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Five weeks ago, four superstars set out to build their teams of 12. | 0:00:03 | 0:00:07 | |
Tonight, those teams must be completed. | 0:00:09 | 0:00:13 | |
I think when you're down to the last two, especially the last one, | 0:00:14 | 0:00:17 | |
they have to move you. | 0:00:17 | 0:00:19 | |
There's a lot of voices to come yet, so you don't want to do it | 0:00:20 | 0:00:22 | |
too soon, but you don't want to wait too long either. | 0:00:22 | 0:00:26 | |
I don't want 12 contestants that really don't challenge me, | 0:00:27 | 0:00:31 | |
because that's boring. | 0:00:31 | 0:00:33 | |
People have their dreams on the line. That's a tough decision. | 0:00:34 | 0:00:38 | |
Completing the team is probably the hardest part of it. | 0:00:38 | 0:00:42 | |
Danny is searching for one more act. | 0:00:42 | 0:00:44 | |
Done, done, done! | 0:00:44 | 0:00:46 | |
Tom also has one final spot to fill. | 0:00:48 | 0:00:50 | |
Ergh... | 0:00:50 | 0:00:52 | |
GO! | 0:00:52 | 0:00:53 | |
I made a mistake. | 0:00:53 | 0:00:55 | |
Yeah! | 0:00:55 | 0:00:56 | |
Jessie is in need of two to complete her team. | 0:00:56 | 0:01:00 | |
Ooh, you've upped the game, you've upped the game, you've upped the game. | 0:01:00 | 0:01:03 | |
And the pressure is on for Will, who has three spaces left. | 0:01:03 | 0:01:07 | |
-Come on, Will! -You should have turned. -Oh, really, now? | 0:01:07 | 0:01:09 | |
-You're an idiot! -Whatever. | 0:01:09 | 0:01:12 | |
Bam! It's on! | 0:01:15 | 0:01:16 | |
This is the final blind audition. | 0:01:16 | 0:01:20 | |
With so few places left on their teams, time is running out for the | 0:01:20 | 0:01:23 | |
coaches and artists, but our first act has brought plenty of backup. | 0:01:23 | 0:01:28 | |
I am Adenike Makinde, I'm 23. | 0:01:28 | 0:01:30 | |
My family is very musical. | 0:01:30 | 0:01:32 | |
When it comes to music, we become house band, literally a house band! | 0:01:32 | 0:01:37 | |
My brother will be on the drums, my sister on the piano, | 0:01:37 | 0:01:39 | |
and I'll be singing, pretending I'm Tina Turner, with a hairbrush. | 0:01:39 | 0:01:42 | |
Group hug! | 0:01:42 | 0:01:44 | |
When I sing, something wells up inside of me. | 0:01:48 | 0:01:52 | |
Music is my life. | 0:01:52 | 0:01:55 | |
This is such a great opportunity for me. | 0:01:55 | 0:01:58 | |
If the competition wasn't fierce before, it certainly is now. | 0:02:01 | 0:02:05 | |
It's the last day. I have this good instinct that something just | 0:02:05 | 0:02:08 | |
incredible is going to come along. | 0:02:08 | 0:02:10 | |
-Wow! -Here she goes. | 0:02:16 | 0:02:17 | |
# With all my heart | 0:02:35 | 0:02:39 | |
# I love you, baby | 0:02:39 | 0:02:42 | |
# Stay with me and you will see | 0:02:42 | 0:02:47 | |
-# My arms... # -She sounds good. She sounds great. | 0:02:47 | 0:02:50 | |
# ..Will hold you, baby | 0:02:50 | 0:02:53 | |
# Never leave | 0:02:53 | 0:02:55 | |
# Cos I believe | 0:02:55 | 0:02:57 | |
# In this love | 0:02:57 | 0:02:59 | |
# Sweet love | 0:02:59 | 0:03:02 | |
# Hear me calling out your name | 0:03:02 | 0:03:06 | |
# I feel no shame | 0:03:06 | 0:03:07 | |
# I'm in love | 0:03:07 | 0:03:10 | |
# Sweet love | 0:03:10 | 0:03:12 | |
# Don't you ever go away | 0:03:12 | 0:03:15 | |
# It'll always be this way | 0:03:15 | 0:03:18 | |
# There's no stronger love in this world | 0:03:18 | 0:03:23 | |
# Don't, baby, no | 0:03:23 | 0:03:25 | |
# You're my man... # | 0:03:25 | 0:03:26 | |
Come on! Push! | 0:03:26 | 0:03:27 | |
# ..Don't never go | 0:03:27 | 0:03:29 | |
# Stay with me Can't be wrong | 0:03:29 | 0:03:33 | |
# Don't you know this is where you belong | 0:03:33 | 0:03:37 | |
# Oh | 0:03:37 | 0:03:39 | |
# So sweetly | 0:03:39 | 0:03:42 | |
# So sweet | 0:03:42 | 0:03:45 | |
# So sweet | 0:03:45 | 0:03:51 | |
# Don't nobody know | 0:03:51 | 0:03:54 | |
# Don't nobody know | 0:03:54 | 0:03:57 | |
# Oh, no | 0:03:57 | 0:03:59 | |
# I'm so in love | 0:03:59 | 0:04:07 | |
# Oh, no, I'm so in love. # | 0:04:08 | 0:04:13 | |
APPLAUSE | 0:04:14 | 0:04:17 | |
-Hello. -What's your name? -Adenike. | 0:04:42 | 0:04:45 | |
-AUDIENCE MEMBER: -You were great! | 0:04:45 | 0:04:47 | |
Thank you. Thank you. Thank you. | 0:04:47 | 0:04:49 | |
APPLAUSE | 0:04:49 | 0:04:52 | |
Oh, gosh, my nerves really got the better of me. | 0:04:56 | 0:04:58 | |
It didn't sound like it. You sounded great. I was... I was... | 0:04:58 | 0:05:02 | |
I couldn't find anything wrong with your voice. | 0:05:04 | 0:05:07 | |
I was in two minds whether to do it or not, you know? | 0:05:07 | 0:05:12 | |
It was a hard decision not to. | 0:05:12 | 0:05:15 | |
I have no advice to sort of tell you or give you | 0:05:15 | 0:05:19 | |
to say, "Well you should have done this, you should have done that." | 0:05:19 | 0:05:22 | |
I just don't know. | 0:05:22 | 0:05:25 | |
It was so close, and I made a mistake. | 0:05:25 | 0:05:29 | |
APPLAUSE | 0:05:29 | 0:05:32 | |
SHE SIGHS | 0:05:38 | 0:05:40 | |
Hi, Will. | 0:05:40 | 0:05:42 | |
You started off really great | 0:05:42 | 0:05:43 | |
and you hit this one riff that was just magnificent, | 0:05:43 | 0:05:47 | |
and then after that, I think you hit a bad note | 0:05:47 | 0:05:50 | |
and you were aware of it | 0:05:50 | 0:05:51 | |
and it haunted you through the rest of your performance. | 0:05:51 | 0:05:56 | |
That song means a lot to me - | 0:05:56 | 0:05:57 | |
in my childhood, it's my mom's favourite song. | 0:05:57 | 0:06:01 | |
When she would play that song she was happiest | 0:06:01 | 0:06:04 | |
because my sister's dad would come to the house | 0:06:04 | 0:06:07 | |
and, you know, it just was... | 0:06:07 | 0:06:09 | |
And my mom would have her romantic time | 0:06:09 | 0:06:11 | |
with the love of her life at the time. | 0:06:11 | 0:06:15 | |
I was too young to know what was going on, but... I know... | 0:06:15 | 0:06:20 | |
For me, honestly, any note that I was like, "Ohh," | 0:06:20 | 0:06:23 | |
-wasn't making me sure, was purely because of nerves. -Yeah. | 0:06:23 | 0:06:27 | |
It is like make or break now, like we're filling up spaces | 0:06:27 | 0:06:30 | |
and it's really tough to know when to go and where not to go, | 0:06:30 | 0:06:35 | |
but I don't want you to feel disheartened at all. | 0:06:35 | 0:06:37 | |
Your voice is amazing. | 0:06:37 | 0:06:39 | |
Thank you. | 0:06:39 | 0:06:40 | |
APPLAUSE | 0:06:40 | 0:06:42 | |
Thank you, everyone. | 0:06:44 | 0:06:47 | |
Thank you. Thank you very much. | 0:06:49 | 0:06:51 | |
Honestly, don't let this knock you. | 0:06:51 | 0:06:53 | |
CHEERING | 0:06:53 | 0:06:56 | |
-Should have pressed it. -Yeah, me too. Should have pressed it. | 0:07:01 | 0:07:05 | |
-Missed that one. -Yeah. | 0:07:05 | 0:07:08 | |
CHEERING AND APPLAUSE | 0:07:08 | 0:07:10 | |
Well done! | 0:07:12 | 0:07:14 | |
-It gets so hard when you've nearly filled, though. -I know, yeah. | 0:07:14 | 0:07:19 | |
To turn or not to turn? The chances are quickly running out. | 0:07:19 | 0:07:23 | |
I'm holding out for things that are amazing, and if it doesn't come, | 0:07:23 | 0:07:26 | |
I'm not just going to go because I feel like I need to fill my spaces. | 0:07:26 | 0:07:29 | |
How many do you have now, 11? | 0:07:29 | 0:07:31 | |
Yeah, got one more spot! | 0:07:31 | 0:07:33 | |
Right now, we're listening for something special. | 0:07:33 | 0:07:36 | |
Will that something special come in the form of | 0:07:36 | 0:07:39 | |
31-year-old fashion stylist John Pritchard? | 0:07:39 | 0:07:42 | |
Styling and the way you look is all part of it, | 0:07:42 | 0:07:46 | |
but at the end of the day, music comes down to the voice. | 0:07:46 | 0:07:49 | |
The most exciting and daunting prospect of this is | 0:07:51 | 0:07:54 | |
the coaches are just going to be listening and then they get to see. | 0:07:54 | 0:07:57 | |
-Go on, John! -Woo! -Come on, John! | 0:07:57 | 0:08:00 | |
MUSIC: "Wicked Game" | 0:08:10 | 0:08:11 | |
# The world was on fire | 0:08:19 | 0:08:21 | |
# No-one could save me but you... # | 0:08:21 | 0:08:24 | |
CHEERING | 0:08:24 | 0:08:26 | |
-Yes. -Come on, John. -Come on, John! -Wow! | 0:08:26 | 0:08:28 | |
# ..It's strange what desire will make foolish people do | 0:08:28 | 0:08:33 | |
# I never dreamed that I'd meet somebody like you... # | 0:08:36 | 0:08:42 | |
-Push it! -Push it! | 0:08:44 | 0:08:46 | |
# ..I never dreamed that I'd meet somebody like you... # | 0:08:46 | 0:08:51 | |
He's going to go, just push it! | 0:08:51 | 0:08:53 | |
# ..No, I don't want to fall in love... # | 0:08:53 | 0:08:57 | |
THEY CHEER | 0:08:57 | 0:08:59 | |
# ..You know I don't want to fall in love... # | 0:09:02 | 0:09:10 | |
Good luck. | 0:09:12 | 0:09:13 | |
# ..What wicked game to play to make me feel this way | 0:09:13 | 0:09:19 | |
# What a wicked thing to do | 0:09:20 | 0:09:24 | |
# To let me dream of you | 0:09:24 | 0:09:27 | |
# What a wicked thing to say | 0:09:29 | 0:09:33 | |
# You've never felt this way | 0:09:33 | 0:09:37 | |
# What a wicked thing to do | 0:09:37 | 0:09:42 | |
# To let me dream of you | 0:09:42 | 0:09:44 | |
# And I don't want to fall in love. # | 0:09:44 | 0:09:52 | |
CHEERING | 0:09:52 | 0:09:56 | |
Yes! | 0:09:59 | 0:10:01 | |
-Hello. -What's your name? | 0:10:12 | 0:10:15 | |
John. John Pritchard. Hi, nice to meet you. | 0:10:15 | 0:10:17 | |
Outside of the obvious talent you have, what brought you to the show? | 0:10:17 | 0:10:21 | |
Singing's always something that I've always wanted to do | 0:10:21 | 0:10:24 | |
and when I saw the show I was kind of like, | 0:10:24 | 0:10:26 | |
"OK, this could be a last shot kind of thing for me." | 0:10:26 | 0:10:29 | |
CHEERING | 0:10:29 | 0:10:31 | |
I'm glad my mental hypnotist didn't work. | 0:10:31 | 0:10:35 | |
-Hypnosis? -No, I call it hypnotist. | 0:10:35 | 0:10:37 | |
LAUGHTER | 0:10:37 | 0:10:39 | |
-Hypnotist? -Hypnotist, right? | 0:10:39 | 0:10:41 | |
-My hypnotist. -Yes. | 0:10:41 | 0:10:43 | |
As you NOTICED, they did not turn around. | 0:10:43 | 0:10:46 | |
Hypnotist, noticed. | 0:10:46 | 0:10:47 | |
So it was hypno, so they didn't NOTICE the talent! | 0:10:47 | 0:10:50 | |
I see. | 0:10:50 | 0:10:51 | |
CHEERING | 0:10:51 | 0:10:53 | |
I personally didn't turn round because I'm a sucker for technique. | 0:10:53 | 0:10:57 | |
-Sure. -Like, diction, breathing. | 0:10:57 | 0:10:59 | |
Diction's cool, but if you were to tell that to Elvis Presley, | 0:10:59 | 0:11:03 | |
-he would've been like, "Whatever." -Exactly. -Come on. -Yeah, true. | 0:11:03 | 0:11:08 | |
-He has a point. -Personal thing. | 0:11:08 | 0:11:11 | |
You got the highs and the lows, and you got some fresh clothes. | 0:11:11 | 0:11:14 | |
-So you're in my team. -Thank you very much. Will.i.am, mwah! | 0:11:14 | 0:11:18 | |
Woo! | 0:11:23 | 0:11:24 | |
THEY CHEER | 0:11:38 | 0:11:40 | |
Yes! | 0:11:40 | 0:11:41 | |
He is nothing but pure personality, skill, capability. | 0:11:43 | 0:11:48 | |
That's a star right there. | 0:11:48 | 0:11:49 | |
Thanks so much. Well done, Joe. Take care, guys. | 0:11:49 | 0:11:53 | |
I just want to get that piece of hair... | 0:11:54 | 0:11:57 | |
Oh, it's attached to your head. | 0:11:57 | 0:11:58 | |
-It's my antenna. -That's an aerial. | 0:11:59 | 0:12:02 | |
It's actually getting told everything. Imagine, from Mars. | 0:12:02 | 0:12:07 | |
Obviously. | 0:12:07 | 0:12:08 | |
Will is first off the mark, securing John for his team. | 0:12:08 | 0:12:11 | |
He and Jessie now have two acts to find, whilst Danny | 0:12:11 | 0:12:14 | |
and Tom are both searching for their final team member. | 0:12:14 | 0:12:18 | |
Does Letitia Grant-Brown from Preston have her name | 0:12:18 | 0:12:21 | |
on one of those final six places? | 0:12:21 | 0:12:24 | |
Since a young age, music has been my passion. | 0:12:24 | 0:12:27 | |
It has helped me through a lot of things. | 0:12:27 | 0:12:30 | |
If I get a turn, then it proves to me that all the hard work | 0:12:31 | 0:12:35 | |
that I've been putting in, it wasn't for nothing, | 0:12:35 | 0:12:38 | |
it made me worth something. | 0:12:38 | 0:12:39 | |
-Jessie. -Yes? -You still got two spots to fill? -Still got two. | 0:12:41 | 0:12:45 | |
MUSIC: "Bust Your Windows" | 0:13:00 | 0:13:03 | |
# I bust the windows out your car... # | 0:13:03 | 0:13:06 | |
CHEERING | 0:13:06 | 0:13:07 | |
# ..And no, it didn't mend my broken heart | 0:13:07 | 0:13:11 | |
# I'll probably always have these ugly scars... # | 0:13:11 | 0:13:16 | |
Oooh! | 0:13:16 | 0:13:18 | |
Go on, girl! | 0:13:18 | 0:13:21 | |
# ..I bust the windows out your car | 0:13:21 | 0:13:24 | |
# After I saw you lying next to her | 0:13:25 | 0:13:30 | |
# I didn't wanna but I took my turn... # | 0:13:30 | 0:13:33 | |
Go on, push it! | 0:13:33 | 0:13:35 | |
# ..I'm glad I did it cos you had to learn | 0:13:35 | 0:13:39 | |
# Whoa-oooo-ooo | 0:13:39 | 0:13:41 | |
# I must admit it helped a little bit | 0:13:41 | 0:13:45 | |
# To think of how you'd feel when you saw it | 0:13:45 | 0:13:50 | |
# I didn't know that I had that much strength | 0:13:50 | 0:13:54 | |
# But I'm glad you see what happens when... # | 0:13:54 | 0:13:58 | |
Come on! | 0:13:58 | 0:13:59 | |
# ..See, boy, you can't just play with people's feelings | 0:13:59 | 0:14:03 | |
# Tell them you love them and you don't mean it | 0:14:03 | 0:14:08 | |
# You'll probably say that it was juvenile | 0:14:08 | 0:14:12 | |
# But I think that I deserve to smile | 0:14:12 | 0:14:19 | |
# I did it and I left my mark | 0:14:19 | 0:14:23 | |
# Wrote my initials with a crowbar | 0:14:23 | 0:14:28 | |
# And then I drove up into the dark | 0:14:28 | 0:14:33 | |
# I bust the windows out your car. # | 0:14:33 | 0:14:37 | |
CHEERING | 0:14:37 | 0:14:39 | |
Well done! | 0:14:47 | 0:14:48 | |
Hello, lovey. What's your name? | 0:14:57 | 0:15:00 | |
-I'm Letitia. -Letitia, where are you from? | 0:15:00 | 0:15:03 | |
I'm from Preston. | 0:15:03 | 0:15:04 | |
I've been singing since I was eight, so nearly nine years. | 0:15:04 | 0:15:08 | |
I'm now 17 turning 18. | 0:15:08 | 0:15:11 | |
-TOM: -Wow! | 0:15:11 | 0:15:12 | |
APPLAUSE | 0:15:12 | 0:15:14 | |
You're 17 years old. I'm good friends with Jazmine Sullivan, right. | 0:15:14 | 0:15:18 | |
And I've never heard someone sing a song of hers | 0:15:18 | 0:15:22 | |
so well, with so much feeling. | 0:15:22 | 0:15:25 | |
CHEERING | 0:15:25 | 0:15:27 | |
But also, like, you, like... SHE SPLUTTERS | 0:15:27 | 0:15:32 | |
You're going to get me emotional because this is exactly why | 0:15:32 | 0:15:36 | |
I came on this show, to find young people that deserve this. | 0:15:36 | 0:15:40 | |
DANNY: Hear, hear. | 0:15:40 | 0:15:42 | |
Like, I'm so happy that he didn't turn around. | 0:15:42 | 0:15:46 | |
And I mean that in the nicest way, but I would've been vexed | 0:15:46 | 0:15:49 | |
if he went in. | 0:15:49 | 0:15:51 | |
-So welcome to Team Jessie. I can't wait. -Thank you. | 0:15:51 | 0:15:54 | |
CHEERING | 0:15:54 | 0:15:56 | |
I want a hug. | 0:15:56 | 0:15:57 | |
Well done, honey. Well done. Are you excited? | 0:15:57 | 0:16:02 | |
There she is. Go get her. | 0:16:12 | 0:16:14 | |
-She's at the beginning of such an amazing journey. -At the beginning! | 0:16:15 | 0:16:20 | |
-I'm just happy. -She just happy! | 0:16:20 | 0:16:22 | |
-That I'm able to be here. -Ooo, ooo, be here! | 0:16:22 | 0:16:25 | |
And have the opportunity to turn... | 0:16:25 | 0:16:28 | |
Turn, turn, turn. | 0:16:28 | 0:16:29 | |
Can you tell him to be quiet, please? | 0:16:29 | 0:16:31 | |
I'm ad-libbing. | 0:16:31 | 0:16:33 | |
Performing for four superstars is a daunting prospect for any act. | 0:16:34 | 0:16:38 | |
Any singer that comes for The Voice is taking a risk | 0:16:40 | 0:16:42 | |
because you're putting your voice up for judgement. | 0:16:42 | 0:16:46 | |
33-year-old Danny Foster from London knows this better than most. | 0:16:46 | 0:16:50 | |
What's interesting for me | 0:16:50 | 0:16:52 | |
is that I started my career on the first ever TV talent show. | 0:16:52 | 0:16:56 | |
# Wherever you go... # | 0:16:56 | 0:16:59 | |
Hear'Say was an amazing time in my life. | 0:16:59 | 0:17:03 | |
We had the fastest-selling debut album and single of all time. | 0:17:04 | 0:17:07 | |
# Pure and simple gonna be there... # | 0:17:07 | 0:17:09 | |
What have you been doing since Hear'Say ended? | 0:17:09 | 0:17:12 | |
I've just been grafting really, doing gigs up and down the country. | 0:17:12 | 0:17:15 | |
And obviously now I get to do me. | 0:17:15 | 0:17:18 | |
51-year-old Jay Aston was also in a famous band, | 0:17:20 | 0:17:23 | |
one that took Europe by storm. | 0:17:23 | 0:17:25 | |
I was in a pop group back in the '80s called Bucks Fizz. | 0:17:26 | 0:17:30 | |
# You gotta speed it up and then you gotta slow it down... # | 0:17:30 | 0:17:34 | |
We had three number ones and we sold about 15 million albums | 0:17:34 | 0:17:37 | |
and we travelled all round the world. | 0:17:37 | 0:17:40 | |
And in 1981 we won Eurovision with a song called Making Your Mind Up. | 0:17:40 | 0:17:44 | |
# ..Making your mind up... # | 0:17:44 | 0:17:45 | |
It was just a whirlwind of gloriousness, actually. | 0:17:45 | 0:17:48 | |
Tragically, it all ended when we had a really bad coach crash. | 0:17:51 | 0:17:56 | |
I was paralysed down one side, | 0:17:59 | 0:18:01 | |
I didn't know whether that would come back. | 0:18:01 | 0:18:04 | |
I just had to leave. | 0:18:04 | 0:18:05 | |
I think in a way I'm trying to pick up where I lost something out. | 0:18:07 | 0:18:12 | |
I guess there's a bit of me that still wants to be heard. | 0:18:12 | 0:18:15 | |
What's appealing for me is that the coaches cannot see me. | 0:18:19 | 0:18:24 | |
So, in my mind, there's no judgement on Danny from Hear'Say. | 0:18:25 | 0:18:30 | |
And everything is just judged purely on my voice. | 0:18:39 | 0:18:43 | |
# If you wanna be my lover | 0:18:51 | 0:18:57 | |
# Got to get with my friends... # | 0:18:57 | 0:19:00 | |
-I've never heard him sound like this before. -Yeah. | 0:19:00 | 0:19:02 | |
# ..Tell you want what I really, really want | 0:19:02 | 0:19:05 | |
# So tell me what you want what you really, really want | 0:19:05 | 0:19:08 | |
# If you want my future forget my past | 0:19:08 | 0:19:12 | |
# If you want to get with me you better make it fast | 0:19:12 | 0:19:15 | |
# Now don't go wasting my precious time | 0:19:17 | 0:19:20 | |
# Get your act together We could be just fine | 0:19:21 | 0:19:26 | |
# If you want to be my lover | 0:19:26 | 0:19:28 | |
# You have got to give | 0:19:28 | 0:19:30 | |
# Taking is too easy | 0:19:30 | 0:19:32 | |
# But that's the way it is. # | 0:19:32 | 0:19:36 | |
CHEERING | 0:19:36 | 0:19:40 | |
-Hi. -Hey. -What's your name? | 0:19:53 | 0:19:56 | |
Danny Foster, soul singer. | 0:19:56 | 0:19:58 | |
I didn't turn around because it was good but it wasn't amazing, for me. | 0:19:58 | 0:20:03 | |
And you look really familiar as well. | 0:20:03 | 0:20:05 | |
HE LAUGHS | 0:20:05 | 0:20:06 | |
Yeah, what's your background? | 0:20:06 | 0:20:08 | |
I used to be in a group called Hear'Say, so... | 0:20:08 | 0:20:11 | |
CHEERING Hear'Say, right, right. | 0:20:11 | 0:20:13 | |
OK, that's exactly where I knew you from. | 0:20:13 | 0:20:16 | |
-I was in a pop group. -I get it. -And then came out of the pop group | 0:20:18 | 0:20:22 | |
and started a soul band, so... | 0:20:22 | 0:20:24 | |
You know, for me, I quite liked the tone of your voice. | 0:20:24 | 0:20:27 | |
The track just sounded a bit cabaret and I mean that with utmost respect. | 0:20:27 | 0:20:30 | |
-Cool, cool. -Your voice doesn't. | 0:20:30 | 0:20:32 | |
I think you have a really great voice. | 0:20:32 | 0:20:34 | |
But if I was going to do that with your voice - I know you sing soul - | 0:20:34 | 0:20:37 | |
but there's a bit of edge to your voice, a bit of rock. | 0:20:37 | 0:20:40 | |
I'd have done something to support that grizzly voice | 0:20:40 | 0:20:43 | |
that you have, you know? That was the reason why I didn't turn around. | 0:20:43 | 0:20:46 | |
You sing really well | 0:20:46 | 0:20:47 | |
and I understand what you were trying to do. | 0:20:47 | 0:20:50 | |
But it just didn't come together, for me. | 0:20:50 | 0:20:52 | |
Thanks for singing for us. | 0:20:54 | 0:20:55 | |
CHEERING | 0:20:55 | 0:20:58 | |
CHEERING | 0:21:04 | 0:21:06 | |
The idea was just to bring a pop song and flip it. | 0:21:06 | 0:21:09 | |
For me, it was just about saying, "This is me, I'm Danny Foster. | 0:21:10 | 0:21:14 | |
"Take it or leave it." And today, they left it, you know? | 0:21:14 | 0:21:17 | |
It's hard, man. You know what I mean? You turn around to someone. | 0:21:20 | 0:21:24 | |
He was in a band, a famous band. | 0:21:24 | 0:21:26 | |
Singles out, was on stage doing all this stuff and then sings here | 0:21:26 | 0:21:29 | |
and no-one turns around, you know? | 0:21:29 | 0:21:31 | |
With just five places left, could Danny's loss be Jay's gain? | 0:21:34 | 0:21:38 | |
I could just end my career in 90 seconds or I could restart it. | 0:21:38 | 0:21:42 | |
It's that simple. | 0:21:42 | 0:21:43 | |
Now I feel like I'm 100 times better than I used to be then, | 0:21:47 | 0:21:51 | |
but nobody hears me. | 0:21:51 | 0:21:52 | |
MUSIC: "Time Is Running Out" | 0:22:08 | 0:22:11 | |
# I think I'm drowning, asphyxiated | 0:22:17 | 0:22:21 | |
# I want to break the spell that you created... # | 0:22:21 | 0:22:24 | |
Yes! Come on! | 0:22:24 | 0:22:28 | |
# ..The death of me | 0:22:28 | 0:22:32 | |
# Yes, you will be the death of me | 0:22:32 | 0:22:40 | |
# Bury it, I won't let you bury it | 0:22:41 | 0:22:47 | |
# I won't let you smother it | 0:22:47 | 0:22:51 | |
# I won't let you murder it | 0:22:51 | 0:22:55 | |
# Our time is running out | 0:22:55 | 0:22:59 | |
# Our time is running out | 0:22:59 | 0:23:03 | |
# You can't push it underground | 0:23:03 | 0:23:07 | |
# You can't stop it screaming out | 0:23:07 | 0:23:11 | |
# How did it come to this? | 0:23:11 | 0:23:14 | |
# Ooooh ooooohhhhh, yeah, yeah, yeah | 0:23:14 | 0:23:18 | |
# Oooh, yeah, yeah, yeah | 0:23:18 | 0:23:22 | |
# Oooh, yeah, yeah, yeah | 0:23:22 | 0:23:25 | |
# Yeah | 0:23:25 | 0:23:30 | |
# Yeah! # | 0:23:30 | 0:23:32 | |
CHEERING | 0:23:32 | 0:23:34 | |
Oh, no! | 0:23:34 | 0:23:36 | |
Thank you. | 0:23:44 | 0:23:45 | |
-How are you doing? -I'm great. | 0:23:56 | 0:23:58 | |
-What's your name? -Jay. Jay Aston. | 0:23:58 | 0:24:01 | |
-Hey, Jay Aston. -Hiya. -How long you been singing? | 0:24:01 | 0:24:05 | |
Ooh, about 33 years. | 0:24:05 | 0:24:07 | |
I used to be in a pop group in the '80s called Bucks Fizz. | 0:24:07 | 0:24:11 | |
CHEERING | 0:24:11 | 0:24:13 | |
So it's a bit different from Making Your Mind Up. | 0:24:15 | 0:24:18 | |
For me, to be honest with you, song choice is so hard. | 0:24:18 | 0:24:21 | |
Yeah, I mean, I'm not really a rock artist. | 0:24:21 | 0:24:24 | |
Yeah, that's the thing. It kind of just went like that for me. | 0:24:24 | 0:24:27 | |
It stayed too kind of safe. | 0:24:27 | 0:24:29 | |
And then you really started to show "I can do this, I want this" | 0:24:29 | 0:24:32 | |
right at the end, and before I kind of had a chance, it was finished. | 0:24:32 | 0:24:36 | |
Right, OK. | 0:24:36 | 0:24:37 | |
But it was good, I enjoyed it, it just wasn't for me. | 0:24:37 | 0:24:40 | |
My advice again, coming on the show, | 0:24:40 | 0:24:42 | |
is pick a song that's in your vein and really shows you off best, | 0:24:42 | 0:24:45 | |
cos it did sound a bit like chalk and cheese, that's my personal opinion. | 0:24:45 | 0:24:49 | |
Again, no disrespect. | 0:24:49 | 0:24:51 | |
You've more than enough credentials in the music industry. | 0:24:51 | 0:24:54 | |
But I applaud you for performing for us. | 0:24:54 | 0:24:56 | |
CHEERING | 0:24:56 | 0:24:58 | |
-Hi. -Hi, Tom. | 0:24:58 | 0:25:00 | |
For me it's difficult to try | 0:25:00 | 0:25:02 | |
and give my views on what you should do and shouldn't do, especially | 0:25:02 | 0:25:07 | |
because you've been in the business and you've been successful. | 0:25:07 | 0:25:10 | |
For me, I felt that you need to control, | 0:25:12 | 0:25:16 | |
as far as I'm concerned, your vibrato. | 0:25:16 | 0:25:18 | |
Your vibrato is very strong. | 0:25:18 | 0:25:20 | |
And on a lighter note, Bucks Fizz is my favourite drink. | 0:25:20 | 0:25:23 | |
Thank you very much for coming down. | 0:25:29 | 0:25:31 | |
-Aww. -Gutted. | 0:25:41 | 0:25:43 | |
-Never mind. -Well, I thought you were amazing. -Thank you. | 0:25:43 | 0:25:46 | |
-I really did. -Thank you. | 0:25:46 | 0:25:47 | |
I get so uncomfortable giving advice to people that have been out in... | 0:25:47 | 0:25:51 | |
-Yeah. -It's so awkward. I'm like... | 0:25:51 | 0:25:54 | |
If the coaches turn now, they know they could miss out down the line. | 0:25:54 | 0:25:57 | |
With time running out, can our next act get them pushing? | 0:25:57 | 0:26:00 | |
From what I've been told, | 0:26:02 | 0:26:04 | |
I don't think my voice matches the way that I look. | 0:26:04 | 0:26:06 | |
I want to hear someone with style, charisma, | 0:26:07 | 0:26:11 | |
to make us, as the coaches, want to turn around. | 0:26:11 | 0:26:13 | |
When I sing for the coaches, they will build up a picture of who I am. | 0:26:13 | 0:26:18 | |
I'm just looking for the person that has THE voice. | 0:26:18 | 0:26:20 | |
I don't think they're going to be expecting a white ginger guy | 0:26:20 | 0:26:24 | |
from Essex. My name's Moni Tivony, I'm 32 years old | 0:26:24 | 0:26:29 | |
and this is the biggest moment in my life. | 0:26:29 | 0:26:31 | |
MUSIC: "No Woman, No Cry" | 0:26:46 | 0:26:48 | |
# No woman, no cry, yeah | 0:26:48 | 0:26:53 | |
# No woman, no cry | 0:26:53 | 0:26:57 | |
# Say, say, me said | 0:26:57 | 0:27:00 | |
# Said I remember when we used to sit, yeah | 0:27:00 | 0:27:06 | |
# In the government yard in Trenchtown | 0:27:06 | 0:27:11 | |
# Then Georgie would make the fire light... # | 0:27:13 | 0:27:17 | |
-Come on. -Woo! | 0:27:17 | 0:27:18 | |
# ..Log wood burnin' through the night | 0:27:18 | 0:27:23 | |
# Me say, say, that we would cook corn meal porridge, yeah, yeah, yeah | 0:27:23 | 0:27:31 | |
# Of which I'll share with... # | 0:27:31 | 0:27:34 | |
Come on, Jessie! | 0:27:34 | 0:27:35 | |
# ..Each and every single one of you... # | 0:27:35 | 0:27:37 | |
-He's good. -I know. | 0:27:37 | 0:27:39 | |
# ..My feet is my only carriage, yeah | 0:27:39 | 0:27:44 | |
# I've got to, I've got to push on through | 0:27:46 | 0:27:49 | |
# But while I come me say | 0:27:49 | 0:27:50 | |
# Everything's gonna be all right | 0:27:50 | 0:27:53 | |
# Me say Everything's gonna be all right... # | 0:27:53 | 0:27:56 | |
-Do it! -Come on! | 0:27:56 | 0:27:57 | |
# ..Everything is gonna be all right | 0:27:57 | 0:28:00 | |
# Said everything is gonna be all right | 0:28:00 | 0:28:02 | |
# No woman, no cryyyy-yyy-yyyy | 0:28:02 | 0:28:07 | |
# No woman, no woman, no cry. # | 0:28:09 | 0:28:15 | |
CHEERING | 0:28:15 | 0:28:18 | |
Come on! | 0:28:22 | 0:28:24 | |
Cryyyyyy! | 0:28:31 | 0:28:32 | |
Yeah. | 0:28:34 | 0:28:36 | |
Hooo-raaaa-aaaa-aaaa! | 0:28:37 | 0:28:39 | |
What?! | 0:28:42 | 0:28:44 | |
I thought it was just me and you and then these two sneaky, sneaky snakes. | 0:28:44 | 0:28:48 | |
-I got on my sneakers. -Oh, you're sneaky sneakers. How are you? | 0:28:48 | 0:28:54 | |
-What's your name? -My name's Moni Tivony. -Moni Tivony? -Moni Tivony! | 0:28:54 | 0:28:58 | |
That sounds like an Italian jacket with nice leather! | 0:28:58 | 0:29:01 | |
Something like that, but it's not quite Italian. | 0:29:01 | 0:29:04 | |
-It's got a bit of Israel in it. -You from Israel? | 0:29:04 | 0:29:07 | |
-My dad is from, yes. -Is that the Moni? | 0:29:07 | 0:29:10 | |
That's the Moni bit, that's my grandfather's name, yeah. | 0:29:10 | 0:29:12 | |
-And then Tivony? -Is my father's surname, yeah. | 0:29:12 | 0:29:15 | |
From Israel... | 0:29:17 | 0:29:18 | |
Sorry! | 0:29:19 | 0:29:20 | |
-Oh, gosh. -And where are you from? -I'm from the United States of Essex. | 0:29:22 | 0:29:26 | |
-Hoo-hoo! -Brrrrr! | 0:29:26 | 0:29:29 | |
I don't even know what that means, but I'll do it. | 0:29:29 | 0:29:31 | |
We're a little gun-shy right now. | 0:29:33 | 0:29:35 | |
So we're turning around for spectacularnesses. | 0:29:35 | 0:29:38 | |
That being said, the reason why I turned around | 0:29:38 | 0:29:42 | |
is because you had some crazy lows, but then you added some stuff to | 0:29:42 | 0:29:45 | |
Bob Marley that I never thought no-one could bring | 0:29:45 | 0:29:48 | |
-to Bob Marley land. And you brought that soul. -Yeah. | 0:29:48 | 0:29:52 | |
Coming from Essex and Israeli, I mean, damn, I don't know, | 0:29:52 | 0:29:55 | |
maybe you went swimming in the Soul Ocean. | 0:29:55 | 0:29:59 | |
Well, a lot of people call me the Ginger Juice Jamaican, so... | 0:29:59 | 0:30:03 | |
-cos I love my reggae. -You're like a Jewstafarian! | 0:30:03 | 0:30:06 | |
Or like a Jewmaican! | 0:30:07 | 0:30:09 | |
Vocally, you're amazing. And to step on stage | 0:30:11 | 0:30:14 | |
and sing a Bob Marley song is very courageous, | 0:30:14 | 0:30:17 | |
and what I always make sure that's in my team are risk-takers, | 0:30:17 | 0:30:20 | |
and I would be honoured if you would join Team Jessie. | 0:30:20 | 0:30:25 | |
Thank you, Jess. | 0:30:25 | 0:30:26 | |
CHEERING | 0:30:26 | 0:30:28 | |
-It's making it hard, isn't it? -Yeah. | 0:30:30 | 0:30:33 | |
AUDIENCE SHOUT OUT NAMES | 0:30:33 | 0:30:37 | |
I'm trying to think of the best possible thing | 0:30:37 | 0:30:39 | |
I can say right now and it's really, really, really, really hard. | 0:30:39 | 0:30:42 | |
Pitches are like, "Yeah, I'll just, like, give you my house." | 0:30:42 | 0:30:46 | |
You know, I think we've got more in common than anybody else here. | 0:30:46 | 0:30:50 | |
- I think that's really important. - Essex. | 0:30:50 | 0:30:53 | |
To have a really close bond. | 0:30:53 | 0:30:54 | |
We totes understand each other. It's emosh. | 0:30:54 | 0:30:57 | |
We can all talk about how much we love your voice, you know, | 0:30:57 | 0:31:00 | |
obviously you're a great, great singer. | 0:31:00 | 0:31:03 | |
And I want you on my team so we can strike them like lightning, dude. | 0:31:03 | 0:31:06 | |
APPLAUSE | 0:31:06 | 0:31:08 | |
-They're pitching hard! -When they want someone, they go for it. | 0:31:10 | 0:31:14 | |
I would love for you to be on my team | 0:31:14 | 0:31:16 | |
because I don't have anybody like you on my team. | 0:31:16 | 0:31:21 | |
-Thank you, Tom. -That's Tom Jones saying that! | 0:31:21 | 0:31:23 | |
Mad, isn't it? | 0:31:23 | 0:31:25 | |
I would be looking forward to getting songs for you | 0:31:25 | 0:31:28 | |
and seeing how far I could stretch you. | 0:31:28 | 0:31:30 | |
-OK. -And I would be honoured to have you with me. | 0:31:30 | 0:31:33 | |
Thank you very much. | 0:31:33 | 0:31:35 | |
Oh, stop it! | 0:31:35 | 0:31:36 | |
AUDIENCE SHOUT OUT NAMES | 0:31:40 | 0:31:43 | |
-He's going for Will. -You might be surprised. | 0:31:43 | 0:31:46 | |
He might go for... | 0:31:46 | 0:31:47 | |
Once he's up there, it could all change. | 0:31:47 | 0:31:50 | |
-It could all change. -Or Tom. | 0:31:50 | 0:31:51 | |
I don't want to promise anything other than the fact that | 0:31:51 | 0:31:54 | |
you will be victorious, but I don't want to promise that, | 0:31:54 | 0:31:58 | |
but it looks like that could be a big possibility. | 0:31:58 | 0:32:01 | |
Yeah, you're great and you have a great... | 0:32:01 | 0:32:03 | |
You know what? You have a great decision to make. | 0:32:03 | 0:32:06 | |
CHEERING | 0:32:06 | 0:32:08 | |
Well... | 0:32:10 | 0:32:12 | |
This is a very hard decision. | 0:32:13 | 0:32:14 | |
Because all four of you turned and I feel so privileged | 0:32:19 | 0:32:23 | |
that you have done that. | 0:32:23 | 0:32:25 | |
Do you think he's wavering towards Jessie? | 0:32:25 | 0:32:27 | |
I don't know, I think he'll go Will. | 0:32:27 | 0:32:30 | |
-Erm... -Here we go. | 0:32:34 | 0:32:36 | |
The person that I would like to be my coach... | 0:32:44 | 0:32:47 | |
..is will.i.am. | 0:32:53 | 0:32:55 | |
Woo! | 0:32:55 | 0:32:56 | |
CHEERING | 0:32:56 | 0:33:00 | |
-My favourite low note of the competition so far. -Really? | 0:33:24 | 0:33:27 | |
-Did I have a really low note? -You went... I won't do it. -Do it! | 0:33:27 | 0:33:31 | |
SHE IMITATES LOW NOTE | 0:33:31 | 0:33:32 | |
Moni Tivony, macaroni, he's no baloney. | 0:33:32 | 0:33:37 | |
Damn, the real McCony. | 0:33:37 | 0:33:39 | |
So Will strikes again as he picks up his 11th member of the team. | 0:33:39 | 0:33:44 | |
Now all of our superstars need just one act each. | 0:33:44 | 0:33:47 | |
I need to be more cunning, don't I? | 0:33:49 | 0:33:52 | |
Come on. | 0:33:52 | 0:33:53 | |
My gut's been telling me to hold out. Let's hope it's right. | 0:33:53 | 0:33:56 | |
Our next act knows all about spinning chairs. | 0:33:58 | 0:34:01 | |
So smile, coaches, Abi Sampa is here. | 0:34:01 | 0:34:04 | |
I've been a fully graduated dentist for just over two years now. | 0:34:04 | 0:34:08 | |
Day to day, just fillings, root canals, the usual. | 0:34:11 | 0:34:15 | |
Let me know if you have any pain. | 0:34:15 | 0:34:17 | |
There was always this little voice in the back of my head telling me | 0:34:17 | 0:34:20 | |
that this wasn't really for me. I've always been a musician first. | 0:34:20 | 0:34:23 | |
There's not many very artists out there that are doing what I'm trying | 0:34:25 | 0:34:28 | |
to do, bring in the Western with the Eastern in a tasteful mix. | 0:34:28 | 0:34:33 | |
If I got through today, it might prove it's not just a dream, | 0:34:34 | 0:34:38 | |
it's something that I could really do well in. | 0:34:38 | 0:34:41 | |
MUSIC: "Stop Crying Your Heart Out" | 0:34:57 | 0:34:58 | |
# Hold on... | 0:34:58 | 0:35:00 | |
# Hold on... | 0:35:04 | 0:35:07 | |
# Don't be scared | 0:35:10 | 0:35:13 | |
# You'll never change what's been and gone... # | 0:35:16 | 0:35:20 | |
Press the button! | 0:35:21 | 0:35:23 | |
# ..Cos all of the stars | 0:35:23 | 0:35:26 | |
# Are fading away | 0:35:26 | 0:35:28 | |
# Try not to worry | 0:35:28 | 0:35:31 | |
# You'll be there some day | 0:35:31 | 0:35:35 | |
# Take what you need | 0:35:35 | 0:35:37 | |
# And be on your way | 0:35:37 | 0:35:40 | |
# And stop crying your heart out... | 0:35:40 | 0:35:44 | |
# Oh... | 0:35:46 | 0:35:48 | |
# Oh... | 0:35:55 | 0:35:57 | |
# Oh... | 0:35:57 | 0:36:00 | |
# Ooh... # | 0:36:00 | 0:36:03 | |
-JESSIE: -She sounds amazing. | 0:36:03 | 0:36:06 | |
# Ooh, woo... # | 0:36:06 | 0:36:09 | |
THEY CHEER | 0:36:10 | 0:36:12 | |
# ..Cos all of these stars are fading away | 0:36:14 | 0:36:17 | |
# Try not to worry | 0:36:17 | 0:36:20 | |
# You'll be there some day | 0:36:20 | 0:36:24 | |
# Take what you need | 0:36:24 | 0:36:27 | |
# And be on your way | 0:36:27 | 0:36:29 | |
# And stop crying your heart out... # | 0:36:29 | 0:36:33 | |
LOUD CHEERING AND APPLAUSE | 0:36:36 | 0:36:38 | |
CHEERING AND APPLAUSE CONTINUES | 0:36:48 | 0:36:49 | |
Hello! | 0:36:52 | 0:36:53 | |
Hi. | 0:36:53 | 0:36:55 | |
Your name is..? | 0:36:55 | 0:36:56 | |
Hi, my name's Abi Sampa. | 0:36:56 | 0:36:58 | |
-It was gorgeous. -But I think if you had smiled in that... | 0:36:58 | 0:37:02 | |
LOW TONE | 0:37:02 | 0:37:04 | |
And if you go... | 0:37:04 | 0:37:05 | |
SHARPER TONE | 0:37:05 | 0:37:06 | |
-Mm-hm? -You see how that changes the sound? | 0:37:06 | 0:37:08 | |
I've never had any vocal coaching or anything like that before. | 0:37:08 | 0:37:12 | |
-I did, like, Indian music. -That was the best bit of the performance. | 0:37:12 | 0:37:15 | |
That sensibility, I think the world needs to hear, | 0:37:15 | 0:37:18 | |
and that needs to be the next big pop star. | 0:37:18 | 0:37:20 | |
CHEERING AND APPLAUSE | 0:37:20 | 0:37:22 | |
-There isn't really a big international Asian artist. -No. | 0:37:22 | 0:37:26 | |
It doesn't exist, so for you to be here and part of the show | 0:37:26 | 0:37:30 | |
to be that, wow. | 0:37:30 | 0:37:32 | |
CHEERING | 0:37:32 | 0:37:33 | |
-He's topped out, that's it. -That's it. | 0:37:33 | 0:37:35 | |
-No way! -Ab's face! | 0:37:35 | 0:37:37 | |
CHEERING AND APPLAUSE CONTINUES | 0:37:37 | 0:37:39 | |
Your, my last, my last wish I just got. | 0:37:39 | 0:37:41 | |
-Ah, thank you. -SHE LAUGHS | 0:37:41 | 0:37:43 | |
The Asian style of singing, it's so haunting, you know, | 0:37:43 | 0:37:46 | |
you don't need words to be able to portray feeling and emotion | 0:37:46 | 0:37:49 | |
and for me, that's what I heard. | 0:37:49 | 0:37:51 | |
Yes, there was slight pitching problems but when you went into that, | 0:37:51 | 0:37:54 | |
I can't even do it, I actually try and do it in the studio... | 0:37:54 | 0:37:57 | |
It's really hard. DANNY: Really hard. | 0:37:57 | 0:37:59 | |
-Vote for team Dan. -Thank you very much. | 0:37:59 | 0:38:02 | |
APPLAUSE DROWNS OUT SPEECH | 0:38:06 | 0:38:08 | |
THEY CHEER | 0:38:08 | 0:38:09 | |
APPLAUSE CONTINUES | 0:38:11 | 0:38:13 | |
SCREAMING | 0:38:17 | 0:38:18 | |
Get in! | 0:38:21 | 0:38:22 | |
CHEERING | 0:38:22 | 0:38:24 | |
Just got Abi. She's my last one and what I was holding out for. | 0:38:24 | 0:38:27 | |
Danny's first over the line. His team of 12 is complete. | 0:38:29 | 0:38:33 | |
That's me, can I go home now? Can I go home? | 0:38:33 | 0:38:36 | |
The last one has to be special. | 0:38:37 | 0:38:39 | |
Because when you only have one spot to fill, | 0:38:39 | 0:38:42 | |
that one better be THE one. | 0:38:42 | 0:38:45 | |
But with so few acts left, that waiting game could be dangerous. | 0:38:47 | 0:38:51 | |
My name is Joseph Apostol, I'm 21 | 0:38:51 | 0:38:53 | |
and I'm originally from the Philippines. | 0:38:53 | 0:38:56 | |
When I was about ten, I moved to the UK, | 0:38:56 | 0:38:58 | |
because my mum got hired to be a nurse. | 0:38:58 | 0:39:00 | |
Being in a different country was a difficult time for me. | 0:39:01 | 0:39:05 | |
I was used to being with my family and friends back in the Philippines. | 0:39:05 | 0:39:10 | |
Looking back, singing helped me with my confidence. | 0:39:10 | 0:39:13 | |
When I sing, I feel like I myself. I feel like... | 0:39:15 | 0:39:19 | |
it's me against the world. | 0:39:19 | 0:39:21 | |
'My mum and my friends are backstage. | 0:39:24 | 0:39:26 | |
'I just want to make them proud. | 0:39:28 | 0:39:30 | |
'I'm just going to bring my best. Hopefully, that's enough.' | 0:39:30 | 0:39:34 | |
-Come on, boy. -Go for it, Jos. You can make it. | 0:39:48 | 0:39:52 | |
MUSIC: "Will You Still Love Me Tomorrow?" | 0:39:56 | 0:39:58 | |
# Tonight you're mine | 0:40:01 | 0:40:05 | |
# Completely... # | 0:40:05 | 0:40:08 | |
CHEERING AND APPLAUSE | 0:40:10 | 0:40:11 | |
Go. | 0:40:11 | 0:40:13 | |
# ..You give your love | 0:40:13 | 0:40:16 | |
# So sweetly | 0:40:16 | 0:40:21 | |
# Sweetly | 0:40:21 | 0:40:23 | |
# Tonight the light... | 0:40:23 | 0:40:27 | |
-# Of love is in your eyes...# -Jessie, Jessie! | 0:40:29 | 0:40:31 | |
Push the button! Push it! | 0:40:31 | 0:40:34 | |
DANNY: Yes! | 0:40:34 | 0:40:35 | |
# ..Will you still love me... # | 0:40:35 | 0:40:40 | |
-# Tomorrow? -# ..Tomorrow... # | 0:40:40 | 0:40:44 | |
Go on, push it! | 0:40:46 | 0:40:47 | |
# ..Is this a lasting | 0:40:47 | 0:40:51 | |
# Treasure? | 0:40:51 | 0:40:54 | |
# Yeah... | 0:40:55 | 0:40:57 | |
# Or just a moment's | 0:40:57 | 0:41:02 | |
# Pleasure? | 0:41:02 | 0:41:07 | |
# Can I... # | 0:41:07 | 0:41:09 | |
Go on, press the button! | 0:41:09 | 0:41:10 | |
# ..Believe | 0:41:10 | 0:41:12 | |
# The magic of your sighs? # | 0:41:14 | 0:41:18 | |
CHEERING AND APPLAUSE | 0:41:18 | 0:41:20 | |
# ..Will you still love me... | 0:41:20 | 0:41:26 | |
# Tomorrow? # | 0:41:26 | 0:41:28 | |
CHEERING AND APPLAUSE CONTINUES | 0:41:28 | 0:41:30 | |
Well done! | 0:41:30 | 0:41:32 | |
WHISTLING | 0:41:40 | 0:41:41 | |
Hello. What's up, what's your name? | 0:41:49 | 0:41:52 | |
My name's Joseph. | 0:41:52 | 0:41:53 | |
-Where are you from, Joseph? -From Gillingham, in Kent. | 0:41:53 | 0:41:55 | |
Yes, Kent's dope, Kent's dope... | 0:41:55 | 0:41:57 | |
LAUGHTER | 0:41:57 | 0:41:58 | |
Um... nationality? | 0:41:58 | 0:42:01 | |
-Filipino. -Ooh, like my best friend, Apple? -Yes. -Oh, ma booty. Woo! | 0:42:01 | 0:42:05 | |
CHEERING AND APPLAUSE | 0:42:05 | 0:42:08 | |
WILL TALKS IN FILIPINO | 0:42:08 | 0:42:09 | |
Yes, oh my gosh, yes. Thank you, Thank you. | 0:42:09 | 0:42:12 | |
-You like chicken and dough ball? -Definitely, definitely love that. | 0:42:12 | 0:42:15 | |
-That's my favourite food. -They're talking about food. | 0:42:15 | 0:42:18 | |
CHEERING AND APPLAUSE | 0:42:18 | 0:42:20 | |
I'm just giving him Filipino, like, secrets. | 0:42:20 | 0:42:23 | |
LAUGHTER | 0:42:23 | 0:42:25 | |
Oh, that's cool, man. Filipinos! | 0:42:26 | 0:42:28 | |
Woo! | 0:42:28 | 0:42:30 | |
CHEERING AND APPLAUSE | 0:42:30 | 0:42:32 | |
So, the reason why I didn't turn around, | 0:42:35 | 0:42:37 | |
it's not because you weren't, like, super mega dope. | 0:42:37 | 0:42:40 | |
You are really fantabulous. | 0:42:40 | 0:42:42 | |
-Thank you so much. -But... | 0:42:42 | 0:42:44 | |
When Jessie turned around I was like, wow, you're in good hands. | 0:42:44 | 0:42:47 | |
CHEERING AND APPLAUSE | 0:42:47 | 0:42:49 | |
I think that you would be a huge asset to my team. | 0:42:51 | 0:42:55 | |
I think that I want to make sure I'm representing people | 0:42:55 | 0:42:58 | |
that really know how to tell a story when they're singing, | 0:42:58 | 0:43:00 | |
-that's exactly what you did, so congratulations. -Thank you so much. | 0:43:00 | 0:43:04 | |
CHEERING AND APPLAUSE | 0:43:04 | 0:43:07 | |
That was awesome! | 0:43:07 | 0:43:09 | |
-And I'm up against STJ. -Yeah! | 0:43:09 | 0:43:13 | |
-I thought you did a great job with that song. -Thank you so much. | 0:43:13 | 0:43:16 | |
I've only got one spot left open. | 0:43:16 | 0:43:18 | |
And I've been waiting and waiting and waiting, but when I heard you, | 0:43:18 | 0:43:22 | |
I heard the passion from you and the range that you have, | 0:43:22 | 0:43:26 | |
you know, there's a lot of fire there | 0:43:26 | 0:43:28 | |
and you didn't copy anybody, you have an original sounding voice. | 0:43:28 | 0:43:33 | |
I know there's a lot of great Filipino singers because | 0:43:33 | 0:43:35 | |
I've been to the Philippines and I've heard them sing. | 0:43:35 | 0:43:37 | |
And you... You really do have a great voice | 0:43:37 | 0:43:41 | |
and I'd love to have you on my team. | 0:43:41 | 0:43:43 | |
CHEERING AND APPLAUSE | 0:43:43 | 0:43:44 | |
Go with Tom! Go with Tom! | 0:43:49 | 0:43:51 | |
The decision's yours, dude. It really is. | 0:43:51 | 0:43:54 | |
It's actually so hard, you know? I don't know... | 0:43:54 | 0:43:57 | |
AUDIENCE SHOUTS | 0:43:57 | 0:43:59 | |
AUDIENCE: Tom! Tom! | 0:43:59 | 0:44:02 | |
I just want to say that, um... I respect the two of you, | 0:44:02 | 0:44:05 | |
-because obviously you're amazing at what you do. -Thank you. -But, um... | 0:44:05 | 0:44:10 | |
Go for Tom, then. | 0:44:10 | 0:44:11 | |
THEY LAUGH | 0:44:11 | 0:44:12 | |
AUDIENCE SHOUTS | 0:44:12 | 0:44:15 | |
But... | 0:44:15 | 0:44:16 | |
I think Mum wants Tom, I'm not sure. | 0:44:16 | 0:44:19 | |
-Let him decide, it's your decision. -Yes, you have to decide. | 0:44:19 | 0:44:23 | |
-You have to decide... -It needs to come from your gut. | 0:44:23 | 0:44:26 | |
LAUGHTER | 0:44:26 | 0:44:27 | |
It's so hard... | 0:44:27 | 0:44:30 | |
-I don't know what he's doing, but... -Regular freaking J. -Oh, sorry! | 0:44:30 | 0:44:33 | |
LAUGHTER | 0:44:33 | 0:44:34 | |
-J! -I didn't realise that's how you make J. | 0:44:34 | 0:44:38 | |
But it's your decision, this is your journey, | 0:44:38 | 0:44:40 | |
you're going to have to make sure... What was that? | 0:44:40 | 0:44:43 | |
-THEY LAUGH -Nothing. | 0:44:43 | 0:44:45 | |
OK, um, I'm going to choose... | 0:44:45 | 0:44:48 | |
Tom. Come on, Joseph. | 0:44:48 | 0:44:51 | |
AUDIENCE SHOUTS | 0:44:51 | 0:44:52 | |
Tom. | 0:45:02 | 0:45:03 | |
CHEERING AND APPLAUSE | 0:45:03 | 0:45:06 | |
Thank you. | 0:45:14 | 0:45:16 | |
Well done. It's fine. That's the way it works. | 0:45:16 | 0:45:20 | |
Well done. | 0:45:20 | 0:45:21 | |
APPLAUSE | 0:45:21 | 0:45:23 | |
Ooh! You out the game. You out the game. You out the game. | 0:45:35 | 0:45:38 | |
CHEERING | 0:45:40 | 0:45:43 | |
Good man. Good man. | 0:45:43 | 0:45:46 | |
I'm glad that I waited because when I heard this man and that song, | 0:45:47 | 0:45:52 | |
he put something in there that was not there before and I love that. | 0:45:52 | 0:45:57 | |
I've been holding out and I finally found what I've been looking for. | 0:45:59 | 0:46:03 | |
-Well done. -Thank you. | 0:46:03 | 0:46:06 | |
Thrilled to bits. | 0:46:06 | 0:46:07 | |
With Team Tom complete, | 0:46:10 | 0:46:11 | |
there are now just two spaces left in the competition. | 0:46:11 | 0:46:14 | |
Jessie and will.i.am are now each searching | 0:46:14 | 0:46:17 | |
for just one final singer to complete their teams. | 0:46:17 | 0:46:20 | |
Is one of those spots destined for 28-year-old builder Brett Davison? | 0:46:22 | 0:46:26 | |
This time last year, I was in a pop group, | 0:46:29 | 0:46:31 | |
ended up going on tour with The Saturdays and JLS, | 0:46:31 | 0:46:35 | |
which was amazing. | 0:46:35 | 0:46:36 | |
And then I got really ill, ended up in hospital. | 0:46:38 | 0:46:40 | |
I was in hospital for quite a long time. | 0:46:40 | 0:46:43 | |
The band decided that they would move on without me. | 0:46:43 | 0:46:46 | |
One week, I was on tour in the O2 Arena, 10,000 people. | 0:46:48 | 0:46:52 | |
Then the next week, I'm back doing the building work with my dad, | 0:46:52 | 0:46:56 | |
scraping walls. I'm facing this wall and I'm like, | 0:46:56 | 0:47:00 | |
"What happened to my life?" | 0:47:00 | 0:47:01 | |
I feel like I'm proving something to myself by doing this. | 0:47:04 | 0:47:07 | |
And now I'm here, I'm going to make it happen. | 0:47:09 | 0:47:11 | |
Me and Tom both have full teams so... | 0:47:14 | 0:47:17 | |
-Here he goes. -I can't watch! | 0:47:24 | 0:47:26 | |
# You got a fast car | 0:47:30 | 0:47:33 | |
# I want a ticket to anywhere | 0:47:33 | 0:47:35 | |
# Maybe we make a deal | 0:47:35 | 0:47:38 | |
# Maybe together | 0:47:38 | 0:47:39 | |
# We can get somewhere | 0:47:39 | 0:47:41 | |
# Any place is better | 0:47:41 | 0:47:43 | |
# Starting from zero | 0:47:43 | 0:47:44 | |
# Got nothing to lose | 0:47:44 | 0:47:47 | |
# Maybe we'll make something | 0:47:47 | 0:47:49 | |
# Me myself I got nothing to prove | 0:47:49 | 0:47:51 | |
# My old man's got a problem | 0:47:51 | 0:47:54 | |
# He lives with the bottle | 0:47:54 | 0:47:55 | |
# That's the way it is | 0:47:55 | 0:47:57 | |
# His body's too old for working | 0:47:57 | 0:47:59 | |
# I said his body's too young | 0:47:59 | 0:48:01 | |
# To look like his | 0:48:01 | 0:48:02 | |
# My mama went off and left him | 0:48:02 | 0:48:05 | |
# She wanted more from life | 0:48:05 | 0:48:06 | |
# Than he could give | 0:48:06 | 0:48:08 | |
# Somebody's got to take care of him | 0:48:08 | 0:48:10 | |
# So I quit school | 0:48:10 | 0:48:11 | |
# That's what I did | 0:48:11 | 0:48:14 | |
# That's what I did | 0:48:14 | 0:48:15 | |
# I remember we were driving | 0:48:17 | 0:48:19 | |
# Driving in your car | 0:48:19 | 0:48:20 | |
# The speed so fast | 0:48:20 | 0:48:22 | |
# Felt like we were drunk | 0:48:22 | 0:48:24 | |
# City lights lay out before us | 0:48:24 | 0:48:26 | |
# And my arm felt nice | 0:48:26 | 0:48:27 | |
# Wrapped round your shoulder | 0:48:27 | 0:48:29 | |
# And I | 0:48:29 | 0:48:31 | |
# Had a feeling that I belonged | 0:48:31 | 0:48:34 | |
# And I | 0:48:34 | 0:48:36 | |
# Had a feeling I could be someone | 0:48:36 | 0:48:39 | |
# Be someone | 0:48:39 | 0:48:41 | |
# Be someone. # | 0:48:41 | 0:48:43 | |
CHEERING AND APPLAUSE | 0:48:43 | 0:48:46 | |
Oh, no! No! | 0:48:53 | 0:48:57 | |
No! | 0:48:57 | 0:48:59 | |
-Hi. -Hi. | 0:49:12 | 0:49:14 | |
-What's your name? -My name's Brett. | 0:49:17 | 0:49:19 | |
-Were you dancing and moving? -Towards the end, yeah. | 0:49:26 | 0:49:31 | |
OK. So, beginning... | 0:49:31 | 0:49:33 | |
I really heard every breath you took. | 0:49:33 | 0:49:37 | |
I don't want to hear a singer breathe. | 0:49:37 | 0:49:39 | |
You've got to just make sure that the breath you take | 0:49:39 | 0:49:43 | |
isn't as loud as the note you hit. | 0:49:43 | 0:49:45 | |
I didn't even hear that. | 0:49:47 | 0:49:49 | |
I can see this means a lot to you | 0:49:49 | 0:49:50 | |
cos I can tell how emotional you are and that's a great thing. | 0:49:50 | 0:49:54 | |
For me, it sounded lovely. It just... | 0:49:54 | 0:49:56 | |
I didn't believe it. | 0:49:56 | 0:49:58 | |
And I think with a song like that, it's really tough. | 0:49:58 | 0:50:00 | |
But I really, really see something special in you | 0:50:00 | 0:50:03 | |
so I don't want you to feel knocked back. | 0:50:03 | 0:50:05 | |
Thank you so much. | 0:50:05 | 0:50:07 | |
Everything you just said to me, Jessie, | 0:50:07 | 0:50:09 | |
everything just really touched a nerve. | 0:50:09 | 0:50:11 | |
-So, thank you so much. -I'm glad. | 0:50:11 | 0:50:13 | |
DANNY: Well done, man. | 0:50:13 | 0:50:14 | |
-Well done. -Thanks, Jessie. | 0:50:17 | 0:50:19 | |
Well done. | 0:50:32 | 0:50:34 | |
Don't cry, brother. | 0:50:38 | 0:50:40 | |
Don't cry. No, man. It's cool. It's cool. | 0:50:40 | 0:50:44 | |
Two places still remain. | 0:50:45 | 0:50:47 | |
But Will and Jessie continue to hold their nerve. | 0:50:47 | 0:50:50 | |
Are they holding out for 19-year-old Bronwen Lewis? | 0:50:50 | 0:50:53 | |
I'm kind of worried that the coaches won't understand | 0:50:53 | 0:50:55 | |
what I'm trying to put across and what I'm trying to say in a song. | 0:50:55 | 0:50:59 | |
Hopefully, my emotion and my control will come through. | 0:51:01 | 0:51:06 | |
# Ooohhhhhh | 0:51:39 | 0:51:45 | |
# Oooooooh | 0:51:45 | 0:51:48 | |
# Oh-ooooooh... # | 0:51:48 | 0:51:52 | |
Come on. Come on, Jessie! | 0:51:53 | 0:51:55 | |
# By' chi'n cofio fi... # | 0:51:56 | 0:52:00 | |
Wow. | 0:52:00 | 0:52:01 | |
# ..Wrth I chi symud 'mlaen | 0:52:01 | 0:52:03 | |
# Heb edrych dros eich ysgwydd | 0:52:05 | 0:52:14 | |
# Gwela ni yn sefyll | 0:52:14 | 0:52:19 | |
# Wrth machlud haul | 0:52:19 | 0:52:23 | |
# Wrth cofio caeau haidd | 0:52:25 | 0:52:30 | |
# I've never made promises lightly | 0:52:34 | 0:52:42 | |
# There have been some | 0:52:44 | 0:52:48 | |
# That I've broken... # | 0:52:48 | 0:52:51 | |
CHEERING | 0:52:51 | 0:52:54 | |
# ..But I swear in the days still left | 0:52:54 | 0:52:58 | |
# We will walk in | 0:52:59 | 0:53:03 | |
# Fields of gold | 0:53:03 | 0:53:08 | |
# We will walk | 0:53:08 | 0:53:12 | |
# In fields of gold. # | 0:53:12 | 0:53:18 | |
CHEERING AND APPLAUSE | 0:53:18 | 0:53:20 | |
I loved that. | 0:53:38 | 0:53:40 | |
Oh, my God. | 0:53:40 | 0:53:42 | |
HE GROANS | 0:53:42 | 0:53:44 | |
-What's your name, love? -My name's Bronwen Lewis. I'm 19. | 0:53:48 | 0:53:51 | |
I'm an art student. | 0:53:51 | 0:53:52 | |
-And where do you come from? -Seven Sisters, South Wales. | 0:53:52 | 0:53:55 | |
-Yes. -Yeah. | 0:53:55 | 0:53:57 | |
APPLAUSE | 0:53:57 | 0:53:59 | |
-You sounded beautiful. -Thank you. Thanks. -It really did. -Thanks. | 0:54:01 | 0:54:06 | |
CHEERING AND APPLAUSE | 0:54:06 | 0:54:08 | |
-The problem that I have is that I'm full up with my team. -Oh, right. | 0:54:10 | 0:54:16 | |
That's why I didn't press my button. | 0:54:16 | 0:54:18 | |
It wasn't that I didn't want to, it's just that I couldn't. | 0:54:18 | 0:54:22 | |
-But it's lovely hearing you sing, honestly. -Thank you. | 0:54:22 | 0:54:25 | |
You have a lovely, lovely, original sounding voice. | 0:54:25 | 0:54:28 | |
I don't want the fact that nobody turned around to be | 0:54:28 | 0:54:32 | |
any reflection on your talent. | 0:54:32 | 0:54:34 | |
-Thank you. -You have an incredible voice. -Thanks. -Incredible voice. | 0:54:34 | 0:54:37 | |
-Thanks. -I'm actually mad at them for not turning around. | 0:54:37 | 0:54:40 | |
I don't know why yous didn't turn around. | 0:54:40 | 0:54:42 | |
Please, can you explain to me? | 0:54:42 | 0:54:44 | |
My team that I have is very, very, very diverse. | 0:54:44 | 0:54:49 | |
I don't even know what to call what I just heard but it was very... | 0:54:49 | 0:54:52 | |
-enchanting. -Haunting. It was epic. It was epic. | 0:54:52 | 0:54:56 | |
To have a singer like that... | 0:54:56 | 0:55:00 | |
I'm the only one that turned for her, | 0:55:00 | 0:55:02 | |
I'm going to fight for her, | 0:55:02 | 0:55:03 | |
I promised myself not to get two of the same, | 0:55:03 | 0:55:06 | |
but that's the only reason why I didn't turn around. | 0:55:06 | 0:55:09 | |
APPLAUSE | 0:55:09 | 0:55:11 | |
Thank you so much. | 0:55:15 | 0:55:17 | |
Thank you. | 0:55:20 | 0:55:22 | |
-You're the best. -Thank you. | 0:55:24 | 0:55:27 | |
Wow. | 0:55:38 | 0:55:40 | |
She was a Welsh one I missed. | 0:55:40 | 0:55:43 | |
Can't. | 0:55:43 | 0:55:45 | |
You have to make a decision, when you're building your team up. | 0:55:45 | 0:55:48 | |
Should I wait? Should I wait? Maybe I'll wait too long | 0:55:48 | 0:55:53 | |
and then towards the end of the blind auditions, | 0:55:53 | 0:55:56 | |
there might not be anybody left there | 0:55:56 | 0:55:58 | |
that I really feel should be on my team. | 0:55:58 | 0:56:00 | |
But that girl... | 0:56:00 | 0:56:03 | |
I wish to God I had another spot for that girl. | 0:56:03 | 0:56:06 | |
She's beautiful and singing in Welsh. How could I miss that? | 0:56:06 | 0:56:11 | |
There's some strong people now. | 0:56:11 | 0:56:15 | |
-Really, really strong. -Which we can't do anything about now. | 0:56:15 | 0:56:19 | |
That's the game. | 0:56:19 | 0:56:20 | |
It's hard. We're holding out... | 0:56:26 | 0:56:28 | |
# Holding out... # | 0:56:28 | 0:56:29 | |
..because we feel there's someone epic coming. | 0:56:29 | 0:56:31 | |
# Because we feel there's Someone epic coming. # | 0:56:31 | 0:56:33 | |
So, Jessie and Will are still holding out | 0:56:43 | 0:56:46 | |
and with only two places left, backstage, acts and families | 0:56:46 | 0:56:49 | |
are really feeling the pressure. | 0:56:49 | 0:56:51 | |
So, who've you got here with you today? | 0:56:51 | 0:56:53 | |
I've got my mum and I've got my brother | 0:56:53 | 0:56:55 | |
and I've got my fiancee, Stacey. | 0:56:55 | 0:56:57 | |
-How are you feeling? -More nervous than he will ever be. -Really? | 0:56:57 | 0:57:01 | |
Absolutely. | 0:57:01 | 0:57:02 | |
I'm spending most of my time saying, "Calm down. It'll be OK." | 0:57:02 | 0:57:06 | |
Music defines my life, | 0:57:12 | 0:57:15 | |
defines who I am, | 0:57:15 | 0:57:16 | |
defines what I do. | 0:57:16 | 0:57:19 | |
The next 90 seconds will decide if I keep singing as a hobby | 0:57:22 | 0:57:28 | |
or if it's a career. | 0:57:28 | 0:57:30 | |
-Come on, baby. -There he is. -Look at him! | 0:57:35 | 0:57:39 | |
# Summertime | 0:57:53 | 0:57:55 | |
# And the livin' is easy | 0:57:57 | 0:58:01 | |
# Fish are jumpin' | 0:58:05 | 0:58:08 | |
# And the cotton is high | 0:58:10 | 0:58:16 | |
# Your daddy's a rich man | 0:58:16 | 0:58:20 | |
# And your mamma's good lookin'... # | 0:58:22 | 0:58:26 | |
Come on, please, someone. | 0:58:26 | 0:58:28 | |
Someone turn around, please. | 0:58:28 | 0:58:30 | |
# ..So hush, little baby | 0:58:30 | 0:58:36 | |
# Don't you cry | 0:58:36 | 0:58:38 | |
# One of these mornings | 0:58:42 | 0:58:46 | |
# You're going to rise up singing... # | 0:58:48 | 0:58:52 | |
Come on, Jessie. Come on. | 0:58:53 | 0:58:55 | |
Come on, Jessie. Don't just sing along. | 0:58:55 | 0:58:57 | |
# ..Then you'll spread your wings | 0:58:57 | 0:58:59 | |
# And head for the sky | 0:59:01 | 0:59:06 | |
# Until that morning... # | 0:59:08 | 0:59:11 | |
Come on, Jessie! | 0:59:11 | 0:59:13 | |
# ..No, nothing's gonna harm you | 0:59:13 | 0:59:19 | |
# With your mommy And your daddy... # | 0:59:21 | 0:59:26 | |
Oh, please! | 0:59:26 | 0:59:27 | |
# Standing by... # | 0:59:27 | 0:59:30 | |
He's really good. | 0:59:30 | 0:59:32 | |
CHEERING AND APPLAUSE | 0:59:33 | 0:59:36 | |
CHEERING | 0:59:49 | 0:59:50 | |
Yes! | 0:59:52 | 0:59:54 | |
Hi! | 0:59:58 | 0:59:59 | |
-Hello! -What's your name? | 0:59:59 | 1:00:00 | |
-Adam. -Adam. -Whoo! | 1:00:00 | 1:00:02 | |
Hello, Jessie J. Hello, will.i.am, Tom. | 1:00:04 | 1:00:06 | |
-WILL: -What's up, Adam? | 1:00:06 | 1:00:07 | |
I was getting a little bit worried there. It was right at the end. | 1:00:07 | 1:00:11 | |
I turned around because I hear so much potential. | 1:00:11 | 1:00:15 | |
Your higher range... | 1:00:15 | 1:00:17 | |
DANNY: Oh, my God. | 1:00:17 | 1:00:18 | |
-..like, was ridiculous. -Thanks. | 1:00:18 | 1:00:20 | |
I'm so happy! | 1:00:20 | 1:00:22 | |
I pressed my button on zero. | 1:00:24 | 1:00:25 | |
# She pressed her button on zero! # | 1:00:25 | 1:00:26 | |
I did. I was like... | 1:00:26 | 1:00:28 | |
DANNY: At zero. | 1:00:28 | 1:00:29 | |
I'm going to hold out till right at the last second, | 1:00:29 | 1:00:31 | |
and you brought it halfway through. | 1:00:31 | 1:00:33 | |
CHEERING AND APPLAUSE | 1:00:33 | 1:00:36 | |
The reason why I didn't turn around is because my gut tells me | 1:00:36 | 1:00:40 | |
something special's going to come in the next couple of singers. | 1:00:40 | 1:00:43 | |
I mean that in no disrespect. | 1:00:43 | 1:00:45 | |
Well, there he is, right there. | 1:00:45 | 1:00:47 | |
That's Sir Tom Jones saying that, man. | 1:00:47 | 1:00:49 | |
HE LAUGHS | 1:00:49 | 1:00:50 | |
Just my gut tells me that there's something coming. | 1:00:51 | 1:00:55 | |
I could be wrong. | 1:00:55 | 1:00:57 | |
Jessie J pressed her button, so... | 1:00:57 | 1:01:00 | |
-WILL: -I mean that in no disrespect, Adam. | 1:01:00 | 1:01:02 | |
DANNY: I'm just sitting here, I'm really jealous. | 1:01:02 | 1:01:04 | |
Adam, Adam, I should have had 'im. | 1:01:04 | 1:01:06 | |
I should have. Can you humour me and say you would have picked me | 1:01:06 | 1:01:09 | |
- if I had turned around? - (Tell him no, tell him no.) | 1:01:09 | 1:01:11 | |
LAUGHTER | 1:01:11 | 1:01:12 | |
As a male vocalist to male vocalist, that's really, really hard to do, | 1:01:12 | 1:01:15 | |
as high as you were and as confident as you were. | 1:01:15 | 1:01:17 | |
I was going note for note. You could see me back there, like... SINGS | 1:01:17 | 1:01:21 | |
..as you did it, and you went up a note higher. | 1:01:21 | 1:01:23 | |
"I'm just going to stop there!" | 1:01:23 | 1:01:24 | |
And then she was like, "Bang!" | 1:01:24 | 1:01:26 | |
JESSIE: That's when I was joining in. I was like, "Wow!" | 1:01:26 | 1:01:29 | |
-You're with a great coach right there. -Oh, thanks. | 1:01:29 | 1:01:31 | |
DANNY: You're absolutely with a fabulous coach. | 1:01:31 | 1:01:33 | |
CHEERING AND APPLAUSE | 1:01:33 | 1:01:35 | |
SCREAMING AND CHEERS | 1:01:42 | 1:01:45 | |
-We're both crying! For God's sake! -We are ready. | 1:01:49 | 1:01:52 | |
See? It happens to the best of us. | 1:01:52 | 1:01:53 | |
JESSIE: 'I have my team.' | 1:01:53 | 1:01:55 | |
I'm really, really happy with Team Jessie, | 1:01:55 | 1:01:57 | |
and I can't wait to see what all of you bring on battles. Pyow! | 1:01:57 | 1:02:01 | |
'So, Jessie has her team. | 1:02:06 | 1:02:08 | |
'With only one prize place remaining and one person to impress, | 1:02:10 | 1:02:15 | |
'all the power lies with will.i.am.' | 1:02:15 | 1:02:18 | |
Let's go. | 1:02:18 | 1:02:20 | |
Strap on your boots. | 1:02:21 | 1:02:22 | |
Get your weapons. We're going to war. | 1:02:23 | 1:02:26 | |
This is up to fate. | 1:02:30 | 1:02:31 | |
# Put it in your pocket | 1:02:33 | 1:02:34 | |
# Don't tell anyone I gave you | 1:02:34 | 1:02:37 | |
# I could be the one you run to | 1:02:37 | 1:02:39 | |
# The one that saves you... # | 1:02:39 | 1:02:41 | |
-Oh, come on. -Come on, Will! | 1:02:41 | 1:02:42 | |
Press that button! | 1:02:42 | 1:02:44 | |
# ..If you take it gladly | 1:02:44 | 1:02:47 | |
# Daddy, daddy | 1:02:47 | 1:02:50 | |
# He kissed you on the lips... # | 1:02:50 | 1:02:52 | |
SCREAMING | 1:02:52 | 1:02:54 | |
# ..Daddy. # | 1:02:54 | 1:02:57 | |
CHEERING AND APPLAUSE | 1:02:57 | 1:03:01 | |
You need to control a little bit of your lows. | 1:03:09 | 1:03:11 | |
That's the reason why I didn't turn around. But thanks so much. | 1:03:11 | 1:03:14 | |
CHEERING AND APPLAUSE | 1:03:14 | 1:03:17 | |
She was good. | 1:03:18 | 1:03:19 | |
Really? Oh, really now? | 1:03:19 | 1:03:21 | |
'I don't really know what I'm looking for. | 1:03:21 | 1:03:24 | |
'I know I just have an open mind' | 1:03:24 | 1:03:25 | |
and radar ears trying to find specialness. | 1:03:25 | 1:03:28 | |
I can't wait till Will goes, "Yeah, pow," | 1:03:28 | 1:03:31 | |
and then it's like, "Ooh, yeah, you are full to the brim, yo." | 1:03:31 | 1:03:34 | |
# Let it all go | 1:03:34 | 1:03:37 | |
# Oh-oh-oh-oh | 1:03:37 | 1:03:38 | |
# Let it all go | 1:03:38 | 1:03:41 | |
Ha! | 1:03:42 | 1:03:45 | |
Come on, Will! | 1:03:45 | 1:03:46 | |
# ..with a broken heart | 1:03:46 | 1:03:49 | |
# Staring through a deep cold void | 1:03:49 | 1:03:51 | |
# Alone in the dark | 1:03:51 | 1:03:53 | |
# And you left me here in the morning | 1:03:53 | 1:03:55 | |
# And I love it when you don't stop calling | 1:03:55 | 1:03:58 | |
# But the tears on the pillow have dried, my dear | 1:03:58 | 1:04:00 | |
# Gonna let it all go Gonna have no fear | 1:04:00 | 1:04:04 | |
# Oh, let it all go... # | 1:04:04 | 1:04:07 | |
You have a great voice. | 1:04:09 | 1:04:11 | |
Thank you. | 1:04:11 | 1:04:12 | |
There's a girl by the name of Emily that's on my team | 1:04:12 | 1:04:15 | |
that sings similar, plays the guitar, | 1:04:15 | 1:04:17 | |
and I don't want to take away from the attention I have to give her. | 1:04:17 | 1:04:22 | |
DANNY: Put them in a battle round, let them duke it out. | 1:04:22 | 1:04:24 | |
That wouldn't be right. But you sounded wonderful. | 1:04:24 | 1:04:27 | |
Thank you very much. | 1:04:27 | 1:04:29 | |
CHEERING AND APPLAUSE | 1:04:29 | 1:04:31 | |
I want to get out of, you know, looking for the perfect voice, | 1:04:31 | 1:04:35 | |
cos that's what coaching's about, | 1:04:35 | 1:04:38 | |
trying to find a diamond in the rough. | 1:04:38 | 1:04:41 | |
# You're so very special | 1:04:41 | 1:04:46 | |
MOUTHS # But I'm a creep... | 1:04:46 | 1:04:48 | |
CHEERING DROWNS SPEECH | 1:04:48 | 1:04:52 | |
# ..I doing here | 1:04:52 | 1:04:56 | |
# See, I don't belong here | 1:04:56 | 1:05:00 | |
# No, no | 1:05:00 | 1:05:01 | |
# I don't belong here. # | 1:05:03 | 1:05:09 | |
He's not going to pick anyone. | 1:05:11 | 1:05:12 | |
You know, I like to keep it honest and pure. | 1:05:14 | 1:05:19 | |
Something is for me and I know I can take it there, | 1:05:19 | 1:05:22 | |
I'll hit the button. | 1:05:22 | 1:05:23 | |
Let's go! Whoo-whoo! I feel it in my bones. | 1:05:24 | 1:05:27 | |
# Billie Jean is not my lover | 1:05:30 | 1:05:34 | |
# She's just a girl who thinks... # | 1:05:34 | 1:05:37 | |
Press it! | 1:05:37 | 1:05:38 | |
Come on! Come on! | 1:05:38 | 1:05:39 | |
Press it! | 1:05:39 | 1:05:40 | |
# ..But the kid is not my son... # | 1:05:40 | 1:05:44 | |
CHEERING AND APPLAUSE | 1:05:46 | 1:05:49 | |
'I'm searching for the golden child. | 1:05:50 | 1:05:52 | |
'The Last Mohican.' | 1:05:52 | 1:05:54 | |
The great thing that's coming. | 1:05:54 | 1:05:58 | |
# Used to think you were on my side | 1:05:59 | 1:06:01 | |
# Now I'm no longer sure | 1:06:01 | 1:06:03 | |
# Wish I knew what I know now before... # | 1:06:04 | 1:06:08 | |
Give him a chance, please. | 1:06:08 | 1:06:10 | |
# ..I know it's gonna last forever. # | 1:06:10 | 1:06:13 | |
CHEERING AND APPLAUSE | 1:06:15 | 1:06:17 | |
JESSIE: Three left, Will. | 1:06:17 | 1:06:18 | |
Throughout the show, I've been saying a lot of times | 1:06:20 | 1:06:23 | |
I don't turn around because I feel | 1:06:23 | 1:06:25 | |
they should be with a different coach. | 1:06:25 | 1:06:27 | |
I like them, they didn't do anything wrong, but that doesn't mean | 1:06:27 | 1:06:30 | |
you have to turn around each time you like something. | 1:06:30 | 1:06:33 | |
# Et c'est bien en vain qu'on l'appelle... # | 1:06:33 | 1:06:36 | |
She's really good. | 1:06:36 | 1:06:38 | |
# ..de refuser... # | 1:06:38 | 1:06:40 | |
-Come on! -That's lovely. Come on! | 1:06:40 | 1:06:41 | |
If you like it so much, push the button, fella. Come on. | 1:06:41 | 1:06:44 | |
# ..L'un parle bien, l'autre se tait | 1:06:44 | 1:06:47 | |
# Et c'est l'autre que je prefere | 1:06:47 | 1:06:50 | |
# Il n'a rien dit mais il me plait. # | 1:06:50 | 1:06:56 | |
CHEERING AND APPLAUSE | 1:06:56 | 1:06:58 | |
Whoa! | 1:06:58 | 1:07:00 | |
- Dumb, dumb, dumb. - Hello! | 1:07:00 | 1:07:03 | |
The reason why I didn't turn around | 1:07:04 | 1:07:05 | |
is because I don't want to double up. | 1:07:05 | 1:07:07 | |
I have an opera duo, and you sing, you know, magnificent. | 1:07:07 | 1:07:12 | |
Thank you. Thank you. | 1:07:12 | 1:07:15 | |
CHEERING AND APPLAUSE | 1:07:15 | 1:07:18 | |
'Artist after artist after artist leave disappointed, | 1:07:23 | 1:07:27 | |
'having failed to take the last spot. | 1:07:27 | 1:07:30 | |
'The clock is ticking, but Will's not turning, | 1:07:32 | 1:07:34 | |
'and tension's mounting as he holds out | 1:07:34 | 1:07:37 | |
'for the final piece in his puzzle.' | 1:07:37 | 1:07:39 | |
Come on, Will. | 1:07:43 | 1:07:44 | |
Oh, no pressure, no pressure, no pressure. | 1:07:44 | 1:07:47 | |
'This is it. Just two acts remain. Will must press for one. | 1:07:47 | 1:07:54 | |
'He's hoping the best has been saved till last. | 1:07:54 | 1:07:57 | |
'Is 45-year-old Rob Reynolds the voice for Will?' | 1:07:57 | 1:08:02 | |
'I've knocked on the door so many times without it opening. | 1:08:02 | 1:08:05 | |
'You know, I've been very close.' | 1:08:05 | 1:08:07 | |
Next one's the one, watch. | 1:08:09 | 1:08:11 | |
I'm looking forward to it. | 1:08:11 | 1:08:13 | |
'I've done a lot of travelling, done a lot of touring, | 1:08:13 | 1:08:16 | |
'I've supported a lot of great artists, | 1:08:16 | 1:08:19 | |
'but I've never broken through that last point. | 1:08:19 | 1:08:23 | |
'30 years of striving has prepared me for something, | 1:08:23 | 1:08:27 | |
'and hopefully it's prepared me for this.' | 1:08:27 | 1:08:29 | |
All right. | 1:08:42 | 1:08:44 | |
# So, so you think you can tell... # | 1:08:50 | 1:08:55 | |
JESSIE: Nice. | 1:08:55 | 1:08:56 | |
# ..Heaven from hell | 1:08:56 | 1:08:59 | |
# Blue skies from pain... # | 1:09:00 | 1:09:03 | |
JESSIE: Nice. | 1:09:03 | 1:09:04 | |
-Sounds great. -Beautiful. Come on. Come on! | 1:09:04 | 1:09:07 | |
# ..From a cold steel rail | 1:09:07 | 1:09:11 | |
# A smile from a veil | 1:09:12 | 1:09:15 | |
# Do you think you can tell? | 1:09:16 | 1:09:19 | |
# Did they get you to trade | 1:09:20 | 1:09:23 | |
# Your heroes for ghosts? | 1:09:24 | 1:09:27 | |
# Did you exchange | 1:09:28 | 1:09:31 | |
# A walk-on part in a war | 1:09:31 | 1:09:34 | |
# For a lead role in a cage? # | 1:09:36 | 1:09:40 | |
Got to go, man. | 1:09:40 | 1:09:42 | |
# ..How I wish... # | 1:09:42 | 1:09:43 | |
Come on, come on, come on, please! | 1:09:43 | 1:09:45 | |
# ..How I wish you were here... # | 1:09:45 | 1:09:47 | |
Press it, press it, press it! | 1:09:48 | 1:09:51 | |
# ..lost souls swimming in a fishbowl | 1:09:51 | 1:09:54 | |
# Year after year | 1:09:54 | 1:09:56 | |
# Running over the same old ground | 1:09:58 | 1:10:02 | |
# Have we found the same old fears? | 1:10:02 | 1:10:07 | |
# Wish you were here. # | 1:10:07 | 1:10:11 | |
CHEERING AND APPLAUSE | 1:10:17 | 1:10:20 | |
You're an idiot! | 1:10:29 | 1:10:30 | |
You're an idiot. | 1:10:30 | 1:10:31 | |
Oh, my God. | 1:10:33 | 1:10:34 | |
Hey, mate. | 1:10:45 | 1:10:46 | |
JESSIE: What's your name? | 1:10:46 | 1:10:48 | |
-Rob. -Rob. -Reynolds. | 1:10:48 | 1:10:50 | |
Tell us a bit about yourself. What's your background? | 1:10:50 | 1:10:52 | |
I've been onstage for 30 years. | 1:10:52 | 1:10:54 | |
Got signed in '94, had a few albums out. | 1:10:54 | 1:10:57 | |
-Wow. -And just basically working hard. | 1:10:57 | 1:11:01 | |
You genuinely have an incredible tone. | 1:11:01 | 1:11:04 | |
That's such a storytelling tone. | 1:11:04 | 1:11:05 | |
And you have it in your speaking voice, as well, that low gravel. | 1:11:05 | 1:11:08 | |
That just...aw, man, if I didn't have 12 on my team, | 1:11:08 | 1:11:12 | |
you'd be on it. Straight away. | 1:11:12 | 1:11:13 | |
-Thank you. -Well, only if you would pick me, but... | 1:11:13 | 1:11:15 | |
CHEERING AND APPLAUSE | 1:11:15 | 1:11:18 | |
-I'm really mad at him. -Cheers. -For not turning. I was going, | 1:11:18 | 1:11:21 | |
"All day long. All day, every day." | 1:11:21 | 1:11:23 | |
So, like... | 1:11:23 | 1:11:25 | |
there's nothing... | 1:11:25 | 1:11:26 | |
-everything was great. -GREAT. | 1:11:26 | 1:11:28 | |
But when I hear things that are Danny, | 1:11:28 | 1:11:31 | |
just because Danny's not able to pick | 1:11:31 | 1:11:33 | |
doesn't mean I should hit it. | 1:11:33 | 1:11:36 | |
I really, truly believe that certain people | 1:11:36 | 1:11:39 | |
should be with certain folk, | 1:11:39 | 1:11:41 | |
and you belong with Danny, just tapped out. | 1:11:41 | 1:11:44 | |
CHEERING AND APPLAUSE | 1:11:44 | 1:11:46 | |
A shame that I can't press. | 1:11:46 | 1:11:48 | |
-I genuinely do... -Yeah, yeah. | 1:11:48 | 1:11:49 | |
I genuinely hope that you're right, because that's a big loss. | 1:11:49 | 1:11:52 | |
-He's a fantastic singer. -Yeah, he is. Great. But... | 1:11:52 | 1:11:58 | |
I can't be a hypocrite to what I believe. | 1:11:59 | 1:12:02 | |
-Yeah. -Thank you. Cheers. | 1:12:04 | 1:12:07 | |
CHEERING AND APPLAUSE | 1:12:07 | 1:12:11 | |
DANNY: I don't know what to say. I really don't. That was a really, | 1:12:13 | 1:12:16 | |
-really great performance. -Thanks very much. -Really great. | 1:12:16 | 1:12:19 | |
-Well done. Well done. TOM: -It was great. | 1:12:19 | 1:12:21 | |
CHEERING AND APPLAUSE | 1:12:21 | 1:12:26 | |
JESSIE: I just hope there's someone better. | 1:12:34 | 1:12:36 | |
Otherwise, it's a shame. | 1:12:36 | 1:12:38 | |
Yeah. | 1:12:40 | 1:12:42 | |
'I'm kind of sad that I passed on a lot of singers, | 1:12:42 | 1:12:46 | |
'but, you know, every person deserves a chance.' | 1:12:46 | 1:12:49 | |
That's why I waited to the end. | 1:12:49 | 1:12:51 | |
'One last singer, one last space, | 1:12:51 | 1:12:55 | |
'and unaware that Will has staked everything on him | 1:12:55 | 1:12:58 | |
'is the final act, CJ Edwards.' | 1:12:58 | 1:13:00 | |
'Being a charity fundraiser, I knock door to door | 1:13:00 | 1:13:03 | |
'and tell people about these charities,' | 1:13:03 | 1:13:05 | |
trying to raise money for each of them. | 1:13:05 | 1:13:07 | |
'You're out there in the rain...' | 1:13:07 | 1:13:09 | |
Hi there. My name's CJ. | 1:13:09 | 1:13:11 | |
..but sometimes the responses you get aren't that great. | 1:13:11 | 1:13:14 | |
It's probably one of the hardest jobs | 1:13:16 | 1:13:18 | |
I've ever done in my entire life. | 1:13:18 | 1:13:20 | |
But you get the chance to give back to the community. | 1:13:20 | 1:13:22 | |
Family means everything to me, especially my father. | 1:13:28 | 1:13:31 | |
Oh, CJ's a loving, caring, pure man. | 1:13:31 | 1:13:35 | |
I've always been proud of him. | 1:13:35 | 1:13:37 | |
CJ was about 10 when his mum died, | 1:13:39 | 1:13:40 | |
and ever since it's been very difficult for him | 1:13:40 | 1:13:43 | |
and the rest of the family. | 1:13:43 | 1:13:44 | |
My mum taught me to be expressive, you know? | 1:13:44 | 1:13:48 | |
It's the spirit that she's left behind, and I love that. | 1:13:48 | 1:13:51 | |
She would be very proud of him, I must say that. Yes. | 1:13:51 | 1:13:54 | |
Doesn't everyone want to make their father proud ultimately, you know? | 1:13:56 | 1:13:59 | |
I mean, he's the only parent I've got left. | 1:13:59 | 1:14:01 | |
So...got to make him proud, yeah. | 1:14:01 | 1:14:04 | |
'I feel like I'm taking a massive risk in this audition, | 1:14:08 | 1:14:11 | |
'cos I'm taking on a song that a lot of people know... | 1:14:11 | 1:14:14 | |
'..but I'm putting my own spin on it. | 1:14:16 | 1:14:18 | |
'Today's a huge deal. | 1:14:19 | 1:14:21 | |
'I really want to be able to make them turn around. I do.' | 1:14:23 | 1:14:27 | |
Let's go. | 1:14:28 | 1:14:29 | |
I just hope he knows what he's doing. | 1:14:32 | 1:14:34 | |
Let's hope they're good, Will. | 1:14:36 | 1:14:38 | |
You never know who's there. | 1:14:38 | 1:14:39 | |
-COUNT-IN: -1, 2, 3... | 1:15:05 | 1:15:07 | |
CHEERING AND APPLAUSE | 1:15:10 | 1:15:11 | |
# Baby | 1:15:11 | 1:15:12 | |
# Something's on my mind I've got to say it | 1:15:13 | 1:15:16 | |
# Yeah, yeah # | 1:15:16 | 1:15:18 | |
-Come on! -He's pushed it! He's got it! | 1:15:18 | 1:15:21 | |
Ohhh! | 1:15:21 | 1:15:23 | |
CHEERING AND APPLAUSE | 1:15:23 | 1:15:26 | |
# Yeah, ain't being funny... # | 1:15:26 | 1:15:29 | |
Did you not see? | 1:15:29 | 1:15:32 | |
# It's funny, oh... | 1:15:32 | 1:15:34 | |
# But now that lovin' changed | 1:15:34 | 1:15:37 | |
# It ain't the same | 1:15:37 | 1:15:40 | |
# Your loving cha-a-anged | 1:15:40 | 1:15:44 | |
# Oh-oh, oh, no | 1:15:44 | 1:15:46 | |
# Just tell me where your loving gone and | 1:15:46 | 1:15:49 | |
# Oh, no, cos it don't feel the same | 1:15:49 | 1:15:52 | |
# I need your loving, your loving | 1:15:52 | 1:15:55 | |
# Your loving, your loving, girl | 1:15:55 | 1:15:58 | |
# Ooh! | 1:15:59 | 1:16:00 | |
# She used to squeeze me | 1:16:00 | 1:16:03 | |
# Grip me tight and now so she can please me | 1:16:03 | 1:16:07 | |
# But now, that loving changed | 1:16:07 | 1:16:10 | |
# It ain't the same | 1:16:10 | 1:16:12 | |
# Your loving | 1:16:13 | 1:16:14 | |
# Cha-a-anged | 1:16:15 | 1:16:18 | |
# Oh, no | 1:16:18 | 1:16:20 | |
# Just tell me where your loving gone | 1:16:20 | 1:16:23 | |
# Oh, no, cos it don't feel the same | 1:16:23 | 1:16:25 | |
# I need your loving, your loving | 1:16:25 | 1:16:28 | |
# Your loving, your loving, girl | 1:16:28 | 1:16:32 | |
# Ooh, yea-a-ah. # | 1:16:32 | 1:16:36 | |
CHEERING AND APPLAUSE | 1:16:36 | 1:16:39 | |
Fantastic. | 1:16:42 | 1:16:44 | |
-JESSIE: You lucky guy! -Yeah. | 1:16:52 | 1:16:54 | |
-Oh, wow. -HE LAUGHS | 1:17:00 | 1:17:03 | |
Yeah! | 1:17:03 | 1:17:04 | |
Wow! | 1:17:06 | 1:17:07 | |
Wow. | 1:17:08 | 1:17:10 | |
DANNY: What's your name? | 1:17:10 | 1:17:11 | |
My name's CJ. I just can't believe this! | 1:17:11 | 1:17:13 | |
CHEERING AND APPLAUSE | 1:17:13 | 1:17:16 | |
Out of everybody that's performed, I'm enjoying your reaction the most. | 1:17:16 | 1:17:20 | |
-Really? -Like, it's really genuine. | 1:17:20 | 1:17:21 | |
You really enjoyed it, and I can feel that, | 1:17:21 | 1:17:24 | |
and thank you for giving a great performance. | 1:17:24 | 1:17:26 | |
I enjoyed it as a spectator, as a fan, and just kind of sat and... | 1:17:26 | 1:17:31 | |
Yeah, it was great. | 1:17:31 | 1:17:32 | |
-Thank you! I'm into that. -The energy. | 1:17:32 | 1:17:35 | |
I'm actually really happy that he waited until now, | 1:17:35 | 1:17:37 | |
because out of everyone, I think there's a lot of potential with you. | 1:17:37 | 1:17:42 | |
Yeah, do you know who you remind me of? | 1:17:42 | 1:17:43 | |
You don't look like him, but your energy? | 1:17:45 | 1:17:47 | |
You know the guy who won the marathon, the UK dude, | 1:17:47 | 1:17:50 | |
and he's like... | 1:17:50 | 1:17:52 | |
-Mo Farah! -You remind me of that guy. | 1:17:52 | 1:17:54 | |
Just the energy and the love and the passion and the heart to work. | 1:17:54 | 1:17:58 | |
You've got a lot to offer and you could really take it there | 1:17:58 | 1:18:02 | |
if you come with a humble heart, open ears, | 1:18:02 | 1:18:06 | |
-wide eyes and give it your all and find the emotion. -OK. | 1:18:06 | 1:18:10 | |
-Now, you've got to really, really work for this. -No problem. | 1:18:10 | 1:18:13 | |
And next time you come singing, | 1:18:13 | 1:18:15 | |
you ain't going to be clapping on no mic. | 1:18:15 | 1:18:17 | |
I like the clapping, personally. | 1:18:18 | 1:18:20 | |
I do too, but listen - that thing says "Voice", not "Hands". | 1:18:20 | 1:18:23 | |
LAUGHTER | 1:18:23 | 1:18:27 | |
Will waited till the last person to sing tonight, and that's you, | 1:18:27 | 1:18:32 | |
and I think you are already, in my eyes, great, | 1:18:32 | 1:18:36 | |
and my ears tell me that you can really sing, | 1:18:36 | 1:18:39 | |
and he's going to make you a better singer. | 1:18:39 | 1:18:42 | |
So he waited, and he was right, and you're living proof of it. | 1:18:42 | 1:18:46 | |
CHEERING AND APPLAUSE | 1:18:46 | 1:18:48 | |
You know what? Myself and Jessie were sat there enjoying it, | 1:18:48 | 1:18:51 | |
and we've been waiting the whole time | 1:18:51 | 1:18:53 | |
for him to press his button on someone. | 1:18:53 | 1:18:55 | |
Thank God, eventually. I'm so glad you're on his team. | 1:18:55 | 1:18:57 | |
Congratulations, man. | 1:18:57 | 1:18:59 | |
Thank you. | 1:18:59 | 1:19:00 | |
Will! | 1:19:00 | 1:19:01 | |
Wow. | 1:19:02 | 1:19:03 | |
JESSIE: Well done, Will. | 1:19:11 | 1:19:12 | |
CHEERING AND APPLAUSE | 1:19:12 | 1:19:16 | |
CHEERING | 1:19:16 | 1:19:18 | |
-WILL: -'He was so much more than I expected. He was unbelievable. | 1:19:18 | 1:19:21 | |
'I got my whole team and I feel good.' | 1:19:21 | 1:19:23 | |
People, pinch me, just pinch me! | 1:19:23 | 1:19:25 | |
LAUGHTER | 1:19:25 | 1:19:28 | |
W-O-W. World of Wonder. Boom! | 1:19:28 | 1:19:32 | |
'So all the teams are now complete, | 1:19:32 | 1:19:35 | |
'as Will fills his last spot. | 1:19:35 | 1:19:37 | |
'The blind auditions are over, which can only mean one thing.' | 1:19:38 | 1:19:43 | |
It's the battles. | 1:19:45 | 1:19:46 | |
'Next week... | 1:19:46 | 1:19:47 | |
'Team-mates will be pitted up against each other...' | 1:19:50 | 1:19:53 | |
I can't believe it! | 1:19:53 | 1:19:54 | |
'..training partners become rivals...' | 1:19:54 | 1:19:57 | |
Watch your back! | 1:19:57 | 1:19:58 | |
'..and the teams will be slashed in half.' | 1:19:58 | 1:20:00 | |
It's not going to be pretty. | 1:20:00 | 1:20:02 | |
'But in a dramatic new twist, | 1:20:02 | 1:20:04 | |
'the artists that go down might not go out...' | 1:20:04 | 1:20:07 | |
-What?! -'..because this year...' | 1:20:07 | 1:20:09 | |
We can steal the acts! | 1:20:09 | 1:20:10 | |
We have steals! | 1:20:10 | 1:20:11 | |
Look at that. Two of them. | 1:20:11 | 1:20:12 | |
When the right person frees up, | 1:20:12 | 1:20:14 | |
they're mine. | 1:20:14 | 1:20:16 | |
'Forget the duet - | 1:20:17 | 1:20:19 | |
'this is a duel.' | 1:20:19 | 1:20:21 | |
-Aargh! -Yes! | 1:20:21 | 1:20:23 | |
Let the battles begin. | 1:20:23 | 1:20:24 | |
Subtitles by Red Bee Media Ltd | 1:20:42 | 1:20:45 |