day for you | 0:23:52 | 0:23:55 | |
# For you and me in paradise, oh | 0:23:55 | 0:24:05 | |
# Ah, oh! # | 0:24:05 | 0:24:11 | |
CHEERING AND APPLAUSE | 0:24:11 | 0:24:15 | |
Thank you. | 0:24:15 | 0:24:16 | |
CHEERING AND APPLAUSE | 0:24:16 | 0:24:21 | |
I'm happy you just did that, because it's a lesson learned. | 0:24:26 | 0:24:30 | |
Song choice is so important. Because we all just went... | 0:24:30 | 0:24:34 | |
The lesson of today is, come with the 1,000 per cent you. | 0:24:35 | 0:24:39 | |
Singing the song that you sang I forgot, | 0:24:39 | 0:24:41 | |
because that was 1,000 per cent you. | 0:24:41 | 0:24:44 | |
It's just that one-and-a-half minute. | 0:24:45 | 0:24:47 | |
It's what you feel at that time, but that was amazing. | 0:24:47 | 0:24:51 | |
-Thank you, though. -Thank you very much. -I'm happy you got to sing. | 0:24:51 | 0:24:54 | |
CHEERING AND APPLAUSE | 0:24:54 | 0:24:57 | |
-Amazing, well done. -All the best. | 0:24:57 | 0:25:00 | |
CHEERING AND APPLAUSE | 0:25:11 | 0:25:15 | |
See what I mean? Song choice, man. | 0:25:20 | 0:25:23 | |
That was amazing when he just sang by himself. | 0:25:23 | 0:25:25 | |
It's a shame. | 0:25:25 | 0:25:26 | |
Some acts choose a song they know will get the coaches' attention. | 0:25:26 | 0:25:30 | |
But it's a risky tactic. | 0:25:30 | 0:25:32 | |
I'm singing a Script song. I think it adds a little more pressure. | 0:25:32 | 0:25:35 | |
I want to do it justice and impress Danny. | 0:25:35 | 0:25:38 | |
# She's all laid up in bed with a broken heart | 0:25:39 | 0:25:43 | |
# While I'm drinking Jack all alone in my local bar | 0:25:45 | 0:25:49 | |
# And we don't know how, how we got into this mad situation | 0:25:49 | 0:25:54 | |
# Only doing things out of frustration | 0:25:54 | 0:25:57 | |
# Trying to make it work But, man, these times are hard | 0:25:57 | 0:25:59 | |
# Ooh, ooh, ooh, ooh... # | 0:26:03 | 0:26:07 | |
Press the button! | 0:26:07 | 0:26:09 | |
# Ooh, ooh, ooh, ooh | 0:26:09 | 0:26:13 | |
# Drinking old cheap bottles of wine | 0:26:13 | 0:26:15 | |
# Sit talking up all night... # | 0:26:15 | 0:26:18 | |
-TOM JONES: -It's a brave choice, | 0:26:18 | 0:26:19 | |
for somebody to do one of the coaches' songs. | 0:26:19 | 0:26:22 | |
Because they're going to be compared. | 0:26:22 | 0:26:24 | |
Thank you very much for coming on and singing my song, | 0:26:24 | 0:26:27 | |
that means a lot. I really appreciate that. | 0:26:27 | 0:26:30 | |
Can I say something? Song choice is really, really important. | 0:26:30 | 0:26:33 | |
For me, I had the original in my mind, as I think everyone else did. | 0:26:33 | 0:26:38 | |
You always have to do a version | 0:26:38 | 0:26:40 | |
that's going to stand out from the original | 0:26:40 | 0:26:42 | |
or do something that is going to be as good if not better. | 0:26:42 | 0:26:45 | |
Yeah. | 0:26:45 | 0:26:47 | |
Sometimes we hear something that a lot of us would have never done. | 0:26:47 | 0:26:51 | |
# I stare at my reflection in the mirror | 0:26:51 | 0:26:56 | |
# Why am I doing this to myself? # | 0:26:58 | 0:27:01 | |
Come on, Jessie! | 0:27:03 | 0:27:05 | |
# I nearly left the real me on the shelf | 0:27:05 | 0:27:09 | |
# No, no, no, no, no! | 0:27:09 | 0:27:12 | |
# Don't lose who you are | 0:27:12 | 0:27:16 | |
# In the blur of the stars, no! | 0:27:16 | 0:27:19 | |
# Seeing is deceiving, dreaming is believing | 0:27:19 | 0:27:23 | |
# Just be true to who you are! # | 0:27:23 | 0:27:27 | |
CHEERING AND APPLAUSE | 0:27:27 | 0:27:31 | |
I'm sorry. | 0:27:31 | 0:27:33 | |
I'm going to forget that that was my song | 0:27:35 | 0:27:37 | |
and just talk to you singer-to-singer. | 0:27:37 | 0:27:40 | |
-Though you did a good job, I want to hear your version of it. -Yeah. | 0:27:40 | 0:27:43 | |
-Always be yourself. -I'm a massive fan. | 0:27:43 | 0:27:47 | |
Aww, let me give you a hug. | 0:27:47 | 0:27:50 | |
CHEERING AND APPLAUSE Well done. | 0:27:50 | 0:27:52 | |
I am disappointed that she didn't turn around, | 0:27:52 | 0:27:54 | |
but to hear her feedback was just amazing. | 0:27:54 | 0:27:58 | |
Hard song to sing. | 0:27:58 | 0:27:59 | |
You should hear me in the shower in the morning, I rip it up. | 0:27:59 | 0:28:02 | |
HE CHUCKLES | 0:28:02 | 0:28:04 | |
I think singing a coach's song can go either way. | 0:28:04 | 0:28:07 | |
You are on a tightrope. You really are. | 0:28:07 | 0:28:10 | |
LB Robinson has a song and a plan. | 0:28:10 | 0:28:13 | |
The question is, will it come together? | 0:28:13 | 0:28:16 | |
# Well, she's all you'd ever want | 0:28:32 | 0:28:34 | |
# She's the kind I like to flaunt, take to dinner. | 0:28:34 | 0:28:39 | |
# Yeah | 0:28:39 | 0:28:40 | |
# Well, she always knows her place She's got style, she's got grace | 0:28:40 | 0:28:44 | |
# She's a winner | 0:28:44 | 0:28:46 | |
# Ooh | 0:28:46 | 0:28:48 | |
# She's a lady | 0:28:48 | 0:28:50 | |
# Whoa, whoa, whoa, she's a lady | 0:28:51 | 0:28:55 | |
# I'm talkin' about that little lady | 0:28:55 | 0:28:59 | |
# And the lady is mine | 0:28:59 | 0:29:03 | |
# Well, she's never in the way | 0:29:05 | 0:29:06 | |
# Always something nice to say | 0:29:06 | 0:29:09 | |
# Oh, what a blessing | 0:29:09 | 0:29:11 | |
# Yes! | 0:29:11 | 0:29:13 | |
# I can leave her on her own | 0:29:13 | 0:29:15 | |
# Knowing she'll be fine alone and there's no messing | 0:29:15 | 0:29:18 | |
# No, no, no, no, no, no! | 0:29:18 | 0:29:21 | |
# Though she never asks for very much though I don't refuse her | 0:29:22 | 0:29:26 | |
# Always treat her with respect I never would abuse her | 0:29:26 | 0:29:29 | |
# What she's got is hard to find, so I'm not gonna lose her | 0:29:30 | 0:29:34 | |
# Help me make a mountain from a little pile of clay! | 0:29:34 | 0:29:41 | |
# Whoa, she's a lady! | 0:29:41 | 0:29:45 | |
# Whoa, whoa, whoa, she's a lady | 0:29:45 | 0:29:49 | |
# I'm talkin' about that little lady | 0:29:49 | 0:29:53 | |
# And the lady is mine. # | 0:29:53 | 0:29:56 | |
Three, two, one! | 0:29:56 | 0:29:58 | |
CHEERING AND APPLAUSE | 0:29:58 | 0:30:03 | |
DANNY: Yeah! Yeah! | 0:30:08 | 0:30:10 | |
JESSIE: Hello! | 0:30:10 | 0:30:11 | |
-And your name is? -My name's LB Robinson. | 0:30:12 | 0:30:15 | |
-How are you? -I'm not too bad. | 0:30:15 | 0:30:17 | |
-I'm happy to be here now. -CHEERING | 0:30:17 | 0:30:19 | |
Nice to see all you guys as well. | 0:30:19 | 0:30:21 | |
And I'm really, really happy that you turned around, Mr Jones. Yes! | 0:30:21 | 0:30:24 | |
-I had to do it! -JESSIE: What do you do for a living? | 0:30:24 | 0:30:27 | |
I work with the homeless. I'm a support worker in Birmingham city. | 0:30:27 | 0:30:30 | |
-CHEERING -Thank you! | 0:30:30 | 0:30:33 | |
Erm, yeah, I've been doing that for about two years now. | 0:30:33 | 0:30:36 | |
You on Sir Tom Jones' team now! | 0:30:36 | 0:30:39 | |
-TOM: -Yes! -LB: -Yes, yes! | 0:30:39 | 0:30:41 | |
I didn't turn around because I really loved the beginning part. | 0:30:41 | 0:30:45 | |
I really felt like that was you. | 0:30:45 | 0:30:47 | |
And then it went a bit...OK, I'm going to throw a word out, | 0:30:47 | 0:30:50 | |
and I don't want you to take it in a rude way... | 0:30:50 | 0:30:52 | |
-It went like me? -Huh? | 0:30:52 | 0:30:54 | |
-The arrangement changed into one... -No, I'm really honest... | 0:30:54 | 0:30:57 | |
-LB: -Oh, just say it. Come on. -I got a bit bored. | 0:30:57 | 0:30:59 | |
That's all right. That's fair enough. | 0:30:59 | 0:31:02 | |
-I feel like your voice is better than how you sang at the end. -Yeah. | 0:31:02 | 0:31:05 | |
Obviously, when you're singing someone else's song, | 0:31:05 | 0:31:08 | |
I wanted to make it my own. I hate saying that phrase. | 0:31:08 | 0:31:11 | |
-But then I wanted to do it justice. -Yeah. | 0:31:11 | 0:31:12 | |
Obviously I knew I was going to sing it FOR HIM, | 0:31:12 | 0:31:15 | |
so I wanted to show him, Tom, that I can do it. | 0:31:15 | 0:31:17 | |
-No, I 100% understand that. -But if I bored you, what can I say? | 0:31:17 | 0:31:20 | |
-No, you didn't bore me... -You just said I bored you, babe. | 0:31:20 | 0:31:22 | |
-Don't try and backtrack now! -LAUGHTER AND APPLAUSE | 0:31:22 | 0:31:26 | |
-DANNY: Ooo-ooo-ooo-ooo! WILL: -He just put you on the spot! | 0:31:26 | 0:31:29 | |
Yeah, it's true! | 0:31:29 | 0:31:30 | |
-GROWLS INTO MIC: -This is a first that we've seen on The Voice, | 0:31:30 | 0:31:33 | |
when a singer challenges the pitcher! | 0:31:33 | 0:31:35 | |
Oh, no! | 0:31:35 | 0:31:36 | |
DANNY: Yeah, you know, don't take any disrespect by us | 0:31:36 | 0:31:40 | |
all not turning around. | 0:31:40 | 0:31:42 | |
At this stage in the show, you know, we all have our own game plans, | 0:31:42 | 0:31:45 | |
but there's nobody better, genuinely. | 0:31:45 | 0:31:48 | |
APPLAUSE | 0:31:48 | 0:31:50 | |
The only reason why I didn't turn around is because, one, | 0:31:50 | 0:31:54 | |
you sounded fantastic in the beginning and the end. | 0:31:54 | 0:31:58 | |
But it's like, "What?! He's singing the boss' joint?" | 0:31:58 | 0:32:03 | |
I'm going to hit the button? Nah, I ain't going to put myself like that. | 0:32:03 | 0:32:06 | |
Just go with the dude, you know what I'm saying? | 0:32:06 | 0:32:09 | |
CHEERING DANNY: Would you humour me? | 0:32:09 | 0:32:12 | |
-If I'd have turned around, would you have gone with me? -No. | 0:32:12 | 0:32:14 | |
Exactly, so I'm glad I didn't! | 0:32:14 | 0:32:16 | |
That's nothing against you, neither, man. | 0:32:16 | 0:32:18 | |
No, that's absolutely against me! DANNY LAUGHS | 0:32:18 | 0:32:20 | |
I think, with Mr Jones over there, | 0:32:20 | 0:32:22 | |
I mean, I feel like we've got a lot in common. | 0:32:22 | 0:32:25 | |
Thank you. | 0:32:25 | 0:32:26 | |
And I feel that he can teach me a lot and help me a lot. | 0:32:26 | 0:32:29 | |
-CHEERING -Where I want to go, where I want to be. | 0:32:29 | 0:32:32 | |
-And the man's a legend! Look at him! -LOUD CHEERING | 0:32:32 | 0:32:36 | |
I agree with Jessie on the one thing, | 0:32:43 | 0:32:45 | |
that I loved the way you started that song. | 0:32:45 | 0:32:48 | |
I'm really glad that you started that off as a ballad, | 0:32:48 | 0:32:51 | |
because you really shone there, and now I know what you can really do. | 0:32:51 | 0:32:55 | |
CHEERING | 0:32:55 | 0:32:58 | |
-JESSIE: Lovely to meet you. WILL: -All right, LB! | 0:32:59 | 0:33:02 | |
He was a character! | 0:33:07 | 0:33:09 | |
Yeah! | 0:33:11 | 0:33:13 | |
'It makes me feel very proud when somebody does a song of mine.' | 0:33:13 | 0:33:17 | |
You know, it's...it makes me feel proud | 0:33:17 | 0:33:19 | |
that he would want to come on and do that, | 0:33:19 | 0:33:22 | |
especially in front of me, you know. | 0:33:22 | 0:33:24 | |
But it's a great feeling, | 0:33:24 | 0:33:27 | |
and he did the song justice and he sang the hell out of it. | 0:33:27 | 0:33:30 | |
Adding LB now brings Team Tom to seven acts. | 0:33:31 | 0:33:35 | |
Jessie is still ahead with eight of her 12 acts. | 0:33:35 | 0:33:37 | |
Will now has six acts, | 0:33:37 | 0:33:40 | |
and still to secure a new act, | 0:33:40 | 0:33:42 | |
Danny remains on five. | 0:33:42 | 0:33:43 | |
I'm Carla Mainey, I'm 47, and I teach sailing. | 0:33:48 | 0:33:52 | |
I'm Barbara Kelly, I'm 54, and I do teacher training. | 0:33:52 | 0:33:55 | |
# Born to be wild... # | 0:33:55 | 0:33:58 | |
Barbara and I met about ten years ago on a sailing tour of America. | 0:33:58 | 0:34:02 | |
Carla and I hit it off straight away and we've been singing ever since. | 0:34:02 | 0:34:05 | |
Our style of music isn't maybe to everybody's taste. | 0:34:05 | 0:34:09 | |
I think we have very big voices for little people. | 0:34:09 | 0:34:11 | |
But we like it! | 0:34:11 | 0:34:13 | |
A lot of people think that women our age need to be mothers | 0:34:14 | 0:34:17 | |
but not really be out there. | 0:34:17 | 0:34:19 | |
I think times are changing. | 0:34:19 | 0:34:22 | |
We live in a world where everything's possible. | 0:34:22 | 0:34:24 | |
Carla phoned me and said we were getting together | 0:34:30 | 0:34:32 | |
to sing for The Voice and I said, "I'm not going on television." | 0:34:32 | 0:34:35 | |
She said, "Yes, you are!" | 0:34:35 | 0:34:37 | |
Breathe. Keep your energy down here. | 0:34:37 | 0:34:40 | |
Come on and bring it on! | 0:34:40 | 0:34:42 | |
-THEY LAUGH -We're so different! | 0:34:42 | 0:34:45 | |
Brrrrrrrrrr! Ah-ah! Ah-ah! | 0:34:45 | 0:34:50 | |
It's a 50/50, you know? | 0:34:50 | 0:34:51 | |
They could really love us or they could hate us. | 0:34:51 | 0:34:54 | |
# Hey, hey, I wanna be a rock star. # | 0:34:54 | 0:34:59 | |
# Sous le dome epais ou le blanc jasmin | 0:35:19 | 0:35:25 | |
# A la rose s'assemble | 0:35:25 | 0:35:31 | |
# Sur la rive en fleurs riant au matin | 0:35:31 | 0:35:37 | |
# A la rose s'assemble | 0:35:37 | 0:35:44 | |
# De son flot charmant | 0:35:44 | 0:35:50 | |
# Suivons le courant fuyant | 0:35:50 | 0:35:55 | |
# Dans l'onde fremissante | 0:35:55 | 0:36:02 | |
# D'une main nonchalante | 0:36:02 | 0:36:08 | |
# Viens, gagnons le bord | 0:36:08 | 0:36:12 | |
# Ou la source dort et | 0:36:12 | 0:36:16 | |
# L'oiseau, l'oiseau chante | 0:36:16 | 0:36:22 | |
# Sous le dome epais ou le blanc jasmin | 0:36:22 | 0:36:29 | |
# Ah, descendons | 0:36:29 | 0:36:37 | |
# Ensemble! # | 0:36:37 | 0:36:46 | |
LOUD CHEERING | 0:36:46 | 0:36:49 | |
Wow, thank you so much for all turning round! | 0:37:12 | 0:37:14 | |
Have you heard of love at first sight? I had love at first note. | 0:37:14 | 0:37:17 | |
The first note...they saw me. | 0:37:17 | 0:37:19 | |
I was like, "Boo-yeah!" Hit it, straight from the jump. | 0:37:19 | 0:37:23 | |
-CHEERING -Thank you! | 0:37:23 | 0:37:25 | |
There is a bit of rebellion happening right now, | 0:37:25 | 0:37:28 | |
with you guys doing opera on a show like this, | 0:37:28 | 0:37:30 | |
but you kind of have to do that to educate the youth | 0:37:30 | 0:37:33 | |
on the importance of classical music and real singing. | 0:37:33 | 0:37:37 | |
CHEERING | 0:37:37 | 0:37:40 | |
-I thought it was lovely. -BOTH: Thank you. | 0:37:42 | 0:37:44 | |
No, really, it was lovely. | 0:37:44 | 0:37:46 | |
Right from the beginning. | 0:37:46 | 0:37:48 | |
The only thing is, as far as I'm concerned, being a coach, | 0:37:48 | 0:37:52 | |
I don't know much about opera. | 0:37:52 | 0:37:55 | |
You know, I mean, I'm not qualified to coach anybody in that area. | 0:37:55 | 0:38:00 | |
I don't think so. | 0:38:00 | 0:38:02 | |
Oh, I think with your voice, you are! | 0:38:02 | 0:38:05 | |
CHEERING | 0:38:05 | 0:38:07 | |
There's a tenor in there! | 0:38:07 | 0:38:09 | |
But I would love it if you would be on my team. | 0:38:11 | 0:38:13 | |
It would be my pleasure to give it a go, | 0:38:13 | 0:38:16 | |
because you sound wonderful together. | 0:38:16 | 0:38:20 | |
-Thank you so much! -Thank you. | 0:38:20 | 0:38:21 | |
APPLAUSE | 0:38:21 | 0:38:23 | |
I thought, honestly...like angels. You know? | 0:38:27 | 0:38:29 | |
The one problem I would see with opera singers entering | 0:38:29 | 0:38:32 | |
the realm of regular pop music is always going to be song choice, | 0:38:32 | 0:38:35 | |
and how can you reinvent it again. | 0:38:35 | 0:38:36 | |
Genuinely, I think both styles could work really, really well together, | 0:38:36 | 0:38:39 | |
and I'd look forward to working with you. | 0:38:39 | 0:38:41 | |
BOTH: Thank you! APPLAUSE | 0:38:41 | 0:38:44 | |
JESSIE: I'm going to be 100% honest | 0:38:46 | 0:38:48 | |
and say my push of a button was purely selfish. | 0:38:48 | 0:38:51 | |
I literally was like, I want to hear you sing more. | 0:38:51 | 0:38:54 | |
I just think, vocally, I would love to explore what you guys... | 0:38:54 | 0:38:58 | |
cos one-and-a-half minutes, I'm sure you guys can do way more. | 0:38:58 | 0:39:01 | |
CHEERING | 0:39:01 | 0:39:03 | |
If you were on my team, we would always match jackets. | 0:39:05 | 0:39:09 | |
LAUGHTER | 0:39:09 | 0:39:11 | |
DANNY: It's true! Get up there! | 0:39:11 | 0:39:13 | |
JESSIE: But, yeah, the decision is yours! | 0:39:17 | 0:39:19 | |
THEY CONFER QUIETLY | 0:39:21 | 0:39:23 | |
CROWD SHOUTS ENCOURAGEMENT | 0:39:23 | 0:39:26 | |
Shh! Shh! | 0:39:30 | 0:39:31 | |
Can we have all four of you? | 0:39:34 | 0:39:36 | |
LAUGHTER | 0:39:36 | 0:39:38 | |
-MAN IN CROWD: -Tom! | 0:39:43 | 0:39:44 | |
-WOMEN IN CROWD: -Jessie! | 0:39:44 | 0:39:46 | |
-CROWD CHANTS -Danny! Danny! Danny! | 0:39:48 | 0:39:51 | |
We're going to go with... | 0:39:51 | 0:39:52 | |
-..Will.i.am. -CHEERING | 0:39:56 | 0:39:58 | |
Thank you! | 0:40:02 | 0:40:04 | |
Thank you, guys! | 0:40:07 | 0:40:09 | |
THEY CHEER | 0:40:14 | 0:40:17 | |
Well done, Will. They're dope. | 0:40:17 | 0:40:20 | |
-Yeah! -What else can they sing? | 0:40:20 | 0:40:23 | |
SHE SINGS IN OPERATIC VOICE # Gangnam style! | 0:40:23 | 0:40:25 | |
# Huh-huh-huh | 0:40:25 | 0:40:28 | |
# Gangnam style! | 0:40:28 | 0:40:29 | |
# Huh-huh-huh... # WILL GIGGLES | 0:40:29 | 0:40:32 | |
We're so the naughty ones, aren't we? HE LAUGHS | 0:40:32 | 0:40:37 | |
It's not unusual for our next act to pack out venues | 0:40:37 | 0:40:40 | |
up and down the country. | 0:40:40 | 0:40:42 | |
My name's David Kidd. I'm a Tom Jones vocal impersonator. | 0:40:43 | 0:40:47 | |
# Sex bomb! # | 0:40:47 | 0:40:49 | |
For the last 20-odd years, I've been singing like Tom Jones. | 0:40:49 | 0:40:52 | |
He is "The Voice." I think he's absolutely brilliant. | 0:40:52 | 0:40:56 | |
APPLAUSE AND WHISTLES Thank you very much! | 0:40:56 | 0:40:59 | |
When I started doing the Tom Jones tribute, | 0:41:03 | 0:41:06 | |
I didn't think I'd ever, ever | 0:41:06 | 0:41:07 | |
get the chance to sing in front of the real Tom Jones. | 0:41:07 | 0:41:10 | |
You know, my idol, really. | 0:41:10 | 0:41:12 | |
The Voice has come along and it's given me my chance. | 0:41:12 | 0:41:15 | |
Shh! Shh! Shh! | 0:41:24 | 0:41:25 | |
# It's a god-awful small affair | 0:41:40 | 0:41:43 | |
# To the girl with the mousy hair | 0:41:43 | 0:41:47 | |
# But her mummy is yelling no | 0:41:47 | 0:41:51 | |
# And her daddy has told her to go | 0:41:51 | 0:41:55 | |
# But her friend is nowhere to be seen | 0:41:55 | 0:41:59 | |
# So she walks through her sunken dream | 0:41:59 | 0:42:03 | |
# To the seat with the clearest view | 0:42:03 | 0:42:07 | |
# And she's hooked to the silver screen | 0:42:07 | 0:42:11 | |
# But the film is a saddening bore | 0:42:11 | 0:42:15 | |
# For she's lived it ten times or more... # | 0:42:15 | 0:42:19 | |
-Fantastic! Go on! -Come on! -Yeah! | 0:42:19 | 0:42:22 | |
THEY CHEER | 0:42:22 | 0:42:23 | |
# As they ask her to focus on | 0:42:23 | 0:42:27 | |
# Sailors fighting in the dance hall | 0:42:27 | 0:42:30 | |
# Oh, man! | 0:42:30 | 0:42:32 | |
# Look at those cavemen go | 0:42:32 | 0:42:36 | |
# It's the freakiest show | 0:42:37 | 0:42:41 | |
# Take a look at the law man | 0:42:41 | 0:42:44 | |
# Beating up the wrong guy | 0:42:44 | 0:42:46 | |
# Oh, man! | 0:42:46 | 0:42:48 | |
# Wonder if he'll ever know... # | 0:42:48 | 0:42:50 | |
THEY CHEER | 0:42:50 | 0:42:52 | |
# He's in the best selling show | 0:42:52 | 0:42:56 | |
# Is there life on Mars? # | 0:42:56 | 0:43:06 | |
# Is there life on Mars? # | 0:43:06 | 0:43:11 | |
APPLAUSE AND CHEERING | 0:43:11 | 0:43:14 | |
- Hi! - Hello. | 0:43:27 | 0:43:29 | |
- What's your name? - My name's David Kidd. | 0:43:29 | 0:43:31 | |
- Jamie, that was amazing. - David! | 0:43:31 | 0:43:33 | |
- Oh, sorry, David! - That's all right. | 0:43:33 | 0:43:35 | |
I come from Wigan, so you can't understand me. | 0:43:35 | 0:43:37 | |
LAUGHTER AND CHEERING | 0:43:37 | 0:43:40 | |
THEY GIGGLE | 0:43:40 | 0:43:43 | |
I really enjoyed it. | 0:43:43 | 0:43:44 | |
There was one note that was SO well controlled, | 0:43:44 | 0:43:46 | |
and it was so...it went like this... | 0:43:46 | 0:43:50 | |
and it was SO good. | 0:43:50 | 0:43:52 | |
Thank you very much! | 0:43:52 | 0:43:53 | |
Yeah, it was great. | 0:43:53 | 0:43:54 | |
Thank you. CHEERING | 0:43:54 | 0:43:57 | |
You have a great, strong voice, | 0:43:57 | 0:43:59 | |
and the highs...if I could suggest, | 0:43:59 | 0:44:01 | |
if you could try to control the vibrato in the lower area, | 0:44:01 | 0:44:05 | |
that's...that's the only thing that I find... | 0:44:05 | 0:44:09 | |
-Is that it? -That's it! | 0:44:09 | 0:44:10 | |
-The highs were fantastic. -Thank you very much. | 0:44:10 | 0:44:13 | |
It was pure, it was clean. | 0:44:13 | 0:44:14 | |
DANNY: It reminded me a bit of you, in fairness. | 0:44:14 | 0:44:17 | |
There was a touch of me there. | 0:44:17 | 0:44:18 | |
Well, I'll let you into a secret, Tom. | 0:44:18 | 0:44:21 | |
I'm actually a Tom Jones tribute act as well. | 0:44:21 | 0:44:24 | |
JESSIE: Wow! CHEERING | 0:44:24 | 0:44:28 | |
Can you sing a bit? Can you do a bit? Would you mind? | 0:44:28 | 0:44:32 | |
Sing, like, a verse or something. | 0:44:32 | 0:44:33 | |
AS TOM JONES # I've been in love so many times | 0:44:33 | 0:44:36 | |
# I thought I knew the score | 0:44:36 | 0:44:41 | |
# Now you treated me so wrong | 0:44:41 | 0:44:45 | |
# I can't take any more... # | 0:44:45 | 0:44:49 | |
Come on, Tom! | 0:44:49 | 0:44:50 | |
TOM JOINS IN # And it looks like | 0:44:50 | 0:44:53 | |
THEY SQUEAL | 0:44:53 | 0:44:55 | |
# I'm never going to fall | 0:44:57 | 0:45:00 | |
# In love | 0:45:00 | 0:45:04 | |
# Again... # | 0:45:04 | 0:45:06 | |
Come on! | 0:45:06 | 0:45:07 | |
# Fall... # | 0:45:09 | 0:45:11 | |
Wow, that's high! | 0:45:11 | 0:45:12 | |
# ..in love... # | 0:45:12 | 0:45:15 | |
That is HIGH! | 0:45:15 | 0:45:16 | |
# No, I'm never going to fall... # | 0:45:16 | 0:45:20 | |
DANNY: He's really good! | 0:45:20 | 0:45:21 | |
# In love, oh, I mean it... # | 0:45:21 | 0:45:25 | |
There we go! | 0:45:25 | 0:45:27 | |
# Fall in love again. # | 0:45:27 | 0:45:38 | |
CHEERING AND APPLAUSE | 0:45:38 | 0:45:40 | |
Wow! | 0:45:40 | 0:45:42 | |
THEY APPLAUD | 0:45:44 | 0:45:46 | |
And for you to stand up for me, Tom, that is an absolute honour. | 0:45:46 | 0:45:49 | |
I've loved you all my life! | 0:45:49 | 0:45:51 | |
Thank you. | 0:45:51 | 0:45:53 | |
I wish I could sing that high! | 0:45:56 | 0:45:58 | |
-That was high! -Thank you! | 0:45:58 | 0:46:00 | |
Well, that was a bit of a high key for me as well! | 0:46:00 | 0:46:02 | |
What key was that? | 0:46:02 | 0:46:04 | |
-BAND MEMBER: A-flat. -A-flat, I thought... | 0:46:04 | 0:46:06 | |
-Is that high? -It IS high! | 0:46:06 | 0:46:08 | |
LAUGHTER | 0:46:08 | 0:46:10 | |
-Wow! E. I do it in E. -I do it in, "Eee, by gum!" | 0:46:10 | 0:46:13 | |
-"Eee, by gum!" -TOM LAUGHS | 0:46:13 | 0:46:15 | |
Thank you. | 0:46:19 | 0:46:20 | |
# It's not unusual to be loved by anyone | 0:46:26 | 0:46:30 | |
# It's not unusual to have fun with anyone | 0:46:31 | 0:46:36 | |
# But when I see you hanging about with anyone... # | 0:46:36 | 0:46:39 | |
'For Tom Jones to say that I can get at that high note, higher than him, | 0:46:39 | 0:46:44 | |
'I mean, that, to me...that's it. That's all I wanted someone to say.' | 0:46:44 | 0:46:48 | |
-I know I'm good, because they've told me I'm good. REGGIE: -Good man. | 0:46:48 | 0:46:51 | |
-He was a really good impersonator too. -Yeah! | 0:46:51 | 0:46:53 | |
-That's a hell of a song, that. # Fall in love... # -Yeah. | 0:46:53 | 0:46:56 | |
Some people don't like the spotlight, | 0:47:02 | 0:47:04 | |
but only find their voice when they sing. | 0:47:04 | 0:47:07 | |
Like 22-year-old Laura Oakes. | 0:47:07 | 0:47:10 | |
I love singing at weddings, because the atmosphere is great, you know. | 0:47:10 | 0:47:13 | |
It's such a happy day for the people that are getting married. | 0:47:13 | 0:47:17 | |
It's someone else's big day. | 0:47:17 | 0:47:19 | |
I can kind of just be in the background. | 0:47:19 | 0:47:21 | |
But now, this is my big day, | 0:47:21 | 0:47:24 | |
and this is my time to be in the spotlight. | 0:47:24 | 0:47:26 | |
Like Laura, Jessica Steele is another shy girl | 0:47:27 | 0:47:30 | |
who finds confidence through singing. | 0:47:30 | 0:47:33 | |
I've been singing since I were little, really. | 0:47:33 | 0:47:36 | |
I become somebody else when I'm singing. | 0:47:36 | 0:47:39 | |
I lose all my insecurities. | 0:47:39 | 0:47:40 | |
I leave all my troubles behind and it just makes me feel, | 0:47:40 | 0:47:44 | |
like, really good. | 0:47:44 | 0:47:46 | |
I've entered other singing competitions in the past, | 0:47:46 | 0:47:49 | |
and it didn't really go as well as I'd hoped. | 0:47:49 | 0:47:52 | |
Cos I used to be really, really confident, and... | 0:47:54 | 0:47:57 | |
..and I'm just hoping that this will give me that confidence back. | 0:47:59 | 0:48:02 | |
I think I'm just, like, scared of getting another knock-back. | 0:48:04 | 0:48:08 | |
So, whilst Jessica waits for her moment, | 0:48:12 | 0:48:15 | |
it's already arrived for Laura. | 0:48:15 | 0:48:18 | |
I'm just trying to prove to myself that I can overcome being shy | 0:48:18 | 0:48:23 | |
and being in the background, and that I can be centre stage. | 0:48:23 | 0:48:27 | |
I'm just holding out for amazing now. | 0:48:30 | 0:48:32 | |
Whoosh! Next one! | 0:48:38 | 0:48:40 | |
THEY CHEER | 0:48:41 | 0:48:43 | |
# When we first came here | 0:49:00 | 0:49:04 | |
# We were cold and we were clear... # | 0:49:04 | 0:49:07 | |
THEY SQUEAL AND CHEER | 0:49:07 | 0:49:10 | |
# We were light and paper thin | 0:49:10 | 0:49:15 | |
# Say my name | 0:49:15 | 0:49:19 | |
# And every colour illuminates | 0:49:19 | 0:49:22 | |
# Say my name | 0:49:22 | 0:49:27 | |
# And every colour illuminates | 0:49:27 | 0:49:30 | |
# We are shining | 0:49:30 | 0:49:35 | |
# And we will never be afraid again | 0:49:35 | 0:49:38 | |
# And when we come for you | 0:49:38 | 0:49:43 | |
# We'll be dressed up all in blue | 0:49:43 | 0:49:46 | |
# With the ocean in our arms | 0:49:46 | 0:49:50 | |
# Kiss your eyes and kiss your palms | 0:49:50 | 0:49:53 | |
# Say my name | 0:49:53 | 0:49:58 | |
# And every colour illuminates | 0:49:58 | 0:50:01 | |
# We are shining | 0:50:01 | 0:50:06 | |
# And we will never be afraid again | 0:50:06 | 0:50:09 | |
# Say my name. # | 0:50:09 | 0:50:14 | |
CHEERING AND APPLAUSE | 0:50:14 | 0:50:16 | |
-Hi! -How are you? | 0:50:37 | 0:50:39 | |
-I'm good NOW! -LAUGHTER | 0:50:39 | 0:50:41 | |
How did that feel up there? | 0:50:41 | 0:50:43 | |
Amazing! It was so good, yeah! | 0:50:43 | 0:50:44 | |
Soak it in! Soak it in! | 0:50:44 | 0:50:46 | |
Thank you! | 0:50:46 | 0:50:48 | |
CHEERING | 0:50:48 | 0:50:50 | |
I'm so glad you came on. Absolutely so glad. | 0:50:52 | 0:50:54 | |
-Thank you! -Yeah, you've got some belt on you! | 0:50:54 | 0:50:57 | |
THEY APPLAUD | 0:50:57 | 0:50:59 | |
Honestly, I didn't turn around because when Danny turned around, | 0:50:59 | 0:51:03 | |
he was so... "Yeah!" | 0:51:03 | 0:51:04 | |
And then he was like, "Yeah!" | 0:51:04 | 0:51:06 | |
So I was like, "Whoa!" | 0:51:06 | 0:51:08 | |
LAUGHTER | 0:51:08 | 0:51:09 | |
He was like, "If you touch your button, it's..." | 0:51:09 | 0:51:13 | |
-And then I was like... -DANNY LAUGHS | 0:51:13 | 0:51:16 | |
-CHEERING -Thank you very much! | 0:51:16 | 0:51:19 | |
She's on my team! | 0:51:20 | 0:51:22 | |
Thank you so much! Thank you very much! | 0:51:22 | 0:51:25 | |
Well done! All that stuff we can work on. | 0:51:26 | 0:51:29 | |
So Laura takes her place on Team Danny. | 0:51:34 | 0:51:37 | |
But everything is still in the balance for Jessica. | 0:51:37 | 0:51:40 | |
I feel like this is the biggest performance that I'll ever do. | 0:51:40 | 0:51:44 | |
Everything else I've done, because I was young, | 0:51:48 | 0:51:50 | |
I didn't really care what came from it. | 0:51:50 | 0:51:52 | |
But now, I feel like this is it | 0:51:52 | 0:51:54 | |
and I just really, really want it to work out for me. | 0:51:54 | 0:51:57 | |
# I was working as a waitress in a cocktail bar | 0:52:26 | 0:52:33 | |
# When I met you | 0:52:35 | 0:52:37 | |
# You picked me out, you shook me up | 0:52:39 | 0:52:42 | |
# And turned me around | 0:52:42 | 0:52:46 | |
# Turned me into someone new | 0:52:46 | 0:52:50 | |
# Now five years later on you've got the world at your feet | 0:52:51 | 0:52:58 | |
# Success has been so easy for you | 0:52:58 | 0:53:04 | |
# But don't forget it's me who put you where you are now | 0:53:04 | 0:53:11 | |
# And I can put you back down too | 0:53:11 | 0:53:15 | |
# Don't, don't you want me..? # | 0:53:17 | 0:53:23 | |
-Oh! -Come on, press that button! | 0:53:23 | 0:53:26 | |
# ..when I hear that you won't see me | 0:53:26 | 0:53:30 | |
# Don't, don't you want me? | 0:53:30 | 0:53:36 | |
# I wish you'd change it back or we will both be sorry... # | 0:53:36 | 0:53:42 | |
Come on! Come on! | 0:53:42 | 0:53:45 | |
# Yeah, yeah | 0:53:45 | 0:53:48 | |
# Don't, don't you want me? | 0:53:48 | 0:53:52 | |
# Oh, oh, oh | 0:53:52 | 0:53:54 | |
# Don't you want me, baby? | 0:53:55 | 0:54:01 | |
# Don't you want me? | 0:54:01 | 0:54:04 | |
# Oh, oh, oh, ooh-ooh. # | 0:54:04 | 0:54:10 | |
CHEERING AND APPLAUSE | 0:54:12 | 0:54:14 | |
God! | 0:54:19 | 0:54:21 | |
-Hi. -What's your name? | 0:54:35 | 0:54:37 | |
Erm, I'm Jess, and I'm from Sheffield. | 0:54:37 | 0:54:39 | |
JESSIE: Good name! CHEERING | 0:54:39 | 0:54:43 | |
There's a specific reason why I didn't turn around. | 0:54:43 | 0:54:48 | |
You have a very, very unique, | 0:54:48 | 0:54:51 | |
star quality voice, you know? | 0:54:51 | 0:54:54 | |
APPLAUSE AND CHEERING | 0:54:54 | 0:54:57 | |
But it wouldn't be fair to a singer that I have on my team | 0:54:57 | 0:55:01 | |
that is similar to you. | 0:55:01 | 0:55:03 | |
And I told her I'm going to fight. | 0:55:03 | 0:55:05 | |
Now, I would be lying if I said I was going to fight, | 0:55:05 | 0:55:09 | |
and then picked somebody similar to her. | 0:55:09 | 0:55:11 | |
So that's the only reason why I didn't turn around. | 0:55:11 | 0:55:14 | |
But I don't know why anybody else didn't. | 0:55:14 | 0:55:16 | |
CHEERING AND APPLAUSE JESSIE: How old are you? | 0:55:16 | 0:55:20 | |
I'm 21. | 0:55:20 | 0:55:21 | |
21. And what do you do every day? | 0:55:21 | 0:55:23 | |
What do you do for a living? | 0:55:23 | 0:55:25 | |
I teach little kids to sing. | 0:55:25 | 0:55:27 | |
APPLAUSE | 0:55:27 | 0:55:29 | |
It's all right. Don't cry. | 0:55:34 | 0:55:36 | |
Right, can we just sit on the step? | 0:55:39 | 0:55:41 | |
Ooh, OK, so, I didn't turn around because I don't think you're ready. | 0:55:43 | 0:55:49 | |
There was a lady that came here last series and none of us turned around. | 0:55:49 | 0:55:53 | |
Then she took our advice, went away, and came back a year later, | 0:55:53 | 0:55:56 | |
and we all turned around. | 0:55:56 | 0:55:57 | |
And I feel like that's exactly where you're at. | 0:55:57 | 0:56:01 | |
DANNY: Yeah. | 0:56:01 | 0:56:02 | |
And I feel like if you worked on your breathing, | 0:56:02 | 0:56:04 | |
if you worked on your diction...and I don't want you to be sad. | 0:56:04 | 0:56:07 | |
I really don't, cos you need to be so proud of yourself | 0:56:07 | 0:56:09 | |
that all those little kids that you teach, honestly, are watching you. | 0:56:09 | 0:56:13 | |
CHEERING ..and going, "Wow! | 0:56:13 | 0:56:15 | |
"We can do that too!" | 0:56:15 | 0:56:18 | |
I feel the same thing that she's feeling. | 0:56:18 | 0:56:20 | |
I think that you need a little time. | 0:56:20 | 0:56:23 | |
I like what you did with the song, though. I liked the idea of it. | 0:56:23 | 0:56:28 | |
CHEERING | 0:56:28 | 0:56:30 | |
Come on, let's go. | 0:56:30 | 0:56:31 | |
DANNY: Genuinely. Come here. You're fantastic, you know. | 0:56:33 | 0:56:36 | |
CHEERING | 0:56:38 | 0:56:40 | |
People forget, half is talent, half is thick skin. | 0:56:46 | 0:56:49 | |
THEY CHEER | 0:56:52 | 0:56:54 | |
'I think nerves got to me a little bit. | 0:56:54 | 0:56:56 | |
'I'm going to try and take the positive things that they've said | 0:56:56 | 0:57:01 | |
'and come back next year with, obviously, something better,' | 0:57:01 | 0:57:06 | |
cos that just weren't good enough. | 0:57:06 | 0:57:08 | |
For some artists, The Voice is their first shot at the big time. | 0:57:11 | 0:57:15 | |
For others, it could be their last chance. | 0:57:15 | 0:57:18 | |
Karl Michael is pinning everything on this moment. | 0:57:18 | 0:57:21 | |
People think having a record deal means you've made it. | 0:57:21 | 0:57:25 | |
It doesn't. | 0:57:26 | 0:57:28 | |
About six months ago, I was in the studio making an album, | 0:57:29 | 0:57:33 | |
and then literally three days after, | 0:57:33 | 0:57:36 | |
the record company decided to pull out. | 0:57:36 | 0:57:39 | |
I went from recording in studios in New York | 0:57:39 | 0:57:42 | |
to cleaning windows in Earls Court. | 0:57:42 | 0:57:44 | |
In a matter of six months, I lost everything. | 0:57:49 | 0:57:52 | |
-Thank you very much. -Cheers. | 0:57:52 | 0:57:55 | |
I spend the day cleaning windows, and at night, | 0:57:55 | 0:57:57 | |
I'm working in a bar just to have enough money to pay for my rent. | 0:57:57 | 0:58:02 | |
It's a horrible feeling. | 0:58:02 | 0:58:04 | |
It's like climbing a mountain, and as you're about to reach the top... | 0:58:04 | 0:58:07 | |
..you fall. | 0:58:09 | 0:58:11 | |
I feel like I've taken about five steps back in my life, yeah. | 0:58:11 | 0:58:15 | |
26, I should have a girlfriend and living in a house, | 0:58:15 | 0:58:18 | |
not living in a bedsit on my own. | 0:58:18 | 0:58:20 | |
It's not where I want to be. Yeah. | 0:58:20 | 0:58:23 | |
Everything's at stake for me. I've got nothing. | 0:58:26 | 0:58:29 | |
All I've got is my voice. | 0:58:29 | 0:58:31 | |
I need to prove to myself and to my family that I can do this. | 0:58:33 | 0:58:41 | |
It's my last shot. I don't want to fail. I'm here to win. | 0:58:41 | 0:58:45 | |
# Mmm | 0:58:59 | 0:59:01 | |
# Mmm | 0:59:01 | 0:59:02 | |
# I used to be a lunatic from the gracious days | 0:59:07 | 0:59:15 | |
# Ooh-ooh, and I used to be woebegone | 0:59:17 | 0:59:23 | |
# And so restless nights | 0:59:23 | 0:59:29 | |
# Mmm-mmm | 0:59:29 | 0:59:30 | |
# My aching heart would bleed | 0:59:30 | 0:59:37 | |
# For you to see | 0:59:37 | 0:59:41 | |
# But no, no, no | 0:59:41 | 0:59:43 | |
# Now, oh, now | 0:59:43 | 0:59:47 | |
# Here, no more I love yous | 0:59:49 | 0:59:54 | |
# The language is leaving me, yeah | 0:59:56 | 1:00:01 | |
# No more I love yous | 1:00:03 | 1:00:08 | |
# Changes are shifting outside the word | 1:00:08 | 1:00:15 | |
# No more I love yous, yeah | 1:00:15 | 1:00:20 | |
# The language is leaving me, oh-oh | 1:00:20 | 1:00:26 | |
# No more I love yous, yeah | 1:00:26 | 1:00:27 | |
# The language is leaving me inside. # | 1:00:33 | 1:00:42 | |
LOUD CHEERING | 1:00:42 | 1:00:44 | |
Thank you. | 1:01:05 | 1:01:07 | |
JESSIE: Hello! What's your name? | 1:01:07 | 1:01:08 | |
It's Karl Michael. | 1:01:08 | 1:01:10 | |
Karl. And how old are you? | 1:01:10 | 1:01:11 | |
I'm 26. | 1:01:11 | 1:01:12 | |
And why are you here today? | 1:01:12 | 1:01:14 | |
I just can't seem to catch my break. | 1:01:14 | 1:01:17 | |
You're in front of four people who know how that feels. | 1:01:17 | 1:01:20 | |
And so it's nice to know that you haven't given up | 1:01:20 | 1:01:23 | |
and you've kept fighting, | 1:01:23 | 1:01:24 | |
cos no-one understands how hard it is until you live it. | 1:01:24 | 1:01:27 | |
And how every day, it can all be taken away in a heartbeat. | 1:01:27 | 1:01:30 | |
I'm really proud of you for doing that. | 1:01:30 | 1:01:33 | |
Thank you so much. That means a lot, coming from you. | 1:01:33 | 1:01:36 | |
I have never worked with anyone with a voice like yours. | 1:01:36 | 1:01:40 | |
I think that's a good and a bad thing. | 1:01:40 | 1:01:42 | |
Oh, OK. | 1:01:42 | 1:01:43 | |
DANNY: Mostly bad! JESSIE: No! | 1:01:43 | 1:01:45 | |
LAUGHTER | 1:01:45 | 1:01:47 | |
Here he goes, with the pitch! | 1:01:47 | 1:01:48 | |
Um, no, it's not bad at all, I think it's a great thing. | 1:01:48 | 1:01:51 | |
I'm a singer, and I love to sing, | 1:01:51 | 1:01:53 | |
and I think that you would be great with me vocally. | 1:01:53 | 1:01:56 | |
I think I could really teach you a lot, | 1:01:56 | 1:01:58 | |
and I think you could teach me a lot, to be honest. | 1:01:58 | 1:02:00 | |
If you want to really learn the technique and stuff | 1:02:00 | 1:02:03 | |
and understand what it's like to be an artist right now, I'm your girl. | 1:02:03 | 1:02:07 | |
CHEERING Thank you. | 1:02:07 | 1:02:09 | |
I love the way you sound. | 1:02:11 | 1:02:13 | |
I mean, the tone of your voice is great, your style is great. | 1:02:13 | 1:02:17 | |
You don't sound like you're trying to copy anybody. | 1:02:17 | 1:02:20 | |
If you did want me as your coach, | 1:02:20 | 1:02:22 | |
I would just want to find great songs for you | 1:02:22 | 1:02:25 | |
and just help you along as best I could. | 1:02:25 | 1:02:28 | |
But you have it, believe me. | 1:02:28 | 1:02:31 | |
Thank you so much. Thank you. Thank you. | 1:02:31 | 1:02:33 | |
CHEERING | 1:02:33 | 1:02:35 | |
DANNY: For me, I heard the same emotion | 1:02:35 | 1:02:37 | |
and the same passion...it's that fire. | 1:02:37 | 1:02:39 | |
You know, I can tell that you've been through a long struggle. | 1:02:39 | 1:02:42 | |
I've been in exactly those same shoes. | 1:02:42 | 1:02:44 | |
I would absolutely love to have you on the team, | 1:02:44 | 1:02:46 | |
just to impart the knowledge that I've learned, | 1:02:46 | 1:02:50 | |
cos we are...we're so alike. | 1:02:50 | 1:02:52 | |
Yeah, I'm here to learn. CHEERING | 1:02:52 | 1:02:55 | |
The reason why I turned around | 1:02:55 | 1:02:57 | |
is because I imagined what was going on. | 1:02:57 | 1:03:00 | |
I imagined you walk on stage, you test your mic. Get the key. | 1:03:00 | 1:03:04 | |
# Mmmm... # | 1:03:04 | 1:03:07 | |
This guy's getting his key! | 1:03:07 | 1:03:10 | |
Not a lot of singers do that. | 1:03:10 | 1:03:11 | |
I was like, "You know what, this guy's really serious. | 1:03:11 | 1:03:14 | |
"He needs a fighter with him." | 1:03:14 | 1:03:16 | |
Not just a coach, but a person | 1:03:16 | 1:03:18 | |
that's really going to knock down walls. | 1:03:18 | 1:03:20 | |
Standing in the hall of fame, baby! | 1:03:20 | 1:03:22 | |
CHEERING | 1:03:22 | 1:03:24 | |
So the choice is...really, it's two choices. It's either Danny or me. | 1:03:24 | 1:03:28 | |
CHEERING | 1:03:28 | 1:03:33 | |
I'll just be like...you know what I'm saying? | 1:03:34 | 1:03:36 | |
I'm still pinching myself. This doesn't feel real right now. | 1:03:36 | 1:03:38 | |
JESSIE: The decision is yours. | 1:03:38 | 1:03:40 | |
Before you came here, you probably already had the coach in mind | 1:03:40 | 1:03:43 | |
that you wanted to turn around. | 1:03:43 | 1:03:45 | |
Who was that guy? | 1:03:45 | 1:03:48 | |
-All right, see? I'm psychic! -JESSIE: What?! | 1:03:48 | 1:03:50 | |
-LAUGHTER -I'm psychic! | 1:03:50 | 1:03:52 | |
JESSIE: It's over! | 1:03:52 | 1:03:55 | |
APPLAUSE | 1:03:55 | 1:03:57 | |
I could learn loads from both of you. | 1:03:57 | 1:04:00 | |
AUDIENCE SHOUTS OUT BOTH NAMES | 1:04:00 | 1:04:04 | |
INTRO TO "I GOTTA FEELING" BY BLACK EYED PEAS PLAYS | 1:04:04 | 1:04:08 | |
Where my head lies and what music I write... | 1:04:08 | 1:04:11 | |
..who do I think I would learn the most from? | 1:04:14 | 1:04:16 | |
And I'm half-Irish, so it would be Danny. | 1:04:22 | 1:04:25 | |
MUSIC: "Hall of Fame" by The Script feat. Will.i.am | 1:04:25 | 1:04:28 | |
Come on! Come on! | 1:04:28 | 1:04:31 | |
Give it up for my boy! | 1:04:38 | 1:04:39 | |
Come on! Bap-bada-bap-bada-bap-bap-bap-baaaa! | 1:04:42 | 1:04:45 | |
-THEY CHEER -Mate, well done! | 1:04:50 | 1:04:54 | |
You did it! | 1:04:54 | 1:04:55 | |
Smacked it, dude! | 1:04:55 | 1:04:58 | |
The Irish thing worked for once, and I never brought it up! | 1:04:58 | 1:05:00 | |
AUDIENCE WHOOPS For once! | 1:05:00 | 1:05:03 | |
-For once, yeah! -Are you Irish?! | 1:05:03 | 1:05:05 | |
DANNY LAUGHS | 1:05:05 | 1:05:08 | |
I still feel like I'm in a dream. | 1:05:08 | 1:05:09 | |
Like, when I was up there, I was just thinking, | 1:05:09 | 1:05:12 | |
"Hang on a minute, actually, all four turned!" | 1:05:12 | 1:05:14 | |
That was the biggest one of the day there. | 1:05:14 | 1:05:16 | |
Everyone was going all-in on that. | 1:05:16 | 1:05:18 | |
One person comes along in the series | 1:05:18 | 1:05:20 | |
where you really see a lot of yourself in. | 1:05:20 | 1:05:22 | |
It must be something to do with the troubles and the pain | 1:05:22 | 1:05:24 | |
that you've had in the past. | 1:05:24 | 1:05:26 | |
But that kid's special. Very special. | 1:05:26 | 1:05:28 | |
KARL: 'It seems that things happen for a reason.' | 1:05:28 | 1:05:30 | |
I'm going to grab this opportunity with both hands, | 1:05:30 | 1:05:32 | |
and I'm going to own it. | 1:05:32 | 1:05:33 | |
After another spectacular night of auditions, | 1:05:35 | 1:05:37 | |
the coaches are now even closer to their teams of 12. | 1:05:37 | 1:05:41 | |
Danny has secured another two artists, | 1:05:41 | 1:05:43 | |
bringing his total to seven. | 1:05:43 | 1:05:44 | |
I'm not really worried about any other team. | 1:05:44 | 1:05:46 | |
Everybody has a stand-out. I just happen to have more of them. | 1:05:46 | 1:05:49 | |
Jessie's added one artist, bringing her total to eight. | 1:05:49 | 1:05:52 | |
At the moment, it's make or break, so I will only push my button | 1:05:52 | 1:05:55 | |
if it's incredible. | 1:05:55 | 1:05:57 | |
With two new artists, Will's team is at seven. | 1:05:57 | 1:05:59 | |
-WILL: -You know, I pick things like opera, folk, | 1:05:59 | 1:06:03 | |
things that I don't have already. | 1:06:03 | 1:06:05 | |
After adding one artist, Tom has also got seven. | 1:06:05 | 1:06:08 | |
All the coaches have strong teams, but I have the strongest! | 1:06:08 | 1:06:12 | |
Next week... | 1:06:12 | 1:06:13 | |
The search for the dream continues... | 1:06:13 | 1:06:15 | |
-WILL: -This is the biggest decision of your life! | 1:06:15 | 1:06:18 | |
..as the coaches battle hard to secure their acts. | 1:06:18 | 1:06:21 | |
Don't confuse me! | 1:06:21 | 1:06:22 | |
The fight is far from over. | 1:06:22 | 1:06:24 | |
CHEERING | 1:06:24 | 1:06:26 | |
-Tom! -Yeah! | 1:06:26 | 1:06:27 | |
Subtitles by Red Bee Media Ltd | 1:06:52 | 1:06:56 |